#listed not archived material

[undertale-museum]

Behind the Stacks

Part 1 (Here) / Part 2

The Orb bought the archive from a private collector who we'll call "Being X." This is relevant due to the surplus of exhibits that have yet to be archived and some that have fallen apart.

Most of them still exist but several had to be salvaged from Comic Dubs or other people's reblogs.

None of the following has yet to be archived. There are links with mature themes but no full nudity as far as the Orb can tell from a cursory glance.

_Roughly 21 items

.

Look Into Abyss by drawloverlala

sans, alphys - waterfall

.

All That's Left by dyonisia96

sans, gaster - labs

Note: dub

.

Asylumtale by furgemancs

sans, frisk

Note: dub

.

Shattered Realities by Ink-Mug

Sans, Gaster, Papyrus

Note: dub

.

Skele-Chara by InsanelyAdd

Papyrus, Sans, Chara

Note: deviantart link gone, only dub available

Edit 3June24: We haven’t checked deviantart yet but InsanelyAdd did have a back up of the comic saved on Tumblr

.

Game of the Creator by Gloomyowl

Red, Blue, Underswap Ensemble, Underfell Ensemble

Note: dub

.

Can't Find it by Gochigocochi

Comic 2 / Comic 3

Ink Sans, Dream Sans, Cross Sans

Note: Japanese/English

.

Crushed by Garbi (nsfwgarbagedump)

Sans, Red - Kustard - Surface

Part 1 / Part 2 / Part 3 / Part 4 / Part 5 /

Part 6 / Part 7 / Part 8 /

Note: +18, mature themes, revealing clothing, no smut

Kustard by [same]

Sans, Red - Underground

Part 1 / Part 2 / Part 3 / Part 4 /

Part 5 / Part 6

Note: +18, mature themes, no smut

Guide: Being X found this source, last time ze checked 3-4 years ago some of the comic was on patreon or sub-based website

Later Guide: Part 6 skips several dozen pages. This may be why Being X noted that some may be on patreon. This theory is, as of 18May24, unconfirmed.

Love Fool by [same]

Sans, Mobfell Red - bar

Part 1 / Part 2 / Part 3 / Part 4

Guide: there may be more of Love Fool. Again, Being X collected and we have yet to check if it has updated. Considering it's from 2019, doubtful.

Guide: the Sans Comic Dub video was lost. RIP

.

Lover of Piggies Dubs

(Crayon Queen Multiverse Verse ) April Fools Comic Part 1 - 6 by loverofpiggies

Christmas Party AU Movie (Undertale Comic Dub)

Momma CQ [ Halloween special!! ] Comic Dub

Sans and Frisk look so adorable The Movie【Undertale Comic dubs】

Momma CQ   /  Playlist

Guide: copied straight from OG archivist's notes, none of the links are broken incredibly

Guide 2: loverofpiggies content is still intact. we haven't archived the dubs as of yet.

.

Hopetale by HappYenDay

Undertale ensemble

Dub [3:20]

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Cross x Dream by crossxdream

.

The Truce by Jakei

Ink Sans, Error Sans

Note: only salvaged link

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Undervirus by Jeyawue

Sans, Papyrus, Undertale Ensemble

note: dub

.

[jariten]

I don't reserve myself the right to get too annoyed with unedited reposts bc none of this is my own work (but the hours of work to get it all uploaded are). I've experienced everything from leeches who don't credit me or anyone else to build platforms with thousands of followers to seeing pictures from restaurants that has what is definitely images sourced from this blog on its walls. Just really tickles me whenever I know that an image previously only available in print is out there bc me/someone I follow found it and decided to scan it

[unproduciblesmackdown]

shifted gears like alright after the [lucifer the mysteries please] centered approach that found mostly Other Stuff, centering [blade gunnblade please], and already have found something new but in the "possibly inaccurate & probably irrelevant even if otherwise" vein as a review read through the wayback machine says: "perhaps none moreso than the gun toting android Blade Gunblade, perfectly embodied by Asia Kate Dillon. They even get an awesome heart-wrenching backstory." which is so far the singular mention that blade gunnblade is an android, however, reviewers can Just Say Things, so. i believe the blade gunnblade full backstory clip that's available is from pre 2015's run at the pit, & rather a previous run as serials at the flea (and the prop & setpiece differences if it was simply an alex seife understudy performance from 2015 would be: inexplicable) but i have to imagine that blade's peak tragic backstory ft. murdered wife & child would be very similar, & i guess it would be funny if they were just out & about living their ordinary life with a family like that while also an android, but. however i'll also give them that: mentioned a bit more often is that at least at some point kapow-i Becomes part android / referred to as a cyborg, thanks to the same character as in 2015 & prior's tragic backstory. i don't think this fun fact is like super constantly relevant or obvious, so i Could imagine something along the lines of blade getting the same treatment & it also not being particularly more relevant. or else the proximity of such concepts like "kapow-i's a cyborg, the serials run clip seems to refer to like 'we need this specific rando who is now blade to be injected with Ultimate Fighter elixir (& have their family killed. because) & people's whose bodies couldn't handle it are now kind of like funny little robots (cybernetically automated but with some personality)" & like blade we need you to be a fighting machine was thus sort of conflated lol. but maybe they're a cyborg like i think it happens a lot anyways

[newty]

getting agita looking at archival supplies

[hussyknee]

17/12/23 this masterlist has been completely, vetted, revamped and reformatted with free access to all reading and viewing material. It will be updated and edited periodically so please click on my username and reblog the current version directly from me if you're able.

The Big Damn List Of Stuff They Said You Didn't Know

(Yes, it's a lot. Just choose your preferred medium and then pick one.)

Podcasts

Backgrounders and Quick Facts

Interactive Maps

Teach-Out Resources

Reading Material (free)

Films and Documentaries (free)

Non-Governmental Organizations

Social Media

How You Can Help

Podcasts

Cocktails & Capitalism: The Story of Palestine Part 1, Part 3

It Could Happen Here: The Cheapest Land is Bought with Blood, Part 2, The Balfour Declaration

Citations Needed: Media narratives and consent manufacturing around Israel-Palestine and the Gaza Siege

The Deprogram: Free Palestine, ft. decolonizatepalestine.com.

Backgrounders and Quick Facts

The Palestine Academy: Palestine 101

Institute for Middle East Understanding: Explainers and Quick Facts

Interactive Maps

Visualizing Palestine

Teach-Out Resources

1) Cambridge UCU and Pal Society

Palestine 101

Intro to Palestine Film + Art + Literature

Resources for Organising and Facilitating)

2) The Jadaliya YouTube Channel of the Arab Studies Institute

Gaza in Context Teach-in series

War on Palestine podcast

Updates and Discussions of news with co-editors Noura Erakat and Mouin Rabbani.

3) The Palestine Directory

History (virtual tours, digital archives, The Palestine Oral History Project, Documenting Palestine, Queering Palestine)

Cultural History (Palestine Open Maps, Overdue Books Zine, Palestine Poster Project)

Contemporary Voices in the Arts

Get Involved: NGOs and campaigns to help and support.

3) PalQuest Interactive Encyclopedia of the Palestine Question.

4) The Palestine Remix by Al Jazeera

Books and Articles

Free reading material

My Gdrive of Palestine/Decolonization Literature (nearly all the books recommended below + books from other recommended lists)

Five free eBooks by Verso

Three Free eBooks on Palestine by Haymarket

LGBT Activist Scott Long's Google Drive of Palestine Freedom Struggle Resources

Recommended Reading List

Academic Books

Edward Said (1979) The Question of Palestine, Random House

Ilan Pappé (2002)(ed) The Israel/Palestine Question, Routledge

Ilan Pappé (2006) The Ethnic Cleansing of Palestine, OneWorld Publications

Ilan Pappé (2011) The Forgotten Palestinians: A History of the Palestinians in Israel, Yale University Press

Ilan Pappé (2015) The Idea of Israel: A History of Power and Knowledge, Verso Books

Ilan Pappé (2017) The Biggest Prison On Earth: A History Of The Occupied Territories, OneWorld Publications

Ilan Pappé (2022) A History of Modern Palestine, Cambridge University Press

Rosemary Sayigh (2007) The Palestinians: From Peasants to Revolutionaries, Bloomsbury

Andrew Ross (2019) Stone Men: the Palestinians who Built Israel, Verso Books

Rashid Khalidi (2020) The Hundred Years’ War on Palestine: A History of Settler Colonialism and Resistance 1917–2017

Ariella Azoulay (2011) From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950, Pluto Press

Ariella Azoulay and Adi Ophir (2012) The One-State Condition: Occupation and Democracy in Israel/Palestine, Stanford University Press.

Jeff Halper (2010) An Israeli in Palestine: Resisting Dispossession, Redeeming Israel, Pluto Press

Jeff Halper (2015) War Against the People: Israel, the Palestinians and Global Pacification

Jeff Halper (2021) Decolonizing Israel, Liberating Palestine: Zionism, Settler Colonialism, and the Case for One Democratic State, Pluto Press

Anthony Loewenstein (2023) The Palestine Laboratory: How Israel exports the Technology of Occupation around the World

Noura Erakat (2019) Justice for Some: Law and the Question of Palestine, Stanford University Press

Neve Gordon (2008) Israel’s Occupation, University of California Press

Joseph Massad (2006) The Persistence of the Palestinian Question: Essays on Zionism and the Palestinians, Routledge

Memoirs

Edward Said (1986) After the Last Sky: Palestine Lives, Columbia University PEdward Saidress

Edward Said (2000) Out of Place; A Memoir, First Vintage Books

Mourid Barghouti (2005) I saw Ramallah, Bloomsbury

Hatim Kanaaneh (2008) A Doctor in Galilee: The Life and Struggle of a Palestinian in Israel, Pluto Press

Raja Shehadeh (2008) Palestinian Walks: Into a Vanishing Landscape, Profile Books

Ghada Karmi (2009) In Search of Fatima: A Palestinian Story, Verso Books

Vittorio Arrigoni (2010) Gaza Stay Human, Kube Publishing

Ramzy Baroud (2010) My Father Was a Freedom Fighter: Gaza's Untold Story, Pluto Press

Izzeldin Abuelaish (2011) I Shall Not Hate: A Gaza Doctor’s Journey on the Road to Peace and Human Dignity, Bloomsbury

Atef Abu Saif (2015) The Drone Eats with Me: A Gaza Diary, Beacon Press

Anthologies

Voices from Gaza - Insaniyyat (The Society of Palestinian Anthropologists)

Letters From Gaza • Protean Magazine

Salma Khadra Jayyusi (1992) Anthology of Modern Palestinian Literature, Columbia University Press

ASHTAR Theatre (2010) The Gaza Monologues

Refaat Alreer (ed) (2014) Gaza Writes Back, Just World Books

Refaat Alreer, Laila El-Haddad (eds) (2015) Gaza Unsilenced, Just World Books

Cate Malek and Mateo Hoke (eds)(2015) Palestine Speaks: Narrative of Life under Occupation, Verso Books

Jehad Abusalim, Jennifer Bing (eds) (2022) Light in Gaza: Writings Born of Fire, Haymarket Books

Short Story Collections

Ghassan Kanafani, Hilary Kilpatrick (trans) (1968) Men in the Sun and Other Palestinian Stories, Lynne Rienner Publishers

Ghassan Kanafani, Barbara Harlow, Karen E. Riley (trans) (2000) Palestine’s Children: Returning to Haifa and Other Stories, Lynne Rienner Publishers

Atef Abu Saif (2014) The Book of Gaza: A City in Short Fiction, Comma Press

Samira Azzam, Ranya Abdelrahman (trans) (2022) Out Of Time: The Collected Short Stories of Samira Azzam

Sonia Sulaiman (2023) Muneera and the Moon; Stories Inspired by Palestinian Folklore

Essay Collections

Edward W. Said (2000) Reflections on Exile and Other Essays, Harvard University Press

Salim Tamari (2008) Mountain against the Sea: Essays on Palestinian Society and Culture, University of California Press

Fatma Kassem (2011) Palestinian Women: Narratives, histories and gendered memory, Bloombsbury

Ramzy Baroud (2019) These Chains Will Be Broken: Palestinian Stories of Struggle and Defiance in Israeli Prisons, Clarity Press

Novels

Sahar Khalifeh (1976) Wild Thorns, Saqi Books

Liyana Badr (1993) A Balcony over the Fakihani, Interlink Books

Hala Alyan (2017) Salt Houses, Harper Books

Susan Abulhawa (2011) Mornings in Jenin, Bloomsbury

Susan Abulhawa (2020) Against the Loveless World, Bloomsbury

Graphic novels

Joe Sacco (2001) Palestine

Joe Sacco (2010) Footnotes in Gaza

Naji al-Ali (2009) A Child in Palestine, Verso Books

Mohammad Sabaaneh (2021) Power Born of Dreams: My Story is Palestine, Street Noise Book*

Poetry

Fady Joudah (2008) The Earth in the Attic, Sheridan Books,

Ghassan Zaqtan, Fady Joudah (trans) (2012) Like a Straw Bird It Follows Me and Other Poems, Yale University Press

Hala Alyan (2013) Atrium: Poems, Three Rooms Press*

Mohammed El-Kurd (2021) Rifqa, Haymarket Books

Mosab Abu Toha (2022) Things You May Find Hidden in My Ear: Poems from Gaza, City Lights Publishers

Tawfiq Zayyad (2023) We Are Here to Stay, Smokestack Books*

The Works of Mahmoud Darwish

Poems

Rafeef Ziadah (2011) We Teach Life, Sir

Nasser Rabah (2022) In the Endless War

Refaat Alareer (2011) If I Must Die

Hiba Abu Nada (2023) I Grant You Refuge/ Not Just Passing

[All books except the ones starred are available in my gdrive. I'm adding more each day. But please try and buy whatever you're able or borrow from the library. Most should be available in the discounted Free Palestine Reading List by Pluto Press, Verso and Haymarket Books.]

Human Rights Reports & Documents

Information on current International Court of Justice case on ‘Legal Consequences arising from the Policies and Practices of Israel in the Occupied Palestinian Territory, including East Jerusalem’

UN Commission of Inquiry Report 2022

UN Special Rapporteur Report on Apartheid 2022

Amnesty International Report on Apartheid 2022

Human Rights Watch Report on Apartheid 2021

Report of the United Nations Fact-Finding Mission on the Gaza Conflict’ 2009 (‘The Goldstone Report’)

Advisory Opinion on the Legal Consequences of the Construction of a Wall in the Occupied Palestinian Territory, International Court of Justice, 9 July 2004

Films

Documentaries

Jenin, Jenin (2003) dir. Mohammed Bakri

Massacre (2005) dir. Monica Borgmann, Lokman Slim, Hermann Theissen

Slingshot HipHop (2008) dir. Jackie Reem Salloum

Waltz with Bashir (2008) dir. Ari Folman † (also on Amazon Prime)

Tears of Gaza (2010) dir. Vibeke Løkkeberg (also on Amazon Prime)

5 Broken Cameras (2011) dir. Emad Burnat (also on Amazon Prime)

The Gatekeepers (2012) dir. Dror Moreh (also on Amazon Prime)

The Great Book Robbery (2012) | Al Jazeera English

Al Nakba (2013) | Al Jazeera (5-episode docu-series)

The Village Under the Forest (2013) dir. Mark J. Kaplan

Where Should The Birds Fly (2013) dir. Fida Qishta

Naila and the Uprising (2017) (also on Amazon Prime)

GAZA (2019) dir. Andrew McConnell and Garry Keane

Gaza Fights For Freedom (2019) dir. Abby Martin

Little Palestine: Diary Of A Siege (2021) dir. Abdallah Al Khatib 

Palestine 1920: The Other Side of the Palestinian Story (2021) | Al Jazeera World Documentary

Gaza Fights Back (2021) | MintPress News Original Documentary | dir. Dan Cohen

Innocence (2022) dir. Guy Davidi

Short Films

Fatenah (2009) dir. Ahmad Habash

Gaza-London (2009) dir. Dina Hamdan

Condom Lead (2013) dir. Tarzan Nasser, Arab Nasser

OBAIDA (2019) | Defence for Children Palestine

Theatrical Films

Divine Intervention (2002) | dir. Elia Suleiman (also on Netflix)

Paradise Now (2005) dir Hany Abu-Assad (also on Amazon Prime)

Lemon Tree (2008) (choose auto translate for English subs) (also on Amazon Prime)

It Must Be Heaven (2009) | dir. Elia Suleiman †

The Promise (2010) mini-series dir. Peter Kosminsky (Part 1, Part 2, Part 3, Part 4)

Habibi (2011)* dir. Susan Youssef

Omar (2013)* dir. Hany Abu-Assad †

3000 Nights (2015)* dir. Mai Masri

Foxtrot (2017) dir. Samuel Maoz (also on Amazon Prime)

The Time that Remains (2019) dir. Elia Suleiman †

Gaza Mon Amour (2020) dir. Tarzan Nasser, Arab Nasser †

The Viewing Booth (2020) dir. Ra'anan Alexandrowicz (on Amazon Prime and Apple TV)

Farha (2021)* | dir. Darin J. Sallam

Palestine Film Institute Archive

All links are for free viewing. The ones marked with a star (*) can be found on Netflix, while the ones marked † can be downloaded for free from my Mega account.

If you find Guy Davidi's Innocence anywhere please let me know, I can't find it for streaming or download even to rent or buy.

In 2018, BDS urged Netflix to dump Fauda, a series created by former members of IOF death squads that legitimizes and promotes racist violence and war crimes, to no avail. Please warn others to not give this series any views. BDS has not called for a boycott of Netflix. ]

NGOs

The Boycott, Divestment, Sanctions (BDS) Movement

Medical Aid for Palestinians

Euro-Mediterranean Human Rights Monitor

Palestine Defence for Children International

Palestinian Feminist Collective

Al-Shabaka: The Palestinian Policy Network

Addameer Prisoner Support and Human Rights Association

Institute for Palestine Studies

Al Haq

Artists for Palestine

The Palestine Museum

Jewish Currents

B’Tselem

DAWN

Social Media

Palestnians on Tumblr

@el-shab-hussein

@killyfromblame

@apollos-olives

@fairuzfan

@palipunk

@sar-soor

@nabulsi

@ibtisams

@wearenotjustnumbers2

@90-ghost (is in Gaza right now. Please donate to his GFM and boost it.)

@tamarrud

Allies and advocates (not Palestinian)

@bloglikeanegyptian beautiful posts that read like op-eds

@vyorei daily news roundups

@luthienne resistance through prose

@decolonize-the-left scoop on the US political plans and impacts

@feluka

(Please don't expect any of these blogs to be completely devoted to Palestine allyship; they do post regularly about it but they're still personal blogs and post whatever else they feel like. Do not harrass them.)

Gaza journalists

Motaz Azaiza IG: @motaz_azaiza | Twitter: @azaizamotaz9 | TikTok: _motaz.azaiza (left Gaza as of Jan 23)

Bisan Owda IG and TikTok: wizard_bisan1 | Twitter: @wizardbisan

Saleh Aljafarawi IG: @saleh_aljafarawi | Twitter: @S_Aljafarawi | TikTok: @saleh_aljafarawi97

Plestia Alaqad IG: @byplestia | TikTok: @plestiaaqad (left Gaza)

Wael Al-Dahdouh IG: @wael_eldahdouh | Twitter: @WaelDahdouh (left Gaza as of Jan 13)

Hind Khoudary IG: @hindkhoudary | Twitter: @Hind_Gaza

Ismail Jood IG and TikTok: @ismail.jood (announced end of coverage on Jan 25)

Yara Eid IG: @eid_yara | Twitter: @yaraeid_

Eye on Palestine IG: @eye.on.palestine | Twitter: @EyeonPalestine | TikTok: @eyes.on.palestine

Muhammad Shehada Twitter: @muhammadshehad2

(Edit: even though some journos have evacuated, the footage up to the end of their reporting is up on their social media, and they're also doing urgent fundraisers to get their families and friends to safety. Please donate or share their posts.)

News organisations

The Electronic Intifada Twitter: @intifada | IG: @electronicintifada

Quds News Network Twitter and Telegram: @QudsNen | IG: @qudsn (Arabic)

Times of Gaza IG: @timesofgaza | Twitter: @Timesofgaza | Telegram: @TIMESOFGAZA

The Palestine Chronicle Twitter: @PalestineChron | IG: @palestinechron | @palestinechronicle

Al-Jazeera Twitter: @AJEnglish | IG and TikTok: @aljazeeraenglish, @ajplus

Middle East Eye IG and TikTok: @middleeasteye | Twitter: @MiddleEastEye

Democracy Now Twitter and IG: @democracynow TikTok: @democracynow.org

Mondoweiss IG and TikTok: @mondoweiss | Twitter: @Mondoweiss

The Intercept Twitter and IG: @theintercept

MintPress Twitter: @MintPressNews | IG: mintpress

Novara Media Twitter and IG: @novaramedia

Truthout Twitter and IG: @truthout

Palestnians on Other Social Media

Mouin Rabbani: Middle East analyst specializing in the Arab-Israeli conflict and Palestinian affairs. Twitter: @MouinRabbani

Noura Erakat: Legal scholar, human rights attorney, specialising in Israeli–Palestinian conflict. Twitter: @4noura | IG: @nouraerakat | (http://www.nouraerakat.com/)

Hebh Jamal: Journalist in Germany. IG and Twitter: @hebh_jamal

Ghada Sasa: PhD candidate in International Relations, green colonialism, and Islam in Canada. Twitter: @sasa_ghada | IG: @ghadasasa48

Taleed El Sabawi: Assistant professor of law and researcher in public health. Twitter: @el_sabawi | IG

Lexi Alexander: Filmmaker and activist. Twitter: @LexiAlex | IG: @lexialexander1

Mariam Barghouti: Writer, blogger, researcher, and journalist. Twitter: @MariamBarghouti | IG: @mariambarghouti

Rasha Abdulhadi: Queer poet, author and cultural organizer. Twitter: @rashaabdulhadi

Mohammed el-Kurd: Writer and activist from Jerusalem. IG: @mohammedelkurd | Twitter: @m7mdkurd

Ramy Abdu: Founder and Chairman of the Euro-Mediterranean Human Rights Monitor. Twitter: @RamyAbdu

Subhi: Founder of The Palestine Academy website. IG: @sbeih.jpg |TikTok @iamsbeih | Twitter: @iamsbeih

Allies

Lowkey (Kareem Dennis): Rapper, activist, video and podcast host for MintPress. Twitter: @LowkeyOnline IG: @lowkeyonline

Francesca Albanese: UN Special Rapporteur on the Occupied Territories. Twitter: @FranceskAlbs

Sana Saeed: Journalist and media critic, host and senior producer at Al-Jazeera Plus. IG: @sanaface | Twitter: @SanaSaeed

Shailja Patel: Poet, playwright, activist, founding member of Kenyans For Peace, Truth and Justice. Twitter: @shailjapatel

Jairo I. Fúnez-Flores: Researcher in curriculum studies, decolonial theory, social movements. Twitter: @Jairo_I_Funez

Jack Dodson: Journalist and Filmmaker. Twitter: @JackDodson IG: @jdodson4

Imani Barbarin: Writer, public speaker, and disability rights activist. IG: @crutches_and_spice | Twitter: @Imani_Barbarin | TikTok: @crutches_and_spice

Jewish Allies

Katie Halper: US comedian, writer, filmmaker, podcaster, and political commentator. IG and Twitter: @kthalps

Amanda Gelender: Writer. Twitter: @agelender | (https://agelender.medium.com/)

Yoav Litvin: Jerusalem-born Writer and Photographer. IG and Twitter: @nookyelur | (yoavlitvin.com)

Alana Lentin: Professor of Cultural and Social Analysis at Western Sydney University. Twitter: @alanalentin

Gideon Levy: anti-Zionist Israeli journalist and activist. Twitter: @gideonle

How You Can Help Palestine

How to be an Ally 101

📢: Global Strike Guide

If any links are broken let me know. Or pull up the current post to check whether it's fixed.

"Knowledge is Israel's worst enemy. Awareness is Israel's most hated and feared foe. That's why Israel bombs a university: it wants to kill openness and determination to refuse living under injustice and racism."

— Dr. Refaat Alareer, (martyred Dec 6, 2023)

From River To The Sea Palestine Will Be Free 🇵🇸🇵🇸🇵🇸

-----

Edit 1: took the first video down because turns out the animator is a terf and it links to her blog. Really sorry for any distress.

Edit 2: All recommended readings + Haymarket recommendations + essential decolonization texts have been uploaded to my linked gdrive. I will adding more periodically. Please do buy or check them out from the library if possible, but this post was made for and by poor and gatekept Global South bitches like me.

Some have complained about the memes being disrespectful. You're actually legally obligated to make fun of Israeli propaganda and Zionists. I don't make the rules.

Edit 3: "The river to the sea" does not mean the expulsion of Jews from Palestine. Believing that is genocide apologia.

Edit 4: Gazans have specifically asked us to put every effort into pushing for a ceasefire instead of donations. "Raising humanitarian aid" is a grift Western governments are pushing right now to deflect from the fact that they're sending billions to Israel to keep carpet bombing Gazans. As long as the blockades are still in place there will never be enough aid for two million people. (UPDATE: PLEASE DONATE to the Gazan's GoFundMe fundraisers to help them buy food and get out of Rafah into Egypt. E-SIMs, food and medical supplies are also essential. Please donate to the orgs linked in the How You Can Help. Go on the strikes. DO NOT STOP PROTESTING.)

Edit 5: Google drive link for academic books folder has been fixed. Also have added a ton of resources to all the other folders so please check them out.

Edit 6: Added interactive maps, Jadaliya channel, and masterlists of donation links and protest support and of factsheets.

The twitter accounts I reposted as it was given to me and I just now realized it had too many Israeli voices and almost none of the Palestinians I'm following, so it's being edited. (Update: done!) also removed sources like Jewish Voices of Peace and Breaking the Silence that do good work but have come under fair criticism from Palestinians.

Edit 7: Complete reformatting

Edit 8: Complete revamping of the social media section. It now reflects my own following list.

Edit 9: removed some more problematic people from the allies list. Remember that the 2SS is a grift that's used to normalize violence and occupation, kids. Supporting the one-state solution is lowest possible bar for allyship. It's "Free Palestine" not "Free half of Palestine and hope Israel doesn't go right back to killing them".

Edit 10: added The Palestine Directory + Al Jazeera documentary + Addameer. This "100 links per post" thing sucks.

Edit 11: more documentaries and films

Edit 12: reformatted reading list

Edit 13: had to remove @palipunk's masterlist to add another podcast. It's their pinned post and has more resources Palestinian culture and crafts if you want to check it out

Edit 14 6th May '24: I've stopped updating this masterlist so some things, like journalists still left in Gaza and how to support the student protests are missing. I've had to take a step back and am no longer able to track these things down on my own, and I've hit the '100 links per post' limit, but if you can leave suggestions for updates along with links in either the replies or my asks I will try and add them.

[nullcoast]

Hmm it's almost like gender is a construct so getting into minutia arguments about microlabels is a complete fucking waste of time and an expression of extreme ignorance. almost like the million different ways queerness has been expressed all contradicting eachother for hundreds of years is for a reason and they all equally have important things to say about HUMAN EXPRESSION

[the-everqueen]

more bitching in tags

[gael-garcia]

PALESTINE FILM INDEX

Palestine Film Index is a growing list of films from and about Palestine and the Palestinian struggle for liberation, made by Palestinians and those in solidarity with them. The index starts with films from the revolutionary period (68 - 82) made by the militant filmmakers of the Palestine Film Unit and their allies, and extends through a multitude of voices to the present day. It is by no means a complete or exhaustive representation of the vast universe that is Palestinian cinema, but is only a small fragmentary list that we hope nontheless can be used as an instrument of study & solidarity. As tools of knowledge against zionist propaganda and towards Palestinian liberation.

The century long war against Palestinians by the zionist project is one waged not only militarily but also culturally. The act of filmmaking, preservation, and distribution becomes an act against this attempted cultural erasure of ethnic cleansing. The power inherent in this form as a weapon against the genocidal project of zionism is evidenced in the ways it has been historically & currently targeted by the occupation forces: from the looting & stealing of the Palestine Cinema Institute archives during the siege of Beirut in 1982, through the long history of targeted assassinations of Palestinian filmmakers, journalists, artists, & writers (from PFU founder Hani Jawharieh, to Ghassan Kanafani, Shireen Abu Akleh, Refaat Alareer, and the over 100 journalists killed in the currently ongoing war on Gaza).

It is in this spirit of the use of film and culture as a way of focusing & transmitting information & knowledge that we hope this list can be used as one in an assortment of educational tools against hasbara (a coordinated and intricate system of zionist propaganda, media manipulation, & social engineering, etc) and all forms of propaganda that is weaponized against the Palestinian people. Zionist media & its collaborators remain one of the most effective fronts of the war, used to manufacture consent through deeply ingrained psychological manipulation of the general public agency. Critical and autonomous thought must be used as a tool of dismantling these frameworks. In this realm, film can play a vital roll in your toolkit/arsenal. Film must be understood as one front of the greater resistance. We hope in some small way we can help to distribute these manifestations of Palestinian life and the struggle towards liberation.

This list began as small aggregation to share among friends and comrades in 2021 and has since expanded to the current and growing form (it is added to almost every day). We have links for through which each film can be viewed along with descriptions, details such as run time, year, language, etc. We also have a supplemental list of related materials (texts, audio, supplemental video) that is small but growing. We have added information on contacts for distributors and filmmakers of each film in order to help people or groups who are interested in using this list to organize public screenings of these films. The makers of this list do not control the rights to these films and we strongly urge those interested in screening the works to get in touch with the filmmaker or distributors before doing so. This list was made with best intentions in mind, and in most cases with permission of filmmaker or through a publically available link, but if any film has mistakenly been added without the permission of a filmmaker involved and you would like us to remove it, or conversely if you are a filmmaker not included who would like your film to be added, or for any other thoughts, suggestions, additions, subtractions, complaints or concerns, please contact us at palestinefilmindex@gmail.com. No one involved in this list is doing it as a part of any organization, foundation or non-profit and we are not being paid to do this, it is merely a labor of love and solidarity. From the river to the sea, Palestine

[silvermoon424]

The Analog/Digital Horror Recommendation Post

A lovely follower of mine asked for recommendations on Analog Horror series to watch since I mentioned I'm a big fan of the genre. I figured it would be best to just make a big post about it all!

This post will be split up into three sections: 1) Direct links to Analog/Digital Horror series with series that I have actually engaged in being in red bold 2) Links to analog horror commentary Youtube channels that do a great job of breaking down and explaining series because they can get kinda confusing 3) Some particular series breakdown videos I highly recommend.

Direct Links to Analog/Digital Horror Series

Angel Hare

ChezzKids Archive

Gemini Home Entertainment

Gilbert Garfield

Harmony & Horror

Hypnogogic Archive

Lacey's Games (I couldn't link to the playlist because the creator hasn't updated it with the latest video; just look for the Lacey videos on their channel, as of October 2023 there are 3)

Local 58

Mandela Catalogue

THE MONUMENT MYTHOS

Mystery Flesh Pit National Park (MY FUCKING BELOVED, also not a video series but rather a blog of in-universe promotional materials, documents, photos, etc. I will be linking to an explanation video)

Needlem0use

Vita Carnis

The Walten Files

Welcome Home (artist is here on Tumblr)

Winter of '83

This list will be updated as I watch more Analog/Digital Horror series! In the meantime, you can refer to the Analog Horror page on TV Tropes if you want even more recommendations.

Youtubers Who Dissect Analog Horror

Pagan Valley

Wendigoon (some videos haven't been added to this playlist so I recommend checking out his general channel)

minaxa

Wowman

Nexpo

Night Mind

ARG/Unfiction Analysis Playlist (400+ videos)

ARG/Analog Horror Explained Playlist (80+ videos)

My Fave Explanation/Analysis Videos

Mystery Flesh Pit National Park

A Digital Horror Tragedy - Lacey's Games Explained

The Most UNDERRATED Analog Horror Series: Winter of 83

The Hypnagogic Archive: An Anthology ARG

The Lost Footage of the Hypnagogic Archive

Vita Carnis - A Terrifying Analog Horror

ChezzKids Archive - A Terrifying Digital Horror

What are The Walten Files?

Gemini and the End of the World

Welcome Home: A Perfectly Innocent Lost Puppet Show!

What is Local58?/LOCAL58: The Broadcast Station that Manipulates You

The TRUE Horror of Local 58

Okay y'all, that should keep you busy for a long time, lol. As I said this will be periodically updated as I find new series and videos! Please feel free to add in your own recommendations in the replies, reblogs, whatever if you have them!

[ao3commentoftheday]

What do AO3's Archive Warnings mean?

Archive Warnings can be confusing to new users, both readers and writers alike, so let's take a moment and break them down. We'll start at the top of the list - which is ordered alphabetically.

Creator Chose Not to Use Archive Warnings - when AO3 was being designed (by fans, for fans) there was a debate about requiring warnings. At the time, they were not a standard expectation, so some people didn't want warnings to be mandatory on every individual fic on the Archive. Other people did.

This warning - stating that the author was making a choice not to provide a warning - was a compromise. A creator could choose not to apply a warning to their fic and readers would then know to be wary because it would be possible that any of the warnings might be needed, or multiple of them, or none of them.

This warning (which I'll abbreviate to CCNTW from here on out) is also a good catch-all for other things that a creator might want to warn for that don't have a specific Archive Warning. Authors can also provide warnings of different kinds in the Additional Tags on a work, so it's a good idea to read those carefully as well.

You can read up on more of the history of this warning on Fanlore.

Graphic Depictions of Violence - This applies to stories where the descriptions of violence are very detailed and probably gory. The violent scenes will likely be brutal and easily imagined. This warning is generally accompanied by a rating of either M or E - meaning that the content in the work is aimed at adults only.

Some authors find it difficult to decide whether the violence in their fic is graphic enough to warrant using this warning, so they use CCNTW instead. For some fandoms, the source material is already full of graphic violence and so they might also use an Additional Tag to give more information such as, "canon typical violence"

Major Character Death - This can be interpreted in different ways. It might mean:

a character dies, and that character is a major character in canon (even if they might be a minor character in the fic).

a character dies, and that character is a major character in the fic (even if they might be a minor character in canon).

the character death in the story is a major component of the story or a particularly intense part of the story.

It is possible that the character who dies does not stay dead in the fic, in which case the author may decide to use an Additional Tag like "temporary character death" to provide more information.

It is also possible that an author will decide to use CCNTW instead because they want to avoid giving spoilers for the story.

No Archive Warnings Apply - This means that none of the other warnings in this list apply to this fic. The fic may still be given a rating that indicates it is for an adult audience.

Rape / Non-Con - This refers to different scenarios in which a character does not consent to sexual activity.

Non-Con is short for non-consent, which is a term from role-playing communities in which not giving consent is part of the sexual game. Non-con can also refer to the fact that in a fictional story, we might see a character verbally state that they don't want to have sex and then read their inner monologue in which they express that they do.

The various interactions and interpretations involved in consent can get very complex and nuanced, and some creators might use CCNTW because they aren't sure if what they're writing rises to the level of this warning.

Underage - This warning refers to stories that describe sexual activity (more than just kissing) involving characters who are under 18 years old. This one is also up for interpretation when it comes to creatures, monsters, mythological beings, aliens that live for thousands of years, etc.

---

All of the above warnings will be used a little differently by different creators and by different fandoms, and as you read more on the site you will likely notice these differences.

However, if you see a work on the Archive that should have one of these warnings but doesn't, you can report that work to the Policy Questions & Abuse team by scrolling to the bottom of the page and clicking the link to their reporting form.

To help the volunteers who manage these reports, you can give them some additional information. If it's a multi-chaptered work, let them know which chapter to look in or give them a keyword or phrase they can search for to find the relevant scene(s). If the volunteer decides a warning is required, they'll contact the creator and ask them to add it. If they decide that it doesn't, they'll let you know.

If the work has Creator Chose Not To Use Archive Warnings on it, that includes all other warnings and that fic shouldn't be reported for missing one.

[determinate-negation]

It became a little more difficult to study the history of Palestine and Israel on January 21, 2019, when Israeli Prime Minister Benjamin Netanyahu signed a new amendment to the archive law extending the classification period for certain materials from 70 to 90 years. The extension includes the archives of Shin Bet (the domestic intelligence service), Mossad (the foreign intelligence service), the Israeli Atomic Energy Commission, the Israel Institute for Biological Research and an array of military units collecting “raw intelligence material.”1 The complete list of the military units is not even available, since it too has been classified. In other words, even what is classified is classified.

The government is extending the period of classification at the same time that Israel’s Ministry of Defense is aggressively expanding the kinds of materials under its purview—effectively removing them from public view. A recent exposé by the Israeli NGO Akevot: Institute for Israeli-Palestinian Conflict Research revealed that officials from the Ministry of Defense have been conducting unannounced visits to a number of non-official archives—like those of the kibbutz movement—and confiscating what they argue are classified documents that should not have been stored there. Even those documents that have long been used by scholars may suddenly disappear without notice. A former top official at the ministry did not even bother to hide the purpose: to discredit historians working on topics the state deems sensitive by insinuating that they falsified documents.

These new restrictions on the public availability of certain archives are part of a much longer history of Israel seeking to control the stories historians tell about its past. The chief Israeli archivist admitted as much in a rare moment of candor in January 2018, noting that choices of what to declassify sometimes involve “an attempt to conceal part of the historical truth in order to build a more convenient narrative,” particularly those materials that might “incite the Arab population” or “be interpreted as Israeli war crimes.”

[aristopumpkin]

Here's a list of Free tools and resources for your daily work!🎨

2D

• Piskelapp Pixel art + animation • Krita general digital painting + animation • Gimp image manipulation + painting • MapEditor Level builder (orthogonal, isometric, hexagonal) • Terawell manipulate 3D mannequin as a figure drawing aid (the free version has everything) • Storyboarder Storyboard

3D

• Blender general 3D software (modeling, sculpting, painting, SFX , animation…). • BlockBench low-poly 3D + animation. • Dust3D low-poly 3D (more like Zbrush's zsphere)

Sound Design

• Audacity Audio editor (recording, editing, mixing) • LMMS digital audio workstation (music production, composition, beat-making). • plugins4free audio plugins (work with both audacity and lmms) • Beepcomp chiptune/8-bit/16-bit music synthesizer

Video

• davinciresolve video editing (the free version has everything) • OBS Studio video recording + live streaming.

For learning and inspiration

• models-resource 3D models from retro games (mostly) • spriters-resource 2D sprites (same) • textures-resource 2D textures (same) • TheCoverProject video game covers • Setteidreams archive of animation production materials • Livlily collection of animated lines

[timdoubleyou]

i found jay’s black jacket (an ID guide)

This black jacket is worn by Jay about 9 times throughout Marble Hornets, including his final appearance. And after some weeks of on-and-off research, I think I know the exact make and model.

This post will detail exactly how I found it, and serve as a guide for anyone that wants to find the jacket, whether that's for cosplay purposes, or if you're just keen on collecting items related to MH.

Main post under the cut

Intro

The first step to identifying the jacket was to gather as many references as possible.

I went back to the web series and took screenshots from any entries the jacket makes an appearance. (shoutout to mg549′s very comprehensive MH wardrobe guide, without it this would’ve been much more of a pain)

Jay's jacket is, for the most part, very plain. It's a solid color, full-zip jacket, without any particularly eye-catching logos or other details. I had to look for moments where even the slightest distinction appeared clear on camera, at least as distinct as it can be. Even if it was just close-ups to get the shape of a zipper, or how many buttons are on a sleeve, it was the best I got. While I did manage to find a decent amount of these, there was just one crucial detail that would've made finding it near-impossible; the brand is never shown. Thankfully, I had another resource.

In 2018 Troy Sold a Lot of Stuff

In early 2018, Troy officially announced that MH would be continued in a comic series. To fund the first issue, he held a number of auctions for production items used during the web series on Ebay.

These included items such as Jay’s camera, Brian’s hoodie, A Masky mask, and Jay’s black jacket.

Lo and behold, the jacket listing includes a picture with the brand in clear view. It's from Gap.

Ebay does not archive sold listings older than 90 days. However, Worthpoint, a website for valuing and pricing collectibles, does. Using Worthpoint I was able to find all of these items, (and a lot more, which can be found in this doc I submitted to Archive Hornets)

Identification

With the picture from the listing and the series screencaps, I had a complete ID list.

(Top image is from the Ebay listing, with the contrast adjusted a little for easier viewing. The bottom two images are from Entry #79)

The Gap logo (This specific logo dates the jacket being made anywhere between 1986 and 2009, when it first appears).

Front Zipper (Note the shape)

The two front pockets

The two buttons and pointed cuffs on each sleeve (Second one is a little hard to see but it's jusstt peeping out at the side)

The blue piping in the inner lining

The zipper in the right side inner lining

The gray mesh inner lining

With these in mind, I could now go to the next and longest step-

Finding the Jacket

I combed three resell sites; Ebay, Depop, and Poshmark. My main goal wasn't to actually purchase the jacket, (although, I would like to at some point) but to find a jacket listing that had every identifier, and have a more definite baseline for finding others. I needed to be sure what I had was enough to properly ID the jacket. The references I had stitched together were decent enough, but I wanted to see if there was something better out there.

After tons of page scrolling and tab-switching and comparing and contrasting, I finally got lucky.

(first two images are from crashthecloset's listing on poshmark, last six are from shannfo-76 on ebay)

I haven't bought one myself as of posting, but I feel pretty confident this is it. The jackets were already sold, but every marker seemed to be accounted for. It also revealed new ones, like the reflective pattern and pockets on the inner lining, (zipper on the right side pocket, button on the left pocket) and the materials tag.

With that, here's some final notes that may be helpful if you try looking for the jacket yourself:

Online sellers often describe it as a light jacket, a windbreaker, a 2-in-1, or 3-in-1.

"Gap Mens Black Jacket" is the search phrase I used the most since it yielded a (very) broad result pool.

Most of the jackets I found came from Poshmark or Ebay.

The exact size of Jay’s jacket is unclear. My best guesses are either a US Men’s S or M, since Jay was pretty skinny and of average height. I’ve only been able to find maybe 2 jackets that are a size M, one of which is the first pic in the photoset above.

Gap has sold other black jackets that look remarkably similar to Jay’s, and they do pop up on resell sites. One of these was so similar, the only discernible difference was the style of the logo. I highly recommend making sure it matches the exact one Jay had before purchasing. (It's also more than fine to ask/msg me if you have any doubts!) As long as you know what to look for, you shouldn’t have a problem finding at least one.

One detail that confounded me was this sleeve poking out of Jay's jacket. At first I thought he was wearing a long sleeve underneath, making this shot a continuity error since he appeared to Only be wearing the green short sleeve under the jacket.

@hivemite pointed out that this might be a two-in-one jacket, which has multiple layers for different types of weather. While I have not been able to see the sleeve outside of two shots in entry #79 and #80, one listing I found did describe it as a 3-in-1.

that's about it! hope this helps :)

[saint--claire]

When I was a little child, there was a particular library book I checked out week after week, endlessly renewing it as much as I was able. The book, How to Raise and Keep a Dragon by John Topsell was a quasi-nonfiction guide to, as you guessed, rearing different species of dragons. I loved it. Tiny-me had plans.

As an adult, I tried to buy it a few times. No dice. The book was so old that no mainstream bookseller stocked it. Even when I tried niche websites recommended by various booksellers and librarians, I still couldn't find it. It was sadly lost to time, apparently not popular enough to make it into the archives.

But.

My best friend had a copy of that book. We're going to call her G, for several reasons not relevant at the moment. I was discussing my search with G one day, for some reason I can't remember now. She got a funny look on her face, asked me a few questions about the cover, listened to me do a very poor job of explaining with my hands how the hardcover copy had included a real gemstone in the dragon's forehead, and then went off to fish it out of her bookcase.

I was Gobsmacked.

I should not have been, given that the history of shared childhood books between us both would have made a circle with ragged edges, more so than a venn diagram, but I digress. The book came home to live in my house for a few months, and I was delighted by the chance to read it again.

Do people remember those type of books? Dragonology, Egyptology, The Stone Age - a way of introducing children to non fiction. They very earnestly spoke about the responsibilities needed to raise dragons, the practicalities involved. There was a record of registration you could fill out, if you had carefully considered the information to your self and felt you were responsible enough to to go through with adopting a dragon.

I vaguely remember filling out some of the riddle and puzzle questions in the Dragonology books. I would never have written in John Topsell's book, it was a library book.

But.

When I re-read G's copy at home, smiling over the familiar artwork, I was surprised to turn the page and find the painstaking, somewhat-wonky handwriting staring back at at me. Baby G, with her name spelled out in freshly-joined but still-not-quite-got-the-hang-of-this-yet cursive lettering. Baby G had filled the registration out in her best handwriting, in glittery green gel pen to denote the importance of the document. This was compared to the earlier, less important checklists done in plain black ink.

I read the registration certificate. Smiled. Smiled some more at the names listed for G's dragon, her dam, and her sire - Eragon was also a great book. Go off, Christopher Paolini.

Breed; standard Western Dragon. The box 'miniture' was ticked, to show that G's dragon was of the minature specic variety, rather than a full size dragon. This was, as she would later explain to me, chosen on the basis that baby-G felt it was the more financially responsible choice. Also so she could keep her dragon in her house with her, but we're not there yet.

I looked at that certificate. Looked at it again. Looked at the calendar, and then looked at the sewing machine I had just been given for Christmas.

G celebrates her birthday in January.

The template came first. I studied the different images of the standard western dragon through the book, picked my favourite, and re-drew it to a significantly larger scale.

Inking the design to the fabric, four times over probably took the longest.

I very subtly asked G the next time she was over (after hurling all dragon-related materials in a panic into the depths of my wardrobe) what type of colour dragon she would have, should it come up. As G later said, that type of question from me truly did not register as anything other than a question asked from theoretical interest. I transitioned the topic as discreetly as I could after she answered, and delightfully, my sneakiness went in one ear, out the other, and she forgot I had ever asked until several weeks later.

I enjoyed painting them.

Don't ask me how many mistakes I made through this process. So many. I do already know how to sew, but it's been a long time. I'd been meaning to get back into it for a while.

Given that various aunts and grandmothers and my mother had a knack for calling when I was up to my elbows in either paint or pins, it became a family affair. Each of them peered at the project through face time and offered their advice.

Some of the advice I took, some I didn't. No regrets about sewing it in pink thread. Considerable regrets about accidentally slicing one of the feet in half and having to fix that.

In the end though, she was finished.

I carefully pinned on her name tag, with the name baby-G had chosen with a little blue ribbon. A collar was unacceptable, this is a dragon, people, come on. Dragon's don't wear collars.

I put the book in the box, open to the registration certificate, and put the dragon on top. Wrapped the whole thing up with a bow and then refused to touch it before I sent myself mad trying to fix details that didn't really need to be fixed.

A bit late for her birthday, sure, but there we are. We'd gone for a trip off to nowhere for a weekend, to go try wine made out of blueberries and hike up a waterfall. (And climb on it. And swim in it. It was a very good waterfall).

I gave her the box, informed her she wasn't allowed to keep the box, just the contents (it was the only thing I had that was big enough for me to keep all of my A3 portfolios in, it had only been temporarily-repurposed as dragon housing), and then left the next bit up to the gods.

A surprise, sitting un-awaited for some 15 years in amber, to catch up to baby G and adult G together.

Happy Birthday, baby and adult G.

[nellywrisource]

A writer’s guide to the historical method: how historians work with sources

In this post, I provide a brief overview of how historians engage with different types of sources, with a focus on the mindset of a historian. This insight could be valuable for anyone crafting a character whose profession revolves around history research. It may also prove useful for authors conducting research for their book.

Concept of historical source

The concept of historical source evolves over time. 

Initially, the focus was mainly on written sources due to their obvious availability. However, as time has progressed, historians now consider a wide range of sources beyond just written records. These include material artifacts, intangible cultural elements, and even virtual data.

While "armchair historians" may rely on existing studies and secondary sources, true professional historians distinguish themselves by delving directly into primary sources. They engage in a nuanced examination of various sources, weaving together diverse perspectives. It's crucial to recognize the distinction between personal recollection or memory and the rigorous discipline of historical inquiry. A historical source provides information, but the truth must be carefully discerned through critical analysis and corroboration.

Here's a concise list of the types of sources historians utilize:

Notarial source

Epistolary source

Accountancy source

Epigraphic source

Chronicle source

Oratory and oral source

Iconographic source

Diary source

Electronic source

Example: a notarial source

These are documents drafted by a notary, a public official entrusted with providing legal certainty to facts and legal transactions. These documents can take various forms, such as deeds, lawsuits, wills, contracts, powers of attorney, inventories, and many others.

Here we are specifically discussing a lawsuit document from 1211 in Italy.

A medieval lawsuit document is highly valuable for understanding various aspects of daily life because in a dispute, one must argue a position. From lawsuits, we also understand how institutions truly operated.

Furthermore, in the Middle Ages, lawsuits mostly relied on witnesses as evidence, so we can access a direct and popular source of certain specific social situations.

Some insight into the methodology of analysis:

Formal examination: historians scrutinize the document's form, verifying its authenticity and integrity. Elements such as structure, writing style, language, signatures, and seals are analyzed. Indeed, a professional historian will rarely conduct research on a source published in a volume but will instead go directly to the archive to study its origin, to avoid transcription errors.

Content analysis: historians proceed to analyze the document's content, extracting useful information for their research. This may include data on individuals, places, events, economic activities, social relations, and much more. It's crucial to compile a list of witnesses in a case and identify them to understand why they speak or why they speak in a certain manner.

Cross-referencing with other sources: information derived from the notarial source is compared with that of other historical sources to obtain a more comprehensive and accurate view of the period under examination.

Documents of the episcopal archive of Ivrea

Let's take the example of a specific legal case, stemming from the documents of the episcopal archive of Ivrea. It's a case from 1211 in Italy involving the bishop of Ivrea in dispute with Bongiovanni d'Albiano over feudal obligations.

This case is significant because it allows us to understand how feudal society operated and how social status was determined.

The bishop's representative argues that Bongiovanni should provide a horse as a feudal service. Bongiovanni denies it, claiming to be a noble, not a serf. Both parties present witnesses and documents supporting their arguments.

Witnesses are asked whether the serf obligations had been endured for a long time. This helps us understand that in a society where "law" was based on customs, it was important to ascertain if an obligation had been endured for a long time because at that point it would no longer be contestable (it would have become customary).

The responses are confused and inconsistent, so witnesses are directly asked whether they consider Bongiovanni a serf or a noble. This is because (and it allows us to understand that) the division into "social classes" wasn't definable within concrete boundaries; it was more about the appearance of one's way of life. If a serf refused to fulfill his serf duties, he would easily be considered a noble by bystanders because he lived like one.

Ultimately, the analysis of the case leads us to determine that medieval justice wasn't conceived with the logic of our modern system, but was measured in oaths and witnesses as evidentiary means. And emerging from it with honor was much more important than fairly distributing blame and reason.

Other sources

Accounting source: it is very useful for measuring consumption and its variety in a particular historical period. To reconstruct past consumption, inventories post mortem are often used, which are lists of goods found in households, described and valued by notaries to facilitate distribution among heirs. Alternatively, the recording of daily expenses, which in modern times were often very detailed, can lead to insights into complex family histories and their internal inequalities - for example, more money might be spent on one child than another corresponding to their planned future role in society.

Oral source: in relation to the political sphere, it is useful for representing that part of politics composed of direct sources, that is, where politics speaks of itself and how it presents itself to the public, such as a politician's public speech. However, working with this type of source, a historian cannot avoid hermeneutic work, as through the speech, the politician aims to present himself to a certain audience, justify, persuade, construct his own image, and achieve results. This is the hidden agenda that also exists in the most obvious part of politics.

Iconographic source: it concerns art or other forms of "artistic" expression, such as in the case of an advertising poster. They become historical sources when it is the historian who, through analysis, confers upon them the status of a historical source. Essentially, the historian uses the source to understand aspects of the past otherwise inaccessible. The first step in this direction is to recontextualize the source, returning it to its original context. Examining the history of the source represents the fundamental first step for historical analysis.

Diary source: diaries are a "subjective" source, a representation of one's self, often influenced by the thoughts of "others," who can be close or distant readers, interested or distracted, visible or invisible, whom every diary author can imagine and hope to see, sooner or later, reflected on the pages of their writing. Furthermore, they are often subject to subsequent manipulations, and therefore should be treated by historians only in their critical edition; all other versions, whether old or new, foreign or not, are useful only as evidence of the changes and manipulations undergone over time by the original manuscripts.

Electronic source: historians use Wikipedia even if they often don't admit it out loud.

This blog is supported through tips here on Tumblr. If you’d like to support me, please consider giving a tip.

[aronarchy]

A copy of the reading list, if you dislike clicking on Google docs links:

The Popular University of the Palestinian Youth Movement Presents Our History of Popular Resistance: Palestine Reading List 

As Palestinians, we are bearers of a rich and beautiful history. Our history is not defined by Zionism, but by our people’s steadfast popular resistance to Zionist colonization and imperialism. For over 75 years, our people have faced Zionist ethnic cleansing and for over 75 years we have risen in struggle against it. Even prior to the 1948 Nakba, Palestinians consistently rose up against British imperialism and the Zionist movement, as exemplified in the 1936-9 Arab Revolt. Our history and struggle, therefore, cannot be defined by victimhood. Instead, they are defined by a relentless persistence toward liberation, even under the most brutal colonial conditions.

Today is no exception. In a moment when the word is rising up for Palestinian freedom, we must emphasize that popular uprisings across Palestine are deeply and firmly rooted in our history. For this reason, our recommended reading list offers historical context on Palestine through the prism of popular resistance, which continues to be our main resource in the fight for land, return, and liberation. We include sources in English and Arabic on popular resistance ranging from political histories, interviews, memoirs, poetry, films, and primary documents. By popular resistance we refer to all forms of resistance taken up by Palestinians: in the form of economic resistance, women’s organizations, unions and labor organizing, and military/armed resistance.

As the Popular University, a committee of the Palestinian Youth Movement, we believe that education must be wielded in service of struggle. Our viewpoint finds inspiration and guidance from the Popular University in Palestine, of which the martyred Basel al-Araj was a part. In our meeting with an educator in this project, Khaled Odeitallah, he emphasized how the political role of pedagogical strategies inspired the objective and vision of the Popular University. He asked: “What is the political role that knowledge production must play?” From this perspective we seek to motivate, engage and facilitate a robust engagement on the history and present of our struggle. Study and struggle are intimately tied to one another.  We do not learn and produce knowledge on Palestinian history for academic or careerist pursuits; we produce knowledge in service of our political struggle for Palestinian liberation.

We encourage you to use this reading list to educate yourself on the history of Palestine beyond the objective facts of colonial domination. This is a political responsibility for anyone concerned with Palestine’s liberation. Through engagement with our history of resistance, we may join the struggle armed with knowledge and a continued commitment not to our suffering, but to our collective strength.

Note: We included a number of texts in Arabic that offer analysis and context for this battle that is rarely offered in the English media outlets. Even if you do not read Arabic, we recommend copy pasting the texts in Arabic into Google Translate or another translation service. The translation, while imperfect, will provide you with an overall sense of the arguments and main points being made.

Introductory and Archival Materials

Decolonize Palestine 

(مكتبة سبيل (الصفحة العربية 

Sabil Library (English Site) 

Learn the Revolution

باب الواد - الجامعة الشعبية 

Revolution and Rebellion under the British Occupation:

The Revolution of 1936-1939 in Palestine: Background, Details, and Analysis, Ghassan Kanafani

(ثورة 1936- 1939: خلفيات وتفاصيل وتحليل.“ غسان كنفاني (1972”

Memories of Revolt: The 1936-1939 Rebellion and the Palestinian National Past, Ted Swedenburg (1995)

أبو جلدة والعرميط Abu Jilda & Al ‘Armit

“Abu Jilda, Anti-Imperial Hero: Banditry and Popular Rebellion in Palestine,” Alex Winder (2015)

“A century of Palestinian resistance: the legacy of Izz ad-Din al-Qassam,” The East is a Podcast (2021)

Palestine: A Modern History, Abdul-Wahhab Kayyali (1978) 

Palestinian Resistance 1948 - 1993

Palestinian history doesn’t start with the Nakba by PYM (May, 2023)

Armed Struggle and the Search for a State: The Palestinian National Movement, 1948 - 1993, Yezid Sayigh (1997)

(معنى النكبة“ قنسطنطين زريق (1948”

Palestinians: From Peasants to Revolutionaries, Rosemary Sayegh (1979)

(2006) “من التحرير إلى الدولة: تاريخ الحركة الوطنية الفلسطينية، 1948-1988” هيلغا بوبغارتن

Green March Black September: The Story of the Palestinian Arabs, John Cooley (1973)

“Interview with Fr. Shehadeh Shehadeh on the First Land Day Protest,” Sharif Hamadeh (2005)

Gender in Crisis: Women and the Palestinian Resistance Movement, Julie Peteet (1991)

“What the Uprising Means,” Salim Tamari (1988)

“The Stone and the Pen: Palestinian Education During the 1987 Intifada,” Yamila Hussein (2005)

Popular Resistance in Palestine: A History of Hope and Empowerment, Mazin Qumsiyeh (2011)

(وقع الانتفاضات الشعبية الديمقراطية - تاريخ المنظمة و الحر كات“ جميل هلال (2011”

“Fighting on Two Fronts: Conversations with Palestinian Women” Soraya Antonius (1979)

“100 Years of Palestinian Popular Resistance” by Nasreen Abd Elal (May, 2023)

Contemporary Palestinian Resistance 

Zionism in crisis: Palestinian resistance forges a new horizon (April, 2023)

“The Palestinians’ inalienable right to resist,” Louis Allday (2021)

“No Choice but to Break Free: An Interview with Ahmed Abu Artema,” Ahmed Abu Artema and Lara Sheehi (2019) 

Interview with Ahmad Saadat, Leading from Prison, Ending Negotiations, and Rebuilding the Resistance (2013) 

“Palestinian Resistance and Sheikh Jarrah,” Devyn Springer, Mohammed el-Kurd, and Abu Shuwarib, Groundings Podcast (2021)

Notes from the Great March of Return w/ Tareq Loubani, The East is a Podcast (2022)

(هبّة باب العامود: نصر جديد وتحدٍّ جديد 2“ خالد عودة الله (2021”

(حراك «طالعات» الفلسطيني: لا وجود لوطن حرّ إلّا بنساء حرّة“ حلا مرشود (2019”

Operation Sword Edge [2018] - Sayaret Matkal’s Covert Operation, Silah Report (2021)

Battle of Shujaiya - The 51 Day War: Ruin and Resistance in Gaza

The Evolution of the Palestinian Resistance and Its New Strategy (October, 2022)

On the Joint Operations Room

Palestinian Institutions and Political Parties

PLO: History of a Revolution - Six-part documentary series about history of the Palestinian Liberation Organization (2009)

The PLO: The Struggle Within, Alain Gresh (1985)

“The Joy of Flying 1967-73” in The Palestinian Liberation Organization: People, Power, and Politics, Helena Cobban (1984)  

“The Palestinian National Covenant,” published in Basic Political Documents of the Armed Palestinian Resistance Movement, Leila Kadi (ed.) (1969)

“PLO Institutions: The Challenge Ahead,” Jamil Hilal (1993)

“A New Hamas Through Its New Documents,” Khaled Hroub (2006)

Worker Mobilization, Labor Movements, and Economic Resistance 

“When pickles become a weapon: Economy of the first Intifada,” Palestinian Journeys

(أداء المؤسسات الاقتصادية في المناطق المحتلة قبل الانتفاضة وخلالها“ عادل سمارة (1990”

“Developing a Palestinian Resistance Economy through Agricultural Labor,” Rayya El-Zein (2017)

Resistance in Zionist Prisons

(2021) كلام الأسرى.. عيون الكلام 

Video: Steadfastness and Resistance — the Palestinian prisoner’s movement and the case of Ahmad Sa’adat

“One Man as a Whole Generation: The Unfinished War of Zakaria Zubeidi,” Ramzy Baroud (2021)

“Liberating a Palestinian Novel from Israeli Prison,” Danya Al-Saleh and Samar Al-Saleh (2023)

“The Prisoner Walid Daqqah: a stubborn conscience that cannot be seared,” Wisam Rafeedie (2023)

“Freedom or Martyrdom: Walid Daqqah’s fate is in our hands,” PYM (2023)

“Resistance and Revolutionary Will: Soha Bechara and Nawal Baidoun’s Testimonies of Khiam Prison,” Mary Turfah (2023)

Role of Palestinian Women in the Resistance

Interview with Samira Salah (2013)

Behind the intifada: Labor and Women’s Movements in the Occupied Territories, Joost R. Hiltermann (1991)

Palestinian Women and the Intifada, Rana Khoury (1995)

“The Palestinian women’s autonomous movement: Emergency, dynamics and challenges,” Rabab Abdulhadi (1998)

“Women of the Intifada: gender, class and national liberation,” Nahla Abdo (1991)

Women, War, and Peace: Reflections from the Intifada, Nahla Abdo (2002)

Palestinian Women’s Activism, Islah Jad (2018)

Memoirs and Personal Profiles 

“Committed to Liberation: Remembering Soha Bechara’s Clandestine Mission” (includes chapter 7 of Resistance: My Life for Lebanon by Soha Bechara) 

My People Shall Live, Leila Khaled (1971)

Liberation, Wonder, and the “Magic of the World”: Basel al-Araj’s I Have Found My Answers, Hazem Jamjoum (2021)

(وجدت أجوبتي: هكذا تكلم الشهيد باسل الأعرج“ باسل الأعرج (2018”

(مذكرات نجاتي صدقي“ ،تقديم وإعداد حنّا أبو حنّا، (2001”

“I Went to Defend Jerusalem in Cordoba: Memoirs of a Palestinian Communist in the Spanish International Brigades,” Najati Sidqqi (2015)

“Two Portraits in Resistance - Abu ‘Umar and Mahjub ‘Umar,” Jehan Helou and Elias Khoury (2012)

My Life in the PLO: The Inside Story of the Palestinian Struggle, Shafiq al-Hout and Jean Said Makdisi (2019)

Lightning through the Clouds: ‘Izz al-Din al-Qassam and the Making of the Modern Middle East, Mark Sanagan (2020)

جيفارا غزة - القصة الكاملة لبطل فلسطيني حارب الاحتلال ببسالة

جيفارا غزة - وثائقي الميادين 

Historical fiction, literature, and poetry 

The Trinity of Fundamentals, Wisam Rafeedie

“Live Like a Porcupine, Fight Like a Flea,” A Translation of an Article by Basel Al-Araj

“Here We Will Stay,” Tawfiq Zayyad (1966)

Poetry of Resistance in Occupied Palestine, translated by Sulafa Hijjawi (Baghdad, Ministry of Culture and Guidance, 1968)

Returning to Haifa, Ghassan Kanafani (1969)

الأدب الفلسطيني المقاوم تحت الإحتلال 1948ـ1968“ ,غسان كنفاني”

“Resist, My People, Resist Them,” Dareen Tatour (2015) 

(نظرية اللعبة“ خالد عودة الله (2018”

Rifqa, Mohammed El-Kurd (2021)

“A Place Without a Door” and “Uncle Give me a Cigarette”—Two Essays by Palestinian Political Prisoner, Walid Daqqah (2023)

On Zionist Literature, Ghassan Kanafani (1967 original, 2022 English translation)

Films

Fedayin: Georges Abdallah’s Fight (2021)

Naila and the Uprising (2017)

Off Frame AKA Revolution Until Victory (2015)

When I Saw You, Lamma Shoftak (2012)

Slingshot Hip Hop (2008)

Leila Khaled: Hijacker (2005)

Jenin Jenin (2002)

Naji al Ali An Artist With a Vision (1999)

Tell Your Tale Little Bird (1993)

Everything and Nothing (1991)

They Do Not Exist (1974)

Palestine Books Library

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