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#kung fu panda character talk
miicycle · 4 months
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The Kung Fu Panda Movies have always had Mr. Ping give the moral of the story, and I think about that a lot. Yes, Po is usually out fighting bad guys when realizing where he should be mentally and skillfully, on his own when he gets the point of teachings. Ping is such an important person in Po's life, just as much as Shifu is needed to help Po learn Kung Fu.
Way more under the cut!!!
Kung Fu Panda 1: "You are almost ready to be entrusted with the secret ingredient of my secret ingredient soup. And then you will fulfill your destiny and take over the restaurant [...]" - Ping
"Secret Ingredient of my secret ingredient soup" being an allegory for Dragon scroll and "destiny" being Po becoming the Dragon warrior and "take over the restaurant" as being Oogway's successor.
Then it turns out the scroll is blank. And Ping feels its a good place to tell Po about the secret ingredient. NOTHING. For something to be special, you just have to BELIEVE it's special.
So Po, not needing any secret scroll or any cool powerup, wins against Tai Lung by believeing in himself.
Ping made him believe in himself. And when Po fulfills his destiny of defeating Tai Lung, he's PROUD!
Kung Fu Panda 2: "Po, your life may not have such a happy beginning, but look at how it turned out! You got me, you got kung fu! And you got noodles!" - Ping (and almsot identical quote said by Soothsayer)
And
Po: "I gotta go. I'm the Dragon Warrior, it's kinda my job to save Kung Fu. And if I don't, what am I?"
Ping: "You're my son! ... Right?"
The message is pretty clearcut, but it's repeated very heavily in the movie. Mr Ping may not be his father, but he is his dad. No matter where he came from, Po is Mr Pings son through and through and he very much loves him.
The scene where Po has been knocked into a river and saved by the Soothsayer, she says the same thing that Ping does. He didn't have a happy beginning, but what matters is who he is, and what he chooses to do now.
And the montage plays everything hes done up until now, but also empathizes the moments between Ping and Po. The last thing he sees in his mind is Ping being a dad, because he is Po's dad! Whatever happened before doesn't have bearing for who Po chooses to be. So when he chooses to be the son of a goose and the Dragon Warrior, nothing he finds out can change that.
Because Dragon Warrior or not, Po is Ping's son! Right?
Kung Fu Panda 3: "He's hurt. He's confused. And he still has to save the World! He needs both his dads." - Ping
"I realized that having you in his life doesn't mean less for me. It means more for Po." - Ping
And
"I'm not trying to turn you into me. I'm trying to turn you into you!" - Shifu
(Love how often Shifu and Ping mirror each other's roles btw they're both so important)
So these are a little less on the nose, but again super important. No matter what Po is going through, he still has to fulfill his destiny, and giving him support while he does so is the best they can do. Ping was initially worried of Li Shan stealing Po away, but realizes that bonding with his biological father doesn't take him away from Ping, just more love and support for Po.
But also, Po learning that he doesn't have to change drastically to reach his true potential. When Ping and Li Shan stand on the small platform and tell Po that they can help, along with all other pandas, Po has the realization that he can't turn them into him, just as Shifu can't turn him into Shifu, or Li Shan can't turn him into a typical panda.
Ping doesn't say a direct quote to mirror Shifu's, but he did initiate talking to Li Shan after Po and Li Shan had the liar reveal. Li never had the experience of having an arguement with his child, but Ping obviously does. So he takes it upon himself to keep being the rock that Po can lean on by talking to Li Shan and helping him realize that they have to be there for Po, no matter what happens.
Because again. Po is hurt. Po is confused. But he still has to save the world. He needs both his dads.
I love Ping so much for being a good dad in this way. He really plays well as a support character and is such a good parent. Yeah, Po may not fit the mold the way Ping expected (taking over the noodle shop etc) but hes still so proud!!!
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ffcrazy15 · 3 months
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Someone needs to do an analysis on the way the Kung Fu Panda movies use old-fashioned vs. modern language ("Panda we meet at last"/"Hey how's it going") and old-fashioned vs. modern settings (forbidden-city-esque palaces/modern-ish Chinese restaurant) to indicate class differences in their characters, and how those class differences create underlying tensions and misunderstandings.
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eosofspades · 2 months
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oh my god i figured out what's bothering me about zhen its that she has the elsa face
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apologies for the bad quality i got these from a youtube video but like literally why is she so PLAIN. would it have killed them to give her some narrower eyes?? some starker color separation?? ANY markings at all?????
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peaches-the-heathen · 4 months
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In honor of Kung Fu Panda 4 being announced i have officially fulfilled my childhood dream and made a bad ass cat kung fu panda oc
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lovelytayforce · 1 year
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Why Oogway from Kung fu panda is the most supportive grandpa and not a huge bitch! And your fave villain is actually a huge bitch! <3
Now, I know what you’re thinking? Why the inflammatory and very obviously vague post? Because it’s being spread everywhere like wildfire and I’m tired of it. We get it, you all love your men like Tai Lung and Kai but they're not the UwU babies you HC them as, and blaming Oogway isn’t making them look cool or cuter. So, without further ado, I, Oogway’s lawyer will step up to this fandom’s unjustified hate for him just cause they got hit with the consequences of their actions. Now, let’s start with the first movie because you people can’t seem to grasp the simple lesson in the film that “Your actions have consequences.” Okay, remember that? It’s very important. And I need you to remember it okay? I’m counting on you! Alright, let’s start with the literal first scene with MR. PING AND PO: Yes, this is important, just stick with me okay? Po asks his father right at the beginning if he ever wanted anything else in his life outside noodles.
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He even calls his own dream stupid, and you can see he slightly regrets it in the scene if you watch closely enough. This was the first mistake Ping made, he was repeating a cycle of denying the younger generation of their own dreams and needs without even realizing it. Now, we can actually get to our favorite turtle. Two things we have to talk about before we move on is the fact, this second scene is dedicated to foreshadowing mostly Shifu’s character, every little reaction to Oogway is a means to tell us why Shifu needs to calm down and think before he acts. Remember? “Your actions have consequences.” Now, you're probably looking at the scene like, this was just a funny joke scene but no. Shifu is distressed expecting nothing but the worst news while Oogway is calmly accessing the situation at hand, he doesn’t reprimand Shifu because he knows the pain his friend is going through, he was there for it and stopped it before it could kill him. Shifu here displays everything about the quote below, had he not rushed Oogway and merely listened to the very end he would have understood what to do. 
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This is one of the rawest quotes that follow Shifu and his son throughout the first film, they are both avoiding the inevitable, trying to stop what must come. Life doesn’t bend to your will and that’s what Oogway is telling Shifu right here in the present. But what does this dummy do? Try to ruin what Oogway was doing from the get-go. 
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Had Shifu not panicked and quickly told Zeng to leave then Tai Lung would have never escaped. IT'S IRONY AND say it with me, the consequences of his actions. Oogway even tells him this in the scene where he reveals it is time to pick the Dragon warrior, and Shifu makes so many assumptions that Oogway never speaks of the legend itself. Shifu makes the Dragon warrior seem bigger than life itself but Oogway never says that. If you haven’t realized: Shifu assumed things. 
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He’s not actually seeing the true picture Oogway is laying out for him, he’s just waiting for that big moment, uncaring of how it affects others. (Aka the five cough his own daughter cough and even his own son cough) He’s clouded the water for everyone and only Oogway is the one who sees it for what it is. Oogway does nothing but tries to guide Shifu away from this mentality that not only destroyed his own son but himself in the process, remember the Ping scene I showed you at the beginning This is the same thing. Shifu has done nothing but projects himself onto others and that’s not only an aspect in the films, it was in the short “Secrets of the scroll” too. 
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“You must let her grow into what she must be.” - Oogway. This isn’t the first time he's said this to Shifu and surely will not be the last. Shifu is by all means a stubborn character who leans very heavily toward how traditional Kung fu is taught along with its ideals. He focuses on strength, speed, and endurance above all else which is also shown in the film's training course. He does not divert from tradition, just like Ping. Oogway doesn’t hold the same ideals but respects Shifu unconditionally despite their differences. Because he respects and cares for Shifu along with his children. He does the very same with Po, never outright disagreeing because that’s not helpful to them, that won’t allow them to grow as people. Into who they are meant to be. Po goes on and on about how he sucks and Oogway is understanding, he doesn’t say “Oh you’re great just the way you are.” He allows Po to vent the way he wants to and gives him actual support when he needs it most.
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Po shouldn’t be concerned with how he sucked today, because he can try again tomorrow and get better as time goes on! And that’s the truth when you start something, especially something as difficult as Kung fu with a teacher who's comfortable bullying someone 40+ years younger than them is HARD. But what Po needs to focus on is the PRESENT. He tells that to EVERYONE. To focus on the now instead of the past or the future, that’s why it’s a gift. Because you can choose who you want to be at that moment. The past is already gone, decided, and written, and the future is uncertain and leaves you with nothing but anxiety at what could be. But right here, right now. You have a choice. And now we get to the main man himself, Tai Lung aka the loser stuck in the past: Now again, you’re probably pausing like “Really man? Calling Tai a loser from the get-go, do you have no shame?” And I reply with a “No, I do not.” Because he is a loser and the film shows that. Very clearly. I know we all love the awesomeness of the escape scene but think about the context of it real quick: This FORTY-YEAR-OLD MAN, let me say this again FORTY YEAR-OLD MAN, was hard-pressed to release himself for one thing and one thing only, The scroll saddled with his revenge for something he was never promised after endangering innocents in the past and then endangering more guards for a scroll. Take that in for a moment. Doesn’t that sound like loser behavior? Don’t you think maybe he could have taken that time to, I don’t know, think about why he wasn’t chosen or if he wanted literally anything else in his life. He had no one to talk to, so he should have been using that noggin’ for something useful but he didn’t. 
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Oh, lookie here! It’s “THE CONSEQUENCES OF SHIFU’S ACTIONS NEGATIVELY AFFECTING THE PEOPLE AROUND HIM!” 
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Also, this man is out of his goddamn mind. Like we have to move forward here so we can realize the full delusion in this single frame. But I’m getting off-topic, we have to talk about when he was rightfully denied the scroll. Now we have to note two very important lines here because Tai Lung fans have very selective memories, so we need these screencaps
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Okay, that is the first line, the second is Po’s line before this, it’s very clear even to the common folk in the Valley, Tai Lung was an ambitious, selfish, and one-track-minded fella. With the line: “He turned bad and went to jail.” Now, let’s think back for a minute about Oogway’s morals. He supports people who are kind and uplift others even though sometimes they do questionable things, Shifu bullying Po-but that’s for another conversation. But he obviously would not pick someone who is solely focused on such a selfish goal. We all know the scroll is blank, and you have to love and accept yourself for who you are in the present. Tai Lung would not be able to understand much less accept that because he wanted the scroll to change him into something Shifu told him about, not Oogway. Oogway had every right to refuse Tai Lung, that’s his school, his house, his scroll and without him, he and Shifu would be without a roof. Now, remember what I said about Shifu’s beliefs in traditionalism right? You're supposed to listen to your master as they guide you, Shifu albeit a stubborn student and Master, listened to Oogway, and Tai Lung should have followed suit, he grew up there. But no he CHOSE to ruin everyone else's day, and let me show those innocents by the way. 
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HE'S LITERALLY ASKING FOR SHIFU TO COMMIT FRAUD! Tai Lung showed what his ambition truly was and Shifu didn’t see until it broke right through him literally, Tai lung doesn’t even hesitate to swat his father aside before going for the scroll before Oogway stops him and spares his life for his old friend, Shifu. Because he cares. Oogway cared about Tai Lung and let him choose who he wanted to be. Remember? Actions have consequences. Tai lung has had two instances of his life where he could have chosen to do better and what did he do? He fucked it up. Just decided to be a bitch ass sore loser instead of bettering himself which is what Kung fu is about, it’s what Po did. But you know, that’s life.  Speaking of, Shifu is mostly at fault for this. I think everyone knows that? Oogway as I said above with the short, tries his best to guide Shifu on his horrid parenting journey but such is life. I’m sure we all know someone who shouldn’t be a parent and if we could we would ban them from being around children in general. Back on topic, Shifu has a problem of not listening to Oogway as we’ve established: - Didn’t listen til he got sick to let Tigress be herself - Bullied Po and didn’t listen until Oogway died - Filled his son and daughter’s heads with untrue folklore of the Dragon warrior missing key elements such as Kindness in the memo… - Also, he tried to “Well, ACK-TUALLY” him in an argument about control. Shifu is not a very bright man. And neither is his son. Po and Ping are a direct mirror to this though in the fact that, unlike Shifu, Mr. Ping stops and realizes his son is in distress about the whole situation and does something special. He tells him the secret ingredient which is nothing but believing something is special because he believes Po is special. Shifu stopped believing in his son, which is why Oogway asked him to promise to believe and even took his meek reply of “I’ll try.” When Shifu and Tai Lung met again they couldn’t mend what Tai Lung destroyed, not even an apology could heal what his son broke inside Shifu. And Oogway knew this. Because you can’t force a peach tree to grow into anything else but what it was meant to be. No one in the Jade Palace was meant to be the dragon warrior, they should have been training for themselves but they followed Shifu. Nothing was ever promised to anyone. And again, that’s the beauty of life, you can change. Every day you change, every time you look into that blank scroll you see every little change you worked for and some you got along the way figuring it out. Tai lung does not have that though, all he has is Kung fu and that’s Shifu’s fault. Not Oogway’s, you cannot blame someone who never promised you a thing and simply told you no. You have to move on.  Tai Lung even naively states, he only thought of Shifu’s opinion, never the Master who bestows the scroll itself. He was not in the present, all he wanted was the future he was never promised and blamed everyone else for it and hurt his own father, in the process. Not once, but twice. Shifu only admitted Tai lung was not meant to be the Dragon warrior and that it was never his decision to make and even goes so far as to ask Shifu to falsify the results of who the Dragon warrior is. Shifu was too late in allowing his son to dream. Oogway had nothing to do with any of their dramas. They decided to push themselves so far instead of cherishing the present. And that’s why Oogway is the best grandpa because he doesn’t force his ideals down your throat because he listens to your troubles without downplaying how bad you feel because he believes in the power of change that we all have but accepts we don’t always take the right path. That is the true gift. The gift of change. As for Kai um idc, he was stealing people’s chi, aka killing them, and being a horrible person to people who helped Oogway in his darkest hour, so fuck him. I still love his theme but again, Kai’s actions caught up with him and he caught them tortoise's hands for being an asshole.  Bye~! Also, Shen's a bitch too.
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help girl im hyperfixating on kung fu panda
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furalicious2 · 1 month
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Chameleon with his buddy
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punkpandapatrixk · 1 month
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🪷Sacred Lotus Within You ♦︎ Timeless Pick A Card
‘If you only do what you can do, you will never be more than what you are now.’
‘I don’t wanna be more! I like who I am.’
‘You don’t even know who you are.’
‘What do you— Of course I do; I’m the Dragon Warrior!’
‘And what exactly does that mean—Dragon Warrior?’
—  Po and Shifu’s conversation from Kung Fu Panda 3
SONG: Pure Imagination by Gene Wilder
MOVIE: Kung Fu Panda 3 (2016)
[PAC Masterlist] [Part 1] [Part 2]
[Patreon] [Paid Readings]
A hard Life is not always a divine punishment of sort⛈More often than not, the Universe’s most advanced Souls choose to be born—as Humans—into much sorrow and a perceived sense of limitation just for the joy of experiencing a personal breakthrough out of a cycle of—both—good and bad Karma🍄
Seen from a Soul’s perspective, all events in this mortal world are just drama. drama. drama~🎭It’s so exciting to co-Create massive stories with other Souls in this theatre of the Universe🎪This Play in itself, a spiritual evolution of sort for all beings of Love and Light🩰
This world is at best the dream of a Butterfly🦋Have fun; and have faith that in time all things bloom magnificently like a Sacred Lotus emerging from the mud🪷Ultimately, all of us, we bring with us only memories of our lifetimes when we are done playing our roles in this Grand Experiment of a Cosmic Drama💫
☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
Pile 1 – Peace Maker
VIBE: Master Shifu asking Po to teach him inner peace
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seeds of beauty in you – 10 of Pentacles Rx
Encoded in your DNA is the very gift of healing itself. You were born into this world of stupid carrying seeds of peace-making. Yup, you were the kid who was always able to tell when a grownup was lying. Like, OMG, so disrespectful…they think I can’t see through such obvious lies? In fact, too many things were obvious to you because you are gifted with a keen ability of observation. We’re talking superhuman-level observation, baby~
With that, the world around you was often terribly dull. You’re definitely the type that wants to travel and see the world for yourself. Wanting to see what other people of different nations and races, customs and cultures, even religions, have to share about what this Life is all about~ You had A LOT of questions!
Alas… You soon realised that most people’s perceptions, priorities, and overall ways of life are low-quality at best. Your interactions with people, your observations of them, gave you almost nothing but disdain. People…are not intelligent enough. But more disturbing still…people are not noble enough in their pursuits of a good Life.
In your eye, most of the time, people don’t have enough integrity, character, or personality🤷🏻‍♀️
blooming in spite of muddy water – 7 of Pentacles Rx
If you’re often distressed by the state of Humanity, it is because you possess this divine ability to pierce through bullshit and reveal the true essence of all things. You’re a deep diver. You truly are a scholar. You’re the type that seeks to bridge between differences and clashes, so that people find a common ground upon which they could build a harmonious society. You most likely have a significant placement in the 7th House or blessed with a strong Libra/Venus aenergy~⚖️
Essentially, you’ve come into this world with an almost specific purpose of bridging differences between generations. All because your Oversoul was sick of watching Humans being fools amongst themselves. So you plunged into this world of illusions in the hopes of elevating people’s spiritual intelligence. Your unique gift of observation is piercing and high-vibrational and the reason it can bridge generations is that the wisdom you will develop as a person is both universal and timeless💎
You are an Ascended Master, you know. Like Po returning to the mortal world after defeating Kai. Like Gandalf the Grey returning as Gandalf the White after defeating the Balrog. All because you’ve got shit to do in this world of stupid—your wisdom is gravely needed! I’m not teaching you to be conceited or anything, but by means of technicality, you’re not here to learn anymore; you’re here to…teach🤣
tulips of happiness – Knight of Cups
No matter your age or their age, you’re here to teach the infantile Humans about inner peace and true, everlasting, sustainable, manageable, actually reasonable sense of Harmony🌷You do that by setting an example; by first bridging confusions and calming down chaos within yourself; then you talk about the walk to anybody interested enough to listen to you🌾
In this lifetime, as an Ascended Master playing Human, there’s probably a lot of heartache you’ve needed to learn to forgive. If you’re in your early or mid-20s when reading this, you’re most likely just beginning to learn it. You don’t have to act perfectly though. Healing and forgiveness are not about being or doing perfect. It’s perfectly OK, too, not to forgive—certain cruelties in this world are simply beyond absolution, ya know?🤬
What does truly matter is that you forgive yourself. Just yourself. You can forgive the situation. You can forgive the fact you fucked your way into this or that mess. Where applicable, you can give thanks to the experience and then move on to the next thing. Be glad about the fact that you’re still alive after all of the fuckery, and that you’ve enough self-awareness, and how that self-awareness has grown you as a person. It is such a beautiful thing to have grown up in the mental and spiritual~🦉
ESSENCE OF BEING HUMAN🔻💜
the script you chose – Silver Alchemist (Ramon Llull)
path of self-transcendence – Priestess of Healing
Access full reading + cards on Patreon🌸
☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
Pile 2 – Pink Radiance
VIBE: Master Oogway sending universe mail to Li Shan
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seeds of beauty in you – III The Empress Rx
Oooh~ You’re pretty~ That much I can tell🙊You probably are blessed with some significant Aries, Aquarius, or any Cardinal aenergy in your birth chart; could also have Venus/Moon in the 1st or 11th House~ And do you know why you’re bestowed with an outer appearance that’s easily considered attractive in this realm? Because you’re meant to have an audience🎙
You’re meant to be heard; to have a platform and be some sort of a leader. And since being pretty in this world brings a lot of privileges, your Soul chose to be born with this specific setting in your birth chart wHoA~ A pretty face gets attention more effortlessly and that’s just how it is with this world~🙈
So, you see that there’s meaning in having some forms of privilege whether it’s your face or your family/economic background, or even heritage or some special lineage thing going on in your Life🎰And yet, it seems you could’ve been blind to all this ‘upper hand’ and not see much value in your existence.
None of this has felt all that special…well, because you were born with it. It’s not special; it’s normal to you; and you definitely want to feel special…not really grasping others would kill to have what you were born with…🐞
blooming in spite of muddy water – XVI The Tower
In spite of all of the privileges that seem obvious and enviable to others, you yourself have not felt all that blessed most of your Life. There is this thing that people don’t understand about you: EXPECTAFUCKINTION. Expectation could kill, depending on situation, and depending on where you are in Life. In many ways, you haven’t really ever felt FREE in your beingness. You don’t really know how FREE truly would feel like. You can imagine it, but you don’t really know if that’s even real🤷🏻‍♀️
Whether it’s status, prestige, or simply beauty, sometimes you’ve felt victimised by the very things other people wish they had. They literally don’t know how suffocating it is to be wearing your crown~ You often feel like you don’t have autonomy over your own Life. In some instances, you may even have experienced your autonomy getting violated. And it’s so heartbreaking.
At some point in Life, you will suddenly and gradually lose access to all of these beauties and privileges, maybe even some of your talents, babe. All these things that came ever so naturally to you, once you’ve lost ‘em, you will die in spirit, and be reborn with a renewed sense of appreciation for the fact you have always, ALWAYS, been extraordinary👿
tulips of happiness – King of Swords
Whether you are a girl or a boy or straight or gay or whatever, you are an ally of the world’s Divine Feminine aenergy. Do not worry about losing your glory; it will aaalll come back stronger and sparklier once you’ve graduated the University of Hell a.k.a Saturn Return🪐
It is part of your Soul’s Blueprint to experience losing privileges, perhaps money, talents, friends, freedom, hair, weight, and everything else, momentarily. This period of your Life—whether it’s your first or second Saturn Return—can be likened to a pregnant woman who’s now restricted from drinking, eating, doing, or even being near certain things. She’s not so free, but for all the right reasons; she’s protecting her foetus.
This Saturn Return period of your Life where you’re experiencing losing yourself is like a pregnancy where you’re gestating a newer, stronger, clearer, more confident version of yourself. The restrictions put around you are meant to suffocate you further, enough for you to want a breakthrough. All so you can become a pure Pink Radiance of a miracle this miserable world needs, for that is your purpose for being born🌷
Shine on, Pink Diamond~
ESSENCE OF BEING HUMAN🔻💗
the script you chose – Green Historian (Herodotus)
path of self-transcendence – Priestess of Prosperity
Access full reading + cards on Patreon🌸
☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・. ☆♪°・.
Pile 3 – Magic Worker
VIBE: Po teaching the tribe to be THEMSELVES
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seeds of beauty in you – 9 of Cups Rx
Within you are seeds of a luxurious lifestyle that you ought to nurture slowly throughout the course of your Life. You may have come from a background of lack just to make this whole scenario more exciting (to us as Souls contrasts are exceedingly attractive when thinking of a spiritual breakthrough). With that, you could’ve grown up with lots of daydreaming about feeling fulfilled—emotionally fulfilled.
Though you may have daydreamed about luxurious environments and things and situations, at the core of everything, all you yearn for is a feeling of safety; stability; of having just enough…of being enough, in fact…all because you weren’t emotionally nurtured as a child. You were the kid who were neglected by everybody, both the adults and your peers.
You felt unseen most of your Life. But even those who acted like they saw you, somehow the view was inaccurate. You felt this way because you didn’t understand yourself either. Children learn about themselves through the feedback of their environment; so the ones who were mostly neglected…how could such children even begin to learn to comprehend their identity?
Because you didn’t really understand yourself, it was difficult to manifest properly. In your psyche, there are way too many threads of wishes that are tangled up, causing you to manifest clashing Realities…and then disappoint you…
blooming in spite of muddy water – XXI The World
The reason for this difficulty is that you needed to learn and discover for yourself the true Essence of being alive. You are essentially God’s messenger to help Humans overcome their addiction to material possessions. Omaigosh if you know how TikTok shopping culture is making people poorer and more miserable in the emotional, I’m sure this will ring a bell in your Soul Memory.
People who grew up poor are the main target of evil marketing because they crave that feeling of ‘having’. Sometimes, it’s a feeling of having things—trendy things; some other times, it’s a feeling of having friends—cool friends; and some tragical times, of having someone to love—which usually only translates to ONS or casual hookups without any real emotional connection.
Anyway, back to talking about material possessions though, there’s this:
‘Trying to be happy by accumulating possessions is like trying to satisfy hunger by taping sandwiches all over your body.’ – George Carlin
This, is a concept, a Reality, you’ve needed to learn and fully comprehend, and then unravel by means of your personal spiritual transformation. That way you can be an example and a guide to others. Reminiscent of Uncle George himself, you’re somebody who holds an Elder Archetype aenergy about you. You’re ‘worldly’ in the sense that you’re based, well-thinking, and most of all, you can embrace perspectives that are UNIQUE. You’re able to hold a knowledge that encompasses the whole of the Universe itself.
tulips of happiness – 4 of Pentacles
In a sense, know that you are a born leader. Though I sense, you may be more interested in being a thought leader🧠You don’t seem that interested in leading an envoy or a movement of any sort hahaha You’re a loner; you like being in your own company. After all, people are stupid and it’s exhausting to have to interact with them. And that’s all fine~
In the future, when everything’s said and done, you’ll meet your Soul Tribe—people who are just as weird, misunderstood, deep, sombre (probably), wholesome, complex, and loyal such as yourself🫀Your Spirit Guides are really saying: it’s perfectly fine for you not to extend too much compassion for those who aren’t worth your while; hoping you’d calm down some clashing ideas about your personality.
It sounds cruel? No, really; not everybody is worth paying attention to or share affection with. If you do that you’re only going to be sucked dry of Life Force. It’s a similar principal with money spending. Just because you see a lot of items being displayed with attractive, persuasive DISCOUNT signs, doesn’t mean you have to give your attention, or money least of all, to ALL of that. Got it?🤪
‘Even if something is on discount, if you don’t need it, it’s too expensive.’ – Love Marie Escudero’s husband, Govt. Chiz
ESSENCE OF BEING HUMAN🔻🧡
the script you chose – Green Physician (Paracelsus)
path of self-transcendence – Priestess of Intuition
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lkaruss · 29 days
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An extensive KFP 4 rant (spoiler heavy)
So, Kung Fu Panda 4 was… an experience. It took about 3 glasses of whiskey to get through it.
There is so much wrong with this movie, from the pacing to lore breaking issues. However, this is an attempt at trying to formulate my opinions regarding the film, and explain why certain story decisions were detrimental.
My live reaction to the film:
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The movie makes it clear right from the start that it was made for very young children. It’s filled to the brim with jokes. If there is a chance to make a joke, then there is a joke. Regardless if it's appropriate or if it hurts the story/lore/characters. In normal circumstances, this would be offset by the fact that the jokes are creative and unpredictable, but they aren’t. I would say most of them can be seen either from a mile away, or they just fall flat. I think I only managed to laugh once or twice when Po’s dads were doing something, but outside of that, the film couldn’t get a chuckle out of me. On the contrary, I found many to be cringe, and some even made me uncomfortable.
But why am I talking so much about the jokes? In the previous Kung Fu Panda films, the jokes were used to break tension. The way the seriousness of the story and the jokes were in harmony is what made those films so memorable and impactful. The story (and films) took itself seriously, but it would sprinkle in jokes that fit the universe, the situation, and most importantly originated from the scene themselves. 
Compared to this, the jokes in KFP 4 are, unoriginal, forced, and usually can be traced back to pop-culture. The last one being important as the original Kung Fu Panda films stayed away from referencing pop-culture as it would break the immersion and authenticity of the setting.
This ties into the ERA that these films depict.
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Setting
Based on my limited understanding, the original films have done an excellent job at depicting a world that is supposedly set in an authentic ancient China. From the way names are handled, to symbolisms, everything was well done.
The same cannot be said about Kung Fu Panda 4.
I’m not an expert on chinese culture, but from what chinese friends have told me, „Juniper” city doesn’t sound Chinese at all, or has a meaning in Chinese. It’s essentially a Latin word for a common plant that can be found all over the globe.
The architecture of the city is also questionable. It’s trying to give off a metropolitan feel, which doesn’t fit the ERA. Additionally, the architecture of the buildings is odd. It’s like a mesh of the architecture of several Asian cultures.
Then there are some of the names. „Steve” and „Scott” to be specific. These are the names of some masters and I don’t think I need to explain why these don’t fit the setting at all.
I was constantly questioning what movie I was watching as it was hard to believe this is Kung Fu Panda.
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Identity crysis
What made me question the film’s identity the most however is the story.
This 4th film felt like a 1st installment rather than a sequel. It conveniently disregards everything from the previous movies that would contradict its plot and world.
The film immediately starts with Shifu coming out of nowhere and saying Po has to choose a new Dragon Warrior at that very moment. Not only did this feel incredibly random, but it’s also thematically incorrect.
First off, why is Shifu saying this? Why would he want Po to pass on his „title” if it's destiny? Why would he want him to do it now? Why did he not even consider ANYONE FROM THE FIVE and instead got 5 randos as candidates out of the blue?
The issue with the whole premise is incredibly flawed. Let me explain…
Po was chosen as the dragon warrior in the first film. There he proved his worth as such. The key to this is that he is the chosen one because it’s his destiny to deal with threats that no one else can. 
This doesn’t necessarily mean that he is the best. He is the guy who is and will be in the right place at the right time, with the right tools to deal with threats that no one else can deal with. But I digress, it's a different topic.
The point is that Po’s role as the Dragon Warrior is his destiny. The „title” merely represents that role in the world. So you can pass the title to anyone you want, but that does not change the fact that due to destiny, it’s still going to be Po’s role.
This is not just a coincidence though. Po has shown many times that he has a very open view of the world. This is then combined with his traits of being is warm, outgoing, energetic, friendly, goofy, and unorthodox. He represents the Dragon, Yang in the Yin Yang.
All of this is important to understanding why there is only 1 dragon warrior, and that is Po. End of the story.
The film however completely throws all of this out the window and goes with the new Dragon Warrior plot anyway.
That means the new Dragon Warrior is literally right there next to him. Master Tigress.
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Now you might be asking why that would be the case.
This film, although throws out all the symbolisms of the previous films, still shouldn’t disregard the other characters that are around Po.
The 2 characters work like the 2 sides of the Yin-Yang, as complementary forces. They are opposite forces that need each other in order to create balance. 
Her influence is extremely necessary throughout the three films, particularly the second and third. It is her companionship, her support, and her constant push against Po’s natural instincts that lead to the best outcome.
Po has achieved a lot of spiritual enlightenment and character development. A lot of it through his own means, but without Tigress he wouldn't be where he is right now.
The Yang is the strongest when it contains the Yin, and the Yin is the strongest when it contains the Yang.
But this dynamic goes both ways. Although we mostly see the effects of this relationship on Po as the films focus on him, it has also changed Tigress. This leads to her opening up more and being more expressive as the films went on, giving us glimpses into the compassionate person she truly is.
While symbolically she is not the dragon, the 4th film establishes that it doesn’t care about the symbolisms or anything that the previous films have established. So naturally a character that compliments Po this well,  should be put into the spotlight and get the character development that she deserves. A character that went through serious changes, but is still left incomplete. You might as well make her the new Dragon Warrior then.
She - altough deserved the title the most even in the first film - lacked the ability to see the world from a perspective that's required to handle certain situations. The Dragon Warrior is way more than just being the perfect warrior. Po's presence was necessary for her to change her attitude. Leading to her slowly becoming her best self. Knowing all of this, it's not such a wild thought that if there has to be a new person who takes over that role, then Tigress would be a great choice for that.
But what is there for her to learn from Po? Spirituality.
Tigress has always been a grounded, by-the-book character. This can be mostly attributed to her upbringing. Her changing and becoming more open, seeing things differently would have been something interesting to explore, and this would also take care of the issue of the „new trilogy” copying the original trilogy’s main character development.
However, the film completely ignores her existence, and the new Dragon Warrior is instead a random Zootopia fox.
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The (new) deuteragonist
There is so little to say about Zhen. The best thing I could compare her to is an untreated wooden board. 
It’s rough, full of splinter, and there are many like it. Probably one of the most cliché characters I have seen in a very long time.
She is generic, has an overused „misunderstood fox thief” trope, and a character arc that is so predictable that we all knew what was going to happen just from reading the film’s synopsis at the beginning of 2023.
Her backstory is a copy of Tigress’ except if Shifu was evil. An orphan who is taken in by a master who emotionally neglects her. Said orphan doing what her master wants in order to be loved/accepted by said master. Except that Zhen doesn’t seem to have any attachment or loyalty to the Chameleon. So the „Sad backstory” fails to garner any sympathy towards the character.
Her dynamic with Po is non-existent, which is why their „friendship” is forced. The creators tried so hard to make the two bond, that they forgot to give them time, shared experiences, or anything that would resemble an emotional connection between them. They just quickly went over everything that they have in common in a dialogue and that’s it. There was no prerequisite completed that would make Po care about Zhen or vice versa.
Furthermore, Zhen doesn’t fit the traits that the dragon has, she is not spiritual either or has an open view of the world. So why is she the new one then?
And I wanted to avoid talking about this, but the character is a textbook Mary Sue.
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per wikipedia
Zhen is more than capable in a fight to keep up with Po, even though it was not shown why she is so good at fighting. One thing is for sure, she shouldn’t know Kung Fu as she certainly didn’t learn it from her „master” the Chameleon if the film’s plot has any consistency.
She is not only able to manipulate Chi, but also to use Po’s staff without knowing anything about either of those.
A previous character’s role being retconned so that she can take it for herself (See the rant about the Dragon Warrior title above)
She always gets along with characters that matter, getting what she wants. 
No real character drawbacks.
A throwaway character like this, should be a minor support character, not the new main protagonist for crying out loud.
Her inadequacies are so blatant as a character, that no wonder they didn’t even want to have at the very least Tigress in the film as Zhen would immediately become irrelevant to the audience. They put all the spotlight they could on her, at the expense of the story, and in the end achieved nothing in return.
Tell me with a straight face that a character that has an entire movie focusing on them - who still remains a generic, boring character by the end, without any story potential - should be the new main protagonist. The fact that most people don’t even refer to the character by her name, but by the actress’ name Awkwafina should tell you everything about how memorable she is.
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Most new characters and animal designs don’t fit the KFP art style.
A good example of this is Zhen.
This is how a fox would look like in Nico Marlet’s KFP style:
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And this is what we got:
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Sorry, wrong picture. I meant this:
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Now, I’m not a character designer, or a professional artist, I only draw a couple of his characters, but I can see that this is way too far off from his work. If not from personal experience, then from the interviews that Nico Marlet himself gave.
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The same issue applies to the villain of the film, the chameleon, but atleast with her they tried (somewhat).
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The Villain
They say a film is as good, as its villain. This seems to be true in the case of this film too.
The Chameleon sucks.
She has no connection to anyone from the cast. She has no emotional leverage or pressure on the cast. She is not scary or powerful enough to make the audience care about the cast. Her motivation is so terrible, it might be one of the reasons why the Five was kept out of the film because their mere existence single-handedly demolishes her reason for breaking bad.
Outside of this, the character is unoriginal and uninspired. She basically can “lick” people and steal their Kung Fu? I honestly don't know how to put this into words because it doesnt make any lick of sense (I did the funny). If anything it's a budget version of Kai.
They didn’t even bother to give her a name.
What I will say though is that Viola Davis did what she could with what she was given. I found it amusing that she managed to give the chameleon those serious villainous vibes, while at the same time, the character is a joke. If that’s not a testament to the voice actor’s abilities then I don’t know what is. She was definitely wasted on this role.
As for the “returning villains”. I knew they were only there for cash-grab from the moment they said that all of them would return. Shen, is dead. He is not a Kung Fu master, he doesn’t have any connection with Chi, and he hasn’t been banished to the spirit realm. Then there is Kai, whose soul/spirit doesn’t exist anymore.
The only one that could ever return was Tai Lung. However, due to the gravity of his character, if he does return it has to be done perfectly regardless of what direction his character takes.
Now, many of us knew from the start that whatever they were gonna do with him would be bad (I mean there is a massive beef between Tigress and him, and yet she is not even in the film), but I think I speak for all of us when I say that they managed to somehow lowball it even worse than expected.
Basically, the Chameleon brings him back from the spirit realm, licks the Kung Fu out of him, he says like 3-4 lines, and returns to the spirit realm…. what the actual f*ck.
I’m sure I don’t need to go into a 10-paragraph rant on how much storytelling potential was wasted with this, because everyone knows. From reconciling with his dad, to her little sister having a crazy beef with him, to having to accept all the wrongs he did, accepting that he is not the Dragon warrior etc. etc. etc…
There was always only 1 chance of bringing him back. If he came back in a new film or show (again) it wouldn’t have anywhere near the same impact as it should, and it would also feel weird to the audience.
DreamWorks, you had 1 chance to bring this guy back, and you wasted it all on this film.
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The non-existent magic system.
Or rather, how this film didn’t care about it at all.
Kung Fu Panda has a relatively grounded world. It’s animals that do Kung Fu based on their natural abilities. The closest thing we got to supernatural was Chi, but it was well handled in the 3rd film in my opinion.
Chi is life force and not magic. This means if you use it, you are exhausting your own life force. This means you would only use it in certain situations, such as healing someone who is mortally wounded, or perhaps to enhance an attack in a desperate fight.
The film doesn’t care about this and handles it as just a regular, inexhaustible force of energy. This can mostly be seen with Po as he uses it whenever he feels like it.
The other type of magic is what the Chameleon is using. It’s not explained, or shown how it works. It’s just there to further progress the plot so that the character can take the Kung Fu from others. (Seriously, how does that work?)
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The Kung Fu action
The fight scenes were also a downgrade compared to the previous films.
In KFP 4 they felt less energetic, less grounded, and overall too cartoonish. As an example, Po can jump ridiculously high because… I don’t know, I guess the film just ignores the fact that he is Panda who sometimes even struggles to pull himself up to a rooftop. 
The previous films incorporated the strengths and weaknesses of the animals that fought. Po is not very mobile, but he is very durable, and his fighting style compliments this. However, when he really needs to get somewhere, his lack of mobility is then offset by his friends, the Furious Five.
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The Furious Five
Their absence can be severely felt throughout the movie. That is because in their place was a generic character that had forced interactions with Po.
They have great synergy with him, that cannot be replicated, however minor their role might be sometimes. They serve as a great way to fill in those empty spots in the story, and to elevate the villain. Additionally, their fight scenes are entertaining and help to spice up the choreography.
Although they are great companions, if the film really doesn’t have the time to spare for them, then it's understandable if they aren’t around. However the same cannot be said about Tigress.
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A Kung Fu Panda film has to have Po and Tigress interact, due to the reasons already explained above regarding her, and also because of the following:
They are direct opposites, which is why their relationship is so entertaining, regardless if you look at them as platonic best friends, or as a potential couple. 
Po is warm, outgoing, brash, energetic, friendly, goofy, and unorthodox, however, he is also serious when needed. While Tigress is introverted, calm, calculated, passive, and intuitive, but deep down she is also a very compassionate and conflicted person that we rarely see. This is then in conjunction with the emotional bond that the previous films have built up between them. These are the reasons why just putting these two in a room is enough to create entertaining scenarios. They add a lot of fun, heartfelt, and emotional moments to every film.
Whenever Po is facing a problem, she is right there to help him through it, whether by talking it through or by beating some sense into him (literally).
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She has always been quintessential in Po’s development and motivations.
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Memberberries, Memberberries everywhere…
It was jarring to see the film disregarding the existence of the previous movies to justify its plot, but at the same time heavily relied on tropes, and scenes from said films. I’m not kidding when I say that there were moments that were ripped straight out of them.
One of those moments is the standoff between Po and Zhen before the final fight. Zhen wants to stop Po to avoid him getting hurt, but the fight ends with her hugging Po….
Yeah… it was a blatant copy of the prison scene from the 2nd film. However, I think the 2 scenes here perfectly encapsulate why the previous films worked, and why the 4th film doesn’t.
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The prison scene in the 2nd film was essentially an emotionally unstable Po being held back by a caring Tigress. Po is so focused on getting to the truth that he forgets the reason they are there, and would put his and his friends’ lives in jeopardy to know what happened to him and his parents. So much so that Po was ready to get beaten to a pulp by Tigress instead of staying down there and waiting until the Five finished the task.
But instead of that happening, Tigress saw how lost Po was, and realized she needed to calm him down to help him understand their situation. And so the person who has always been portrayed as an unfeeling, hardcore, essentially perfect warrior gave Po an unexpected hug and told him he is too important for her to lose him.
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This moment has gravity and weight, because of how she is perceived, because of how Po views her, and because Tigress was forced out of her comfort zone to emotionally connect with Po, to help him. It’s a moment of pure comradery and care towards each other that ascends the situation they are in. It’s a moment that in many ways defined their relationship going forward.
In comparison to this, the scene that copied this in the 4th film has none of the emotional underlinings that I discussed, and so it falls flat and feels cringe rather than heartfelt and warm. This is mainly due to Po and Zhen having no connection, bond, or reason to care about each other. But then there is the other element that I discussed when talking about the villain. Po is in no real danger, and it never felt like he was.
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Production
From the early leaks, it was blatantly obvious that the production of this film was rushed. Between the artificially forced plot, the generic character designs, the non-existence of the Five, the lack of time, money, commitment, and care was apparent.
However, due to an interview that the Co-director did with some folks on the subreddit discord, light was shed on the nightmare that was the production. I won’t go into details, as everyone should read the Q&A for themselves, but I’ll touch upon a point that was brought up as an excuse for this film turning out the way it did.
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(this is a real concept art from the production btw)
Some are saying the reason the film turned like this was due to the budget restriction. That they simply didn’t have the money to have characters like Tigress return due to Angelina Jolie costing a ridiculous amount of money.
But then I have to ask: They had the budget for characters like Shifu (Dustin Hoffman), Po’s dads (James Hong & Bryan Cranston), Tai Lung (Ian McShane), who in the end turned out to be completely irrelevant to the story, but not at the very least for Tigress (Angelina Jolie)?
I’m not saying that you cannot make a story with these characters, because you obviously could make a great one. What I’m trying to point out is if you have such a limited budget, are you really going to blow it all on actors who play characters that essentially add nothing to the story? This is why I call bullshit on them not getting at least Angelina Jolie back to play Tigress. 
Let’s not even mention how you could always recast these characters anyway (although it's clear that the execs are the ones forcing the use of A-list actors).
So for the sake of the argument, let’s come up with a story, that has a reason to exist, has characters that you can do something with, and fits the budget that you are given.
For me - considering that this film was essentially a buddy adventure film - it's an easy task. Just have Po help Tigress explore her origins. I know it's cheesy and basic, but at the very least you have what’s needed for a decent story that would be able to expand on a beloved character, and even help develop Po into a spiritual leader as he has to aid her best friend.
Another idea is what my friend and I had come up with. Have Po bring Lei Lei (now much older, and is a student under him and Tigress) on an adventure. You wouldn’t even need Tigress to appear in the film, because these characters would reference her many times. Lei Lei is a copy of Po in the sense that she wanted to do Kung Fu because she puts Tigress on a pedestal. Because of how influential she was in her life, Lei Lei’s personality is a copy of Tigress’.
I’m just shooting ideas here, but at least these wouldn’t ruin the continuity of the franchise and would be able to navigate the studio limitations that the creators had to face. (from the ones we know of).
"Limitation is the mother of creativity"
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KFP 4 was a shallow, artificial story that didn't add anything to the franchise, only degraded it and stripped it of it's remaining value. It's missing the foundations of a KFP film, such as the heart, artistry, and warmth. It's not unexpected as none of the original brains worked on this film.
So what can be expected from this franchise going forward?
Well, not much honestly. It was a weak attempt by DreamWorks to continue the main storyline, not for the sake of the story, but to milk as much money out of it as they can. Even though with a little bit of effort they really could have at least made a good film in the end. However, between the incompetence of the decision makers, the rushed production, and the new people not knowing much about the franchise, that was never going to happen.
The only thing that we can hope for is a spinoff (which is about a decade late at this point), that focuses on Tigress. It’s the only way I see anything for this franchise going forward and hopefully, this film served as a wakeup call for the executives.
Thank you to those who had the patience to read through my inessential rant. Let me know what you guys think about the film.
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kichikichiko · 1 month
Note
Hey
Can i please hsc dating for Po (kung-fu panda)
What do you like about him?
AAAAA MY FIRST KUNG FU PANDA REQUEST!! I'd be delighted to do this anon Po is my 2nd favourite character after Tai Lung :>>>>>>
Synopsis: headcanons of dating Po the dragon warrior!
Pairing: Po x kung fu gn! Reader (Animal type is up to you)
Cw: headcanon, fluff, probably not proofread, Po is a sweetheart what else to say???
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“What do you like about him?” someone asks you.
Po is the Dragon warrior of the valley of Peace, of course everyone loves him, but no one loves him more than you do.
When you and Po make it official, he basically would talk about it NON STOP.
Out on a mission? He tells the furious 5 that he misses you already, even though he just left the valley a minute ago.
AND can see your figure in the distance, watching him wave farewell by the bridge
Out to another part of China and staying at an inn? He’d tell the innkeeper about having a partner and would tell them all the amazing things about you
Maybe even the embarrassing ones too, but not on purpose!
He just pays close attention to you, loves you and every part of you
He fights enemies? Po had always been one to talk during battle. So to no one’s surprise, as he’s kicking butts he’d tell the enemy that he has a partner that he so adores, and who he misses so much
It gets pretty annoying for the enemies to the point they just have the urge to beat him up even more. Not they can but oh well.
One of Po’s favourite moments is when he sees your face when he comes back from a mission
Your smile and the way you’d run up to him to give him a big hug.
You're smaller than him, but even they he could feel how tight you wrap your (wings/paws/arms) around him.
Just by your hug alone he can tell how much you missed him as well
“Po you're back! How was the mission? Were you hurt?” you’d ask while checking his whole body for any cuts, injuries and bruises.
If you catch him come back home with an injury no matter how small, you’d yell and panic while dragging him back to the village to attend to him
Even if he tell you over and over it’s fine and that it doesn't hurt as much, you refuse to let him walk around with an injury
He loves that you care so much about him.
Po loves to bring back souvenirs for you as well when he goes out on a mission.
Be it keychains, posters, food or anything.
If he sees something cool that he knows you’d like he’d get it.
You appreciate all of the gifts he gives you and keep it on a shelf in your home that you have dedicated to the stuff Po gives you.
Whenever he visits your place, he’d take a glance at that shelf and smile to himself.
Happy that you appreciate his gifts enough to dedicate a whole shelf for it.
Po makes some of the best noodles in the village
He is the son of Mr. Ping, the goose who owns the best noodle shop in town
Whenever you both decide to have a chill date, you’d both go up your favourite hill and enjoy some of Po’s noodles
“Po seriously you can do EVERYTHING! Kick butts, save the world and make noodles!” you praised him, while gulping down his noodles
“Nahhh my dad makes the best noodles, but I am very good at kicking butts and saving the world" he chuckles, acting all so humble.
You don’t argue though
because even if he thinks he doesn’t make the best noodles, he is right about being good at his job as the dragon warrior.
Po also appreciates that you don’t date him just because he is the dragon warrior.
You don’t treat him like a trophy, make his job the main focus of everything.
You see Po for Po, and you are with him BECAUSE he is him, not the dragon warrior.
If Po starts doubting who he is as a person, you gently remind him and lead him back to the right path and show him who he truly is.
“Never lose sight of who you are, Po.”
When the valley is in danger, his very first instinct is to find you and protect you. He knows that the safety of everyone else in the valley is in good hands… paws and wings.
He’d (try) run to where you live and when he finds you he will be very relieved.
If you are unharmed this is how he’d react:
“(Name) I’m so glad you're safe” and just like you, he’d check your body for any injuries. “I’ll get you out of here okay? Just stay with my dad and I’ll find you once this is all over.”
“Okay, please be careful Po,” you nodded in agreement, holding his paws with a worried expression.
“I promise.” He would do anything to keep his promise. Po couldn't bear to break it
If you are harmed this is how he’d react:
When Po finds you harmed, be it with any of your body parts stuck under rubble or getting an injury that causes you to be in pain…
He’d panic and the anger sets in
He’d save you first, carry you bridal style and run away from the scene leaving the enemy (if there is any) with the furious 5 “You're going to be just fine (name)! I promise you so don’t leave me now!”
It’s clear in his face that he is very, very worried for you and your wellbeing
Po would put the blame on himself if he ever lost you.
Will think it's all his fault that he wasn't by your side to protect you
You being attentive as always even when in pain, realise this and gently smiled at him with all the strength you have left
“Po, I’m going to be just fine, okay? Don’t worry. I won’t leave you”
With your whispered reassurance, he becomes less tense and nods. Believing your words.
There was just no way you’d leave him here all alone. You will be with him through every step of the way, and him with you.
When everything is done and he defeats the enemy, he’ll find you ( and his dad) immediately.
Overall, Po would be a wonderful boyfriend. He may not be smart, but he does make you feel loved, safe, happy and content.
And that is truly, all that matters.
“Everything” you respond with a smile.
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adobe-outdesign · 19 days
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Kung Fu Panda 4 Rewrite Thing
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Been chewing on this movie for a while now and wanted to take a shot at improving it. Some parts are a bit rough but I think this gets the general idea across.
As a rule, I'm trying to keep most of the characters and elements/plot beats in place rather than spinning things off in a completely unrelated direction. I also am aware of the restrictions placed on this movie, such as an unwillingness to rehire high-profile VAs and runtime limitations. This is just meant to be a "what if" kind of thing. That said:
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We open with a stylized sequence of Po telling the story of his and the Five's latest battle. As it ends it's revealed he's at the grand opening of Mr. Ping's brand new bigger, better noodle shop location, talking to the customers.
As one of them asks where the Five are now, Po explains that they got summoned to their own individual missions, but they'll be back soon.
(Yes I am still having them be MIA, as Po needs to be alone with Zhen for part of the movie. However, they'll only gone for the first part of this rewrite and for a very specific plot-related reason.)
(The thing with Po needing to give up his title of Dragon Warrior makes no sense for multiple reasons, so let's just drop that plot point entirely. I get that it's meant to tie into the "change" moral, but I'd rather have Po imparting this lesson onto Zhen instead of learning it himself, as otherwise it undermines the character growth he had in 3.
Also, Po isn't carrying the staff around with him constantly in this rewrite, as it looks a bit silly and isn't plot relevant here.)
A messenger shows up to report that the Jade Palace is under attack. Po decides to rush over just in case Shifu needs backup... which he does, because he's being kidnapped in a small one of those magic-proofed cages from the actual film.
(Shifu being kidnapped was tossed around in the writing room originally and I want to keep it in this rewrite because it A) gives Shifu something to do, and B) I want to allow Zhen to openly be working with the Chameleon in order to help flesh out her character and avoid the lackluster plot twist, meaning she'll need new leverage against Po later on.)
The figure behind the kidnapping appears to be Master Elephant, which confuses Po as he's been missing for several months. Right as he's about to land a finishing blow, the figure shape shifts into Master Chicken, throwing Po's attack and resulting in him getting a bad head injury. He does his best to pursue the attackers, but can't keep up. Dismayed, he returns to the Jade Palace...
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...And finds Zhen trying to steal something, using the commotion outside as a distraction. Po fights, but he's still badly injured and can't give it his all, resulting in Zhen being able to slip away with her prize—a dust bunny from under the furniture. Po is baffled.
(Side note: I would probably redesign Zhen so she actually looks like she matches the other characters' style, but I digress.)
Feeling dismayed, he returns to the noodle shop, where both his dads work on treating his wounds and comforting him. As Po explains what happened, Mr. Ping mentions that customers have been circulating rumors about a shapeshifting sorceress in Juniper City. Po decides that that's where he needs to go, promises his dads he'll be safe, and leaves.
(I'm cutting Mr. Ping and Li's subplot, because as much as I love them they don't really add much to the plot. It also feels like it goes against Mr. Ping's characterization in KFP 1 and 2 in particular.)
This is where we can have the scene of the Chameleon vs. the crime bosses. This can mostly stay the same except one of the bosses attempts to attack her when she shape shifts, causing her to retaliate with a magic-based attack. She also needs to straight-up kill the guy to establish her and her sorcery as a legit threat.
Po arrives at the Happy Bunny tavern to look for a ride to Juniper City. As he talks to Fish and Chip, he notices Zhen nearby doing some black market trading with Granny Boar to obtain a white feather. Po confronts her and she tries to run out with the feather, causing the boar family to pursue in a big fight scene.
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Po and Zhen manage to escape, Zhen stashing the feather. Po threatens to have her sent to jail, but Zhen confirms she's working for the Chameleon and can lead Po to her so he can rescue Shifu. Po dislikes this situation, but has no choice but to agree.
(Unlike in the actual film, I would make it so her lair is hidden in some fashion; magic that keeps it camouflaged would be appropriate for a chameleon, or it could be underground or hidden behind something. Regardless, it should be impossible to locate without Zhen's assistance.)
On the boat ride over to Juniper city, Zhen says that she has to "obtain" one more item from the local history museum or she'll be in big trouble with the Chameleon. Po doesn't like this detour, but once again has no choice in the matter.
Po asks why Zhen would want to work for someone so obviously evil, and this is the point where Zhen admits she was adopted by the Chameleon and we get her backstory.
(I would establish that the Chameleon has an actual name, but only Zhen uses it. It shows that Zhen is closer to her than most, not quite seeing her as a mother but not fearing her enough to use her preferred title. Also, the Chameleon's the only KFP villain without a proper name and that bothers me.)
The backstory can be the same, but the part about her living on the streets and meeting the Chameleon for the first time should be merged into a single flashback.
Zhen says that Po couldn't understand, but Po reveals that he's also adopted, and that he probably would commit some noodle-related crime if his dad asked him to. Still, Zhen insists that people don't change, and that includes her.
They arrive at Juniper city (Po is impressed at its size but he very much is not acting like he's never seen a city before). Zhen covers up her muzzle and tucks her tail under her clothes so she won't be recognized.
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Zhen is ready to break into the museum, but Po says that he's got this and goes up to the guards to tell them that he has some official Dragon Warrior business to take care of and will need to borrow some ancient artifacts.
Unlike in the actual film, everyone ready acknowledges him as the Dragon Warrior. The guards are more than happy to loan him whatever he needs... until Zhen's tail pops out and the guards recognize her, prompting them to attack.
During the scuffle, Zhen uses a chi blast to knock back one of the guards, but almost gets taken out by the other guard coming up behind her. Po defends her but gets mildly injured as a result.
After the fight, Po asks about the chi move and Zhen states that the Chameleon taught her the basics.
Zhen confirms that the Chameleon is a master of chi, and that the sorcery she uses is a specific type of chi manipulation.
(The reason I'm connecting chi to her powers is that it makes them feel a bit less out of left field, and helps 4 feel like a logical progression from 3.)
Zhen admits that she's not very good at using chi, but Po points out that it took him years to use chi in battle. He also compliments her on her kung fu, and she confirms she's self-taught.
(In this rewrite, Zhen is good at fighting but not quite at the level she is in the actual movie. This is to address the issue of who taught her if the Chameleon doesn't know kung fu.)
He takes a moment to give her a few pointers, which causes her to ask why he took that blow for her earlier, figuring there's a catch. Po just says it's the right thing to do, but Zhen is skeptical, figuring he only did it because he still needs her to lead him to Shifu.
The reminder of Shifu prompts Po to move on, and they grab the item Zhen was after, a 500 year old set of blades, then run for it.
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Po and Zhen arrive at the Chameleon's lair, and Zhen shows Po how to get inside and tells him where Shifu is being held. She says that she'll take the items to the Chameleon, which will distract her while Po breaks him out. Po thanks her, and the two separate. Zhen warns him of booby traps on the way out.
There are indeed booby traps, such as those saw contraptions from the actual movie and a bunch of guards. It takes Po a few minutes, but he eventually gets through them.
Po finds Shifu being held in a dark room. Shifu is glad to see him, but warns him to be careful as the Chameleon's likely not far away. Po explains Zhen's distraction and moves to free him... only for a cage to fall down and trap him as well.
"Shifu" is then revealed to be the Chameleon in disguise, who slips through the bars via shape shifting into a mantis and thanks Zhen for her help. Zhen apologizes to Po, who's naturally upset ("I mean, I know you were evil, but I didn't think you were THAT evil").
Zhen hands over the three items she collected, and it's confirmed what they are: a dust bunny that contains a clump of Tai Lung's fur, a feather from Lord Shen, and a pair of blades once wielded by Kai.
Po mistakenly interprets this as the Chameleon being a collector of kung fu memorabilia and tries to chat about the Jade Palace's collection, much to her bafflement.
The Chameleon explains that a trace of a person's chi remains long after their death, and demonstrates by doing The Tongue Thing on Kai's blade, stripping its chi, and immediately taking his form.
(As you may have picked up on, this rewrite removes the spirit world elements entirely. While they are really interesting, I think cutting them is the best option because:
1. There is so much plot involved with bringing Po's old enemies back that you could make that an entire movie in and of itself. It's hard to do it justice when you're cramming it in around the edges of this movie.
2. It makes the Chameleon too similar to Kai in terms of abilities.
3. Having her rely on stealing other's kung fu makes her come across as weak despite being a powerful sorceress.)
Po asks her if her goal is to take over China, but she says no; she just wants to end the practice of kung fu for good, and prove that sorcery is the superior option. To prove it, she has Shifu brought in.
While having your chi stripped does not remove one's kung fu abilities in this rewrite, it is still removing part of one's life energy and thus weakening them severely for a period of time—ergo, Shifu is still unable to fight at his best. Still, he manages to hold his own.
Instead of using kung fu, the Chameleon relies on the brute animalistic strength and inherent abilities of the forms she takes, switching whenever she's loosing to keep her opponents on her toes and even transforming into Shifu himself for a period. She also uses a few chi-based attacks.
Just when it looks like Shifu is about to win the fight, she uses her tongue to strip the chi from the fur clump, taking the form of Tai Lung. Shifu is so shocked and distraught that he fails to attack, allowing the Chameleon to land a serious blow.
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She returns to her original form and states that when the blood moon has risen, she will battle and take down every master in the middle of Juniper city, where everyone can learn just how useless kung fu and the people who teach it are. She leaves Po in his cage panicking over Shifu, who's unresponsive.
Zhen follows the Chameleon outside, where we get the "does the blood moon always rise so slowly" gag. Noticing that Zhen looks troubled, she asks what's wrong, and Zhen talks about how Po encouraged her to do the right thing. Even though she's been told that kung fu masters are elitist, selfish people, she couldn't see any of that in Po.
(Side note: I want to establish in this rewrite that while the Chameleon will claim up and down that Zhen is only a pawn for her to use, she does care about her to some extent, even though probably loathes the fact she does. For example, when talking to Zhen here, she might pick some rubble out of her fur or something to show there's a teeny tiny bit of actual affection hidden there.
The reason for this is that all other KFP villains have had an emotional anchor—Shifu for Tai Lung, Shen's parents for Shen, and Oogway for Kai. The Chameleon being abusive but having some real love for Zhen and Zhen struggling with her gaslighting adds a lot more depth to both of them.)
The Chameleon finally reveals her backstory, which should be told in a hyper-stylized way à la the flashbacks in KFP 2 and 3. Just like Zhen, she grew up on the streets as an orphan, broke and starving. She admired kung fu greatly and wanted to learn it, but everyone turned her away for having no money to pay for lessons.
One day, she found a shiny jade amulet on the streets that someone lost, finally giving her a much-needed break. She is able to use that money to enroll in classes.
The problem was that while the money changed her financial status, it didn't change the way people saw her. Her master still considered her a lowly gutter rat and treated her as such, verbally insulting her and beating her down during training sessions. It's very much like how Shifu treated Po in KFP 1, except worse, especially because the Chameleon is a small and fragile animal.
Finally, during one training session she became too injured to move. Her master told her to quit and started to walk away, only for her to grab his leg with her tongue to trip him up. However, at the peak of her self-loathing, she instead discovered her chi stealing abilities and transformed into him. It's not shown, but it is implied she killed him.
As the flashback ends, the Chameleon shifts into Zhen and tells her that no matter how much you change, you can't change the way other people see you. Siding with Po, she says, will only get her hurt. Zhen nods and unexpectedly hugs the Chameleon, telling her she knows, and runs off.
Cutting back to Po, we see him frantically trying to break the bars of his cage. Zhen comes forward and drops down on her hands and knees, apologizing for everything. Po says that she came back, and that's what matters.
She reveals that the "hug" was actually just a way for her to get the key off of the Chameleon, and she uses it to unlock Po's cage. Po runs over to Shifu and he and Zhen heal him with chi, and we get a callback to the "I'M NOT DYING YOU IDIOT" scene from KFP 1.
However, while Shifu's not dying, he is very badly injured and can barely walk on his own. Po asks how they can take on the Chameleon and her army with just three of them, but Zhen holds up the key and suggests they get an army of their own.
Running downstairs, Zhen reveals where the other masters are being held. To Po's shock, the Furious Five are among those captured. Tigress confirms that the summons they received were traps laid by the Chameleon, and she already has their forms.
Also down there are the other crime bosses, as it feels like they just disappear in the actual film after their scenes.
Zhen only manages to unlock the Five's cages before before the Chameleon snatches the key back with her tongue, revealing that she knew Zhen was lying to her. Behind her, her army assembles.
Tigress confirms that that the Five will take on the army, and Po faces off with the Chameleon one-on-one. She strips the feather and uses Shen's form to fly up and take the upper ground, trying to kick a cage onto him. Zhen helps deflect it, and the Chameleon tells her to stay out of the way. Po and her continue to battle.
Despite Po's best attempts at blocking it, she does finally stick him with her tongue. He grabs it and throws her a distance in her fragile base form, injuring her but still giving her some of his chi in the process.
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The Chameleon takes on Po's form next, and we get a fight similar to the one in the movie, though once again with her using less kung fu and more magic and physical attacks.
She mentions how she was rejected and tries to tell him that he should be on her side, because a bit fat panda like him must have been treated just as badly as she was. Po denies this, but Shifu admits it's pretty accurate. Po says he's not helping.
Po admits that she has a point, except she forgot one thing, and we get a callback to the "I'm THE big fat panda" moment from KFP 1.
The two attack at the same time. As the dust clears, it's revealed that neither are doing great—Po has gotten a lot of little injuries and the chi stealing has weakened him. The Chameleon is struggling to shapeshift at all, with the attempt causing her pain, and instead settles for trying to blast him. Zhen steps in and manages to redirect the attack back at her.
The Chameleon takes the blow and ends up back on the floor as a parallel to her flashback. Zhen reaffirms that she disagrees with her worldview—people can change, and she's going to prove it. If the Chameleon wants get to Po, she'll need to get through her first.
The Chameleon kind of laughs this off at first before realizing she's dead serious. She states that Zhen isn't even good at fighting, but Po disagrees, giving Zhen a confidence boost. The Chameleon struggles to her feet as if readying an attack, everyone braces themselves... and she surrenders, too injured to fight and unable to bring herself to hurt Zhen.
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(There are a few reasons why I think her surrendering makes for an interesting defeat here:
1. There's no spirit realm portal to yeet her into in this version;
2. There's only so many times Po's enemies can be yeeted directly into the spirit realm before it gets old;
3. It adds character depth, and;
4. It ties back nicely in to the theme of change and that it's never too late to do the right thing.)
Zhen helps the Chameleon up, Tigress does the same for Po, and Monkey does the same for Shifu. The five reveal that despite being exhausted, they still managed to wipe the floor with the Chameleon's army, which Zhen thinks is incredible. Po introduces Zhen to them formally, and Shifu asks if they can save the introductions for after they get medical treatment.
Later on, Po (carrying the staff Oogway gave him) approaches Zhen, who's sitting under the peach tree by the Jade Palace. He asks her if she's doing okay after everything that's happened. She says she's alright, but is pretty scared of what's going to happen next, given that the Chameleon's in jail and she has nowhere to go.
Po reveals that him and Shifu have been talking, and he plans to open a new school as part of the Jade Palace that will offer free kung fu lessons to anyone who's interested in learning. Zhen asks if there are any spots open, and we end similar to the actual movie, with her training alongside the five.
the credits still end with the Jack Black cover of Baby One More Time because it slaps
134 notes · View notes
fushipurro · 3 months
Text
In the Shadows of Love
Chapter 6 - Vega
<- Previous Chapter | Masterlist | Next Chapter (wip) ->
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☆ Content: 18+ MDNI, heavy angst, depression, suicidal ideation, implied/reference ED, mentions of blood (nosebleed), emotional hurt/comfort, insecure/intrusive thoughts
☆ Word Count: 7.8k
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After your little “diner date” as Shoko and the gang started calling it, you found yourself hanging out with Toji more often than not, much to your surprise. You had your worries that the opposite would occur during said “date”, but it appears now to have brought you closer together.
Meals between the three of you ─ Megumi included of course ─ became a common occurrence, along with shared trips to the store. With winter settling in now, Toji stated he felt more comfortable with having you in his car instead of letting you carry bags home in the snow.
“Don’t need you freezin’ to death out here,” he’d say in an effort to convince you.
Other times, he would invite you over so Megumi could share some quality time with you to make up for all the times it’s just you and his dad. And who are you to deny the sweet boy?
Tonight is one of those nights.
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The day began (early afternoon for you) with some games before dinner, enjoying said meal in front of the TV while watching a movie together. Megumi loves anything that features talking animals, so you thought it best to put on Kung Fu Panda, to which he fell in love. Hard.
He tired himself out trying to replicate all the moves, leading to Toji having to carry him off to his room to sleep. Turns out in this one-bedroom apartment, the two share the same king-sized bed. Toji had said before to you that because he’s out all night working, Megumi has the bed all to himself and vice versa during the day. He even took Megumi into consideration as far as bedroom décor went, stating his only preference is the happiness of his son, even if that means his sheets have dinosaur print all over them.
“Kid’s finally asleep,” Toji tells you upon his return, sinking back down into his spot on the couch with a thump. He laughs with a simpering expression, “Now we can watch something with a little more excitement for two adults.” His eyes fall on you from the side.
You jokingly gasp. “How can you say that movie wasn’t fun?” You place your hand over your heart to exaggerate the feeling of shock. “I’m telling you now, he’s going to be doing kung fu all week and have you in the Wuxi finger hold.”
“I can fight better,” he snorts, and you giggle. “I bet I could give any dragon warrior a run for their money.” Toji raises the sleeve of his ivory-colored sweater upwards. The veins and muscles bulge as he flexes with that same annoying grin stretched across his face looking for your approval.
“Okay, Tai Lung,” you tease, your voice coy sounding. “Whatever you say.” Your eyes roll away from him and back to the TV.
Toji laughs, snagging the remote before you can even think about it. “Just for that, I’m picking the next one,” he declares.
He pans through the options, debating what might be a good choice. He has a few ideas, but his primary goal like always is to get a reaction out of you. So, when he lands on a classic you know and love, he wastes no time putting it on.
Bride of Chucky.
“Perfect.” The words roll out like a purr. Or maybe a warning growl? Either way, he puts the remote down, leaning back against the couch and draping his arm over the back.
The movie picks up right away with an introduction to the main characters as you remember quite well. Rob Zombie’s “Living Dead Girl” playing while the one and only Tiffany Valentine makes off after the first kill of the movie.
Toji had thought the combination of blood and murderous dolls would have you leaning into him for protection, but to his surprise ─ and disappointment ─ you don’t. The most he gets out of you so far is a recoil during the first murder committed by Chucky himself.
“That’s what gets a reaction out of you?” His question comes out with a pout he doesn’t even hide.
You laugh through your nose, “Hey, the stabbings are one thing, but piercings getting ripped out?” You shudder. “No thank you.”
“Not even a little afraid of some creepy ass doll running around, killing people with a knife…” He goes silent for a minute as the bathtub scene occurs. “Or…a TV?”
“If we’re talking about Slappy from Goosebumps, then yeah,” you huff. “That guy was nightmare fuel for me, but Chucky I can enjoy.” You reach out for some popcorn, ever so quietly humming to “Call Me” by Blondie as it plays.
Toji takes his own handful before speaking, “You’re one odd girl, I’ll give you that.”
It’s funny the things that can affect you. Meeting new people turns you into a stuttering mess, yet you watch horror movies without a care in the world. As if the blood and guts doesn’t do anything to you unlike the words or actions of others do.
To others, you’re that of an iceberg. The image of you that others see is only a mere glimpse with the rest hiding below the surface. All it takes to reveal that side of you is time to warm up, something Toji is finally starting to see as you grow comfortable with him in your presence. No alcohol needed.
Throughout the rest of the movie, even if you weren’t clinging to him in order to shield your eyes, he still had his ways of keeping the distance close. There’s the brushing of fingers reaching for popcorn that seemed like more than accidents or the arm he has resting behind you this entire time for you to lean your head against.
It's like the awkward theater date you never had as a teen, except you’re the only one feeling awkward about it now. But at the same time, it’s endearing because you’re going through this milestone event in your life.
Except… you still aren’t aware if he’s single or not.
All signs point to yes since you’ve never once heard of another woman, or Megumi even talking about a mother. But she could just not live here, or they’re going through something, or she’s working abroad. The fact is, until you mount the courage to ask, or he tells you, you don’t know.
You’d be lying if you said you weren’t hoping he’s single. You’re enjoying this too much to think about this crush of yours falling apart.
Toji is sweet as could be and he makes you laugh every time you’re together. He continues to treat you and while you can’t return the favor financially, you’ve been trying with the little things like bringing baked goods over with the excuse that you made too many to cover up your nerves.
It's all you could ever hope to have with a friend or even a significant other, even if all it must be is platonic. It’s something you haven’t had in a long time, and one thing you don’t want to ruin by desiring more.
The movie ends and Toji stands up to stretch, collecting the leftover dishes to clean. You take a few, following him into the kitchen area.
“I would say let’s watch another, but I can’t be late for work tonight,” he groans, and you swear you can hear him pouting even with his back facing you.
“There’s always another night,” you reassure.
“I think we should just start the kid now with the good stuff.” His head turns in your direction flashing a mischeavous grin. “What do you think about watching Alien next time?”
“And scar him for the rest of his life over the spaghetti scene?” you reply with a sarcastic tone. “Yeah, I don’t think so.”
“Hey, I saw much worse at an earlier age and look how I turned out.” He raises both his hands and shrugs all nice and proud.
“And it’s a miracle you’re sane.” He rolls his eyes with a laugh. “I vote that we watch Finding Nemo next time. I’m sure he’d love that one especially with how similar one of the characters is to you.”
He looks to you dumbfounded. “In what way could I possibly resemble a fish?” he says with disbelief lacing his words.
You giggle, “Personality for one; Gill is tough, smart, and cares a lot almost like a dad.” You extend your hand, gesturing to the man. “And two, you share similar features, like the color black, how you glare at others, scowl, even having a facial scar.”
You bite your tongue, eyes widening at what you just said. Another piece of info Toji hasn’t told you about yet is how he even got the scar on his lip. You know more than anyone that it may not be the easiest thing to talk about, mainly if there’s trauma tied to it versus something mundane like getting cut by a sticker bush.
It doesn’t help that he’s facing away from you so you’re unable to read his current expression. “I’m sorry, I–“
“You think I’m all that, huh?” He interrupts with a huff, appearing unbothered. “Bet I’m tougher than any fish in the sea,” he tells you again, with another flex of both his arms this time around.
You sigh in relief, “What about an orca?” you ask, and he flashes you a toothy smile.
“Now that’s a better comparison for someone like me over some stinkin’ fish.”
You both laugh and continue to chat for a little while longer. While Toji is cleaning the dishware, you’re occupying yourself with Megumi’s toys, helping to tidy up. When all is said and done, he walks you out, hanging back in the threshold of his home and the hallway.
“I’ll see you later then, hope you have an easy time at work.”
“Thanks, sweetheart. Try not to have any nightmares later.” He winks, and you laugh.
“If I do, then I know who to blame,” you scoff. “Goodnight, Toji.”
“Sleep tight, and don’t let the cursed dolls bite.” You roll your eyes, calmy walking into your home. Once inside, you’re anything but calm. You practically skip your way over to your couch, throwing yourself onto the cushions to pet Tsumiki.
Sweetheart.
He calls you that from time to time, and the butterflies you feel are something else. It takes a few breaths to relax from such giddy feelings. It’s been far too long since you had someone like Toji in your life, and you crave this kind of attention. This closeness. For the first time in what’s most likely been years, you feel as though nothing could possibly go wrong.
You eventually pick up your phone that you haven’t bothered to look at in the hours spent next-door, and there were several notifications to greet you.
The first dozen were some cheers from work, namely from Kento regarding the publication of the magazine you modeled for.
The second bunch were the obligatory Instagram mentions, the most important being the one from Satoru’s post alongside a series of his choice photos from that day with you.
That’s when you remember things can and will go wrong, as the third set are all various notifications of strangers blowing up your account. The majority falls under Satoru’s post, a bunch of his followers spitting venom your way to target you.
Who’s this nobody he’s with?
Can she get any closer to him? I bet she’s just using him for clout
Must’ve been torture for him :( she’s not even that pretty lmao
Would look so much better with only Satoru.
You want to look away, you really do. You’d love nothing more than to shut your phone off and throw it at the wall, but you can’t bring yourself to do it.
It’s nothing new for you to be hated on like this. The sad reality is that it’s to be expected, no thanks to the anonymity of the internet. But that doesn’t make it hurt any less.
They’re jealous.
You know that.
Just obsessed fans taking out their anger on you because they wish it was them at his side.
You know that too, but it doesn’t stop the dark cloud that hangs over you wherever you go.
Why don’t you just stay in your lane? Be a flower on the wall?
You should’ve turned the project down, given it to someone else. You don’t deserve the recognition it brings.
This is your fault, you know. You should’ve listened to your parents when they said you weren’t going to succeed in life.
You sit up properly on the couch, tucking your knees to your chest. For a while, all you can bring yourself to do is stare blankly at the screen, watching all the new messages come through every passing minute. It’s a given, considering Satoru’s astonishingly high following. It isn’t until your phone shuts down from a low battery that you throw it aside and fall to your side, letting the tears come cascading down.
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You wake up later, still lying on your side with a damp feeling against your face. The light that comes through your apartment is soft, no doubt earlier in the day compared to when you normally choose to wake up. Begrudgingly, you push yourself off the couch, listening to every creak your bones make like dated wood.
The first thing you do is plug your phone in to charge, followed by feeding Tsumiki her breakfast. You ponder whether you want anything, but even if your stomach was growling, you don’t feel all that deserving to eat. Not only does your depression take away your appetite at times, but it also puts a strain on the relationship you have with food and other things pertaining to your day-to-day life.
A shower helps. At least there you can attempt to drown out your thoughts with the water that rains down. Even when physically after you’re clean and smell nice, you still don’t feel all that great. Against your better judgement, you go to see how things were looking today on your phone.
The answer?
Worse.
More of the same shit fills your feed, but with the added bonus now of threats and other hate in your DMs, and all over your own posts that had nothing to do with the magazine. All are a courtesy from the people with nothing better to do than wish harm upon you for breathing the same air as their celebrity crush.
Speaking of, there’s a new message from him.
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Satoru Gojoheyyy so sugu, sho, and I are going out to star plasma later to celebrate, you wanna meet up???
You Sorry, I’ve got a lot of work to catch up on :( hope you guys have fun though!
Satoru Gojo boooo :( well if you change your mind, we’ll be there <3
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You wonder if he’s seen the same hate you have, or maybe he’s just that good at ignoring it for his own sanity. That, or maybe he just doesn’t care what they’re saying. Not everyone is like you.
Oh, how you wish you could be like that. You also wish you didn’t feel the need to lie to him about having work. The thought of the gang seeing you in this state fills you with disgust, not to mention if Toji’s working tonight.
You place your phone back down on your nightstand, eyes drifting across to your bed. Most of the time, it’s the only place you want to be in, all wrapped up nice and tight under lays of blankets.
Other times it feels like a prison.
All the fabric acting like chains, keeping you bound to your mattress with no hope to escape. It’s during these times that everything outside the walls of your apartment frighten you to no end. And like always, you give in to the call of your damnation.
Sinking down into the cold sheets, you stare now up at the blank, white ceiling. The various scuffs and spots act like sheep for you to count as you make a mental note to clean them later. That will have to wait for a day you feel capable. A day you feel better if that day ever comes before it’s too late.
Why does it seem so easy for others to ignore all the drama of life and intrusive thoughts? They make it sound so easy, that being a normal, functional being is easy but here you are, wallowing in your own misery. You long to feel happy in life rather than the sorrow you feel now.
But will that ever happen?
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A few unremarkable days have gone by since then, and you still bear no signs of feeling better.
You’ve stopped crying now, but the emptiness took over. Somehow you manage to get out of bed, only to mindlessly complete your work and anything else you have to do. Tsumiki’s been hanging close-by, as if she senses how distraught you are. Her meows and cuddles are the only thing bringing a ghost of a smile to your face as you shut out the rest of the world.
Food has been minimal, most of it not even having a taste when it hits your tongue. Your appetite is lacking either for anything more than a few bites. All in all, you’re just passing time until you can fall asleep, letting time go by that you later hate yourself for missing.
Depression is an awful cycle.
Today you decided you needed to head to the store. You tell yourself it’s to get Tsumiki more food or toys for putting up with you, but the truth is that your fridge is looking scarce. Your meals have mainly consisted of whatever is easy to make, jokingly referring to it as “girl dinners” to try and make yourself laugh.
You don’t put much thought into your outfit, choosing to wear something easy to keep you warm in this December month. Sometimes it’s nice to try and look pretty to help your confidence and all, but right now you’d rather hide under bulky fabrics. There doesn’t feel like much of a point to care, either way. What does it matter?
It's a quick trip in the end, only coming back with a few bags. You keep your eyes low to the ground, counting the concrete tiles to keep your mind at bay. It works, up until you notice your neighbor hunched over an idled car out front of your building.
Something’s off, you notice, and it makes the hairs stand straight up on your neck.
Never once have you seen Toji express an emotion like the one you’re seeing ─ the death stare he’s giving whoever is sitting in the car. For someone so typically calm, this apparent anger is so much scarier than any cursed doll could hope to achieve.
Who is he talking to?
You want to know, but at the same time you don’t if they’re upsetting Toji this much. Your breathing stills as you walk by, hoping to slip into the front door without being noticed. You make it as far as a few steps up before you’re stopped short from a voice.
“Hey.”
Your body tenses up. You’ve been avoiding contact with anyone outside of work for a few days, and you especially don’t want to be near whatever was going on outside just moments ago. He doesn’t need to be burdened by you.
“Hey, Toji.” You turn your head slowly to the man, weakly smiling.
He makes a few steps up to where you are, a silent urge to continue heading up to your floor together. The fire you previously saw raging in his eyes no longer appears present, instead replaced with his normal scowl.
“I saw your friends the other night at the bar, was hoping you’d be with ‘em.”
You exhale quietly, swallowing thickly. “Yeah, I– wasn’t feeling it that day,” you mutter.
Toji’s eyes narrow with furrowed brows to match but he continues with your pace.
“I’ve got some time before my shift if you wanted to watch that fish movie or somethin’ else,” he asks. You bite your lip as you think of your response.
“I’m sorry, I’ve got a lot of work to catch up on.” You go silent for a moment, save for the tapping of shoes against the tiled floor. “Some other night?”
He raises his hand sheepishly to his neck. “Yeah, no problem,” he says with the hint of disappointment in his words.
Fuck, you don’t want to hurt him. Especially with another lie to someone close to you.
“I’m sorry,” you mumble, turning the key in your front door. “See you later.”
“See yo–“ The door shuts before Toji can even finish responding.
The guilt settles in like a knife to your heart. Enough so that you slide your back down the door to sit with your head between your knees.
“What the fuck is wrong with me?” Disgust drips off your words.
Tsumiki comes right up to you purring away. For several minutes, you remain there on the ground petting her before finally getting up to put the groceries away. Shortly after, you return to your bed, indulging yourself with some good old blue-light exposure therapy. Tsumiki joins you, bringing in one of the new toys you bought for her.
Later, a soft knocking startles you from your sleep, not even realizing you had fallen asleep in the first place. The time on your phone shows that it’s after midnight, so who in their right mind needs you at this hour?
Cautiously, you approach the door, peering through to the peephole only to reveal…no one?
Huh, wrong house?
You turn away from the door, only for there to be another knock, but still nothing through the peephole. You end up opening the door without even thinking, and now you realize why you couldn’t see anything.
“Megumi?” He stands there teary-eyed, clutching his frog plush tightly in his arms. “What’s wrong, did something happen?” you ask with a gentle voice.
“I had a bad dream.” He sniffles, his lip starting to quiver with oncoming sobs.
“Come here, ‘Gumi.” You take him into your arms, lifting him up, and closing the door behind you as you take him to the couch. With one hand, you rub soft shapes over his back as you sit him down with you. “There, there,” you coo.
Megumi holds on to you tightly like a baby koala. There’s a damp feeling sticking to your chest from the tears falling from his eyes. In this moment, you put aside whatever troubles you might have. He needs you right now.
You give him a minute to relax and calm down, waiting to ask, “Do you want to talk about it?” But he shakes his head in response. “That’s alright, you don’t have to,” you tell him softly, further adding, “I’m right here with you, you’re safe now.”
Toji must be at work for Megumi to have come knocking, so you pull up his number on your phone, texting to let him know about the situation.
“Hey, ‘Gumi? You want to try going back to sleep?” He whines into your shirt, doing everything he can with his tiny hands to stay fixed to you.
“Don’t leave me, please…” He sniffles, and your heart breaks. There are those words again, you think, remembering the time in the bathroom with him once before.
“I’m not going anywhere,” you reassure.
You give him some time to calm down, humming a familiar lullaby to whisk him away to sleep. He grumbles when you place him down into your bed, the spot still warm from your earlier rest, but he finds that he can’t fight his heavy eyelids. Between your song and the fingers running through his hair, he has no choice but to fall asleep once again.
“Ma..ma…” he murmurs, and you feel a tear fall from your eye.
Tsumiki joins you now, curling right up to Megumi’s side like the comforting angel she is. You send another message to Toji to let him know he’s still with you, to which he replies that he’ll be right over after his shift ends.
So much for avoiding contact with others, but it’s for Megumi’s sake right now.
It feels like déjà vu the next time you hear the knocking at your front door.
“Hey Toji,” you greet, parting the door for him to enter. He looks around with a confused look at first. He’s thrown off by the lack of lit candles, ambient light, or anything else. Instead, it’s just you, illuminated only by the moonlight peeking through the apartment.
“Did I wake you?” he asks, meeting your eyes. It’s a good thing it’s dark, so he hopefully can’t see the evidence of your tears.
“No, I haven’t slept yet,” you admit, and it only serves to puzzle him further. There’s a lot he wants to ask, but you’re already motioning towards your bedroom. He sighs, moving to catch up with you.
“He looks right at home,” Toji remarks, brushing Megumi’s hair back to better see his face. He gives Tsumiki some attention, careful not to disturb his son’s sleep in the process. Once Megumi is up into his arms, the two of you head back towards your door. He stops, turning to look you in the eyes again. “Thanks for watching him.” He doesn’t move from his spot, though his brows begin to furrow in thought. “About earlier…is everything okay? Did I do something to upset you?”
You feel your stomach dropping. The guilt you felt earlier comes crawling back up with razor-sharp claws. “Oh. No, no ─ I’m…sorry about that,” you stammer out, feeling your chest tighten. “You didn’t do anything, I promise.”
“What’s up then, you’ve been actin’ weir–“ Megumi interrupts with some slight stirring in his sleep from Toji’s raised voice.
“I’m okay, Toji. Really,” you try and convince, despite feeling the exact opposite. Another lie that stains your soul, but you remind yourself that it’s not his problem. You’re not his burden to bear.
You’re not sure if even bought it, especially after the noncommittal grunt he makes with eyes that stare intently, as if peering into your soul despite the darkness.
“Alright,” he says after a minute, his voice noticeably calmer, but still unsure. “If there is something, you can talk to me, okay?”
“I will, thanks.” You open the door to let him out. “Goodnight.”
His head dips to you before the door shuts completely. “Goodnight,” he replies, with your name punctuating.
For some reason it hurts to hear your actual name for once instead of a pet name.
With your apartment empty once again, it feels colder than ever. Lately you’ve been feeling that way a lot. It’s only when Toji is there that your house truly feels like a home.
You meander your way back into bed, curling up into a ball facing the window. You can’t shake the cold you’re feeling, no matter the number of blankets overtop your body. Even the dimly lit skies seem to relate with you.
When was the last time you could see the stars shining so beautifully?
There was a time you yourself felt like a bright star once, one that floated easily through the cold expanse of the universe without any issue. Unlike the other stars that met their fate, there was no spectacular supernova at the end of it all. No rainbow plumes of stardust to vividly show all of existence how good of a life you’ve lived.
It was more like a flip of a switch when it came to you. Shining one day like normal and the next, a bleak void of what you once were, absent of any light.
You roll away to face the wall opposite of your room, moving your hands to clasp either shoulder in a self-embrace.
I miss the warmth.
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You wake up alone for once, with Tsumiki nowhere to be found from where you lay. It’s nothing you worry about quite yet, as you figure she’s out in the living room watching birds. You get up to investigate, but to your dismay, she isn’t out there either.
You don’t see her anywhere.
Strange, you think. Maybe she’ll come out for breakfast…?
You try that next. Heading to the kitchen to prepare her usual pampered meal, making noise as you call for her.
“Tsumi!” you croon, adding a pspsps after, but again, nothing.
There’s no way she could’ve gotten out of the house, so she must be around here somewhere. Your heart beats a mile a minute as you’re scouring in and around every piece of furniture you have looking for her. Eventually, you do find her, all tucked away inside your closet on a pile of your clothes.
“There you are!” you exhale in relief. “Do you know how worried I was?” you coo. You then move to pick her up and she doesn’t protest, but she also doesn’t start purring or mewling either.
You bring her out the kitchen, placing her down with her bowl. Your heart sinks again when she sniffs the dish and ultimately turns her nose up.
Tears weld up at the edge of your eyes. “Fuck, Tsumi’, don’t do this to me.” You start to pace, chewing anxiously on your lip as you watch her huddle up in another corner of your apartment. “What’s the matter, baby?”
Fuck, fuck, what do I do?
Searching the internet is your first idea, but the results are anything but helpful. Half the results are akin to that of WebMD (read: you’re already dead). By this point, you’re hysterical now, fixing to hyperventilate as the last bit of control you have slips away.
Of all the times for something like this to happen, it has to happen to Tsumiki. You’d give anything to swap places because you love her more than life itself. But when it rains, it pours, and right now it feels like a hurricane is hanging overhead.
She needs a vet, but you can’t possibly run with her across town. Waiting for a taxi will only prolong whatever she’s suffering from. Fuck, if only you could afford your own car, this wouldn’t be an issue!
But then you remember one thing.
Toji has a car.
Toji.
With no time to waste, you sprint out the door of your apartment, frantically knocking on his all while desperately hoping he’s even home to answer. Your prayers are answered when the door opens, revealing the man himself, half-asleep and shirtless.
“Toji, I-I-I–“ your voice cracks between sobs.
“Woah, woah, slow down,” he interrupts, placing his hands on both ends of your shoulders. He lowers his head to your level. Seeing you in distress snaps him awake. “What’s wrong?”
“It’s Tsumiki ─ I-I don’t know, I think she’s sick!” you stammer out, “I need to get her to a vet but–“
“Go get her; I’ll get my keys.” His voice is calm as he tries to reassure you, bringing his thumb up your cheek, wiping away a tear with the rough padding of his thumb. “Breathe, okay?” You nod, but you’re still trembling.
Toji releases his hands from you, allowing you to run back inside to grab Tsumiki. You place her gently into her transport while at the same time, Toji enters your apartment, taking the crate from your unsteady hands.
The two of you exit the building as quickly as you can, letting Toji settle her into the backseat while you situate yourself right there at her side, cooing to ease your baby’s scared hollers. Toji wastes no time pulling out on the main road for the directions you gave him, putting on his seatbelt as he went.
From time to time, he looks back at you through the mirror, seeing you hunched over in tears over the crate. You’re trying to be calm for her, you really are, but it’s so hard.
You arrive in record time at the emergency clinic, Toji once again carrying the crate inside the building while you briskly make your way to the receptionist. You tell them your name, and everything else they need to know while they work on all the check-in procedures, eventually handing you a clipboard and pen to fill out with further information to fill out.
Toji guides you with a steady hand to the waiting area which includes several benches and tables to take advantage of. He places Tsumiki’s crate on a spot directly in front of you, pulling you down to sit instead of letting you pace the room. Both your legs and hands are shaking uncontrollably with fear, teardrops dotting the paper and ink as you try to write out what they need.
“Hey.” Toji cups your dominant hand with his own, bringing the movement to a standstill. “Breathe,” he calmly requests. “I know it’s tough, but you gotta try and relax for Tsumiki. You aren’t gonna be helpful to her if you suddenly drop over,” he tells you, and he’s right.
“I can’t let anything happen to her,” you mutter with a hoarse voice. You lean forward in your seat, moving your hands to the back of your head.
Toji slings his arm around your shoulder, pulling you against him. “I know.” His words are low, only for you to hear as he speaks into your ear.
“I don’t know what I’d do if something h-happened to her, she’s–“ A hiccup interrupts you. “she’s all I have left. Without her, I…I can’t.”
Toji takes the clipboard from you, putting it next to Tsumiki so he can fully embrace you with both arms. Your head is pulled against his chest and the fabric of his shirt helps to muffle your shattering heart.
“That’s not true,” he begins, his tone of voice calm, but equally stern, “You have me, Megs, those other three friends, even that boss of yours. You said it all yourself to me.” He pauses, bringing his hand up through your hair. His grip is tight yet offers indescribable comfort. The bottom of his jaw settles on the crown of your head. “You are not alone. Not anymore,” he promises.
If you could put a pin on when you start to fall in love in with someone, this would be one of those moments. Even if all he’s doing is reassuring you as any good friend would, it means the world to you and more. A moment in time you’ll never forget for as long as you live.
“Toji, I–“ You lift your head from his chest, taking one sniffle before you catch that metallic scent. You move fast to clutch your nose, but it’s too late. “Shit!” you hiss.
Toji leans back to see what happened. His eyes widen upon seeing the blood trickling down the palm of your hand, hitting his shirt in the process. Thankfully, there’s plenty of tissues given the environment, so he grabs a handful to hold under your nose.
“Fuck,” you cry out, “I’m so sorry, Toji.”
“Don’t be,” he huffs with some underlying amusement. “A bit of blood is nothing, I couldn’t care less.” You swap places with his hand holding the tissues. “Are you okay?” he asks, helping to clean the area around your hand.
“I’m sorry, Toji,” you mumble, lowering your head. “I’m such a mess right now, I don’t mean to burden you.”
“Don’t say that,” he replies, resting his palm on the apex of your head, teasing your hair in the process like he does to Megumi. “You have nothing to be sorry for, and you’re not a burden. Let your ‘knight in shining armor’ be here for you.” He winks.
His helpful teasing earns the hint of a smile on your face and a short-lived laugh, but it’s enough to begin to lighten the mood. At least until you hear a voice calling out your name.
You stand up, reaching out for Tsumiki’s carrier but then you hesitate. “Hey Toji?” He hums in acknowledgement. “Do you mind coming with me for this, please?”
He smiles. “Not at all, princess.”
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When all is said and done, Toji drives you back home, walking you back up into your apartment. There, he places the carrier down gently, allowing Tsumiki to roam free.
“I feel, so stupid,” you sigh, kneeling down and hiding your face with your hands out of embarrassment. “All of that for a simple tummy ache.”
Toji chuckles, “Hey, it shows how much you love her. You can’t fault yourself there.”
You turn your head to look at him with a soft smile. “I’m sorry I took so much time out of your day.” Your mind flashes back to when he opened the door earlier in his sleeping form and you can feel the heat reawakening in your body. “I woke you up for it too,” you breathe out a laugh.
“What did I say about the apologies, princess?” He crouches down in front of you causing his denim jeans to bunch up. One of his knees bumps against yours given how close he is. “I’d like to know what else is bothering you though,” he suddenly inquires, and you feel the same guilt you felt the last time creep back up like bile in your throat.
Once again, you border on the crossroads of what to say. It’s a huge step to trust someone else enough to share your vulnerabilities ─ but if it’s Toji… maybe you can? You did it before and it worked out better than expected.
You remain quiet as you stand from your spot, moving towards the couch. While you’re busy pulling your phone out, he rises and makes his way over to your side.
“Look, you don’t have to tell me if you don’t want to,” he says, trying to meet your eyes. “But we’re friends. I want to help you if you’ll let me.”
It’s a lot coming from Toji.
You’ve learned over the course of knowing him that feelings don’t come easy. He does what he can, and what he feels is the best course of action. It’s a big reason as to why you struggle to pay him back for all his moments of kindness. You’ve come to realize that that’s how he best expresses himself, not only through teasing, but also through acts of service.
Being not only a bartender, but also more importantly a father, it’s forced him to open up more to others and to himself. To reflect on his own feelings and shortcomings so he can be better for Megumi. It’s not easy and he certainly doesn’t do all this effort for others, but for you, he will.
You pass him the device silently, pulling your knees to your chest. You let one knee rest against your cheek as you look his way, and at the same time you avoid eye contact. Toji’s expression softens, and there’s the slightest hint of red on his ears, but mainly there’s some confusion in his features.
“These are beautiful ─ you’re beautiful,” he tells you, looking back your way. “What’s the problem with ‘em?”
You want to smile. It’s hard not to let alone the blush trying to come alive. There’s just one issue.
“This,” you proclaim, scrolling down to expand the comment section with your finger. “This,” you repeat, “is the problem.” You wrap your arms around your legs, hugging them to you with an empty expression.
He looks back and his face immediately darkens into a scowl. “You know they’re just spewing shit out of their asses, right? Bunch of dumb fucks that don’t have anything better to do,” he grumbles, more curses following under his breath.
“They’re not all wrong though,” you let out a dry chuckle.
“No, uh uh.” He shakes his head, the words spilling out fast and like that of a growl, “Do not do that to yourself. Don’t think for a second this shit means anything.”
“I can’t stop thinking about it!” you exclaim, drawing out each word. Your fears have come alive as the dam breaks. The tears that fall from your eyes are hot and heavy, flooding down your cheeks. “Every single thing they say sticks with me, and I hear it all the time in my head!”
He moves to sit in front of you, placing one hand down on your knee. “You shouldn’t listen to anything on here,” he says more calmly this time, scrolling further down the post. “It’s all garbage, they’re garbage.”
“I wish I could, but I can’t,” you mumble, tightening your grip around yourself to the point your nails are digging into the fabric of your pants to reach your skin. “I hate it so much,” you drawl, “and I hate mys–“
“No.”
His tone makes you flinch, stopping you from continuing. The only noises shared between you two is that of the sobs you try and hold back to not make a sound. To not let another hear you sob.
“Look at me,” he almost whispers to you. “Please?” he insists when you don’t respond.
You eventually do, keeping half your face hidden beneath your forearms, but your eyes finally meet his own and you see the worry behind them.
“No matter what anyone says, you deserved to be on that magazine. Satoru didn’t make you the model you are, that was all you, do you understand?” He pauses, waiting for you to nod before he continues, “Listen to me when I tell you that you are beautiful. These assholes don’t mean shit, and even he agrees,” he finishes by handing you your phone back.
You’re puzzled until you see what Toji is referring to ─ a recent update on Satoru’s page where he expresses how disgusted he is by the comments. He goes on to bash the people spewing hate at someone he deems his friend and how you deserve none of it. The words bring more tears to your eyes, but not all of them are sourced from a well of sorrow this time around.
Toji goes on to say, “You should post your own pics too from that day. Be proud of yourself and the work you put in.”
You still can’t help but scoff, “Yeah, and give them more fuel? It’s bad enough they’re under all my other photos too.”
“So?” he scoffs back. “Fuck whatever they have to say. Remember what I told you.”
“Okay,” you sigh, wiping your tears. “I’ll do it.”
His lips upturn into a wolfish grin. “Good girl. Show ‘em who’s boss.” He pats your knee a few times before returning it to his side. “Now what do you say about ordering in some food? We can watch that fish thing too with Megs if you’re up for it.”
Your eyes widen, darting to the clock on your phone to see how late it is. “Oh my god, Megumi! I’m so sorry, is he–“
“Relax, he’s fine,” he states, appeasing your worries. “I had his sitter pick him up from school.”
“Oh, thank god,” you sigh again. “I was so caught up with my own shit, I completely forgot.”
“No harm done, so quit apologizing already,” he teases.
“I’m sorry ─ fuck, sorr–“ You clasp your hand over your mouth to shut yourself up. Toji gives you a blank stare with his mouth stretched in a fine line before your stomach breaks the silence with a loud growl. You hide yourself behind your legs from the humiliation, meanwhile Toji breaks out laughing.
Funny how the tables have turned.
“I’ll take that as a yes then.” He stands up, pulling his phone out from his back pocket. “Speaking of the kid though, his birthday is coming up.” His hand meets the back of his neck. “It’d mean a lot to him if you’re there for it, we’re havin’ a small party.”
“I’d love to,” you reply with a bright smile ─ the first and most genuine one you’ve made in several days.
“Thanks.” He returns your smile. “I’ll go get the kid then and order your favorite, so get comfortable while I’m gone.”
As he leaves, you go back to some of the latest posts on your profile. To your surprise, a lot of the hate and threats you saw were no longer there. Even the threats in your DMs disappeared or their accounts suspended. You have a feeling Kento has something to do with this, to which you’ll have to thank him later.
You pan through the official photos from the shoot, choosing all your favorites. With a shaky hand, you remember Toji’s words and hit the button to upload your post. Moments later, a new message comes through from your group chat.
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Satoru Gojo oi oi, you’re posting again! are you okay??? we miss you :(
You I’m okay now, I’m sorry for worrying you guys.
Suguru Geto Don’t be, you have every right to want your own space. We’re just happy to hear from you again.
Shoko Ieiri next time though you should tell us so we can help you feel better 💕
Satoru Gojo yeah^^^ I was this 🤏 close to getting that double D DILF you like to drive us to your place so we could see you
You oh my god, don’t even start
Satoru Gojo hehehe I can see you blushing through the screen >:3 Shoko Ieiri no need to deny the obvious :)
Suguru Geto I’m with them on this. :)
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You wipe the happy tears off your face just in time for Megumi to come running in. He throws himself into you for a nice big hug, with Toji following closely behind.
“Food’s on its way, you feelin’ better?”
“Yeah.” You nod in response. “And thank you, Toji. I’m glad we’re friends,” you tell him with a sincere sounding voice.
“Me too, sweetheart.” He plops down next to you, pulling Megumi into his lap to bounce on his knee. “Now let’s get this movie going then so we can watch Alien later.” He gives you a devious grin.
You scoff, rolling your eyes. “Yeah, funny joke.”
“We’ll see about that,” he teases.
Megumi ends up thoroughly enjoying Finding Nemo, reciting Dory’s iconic line “just keep swimming” over and over to the amusement of you both. Toji on the other hand tries his best to deny the Gill allegations, but it proves to be an impossible battle once Megumi began to point it out and back you up on the claim.
After dinner, Tsumiki ends up joining you three on the couch as well, feeling better than ever now that she has the laps of three people to choose from for love. But between all the laughing and combined joy, you can safely say that in this moment, you feel a whole lot warmer than you did before.
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☆ Notes: I will self-indulge myself with movie and song titles that I know and love unapologetically. It’s my way of giving recommendations in a self-insert fic where I try and make the reader as inclusive as I can within the realm of what I’m trying to achieve. jennifer tilly is my celebrity crush <3
also I don’t know about you all, but when I get super stressed out and cry, my nose starts bleeding like hell which is why I wanted to add that scene in specific to add to the depth of the reader's anxieties
revising this chapter makes me realize how much dialogue is hard to do for me. I get so stuck on whether or not I believe a character would actually say what I’m making them say, but then I try to remind myself that there’s some wildly outlandish stuff I’ve seen in other fics that’s still enjoyable to read even their personalities are crazy OOC. Hope that isn’t too much the case here, as soft!toji is something I really try to focus on given all the shit he’s been through.
Here's a fun toji edit by the way >:)
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Kung Fu Panda 4 Review
Ok, I saw the movie yesterday and I have some thoughts. I think the film is good, but no where near the level of the first two. It's more like the third tonally. But tbf, nothing can top the second film in my opinion. KFP 2 really stepped up in its depth both in terms of its villain and message. The fourth film is very much the opposite. It's also very predictable and you can easily figure out what was gonna happen pretty early on.
What I liked: the animation is still gorgeous. Seriously, there were some very visually pleasing shots. The character models all looked great and I thought it was cool how the villain still has scales when she transforms. The music is also really nice and fun to listen to. The voice acting was also good and I thought Awkafina did a good job (major step up from Scuttle).
Po's dads were also really fun when on screen. It's nice to see them bond over Po and they do work well off of each other. They were the best part of the film, animation aside. The villain is also pretty cool with her abilities. We will talk about her more in a bit. And I did like Zhen and I'm looking forward to see what they do with her in the future. She's energetic and I did like her design.
What I didn't like: too. much. comedy. Ok look, I know this is an animated film for kids, but what made the first three films (particularly the second one) so good is that the balanced the jokes with depth. This film does have some messages, but it's intercut with so many jokes during dialogue that it takes away from it. They really needed to let this film breathe and have more serious moments to just talk and let things sink in. The villain brought back the old villains and stole their abilities (this was in trailer so not really spoiler). Why don't they do more with that? There is so much untapped potential here.
And that's my other big issue with the film: so much potential. Some of the ideas in this film are really, really good, but they only scratch the surface with it. I wanted to know more about the villain. I wanted to see our fave villains interact more. I wanted to see the villain use her powers more. But we don't get that; we only get the bare minimum. In simpler terms, there's no big "wow!" moment that the other films had.
Spoilers below (tread carefully)
Why did they bring the villains back if they were going to do almost nothing with them? The climax of the film was the Chameleon stealing the villains' abilities and fighting Po but we pretty much saw that in the trailer. Tai Lung gets to do some stuff, but I wanted more. Half of his lines were jokes anyway and I didn't vibe with it. Why did they bring him back if he was just gonna comment on things? I don't remember our favorite snow leopard being this comical. He did quip, but there was still a hardened edge to him. Idk. Maybe he got therapy in the spirit realm. Shen and Kai get crumbs, but again, they could've done so much more. And wasn't Kai destroyed completely?
With Shen and Tai Lung, I would've wanted to see more. I'm glad Tai Lung did finally come to respect Po and it does make sense. But Shen? The last time we saw him he rejected Po's help. Unless he too got the same spirit realm therapy Tai Lung did, him bowing to Po does feel very OOC. Nitpicking further, why was Shen brought back anyway? The Chameleon presumably doesn't know who Po is and Shen isn't a kung fu master. With the exception of the fanservice route, this choice only makes sense if the Chameleon was aware of Shen's actions in Gongmen and thought his level of evil would fit her vibe.
Nitpicking aside, there was so much opportunity for Po to confront his villains again and have a deep, serious moment with them. Whether either side likes it or not, they're reunited for a short amount of time. Why not capitalize on this great opportunity?
Speaking of the villain, so much untapped potential. Her design is great, her abilities are really cool, and Viola Davis does a good job voicing her. So why doesn't she get to do more? Imagine a really cool fight sequence where Po confronts her, but she shifts so much that it begins to mess with his head. Or she transforms into the older villains and Po is caught off guard? Instead, we get half the climax spoiled for us in the trailer. What was really cool about the other three was that we got multiple fight scenes with them to showcase their abilities. Thus, the final battle dialed it up to an 11 and we got a truly epic finale. Here, it feels like there should've been more, but there wasn't. Even her backstory feels lacking. It's there... but only surface level. Even Shen, arguably the cruelest of them all, had nuance and depth.
Also, why couldn't we get more of the Furious Five outside of a glorified cameo? Tigress and Po friendship is truly amazing.
As much as the jokes miss, there are some good bits. Shifu trying to deal with Po's shenanigans always crack me up. I also like the bit where Po tries to meditate and his thoughts get in the way. Because hey guess what, that's what my head is like and it's really freaking hard to quiet it down. So, there's that. I just wish the writers didn't feel like they had to insert jokes in almost every line of dialogue, you know? Li and Ping dad adventures are great except half the lines are jokes about how worried they are for Po or how not tough they are. Why not have a deeper conversation? I think it would make everything feel more natural.
I also wish Po himself was a tad more mature. I'm not expecting Shifu or Tigress levels of seriousness, but I felt that he kinda was a bit too childish. Po is one of those characters who loves to have fun, but knows when he has to be serious. However, he also likes to lighten things up with comedy. In this movie, it felt like he only really leaned into the comedy side of things. He had his moments, but I'll be honest, I really missed the "the only thing that matters is what you choose to be now" levels of dialogue. The proverb joke got old real fast, ok?
Grace Randolph from Beyond the Trailer described this movie as episodic and I can see it. The story bits are very segmented between the villain, heroes, and Po's dads. The flow and pacing of this film really needed to be upgraded.
Ok, that's all I got for now. I'm sure I'll think of something else to say (aside from encouraging everyone to rewatch KFP 2 because I'll never get enough of that film).
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nehezt · 1 year
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Hi, everybody! Delighted to announce that for the past few months I've been working on a Kung Fu Panda comic titled "Traces of Spring"! It's 20 chapters long and it will revolve around character exploration for Tai Lung as well as his relationships with Po and Tigress. There is no villain and I would describe it as closer to slice of life, because those are the kinds of stories I'm most drawn to! Sometimes "plot" can simply be characters talking about their feelings. It's what I always say.
I'll make an effort to update it every two weeks starting May 15th (No promises though... Unfortunately, my health can be somewhat fragile and these chapters take a while to make... :/)
Now, since most comic hosting websites don't really allow for fancomics I'll be forced to publish it on ao3... _(:°з」∠)_ If anybody has suggestions for comic hosting websites that do allow fancomics, feel free to send it to me! I'll probably post it on ao3 either way, but I would like more options.
More information (tags, proper summary, character relationships) under the cut (* ̄▽ ̄)b
MAY 15TH UPDATE: YOU CAN NOW READ IT HERE!
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If any of this premise sounds appealing to you, I hope you'll give Traces of Spring a shot! :) See you May 15th!
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gaykarstaagforever · 9 months
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FREE ON YOUTUBE
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...YouTube, I feel like your free animated movie recommendations have declined in quality a bit since the halcyon days of Osmosis Jones.
Yes, it is a blatant Kung Fu Panda knockoff, with an American voice cast that is clearly whoever was home at 11 am the week they called.
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This is bad. Like, unfinished, I think I'm missing like half the movie, they forgot to resolve the main plot and it just stops, bad. There is a scene where the only character on screen suffers an animation error, and no one fixed it. The framerate of the movie drops every time the action picks up or the camera swings around too fast. Like...you made a computer-animated movie, and you don't have the hardware or time to do...you know...computer animation? The stones on the Chinese producers of this mess.
Not everything has to be Pixar or DreamWorks. CG is hard. I get it. But you gotta work to your strengths. In this case, the computers you are using can't even render the movie properly. Like...I don't know how you get around that. That's kind of a major issue.
Technical incompetence aside, this suffers from the usual bad CG animation problems of every character looking like they come from a different artistic universe, and most of the action is generic mocaping that doesn't take into account how any real bodies shaped like these bodies would move. And there are just things they didn't bother capturing. Like none of these dough monsters ever stands up on screen.
Shot composition is a disaster. Most scenes are a mob of creatures standing in a pack in an empty space, doing exaggerated facial reactions to someone else talking. It's like bad machinima made in the Skylanders games engine, except all of the character designs are way worse.
The plot, such as they attempted it, is supposed to be about a small, incompetent warrior who looks like Jackie Chan who gets transported to the mystical realm of Merryland by a magical jade necklace his grandfather gave him. There, he transforms into an anthropomorphic panda, for reasons that are never explained. There is a prophecy that a Panda Warrior is destined to save the realm, and our guy is apparently it, except there is a flashback to like a couple of years ago when the ultimate evil took over, and...there is ANOTHER Panda Warrior who was just there and sort of stopped it? But then didn't? Who the hell was that guy?!
Also the ultimate evil is one of the two sky-whales who guard the Dragon Ball (yes, literally) just turning evil because it absorbed too much power. Why did this happen? How are you going to stop it from happening again? Then that whale turns into a nine-headed snake after an evil mouse from the real world just...is there, and merges with the Whale. After the snake is defeated the mouse just crawls out of it and runs away, and no one says a damn thing.
Our panda warrior and his 7 legendary warrior friends kung fu fight the snake at least 3 different times, and never get close to stopping it. And the panda doesn't do anything special or lead them, he is just there, and then at the very end his necklace glows and that...helps? Somehow? The true hero here is, and I'm not joking, Jimmy Ginseng, a tiny ginseng man with an erhu who shows up whenever the warriors are losing, plays the erhu, the enemy gets soothed by the song, and then Jimmy gets tired and leaves. EVERY BATTLE ends like this, including the final one.
So...?
The panda has that cool green sword in the picture. And he does have it. It is just...a sword, thst someone randomly gives him. I think he ends up dropping it and it never comes up again.
Also all the warriors are animals, except for the one who is a talking tree stump...filled with lava. And he dies at the end by setting himself and the snake on fire. Because his master, a purple fox, told him to do that to save everyone. ...Except the SNAKE SURVIVED IT, and they had to fight it again, lose, and wait for Jimmy to show up.
The bull character also sacrifices himself, TWICE, to save everyone else, and both times that doesn't work, either.
The movie ends with Merryland being restored from the devastation of the snake...BEFORE the snake is defeated. It just...gets better, after they resuce an elf girl princess who does...something...? And then the regrown flowers shoot the snake with missiles of some kind. Which ALSO fails to defeat it.
The panda doesn't go home and become human again and nothing is explained. But during the credits there is a fight scene between the little human warrior and his general, in which they get drunk and wrestle and tons of fight animations repeat in a loop for 3 minutes. Is this part of the movie? Are these outtakes? What does this have to do with anything? If this is what happens after he got home, I don't know why or what it means.
...My guess is that the first panda warrior we see was supposed to be his grandfather, as a panda? That was probably the idea? But no one ever says that. The movie doesn't remember to explain that.
This was translated from Chinese. Perhaps the translation is terrible. Or they did a massive reedit of this for the US release. That could explain some of this. ...But then why didn't they cut out the glitch scene, or some of the shots with the bad framerate? There are literal 10 second sequences in this movie where there is no dialogue or music, just a camera sleeping over a scenery to ambient nature sounds. Who reedits a movie for the foreign market and cuts out vital plot scenes, but leaves in shit like that?
...Unless all those vital plot scenes had even worse technical problems. Jesus. That's a terrifying thought.
One positive here. While nearly all of the voice work is as boring and bored as you'd expect, the immortal Tom Kenny is good, with what very little he is given to do, here. The man is a professional.
And here is the weirdest thing: Rob Schneider is really good here as the panda man and Jimmy Ginseng. Like, shockingly good. Like, this is without exaggeration the best performances of this man's miserable life. He is funny, charming, nuanced, he feels like he is reacting properly during what were probably one-sided conversations recorded on different days in different places. It is shocking how good he is in this awful, stupid movie. My only guess is that he was somehow involved in bringing this over and it was going to serve as an audition piece to get him more voice work. In which case, like, fair enough, dude. You nailed it. He is genuinely very good in this very bad movie.
What an odd artifact from 2012. What a waste of time. Why did YouTube recommend this? What do any of us gain from being shown this? I am just flabbergasted.
You're on time out with these movie suggestions, Google.
Also there is a pig who flies who looks like this:
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Those aren't ears, they are just gross misshapen tendrils that bob around as she moves. It's like someone was playing with a stretch tool and then...stopped.
I was gonna end with "Now let's have Jimmy Ginseng play us out," but I can only find this one bad picture of him, and it doesn't show his erhu:
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Here is some nice erhu music from someone else. Something redeeming in this godforsaken post:
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lovelytayforce · 2 months
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@playful-level4366 Hey sorry I didn't reply like normal but I knew this wouldn't fit down there, considering how long I thought about this question and how to word it. It's kind of a weird dynamic to explain because it's not just about Tai Lung because he's intrically linked to Shifu and Tigress as an abuser, and in a sense I don't think the fandom wants to go over that with him at all. They believe him to be a victim and nothing else. It's true he's a victim, trust me I agree with a lot of Tai fans on that aspect (Hell, I relate to his need to prove himself and also hating who he is, hoping some magical spell will change all our imperfections but I know it won't...) but also he's a terrible abuser to his own Father and Tigress. And that ruins a lot of their fluffy hcs of a soft family learning to come together because that's too realistic for the fandom perspective and view on him. God, I don't wanna be mean but it always seems like when I see discussions on the character its as if we see two very different sides of a burnt piece of toast and see two different types of images, one skewed more by the lighting than anything. Listen, this isn't me telling other Tai fans they can't have their soft hcs for him go ahead but remember you need to stop blaming other characters for who he is, he choose his path. A person even said I was "too harsh" on Tai Lung after explaining all the horrible things HE DECIDED TO DO, that's not harsh. That's the truth and no one wants to go over it because its uncomfortable and I get it to a point but you all also picked the most uncomfortable characters who mirror our very dreary reality when we close our laptops and see the imperfections of our loved ones and ourselves. Tai Lung is a personification of the favored son in many Kung Fu flicks of the past and even the present, how the Father uplifts them to the light of heaven themselves before they ultimately go too far and let them down whilst ignoring the daughter. aka Sexism in the fam. Neat. You latched onto the man that was not only neglected by his own father but the man who abused his father back, both physically and emotionally TWICE to gain what he wanted because he knew Shifu would never hurt him.
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Like I had a whole Tai stan block me for daring to remember this scene of a father with a broken hip crawling to his son and mourning what he allowed him to become. Shifu could have died but he still loved that boy despite everything he did to him and what he would continue to do to him. Like if we wanted real redemption arcs of Tai Lung we would go over how he haunted Shifu's consciousness and led him to close himself off to his next child, Tigress, whom is always left out of the conversation cause no one wants to talk about the woman neglected and abused by her father and older brother. A popular fic even admitted to not even wanting to touch Shifu and Tigress' dynamic, do you see the problem here???? I know many of you may not know or even care but I write fanfic for this fandom focusing on that aspect of Tigress' character along with Shifu, its not always fun and I've probably stumbled and made mistakes but its a story worth telling. Because in the end, Tigress is still alive and so is Shifu! Tai Lung isn't he had his chance and ruined it. Most Tai redemption fics are easily consumable because they don't want to go over the unsavory aspects of Tai Lung's character; The fraud, the continued abuse of his own father because everything he does is to hurt Shifu personally so he can get what he wanted in the end. Po was just another piece to hurt him (Shifu) as stated on the bridge. No, in the end, they want to go over how Shifu hurt him as a child and try to lure Tigress to his side, despite the fact he belittled her when they first met. But you know, how else are we supposed to get hehe bickering siblings. Cause that's easier to consume than realizing she'd want nothing to do with him after hurting her friends and her father. There's just an overall lack of autonomy given to the characters that the movies relish in. The fandom is too scared to allow them to be themselves because pointing the finger at Oogway who allows people to grow at their own pace is easier than realizing; Tai lung and Shifu never listened to him. Like think of a person this week who did exactly what you told em to do? and did they do it? Probably not, people are fucking stubborn. Me, included. People love learning the hard way, that's just the truth! Even toddlers take a min to listen to one task! So, I wouldn't even call it whitewashing, it's this desire to ignore canon to support their own hcs because if they told his actual story all of their concepts would fall apart to the wayside to see, the only true victim in the end, was a woman. Tigress. No one wants to go over that, that's a lot of work, that's a touchy subject but it's why I love these characters, there so raw and horrible which makes their stories compelling enough to stand beside the likes of Seven Samurai. It's that good!! So, to end this all, no they don't. Even Traces of Spring which I still follow because I love the art falls into this safe way of going about telling his story and sidelining the character who mirrors who he could have been, Tigress. Because she's not that cool to them despite the fact she controls herself better than he does. And had the opportunity to be a hero as great as she was if he set aside his selfish, obsession, and toxic views. But you know he's hot to some people, so he's a good boy deep down.
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Yup. Uh huh.
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