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#king maurice
smileythefirst · 2 years
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Here’s another sonic art dump, except it’s all old art about my AU, Sonic Inverse, and my ocs. The only recent drawing is the first one. :D I got a friend to take the pictures yesterday, but the art was made a few months ago, hope you enjoy. ^^ (also that last one isn’t serious, don’t panic)
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illustratus · 10 months
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Le Roy Soleil (The Sun King) illustration by Maurice Leloir
Louis XIV in costume as Apollo in the Ballet de la Nuit
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I love Skipper's writeup of Maurice here. It shows that even the rest of the animals notice how much Maurice cares about Julien, even despite all of KJ's crazy antics.
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garden-bug · 4 months
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If u know u know.
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royal trio + soldier, poet, king
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morrieandlicky · 1 year
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All Different Endings of Maurice and Alec from E.M. Forster's Maurice
Having been to the King's College archive myself, as well as read the Abinger edition of Maurice (which examines the differences between various versions of the manuscripts stored at the archive), I can conclude that there are 3 main different versions of the novel: from 1914, 1932, and 1952-1959, each differing from one another in Forster's treatment of the relationship between Maurice and Alec after the British Museum.
1914 version:
Order: British Museum - Southhampton - Penge with Clive - Epilogue
NO HOTEL SCENE, NO BOATHOUSE
In this version, Maurice and Alec do not spend the night together after the British Museum; Alec asks Maurice to but Maurice refuses with a long speech about how they shouldn't be together because of their class differences. So they part ways instead.
Maurice, however, does go to the Southhampton to see Alec off. After not seeing Alec there, Maurice leaves with Reverend Borenius at end of the chapter directly to Penge to say goodbye to Clive.
The reunion between them is implied first during Maurice's farewell to Clive—"I've wired to him (that I understand why he missed the boat)"—and then specifically illustrated in the written epilogue.
1932 version:
Order: British Museum - Southhampton - Penge with Clive
NO HOTEL SCENE, NO BOATHOUSE, NO EPILOGUE
The British Museum chapter is pretty much the same as the published version.
Maurice and Alec stay the night but there is NO hotel chapter written out. Their night together is only described in 4 lines at the beginning of the Southampton chapter as an "unwise escapade".
The scene thus goes from Maurice saying "To hell with with it" directly to him at the Southampton.
The end of the Southampton chapter as well as the farewell chapter with Clive conform to the 1914 version: i.e. no boathouse reunion.
Epilogue by 1932 had already been disregarded by Forster, so the only clue we have to the reunion between Maurice and Alec is Maurice's line "I've wired to him (that I understand)".
Therefore the 1932 version is the least hopeful in regards to the happy ending between Maurice and Alec.
1950's version:
Order: British Museum - Hotel - Southhampton - Boathouse - Penge with Clive
This is basically the final and published version that we all have read.
The hotel chapter was drafted out in 1952 and added to the 1932 manuscript.
But it wasn't until 1958 that Forster was able to finally and fully pen out how Maurice and Alec reunite at the boathouse.
It must be noted that Forster had troubles finding a way to bring Maurice and Alec together, and in fact refused to reunite them for decades. The boathouse reunion, Alec sending a wire to Maurice, and Maurice not receiving that wire but instinctively knowing where Alec is nonetheless—all were only conceived by Forster in 1958.
Therefore—and this is really the most touching and important part—according to scholars and editors of the Abinger edition...
"now we shan't be parted no more, and that's finished" were by logic the very last words Forster had written for the novel. Alec's promise marks the end of Maurice's search for a friend, as well as the end of Forster's writing progess for Maurice. It is both a fictional and a real-life farewell.
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bunny-banana · 1 year
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me logging in on ao3
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icantsleep30 · 3 months
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ok this site is funny
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rolex-kaard · 1 year
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breaking news the monochrome traditional artist finds joy in messing with colors
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microcebusarnholdi · 11 months
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i love the royal trio because most of the time they're like
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but a lot of times they're also like
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and sometimes they're just like
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random-jot · 2 years
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It’s an actual poll this time! Unfortunately I’ve had to axe some choices from my original post, but even so, here are the ten contenders!
Plus I thought I’d include pictures of everyone to help you make your judgment:
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boringwarning · 4 months
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They are the same
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vampyr-bite · 2 years
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[it - stephen king // blood brothers - bruce springsteen // dead poets society (1989), dir. peter weir // maurice - e.m. forster // stand by me (1986), dir. rob reiner // bobby jean - bruce springsteen // no surrender - bruce springsteen // the body - stephen king]
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andyfairfaks · 4 months
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I never ever ever post vids on tumblr but i got a comment about it so😅😅😁😁😁
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oocmadagascar · 1 year
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Some All hail King Julien fanart I made a while back 😼 just wanted to share
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