In portuguese there are no neutral pronouns at all... Even objects, species and verbs have gender!
Some random examples: Tree, house, lamp, wall, clothing, capybara, walk... all female
Paper, floor, soap, dog, cat, shoe, smell... all male
This confused me a lot as a kid when in translated media the animal characters that were referred to as one gender due to the species was actually another. Some words can be slightly altered to be the opposite gender though.
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A large burning canvas could be seen in the distance.
The neat fingers, full of small dents from the friction of the sword handle, caught a small flame, which immediately went out from faint pressure.
There was silence, a living silence, one of those that strains with its sound. A warm wind heated his battered, but carefully polished armor.
"You want to say something"
"I want" Blurr answered, turning sharply to the dark silhouette behind him that was quietly watching him until now. He clenched his fist with a grinding sound, where the spark died out, and demonstratively opened it towards the darkness. "And this is how you are paid for making the world freer! This is what remains of your legacy, and you react as if it doesn’t concern you at all!"
"It does not concern me anymore" the figure answered him calmly.
"Shockwave, stop!"
"Is that an order?"
"It's a request” His angry expression made it clear that this request was an obligation. “I just don't recognize you for these few months." His hand shook slightly with anger. Black smoke seeped through the cracks in his armor.
"I don't recognize myself for even longer time." Blurr visibly trembled at these words, realizing where the dialogue was leading. Shockwave slowly approached, his long, deformed fingers, three times longer than one of Blurr's fingers, carefully reached out to his hand and wrapped his palms in his huge paws, kneeling down to be on the same level with him. "Blurr, I-"
Blurr turned his head away so as not to see one piercing, but such a swampy dim light of his terrifying eye, which had become more precious to him than his weekly knightly brigandage. "Shut up. It's too early, we haven't agreed on when exactly to do this"
The dull mass of metal, which was only a tangible casing, after some hope of catching at least a spark of doubt, only lowered its head heavily. The crackling of the fire continued to be heard around. The soot reached them, gifting them with at least some warm light among the shades of cold before dying. Realization, regret, reluctance were not reflected in the knight's optics. His armor, always proudly looking into the face of danger, now reflected only the cowardly lights of the fire from behind. Despite this, he did not remove his hand from the strong lock until the blades themselves parted. Shockwave disappeared. Disappeared as he had done for the past few months.
Blurr turned back to the burning wall. From afar were heard screams, squeals, grinding, clanking. The column of fire did not subside, as if it was fed by fuel from secret reserves. It had been burning like that for hours, as if to show the greatness of this building over others that would have left only a column of smoke long ago.
Shockwave's last school of dark magic was burning out, as was the will of its creator to live.
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
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Dc x dp idea 127
After the events of the nasty burger. Clockwork doesn’t rewind the explosion, but rather then fully trust Danny not to allow Dan to happen. He took matters into his own hands.
He deages Danny and in order to ensure he had no contact with Vlad ever again. Unleashes a grieving and peeved super powered toddler on the dc universe.
Jack is a hero’s alternate. Like say Clark or Bruce. Even any of the batkids or super kids. So if a dna test were to occur. Well. It would register Danny as their child.
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I think the reason why I almost cried over the boy and the heron's animation is because it's hand drawn in a world full of 3d animation that tries to impress you at every stage.
(Minor spoilers for the boy and the heron, no plot points tho)
Encanto's animation was impressive for the first few minutes, then it looked every other animates movie from the 2020s. The boy and the heron does a lot less than western (and 3d) animated movies for most of the movie (excluding the backgrounds because those were paintings. Like, actual paintings.) But when it needs to, it can do more than you thought possible. They clearly spent more time on making the movements human than making it colourful and flashy.
This subtlety is also extended into the character designs. In anime especially, but to some extent pixar as well, they make regular people look like humans have sexual dimorphism, but I couldn’t tell what gender Kiriko was supposed to be until she started to speak and until my suspicions were confirmed that the clothes she wore were in fact the same ones she wore in the other world. I am also a big fan of old wrinkly people so I'm glad they were once again present in a ghibli film. I think they have a knack for portraying people from different stages of life realistically. Also a big fan of how Mahito had so much personality, especially for a 12 yo protagonist of an adventure movie. Those tweens are usually given the cookie cutter hero personality, but robbed of actual humanity.
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what constitutes being a monster in spn is so deeply interesting bc so much of the show is used to argue that monstrosity is not about what you are but what you do. And that you can always be a better person, your monstrous traits aren’t necessarily actually monstrous.
but as the show goes on we learn that this is only true if dean deems you human. So sams monstrous traits must be buried deep and thrown out in order for him to be good. Sams monstrous friends are inherently evil bc dean says so. Deans monstrous friends are fine though, of course.
I’m just eternally wishing for a version of this show where sams abilities are so deeply ingrained in him that he can’t ever get rid of them. And he’s allowed to be a hero regardless. Give me a season 5 where sams eyes randomly go yellow. Or he has to deal with demon traps or he needs to control his emotions bc anger from him can be literally explosive, but regardless of all of this he still shows dean more compassion than dean ever leant to him in season 4. And regardless of all this he still beats the devil.
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