fuck you ageism fuck you life ending at 30 fuck you makeup industry forcing us to feel bad about a natural process fuck you hustle culture fuck you instagram fuck you youtube fuck you glorification and deification of youth fuck you who make people feel bad for not having "achieved anything" in their 20s fuck you people who peaked in high school and try to drag everybody down by insisting it's all downhill after 19
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one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.
one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.
i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.
the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.
my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.
i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.
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I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.
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Okay! Obviously, I love Wolf 359. The available scripts for Wolf 359 are recording scripts, meaning they're inaccurate in a ton of places when it comes to finalized or improvised dialogue, and don't function well as transcripts (especially since the scripts for the live show and some of the mini episodes were never made available.) That said, I think everyone should read the scripts; the sheer amount of physical description that you can feel in the show, even if you can't see it... I guarantee it will enhance your listening experience. Most visual show to ever be an audio drama. So, in pursuit of both of these goals at once, I went over every word in the scripts, and wrote up new scripts for the unavailable ones. Some of the sound effects described - especially in early episodes - might not line up exactly, because I didn't want to mess with the non-dialogue portion of the show, but I hope this strikes a good balance and can be a useful resource.
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Okay but I'm going a bit insane about the growing disconnect of "maybe we're meant to harness it"/"maybe we're meant to fight it". They both thought they were on the same page when they said it, when actually they were on polar opposite ends of the same spectrum. Imogen meant "I never plan to give in to this power even if part of me wants to, I will continue fighting it, but it’s a comfort knowing there’s someone who understands the temptation and who I know won't judge and will still love me and understand if I ultimately fail and give in". Meanwhile to Laudna it meant "I've been in this struggle for longer than I can remember and I don’t know if I can do it much longer. I don’t know if I want to. I don’t know if I even should, or if giving in would be better for all of us because I'm a lost cause. You understand this about me and won't judge as I inevitably am doomed by the narrative, and you won't demand of me that I fight an inherent part of myself, even if it’s destroying me". And Imogen is finally catching on to this disconnect, is realizing that to Laudna their connection isn’t just understanding but an excuse, not too different from Lilliana. And, desperate of losing Laudna to power just like she did her mother, she says, 'if you let me go, I'm gone', meanwhile Laudna is going 'all I can do for you is die and let you go to lift you up' and both of them are going 'why are you so upset about this. i love you'.
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You might've noticed by now but I started reposting Mh. Rereading it after a while brings a lot of memories & I hope you guys can take this opportunity to reread the story until 58 is posted :) please give each part lots of love and support ♡
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Eddie posts a Tiktok where the background is his last text conversation with Steve. You can see in the screenshot that Eddie’s initial text was, ‘Do we have a clothes line?’
Steve rightfully texted back, ‘What did you do to my dryer?’
Followed by, ‘Stg, Eddie, I’ll eat your ass’
Followed by, ‘Shut up. Don’t talk to me’
Followed by, ‘I meant beat***’
Followed by, ‘Fix whatever you did.’
Eddie’s just like, gesturing to the whole conversation, “This is funny, but. Wayne, I know you have this app specifically to watch my videos so answer your phone, man. Steve is too pretty to go to prison for homicide so call me back. Thanks, bye, love you.”
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realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards
*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then
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izuku didn’t just have to see katsuki’s dead body, he also had to see the fucking all might card right next to him. physical proof that katsuki always had a tender spot in his heart for izuku and their childhood together. evidence that katsuki fucking LOVED HIM THIS WHOLE TIME and now it’s TOO LATE. it’s actually so devastatingly romantic and fucking tragic. izuku really only finds out katsuki loved him all along when he thinks he’s lost him forever.
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
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