#like his whole world revolves around katara

[mysi101]

Are Katara stans more likely to become Zutara?

To be fair: I also saw Kataangers, other- or non-shippers who care at least a little about Katara and did complain about the nerfing of her character. But still…maybe it is because of the communities I visit, but it appears to me that most Katara stans are more likely to become Zutara.

The reason I prefer this ship is that I’ve become a Katara stan first. I love every side of her, the loud one precisely, when she stands up for her ideals. And, as for Zutara: There is a deep understanding of each other’s needs along with mutual respect and a special bond those two share with no one else in the Gaang. They are equals—Zuko respects, accepts and loves Katara as a whole, and the same goes the other way around (canon-platonically or headcanon/ship-baiting-romantically doesn’t matter).

So, here’s what I don’t understand: if someone ships, I would assume they care about both characters and how they fit with each other. Yet, I’ve seen many Kataangers care only about Aang: What Aang wants. What his intensions are. That he is just flawed when he kisses Katara without consent…never how Katara feels about his actions, never how she is presented at the end of the OG, in the comics and in Korra.

Regarding The Southern Raiders in this case: I truly believe that Aang just wants to help, as many Kataangers argue in defense of his behavior. The teachings of the monks helped him during his dark times, plus, he is just a kid. He panicked, bc he thought Katara would follow the same dark path, and didn’t know how to express his worries. However, this is also my point against Kataang: He is just a kid. He still has so much to learn before even thinking about a serious relationship; especially with Katara whom he still sees through rose-tinted glasses—including that forgiveness to receive closure is not the right path for everyone.

If you mention this to some Kataangers, even very carefully, they immediately become defensive, saying that it’s just about making Zutara look better and demonizing Aang. And don’t get me started on the kiss by the end. 🙄 I’ve never read anything from them beyond “Katara is clearly happy.” But what makes you think she is happy? No explanation. People who agree with me, showing that they care about Katara, are mostly Zutara- or non-shippers.

Me, on the other hand: I can easily say that Katara has every right to hold a grudge against Zuko after The Crossroads of Destiny, bc he wronged her the most. Totally understandable that he had to go the extra mile with her to receive her forgiveness. I won’t sugar coat his actions to make him or Zutara look better, so much for their complaints—that isn’t necessary anyway. The difference: Zuko stood up for his mistakes, helps Katara to find her closure without asking for forgiveness, even if that is what he hopes. Let’s not forget how she opens up to him, even during this process; more than she did to anyone else.

Aang’s mistakes weren’t that huge, and it would take a scene of maybe a minute or two to truly show the regret of his actions towards Katara.

I believe that if you care about a character like Katara with such huge beliefs and intensions to create a better world, you wouldn’t be okay with reducing her to nothing more than an attachment whose world revolves around her boyfriend/husband—or her sweetie *ugh*. Yet, some Aang-stans seem not to care about this side of Katara and really consider her happy when her life is nothing more than pampering her partner.

[ecoterrorist-katara]

The only stereotypically masculine thing about Aang…is his romantic arc

There’s a really popular post on Tumblr called “Avatar Aang, Feminist Icon.” The thesis is basically that Aang, unlike his female teachers and friends, is actually not a badass. He listens, he defers, and he respects women. He seemed to have no problem with Katara’s crush on Jet, despite his own crush on her. He chooses love and kindness and friendship and pacifism. He’s not tall and handsome as hell or buff. He wears flower crowns!

And I agree! This is Aang for most of the series and I love those qualities (though I do think the bar is in hell if those traits make a character a feminist icon, as opposed to a person who simply sees women as human beings). Anyway, I just think there’s a glaring omission. And that’s Aang’s romantic arc in season 3.

Bryke managed to take the worst of both worlds: Aang’s romantic arc retains the male-centricity that make most romances so problematic, while retaining none of the characteristics that make problematic romances compelling to women.

Aang falls in love at first sight with a beautiful girl. For the majority of their friendship, he remains respectful and supportive. As his crush hits an all time high, however, it gets distinctly more stereotypical: he kisses Katara at the invasion, and when she didn’t want to talk about that kiss, he firebends at her (the fact that this comic is canon, and was published years after ATLA’s conclusion, only demonstrates that the creators still don’t understand critiques of their romance). Aang considers Katara “his girl” and becomes furious (“I would be in the Avatar state right now!”) when the actress version of Katara didn’t like him romantically, and then he kisses her again — this time explicitly against her wishes. Throughout the show, people reassure him that she will come around, continuously reinforcing the idea that Katara is “his” and he just has to be patient. And even though Ka/taang is supposed to be endgame, we never hear directly from Katara how she feels, even though we’re no strangers to her opinions and feelings on other topics. It’s almost like the creators wanted Katara’s feelings to be a mystery because we’re meant to resonate with Aang. That’s…a male-centric, action hero romance.

In addition, the friendship dynamics between Katara and Aang feel pretty gendered. The distribution of emotional labour between Aang and Katara is quite skewed: Katara takes care of Aang much more than he takes care of her. She’s the one responsible for calming him down from the Avatar State. She’s the one who cooks for him and performs a whole lot of domestic chores. Post-canon, Katara’s storyline revolves around Aang, and she’s treated as his accessory and the keeper of his legacy instead of her own person, to the degree that she’s not even recognizable in LOK anymore. A beautiful, badass, independent woman who dedicates her energy and intelligence to a man’s needs? Wow, that is definitely something I’ve never seen in media geared towards men!

A lot of gushing about Aang’s lack of stereotypical masculinity seems to also hinge on how Aang is not conventionally attractive, but that’s…not true. Aang may not behave like James Bond, but he has plenty of admirers. Meng and On Ji liked him even without knowing that he’s the Avatar. Post-series, Acolytes descend en masse to steal Katara’s man. And of course he grows into a tall, buff dude. Aang’s romantic arc is not about becoming attractive to women, or finding a woman who loves him despite his looks. His romantic arc is about getting the girl who’s hard to get, because she only sees him as a friend or a little brother / babysitting charge.

Bryke do not deserve the credit for creating a “feminist icon,” not when the only stereotypically masculine traits they gave him are in relation to his romance arc. It honestly feels more insidious this way, because it’s like, “see? You don’t have to be masculine to reap the benefits of performing masculinity” — the benefits being, of course, “getting” the girl you want.

[yuttikkele]

ok so I saw that anon giving very persuasive reasons to be a zukaang shipper, and I like was writing a bunch of tags on the reblog so I just decided to make my own post 😭😭 it was way too many tags. I have a lot to say about zukaang guys.

Everything’s under the cut, but this gets very chatty very ramble-y fair warning.

anyways the part I was mostly talking about was how zukaang has a lot of what mainline ships have to offer. but like, more. and like no offense to the ships mentioned, I think they’re cool banger ships! I'm just biased towards zukaang. ofc I'm gonna think it has everything those ships have to offer and more.

though I do like these ships, there might be a little negativity towards them in this post, but I assure you, I do not mean it in any mean-spirited way.

zkka for example. I liked it a lot at first, but then I got into zukaang, and, it's just no comparison. zkka is still amazing tho it's a really silly and heartwarming ship, and sokka deserves a popular gay ship as a treat. I like them 💙❤️

but text wise?? zkka went on a two part prisonbreaking journey. zukaang spent the whole show revolving around each other with multiple key episodes exploring their dynamic. zkka can't compete with that.

and sorry to bring ztara and ktng into this as well but I gotta.

Listen, ktng is great. I think they’re really cute! Though there’s tons of discourse about which ship should’ve been canon, I think the creators made the right choice making this one canon (it was set up from the beginning, and I do think it’s the more popular ship. I think they would’ve gotten MORE backlash had they not made it canon). BUT, they’re literally middle schoolers. Of course they DO end up together, but the chances of that actually happening are off the walls! They only stayed together because of bryke, fan popularity, and what the show ended on (it would be really awkward if it ended with them getting together, and then bryke saying they broke up later. I get that. I don’t think they made a bad decision there). It’s just a liiiiiiiittle unrealistic (and I don’t wanna hear nothin bout “this is a fantasy world everything’s unrealistic.” You know what I mean go smart off somewhere else). Zuko and Aang, on the other hand, are bound by fate. They’re best friends, and they stay best friends for like, ever. Platonic soulmates, ying yang, does that not ring a bell? They’re not separating, it’s in the code. Though Katara and Aang don’t break up, I still think, realistically, it’s possible that they’d last a couple years then grow apart. Meanwhile, Aang and Zuko get closer and closer and then boom: just as much gay tension as roku and sozin. But not doomed this time.

ztara I can’t see happening based on the text. they have a lot of sweet moments from them talking about their respective moms' death (kinda sorta death) to like zuko accompanying her for "revenge" (not really revenge) to katara fighting azula with zuko. and their dynamics are cute like rivals to lovers and stuff. but, I just can’t see it. Plus, zukaang has that.

zuko’s mom was taken away from him, and aang’s father figure was threatened to be taken away from him. but it doesn’t stop there. no, shortly after these events, zuko was banished from his nation while aang fled from his. (MIRRORING CHECK DO I GET A MIRRORING CHECK???) zuko might’ve gone with katara to tie up loose ends of her past, but zuko went with aang to learn from the past for the future. and not to mention, on that journey, zuko and aang met mirroring red and blue dragons that formed a heart around them then proceeded to shroud them in rainbow flames while they learned firebending from the first firebenders not unlike oma and shu who were lovers from opposing sides of a war. (DO I HEAR SYMBOLISM AND STORY COMPARISON???) and zuko? he said “it’s my destiny for me to help the avatar.” and he DID. Yeah fighting azula was a culminating moment of his character arc and was imperative to taking down the imperial fire nation, but do you think zuko would just go attack his sister if she wasn’t a threat to Aang and peace? No, he would not. And you may be saying “uh yeah you said ‘and peace,’ zuko’s doing this because he believes it’s the right thing, and to take down his corrupt family, and for peace, not Aang.” BUT DO YOU SEE IT. AANG AND PEACE ARE LIKE SYNONYMS TO ZUKO. THEY COINCIDE. THEY’RE THE SAME THING. And in that Azula fight Zuko was given a MIRRORING scar with Aang. Aang’s back scar and his chest scar. (DO I HEAR DEVOTION???)

also headcanon-wise, I just really think Zuko is gay, so the ztara thing also kinda falls apart at that for me. Zuko just doesn’t?? Treat women very well??? Sorry, it IS kinda true tho. For so much of his life being spent with his main friends being only girls, he does not treat the women he dates very well. He actually treats Katara the best out of the girls he interacted with in my opinion even though he totally crushed her trust first try. (Some ships are about to get stray shots here while I explain this so sorry 🙏🙏)

Alright now here’s Zuko just not being the best with girls in general with romantic and platonic relationships. Not saying he hasn’t had his good moments, but, if I knew him irl I’d be trashing him for how he treats girls. Him and Mai always had continual problems on both ends. Zuko never really seemed interested in her genuinely, but on top of me just not really feeling the chemistry, Zuko was unhealthily distrusting and jealous of her like an object, he broke up with her through a note, and she risked her life for him and he didn’t even think about busting her out of jail. he really didn’t think about Mai much at all when he was with team avatar, and when he did, it was usually with weariness. he never really seemed upset that he was away from her. Now there was the “that’s rough buddy” conversation, but that’s when Zuko said “oh yeah leaving the Fire Nation was EASY” to which Sokka brought up leaving behind loved ones and Zuko went “Oh yeah, I had a girlfriend. Bummer I had to leave her to go FOLLOW THE AVATAR. AGAIN.” I was never convinced either of them actually liked each other romantically. The best thing I can say about their relationship is that Mai didn’t want Zuko to die, and the hardest part about Zuko’s easy decision to leave the fire nation was leaving Mai. For Katara, obviously, he severed things with her pretty early on, but was able to regain her trust so kudos to him. I guess he and Suki’s minimal interactions were positive I don’t really remember them sorry. Zuko DIABOLICALLY denied Toph her field trip. And Jin from Ba Sing Sei. j1nko is actually the Zuko het ship I like the most and that’s just cause I think they’re cute, and also this is like one of the times Zuko does something romantic that the girl actually likes. And he just never saw her again. Like I understand he was in a bit of a complex situation, but he could’ve gone to visit her or give condolences once everything settled down?? imagine you go on a date with this guy and the next day he’s ghosted you so hard he’s not even in the same city anymore? Jin was probably so heartbroken and then she sees HE’S THE FIRE LORD?? Nah I’d be so mad. Zuko has issues with girls. Men tho? I don’t see this problem arising. He just really reads as a gay dude to me.

Switching topics abruptly here, angsty zukaang has its place, but me personally, zukaang is not one of my angsty ships 😭😭 they worked so hard to be together y’all let them have it. There’s multiple solutions to the kid problem in my opinion, some more ideal than others but yknow. they could find out they loved each other after they already had kids and got a divorce? They could get surrogate mothers? They could say “screw you” to having to have bio kids and just adopt (and probably not announce it publicly cause how would the people know? Just keep them believing.). My personal favorite, they could avatar magic it and bring in some storks ectobiology and poof! magic bio baby they’re both blood related to. Hey, crazier things have happened. And zukkang has made a world where they can both be together and it’s beautiful and lovely and sweet ❤️🧡

and like, I don’t think it’s an all-out solution to the ship war. I think zutaraang is the all-out solution to the ship war. BUT, zukaang is a solution. It’s that one Thomas Sanders Prince vine where he goes “you’ll never have her! because I want you…”

uhhh anyways thank for comin to my tedtalk ramble about zukaang. Enjoy the rest of your day, and God loves you :DD

[longing-for-rain]

I was reading one of your fanfiction and you’ve written in disgusting detail about zuko getting r@ped, why?

Interesting question. I wonder about it myself sometimes.

But what the hell, let me psychoanalyze myself tonight because it’s been a really bad time lately and it’s Friday night so you know what that means 🥴🥃

Anyways.

Weirdly enough I’ve been drawn to that kind of content from a young age, like age 12 young, pretty much right after I’d gone on the internet and been exposed to shit. It was always confusing for me. I always had this weird compulsion to watch certain male characters get hurt very badly in ways women typically get hurt. I’m not just talking about rape either; that’s probably the most extreme part of it, but it was also things like “damsel in distress” situations, eating disorders, body image issues, etc. I’m not saying men never experience these things, just that especially in media, they’re almost always associated with women.

I felt really weird for it because let’s be honest it is pretty fucked up. How did I get like this? It’s not even like I found it hot or anything—I’m a lesbian, I don’t feel attraction towards men at all. Besides, it was only violence I was drawn to. The minute a story started getting to some kind of Stockholm Syndrome situation where the victim starting falling in love with his abuser, it became a squick and I had to run away. It also couldn’t be just any male character. It had to be one I really liked. There have been others but you’re right, it started with Zuko and over the years it’s mostly Zuko. And yeah, that’s why I ended up writing content like that myself, because it was on my mind and I use writing to vent. But why? What was I subconsciously trying to vent about in that specific case?

Lately though I think I figured it out. The best way I can think of to describe it is a revenge fantasy. Which I know is deeply fucked up but hear me out.

So I get on the internet at age 12, right? At the time, my favorite shows were ATLA and HTTYD. So as one does, I start looking for things about my shows and come across art of the blorbos and naturally discover the world of fanfiction. And how wonderful for 12 year old me! I latched onto Zutara almost instantly because even as a kid my favorite scene in the show was the Final Agni Kai and I really wanted to see them get together. Now I find out there is a whole world of stories I can read online about that exact thing happening in so many different ways? It was beautiful.

But as you know if you know anything about fanfic sites (which I assume you do because you found my fucked up stories lol) I found some unpleasant things. Keep in mind this was around 2012 and I was browsing ff.net which had nowhere near the tagging/warning system that AO3 does. And even if it did it probably wouldn’t have mattered because I was 12 years old with a dangerous combination of naïveté and curiosity.

So anyway! What do I find on ff.net when I went scrolling for my lovely Zutara fics? Well, I did find some really cute ones. There are some I still think about but can’t find for the life of me because they’re either deleted or buried in the depths of ff.net. That was all good. You know what wasn’t good? The…other things. And oh boy. The people complaining about how Zutara is some kind of colonizer abuse fantasy wouldn’t have lasted 10 seconds back then. I remember reading a fic where Zuko raped Katara while she was tied to a tree. No warnings, and in the end note the author said it wasn’t rape because she ended up liking it. Many, many fics revolving around the idea of Zuko kidnapping Katara and making her into some kind of sex slave but it’s okay! She likes it and he turns good on the end for her so it’s true love! I also vividly remember a Blue Spirit x Katara fic where they were fucking, he took off the mask revealing himself as Zuko, Katara got scared and tried to push him off, Zuko just held her down and kept going. Not called rape. No warnings. Comments full of people talking about how “hot” it was.

Get the picture? It was horrifying. Keep in mind I was 12. It made me deeply angry, not just because of the misogyny and glorification of sexual violence, but also because it was Zuko doing it. I loved this character. I loved him because his story was so compelling, he was good and kind, he seemed safe to me. And reading about him violently abuse and rape the person he was supposed to love most was horrifying. It felt like some kind of betrayal. It made me hate him.

Middle school era me stopped reading Zutara fic as a result. I kept getting burned by it, and felt drawn towards that kind of Zuko rapefic instead. An old Zhaoko fic still sticks out in my mind. It was a pretty simple plot where Zhao kidnapped Zuko, whipped him and raped him, then at the end Katara rescued and healed him. It was oddly cathartic for me. Because it a) satisfied my revenge itch to see Zuko hurt in the same way I read about him hurting Katara in those other fics and b) put Zuko in a vulnerable position that would render him incapable of being a perpetrator in that universe (I know that’s not how it works in reality but that’s just my gut reaction there idk). Also read tons of fucked up Boiling Rock fics because it’s kind of a no brainer in the Zuko rapefic genre.

I don’t remember exactly why, but in the mid 2010s I didn’t really read much fic at all and my interest sort of fizzled out. I was mostly into HTTYD at that point and had a brief fling with Voltron before the fandom went to shit (which didn’t take long). So I guess that dark side of mine went dormant for a while and I didn’t think about it a lot.

Then oh boy…COVID hit. I was 19 when it started and found myself drawn into unhealthy levels of internet usage like most people during that time because what else were we supposed to do for fun. I was also going through some really fucked up heavy personal shit which led me to turning back to my old comfort ship…Zutara. Found my way onto tumblr, then to the fanfic sites. AO3 was a welcome surprise after being used to ff.net. Also for the first time I discovered the “community” aspect of fandom which I really enjoyed and helped me fight some of that COVID-induced isolation. It was really nice at first. I even began writing my own fics for the first time. And as you can see from my AO3 profile, they were very simple and cutesy in the beginning. Back before I went insane lmao.

But that happiness was short lived, because I kind of had a repeat of what happened when I was 12, only worse. Same pattern of reading some really good Zutara fics and some really bad ones. Zuko is sexually violent towards Katara. Zuko kidnaps Katara. Zuko rapes Katara. The author has some kind of technicality that makes it “not really rape/abuse” when that was clearly the intention. But this time, I was in a “community” with “friends” who promised me I mattered to them and that they cared about me. So I mentioned something about how disturbed I was to see things like this, naïvely thinking they’d understand where I was coming from.

And they…told me I was a bigot.

Yeah so. This was after I’d been sexually assaulted the first time. I also had this older creepy beta reader who I later realized had been sexually grooming me but that’s another story. Anyways! Point is I was in a bad state of mind, especially surrounding the topic of sexual violence, so it really hit me hard to have it used against me like that, made to feel crazy for having a problem with it, and dogpiled on for trying to explain myself and speak out.

Needless to say, I ended up feeling isolated, hurt, and confused by this. Much like I was back at age 12, so I relapsed into bad habits.

Honestly I’d been doing it before the breaking point, just more subtly. If you’ve creeped my AO3, you’ll see various flavors of “femdom” shit there. I like to call that my “I was being groomed lol” era. I had someone basically trying to convince me that male domination was “empowering” and that it was a sign of “maturity” for me to embrace it. Basically trying to convince me most/all women secretly desired it, resisting was a sign she wanted it deep down, I’d come around eventually, etc. Honestly I think this person just liked my writing and wanted me to pump out free fetish content for her, but it kind of backfired since it made me uncomfortable and I ended up just wanting to write femdom and Zuko rapefics because in that situation, it was the only outlet I had to express my hurt and discomfort at being bombarded with that disturbing kind of fic where Zuko is a rapist. I was subconsciously trying to reverse the narrative to escape the misogyny and the trauma I was suffering as a result.

Then after I got out of the grooming situation it just went off the rails from there. Stuff in my personal life was also getting worse so I just had this mass of stress and anger constantly running through my mind. It also really fucked with my sense of identity since the groomer/community I was in sort of left me with the impression that a woman’s role in society is to be objectified and abused and humiliated, and that she’s supposed to embrace it. I don’t think they necessarily intended it that way, but it left me with that impression because I saw so much content like that and barely anything representing women the way I wished to be perceived as a woman. It even made me feel alienated from other woman to the point I didn’t want to be a woman anymore (which is a feeling I’ve grappled with since puberty basically but that’s another story).

I don’t know which fic of mine you’re specifically referring to in which Zuko is raped in graphic detail, but I’m assuming it’s Dark Reflections because that’s probably the most graphic thing I’ve written. That’s the fic I started writing in the middle of that whole mess. It was very cathartic. I went with a female perpetrator against Zuko because it allowed me to fuck with the gender dynamics. A key plot point in that fic is also that Jun’s motivation partly stems from the fact that she mistakenly believes Zuko raped Katara so the idea of taking revenge against Zuko for being a rapist felt more direct. And of course, the reason why it’s so detailed and graphic and contains a lot of typical violent kink shit is because that was all the same shit I’d had thrown at me in the context of Zuko abusing Katara, so I just wanted to give it back to him if that makes sense. It brought me a morbid sense of comfort to see him be abused in the same way. I just have a catharsis generally about men suffering what they make women suffer. I know it’s fucked up, but it was a fucked up part of my life. And for the record I’m not trying to justify it or say it’s okay, I’m kinda of neutral on that tbh. Just acknowledging where my mind was and the fact that it’s a thing that I did.

For what it’s worth now, as I took the time to focus more on healing, I’ve felt less drawn to pure violence. I find myself wanting to write more about the thematic aspects of it and explore it that way. Even with Dark Reflections itself, the fic is incomplete and much longer than I originally intended it to be because I actually do want to go back and work through those themes and unpack what they mean for both the characters and the society they exist in. The more recent things I’ve written have been more along those lines too. Less graphic shocking violence, more philosophical as I pick my own brain and try to make sense of things.

Honestly writing this out helped me organize my brain a lot so idk hopefully it answered your question too.

And yes I know I’m sounding absolutely batshit but this is like my brain’s toxic sewer outlet valve. Believe it or not I am surprisingly normal in real life. I have a dog and big biceps and a cool rock collection and an office job with a nice view and everything. Anyways I’m passing out now. Night.

[survivalove]

how do you think book 4: air will go ??

Anon I’m not sure what you mean since atla is over and was never supposed to have a fourth season (confirmed by the creators and the composers).

Unless you’re talking about the 2025 gaang movie, which i have a lot of ideas for:

Since the casting call and media have basically confirmed Aang and Katara are the lead characters again, I’m thinking a lot of the plot will revolve around their relationship/family.

Speaking of family, I hope Bumi will be in this movie, again based on the characters’ ages on the casting sheet: Aang (24) and Katara (26). This is kind of a guess based on Bumi being like 60 in lok and Katara being ~85. So he should be born already, at least I hope because I really don’t want to see Katara pregnant for a whole movie.

Plotwise, I hope there will be some conflict revolving around the spirit world. Personally, I think Aang, Katara and the rest are way too advanced for some random human villain. We already know Aang can beat Yakone in his 40s and Amon was the strongest human villain in lok so I really don’t know who else can be a threat to them at this point. Also because spirits and the spirit world are heavily under explored in atla and I also want bryke to stay as far away from politics as possible lol.

More specifically, I think a story about a spirit holding Bumi hostage as revenge on the avatar neglecting the spirits would be kinda cool. Forcing aang to re-evaluate his responsibilities as the avatar and his family, giving kataang really strong emotional character development as parents and as spouses.

Most of all, I just want to see some really cool fight scenes, especially for Katara because she’s my fave. And I think a plot revolving around Bumi would be an excuse for her to cross some lines she wouldn’t usually cross in terms of fighting. Plus fighting spirits would mean she wouldn’t be actually murdering humans and still sticking to her morals… eh

I hope that answered your question anon even though I really had no idea what you were asking and kinda just wanted to talk about the kataang movie 🤪

[oneatlatime]

The Deserter

How is this the first time anyone's had the bright idea to try disguises?

Sokka's sarcasm coming dangerously close to breaking the fourth wall here. Some pretty strong lampshading.

(edit: going through this just before posting, I realised this line is pretty much a sarcastic thesis statement for this episode, maybe this season.)

This is too cute. This episode both Appa and Momo understand english.

Saviour of the World, everybody.

There must have been a Gang goes to the Mall episode I missed where Sokka and Katara bought their stealth cloaks.

Say what you like about the Fire Nation, they do have gorgeous architecture.

Katara perfecting non-verbal burns with the mask-switching.

Flaming Fire Flakes have the honour of filling this episode's Beat Up Sokka quota.

This is actually less violent than the actual Punch and Judy. Poor puppeteer has to sew a new earth kingdom soldier for every performance.

Dovebending!

I know Aang is characterised as fun and fun-loving, but maybe don't take off your disguise in the middle of a group of your enemies? Is this going to devolve into an "Aang is stupid" episode? Because we just did that last episode.

And now he's sulking because he missed the chance to be outed in front of the whole crowd? Aang has no brain this episode.

Of course the fire nation would have fireworks. I find it interesting that the more artistic methods of bending have survived a century of war. Unless there's a combat style where soldiers bend dragons at the enemy, you'd think that bending for fun and entertainment would have been condemned by now as useless to the advancement of the fire nation.

Raise your hand if you didn't see this coming.

I have very little patience for Idiot Aang, especially when his idiocy revolves around needing to be the centre of attention.

Appa just murdered those guys.

How did Sokka figure out that Chey was a fire nation soldier just from looking at his face? Everyone in this world so far is borderline faceblind, what with the number of times that our main three have passed unnoticed. And yet Sokka gets one look at this Chey guy and clocks him as fire nation? How? Chey doesn't have a different accent, or a giant F on his face, or even a helpful identifying Zuko scar.

"Some say he's mad. But he's not. He's enlightened." Regardless of what he is, this is not how you ought to sell him.

Why doesn't anyone ever listen to Sokka? He's always right when it counts: they did get clocked at the fire nation festival, the fortune teller was a crook, Jet was untrustworthy, Katara was going to get them in trouble with the pirates. Hasn't anyone in-universe noticed the pattern yet?

So Chey is a cross between a fanboy and that one awkward kid that no one likes, and Aang is this episode's idiot. But who are the hat guys? Are they like the third through ninth deserters from the fire nation? They don't seem anything like the people at the festival, so they aren't the locals.

Zhao the asshole is back. An idiot and an asshole this episode. I suspect this episode won't be a favourite.

Ever so fed up with having your good advice ignored that you involuntarily plank?

I have no idea if this deserter guy (NOT going to try to spell that one phonetically) actually has the ability to tell what disciplines someone knows by the way they walk, or if that's Chey's fanboyish tendencies coming out. But if it's true, being able to tell someone's abilities and skill level at a glance would be an incredible advantage in a fight. No wonder they promoted the guy a bunch.

And so rather than do the sensible thing as Sokka suggests and leave, Aang leans even harder into his idiot tendencies. Sigh. You should absolutely go talk to the firebender who just told you to fuck off by proxy. What could go wrong?

I'm grasping about 40% of this fish speech. On the other hand, I'm getting the discipline speech 100%. And agreeing with it too. This episode's whole opening vignette was about how Aang lacks self-discipline. Setting aside the fact that going to the festival was a bad idea in the first place, they could have attended unnoticed if Aang had mastery over himself. This deserter's got Aang clocked.

Do you get the feeling that this deserter's negative experiences with fire are perhaps colouring his view a little? He does make a good point though: mess up with airbending and someone has a bad hair day. Mess up with waterbending and someone gets wet. Mess up with earthbending and someone gets squished. Mess up with firebending and someone gets roasted. There's a bit of a jump in the seriousness of the mistakes between air/water and earth/fire. And we already saw Aang mis-bend water and send all their supplies down the river, so it's not like the deserter is wrong to think Aang's not ready. Plus, of all the elements, only fire does its own thing when you're not looking. I bet the very first thing firebenders learn is not how to make fire, but how to control/snuff out an external fire.

Love this visual. Roku's statement is true, which once again calls into question how much of Aang is a unique person as opposed to a conglomeration of previous avatars. But the deserter's right here - Aang doesn't have the self-discipline to learn fire right now. I don't know if learning water and earth first would get him that discipline, but it would certainly buy him a few more months of maturing.

If I had to be an army deserter on the run from an evil imperial power, this is certainly the place I'd choose to hide. So pretty.

Sokka isn't an oaf!

This is going to go so badly. This deserter guy is 100% right to start with the basics, but Aang is the opposite of a willing student. He's happy to learn, if they do it his way, which is jump straight to flashy fire and burn everybody's eyebrows off. Not to say the deserter is a good teacher - he's certainly not suited to Aang. But people strong armed by spirits generally don't bring their A game.

It seems to me like bending fire is almost more about leashing fire than using it.

Wasting his time? Didn't it take Aang his whole life so far to master airbending? And he thinks spending a couple of hours on the basics of firebending is wasting his time?

Dear Avatar writers: My comment about Aang burning everybody's eyebrows off was supposed to be facetious. Could you dial down Aang's idiocy this episode just a little bit please? Feeling really sorry for the deserter here.

This deserter's got sighing down pat. I get the impression that he's had decades of dealing with hotheaded idiot students.

Zhao was his student? That's a neat way of doing combined backstory and parallel story in the present. I thought it was a flashback but it's actually what's currently going on. Neat.

"Learn restraint or risk destroying everything you love." Good lesson even outside of a bending context.

This golden forest throughout this episode is absolutely gorgeous. Although it seems to be stuck in eternal sunset (not complaining).

I was right! Firebending lesson number one isn't making fire, it's leashing fire.

"But I'm ready to do so much more" Hell no you aren't. The fact that you say that with a straight face after A DAY of lessons proves you aren't.

You mean you failed the lesson. Congrats.

Hey look. Exactly what the deserter said would happen is happening. And so an innocent pays the price for Aang's hubris. Ain't that always the way?

Hell yeah Sokka. You tell him.

Here's a good lesson for Aang to learn, unfortunately at the expense of Katara's arms: sometimes sorry doesn't cut it. Since Katara's arms are injured, is she currently unable to bend? With the amount that her self-image is built around her bending, this is going to double suck.

Katara can auto-bend?!? Instinctively? That was lucky.

Hey deserter guy: while your insight into waterbending healing and the firebending mindset is certainly valuable to Katara and the audience, maybe a recently-burned teenage girl is not the best target for your talk therapy?

Master indeed. That's got to be the single most impressive firebending move yet. Look at that. That's one guy!

See Aang? If only you squatted a little lower, you'd be able to pull this off.

Aang still hasn't learned his lesson. Impulsively firebending should have taught him to be less impulsive. Instead it teaches him to make dramatic blanket prohibitions on firebending and throw himself head first at Zhao with no plan.

If Zhao is an admiral, and the deserter's former student, does that settle Chey's admiral/general debate on the side of admiral? Or do fire nation military branches do cross training?

Now it's Zhao having the hubris problems. Does he really think that 8 guys, only 4 (?) of whom are benders, can take down Mr. Firewall?

The way Zhao's voice actor delivers the line "until I got bored" very nearly redeemed his whole character. Suddenly not just an asshole, but a human too. Given how abrasive the deserter is, I'm almost sympathetic.

Who wins in the fight of Aang's hubris v. Zhao's hubris?

This is a very cool move. It seems that Aang only has hubris problems when he's trying to bend fire - he's back to his usual self when he bends air. Can the element have that much of an effect on the mindset?

I'm really liking this delightfully one-sided fight. Aang really redeeming himself for his early-episode idiocy.

This should not work on a well-adjusted adult.

"I don't know why, but I thought you'd be better than Zuko." Tragically, Aang has no idea how savage that line is.

"Jeong Jeong said you had no restraint" says the kid who, up until this scene demanded it, had no restraint. A stinger of a line that is undermined in context.

Literally.

How many outfits did Aang pack? Because air nomad tailors aren't exactly thick in the air these days.

Was that a whole camp of deserters? And they've all gone into hiding?

Getting the first fishhook out with a second fishhook: when logic goes too far.

Final Thoughts

Zhao really screwed up this time. He and his men are going to have to walk back to their ship.

Roku really screwed up this time. Katara wouldn't have been burned if Roku didn't intimidate the deserter into teaching Aang.

Chey really screwed up this time. If he hadn't brought Aang back to his camp, he'd still have a settlement to live in.

Aang really screwed up this time. If he hadn't insisted on both attending the festival and outing himself at it, he never would have led Zhao to the deserters' camp.

Just a thought: maybe spiritually bullying a scarred veteran into teaching combat basics is a bad idea?

I really want to like this episode. Beautiful setting. What Sokka and Katara stuff there is, is great. Appa and Momo even get a funny joke, and Appa gets to murder some people. And most importantly, the deserter is RIGHT. THE WHOLE TIME. And he was right to insist on not teaching Aang. Roku really blew it. Everything the deserter knew would happen if he taught Aang did happen, because he knows firebending, and he knows how students like Aang approach it (and let's be honest - he's not the right person to teach Aang anything). Now Aang's thrown up a mental block around firebending that will have to be surmounted no matter what he says he will or won't do. At least Katara uncovered a new skill.

I have not seen Apocalypse Now, but this is Apocalypse Now, right? In which case I know why Aang doesn't work for me this episode: he's in the wrong genre. This episode is actually quite serious. Chey may call the deserter enlightened, but Chey's an idiot. What the deserter is, is broken. He's another victim of the fire nation. He's also easily the most skilled firebender we've seen so far, with deep insight into at least part of the nature of his element (I say part because the episode itself suggests that his view is overly negative by having him point out the sun as a source of fire, which isn't inherently destructive - it just is). The deserter is a person you absolutely should listen to, saying things Aang absolutely should hear, albeit he says them rather harshly. But Aang is in peak kid's cartoon mode this episode, and the deserter (and most other characters actually) are in Vietnam-era War is Hell movie mode. It makes Aang jarring throughout, to the point that I was mad at him for most of the episode.

That being said, Aang almost (almost) completely redeemed himself in that last brilliant fight. 'Hoisted by his own petard' has got to be one of my top three favourite narrative devices, and that Zuko dig was the icing on the cake. As I said above, it's a goddamn tragedy that Aang doesn't have the necessary context to know how much that dig hit home. Then again, Sokka and Katara would probably appreciate it more than Aang. I feel like they're more appreciative of petty vindictiveness.

Speaking of Sokka, great to see the continuity from last episode's lesson: ride or die for Aang until it's family on the line. Sokka will gladly take Aang to the north pole until Aang steps between him and his father, at which point he's on his own. Sokka will gladly take Aang to the north pole until he hurts Katara, at which point Sokka will rub his face in the dirt. And, honestly? At that point of the episode, Aang's flaky hubristic 12 year old idiot side was so annoying to me that I was rooting for Sokka in that fight.

We know Aang's a bit of a softie, but someone who didn't know that just saw Sokka face down the Avatar for the sake of his sister. Takes courage.

It was also nice to see Sokka and Katara more united than usual in their opinions. While Katara was willing to give things a chance, neither of them was all that enthusiastic about anything that happened this episode. Usually Katara blindly follows Aang and blindly opposes her brother, so it was nice to see her more (not fully) aligned with both sense and Sokka.

It's not really touched on, but Aang really screwed things up for the various deserters. They weren't exactly comfortable where they were, but they seemed settled, safe, and provided for. Now they're presumably on the run. Oops.

If I could excise Aang from all but the last fight of this episode, it would be a serious contender for my favourite so far. But as I cannot excise him, this one is thoroughly middle of the pack. This episode had some serious stuff to say about the horrors of war from a perspective I defy you to find in any other kids' show, if only Aang would sit down and shut up for a minute.

[atla-suki]

it’s time.

why mako and katara are completely different characters and should stop being compared so much:

so, i see way too much comparison between mako and katara. like.. too much. and it always boggles me because aside from a few things, they’re really nothing alike.

keep reading under the cut !

let me point out their similarities:

- lack of parental figure/s

- a ‘comic relief’ brother

- second-hand clothing item from a dead parent

- romantic interest in the avatar

- strong benders, brave.

not many, right? mako and katara are largely different characters - from unique character traits to respective personalities to their purposes/roles in their respective stories. while they’re both main characters, the biggest difference lies in the fact that atla revolves around katara just as much as it does aang. what i mean is, without katara, atla is a COMPLETELY different show. without mako, LoK is still a relatively similar show (not that i’m saying he’s not important. he is. mako is so underrated stop trashing him sm. actually that’s another similarity - mako and katara both get overhated in the fandom. interesting..) ANYWAYS yeah katara is crucial to like 70% of everything that happens in atla. where aang is the protagonist, katara is the deuteragonist. where korra is the protagonist, mako…isn’t.. the deuteragonist. he’s a secondary character, sure, but not the deuteragonist. so straight off the bat they are completely different characters in terms of their place and significance in their respective stories. it seems unfair to compare them, no?

and that’s just the logical storytelling/plot side. when we look at their characterisations and personalities… again, NOTHING alike.

their differences include:

- mako is generally a pessimist; katara is in every way an optimist

- katara is in touch with her emotions and understands the emotions/feelings of others; mako.. not so much

- katara is a complex, well-written character with many layers; mako had many chances to be written better (ik that’s on the writers not on him but i’m including it anyways)

- katara’s motivation is the power to become a strong bender and a good person, to help the avatar bring balance back to the world; mako is a pro-bending athlete? i guess? he was a cop too bc they didn’t know what to do with him? idk

- mako is intelligent, quick on his feet, not one to trust easily, uses head above heart; katara lets her emotions dictate her actions (not always, but yk what i mean), sometimes too quick to trust, uses heart over head

more differences than similarities, you see? while their scenarios are kinda similar, they as characters are not. i’ve also seen the whole ‘they both raised their siblings’ shit… absolutely NOT??? mako was completely alone with bolin - he did it all. katara didn’t RAISE sokka, and even tho she was more maternal towards him it wasn’t something she was forced into the way mako was (lol that makes it sound like mako is bolin’s mother.. haha). similar scenarios, different situations.

quick detour: i just re-read those points above (the differences) and it sounds like i’m painting mako in a bad light. i am absolutely not. i love mako. i love katara. but i am also aware that mako is not as well-written as katara. it’s unfortunate but it’s also true.

ok back to my ramble. katara/aang and mako/korra are ALSO not the same. their dynamics are different, their roles in the story are different, their characterisations are different. their relationships are different. so their roles within said relationships are DIFFERENT. going off canon here, katara was always supportive of aang and clearly loved him. mako kinda liked korra and so they tried it out but it didn’t work. why? because mako and katara are different characters and so they are written as different characters. they’re INDIVIDUALS. they are not parallels. mako is not the next-gen katara. (he’s also not the next-gen zuko but i won’t go over that bc i WILL get tomatoes thrown at me). stop comparing them and their trauma. they are not the same.

katara lost her mother during a war. it was tragic, it was unfair, it was a direct act of hatred and done on purpose. mako happened to lose his parents at random. it was just as tragic, just as unfair, but DIFFERENT. katara had family left to help raise both her and sokka. mako was alone with his little brother. shit, he even joined a GANG to make sure they’d survive. i always felt like mako gave up more than katara (in their respective situations. they both still grew up too soon). but the thing is, i am ABLE make these distinctions between them. why? BECAUSE THEY’RE DIFFERENT AND SHOULD STOP BEING COMPARED SO MUCH.

give them the recognition they deserve as individuals. because they deserve it.

[nono-bunny]

Thoughts from watching the ATLA live action!

Episode 5:

An very fun fight scene to start the episode!

Genuinely love them confirming the fact that Katara is such an excellent bender because she's resourceful and takes inspiration from the other bendings, and it's such an early case of this train of thought too!! I love it! Her and Iroh would get along great, I really want to see a scene with the two of them just hanging out now haha

Lmao Sokka flirting with a Fire Nation soldier is genuinely so in character, my dude is just looking for a date everywhere he goes

Katara is pretty great in this episode so far! She seems much more open and communicative, it feels a bit like she's growing comfortable with Aang which is great to see.

My name is Sokka, rhymes with Okka! Oh? Pippinpaddleopsicopolis coming from Sokka this time? Oh wait is she the third, after Bonzu and June? Anyway, this is a very sweet scene

Are they... Perhaps going to do a parallel big brothers thing here with Shi-Yong and Sokka? That'd be fun!!

Angry, mean Zuko is fun too. Azula... Makes me sad.

Huh... Interesting- Sokka AND Katara get to be in the spirit world here?

Seedy Tavern... IS THIS THE JUNE EPISODE??? Maybe not, but oh my god this is so funny, just... Mentioning the exploits of the animated Gaang that are implied to happen off screen here hahaha. A bit heartbroken about no "I'll save you from the pirates" and mentioning them brought up that pain, but following it up immediately with The Great "worst episode in the series" Divide is fucking fantastic.

June baited me!!! Her and Nyla were outside the pub!! Oml that entire scene was fucking hilarious

Genuinely, why is Wan Shi Tong here, it's so fucking weird. A lot of the changes I can understand, but this dude's whole thing is that he and his library are interconnected- why is he just... Here, outside of it? Fuck, I actually hate this whole thing. I really liked how OG Sokka was kinda spiritually tuned against his will, here his reluctance is just a joke to uplift Katara- it feels bad, and them being unable to understand Wan Shi Tong fucking sucks. Literally why are they even here, genuinely I hate this change a lot. Literally the water siblings' only contribution to the scene is "hehe we can't understand what the magic spirit animal is saying" and it feels insulting, and cheapens everything they adapted here. Also, they literally couldn't even have him say "until we meet again"?? Are we just. Not gonna see him next season and/or ever learn his name? I hate that he appeared here, it was meaningless and didn't fit with ANY of the established lore. It literally was just a character cameo, it fucking sucked balls.

In other news, unhinged Azula!!! I love my girl. Every scene she's in is good and perfect and I love that she's in this season so much!!

I think I can pretty safely say at this point that they're finally getting into the groove of writing Iroh- he's much, MUCH better here!

I like the theme of both Sokka and Katara being in denial about something, and I think that's a fantastic plot thread to have here. That said, I still think having Wan Shi Tong introduce it was a wild choice that contributed nothing- he's literally just there for people who saw the original and would recognize him, and honestly? That makes it worse because you know it doesn't make sense that he's here. That role should've been filled by either another spirit, or someone new entirely. The whole scene with him was just SO bad, but I'm glad they seem to be recovering here.

Pretty funny to see Aang and Katara realize they can't bend only for Sokka to essentially be like "welcome to my world" and be the only useful one by paying attention because he isn't distracted by how weird everything is.

Sokka and foxes. It's a thing. Actually, I'm really happy that they're making sure that Sokka is vital here given that it's originally an episode that revolves around his journey in the spirit world- which it doesn't show too much, because ultimately the focus there is on Aang and the role and powers of the Avatar, so I'm happy to see a focus on Sokka here!

Dangerous fog gives me some P4 vibes ngl, my stress immediately shot up purely through association.

In general the vibes of this episode kinda feel like it can serve as a sort of precursor to The Swamp, which I desperately hope they don't cut because I feel like it could work really well with them having experienced something similar before already!!

Oh no. It's Katara backstory time, isn't it? Oh no. Fuck, literally making Katara relive this is brutal- having older Katara experience most of it somehow hurts more than if she just saw her younger self. Fuck, Katara bending to try and save Kya and having it directly lead to her death is devastating.

Koh?? Ah fuck, this whole thing is emotionally ruining me rn. Btw, Katara's face should 100% be gone, idk why they're once again breaking established rules here just to feature spirit world characters, but I hate it.

So... I hate this Hakoda? He sucks? Why would they make him suck so hard? This is a bad change. Hakoda was ALREADY a bit controversial, they didn't need to make him an asshole. Idk if these are like... Real things that happened or what Sokka is projecting went on behind the scenes, but I hope beyond hope Hakoda isn't actually like this.

Cool, Sokka's face is gone too! What the fuck are they even doing in this episode, I hate it so much, they're legit just alternating between good and bad scenes, it's wild!!

It feels really weird that Aang is automatically emotionless here when meeting with Koh. I don't like it, it feels off, like he was warned- but he wasn't, he has no way to know he should be emotionless, and it isn't exactly his neutral state, so... What the fuck. This episode is a mess. Showing the monkey face has no effect when we didn't see the faceless monkey, Koh has no reason to interfere here... It's all literally just so shoved in and feels so unnatural!!

I... Also can't believe it's really Gyatso, in fact, I don't think he is, and if he is, it feels like the wrong time and wrong way to make me believe it is him.

Still cried, and even though it makes no sense and he's done very little to prove it ig I am meant to belive this is Gyatso, so I'm just. Ignoring how poorly written that whole setup was and focusing on the meat of it- it was heartbreaking, and something I'm very glad Aang got to hear. Even though it wasn't executed super well, I am glad we got to see Gyatso again.

This episode REALLY struggles with it's plot and premise, but it hits all of the characters moments extremely well, and that kinda sucks- it could have been great if they just took out the pointless spirit cameos. Idk why Wan Shi Tong was here, and there's literally no reason to bump Koh up to here instead of later in the season- in fact, it weakens his connection to the plot and completely uproots Hei-Bai's because the focus on him is all but gone. It matters that Aang meets Koh while his physical body is in the Northern Water Tribe, where Kuruk- who faced him and lost- was from. Here his powers barely matter, he appears to just... Eat people? It's weak and doesn't work, and the impact is genuinely so much weaker than the original. I don't get the choice they made here at all, he doesn't even connect to Katara and Sokka in any meaningful way, and I wish the writers felt comfortable enough to just create a new spirit with powers that actually fit rather than just coopt and ruin Koh. Honestly? They could've just made Hei-Bai do it semi-accidentally out of grief and it would've worked better than inserting a being with known powers into a situation that necessitates changing them dramatically to tell the story they want. Koh and Wan Shi Tong should not be in this episode- the only theme connecting them is the spirit world, and by that logic you could put Zuko's banishment and the students' dance party in the same episode because they're both about kids from the Fire Nation. It sucks. As much as episode 3 didn't work, I at least got the idea they were going for- it only didn't work because it was a bad setting for it and because they cut integral character moments, not because it was doomed conceptually, y'know?

So Gyatso is obviously lying to Aang about being able to talk more later... Why? Why the fuck is he doing that? Is he trying to teach Aang a lesson about timing or something? It's weird and I don't get it.

I'm... Confused. Is Aang going to be captured trying to save his friends by going to the Fire Nation?? Are Sokka and Katara just gonna be completely absent next episode given that it's the Blue Spirit one and it'd be overly depressing to just cut to them in captivity on Koh's cave? I don't get it. Aang was literally already in the spirit world, so I don't really get why they wouldn't just have Fang ferry him to the temple and have him meet Roku as a Spirit. Is his physical presence there really so important? It feels weird. Literally how does he think he's going to get there solely on his glider??? Some wild decisions here in this episode, for real.

This episode had probably straight up just the worst adaptation of stuff from the original, while simultaneously having the best original stuff. It's... Disappointing to see that tends to generally be the vibe of this adaptation- they try too hard to bring over beloved stuff from the original, and it's to the detriment of this reimagining that has proven to be capable of some really great stuff. Koh and Wan Shi Tong had no place here, ans Sai and Jet both lost the appeal of their episodes for the sake of just... Having them both appear. For contrast- Bumi was wildly different, they took a pretty big swing with him that evidently not everyone was gonna like- and I thought it was a brilliant alternative depiction of a guy who lived for way too long meeting an important friend from his childhood that never had to face the same difficulties he had, and how they still reconcile at the end even if he's much more bitter about it here. And Bumi STILL struggled from sticking too close to the original- his original jokes don't work in live action, but they were still there, unfortunately lol. Anyway my point is that like? Genuinely this show is doing a good job, and it had a really tough fucking challenge, and I think by trying too hard to appeal to old fans rather than committing to telling the same overall story through a different lens using different methods... It really shot itself in the foot, because purists were never gonna be happy even if they stuck to a 1 to 1 adaptation, let alone when they change stuff- they should've just fucking went wild and created an alternate universe fix it fic that reimagines all the characters AND only uses stuff that works from the original. Here they're clearly forcing some stuff because fans love them, and it shows, because things stop making sense. I know I'm probably contradicting myself a bit: I've always liked Hakoda, so seeing him be a jerk here sucks- and yet, it's an alternative take on his character, what he could've been, and in fact, what some fans see him as! And yet, I still don't like this change. Everyone is gonna have opinions on every change, and I feel like they knew that going in and tried to do their best to mitigate that by including a lot of fan favorite stuff- even when it doesn't work- because isn't it fun to see your favorite thing come to life? You have people saying "At least we got ___" right alongside those that say "Wish we still had ___". This show had an insane amount of pressure on it right from the start, and the fact that it was coming from so many sides surely didn't help mitigate that, but. As much as I'm not pleased with what they did to some of my favorite stuff, it has also proven to me that this version of the story is worthwhile, and it's impossible not to see the care and thought put into it! It'd be a lot easier if I could just hate it or love it, but. Honestly it's so interesting in that each episode features choices that elicit both emotions from me. As much as I truly don't get the thought process behind the early inclusion of Koh and Wan Shi Tong, or why they dropped Sokka from Jet and Aang from The Northern Air Temple... They still did interesting things in these episodes! They have a lot of misses, but they also have a lot of hits, and at the end of the day... I'm genuinely enjoying watching this show! I think that for the most part it could stand on its own really well, and a lot of my gripes with it are stuff that would almost certainly not be an issue for people who haven't watched the original- and that's important too! Even if it disappoints veteran fans, it's important that things don't feel out of place for new ones, and honestly I can't imagine many things here that do! Frankly, it's actually mostly the occasional carry over joke from the original (The dramatic Cabbage Merchant moment is probably a wild thing for people not in the know, for example lmao)

Anyway this episode was. A real mixed bag, and I felt equally as strongly about the things I liked and the things I didn't. It's definitely more disappointing for it, I think- the fact that I really liked some of it while I really didn't like others- but. Overall I think it was probably a good one, and honestly I mostly just wish it was allowed to be more original- which is a great thing, actually! They're doing such a good job with the original/changed aspects of the show that I wish there was more of it, and trust that it could have worked better rather than the existing lore remixed to fit the occasion! Honestly I hope they get some breathing room from the announcement of two more seasons, and that they feel more comfortable with making this their own alternate version of the story rather than an adaptation. Don't get me wrong, they should still follow the general throughlines, but... If this episode has proven anything, it's that they shouldn't force themselves to remix and adapt parts of the original story that they don't think fit in theirs just to check a box.

[gladerwolfstarkimagines]

Request: Imagine being Lin Beifong’s daughter and having a crush on Iroh II

Tags: @tincdraws

Growing up as the daughter of Lin Beifong metal and earth bending were your whole life. You learnt to earth bend by the time you could walk and your mother had you in training from a young age so you graduated from the earth bending school at the top of your class with your eyes firmly set on following in your mother’s footsteps whilst also trying to emulate your grandmother’s success. You had a sharp focus and nothing else really caught your attention. You had friends but training came first and dating seemed something superficial you could live without. Republic city was your life and you would never dream of leaving it but your mother had other ideas.

Your mother thought you needed more worldly experience before you joined the police force so she sent you to the fire nation to gain some training as an officer. She claimed the fire nation had some of the best officers in the world and that they would help you learn invaluable real-life experience. You did not agree and protested the whole thing. All your training had revolved around the needs of Republic City specifically and you couldn’t see how you’d learn anything new about how to protect your city by travelling all the way to fire nation but your mother refused to change her mind and that was that.

So you were shipped off to the fire nation fresh out of the academy. Your mother had spoken to Firelord Izumi and it was agreed you’d be staying at the palace so not only would you be unfamiliar with the environment, you’d be in a place where every small look, word or action had large consequences. You didn’t know much about the fire nation and couldn’t really recall the royal family. You were aware your grandmother was very close with the late Firelord Zuko but since then things had changed. Although your grandmother’s friends (mainly Katara) had tried to keep the group close it was hard with everyone scattered across the four nations and so with each generation the group had drifted further and further apart. You knew Firelord Izumi had a daughter older than you and a son around your age called Iroh. You recalled meeting Iroh when you were younger at some event in the south pole but couldn’t remember much more than a serious fire nation child. So you arrived on the steps of the palace utterly out of your depth determined to see these three months through so you could return to your beloved city. You were shown into the palace immediately, your belongings taken by maids who refused to let you carry them yourself as you were a royal guest. You weren’t used to finery so proceeded through the palace partly in awe and partly in utter confusion why someone needed this many paintings of old men everywhere. You were finally shown into a large room. “Ah you must be y/n Beifong” a voice called and you turned to see someone who looked vaguely familiar. You knew he wasn’t Firelord Zuko or Firelord Izumi’s husband as he was too young so figured by his royal outfit this was Izumi’s second child the prince. “Prince Iroh, it’s an honour to see you again” you said bowing and he chuckled “I bet you thought that would be a winning line with any fire nation citizen didn’t you? Because we’re still all obsessed with honour like we were centuries ago?” Iroh asked and you hesitated. “If I caused any offence...” you started but Iroh cut you off breaking out in a large smile “no I was only kidding, it is a winning line we are still obsessed with honour”. You watched as Iroh laughed at his own joke surprised, you didn’t expect the prince of the fire nation to be like this. You figured royalty lacked the ability or the clearance to have a sense of humour but apparently not. “So have I really not changed since we were eight?” Iroh asked and when you frowned he elaborated “you recognised me but the last time we met was just over ten years ago”. You paused “ow no I didn’t actually recognise you, you were young, dressed in fine clothes with royal hairpins, not to mention you’re in the palace...you had to be the prince”. “Good deductions officer” Iroh said saluting you before he grinned “i’m in training too”. That piqued your interest “really? for the fire nation army?”. He nodded “yep! I’m an officer but my hope is to be general one day and to fully earn it, rather than just get it because of who my family is...hopefully in a few years i’ll get there”. “I’m sure you will” you agreed and Iroh led you into a large dining room. “Are we dining alone?” you asked confused and Iroh smirked. “Why? Not pleased with me?” he asked and you rushed to assure him that wasn’t the case when he laughed again “I’m joking again y/n, I know my grandfather told you the whole family would be dining with you in his letter to your mother but he, my parents and sister were all called away to an urgent matter and asked me to fill in as we’re similar ages”. “Ow” you nodded “that makes sense...is everything okay?”. Iroh nodded “everything’s fine just boring fire nation stuff...so shall we?” he asked holding out his arm to you. You weren’t sure if this was appropriate so averted your eyes and only took his arm lightly. Iroh smirked at your caution and led you into the room.

The meal with Iroh was nice. He was friendly, hard-working and interesting. You soon got used to his humour and learnt not to take him too seriously. You hadn’t met many other people your age who shared your passion for a military career and found it was nice, a sentiment Iroh apparently shared. He enquired what you were doing the rest of the week and when you replied nothing as training didn’t start for another week he soon had several of your days planned out with fire nation sights to show you. Iroh seemed to understand you didn’t know much about the fire nation so planned to take you to all the important sites as well as areas relevant to the army to peak both your interests. You enjoyed the prince’s tours greatly and even when training did start you continued meeting with Iroh regularly. You liked his company and were surprised that didn’t fade the more time you spent with him, if anything it grew more and more. You thought he’d be a spoilt entitled prince but he was kind and considerate pleasantly surprising you.

You didn’t become aware that you liked Iroh as anything more until one of your friends at the academy pointed it out. Since starting training you were progressing well, you achieved high grades and were held in high esteem by your fellow recruits. You had made some friends and often trained with them after the academy retired for the day. After a long training session you were heading to the palace when one of your friends called out to you “hey y/n some of us were going into town to celebrate our class’s good progress, do you want to come?”. You smiled pleased they wanted you to come when you remembered you couldn’t go “I’d love to Shani but sorry I can’t I have plans”. “Of course you do” she smirked as your other friend Aizori grinned “is it with Iroh by any chance”. “Actually it is” you said frowning at their shared look “why?”. “Ow nothing just it’s not every day your friend is dating the crowned prince”. “Me and Iroh are not dating!” you cried “our families are old friends that’s all”. “Uh...hu, if that’s true then what are your plans together may we ask?”. “We’re attending a party at the palace”. “Together?” Shani asked and you blushed “yes but he only asked me because it’s a formal event that’s apparently really boring so he wanted a friend there, trust me we’re not dating”. “But how can you resist?” Aizori asked “I’ve only seen the prince a handful of times but he seems to get better looking every single time! How don’t you get lost in those golden eyes and that chiselled jaw? The royal family has some amazing genes not even a Beifong can resist”. You paused considering it. For you looks weren’t very important so you didn’t tend to notice them. You held work ethic and determination as much higher priorities and Iroh scored very highly in both but in looks...you honestly couldn’t say. “I’m not sure I’ve noticed” you admitted and the girls rolled their eyes not believing you.

When you arrived back at the palace your friend’s words were ringing in your head and when you next saw Iroh something felt different. You took note of his looks and were surprised by what you’d found. Iroh was attractive, very attractive, how had you missed that? You stared at Iroh wondering if his eyes had always been that bright? Was his jaw always that sharp? His hair that good regularly when he frowned “why are you staring at me?”. “Nothing” you cried and he paused before shrugging “Are you ready to go?” he asked “the party has already started” offering you his arm. You nodded and took it cautiously following Iroh into the ballroom.

You could see why Iroh had wanted to invite you, everyone in the room was at least 60 years old or some stiff nobel person from an ancient line of fire nation families. All they seemed to want to discuss was old family bloodlines, territories or ancient traditions. After your fifth boring ambush by some old fire nation man Iroh pointedly headed for the gardens. You frowned as he exited discreetly, closing the door behind him, and headed away from the hall. “Iroh I’m pretty sure the party is inside” you commented and Iroh grinned “I know but I can’t take another second in there so humour me? One lap of the gardens then we’ll head back, please? I know you haven’t seen them properly yet so how about a tour?” Iroh holding out his hand to you. You rolled your eyes but took his hand happily. 

Iroh led you around the gardens explaining the different flora to you and their history. “I spent so many parties hiding in here as a kid” he grinned “this place is so huge they couldn’t find me for hours”. You smiled at the thought “my mother would’ve killed me if I did that”. “Mine did” Iroh chuckled “but I’d honestly rather face her wrath than some boring commander who wants to lecture me about our family’s history and why it’s so important...they’re literally my own family and even I don’t care” Iroh cried making you smile. “I see why you escaped out here so often, I’m very grateful formal parties were not a part of my childhood”. Iroh smiled and went to comment when the smile was wiped from his face and he grabbed you, quickly pushing you behind a large fern. “Iroh what are you...”. “Shhh they’ve come for us” he hissed and you frowned when you heard a voice. “Prince Iroh?” a man you recognised as the palace coordinator called “Are you out here? You’re needed inside”. You smirked and Iroh rolled his eyes “they’re relentless”.  “Master Iroh if you’re out there please return to the ballroom, your mother’s orders”. There was silence and then the sound of the butler coming closer. Your eyes widened and Iroh put a hand over your mouth pushing you further into the bushes. “Prince Iroh?” a voice called literally right beside you and Iroh smirked as you grabbed his arm in surprise. You heard a sigh and the sound of the man retreating. When the footsteps died away Iroh dropped his hold on you and you both burst into laughter. “I thought we were going to be caught and then royally punished...literally” you added and Iroh smirked “I wouldn’t let them punish you, it’s not your fault I dragged you out here”. “True but I didn’t try hard to stop you”. “You did encourage me” Iroh nodded thinking “okay it’s all your fault”. You gaped laughing “I never said that! You are such a liar” you cried pushing him and Iroh laughed grabbing your arm “okay okay maybe we share the blame 50:50?”. “No way” you smiled and Iroh paused “60:40?”. “I think 90:10?” you said grinning and Iroh sighed “fine, i’ll take 10% of the blame”. You shook your head at how wonderfully infuriating he was and smiled at him fondly. Iroh grinned back and you realised suddenly how close his face was to yours. Iroh seemed to notice too, he glanced down at your lips and you panicked moving away from him suddenly. There was an awkward tension in the air and you broke it with a cough “so want to show me more of the gardens then?”. Iroh nodded “right this way my lady” the awkwardness gone and led you further into the garden.

When you were safely hidden from the ballroom Iroh stopped walking, explaining this was one of his favourite spots in the whole garden and you gratefully took a break sitting down. “I can’t believe you’ve already been here a month” Iroh commented and you nodded “I know only 2 more to go then my mandatory 3 months work experience is done”. Iroh frowned “mandatory...so you could stay longer if you wanted to?”. “Hypothetically” you agreed and Iroh hesitated “do you think you’d extend it? Hypothetically?”. You paused “I’m not sure, I have enjoyed the fire nation far more than I thought I would but I’ve always wanted to complete my training as quickly as possible, I hope to be chief of police one day and I’ll need many years of service for that...”. Iroh frowned “isn’t the youngest chief like 41?”. You nodded “yeah so i’ve got time I guess, maybe i’ll stay for longer...is this just so you have someone to skirt your royal duties with?”. Iroh laughed “maybe...I like you being here, it’s nice not being the only person under 30 in every room”. You smiled “well i’m glad my presence isn’t displeasing to you...you’ve been pleasant as well” you added blushing and Iroh grinned. “Wait did I make a Beifong blush? That’s like a legendary occurrence, this is amazing!”. “Stop it” you cried but Iroh wouldn’t let you turn away “no, this will go down in history, Beifong blushes are rarer than dragons so I’m soaking up every second”. For the second time that day Iroh stared at you closely and you blushed more under his gaze but this time you didn’t move away. Iroh continued gazing at you before he lightly moved his hand to your cheek “y/n...” he said softly leaning in closer when a figure appeared. “There you are!” a voice cried and you both jumped away from one another. Your jaw dropped when you realised who it was and you dropped into a bow “Firelord Izumi...i’m so sorry I didn’t see you approach”. “Rise child you did nothing wrong” she said warmly “my son on the other hand...” she trailed off glancing at Iroh who paled. “Hey mom” he frowned and she raised an eyebrow “really? That’s all you have to say? No apology or grovelling”. “Erm I’m sorry for ditching?” Iroh offered and Izumi sighed. “Y/n would you please excuse us, I want to have a word with my son”. “Of course” you agreed bowing and you rushed away.

Iroh returned not long after with his mother and told you he had to stay in the ballroom for the rest of the party. You agreed to stay with him and he smiled gratefully at you making you blush and look away rapidly. The night passed and neither you nor Iroh spoke about what happened in the garden. How he’d almost kissed you and how you were going to let him. You couldn’t believe your own recklessness. What good did you think would come out of kissing the prince of the fire nation? You were obviously not an appropriate match and so there was nothing to be encouraged there. You resolved to never find yourself in that situation again and decided to just stay as friends no matter how much you got along or how attractive he was. Getting involved with a fire nation prince was not responsible behaviour. So after that night you made sure to put distance between you and Iroh. You didn’t stop seeing him you just made sure to emphasise it was a friendship. You didn’t let yourself get caught up in him the way you had in the gardens and always kept a level head. Iroh never tried anything or mentioned that night either and you supposed he picked up on your not so subtle hints. You carried on as before but there was definitely an unmentioned barrier between you which you never let fade.

You left the fire nation 2 months later. You didn’t extend your stay as with your feelings for Iroh you didn’t think it would be wise. Iroh saw you off and hugged you tightly before you got onto the airship. “It’s been nice having you around Beifong, I’ll miss you”. Iroh’s words made you hesitate and you hugged him tighter. For that time in Iroh’s arms you imagined what would have happened if you’d kissed him in the gardens that night. Iroh didn’t strike you as someone who flitted from person to person taking what he wanted, you think if he wanted to kiss you he must have felt something for you too and perhaps would have suggested dating. You imagined all the things you’d have done together but as a couple and wondered if you’d made a mistake, maybe you should have just gone for it? But then reality set in. If you really wanted to be chief of police then you couldn’t have short relationships with high ranking members of the fire nation. Other candidates could use it to show you had compromised morals and there was no way it would be a long term relationship due to your lack of fire nation heritage. Sure the fire nation was pretty progressive but that didn’t really apply to royalty. They had thousand-year-old traditions to uphold that couldn’t be broken easily so Iroh was never a long term option for you. Therefore all logical signs said you’d done the correct thing not persuing something with him...so why did it feel so shit? You finally pulled away from Iroh and he noticed your expression. “What’s wrong?” he asked and you shook your head looking away “nothing i’ll just miss it here...promise you’ll keep in touch?”. “Cross my heart” Iroh smiled “you’re not someone I intend to let slip away, expect a visit every time I come to republic city”. You pushed away the rational voice in your mind telling you to keep a distance from him and smiled “you’ll always be welcome and I’m very much looking forward to it”. Iroh blushed “thank you y/n” and you nodded back, just looking at him in admiration before catching yourself. “I should go...” and Iroh nodded “safe travels” and with a final look you walked away.

2 years later

After your departure you and Iroh stayed in regular contact and your letters only halted when he was deployed by the military but the second we was out he would write and arrange to come visit you in Republic City. You still thought about him and your feelings for him regularly and every time you saw him you knew your crush hadn’t lessened. You loved Iroh’s visits and soon they became the thing you cherished most. You told yourself all of this was fine because you’d never act on your feelings but sometimes you wondered if Iroh felt something too? You’d catch him staring at you or he’d blush if you smiled at him in a certain way. The very idea of Iroh liking you made you very excited but you also knew it would only lead to heartache. He wouldn’t be allowed to settle down with someone outside the fire nation so it didn’t matter if he liked you too. So you settled for his friendship which was more than enough for you. When Iroh was posted in republic city when he became general you were thrilled and you only continued to grow closer.

However republic city wasn’t as peaceful. There had been multiple attacks on the city from Amon’s chi blockers to Vaatu’s take over and you and Iroh were constantly pushed into the fray. Multiple times you’d faced staggering odds and every single time you wondered if you should confess your feelings to Iroh in case the unthinkable happened but every time you chickened out. You and Iroh had been safe every time but there was only so much you could push your luck.  

You’d been wary of Kuvira’s take over of the earth kingdom from the very start. Your aunt Su Yin had told you all about her so you weren’t surprised when she set her sights on Republic City but that didn’t mean you weren’t terrified. The avatar and her friends informed you what you were facing and you weren’t sure how you could even think about facing a giant mecha suit with spirit cannons. Iroh shared your sentiment but as general of Republic City’s army he was forced by President Raiko to lead his troops out there. Watching Iroh take to the front line you were swept with the desire once again to be honest with him, to tell him how you felt before it was too late. You decided three was too many times to chance it and so decided to finally tell him how you felt. You made your way to the general’s tent and found Iroh with Korra discussing strategies. You greeted them both warmly before making your way to Iroh’s side “could we please talk? I have something to tell you”. You knew Iroh had a hundred things to do but he nodded warmly squeezing your hand “of course just give me one second to...” when the radio sprang into action. President Raiko had surendering to Kuvira’s demands. Republic City was hers.

The avatar was furious and you matched her sentiment. You and Iroh joined her as she met with other leaders in the city like Tenzin and your mother and they all agreed something had to be done to stop Kuvira. A plan was quickly assembled, it was agreed that airbenders would attack the suit from the sky and earth benders would attack from the ground. You didn’t actually expect to damage the suit, you only had to distract Kuvira long enough for Korra to get inside. You were agreeing fervently getting ready to leave with your cousins when Iroh grabbed your arm. “Wait Y/n are you sure you want to do this?” he asked nervously “that mecha suit is dangerous there’s no guarantee you’ll be able to stop it”. I know but it’s my home, I swore to protect it and I won’t break my oath. I have to try and help”. Iroh sighed thinking and you watched him wondering what he’d say. “I understand why you’re doing it and I want to come too”. You paused pleasantly surprised “You do...but I thought President Raiko told you to retreat and surrender?”. “He told me to surrender the army not that I couldn’t personally engage in fighting, i’m not fighting as a general but as plain old Iroh” he announced proudly and you smiled “there’s nothing plain about you even without your titles”. Iroh beamed at you “Does this mean you agree? We can fight this giant together!”. You nodded your head “okay let’s go meet up with the others”.

You and Iroh rushed after the others and found them all suiting up. “Finally” your mother said spotting you but she frowned when she saw Iroh with you “y/n tell me you didn’t bring the general who is also the prince of the fire nation into this”. “She didn’t, I volunteered” Iroh spoke up “I’m not here as a general or as a prince but as a civilian so, where can I help?”. “You know your mother won’t like this” Tenzin commented and Iroh nodded “I know but some things are worth facing her wrath for” he said shooting you a smile and you blushed.

So it was agreed Iroh would stay. Your mother thought it would be best to place him on the roof with the airbenders, she ordered him to shoot lightning at the joints to try and cause some malfunctioning. When you’d all suited up the teams said their goodbyes and Iroh appeared in front of you. You didn’t have long, Kuvira’s giant suit was already in view and the ground shook whenever it took a single step. Iroh stared at you and sighed heavily “Y/n...”. “Don’t say it like that, we don’t have time and we’re both going to be fine okay?” you said faking a smile but Iroh saw right through it. “What did you want to tell me earlier?”. You froze caught off guard and blushed “I...I just wanted to...it doesn’t matter”. The ground jumped and Iroh looked at it nervously before stepping closer to you “I think I can guess what you were going to say”. “You can?” you asked nervously and Iroh smiled “yeah...you had another Beifong blush moment and I’ve noticed you do them around me a lot”. You went bright red and Iroh chuckled “yeah like that...”. You looked down embarrassed but Iroh took your hand gently “don’t, I blush a lot around you too”. You smiled blushing more and Iroh chuckled softly. “Y/n are you ready?” your mom asked and Iroh gripped your hand tightly. “Wait I want to tell you everything before you leave” Iroh cried but you squeezed his hand gently. “It’ll be okay” you smiled “you can tell me everything later and I think I can guess too”. Iroh grinned blushing “later then...just got to get through this”. “We’ll be fine, this is what he trained for” you smiled confidently “I promise I’ll see you on the other side”. Iroh nodded and stared at your lips, he went to move in when your mother called “y/n are you coming or are we leaving you behind”. “I’m coming!” you yelled and stepped away from Iroh “mothers” you commented and he smiled “go, i’ll see you after” and with a last look you both rushed off to your assigned group.

The battle

The fight went about as good as could be expected. The suit swatted the air benders away like flies and your group’s earth, metal and even lava bending barely slowed it down. But it didn’t matter, all that mattered was the avatar and her team managed to find a way into that thing and your team cheered when you saw she’d done just that. Now the fight was Korra’s so you let your guard down when suddenly the machine began malfunctioning. Your mother yelled for you all to take cover but you were too far away from the building. The suit exploded with a blast and you saw a blinding light and then black.

After the suit exploded everyone assumed the battle won. Half the air benders went after Korra to help her with Kuvira and the other half went to the ground to make sure the others were okay, of course Iroh went with the latter. He saw Bolin, your aunt and cousins but no sign of you or your mother. They told him they were all searching for you and he rushed to join in. With each street he passed his heart began to sink when finally he spotted you! In the arms of your mother unconscious. Iroh ran forward dropping to his knees beside you. “What happened?” he cried and your mother clutched you desperately “that thing exploded and she was too far to get into cover, it hit her sending her flying through the street and now she’s...she’s...”. Iroh saw the blood seeping through your mother’s hands where she held them against you. “No” he said viciously “y/n won’t...she can’t! We need a medic” he yelled loudly before taking off his jacket to wrap around your wound. “Maybe I can cauterise the wound?” he asked “seal it to stop her losing so much blood?”. Lin paused “I think the wounds too big but it’s worth a shot”. Iroh nodded and Lin lifted the bottom of your uniform. Iroh saw a large gash across your stomach and winced. He lit his hand on fire and pressed his hands against the wound. You gasped suddenly and your eyes shot open. “Y/n” your mother and Iroh cried in unison and you blinked trying to make sense of the situation before you groaned in pain. You tensed trying to get away from the burning but your mother held onto you “please y/n just hang on Iroh is trying to cauterise your wound”. “It’s not working” you grimaced resisting the urge to scream “Iroh stop! Please!” you cried and he yelled in frustration moving his hands away from you. “No it has to work if it doesn’t then you’ll.....we need a medic down here” he yelled again but he knew everyone else was spread out and there were no healers in the group. “It’s okay” you said breathing heavily as the situation dawned on you “Iroh it’s alright”. “No it’s not” he cried sinking onto his knees beside you “it’s not y/n, you can’t...you have to fight this, you can’t leave me”. You nodded “trust me i’m trying but Iroh if I do...”. “No y/n don’t even think about it! I won’t let you go it’s not going to happen”. “I don’t think we have a choice” you admitted trying to smile but Iroh just shook his head “but we never got our shot, we never got to talk, I never got to tell you...I love you y/n” he said simply “I have for years, that’s why I never found anyone from the fire nation because the perfect person for me is you. I know there’s traditions and rules but I don’t care, I don’t want anyone else but you. I’d give up anything for you and we were finally heading in that direction and now that stupid spirit cannon”. Tears leaked down Iroh’s face and you reached out a hand to him shakily. He took it and you stroked his face “it’s okay, i’m sorry for being too scared and cautious, I’m sorry for wasting our time together but I love you too, I hope that’s enough”. Iroh nodded “It’s more than I ever hoped, you didn’t waste time you have nothing to be sorry for y/n Beifong, do you hear me?”. “I do” you smiled before coughing in pain and your mother clutched you tighter. “Y/n” your mother cried and you smiled up at her “it’s okay mom, don’t worry. It’s all going to be okay”. You clutched her hand against your chest and took Iroh’s other one. “I’m with the two people I love the most, I’m happy. This is the best way for it to...”. “Stop” Iroh said crying but you just gripped his hand tighter “Iroh look at me”. He blinked through the tears but looked at you. “It’s okay, I promise you everything will be okay”. Iroh just said your name softly and rested his head against yours. Your mother wrapped her arms around both of you and you held onto both of them the best you could when you felt the world fading away. You heard sobbing and your mother faintly saying your name until everything turned dark and it was over.

Epilogue

Following your death the fire nation, earth kingdom and republic city all paid their respects in their traditional fashions. A statue was raised by your mother in the spot of your death and every year on the anniversary of your death both her and Iroh would visit it. Iroh and your mother supported one another following your death being the only one’s who understood how monumental the loss of your life was. They managed to get through it together and although neither of them ever stopped loving you they found a way to carry on. Iroh never married, he couldn’t even consider the idea and his family never pushed him to. He still lived a long and happy life. He was very involved with his sister’s children who he loved dearly and his family never stopped supporting him. If he went quiet and got a teary look in his eye or if he struggled serving in the earth kingdom they understood. Your family also treated him like one of their own, with Lin even calling him her son on a few occasions, and he was invited to all your family’s events in recognition of your love for him. Your memory never faded and when Iroh’s life eventually ended he passed on to find you waiting for him. He knew all the suffering and heartache was over, you were finally together at last. 

____

So initially I was going to write a happy ending as well but then I thought screw it, I want to cry so I killed off the reader...but I can release the happy ending as a part two if anyone wants it. 

Edit: For the happy ending version click here

[help-i-need-a-cool-username]

Recently saw a tiktok that was like "if you ship [toph and zuko] than you have issues or you see something galaxy brained that i havent" and stumbled upon the concept of aroace Zuko and i concocted this idea ages ago so im posting it now: the epic Toph x Zuko Marriage of Convenience 

Okay what you are all thinking of is book 3 Toph and Zuko, which totally dont have romantic chemistry and with the added age difference is prob why no one ever considers this ship. Four years when you're a teenager is a big difference. Four years when you're in your twenties and beyond isnt that big a deal. So they're adults and they've been friends for years at this point.

You also gotta sit back and look at what they are. Toph is the only child to a very rich and very well known Earth Kingdom family. Her family name in general is huge and carries a lot of weight but you also got her own accomplishments: Master Earthbender, the Creator of Metalbending, the Avatar's Earthbending teacher, and shes a war hero. Thats big. And then you got Zuko, who at this point is the Fire Lord. Zuko himself comes from a prominent Fire Nation family, seeing as he's royalty. He's also descended from a Avatar, but i dont think thats all that well known. Zuko is a Master Firebender, the Avatar's Firebending Teacher, and a war hero. On top of being famous both these people have credibility to fall back on.

So what im leaning into here is not exactly a marriage alliance seeing as the Earth Kingdom has its own royalty but its definitely a political move

Anyways Zuko has a lot on his plate, dismantling his dad's empire and all that. When he's nearing 30 the council is all like "you need to find a bride". Zuko writes up his ex-girlfriends and finds out they're either married or he just cant bring himself to trap someone into a marriage with him after knowing how it destroyed his mom. So he's stuck with no one of his own choosing so the council and high up nobles are trying to fix him up and not-so-subtly set him up with their daughters. Half of Team Avatar comes and visits (lets say Toph, Aang, and Sokka) and witness the behind the scenes of all this. They're having tea with Zuko and two people come in at different times and try to casually talk about the marriage thing. Toph can hear things that happen in the hallways too. Zuko is all "noooooooo guys why is this happening to me" and Sokka probably finds it funny but also a little sucky, and Aang probably hates it because "Zuko should marry for love!". And Toph is all "I know right" because she can totally relate. Her parents were looking for matches for her since she was born, and now that shes visiting again they've started back up again. Her and Zuko start swapping match-making stories ("so i come home and this boy and his father are there and my mom is all like 'Toph have you met __'" "I'm in the throne room for a meeting on road construction and this guy derails the whole thing so he can introduce his niece to me"). Later on after Toph has been listening in on the palace for a few days now and shes starting to really feel sorry for Zuko. Sokka just keeps making jokes until Toph snaps at him. Aang is pretty oblivious and probably spends all day at the market looking for souvenirs to bring home for Katara. And one night while Zuko is up late doing paperwork by candle light Toph stops by because her body cant sleep at night sometimes and they get to talking and Toph jokingly throws out "what if we just married each other? Then everyone will get off both our backs!" and they're laughing and after they've calmed down Zuko has a light bulb moment and he's like "wait, that might not be a bad idea". They spend all night working out the details to their hypothetical wedding and a day later decide to actually go through with it. Theres uproar from the council of course because Zuko didnt choose their pick Toph isnt Fire Nation nobility. And then Zuko starts listing all her family's importance and stuff and the council is forced to admit to themselves its not actually a bad idea. Plus marrying Earth Kingdom would make the Fire Lord more relatable to the colonies where theyre having a lot of problems with people of mixed heritage right now. Sokka and Aang hear rumblings of this because palace servants gossip and they're debating wether or not to believe these rumors when they run into Toph and just ask her and shes all like "yeah we're talking about it" and they boys flip out. Aang still maintains that everyone should marry for love but Toph and Zuko won't budge.

Over in the Earth Kingdom Toph's parents are ecstatic because the only better option Toph could marry was Earth Kingdom royalty. They completely endorse it and only argue to not seem like pushovers and when topics revolving money come up (ex. dowery). The Earth King gets in on this because its too good a opportunity to not capitalize on it. The Earth Kingdom is abuzz because a foreign King is marrying one of their own. Everyone is hyped and Team Avatar are the only ones who find the whole situation weird because to them its not a fairytale its their actual friends.

All-in-all they get married in the Fire Nation and the guest list was awful to make but people from all over the world are there. Toph's mother freaks out the whole time because "what if Toph falls down all those steps!" The wedding is mostly all Fire Nation tradition but Toph wears a Earth Kingdom wedding dress because everything is political now. Toph and Zuko have a relatively fun night and Sokka has the time of his life. And their marriage actually really works out for them because they're friends. They make fun of fancy people and rant to each other in the evenings. Toph is still running metal bending schools but either now they have to come to her or she gets stuck with a Fire Nation security team for like 3 months of the year she spends in the Earth Kingdom and she gets flashbacks to her childhood. And Zuko is sometimes all "i miss my wife" and the servants are all "awwww they're so in love" but the truth is he wants to talk sh*t with her and because shes blind he always has to write letters with the interpreter's opinion/gossip in mind. Toph still sneaks out all the time because shes not giving up her independence willy-nilly and is not above pulling the blind card to get out of things, which irritates Zuko sometimes because that means he has to deal with boring meetings by himself. They gaang visits all the time and by the time Republic City rolls around Toph manages to get herself sent as a "ambassador" (her and Sokka have some fun their shared meetings) and then to stay on to help set up the police force, which is a little dicy since shes representing the Fire Nation but also shes teaching only metalbending so its a controversial thing. This also gives Zuko a excuse to visit Republic City more often so he can see everyone since they settled down there.

[metallicarules5]

Gloves are off, I don’t care anymore. This is not a troll post or a light hearted joke post, I’m being serious with this. And I’m not doing this to stoke ship wars, because frankly, I don’t give a shit about shipping in Avatar, but when I’ve seen as many bad takes as I have from one side, than it’s something I just can’t put up with anymore.

Zutara is absolute trash, nothing more than a crack ship that has garnered a legitimate following thanks to trash takes by trash people.

If you have to lie about the head writer of the show and his wife secretly teasing your ship and create false interviews with him that Zutara was going to happen, and then discredit real interviews where he acknowledges the fake stuff...

If you have to wildly exaggerate to the point of lying about statements from the creators to make them come off as evil...

If you are more willing to trust the account of some random, anonymous person on the internet claiming to have been an intern at Nick almost two decades ago and claiming that Zutara was going to be canon over the documented words of the creators and writers themselves...

If you argue that the creators just used Aang as a self insert for themselves to bang a 14 year old girl...

If you argue that chibi shorts made for shits and giggles and low level marketing material that had no input from the actual creators in Nick Magazine should be viable sources for arguing the validity of your ship...

If you argue that it would have been better for Aang to die with the rest of the Air Nomads and blame him for the genocide of his own people and everything bad that happened in the world...

If you argue that one of the most spiritual and kind hearted people in the show was a selfish, immature, whiny kid who went through no growth or character development...

If you argue that Zuko kidnapping Katara, tying her to a tree, and bribing her with her mother’s necklace to give up Aang is romantic...

If you take a single frame where Zuko grabs Katara while she’s paralyzed on the shirshu as demonstrative of how protective he is of her and doesn’t want her to get hurt...

If you argue that the scene between them in the Western Air Temple is riddled with sexual tension...

If you argue that Aang tried to belittle or disrespect Katara’s grief over her mother, despite him literally suffering from the same pain and grief, because he wanted to control her...

If a good chunk of your ship’s fan fiction revolves around Katara being taken prisoner by Zuko or being forced into an arranged marriage with him...

If you argue that you have less sympathy for Aang than any of the actual villains of the show...

then why should I take your ship seriously? I don’t give a damn about Kataang, so don’t even try to claim I’m a salty Kataanger (why should they be salty to begin with, they’re canon last I checked), I’m just fucking tired of shit take after shit take from these people. For the good Zutarians out there, the ones that like the chemistry between Zuko and Katara, would have liked to see something between the two, but still respect the other characters and fans who don’t agree, I’m truly sorry for you, because your ship has been overtaken by these morons and you don’t deserve that. If it wasn’t for those people, I’d just be indifferent to the idea of Zutara, not for it, not against it, and willing to let people ship freely. But the community has been overrun by toxic individuals with vendettas against certain characters for getting in the way of their ship, which leads to others despising the ship as a whole. I’d say more needs to be done to expel those toxic people from the ship, but they’ve become so ingrained in the Zutara community, and their views have become the foundations of the ship, that it’s impossible to separate them. For you, I feel sorry for you, but for any of those that actually believe and peddle the crap listed above, know that your ship is trash.

[dontletthishappentoyou]

Aang

I don’t hear a lot of analysis on the actual main character of AtLA. Zuko, Iroh, and a few others seem way more worth analyzing, but I’ve been thinking about Aang for a while, particularly in regards to child abuse.  Across dozens of unrelated languages, “mom” is almost a cognate, my some weird form of repeated convergent evolution. Ms and Ps (or Bs) are some of the first sounds infants are capable of learning. Momo and Apa function as parents, expressing care and unconditional love, often quite competently, probably lightening the load of his loss. He lost the community he was raised by, and the person he saw as a father figure, but kept a semblance of symbolic parents through his animal companions. Between their familiarity and the obviously parental role Katara and Sokka play, he ends up experiencing almost uninterrupted dependence on non-standard parental figures. I think all of this makes it a lot easier to handle what he’s going through, for the character’s perspective and potentially for young viewers. They don’t have to go through the emotional torment of identifying with someone who has truly lost everything with no way to cope.  In so many arcs about responsibility, you look at the Bojacks and Walter Whites of the world of fiction and there’s a general theme of “you need to take responsibility for your actions.” For the adult men in the stories they exist in, that makes sense, and as adults we probably find that more relatable as struggling with handling the responsibility we need to put on ourselves is just hard for everyone. But for kids, that would be a terrible moral. Imagine Aang going through a Bojack-esque arc, learning to acknowledge the war as his own fault and coming to terms with that.  The arc he goes through is much better than that for his age. In the first season he goes through the trauma and blames himself. Several episodes revolve around him taking way more responsibility than kids should have to. There are several episodes where people hate him for what he did and he has to face that. Ultimately, every time he gains the strength necessary to take responsibility for something, he loses control over himself. Literally through the avatar state in the last episodes of the season, and even when he learns to firebend.  The second season is largely about reclaiming some control, and balancing his control over himself with letting his responsibilities control him. He choses to largely abandon the avatar state altogether, chosing control over responsibility. This is one of his first big steps away from taking on adult responsibility, aside from the fun little things he does randomly throughout, mostly in the first season. He takes a step back with control when Apa is stolen, getting super mad, and doing some avatar state stuff, ultimately taking a big step back in paralell with Zuko’s big step back, and getting pretty severely punished for it. Not only does he lose control, but he is unable to successfully manage the responsibility.  When finding someone to asks for help with earth bending, he ultimately decides on someone his own age, rather than seeking help from an adult. Having lost all of his friends, it’s important to him as a child to have child friends, and he acts on that, stumbling across someone who also happens to have the competence to help, achieving a balance between working with his needs as a child and acknowledging his responsibility.  Third season is where people get mad. His first two seasons can be seen as less convincing or interesting than other characters, but the third season upsets people, and I like it. He has fun in the fire nation, spends time being someone his own age, is actually in the background for a lot of the season, but does face challenges. Killing is something that could have been managed better leading up to this struggle, but giving up who he is and what he values for his responsibilities is exactly what he’s been struggling with the whole time. When he’s in control of himself, he will try not to kill people and he will have fun and nurture bonds he has with his friends, and when he abandons that for responsibility, he focuses on power, aggression, and winning. So for adults, the moral of the story is dumb, but I don’t think it makes sense to analyze the message of the story as it relates to adults. In the episodes leading up to the finale, Aang asks a bunch of people for help, especially adults, including other avatars, which are basically adults he is related to. The moral of that is that sometimes talking about your problems with adults can magically make your problems go away.  One of the biggest obstacles in talking to children about abuse is that they don’t want to or can’t talk about it. Often they are told by their abuser that it is not okay to talk about it, and they obey in an effort to be a good kid. In the final season, it’s Katara and Sokka and his entire support system pushing him to take responsibility over control, it’s who he sees as his parents pushing him deeper into trauma, and he talks to someone about it. The fact that that is presented as the right thing to do is a freaking awesome thing for kids to be taught. They don’t need to know the connection between asking for help and the help being provided. The responsible adults file police reports, go to court, work with lawyers, and stuff like that. The lion turtle touches your head. Either way, the problem is solved by the kid talking about the problem and someone else taking responsibility for fixing it. The point of Aang’s character arc is that he didn’t have to grow. It was okay for him to be small. His arc not leading to finding solutions to his own problems was exactly why it made sense. 

[sokkastyles]

Thanks for asking! I realize I never elaborated on the Jet/Zuko parallels so here goes.

Season one Zuko/Jet are both extremists, though on opposite sides of the war. Zuko will stop at nothing to capture the Avatar. Jet will stop at nothing to rid the world of the Fire Nation. Zuko is the fallen prince, while Jet is the war orphan, both trying to restore what they’ve lost. And both have significant interactions with Katara.

Focusing on book one first, I’ve already written about how Jet manipulates Katara, which makes it worse not only because she did have romantic feelings for him, but because she was totally taken in by his whole freedom fighter thing. He also manipulates Aang and tries to manipulate Sokka, but Katara was the main one who felt betrayed by him. Katara has such a big heart and fighting spirit but at this point in the story she is fairly naive, and it shows here. She probably never considered before this episode that somebody fighting on the right side could be a bad person.

I also looked up the mouth wheat thing because I’ve seen it a lot in anime for similar “tough guy” characters and as that other post I reblogged said, it is a stand-in for cigarettes. I also found out that it’s supposed to represent a banchou, which is a juvenile delinquent gang-leader. And Jet is the leader of a bunch of feral kids, although they are ostensibly revolutionaries. Longshot, Smellerbee, and the Duke do seem like they have good intentions, and they often call Jet out on his behavior.

I also think there’s a comparison/foil with Katara’s interactions with Zuko in book one, which revolve around the necklace and his attempted kidnapping of her. Zuko tries to manipulate Katara using her mother’s necklace but is not very good at it. Not necessarily because he has any moral compunctions but because he’s just not that socially adept. He is most often the victim of his father and sister’s manipulations and the few times he tries to copy them he fails ridiculously, because he is incredibly literal-minded. He’s blunt and often fails to understand things that aren’t directly spelled out. He is not a manipulator.

I’ve also seen people compare Jet flooding the Fire Nation village to Zuko burning down Kyoshi Island, in order to make Zuko look worse, but as I’ve said before, Zuko burning down Kyoshi Island was not intentional, it was something that happened as a result of reckless firebending. That doesn’t make it any less bad, but it seems like it’s been popular recently to add this to the list of things that make Zuko “problematic,” so much so that I actually forgot that scene and was surprised when I rewatched the scene recently and discovered it wasn’t the intentional razing of the village that some people on tumblr make it out to be. Zuko’s fault there was simply not caring about the collateral damage in his pursuit of Aang. He wasn’t intentionally trying to burn down the village. Plus, if we were being honest, all the gaang would cause destruction wherever they went given how much bending they do. That’s not something the show dwells on, though, the way that superhero movies don’t dwell on New York getting destroyed for the hundredth time (unless it’s a deconstruction of the genre).

What Jet does is much more deliberate. He’s aware that what he tricks Katara and Aang into doing will cause the deaths of innocents, and dismisses Smellerbee when she tells him so, and he’s aware that the gaang will not approve of his actions enough to hide it from them. There’s also an interesting elemental parallel/foil, Jet destroys a village with water and Zuko destroys one with fire - foreshadowing that water can also be destructive? Hama, anyone? Robert Frost said it. 

I think I know enough of hate to say that for destruction ice is also great, and would suffice.

Anyway.

Book two, the Jet/Zuko parallels/foils are much more explicit, and highlighted by the fact that they actually meet in book two. Zuko’s on redemption road, although he doesn’t know it yet. Jet explicitly states that he wants redemption, although he’s still doing the same things he was doing before. He enlists Zuko in helping him steal stuff because he thinks he’s entitled to it, and I guess you can argue about whether it was justified, since the captain was treating the refugees unfairly, but Jet mostly seems interested in stealing food for himself and his group. To be fair, Prince “ew, poor people” Zuko doesn’t exactly have egalitarian motives, either, which is why helping Jet steal food is a regression in his arc. It’s him donning the Blue Spirit identity (although without the mask) once more because he’s trying to get closer to the material life that he lost. It’s also hilarious that when Jet asks Zuko to do this, Zuko’s dumb ass is like “well, Uncle did tell me to make friends.” Sometimes I wonder who was more naive, book one Katara or book two Zuko. Iroh is like “god, I leave him alone for five minutes and he joins a gang.”

When Jet keeps pressing Zuko about joining the Freedom Fighters, Zuko says no. Again, not for any moral reasons, but because he knows that if Jet keeps pressing, he might find out who Zuko really is. Zuko is honest with Jet when he says “I don’t think you want me in your group.” Not for good reasons, again, but the claim that Zuko somehow manipulated Jet is absolutely wrong. Jet was the one who approached Zuko and made assumptions and got pushy when Zuko said no.

Jet does genuinely want and try to change, but his major temptation is finding out that Iroh is a firebender, which he finds out right after he gets pissed that Zuko rejected him so I do think that was part of his motivation for going after them, considering how pushy Jet acted with the gaang when they rebuffed him. Jet, of course, fails the test, although what happens to him certainly isn’t his fault, even if he did make mistakes. It’s a tragedy that in the end, the choice to turn his life around was taken from him, and he was betrayed by the people who he thought were the good guys. This also highlights the theme that sometimes people on the “good” side can be not nice people, which in turn paves the way for Zuko’s redemption and the wider theme that it is actions that matter the most, not which nation you are from. Separation is an illusion, folks.

Zuko’s test happens first when he attempts to steal Appa, the last time he dons the Blue Spirit mask, and then in “The Crossroads of Destiny.” Unlike Jet, Zuko doesn’t know he’s being tested, he doesn’t know he needs to change, although Iroh keeps telling him he does. The change happens in Zuko without him realizing it.

Katara tries to heal Jet, and Jet dies. Katara almost heals Zuko, and Zuko betrays her. And this time Aang is the one who almost dies, who Katara has to heal. This certainly contributes to Katara’s mistrust of Zuko later on, all three of these events tied together. And all three boys are people she has romantic tension with.

Which brings me to another reason I dislike Jet, or rather, what he is meant to be in Katara’s story. Many people have pointed out that Katara is romantically attracted to Jet, and his superficial resemblance both to the “bad boy” trope, and to Zuko. There’s a reason Zutara shippers make this comparison, although I believe its purpose in the narrative was actually to be anti Zutara and provide support for Kataang, but because the writers really didn’t know how to write Kataang properly, it ends up as the opposite.

Recently I saw a post by a popular blog that was anti Zutara that cited Jet as an example of Katara having “low standards.” And like, I can’t entirely blame the post for its misogyny (Katara is FOURTEEN) because this is what the writers want us to think. Katara’s attraction to Jet is very much playing on the “girl develops a crush on the jerk who doesn’t care about her” stereotype. This is, subtly, one of the ways that the show punishes Katara for not returning Aang’s crush. Interestingly, in this episode Aang doesn’t get jealous of Jet at all, and doesn’t even notice Katara’s attraction, but that’s because Aang in this episode is also still naive and in his early stages of his attraction to Katara, and also thinks Jet is super cool. Sokka instantly hates Jet, though. And Sokka is right, but he also has flavors of the over-protective big brother. I do remember that this episode left a sour taste in my mouth because of the (thankfully downplayed) implications that Katara is a silly girl who falls for the “wrong” types of guys because women don’t know what they want and need a man to help them “discover” their feelings. I also think this is meant to be subtextual in Katara making the hat for Jet which Aang ends up wearing, because Aang is the “good guy” who really does care about Katara, you see? Thanks show, I hate it. To be fair, I blame the writers for this, not Aang. Aang is just having fun hanging out in a treehouse and gets to wear a cool homemade hat. It’s the writers who put this weird misogynistic pressure on Katara.

It’s funny though when people compare Zuko to Jet in order to prove Zutara wrong, because when you compare the two, Zuko is the one who ends up looking better, the one who works hard to repair his damaged relationship with Katara, who genuinely did change. The one whose life she could save after he had done the work to save himself.

[army-of-mai-lovers]

Comparing ATLA’s Jet to Cowboy Bebop’s Spike

(this is so late, but. Happy birthday @the-hot-zone​, hope you had an amazing day) 

In my opinion, Cowboy Bebop is one of the greatest shows ever created. It hits a lot of my personal favorite attributes in a TV show: cowboys, fantastic music, absolutely spectacular animation, really deep themes and characters with rich inner lives, worldbuilding that’s thought out. Simply put, it’s a masterpiece. 

I started watching Bebop this summer, at the height of the ATLA Renaissance, and the first thing I noticed about protagonist Spike Spiegel is that he looked a hell of a lot like Jet from ATLA. And it wasn’t just the looks either: like Jet, Spike is the leader of a ragtag group of misfits living on the fringes of society. Like Jet, Spike is a smooth talker. Like Jet, Spike is compassionate and cares for other people, and like Jet, the world has hardened Spike to the point where his virtues can still lead him down the wrong path. And while Jet isn’t named for Spike, there’s a character in Bebop named Jet (he sort of plays the right hand person role that Smellerbee plays for Jet in ATLA.) They’re not completely similar--Spike isn’t fighting for anybody’s liberation, whereas for Jet that’s a core aspect of his character--but it was enough to make me wonder about how Jet was designed and how much influence Bebop had on his character design and on ATLA as a whole, and whether looking at Spike can illuminate some of the conversations we’ve been having about Jet. 

A little about the inspiration and process of ATLA: Bryan and Michael were working on shows like Family Guy when they decided they wanted to make something more sincere and more cinematic. They were both really inspired by anime. Bryan said “Back in the late '90s I was getting pretty disillusioned with working on sitcoms -- then I saw Princess Mononoke and I was emboldened. My heart was so much closer to that kind of story, those kinds of characters and that type of tone. After that, Cowboy Bebop really inspired us in terms of being a great example of an epic series that had a wide breadth of tones. Then FLCL came along and rewrote the rules for everything, as far as I'm concerned!” I haven’t seen FLCL, I’ll admit, but having seen both Bebop and Princess Mononoke--yeah, I get that. Both are incredible pieces of art that, for me personally, make me want to push myself as an artist, and I cannot recommend both enough if you haven’t seen them already. 

So, Bryan and Michael decide they want to make something inspired by shows like Bebop and movies like Princess Mononoke, they get a pilot order from Nickelodeon and, as is custom at the time, they start reaching out to East Asian animation studios to help them with the animation. This video is a great source for how ATLA in particular interacted in this environment, but suffice to say that Bryan built a relationship with the studio that did a lot of work for ATLA, JM Animation, and gave them a lot of creative freedom in making the visuals of the show. This included designing Jet and the rest of the Freedom Fighters. 

[ID: An image of Jet from ATLA from the shoulders up against a sky background fading from blue at the top to white at the bottom. He had dark skin, shaggy black hair, black eyes, eyebrows turned way up, a smirk on his face, and some wheat in his mouth. He is wearing a red jacket with a gray popped collar. End ID] 

[ID: An image of Spike from Cowboy Bebop from the shoulders up against a sky blue background with trees behind him. He has shaggy dark brown hair that has a slight bit more curl in it than Jet’s, dark brown eyes, light skin, and a closed mouth smile on his face. He is wearing a blue suit with a yellow shirt that has a popped collar, and a skinny black tie/ End ID] 

So, let’s look at the character design. Both Spike and Jet have these long, angular faces, shaggy dark hair, long necks, broad shoulders, dark eyes, some popped collar element to their attire, etc. While both characters are pretty tall and lanky, Spike’s height is more immediately obvious than Jet’s--in fact, I wouldn’t think of Jet as a tall character had I not seen some fandom height comparisons. The most obvious and immediate differences between how the characters physically look are their clothes, which are very different (likely due to the setting--ATLA is set in a proto-industrial war-torn society and Jet in particular has had to scavenge his clothes from Fire Nation troops, while Bebop is a space epic set in the far future), the lack of mouth wheat for Spike, Spike’s incredibly normal looking eyebrows versus Jet’s adorable long division eyebrows, and, of course, their skin tones. Colorism is something that people bring up a lot when talking about Jet’s character, and I have to wonder why Jet, a character that was so clearly inspired by this light-skinned character who was morally ambiguous in Bebop, was made darker-skinned when explicitly coded as a “villain” in ATLA. 

In fact, colorism is a super important aspect of how Jet and Spike’s stories are told. To its credit, ATLA has two MCs (Sokka and Katara) with dark skin (not that the fanartists who whitewash them notice) while Bebop has just one (Ed). However, it’s important to note that Sokka and Katara are each portrayed in ways that Aang or other lighter-skinned characters in the show simply aren’t. For example, despite both characters being literal teenagers, they are sexualized within the text of the show. Another example of the colorism in ATLA is, of course, Jet, a Brown boy leading a resistance against oppressive colonialist imperialist forces, being so unambiguously vilified. Yes, within the text, Jet has some sense of complexity, especially in Book 2, but even that is undermined by his death at the hands of the Dai Li. Jet is never given the subjectivity of a character like Zuko. In fact, it’s pretty clear that Jet’s redemption and subsequent death happens when it does to demonstrate what Zuko is capable of if he makes the right choice. Whether or not this is a good decision writing-wise is another discussion, but the fact of the matter is that in using Jet to further Zuko’s arc, bryke used a Brown teenage boy/victim of imperialist violence to prop up the narrative of a light-skinned prince/perpetrator of imperial violence. This is not to say that Zuko shouldn’t have been redeemed or that Jet shouldn’t have died or that the narrative shouldn’t have dedicated time and attention to Zuko’s story, but it is to say that ultimately, the writers of the show decided that Jet’s subjectivity was a tool to further Zuko’s actualization. 

Contrast this to Spike. Bebop is about a lot of things, but a core part of it is exploring Spike’s backstory and way of looking at the world. It’s part of what makes the show the show. It’s the thing that keeps you liking the guy even when he says or does something absolutely unconscionable. Nothing in the show is more important than Spike’s subjectivity. The show may have individual episodes that focus on the other main characters, but it’s pretty clear that it’s really *about* Spike. Where does Spike come from? What is his obsession with the past? Why do all these people want to kill him? Who is Julia? These are all prescient questions that I had as a viewer of Bebop, and these were questions that were not only important to understanding Spike Spiegel, but to understanding the narrative that the writers, director, and animators are telling. Bebop is nothing without Spike’s subjectivity, and the people behind the show invest in his narrative even though he does some pretty horrible things! (kills many people, is part of a crime syndicate at one point, says some pretty misogynistic crap, hell, the whole concept of the show is that he and his buddies hunt people down for money.) As I said before, Spike is morally ambiguous, an antihero, and the people behind Bebop run with that, because that is an integral part of the story that they’re telling. 

You could certainly argue that ATLA, being a show for children, needs clear heroes and villains, to be unambiguous in its depiction of right and wrong. And to an extent that would be correct. But let’s not forget that ATLA is not shy in its depiction of morally ambiguous characters. That’s an integral part of what the show is. Characters like Zuko, Iroh, Mai, Azula, and Ty Lee are beloved despite (or perhaps because of) their complex moral frameworks. Zuko, Mai, and Ty Lee in particular move between designations of villain, victim, and hero pretty fluidly (Iroh and Azula are two other conversations in themselves.) I personally am okay, and in fact delighted, to have Zuko, Mai, Azula, and Ty Lee in the show because I think their stories and the ways that they move between evil, good, and morally gray are incredibly compelling. We know why they act the way they do, and we can condemn or validate their actions while always knowing exactly where they’re coming from. 

But then I see Jet. Jet, whose village was burned down by the Fire Nation. Jet, who survived by himself and helped 5 other people survive along the way, while leading an organized resistance against the Fire Nation on wits alone. Jet, who somehow ended up in Ba Sing Se, his new family cut in half, wanting to start over. So much of him is a blank slate. Where Spike in Bebop, or Zuko, Iroh, Mai, Azula, and Ty Lee in ATLA, get fleshed out, have the writers convey specific information that helps the audience understand their actions and motivations, even if they’re wrong, Jet never gets that sort of care in his narrative. Jet never gets to be the center of ATLA, even for a moment, even in his own death. There’s always something more pressing, something more meaningful, than Jet. You could argue (I certainly would) that the show would be better if we spent more time with him, if the writers cared to understand him, but unlike Bebop and Spike, the show doesn’t revolve around the audience understanding Jet. The story is coherent without him. In book 3, despite the fact that Jet sacrificed his life for them, the Gaang only brings up Jet once, and that’s to condemn him. Jet’s story is a tragedy, an important one, but only insofar as it props up other pieces of the narrative. And that’s the most tragic part of it. 

[panda-noosh]

Hello! I saw that you might be taking requests, and I really hope that’s true because I don’t want to seem annoying or as a pest. You’re writing for ATLA is my favorite, so I was wondering if you could do a zuko x reader where he joins the gaang, but the reader still really hates him for what he’s done. Something happens, and unknowingly the two start falling for each other. Hope I’m not being annoying, and I hope you and your family are doing well!

  It’s quite difficult being forced to work with someone you can’t stand.

   It’s for the good of the world. You know this. You’re reminded of it constantly, Katara in one ear, Aang in the other. They try convincing you that Zuko isn’t that bad, that he’s changed and he’s a new man, and all of that might be true - you know it to be true, but that doesn’t change the fact he’s the most annoying person on the planet.

   You don’t hate him because he’s a bad person. You hate him because he’s him.

   He teases you to no ends, jabbing you in the side, taking your seat around the campfire just because he knows it’s yours. He makes noises outside your tent just so he can later laugh when you spring into the night wielding a weapon, only to find him kneeling nearby, bent double.

    He makes your blood boil.

   He’s also really attractive.

   Katara’s told you on multiple occasions that the only reason you feel such distaste for the prince is because you have feelings for him. She says the signs are there. You’ve never really humoured her, considering it’s the truth, and it’s messed up that it’s the truth. It was his nation that ruined your own, his people that ripped the world to shreds, and the entire time he was in support of it all. He stood behind his monster of a father and he nodded along, pretending everything was going to be alright as long as the Fire Nation reigned supreme.

   Just because he’s turned a new leaf doesn’t mean anything. It doesn’t erase the damage that’s already been done. 

    You watch him now, because that’s all you can do when the others are out scavenging. You swear they do it on purpose, leave all together just so you and Zuko will be alone, forced to acknowledge each other’s presence. He’s stood in the river, trousers rolled up, hands submerged in the water as he tries his hardest to catch a fish. Steam rises off the surface, Zuko cursing when he pulls his hands out and cools them down.

    You lean back on your elbows. “Struggling?”

   “Yes.”

    “That sucks. I thought princes were meant to be good at everything.”

   Zuko scowls at you before dunking his hands back in the water. “You know, you could help me out here a little bit; you need to eat, too.”

    “I’ve already got my dinner sorted,” you reply, gesturing to the deer you and Sokka were able to hunt down a few hours prior, agreeing to split the meat for dinner tonight. 

    Zuko stares at the lump of meat for a second, and you can nearly see his mouth watering. He bites his lip, ducks his eyes back down to the water and continues his search for a meal of his own.

    “Can you not control your powers?” you ask, ripping grass from the floor, sprinkling it over your shoe.

    Zuko shrugs. “I can’t really feel my hands too well when they’re in the water.”

   “Why not?”

   “It’s too cold, makes my fingers numb so I can’t even tell when they’re coming to the surface.”

   You frown, clambering to your feet. Honestly, you should just let him suffer. He’s just going to tease you, and you can’t be bothered with that right now, but you also can’t just let him starve to death. And so, you clamber down the hill, roll the hem of your trousers up past your ankles before wading into the water.

    “What are you doing?” he asks. “The water’s too warm-”

   “Do you want to eat tonight or not?” You nudge his shoulder, very nearly toppling him over. He manages to catch himself only seconds before falling. “Let me show you how it’s done.”

    Zuko growls low under his breath, but you ignore him as you dunk your hands beneath the steady flowing waves and feel around. Zuko stands beside you, arms folded over his chest, eyes heavily lidded, because he’s doubting you. Of course he is. For his entire time with the group, he’s done nothing but doubt you. 

    But now he’s going to see just how wrong he was to do that. You know what you’re doing, have been doing it for much longer than him. You never had servants running to fulfil your every wish and desire. Not like he did.

    It takes only a few minutes for you to make a catch. The scales are rough against your fingers, but you recognise the feeling immediately. You curl your fingers around it, pulling with all your might-

    And that’s when you slip.

    It happens so fast. One minute you are breathing like a normal person, and the next you’re submerged, water filling your open mouth, stinging your eyes, and you try to scream because that’s all you can think to do when you’re in danger-

    Hands wrap around your waist and pull you back to the surface

    You gasp, flailing hair out of your face, swiping it back with trembling hands. Zuko stands over you, his own eyes wide, his mouth dropped open as he struggles to find anything to say that can comfort you as you wriggle in his arms, panic coursing through you.

    “I’ve got you,” he finally manages, pulling you closer. “What the hell happened there?”

    “I slipped. I just slipped.” You try pulling away from him, but he keeps a tight hold on your body, and suddenly the fact that you nearly just drowned doesn’t seem like that big of a deal. His arms are around you, fingers burning into your waist, and it’s all you can focus on, and you hate it. You hate that he can have such power over you, that he can conjure such feelings from you when all you’ve ever done is give off the illusion that you will and can never forgive him.

    But this is what Katara meant all along. There’s something there, something that’s been there from the day Zuko broke through that tree line and apologised for his wrongs. It scared the shit out of you, but now it’s rising again, and you’re too shocked to push it away.

    His thumbs come up, gently brushing the water droplets from your cheeks. You close your eyes, swallowing deeply.

   “I lost your fish,” you mumble. 

   Zuko shakes his head. “Don’t worry about it.”

   “You - You can have a bit of the deer if you want.”

   “Are you being nice to me, Y/N?”

   You groan. “You just saved my life. I have to do something.”

   Zuko tilts his head to the side, a tiny smile playing on his face. That breaks you. You’re going to kiss him if you don’t get away now.

   You finally push away from him, for real this time, and start wading for the shore again. Zuko calls your name, almost a desperate plea, but you don’t turn back. Yes, he’s just saved your life, but how embarrassing will it be for you to run into his arms after spending months pretending you hate him?

    “Y/N! For gods sake, wait!”

    He grabs your wrist, whirling you around to face him.

   “What? Let go!”

   “Why are you storming off?” he demands, sounding almost angry. His brows are furrowed, lips pulled into a thin line. His grip is slack on your wrist, but it’s there nonetheless, fingers once again burning into your flesh.

    “Because I have - I have things to do,” you reply, refusing to meet his eyes. “The whole world doesn’t revolve around you, Zuko. Not any more.”

    “Why do you always have to give me some snarky response?” he asks. “What did I do to piss you off so much?”

    You scoff. “What did you do? Zuko, it was only a few months ago you were in full support of your father ripping the world to pieces!”

   “I didn’t support him! I explained everything to you! I apologised-”

   “Oh, an apology! Aren’t you a little Angel?”

   He scowls, dropping your hand. “What more do you want?”

   So much more. So much more. So much more.

    “I want you to leave me alone.”

    And then suddenly it’s silent, and neither of you are moving, which reveals the lie almost immediately. He’s no longer holding you. He’s no longer talking. The conversation is over. You have every opportunity to just. . . leave, to run in the opposite direction and do exactly as you always said you craved - to never see Prince Zuko again.

    But you don’t budge.

   “So go,” he says, voice soft. “I’m not stopping you any more. If you really want to leave, then leave.”

    You take a step back. Just one, testing the waters. It feels weird. He’s still standing there, and how can you possibly leave without kissing him first?

    He steps forward, gently grabbing your wrist, drawing your hand to his chest where you let it linger beneath his collarbone. 

    “Leave, Y/N. Nobody’s stopping you.”

   You kiss him.

    You kiss him because you need to. You kiss him because he’s him, because he’s Prince Zuko, the tainted little prince who was once locked under the spell of his father, just like every other little boy in the world. He’s Prince Zuko, the one who was able to break free, the one who suddenly grew a mind of his own and saw the light in the end of it all.

    He pulls you closer. Your hips crash against his, your hands trailing through his dark locks, pulling him closer, closer, closer until you just seem desperate, and he’s laughing against your mouth because he knows. 

    “How long have you been holding back on me?” he asks against your lips.

   You roll your eyes and jump. He grunts, catching you just as you wind your legs around his waist and the two of you stumble back into the water, Zuko hissing when the cold water laps at his ankles. 

    You pull away shortly after, dropping your forehead to his. You can’t even open your eyes, trembling in your excitement, your confusion, your nervousness all rolled into one.

    “I knew it!”

    Aang’s voice comes out of nowhere. Your head whips round just in time to see him leap in the air, throwing his fist up in victory.

    “Our plan worked guys! They kissed!” 

[characterclasses]

Classing Avatar: The Last Airbender

Long ago, all four nations lived together in harmony. Then, everything changed when the Fire Nation attacked. Roll for initiative! 

Avatar: TLA is a world populated with rich, developed characters. So much so, in fact, that I’ve actually decided to class ten characters from the series. So flameo hotman, this is going to be a long one!

1. Aang

Let’s start with an easy one. Aang is so obviously a Way of the Four Elements Monk that it hurts. The kid grew up in a monastery, calls himself a monk numerous times, and the whole plot of the show revolves around him learning how to master the four elements. In fact, given how ubiquitous bending is in the show, it’s amazing that more characters aren’t monks as well. 

2. Sokka

Well, not Sokka, the meat-and-sarcasm guy. Sokka may not be a bender, but that’s never stopped him from stepping up and trying his best to protect what he loves, whether that be by defending his village from a Fire Nation raid with just a boomerang, or leading entire armies into battles that he strategized. Sokka might look like the token normal guy, but he’s a versatile and powerful warrior, which is why I’ve classed him as a fighter. Sokka isn’t just brawn though, he’s brains too. The guy is very intelligent (though somewhat low in wisdom, at least at first), and thirsts for new knowledge and scientific discoveries. Sokka is a Battle Master, someone who is learned not just in ancient battle arts, but academic fields as well, sometimes even obtaining artisan knowledge. Seems pretty fitting for the guy who helped invent the hot air balloon, no?

3. Katara

Katara may be a bender, but she’s not exactly a monk. Katara is a pretty spiritual person, especially after directly coming into contact with Tui and La (and Yue) in the first season. She’s also a powerful and dangerous combatant to go up against. This, along with the fact that she’s the healer of the Gaang, is why I classed Katara a cleric. Her mastery over waterbending makes her a Tempest cleric, as she reveres spirits of the sea and sky. Katara, even more than characters like Aang or Azula, is able to best embody the ferocity of a storm.

4. Azula

Speaking of Azula, this tragic, fourteen-year-old sociopath is an interesting character to class. Azula has power, and a lot of it. As a firebending prodigy, Azula’s devastating power comes naturally to her, which is why she can be best classed as a sorcerer. Her royal Fire Nation lineage makes Azula a shoo-in for the Draconic Bloodline background, too, which adds an extra layer of irony to the whole thing when you consider exactly what it was that her family did to the dragons, who they perceived as threats to their bending supremacy.   

5. Zuko

Of course, Azula isn’t the only heir to the Fire Nation, which is where her older brother Zuko comes in. Zuko is the perfect example of a redemption arc done right, so it’s no surprise that his character needs a bit more of a complicated classing to match his nuanced characterization. Like his sister, Zuko started out as a Draconic Bloodline sorcerer (in fact, it’s heavily implied that he wouldn’t have lived if he hadn't been one). But Zuko doesn’t have the innate raw power that Azula does, and to his father’s great disappointment, didn’t seem to level up nearly as quickly. After his exile, Zuko found himself with both the time and the necessity to hone his other great skill - his swords. It was at this point that Zuko began multiclassing into a rogue, specifically a Swashbuckler. This usually bombastic class may seem like an odd choice for the awkward, angry prince, but Zuko’s talents with his twin swords and his flair for the dramatic (think of the Blue Spirit persona!) actually makes Swashbuckler a pretty good fit. After his defeat at the North Pole necessitated going into hiding, Zuko began relying less and less on his firebending and more on his rogue skills to get by. It isn’t really until the middle of the third season, when he and Aang meet and learn from the dragons, that Zuko finally starts taking levels in sorcerer once again, and he grows into a bender who is more than capable of matching up with his sister. 

6. Mai

It’s no surprise that taciturn, deadly Mai is also a rogue, though not the kind that you might think. Mai is not, contrary to Azula’s beliefs, the perfect Assassin. Mai might be great with her throwing knives, but she also excels in blending quietly into the background, gaining all the information she needs until it’s time to strike, whether that be with her blades or with a well-placed word. She’s also not above seeing which way the wind is blowing and switching sides to protect herself and the people she cares about. Mai is a Mastermind to be sure, and while she’s a great ally to have, this makes her an even more formidable enemy to face. 

7. Ty Lee

Ty Lee however, is surprisingly not a rogue. This bubbly, acrobatic Fire Nation girl is a sneaky, underestimated fighter, but she’s also a childhood friend of a princess that an away to join a circus, of all things. Ty Lee’s style of combat is rooted in performance, and her performance is her combat, which is why I’ve classed her as a College of Swords Bard. College of Swords works well for Ty Lee precisely because she isn’t a bender and doesn’t use magic to achieve her results. Despite not actually using swords, Ty Lee certainly meets the criteria in terms of being a born entertainer who achieves her results both on stage and in the battlefield through daring feats of prowess and skill. 

8. Suki 

Ty Lee may have ended the series as a Kyoshi Warrior, but Suki was born one, and it shows. Everything Suki does is to protect her people and uphold the ideals of Avatar Kyoshi. This devotion to Kyoshi, both the island and the historical, near-mythic figure, makes Suki an excellent paladin. With her Oath of Devotion, Suki is determined to uphold the ideals of law, justice, and order that the history and culture of her people represent, and spirits help anyone who stands in her way. 

9. Toph

So Toph is a tough character to class, which I’m sure is something that would delight her to no end. At the end of the day though, Toph’s gleeful chaotic nature and unconventional bending make her a very unusual warlock. Like all benders, Toph’s power may be innate, but the Blind Bandit took a very unusual route to hone her skills. Toph learned bending directly from the badgermoles, the first earthbender in millennia to do so. The badgermoles gifted Toph not just with bending mastery, but with a form of “sight” with which she could independently navigate the world around her, and in this way act as her patrons. As creatures of legend that hold secrets long forgotten by mankind, the badgermoles act as a sort of benevolent Archfey equivalent, making Toph a very powerful warlock indeed.   

10. Iroh 

If Aang and his friends are the prototypical young protagonists out to save the world, then Iroh is the beloved archetype of the war-weary old adventurer who still has some tricks up his sleeves. Like Aang, Iroh is a monk, albeit a very different kind. While Iroh has a ton of raw power, he prefers to be subtle, letting enemies and allies alike underestimate him until it’s time to act. Even when he does strike, his foes don’t quite seem to grasp the full implication of what’s happening. Carefully choosing his actions like movements on a Pai Sho board, Iroh is a true White Lotus, a perfect example of The Way of the Drunken Master. He uses his facade of a tea-obsessed, doddering old man to feign incompetence and play the part of the fool in order to achieve his true goals, whether that be directing his young nephew towards the right path in life, or secretly working to bring balance back to the world.