#like a concept drawing set... kinda thing

[himawanai]

scenic wips im too lazy to free from jail

[arolesbianism]

Slowly but surely I will design all of my neglected children

[twilightofthesandwiches]

I mean, like, sometimes I wanna try and analyze what exactly is the dynamic between Humans and Monsters in the Deltarune Timeline. Since, well, that was basically one of the most important aspects of the Undertale timeline and Deltarune so far (or maybe just Kris?) basically denies us any clarifying information in a very cheeky way.

I would really like to pour over and consider the implication of stuff like Toriel using what’s described as ‘pet shampoo’ despite the fact that furry sapient Monsters are so common in Hometown, or Noelle implying no one is mass-producing shoes for hoofed Monsters

Or the fact that Susie implies that it’s customary to dress up as a ‘monster’ for Halloween

Versus the fact that Monsters also have a concept of ‘Humans under the bed’

And there are books targeted at Monsters explaining how to take care of humans, and also the implication that Kris hasn’t really been exposed to depictions of other Humans meaning they have totally avoided them both on TV and on the internet or the fact that Susie is more surprised at the existence of Gingerbread Monsters than Gingerbread Men…

I would like to come up with some thorough analysis that reconciles all of these details into one consistent-feeling world but….

I do also have to face the fact that Christmas just… exists in the Deltarune Timeline.

Despite the dominant religion in Hometown not being Christianity, but a made-up religion based on the Delta Rune Prophecy that uses a lot of the coding and visual iconography of Christianity… But still doesn’t seem to have any clear ‘Christ’ figure?

And yet, Christmas just… exists. And it’s not a made-up Delta Rune Holiday that happens to use the same iconography and the same date, it seems to be still called ‘Christmas’. (And Halloween is still called 'Halloween' also)

So that kinda leaves me at a weird position where I’m not sure if I should start theorizing on the Delta Rune Religion having its own ‘Christ’ to have a ‘Mass’ for or if Christianity also exists in the Deltarune universe or if it’s just not that big of a deal and worrying about it too much and I'm just overthinking things... but then I don't know where to draw the line of which aspects of the Deltarune setting might be Notable and which would just be overthinking things???

[zaahvi]

slowly starting to work on my own evanuris designs, first up are dirthamen and falon'din! (i did the busts a month ago now and hadn't decided on the outfits yet so that's why the colours don't match lmao)

some more design notes under the cut :)

next designs -> june & sylaise • andruil & ghilan'nain • falon'din ii • geldauran

in my headcanon, dirthamen was their original spirit (of guidance) and split while making his body because his soul was conflicted about whether he wanted to, or remain as a spirit. when he split, "dirthamen" was content with his new form, while the other half - falon'din - was not, and was twisted into despair. specifically, i imagine it as the sort of despair where you try to cling onto anything to try to make yourself happy, but to no avail.

i thought it'd be neat for them to have a mark symbolising their spirit shattering, like a birthmark. then making it look like their (eventual) vallaslin design made a lot of sense.

i had an idea for dirthamen to have one eye a long time ago, because he has a LOT of similarities to our odinn - god of knowledge and wisdom, often depicted as a hooded figure, and has two ravens (interestingly, while fear and deceit sound like demon names, huginn ("thought") and muninn (anything from: memory, will, remembrance, intention) sound like spirit names). and while elgar'nan holds odinn's title of all-father, he's more like tyr imo.

dirthy's outfit was loosely based off the robed evanuris in the black codex concept art where they're doing the ritual at the blight box lol. i saw that person and was like yeah that's my special god with his dark robes and his little dagger. ofc i had to give him more style though, and dropped in some colour (as falon'din has canonically claimed the colour black) i decided on green because of his eye colour, and turquoise because sometimes when light hits ravens' feathers they kinda look blue. his mosaic has him covering his mouth, so i covered his mouth here too. also, i know his symbol has a little mohawk thing going on in the ingame statues, i couldn't draw it at that angle guys i'm sorry, shapes are hard.

since falon'din mirrors dirthamen in appearance, he got the single eye too. his colours are also more muted because of the whole despair thing. i also found it really interesting that his symbol is the sun, i 100% thought that was sylaise, but it makes sense as sometimes the setting sun is seen as a symbol of death. also the crook he has on his mosaic was really interesting to me and i included it after i read an 18 page paper on them while researching. it's a shepherd's tool - but can also be seen as a symbol of power/status, and there's quite a few of our irl gods depicted holding one. it's honestly really fascinating. that little magic spark doesn't mean anything though it's just for flair :)

i put fally in an ancient elven armour with minimal design changes as he doesn't strike me as sentimental and is rather more like someone who wants to show off and be the cuntiest person in the room at all times. although black is his colour, again i muted it a little, same with the gold. i may edit his design a little in the future to include his owls but for now i'm just kinda trying to figure out how they'd fit in

[axiina]

I saw your post about writing for Coriolanus Snow Andi was thinking classic enemies to lovers nsfw I’ll give you free liberty with everything else 💕

'I hate you' is new 'I love you'

Pairing: Coriolanus Snow x capitol!reader (gender neutral afab)

Summary: When your professor tells you to come to an agreement with your enemy, and you take 'come' too literally.

Words: 3.2k

Themes: smut, nsfw

Warnings: using of 'you' to reader, set before events of tbosas so no actual spoilers, more like academic rivals to lovers but they want to fight at some point so I guess it counts, NSFW | public sex (or more semi-public), unprotected sex (wrap it before tap it), p in v sex, kinda toxic but it's enemies to lovers, more like enemies who fuck, Coryo is pretty rough and possessive, marking, making out, idiots in love but they prefer fighting with each other

Author's note: I found some free time between studying, so I decided that I can no longer delay. English is not my first language so i hope that i didn't do too much mistakes. It is possible that a single "she" or "her" will appear here because I changed the concept during writing and I do not know if I got rid of everything. Let me know whether to stay with the use of 'you' or maybe replace it with personal pronouns or 'y/n'. I hope it's not written very awkwardly and you will like it!!

Coriolanus Snow is a peculiar person. Most people love him. Nice, classy, handsome and rich from a wealthy family. What more could one want? However, one of Coriolanus' traits that everyone seems to turn a blind eye to is his two-facedness. Some say this is merely a symptom of his cunning and wits. He knows when and how to behave to make his counterpart happy. You are not one of those people. Saying that you and Coriolanus Snow don't like each other is a huge understatement. You guys hate each other. From the very beginning when you both met at the academy it was known that you would cause a lot of problems. Too much of a character difference, or perhaps too much of a similarity between the two. However, this is not what is crucial. Whatever it is, it makes you two most likely to kill each other if you could. Every move you make you do to screw each other up. To prove who is better.

Professor Satyria's pleas for you to finally come to an agreement are of little use. The conflict must go on, and neither of you has any intention of giving up.

You like the way things are working out. At first, Snow was annoying and you didn't understand how people couldn't see him for what he really was. Fake. Now he is still annoying, but getting under his skin has become a sort of routine. Quite a pleasant one.

"You have to get along with each other and set a good example as rightful citizens of the Capitol, otherwise the Academy will draw out the consequences."

Professor Satyria's words continue to ring in your ears as you get ready to go home after finishing classes and doing punishment work. On the one hand, you don't want something as silly as arguing to weigh on your future, but on the other hand, reaching out to agree is like admitting you were wrong. Failure.

"Wherever I am you must also appear. Are you obsessed with me?" Behind your back, you heard a familiar, annoyingly kind voice, in which you could sense some arrogance. You groaned turning around to see no one else but Coriolanus.

"Don't you have anything better to do? People are finally getting tired of your idiocy?" Your words, however, did not budge the blond. His expression remained unchanged. One that might make most people think he is a nice person. You, however, have known him long enough to see right through it. Perfect. Too perfect.

"We need to talk. A positive outcome for both sides. It will interest you." Well, the threat of Satyria. He is the first one to extend his hand for agreement. Where is the trick? You look at him suspiciously without saying a word, and so Snow takes it as a sign that you are thinking about the proposition. "Do you have free time? Maybe we could go out somewhere together?"

The suggestion makes you burst into laughter. "With you? No thanks, I'll pass on this pleasure."

Coriolanus is not surprised by your answer. He knew it wouldn't be that easy. Accepting rejection, however, is not his strong point. He is annoyed by your behaviour, but he bites his tongue to avoid responding in the same spiteful way. Instead, he doesn't give up.

"I know we were never on good terms, but I want this war between us to end. I hope we can put behind us all the bad things that happened between us and start fresh. What do you think about this?" he says, sounding quite sincere.

"Let me think." You say and sigh, pondering the answer, which is obvious, but you can't let go of a little malice. "No."

The expression on Snow's face became more serious. It seems that your refusal offended his pride. But he doesn't show it in his tone of voice.

"Why not?" he asks and you notice how he clenches his jaw and his gaze becomes unpleasant.

You enjoy the view and it fills you with satisfaction. "Because you think that with a pretty face and fake politeness, you can get anything. Maybe it works with others, but I'm not that stupid. Additionally, you are damn annoying. That's why."

The expression on Snow's face becomes dark. Typical when he fails to get what he wants. His usual tone is completely gone. His face is twisted with anger. He still tries to maintain a polite voice. The attempt fails.

"Do you want to repeat it?" he asks through his teeth. It's obvious that you've hit one of his sensitive points. That was the plan.

"Exhausting, isn't it? Hiding behind the mask of a nice and put-together boy from a highly placed family who is a veritable ideal is tiring, isn't it?" A mockery can be heard in your voice. Coriolanus is very sensitive to it.

"What do you think you know about me?" He asks through clenched teeth, his tone no longer artificially polite, it is filled with rage. Your mockery has really gotten to him. He tries to calm down, but it's all in vain. Coriolanus has never had problems with self-control, but something about you makes him ready to abandon everything. You manage to get him off balance with ease. In his head, he has one plan. To destroy you.

"Do you think you pretend so well?" You burst out laughing and shake your head. You know you shouldn't say such things. The academy is practically empty, and Coriolanus's angry enough can be unpredictable. However, you can't help but point out everything that annoys you about him. "It's actually quite easy to see what kind of person you are. You look at people with disgust, but when they look in your direction, you suddenly change dramatically. how fake you are to everyone. I wonder how they don't see it. How empty and shallow you are."

"You don't know anything about me!" Snow shouts at you, his face twisted with rage. He is barely able to control himself. He doesn't even try to hide it anymore. He stares at you with hatred in his eyes.

"Don't you dare assume that you know everything about me. You don't know me one bit. You don't know what my life is like. Don't think so highly of yourself. You aren't better than me." He continues, his voice getting louder with every word he says. You really hit his sensitive spot.

"I don't know everything and I'm not going to pretend otherwise. For me, the most important thing is acts, and in your case, they are fake and two-faced. You despise people, and you yourself are at the bottom." Irritation takes over. You know that at any moment you can say one word too many if you haven't already. However, someone has to talk it all out for him. Adrenaline makes you take a step closer to the upset boy without considering the possible consequences.

Snow seems to be on the verge of a breakdown. His fists are clenched and his eyes are wide open with rage. He is breathing hard, trying to control himself. He's not used to being treated this way by anyone. He has come this far over the years, solely because of himself and what role he has taken in society. You really succeeded in hurting his pride. "I warn you right now. Don't mock me any further."

"Why? What will you do? hit me? do it, I dare you. Then everyone will see how "perfect" you really are." You know the situation is starting to get dangerous. However, you come closer. It's stupid, you know it, and yet you do it. Maybe it's the way his reactions give you satisfaction, or maybe it's the way he looks at you.

You can see the hatred oozing from his eyes when they are locked on yours. His face is full of rage, his breathing heavy and his muscles tense.

He takes a step toward you with a clenched fist. You can see his knuckles turning white. He grabs you and presses you against the wall, his body against yours.

A second later, you feel him pressing you against the wall tighter than before, and his hand grips your throat.

You feel the warmth of his breath on your lips. Your heart is pounding as if it wants to jump out of your chest. You feel a strange sensation in your lower abdomen. His eyes are cold, yet they make a pleasant shiver run through your body. His face is right next to yours, flesh pressing against yours. It was a matter of split seconds as you two pressed your lips to each other in an aggressive and hungry kiss.

He returns the kiss, wrapping his free hand around you. He seems to enjoy the kiss as much as you do.

You can feel his body trembling as he still tries to keep control of his overwhelming emotions, or maybe it's because of the situation you're in.

The two of you kiss aggressively. Snow's body shakes as he fights between his desire and how much you get on his nerves. You feel how rough but passionate his kiss is.

He draws you closer and your bodies press against each other. The friction of your bodies makes you uncontrollable over the muffled whimpers you make. You feel the bulge forming in his pants rubbing against your body.

The situation seems hazy, and only fragments register in your mind. How you both enter the bathroom without stopping your hungry and clumsy kisses, and your hands work to get rid of clothes that only makes it difficult. How Coriolanus presses your body against the wall slamming his hips against yours.

All this is to express yourself and give vent to all the negative emotions you have been holding for years.

Snow's body is now almost completely controlled by his emotions. His movements seem full of hatred and at the same time passion. He just wants to express himself using his flesh to claim you as his own.

You feel as if you are on fire, your body moves and reacts according to your desires. The tension that has built up between you for years is finally released, and it all comes out as raw passion.

His fast and aggressive movements make the place where your bodies meet burn in a pleasant way, and you think to yourself that it will be a miracle if you walk normally tomorrow. His dick stretches you nicely and his movements make your inside sting slightly. It's not a problem for now. Not now when your legs are wrapped around his waist and the only sounds you can make right now are moaning and repeating his name like a mantra.

Your body trembles at how rough his movements are, but you don't care now. The most important thing for you now is to show him how much you hate him. A broken moan leaves your lips when he reaches deeper.

Coriolanus feels your legs tighten around him. He moves slower now but is more passionate and rough. He holds your hips tightly, not caring if it is uncomfortable for you. His lips move to your neck, where he bites as if he is trying to unload all the emotions you are causing you this way.

His hips buck firmly against you. Each thrust makes your body more tired and aching but at the same time, it makes the whole experience even more pleasurable. If someone told you that you would end up having sex with your biggest rival in the academy bathroom, you would laugh in that person's face. There you are, panting, with your arms around his neck when Coriolanus Snow is abusing your cunt sensitive from too much friction.

Coriolanus brings his lips closer to your ear. His warm and irregular breathing makes a shiver go through your body. "Do you like it when I claim you as mine?" He purrs, his voice still filled with desire.

"I hate you, I hate you so much," You exhale in a trembling voice that takes a lot of trouble to keep from cracking. You bite and suck at the smooth skin of his neck, leaving there dark marks. "I hate you, Coriolanus Snow."

"I hate you too," Snow says with a low growl as he continues to hold you. He bites your shoulder, leaving marks on your skin. His moans are muffled by your skin, which he touches constantly, as if afraid that at any moment you might escape and leave behind only a faint memory.

You hate him, but you enjoy him. You are pleased when he takes you as his own. You are excited when he uses your body. You feel his passion and desire through his body. You feel his raw passion and it's hard to hate him now.

"oh go to hell" You hiss and bite your lower lip to stop your moans, feeling him moving faster.

He doesn't care if he hurts you or not. All he cares about is that you belong to him right now. His hips slam against yours in an aggressive peace. The bathroom is filled with sinful noises because you don't even think about the fact that someone might come in and hear them.

"you may have already fallen in love, but with me, it's not so easy" A trembling laugh leaves your lips. You feel your head getting foggier and foggier. It's hard for you to put together a meaningful sentence, "but you're doing a good job" a loud moan leaves your mouth. you close your eyes and throw your head back "mmm my sweet toy."

He hears your moans of pleasure, and his eyes close with a smile. He has won and he knows it. Snow always lands on top. He presses you against the wall with his body even tighter. His movements become more sloppy and deeper as if he wants to bury himself inside you. His body trembles as his lips leave broken moans and whimpers.

Passion is so strong that you can almost forget about hatred. You can almost fall in love with Coriolanus Snow. Almost. But you know that what you feel now is only lust, and you know that it's all temporary.

Not him. Not the arrogant boy whose whole life is based on lies. Not that boy who doesn't care about anyone. Not that boy with a beautiful face and mesmerizing blue eyes. Not him.

You press closer to his body, almost clinging to him as a wave of pleasure sweeps over your body.

Coriolanus lets out a raspy throaty moan feeling your walls pulsate around him. His voice is low and shaky. He doesn't seem to notice anything except the way you cling to his body. He moves faster and harder, making sure he satisfies you completely.

Snow is fully immersed in feelings. He can't think clearly or rationally. He only knows that he has to claim you, that he has to satisfy his needs. He wants to feel you and make the most of the situation. All his thoughts and desires are focused on you. His hip movements speed up as he reaches the climax. He hides his face in your neck to muffle his moans. His body stiffs as he comes inside you.

Your arms wrapped around his neck, while his wrapped around your waist. you cling to each other, still not making contact with the real world as your breathing slowly calms down.

What happened in that bathroom is over, they both return to reality. Snow steps back slightly and helps you stand on your own two feet. He looks at you with heavy eyes. All the emotions he had been hiding inside him had finally been released.

He has won and he knows it. He has succeeded. But what now? Was it really worth it? This is not a question for now. Coriolanus does not look far into that future with his thoughts.

You look at each other in silence. Slowly you begin to realize what you have done and now you look at each other awkwardly and somewhat panicked.

Coriolanus is the first to break the silence. His cheeks are flushed and his breathing is faster. The passion he felt a minute ago still lingers in his heart, something he tries to hide from you. He looks at you with a somewhat absent and uncertain gaze

"Do you think we should forget what just happened?" He tries to make his voice sound normal as if nothing had happened.

"Definitely." The words leave your lips before you have time to think. You stare at each other in silence for a few more moments and begin to quickly put on your clothes.

Snow is surprised at how quickly you agree with him. He needs to make sure this is the end of what just happened between the two of you, so he adds.

"If anyone asks, it never happened." He now looks at you with a somewhat panicked expression on his face.

"You don't have to tell me," you scoff, buttoning your shirt, "if you tell even one soul, I'll kill you, I swear."

Coriolanus looks at you with small amusement while fixing his jacket. "I hope you won't become obsessed with me after this."

"Maybe in your dreams," you say with a slight smile fixing the collar of his shirt. " you better be careful that you are the one who will be lost in memories of me." Before you leave the bathroom you stop in front of the mirror and fix your uniform and hair. Coriolanus smiles for a moment but then quickly clears his throat and tries to look cold.

You both come out of the bathroom, look at each other and part your lips, as if to say something to each other, but you look at each other in silence "Now everything is back to normal. We can still hate each other," you say, but this does not improve your mood at all.

"It never happened," Snow says trying to look you in the eyes, wondering if you're thinking about it too. He wonders if what he feels is real, or if it's just a moment of passion.

"Never" You agree by nodding your head. Your gaze goes down to his mouth. As you look into his eyes again without a moment's thought you move closer to him and press your lips to his in-hungry kiss. He kisses you back wrapping his arms around you to bring your body closer.

You parts away after some time and you both catch your breath for a moment after this passionate kiss. Coriolanus is completely consumed with passion and there is nothing in his mind but you.

You move away and nod to each other as if you have just made a deal and each is walking in your own direction in a much better mood.

Maybe that's not exactly what Professor Satyria meant when she said you two should come to an agreement, but it certainly worked.

[cotton-fae24]

Hello everybody! Surprised to see me post something not Seabird related? Well sometimes drawing the same things over and over again gets a little tiring, so to clear my head (and to remind myself to draw legs once in while) I’d tried to draw other owl house stuff. During this break times I’d actually end up drawing other owl house creators Au’s, and I decided to clean up these drawings together and compile them into one big illustration. Think of this post as a sorta tribute to creators that inspire me. And don’t worry, Seabird part 3 will still come out Monday.

First up, the Monster high AU by @dazeddoodles

As the title suggests, it’s an AU that combines the G1 Monster high with the Owl house series. I was a huge Monster High fan when I was younger, so this AU was a real treat. I’m really sad they decided to discontinue it, as I think this AU is really cute. I love the designs too, Raine is my favorite. I kinda just wanted to draw some cute interactions, a young Eda and Raine interacting, Gus and Willow giving Hunter “a hand’ and Amity flirting with Luz (in her own way). Drawing this AU was a lot of fun and did inspire me to rewatch some of the old Monster high specials.

Pittwins AU by @nikolutke

This AU is much darker. The idea of the story is what if Hunter and Luz weren’t resurrected at the end of the series and wandered around the Boiling Isles as ghosts. I love Nikolutke designs for Ghost Luz and Hunter, they’re both haunting and really sad. Plus the idea exploring the Owl house characters reactions towards the death of a love one is really fascinating concept. I kinda explored that idea with these drawings, in this case Eda and Darius reactions. I feel like Eda would be out of her mind with grief, as she was forced to watch Luz’s death first hand. I think she’d feel a lot of guilt too, thinking she failed to protect Luz. I also wonder if Kings Titans powers allows him to see the dead, could be possible. As for the other illustration, I think Darius would probably isolated himself and grieve quietly, contemplating what he could of done differently, and if he could have saved Hunter in time.

The Gilded Cage by @catboymoments

I’ve been fan of both their next gen au and this one, but I decided to post one about the Gilded age au. The basic idea of this AU is the classic “What if Belos found Luz instead of Eda” concept. A lot of these AUs tend to go the route of “Luz becomes Belos 2.0” as someone who loves Luz, I’m sad people just think she’d just instantly become a villain if left unguided. I’m really that this AU went into a different direction and actual kept Luz’s personality and made Luz someone who’s trying to help the Isles and wants to protect her friends from Belos wrath. The one on the left is Lilith and Luz interacting, I like to think Lilith sees a lot of Eda in Luz, and makes her think of the good times before everything got complicated. The one on the right is Luz and Hunter, with the former trying to convince the latter to question Belos control. I love in this AU that despite Belos attempts to put the, against each other, they still have each others back no matter what! Their siblings no matter what universe they’re in!

And of course the classic (pun intended) The Mythology AU by @turquoisespace35

This AU is Huntlow story set in Greek mythology. Hunter in this AU is the half human-gorgon offspring of the human Caleb and gorgon Evelyn. Willow is sent to his location to kill him but (of course) they fall in love instead. The story has a lot of twists and turns, so I suggest you check it out if you haven’t already. The left drawing is Caleb and Evelyn interacting together. I don’t know if this work but I like to think the two were able to somewhat interact with each other by Caleb looking through mirror. I of course had to draw the love birds Hunter and Willow interacting together. The one on the top right is a little bit of a spoiler but I decided to draw Lilith and Edalyns in their goddess forms, I love that Lilith plays the role of Athena and acts a caretaker to Hunter. I drew her getting a little emotional about Hunter finally being free, as any cool Aunt should.

And to those who are just hear to see the Seabird AU, here’s a preview drawing of part 3 of chapter 10. I don’t think Edas really enjoying this part though lol.

Anyway, hope you guys this more unusual post, I just wanted to draw something a little different this time and pay tribute to some of the artists that have inspired me.

Edit: Chapter 10 part 3 of the Little Seabird is out now. In case you’re interested in seeing my work, I’ve left a link:

Chapter 10, part 3:

And if you want to read from the beginning, here’s a link to the first page:

Beginning:

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[bweirdart]

#mARTch 2024

text version (with more info!) under the readmore! please check it out if you're confused about anything <3

F.A.Q

do i have to draw every day? no!!!! there are skippable days built into the event, please use them whenever you need them! i really don't want anyone getting a wrist injury!

can you share my art? yep! i try to share entries to @bweirdevents daily during the event!! the tags can get busy tho so i might miss some posts OTL sorry

what are the tags? #mARTch is the main tag, but this year you might find posts in #mARTch2024 too!

wait, i'm confused about a prompt... full breakdown of all the prompts below ↓ with helpful hints if you're stuck!

_____

INTRO WEEK

this week is all about your artistic identity ... technically, you don't have to draw anything new this week if you have some art that already fits. the starter days are:

1 ⭐ self portrait who are you? it doesn't have to be you IRL .. if you feel more comfortable drawing a fursona or mascot, that's fine too! if you don't wanna draw, you can also just share old self portraits today and talk about why you drew yourself that way!

2 🤍 inspirations see how this day doesn't have a star? that means it's optional and you don't have to do it at all! but if you really wanna- tell us all about what inspires you to create art! this could be anything from the people that inspire you, the shows you like, the pins on your big messy pinterest board, or concepts that you're drawn to! you can draw something about it, talk about it, or just post your inspirations! anything is fine

3 ⭐ fav thing to draw what do you like drawing most? backgrounds? animals? one specific animal? bust of your oc facing left? cars? the same anime boy over and over and over? no judgement!! show us :)

_____

STUDY WEEK

this is the week we actually start drawing from reference! polished art is not required at all, quick sketch studies are fine! please don't burn yourself out

4 🤍 plant

5 🤍 body

6 ⭐ animal

7 🤍 object

8 🤍 food

9 🤍 face

10 ⭐ hand

these ones are pretty self explanatory! you can do them as realistic studies, or adapt them into your own art style, it's all fine! you can reference from your own photos or from resources on the web.. have fun!

_____

COLOUR WEEK

this is the week for playing with palettes and working on your colour theory skills! if you're really struggling with these ones, don't worry about drawing scenes or characters, you can just have fun splashing colours around on an abstract canvas!

11 🤍 RGB a set or primary colours typically used in digital/screen art - red, green and blue!

12 🤍 CMYK a set of primary colours typically used in traditional/print art - cyan, magenta, yellow ... and key (black!)

for both of these days ↑ you can add in black and white. and feel free to combine the two days into one, if you're struggling with a three-colour palette! use all six!

13 ⭐ WARM COLOURS the warm side of the colour wheel, reds oranges and yellows!

14 🤍 MONOCHROME monochrome doesn't mean black and white ... it means one colour! that can be any colour at all- shades of red, shades of purple, shades of green .. or yeah, grey if you really want!

15 🤍 COMPLIMENTARY complimentary colours are the ones opposite each other on the colour wheel! they're kinda married

16 🤍 YOUR FAV COLOURS pick any palette that works for you! where's your comfort zone? what looks nice to you? what colour combos do you always go back to?

17 ⭐ COOL COLOURS the cool side of the colour wheel, purples, blues and greens!

_____

CREATIVITY WEEK

this week is all about vibes! try to create something that matches the mood of the prompt .. they're vague on purpose! don't overthink it, just draw from the heart!

18 🤍 SMALL you could draw something that's really small, like an ant .. or draw on a canvas that's really small .. or use a really small brush .. get creative with it!

19 🤍 DANGER try to capture the adrenaline .. the rush .. the fear that you associate with the word danger!

20 ⭐ SOFT soft colours, soft textures, soft vibes ... whatever makes you comfy!

21 🤍 MIDNIGHT darkness and secrecy .. spooky witchy vibes .. the tranquility of a forest at night .. the fun of a late-night party .. there's lots of ways you can take this!

22 🤍 POWER what does this word make you think about? superpowers? control and oppression? literal electrical power? something else?

23 🤍 CHILL chill as in calm? or chill as in cold? who knows .. it's up to YOU!

24 ⭐ LOUD try to draw something that feels LOUD! BRASH! IN YOUR FACE! how can you convey sound through art?

_____

FUN + GAMES WEEK

this week is just for enjoying yourself! take it easy and have fun! also .. another reminder! there are skippable prompts! if you're tired and struggling to get to the finish line, please don't hesitate to skip a day!!! or multiple days!! as many as you need!!!

25 🤍 TRY A NEW ART STYLE copy the art style of a show you like, ask a friend if you can try their style, draw the eyes a new way, develop a totally new style on the spot... whatever you want!

26 🤍 DRAW WITH YOUR NON-DOMINANT HAND righties, draw with your left! lefties, draw with your right! ambidextrous nation ... our time to show off!

27 ⭐ DRAW WITH YOUR EYES CLOSED don't peek! try to draw something without looking! if you really want, you can colour it with your eyes open after you draw the lines/sketch with your eyes closed... but please try not to cheat with the actual drawing part!

28 🤍 RE-DRAW SOMETHING OLD find some old artwork you like, or something you feel like you can do better on now, and give it another go!

29 🤍 RE-DRAW A MEME find a silly picture on the internet to redraw .. do you have any in-jokes with your besties?

30 🤍 DRAW A GIFT FOR A FRIEND create something for someone you love <3

31 ⭐ FREE CHOICE final day! you can draw anything you want today! show off your skills! draw something you've been meaning to draw! whatever!

_____

please refrain from reblogging this post after march ends - next year's prompts will be different, thank you! if you have any additional questions, don't hesitate to shoot me an ask!

[goatlilly]

Miraculous Theoretical Reboot Concept Art—Lukagami

So I really wanted to post this Lukagami Art I made for my Miraculous Theoretical reboot—you know, the one with Emily as the Ladybug in it and fusion powers? No? Well, it is kinda half baked at the moment, but the it’s basically a rewrite with extra steps. (You know how Spider-Man has, like, ten adaptations? This is like an adaptation concept rather than a critical rewrite, if that makes sense.) And in this version of the story, this Lukagami ship is a thing. Now, Believe it or not, I actually like Feligami in the show proper—there’s a certain vibe to it that just makes it so entertaining to watch. And honestly, I get why the show didn’t go with Luka and Kagami as a ship instead, but I promise I thought about it a lot, and this just works better for what I’m doing.

For one thing, I reworked the powers of the dragon a bit—

And when I say a bit, I actually mean a lot. Completely new power set, weapon and miraculous. The power is a sort of Taunt ability that makes the user the center of attention, basically making it so that enemies can’t take their eyes off the user. Since the ability is less offensive now, and the user needs a way to protect themselves from oncoming attacks while other holders finish the fight, I gave her a more defensive weapon—a kite. It acts as a sort of shield/hand-glider/bludgeon, and just seemed more versatile and multi-use than the sword did. The miraculous is also now a hair spike instead of a necklace, with the reason for that being that I just wanted to add more variety to the miraculous pool, and there were already two other necklaces and a choker, so… why not, right?

Anyway, why would this affect shipping? Uh, it’s kind of complicated, but basically the dragon and the snakes power-sets just balance each other now. The Dragon can’t make any mistakes or it’s game over, but the snake can give the dragon a second chance. Vise-versa the snake is usually an immediate target for enemies who know what it does, but does it’s best work when it goes unnoticed, and the dragon’s power can draw attention away from the snake and allow it to do it’s thing. So they kind of just naturally fall into a sort of partnership with each other in that sense. Luka’s character in this version is all about passive observance and helping out on the sidelines, while Kagami is about standing front and center and acting decisively. They just work too well. So, yeah… I don’t know. I’ll probably draw more art of them together sometime so I can show y’all why I think it’s a good idea.

Anyway, here’s Luka’s Viperion Concept page—

I gave him a rattle instead of a harp because… just because why not? Also he has all the piercings now, and they change to look different when he transforms. :)

[lucabyte]

obligatory ramble about postcanon loop ask

also your art is amazing

Hiiiiiiiii :D thank you :)!!

and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...

I am putting this under a readmore because it's a bit long. but:

This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...

My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.

It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)

The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)

And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.

but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.

Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)

Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.

As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.

Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)

This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)

Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.

Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.

But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.

I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.

*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍

**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....

Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.

And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.

Mostly, they might be able to open up to each other easier than they can the rest of the party?

I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.

[elmushterri]

I don’t have time to draw my ideas out but!

Been contemplating TKH stuff and GunnTech stuff, and I was wondering.

I’ve set up TKH as a spiritual/supernatural/guardian angel thing (that bit needs no introduction to be honest) where knights have their own realm, and magic and such.

Buuut, I’m exploring some other angles too and I wanna know your thoughts.

I was exploring the idea of knights being man-made, a huge science project kinda like GunnTech (btw, I’m only basing this off GunnTech cause the science-experiment-kids angle is more of my au than PJ masks? I’d be stealing from myself + PJ masks is not my property so I could never produce/do anything with GunnTech anyway😭). So here, it would probably be something like “The Knight Project” and such. More sci fi/across the spiderverse than She Ra. The rest of it is mainly the same, same weapon power thing, same handbook stuff, just different vibe and origins. Rather than only fighting normal criminals and night time villains like in PJ Masks/GunnTech AU, the main character knights are teens who get to fight giant monsters and whatnot.

What do you moons think? I’ll probably end up showing some concept art anyways.

‼️ This is sorta for people who like the GunnTech sciency / hero/trained kids growing up in a lab aspect, cause once again it’s still just an AU of a property that isn’t mine and I can legally do nothing with. I love the GunnTech story but I can do nothing with it in the future because it belongs to Disney. If you wanna see an ‘original’ GunnTech vibes story with a slight fantasy twinge to it, then this would be for you.

Here’s some ‘mood boards’— note that there would still be cool glowy stuff and true knight forms and all.

The project would probably keep its title, but if not, in this sci fi case it would probably be more like ‘Project Knight’ but till I’ve figured that out it stays.

[akanemnon]

hey akane is it ok if i ask for your help on this background’s color and composition? (this one’s just the thumbnail/concept hence why it’s messy)

Sure! I will try my best!

To accurately help with the composition I would need to know the intent behind the scene. From what it looks like you wanna put the focus on the chair? That is at least what sticks out to me first when looking at the thumbnail.

It's a bright yellow, which draws the attention of the eye. That is a good thing if that's what your going for.

The main I advice I can give you is to adjust the colors. Lemme show you something.

This is the greyscale of your thumbnail. Notice how the values are very similar and make the background details kinda blend together? Except for the trees. Thanks to the dark areas it's very easy differenciate them from the rest of the background.

What you probably want to do is try to create a sense of depth through the values. Establish a background that's further away (here shown with the fence and everything that lies beyond that) by making it a bit lighter and maybe a little desaturated. You know how when you look into the distance of a scenery and everything far away gets really light in color with a slight blue-ish hue? It's the same idea on a smaller scale.

Color can also help here! do you see how the off white of the umbrella is very close to the light yellow sky? What you can do to remedy that is by using a different shade of off white, for example or making it brighter! Or making the sky a different hue can also work, but if if the setting and mood for the scene calls for it, then stick to adjusting the white of the umbrella.

I fiddled around with it a bit to try and visualize it. Hope you don't mind. I apologize in case you do. It's definitely not perfect by any means, I did this in like a couple of minutes. But it should get the idea across... I hope.

Also in case you're working lineless as shown here, you can also play with shadows to help make those contrasts and values much stronger! That will also help with your composition and put focus where you want it to be.

That should be all I have? Yeah, I think so. Hope my pointers where at least somewhat coherent! Haha...

[petrichal]

Role-reversal as a concept is really simple imo BUT things like change of environment and plot-related stuff personally makes this fic so fun for me to write :)

So I ended up writing a bunch for what was supposed to be a simple concept, wanted to compile my word vomit so far and, hey, maybe this might be enjoyable for people to read too, who knows (ᵕ,—ᴗ—,).

(⚠️ long post ahead!)

Timeline:

10 y.o - Ace swaps with Sabo before he sails off to sea, while Sabo goes back to Dadan's. The day after the explosion, Ace is found drifting on a piece of wood near Shimotsuki village by Marco who had been around the area with some members of the crew.

15 y.o - Ace eats his devil fruit on his "birthday" (the day the WB found him).

17 y.o - Sabo sets off to become a Revolutionary. 

18 y.o - [2 years before canon/Luffy sets out.] Ace gets his first bounty. It's been 1 year since Sabo entered the RA, and it's also when he finds out about Ace. (<- we are here) 

※ Some time when Sabo was 14-15 years old, he became aware of the Revolutionary Army when he first heard Garp mention his son in relation to it during one of his drinking sessions with Dadan. He went to a library in Goa's Town Center after the fact, saw some information and connected the dots, then confronted Garp about it when he visited next.

※ Garp doesn't know that Ace is alive prior to his wanted poster, but had heard a rumor of a kid on board Whitebeard's ship. The rumor came later than when he first heard of Ace's incident in Goa though (both did not seem connected), and it isn't rare for Whitebeard to pick up a stray, so he hadn't pressed on anything. He will later confront Whitebeard on Ace's whereabouts in the future.  

※ Ace isn't allowed to be off the ship when he was younger in case of any danger from enemy pirates but made a habit of sneaking off on his own without any of the crew knowing sometimes. He'd spend his time in the mountains or making friends with the forest animals (for reasons unknown to him) after getting bored of being in towns. The crew had been lax about the rule until an incident when he was fifteen, resulting in Marco forbidding him from getting in fights for a while. 

※ Sabo met the Revolutionary Army by tracking them down. Word of mouth by the marines made the job easier, and he found himself joining after getting involved in a coup of a kingdom in East Blue. 

※ Sabo is not the Chief of Staff, nor is he anywhere close to being one at this point in the story. He initially judged Dragon for not being present for Luffy but understands that the risk of being connected directly to the leader of the RA would be dangerous. He'd share letters and drawings from Luffy with him at times, where Dragon would keep them in a drawer despite Sabo's playful insistence that he should pin them to his board. 

** This is a personal headcanon but I believe that (in canon) Ace still felt some guilt for not taking Sabo with them instead of letting Outlook drag Sabo back to High Town resulting in Sabo running away and getting blown up by the Celestial Dragon, and that Ace would have resorted to unhealthy coping mechanisms because of it- except, Ace is a fire logia, and he can’t get drunk because he’d just burn all the alcohol away. 

In this fanfic I kinda took that headcanon for Sabo and because he’s not a fire logia, he has an easy time drowning himself in his own misery. This gets progressively worse especially after he sails off on his own, when Luffy's not there with him.

(Everything below this was made before I started chapter 2, and they’re all just how I put together my thoughts so I could write ch. 2 & 3)

The Plot (up to ch.3):

Summary; In which I provide you with sea routes?? because why not:

(Kind of a bastardized version of this from One Piece Novel A, where the boss of an island under WB’s territory gets outed for being involved in slave trades.)

** “Feltor” is an island I made up and carried over from the original version of the story, but the region I specified in chapter 2 “Las Camp” is canon and was said to be one of Whitebeards’ territories. “Port Marina” is also made up, except it’s kind of a nod to Port Chibaralta.

Rumour says Feltor has been used by slave traders as a rendezvous point between ships.

Logbook received by the RA from Sabaody confirms that a “merchant ship” from Feltor frequently docks in the shipyard before being sighted near Sabaody’s lawless zone (Human Shop location).

Sabo & Koala go to Feltor to steal their logbook. The logbook records should tell them about the location (slave trader's base / Port Marina) the first ship came from before they transport passengers over to the "merchant ship".

I actually didn’t realize how stupid the route was (like wouldn't it be easier for all of this to be in the Grand Line instead??? ugh) and was too stubborn to change anything, but I got rid of the discrepancies and end up a happy writer because of it yippee ;_;

Of course this isn't all there is to it. I haven't written up the rest so the notes for Port Marina stays in their notes.

(This part is genuinely super self-indulgent. I need to have it make sense in canon worldbuilding and that’s why I write at a snail’s pace orz Moving on - )

Emotional Process??:

Chapter 2 was hard for me to write because I couldn’t keep track of how Ace and Sabo feel towards certain things (their main conflicts, what they wanted to do, what they feared or hoped, etc.), so I made a mindmap of their thoughts about stuff like that:

I tried putting this into text but how I put it [above] was easier to understand 😵‍💫 There’s a bit of dialogue that’s for the next chapter but don’t worry about that lol. If you can read through my atrocious handwriting then all the power to you :’)

This is genuinely not supposed to be a long fic and was supposed to be 4 chapters long, but that didn't go as planned lmao ⚰️ My target for now is 6 chapters (2 chapters + an epilogue, hopefully).

(If you've reached this far, here's an experimental draft of Chapter 1 that didn’t go anywhere, but I still consider it part of the story): 

Eight years have passed since Ace was shot at the age of ten, when he gripped Sabo by his shoulders and told him to be free.  It’s been eight years since he had worn Sabo’s clothes to act as a lousy decoy and sailed under his pirate flag - “Just the letter S on some crossbones? Come on, Sabo,” - and it’s been eight years since Sabo’s brother died because of it. Growing up without Ace had been a challenge he didn’t think he’d face. They saw his ghost sometimes, young minds longing for a voice gone too early, and it existed in the forest they used to hunt in and the room Dadan had for the three of them, now two. They seldom stayed in the treehouse anymore- too many precious memories they didn’t dare disturb- but Sabo’s heart was stronger because of it.  Colder, sure, but there was something about seeing bent nails hammered clumsily into the treehouse’s flooring and childish drawings on the battered wall that served as a reminder for what Ace had left, and before long, it hurt too much to bear. So Sabo stayed at Dadan’s, and after a while, Luffy followed him too.  It got easier to breathe as Sabo got older. Holding on to Ace’s memories and Luffy’s permanence by his side gave him some sliver of strength to continue, and if it wasn’t for them then it was his rage for the world above all else.  So he joined the Revolutionary Army at seventeen, and it’s been one year since then and eight years since he’s known hate like he was born out of it. 

.

The second truth came close to the first; That the world was rotten to its core, and it was why his brother was dead in the first place.  Because Ace's death made no sense. He was someone whose dreams were greater than anyone Sabo's ever met, someone who would stand tall and grin in the face of danger, someone who was destined for the world beyond Goa and the East Blue.  Ace whispered wishes in his ears, Sabo remembers, to be someone greater than his father. Maybe he can be his mother's pride, too, someone she won't regret giving up her life for.  Ten years of living, five years of wishing. A life cut too short.  (From Ace’s demise stands Sabo, this turncoat noble, the boy who was handed everything on a silver platter from a young age just so he could shove it all away, and, what, his dream is to write a book? That's all?) Luffy was the one to bring what was left of him back around, in the end.  It had been a week since they'd heard the news about Ace, and Sabo had spent most of his time in the forest to think, as he called it.  Sunlight pierced through the canopy of leaves above him where he swung his pipe against Luffy's outstretched punch. It made the boy stumble, and soon enough, his arm snapped back and made him fall to the ground.  “14 - 0,” Sabo exhaled. The metal pipe felt rough underneath his grip. He was distracted; His mind was elsewhere. “Luffy, this isn't really-” “No!” Came the petulant reply. Luffy got back up as fast as he went down and resumed his stance. “Next round!”  And maybe it was frustration, or maybe it was something more harsh, because Sabo could remember throwing his pipe down and sitting cross on the ground instead of parrying Luffy's attack. Sabo ignored how the punch missed him by a whole two inches and how Luffy tumbled forward in surprise because of it. He mussed up his curls instead, and he didn't really get what was making him feel this trapped, this suffocated, but all he knew was that he just wanted everything to stop so he could think.  “Sabo?”  But he couldn't really ignore Luffy completely, could he? Slowly, the blonde lifted his head up, and through the beaming sun rays piercing through the canopy, Luffy's frown fixed itself like a picture on his face.  “What's wrong?” Everything, Sabo wanted to say, but Luffy knew that already.  “Just tired,” he said instead before burying his head between his knees. “Oh.” He could feel Luffy settling down on the grass next to him and the boy leaned on Sabo's shoulder like he was worth relying on.  “I'm sad about Ace, too,” Luffy said after a beat. The mere mention of their other brother felt like ice nowadays. It froze Sabo, and maybe this was what he feared, this talk with Luffy.  “.... I don't think we'll ever stop feeling sad about Ace.” His little brother had nothing to say to that. He only pushed himself more on Sabo’s side. The morning was still young with birds chirping in their homes, and it filled the silence that lapsed in between them like some kind of healing balm. But that wasn’t enough. Sabo knew his wounds, and this one in particular was heavy and deep, something that couldn’t possibly be reconciled in just a week after losing Ace. (And the second truth, really, was that it was unfair of him to blame the world for Ace’s death, when he was the one who led Ace down that path to begin with.)  “Don’t you blame me at all?” Sabo found himself asking after the quiet started to feel unbearable. “If I hadn’t tried to leave, he would still….” “Sabo’s stupid,” Luffy said instead, and before Sabo could react in any way to that, “Ace saved you so you can be happy. Why would I get angry about that?”

Aaaand that's it! I really like thinking about this fic! Sorry it's a bit much but thank you for reading until the end!

[blacklunardice]

I love your yandere!Deadpool content!! But if I may ask, if the reader (or you in this case) just draws and paint obsessively to cope with the fact that your stuck there (like in a unhealthy way) , what would Deadpool think??

Ik it isn't much but just wanted to bring light into this little concept of mine ^_^

Thank you for the kind words!

I'd like to think that you were able to have stuff like art supplies because Wade knew it was a hobby/interest of yours. As mentioned before, he'd be happy to let you have thing that'll keep you around such as your personal belongings from home.

Sure, he noticed that you've been spending a lot of time to yourself and your art. It didn't set off any alarms at the time. "Let's hope this doesn't become something unhealthy. Heh, that'd be crazy..." Is something he'd tell himself while giving all of us a knowing glance.

So when you eventually do get obsessive in your drawings/paintings, Wade takes some time to ponder. Yes, this isn't healthy...but at least you're here. and not doing drugs or an alcoholic.

At least you're still here with him and not trying to escape. If you start to neglect your basic needs and hygiene, that's when he'll intervene. Wade doesn't want to pull you away from what you love but it's actually hurting you and it's unhealthy, so he kinda has to. It's almost painfully ironic given that he kidnapped you escorted you to his place for his own unhealthy obsession unconditional love towards you. Hey! Shush! This isn't about me right now! You back to focusing on them!

...aside from that, Wade considers letting you out for fresh air (and to touch grass!)...with his supervision of course. Yes, yes, he's giving you some freedom since you've been well behaved and all. Maybe you two can take a walk to a park or visit an aquarium.

He makes you promise not to wander off or anything like that. It'd lowkey terrify him hurt his poor, bleeding heart if something like that happened. Plus...it'd wouldn't be hard to bring you right back. So, just don't...

He does all this to make you're okay and healthy. Wade is many things, but he's not a monster. He loves you so much and so deeply. He'd protect you from anything...even yourself.

[anim-ttrpgs]

@janus-wants-to-stargaze for some reason it won't let me answer this ask properly so here it is.

For the most part, the Drow Mistress is supposed to handle Competency, but it’s still a pretty early, pretty untested system very much subject to change.

2. That’s a good point and something to consider, I’ll make a note of it!

3. Yes, that is correct, with the only exception being that for Servants you take points out of the Skills to add to their Endurance as well. If it’s confusing, you should check out the character creation section of one of our other games, Eureka: Investigative Urban Fantasy, which has an almost identical skill system. Eureka is in a much further along stage of development, so the mechanic is explained much better there.

4. At the moment, humans have very different resting needs from elves, plus the fact that they can’t see at all in the dark. That second thing is something I intend to flesh out a lot more as the game continues to be developed.

5. There’ll be more lore and explanations of just about everything in the setting as the game continues to be developed, right now it’s just in alpha stage. Although, less focus on the he-elves than female elves is an intentional design choice, since as much of the rules text and lore as possible is written from the Drows’ perspective. The lack of focus on he-elves is meant to be representative of the sexism of the society being presented.

Misogyny in real life rarely manifests as an overt, violent, raging hatred of women, those are just the cases that get the most attention. More mundanely it often manifests as an indifference or disinterest towards women, men as the default, and women as an afterthought.

The misandry in Silk & Dagger is meant to read like that.

6. Yeah at the moment, the game has just kinda the bare minimum with regard to Traits, but that’s because it’s still in alpha stages. By the time the game is finished, I’d like it to have as many Traits as Eureka.

Like how Eureka draws a lot of Traits from characters or tropes from noir, detective, and horror fiction, we have a lot of sources of inspiration to draw on for Silk & Dagger, it’s just a little slower going because I personally am less familiar with a lot of them. It’s also the fact that the game hasn’t been thoroughly playtested yet so the way they all the mechanics fit and work together isn’t 100% clear. Once the game has been played more, I’ll be able to come up with some traits that really mess with the way the mechanics work, like Eureka has.

But in the future you can expect Silk & Dagger Traits to draw inspiration from:

Maid & butler fiction (yes this is a genre)

Sports and martial arts fiction

Regency drama

Sitcoms

*sign of the cross* Horny isekai anime

7. For sure, servant hierarchy is something we really want to flesh out before the game is finished.

8. Same response as #7.

9. With the possible exception of drider, we have no intention of expanding the race roster, as the relationship between the two playable races is part of the core dynamic. I may even state in the rulebook that for all intents and purposes regarding gameplay other races do not exist.

Really, race in Silk & Dagger is not intended as a commentary on “race” in real life, one of the main reasons it’s even a thing is because race is a thing in the source material that Silk & Dagger is spoofing.

What Silk & Dagger is “doing” with “race” has less to do with the real world concept of “race” and more to do with the people who are suited for what society expects of them, and the people who are not.

Humans in Silk & Dagger are people who are well-suited for the environment of the surface, and would be mostly fine there, but they’re not there, they’re forced to be underground in caves, where none of their innate strengths apply. This makes them pretty shitty at everything compared to elves, who also aren’t really suited to thrive in this environment and society, but are much more innately suited to it than humans.

When humans express that their bodies are not suited for what this society expects of them(can’t see in the dark, ears less sensitive to subtle sounds, too big to fit through certain tunnels, etc.), the response is that they’re dumb, lazy, ungrateful, parasitic, worthless, etc.. Humans need “sleep,” which is something that many Drow don’t even think really exists, and that humans are al just lying to get out of work. Elves don’t need “sleep,” they just have to sit down every once in a while, humans are just being lazy and don’t have the willpower to push through like elves do.

This is kind of like being disabled.

10. You want the etiquette to be even harder to follow?! Granted, there are a few extra bits we considered for the etiquette rules, but most of the ones that were cut were cut because they were too subtle and really didn’t end up suited to the vocal descriptive gameplay of a TTRPG. Maybe if Silk & Dagger was done as a LARP, then they could be expanded more, but good luck organizing an accurate Silk & Dagger LARP anywhere outside a BDSM club or something hahaha.

[applestorms]

do you have lawlight fic recs

*cracks knuckles*

(Not) According to Plan by FlamesRise: this fic was Fundamental to me figuring out what my ideal light (smut) characterization is. fun lawlight lawyers au that is also mostly kinda just about light manipulating himself into an uncomfortable sexual scenario yay👍(this really sets the stage for what the rest of these recs are gonna look like so prepare yourself lmfao. aka these are gonna be like, 90% questionable smut and/or dead dove, i just don't read much else... 🫠 oops)

blood in the walls of the yagami house (series) by qu_ilinn: gotta put the lawlight brocon on there since this is basically what got me into the DN fandom. grins. one of the best Terrible Horrible L depictions ever, i love this series sm lolol <33

rewards for fools by autumnstar88: cough. and so we notice a trend. this is once again light putting himself in a horny situation he's uncomfortable with and then freaking out as he likes it too much LOL, this time set immediately after he gets his memories back during yotsuba. light in a skirt, what else is there to say.

caligula would have blushed by findingsaturn: medical kink going wilddddd this blew my fucking mind the first time i read it. an absolutely delectable ratio of body horror to weird sex stuff, chefs kiss. i also rec corrosive wash and self-surgery, by the same author.

literally anything from the alignmentverse by praise_lilith and tsukinousagi: this is easily one of my favorite lawlight series, every single fic in this collection is absolutely fucking golden. 10/10 some of the funniest light and L characterization ever.

A complex fool and a simplex fool. by gomikyun: also some hilarious lawlight characterization, this time in the canonverse. i don't usually go for bottom L but this is The Exception. shout out to that one time i took like three hours searching for this just to find this stellar quote:

Why, why didn't I do this before? L has to hold himself back from letting out a whiny groan. He should have just pushed Light down and fucked himself ontop of him instead of playing tennis on that stupid fucking court. Would have been a great icebreaker. And made headlines, probably. ‘Hideki Ryuga and Light Yagami, top scorers on the To-Oh entrance exams have a friendly game of… gay sex on the tennis court. This year is looking to be quite interesting!’

Diamond by exAm: another top 3 for me in terms of lawlight being funny and horrible. one of if not The best het lawlight dynamic i've ever read (man light/woman L, in this case). light is such an egotistical, stupid asshole here, hubris through the fucking roof, and it works fantastic. also fun to see L dealing w/ canon-typical DN sexism LMFAO

Back to then by LiveLongEatWell: this one just has great smut idk what else to say. shrugs. also L obsessively fucking himself into the worst possible scenario lolol here's how KIRA could've actually won

Trading Blows and Idle Hands by gayraito (Mercurial_Magic): more yotsuba smut shenanigans, very fun. honestly most things by this author are great, hard to pick just one... The Gift is also great and somewhat inspired some of my own android light in superegos (read my lawlight fics too 🫵 boy)

draw it out by emmerii: VERY noncon no-memories light. smiles. this one makes me actually insane hides in my evil little corner

actually if we're doing the more heavily dead dove ones, there's also Take Me With You or Let Me Follow by WhyDoesEverythingHappenSoMuch and I will take what's mine, create what god would never design by FlamesRise for the specific concept of L being a freak over L's corpse. necrophilia warning? :]

Kouyaku by Not_default: basically a KIRA wins au where L doesn't actually die. sometimes L deserves to be the one locked in the basement ig. very very nice

The Dreadful Need by the_gabih: somewhat non-traditional omegaverse au that is also just about very dubcon prison sex. this makes my brain fucking melt please don't ask why

Perfect Life by foreskinsmoothie: probably the longest thing on this list, this one Fucked Me Up when i finished it a couple weeks ago. OCD light to the extreme, which is additionally Made Worse by L kidnapping him for shits and giggles 👍 that being said, i absolutely adore the ending of this one, so. if you can get past the graphic self-amputation, this is a (very fucked up) lil treat :>

Kira's Guide to the Munchies by plant1r: ok this is more like matsulight but i have to include it for light's characterization alone, AND ALSO NEAR. one of the best near depictions ever. this is hysterical, my favorite weed light fic everrr

praise the sweetness by cxtangerina: read my fic boy 🫵 cult leader L au. unreality apocalypse world wammy's cult weirdness. what more can i say. this is probably gonna have a meronia sequel in the near future so watch out for that (after i post this other lawlight fic anyway, which is ALMOSTTT done uwu everybody clap)

that enuf for you anon?