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#location. which is kind of shit.

gender-trash · 1 month

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I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

#so anyway i love going to art museums--#the trashcan speaks #long post

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luvjunie · 1 year

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earth 42 miles reaction to reader hanging up the phone on his face mid argument?

— facetime

pairing: e-42!miles (aged up) x fem!reader

contains: arguing, minimal cursing, slightly toxic behavior lol

summary: you love miles, but his overbearing nature is beginning to irritate you. the two of you get into an argument over it on facetime, and you snap at him and hang up the phone. wc: 1,537

a/n: ik the pic might not make sense regarding who hung up on who, but i like it so we finna pretend it does lol. miles/reader are only aged up for plot

“look mami, you not hearin’ me. i’m not tryna control you, i’m just saying maybe it would be best if-“

“that is literally you trying to control me.”

you cut miles off from another one of his mini tangents as you stared at him through the facetime call on your screen, so far beyond the point of caring to hear the same thing he’d told you a million times.

you loved your boyfriend with everything in you. honestly, you did. but in the last few months he’d grown to be so much more controlling than he was in the beginning, a result of his ridiculous need to protect you and it’s got your head spinning on your shoulders. you couldn’t do anything without him looming over you, and you’re fed up. it was suffocating, and you needed him to know that you could handle yourself.

you heard his voice come in again from your phone’s speakers.

“aight fine, if that’s what you wanna think, then that’s cool. but i don’t want you going out that late, chiquita, simple. ain’t no discussion.”

“alright, bro.” you sighed, and he tutted at you.

“i’m not your ‘bro’. don’t do that.”

while you knew your boyfriend only wanted the best for you, you didn’t really understand the extent to all these rules he’d given you. like no going to the corner store at night, having to keep your location on at all times, or having to send a picture of yourself when you’d gotten back into the house— so he could really make sure it was actually you texting him from your phone.

since then, you’d deemed it safe to assume that he most likely had immense trust issues, and that was why he acted so strangely, because any other reason for this kind of behavior seemed ludicrous to you.

miles had yet to tell you he was the prowler, that certain people had bounties on his head, which included anyone who may be involved with him, anyone he holds close to him. he saw everything that went on in this city— when night had fallen and the streets became far too dangerous of a place for a defenseless girl like you to be out in them. you had no idea the kind of people he dealt with, the things he’d seen, the things he had to do. he just didn’t want you to get hurt, but he wasn’t the best at expressing the sincerity of his words, and they often came out too rough, too harsh. it was the best he could do, he was trying to communicate effectively, he really was. but time and time again you’d failed to try and understand his pleas past the words spoken to you; to actually listen to them, and comprehend them, and not just listen to respond.

so, being you, you retorted like the stubborn girl you always were. the stubborn girl he’d fallen so helplessly in love with and was only trying to protect with his entire being.

you scoffed, rolling your eyes at him in disbelief. “look, you can’t tell me what to do, miles. i can do what i want.”

he didn’t hear anything that came from your mouth, because the expression on your face had completely distracted him from the conversation at hand.

“hol’ on, did you just roll your eyes at me?” his brow raised, daring you to answer that question with anything but a ‘no’.

what you responded with wasn’t necessarily a ‘yes’ per sé, but it definitely wasn’t any better.

“oh, so you wanna control my face now, too? dictating what i do with my life or the shit i say isn’t enough for you?” you challenged.

his head dipped back as he laughed, a deep, provoked laugh— though the both of you knew nothing was funny, and that this was always how he reacted before he actually got angry. laughing it off was a means for him to screw his head back on right, as if a warning to you to not push him too far, because anybody who spoke to him with this kind of gall just had to be joking.

he exhaled heavily, a hand scrubbing down his face.

“can’t lie, you talkin’ mad crazy right now, ma. i think you need to cool it with that.” he warned, corners of his lips turned into a forewarning leer. “ima let that lil’ shit you just said slide, cause i love you, and ion wanna hurt your feelings, but we done talking about this.” he decided, leaning forward to prop his phone back up on his desk before scooping his playstation controller back up into his hands.

“and watch your mouth.”

chin retreating towards your chest, you were taken aback at how quickly he decided for the both of you that the conversation was over, as if you had to agree with him, as if things were decided simply because he’d said so. and somehow, you found it in all your unbridled nerve to make things worse.

“yeah, you’re right. we are.”

thumb pressing to the red X, you hung up the phone, leaving miles to gape at the black of his screen with shock etched into his features. he waited for you to call back and tell him it was an accident, and sat there for a minute, leg bouncing to maintain what little patience he’d managed to cling onto during this entire ordeal. he swallowed his pride and called you back, only for the screen to read ‘facetime unavailable’ after just two rings. you declined it. squaring his jaw, he calmly nodded to himself, phone snatched up, jacket thrown on and controller tossed onto his bed— game forgotten about.

“bet.”

____

you were fuming after you’d hung up the phone, steam probably would’ve been puffing from your ears if something like that were possible outside of the cartoons. there was a tiny part—no, a huge part of you that knew you shouldn’t have hung up on him like that; that regretted it. a part that knew miles’ was genuinely trying his best to speak to you calmly in the way he’d learned how, specifically for you, when calm was something he rarely ever felt. but you couldn’t help your anger either, and figured a break from the conversation, and a shower to calm you down would do the both of you some good.

you sauntered out your bathroom after about twenty minutes, a towel tightly wrapped round your damp torso and a heavy, depleted exhale departing from your lungs.

you felt relaxed. the heat of the water had washed away most, if not all of your anger towards the situation and you sighed to yourself, ready to come back to the discussion with a level head, and to apologize to your boyfriend for snapping at him and ending the call so abruptly. it was rude of you, and honestly you hadn’t thought it through until you had already—

“you know, ion usually fuck with cats like that, cause y’all kinda freak me out. but you cool.”

the inner dialogue of your thoughts were cut off by a familiar voice, muffled through the shut door of your bedroom.

“what the fuck—“ you hurriedly started towards the door, hand barely remaining on the doorknob for a second as you flung it open, to see none other than your boyfriend, miles, sat in your desk chair with your cat, bella, in his lap.

he was leaned back, his large green puffer jacket still on, legs spread in his grey sweats. he looked very comfortable for someone who had just broken into a home.

“how the hell did you get into my house, miles?”

you stared at him unbelievingly, quickly shutting the door behind you. he was in no rush to lift his head to address you directly as he scratched the underside of bella’s chin with his pointer finger.

“window. you should really lock that.”

“even if i had, you would’ve picked it.” you argued.

“true.”

his eyes eventually met yours, and they gave you a drawn out once over, gaze following the drops of water that rolled down your skin. there was a hint of a smirk on his lips, and he almost forgot what he came here for. almost.

you felt your face heat up, grip tightening over your bath towel as you shifted on your feet, suddenly feeling flustered from the boldness of his gaze. so he looked away.

“let’s hope that shower gave your mama some of her sense back, huh?” he dipped his head down to address your cat in a sweet voice, before gently lifting her off his lap and placing her back onto the floor, only for her to drag her head and body along his calf with a purr. traitor.

he leaned back once more, hands patiently clasped between his open legs and head cocked to the side, twin braids swishing behind him when he did so.

“so wassup? you wanna try that conversation again?” with a brow raised he studied your features, as if he were silently challenging you to talk that same shit you did over the phone to his face.

“do you know what boundaries are?”

“nah, not really.” he admitted.

you swallowed, gesturing towards the open room for a reason you didn’t know why.

“can i at least get dressed first?” you cringed at how your voice sounded when you spoke, but the way he was looking at you had your mind reeling and you could only focus on one thing at a time— the argument long forgotten. to be honest, you don’t even recall what you had a problem with.

he shrugged. “sure, if that’s what you’d like.” arms crossing over his chest he spun around in your swivel chair, now facing the same window he’d come in through. “lemme know when i can turn around.”

you sighed.

this boy was going to be the death of you.

- please do not plagiarize, copy, or repost my works to other platforms!

likes, comments, and reblogs are very appreciated 💗

#junie’s works ᥫ᭡#across the spiderverse #miles g morales #miles morales #earth 42 miles morales #miles morales fanfiction #earth 42 miles morales x reader #miles morales prowler #42 miles morales #miles morales x reader #miles morales x y/n #earth 42 miles x reader #miles 42 #prowler miles fanfic #atsv prowler #prowler miles #prowler miles fluff

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abyssalpriest · 1 year

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Me: I am steadfast on the issue that cultural appropriation is an issue, but being drawn to research and talk to people of a spiritual culture and find out what you need to convert and/or appropriately interact with the culture is OK and that doesn't change when youre directed to start it by a spirit. If you're going to go through the proper means, the reason you started going through those proper means whether it's mundane or spiritual shouldn't matter. Many of the cultures in question are perfectly OK with people who think they are reincarnations of people involved with the group (for example monks taking on - taking BACK on - people who have memories of being in their monastery in a past life and who are now returning to said monastery to continue their work), or are OK with being drawn there by spirits of the group like hindu gods calling to people who aren't hindu because many Hindus see them as avatars of a universal God, and it's a rather uniquely western (for lack of a better term) idea that the only appropriate way to approach being drawn to another spiritual path is by completely mundane things, as if spirits and those groups have no autonomy nor ability to reach out unless it's through mundane means. Many of these cultures do not have the distinction of mundane therefore normal vs religion therefore not entirely real or able to be leaned upon as factual, it's disrespectful to tell cultures that believe in, say, reincarnation memories and autonomous/far reaching gods that you're Protecting them from.... things they believe are possible and ok... and not letting each individual culture make their own decisions on whether someone is respectful or not when they come knocking and give their reasons as to why they knocked is just in my mind much more harmful and intolerant of these cultures than the odd person genuinely appropriating

Spirits: OK, so here's where I want you to go research-wise and what name of mine I want you to learn about, it's directly connected to these people who you are not a part of, but I deserve to be able to not have my families and work on Earth ignored just because you aren't a part of them. If you want to be intimately close with me you need to meet my families, I will send you to learn about me from the people who know better than you and who are more experienced than you, and obviously I want you to do that in the way that's respectful to them, because they are my family, their importance and autonomy and the sacredness of their religion is exactly why I'm telling you who I am in their pantheons - it is about me honouring the work they have done with me over millennia. If you claim to love me then you should understand who I work with and why

Me: hmm....... Sounds like cultural appropriation tho....

#Insert what I just said about Leviathan being straightforward and ''if you want to actually do this work it will be hard and push #your understandings but if you believe in spirits then you better act like we're real and autonomous. If you want to treat us like #theories and lists of association you can go back to not talking to me and not listening to me and just worship my name''#He didn't say that to me but it's what I've gathered from a lot of conversations with him on shit like...#People just automatically worshiping him and getting barely anything out of it bc they can't even talk to him so he just has to be vaguely #present - not even vaguely present most of the time he points out given all the cultures that just give him shit for existing #Not saying actual literal cultures are wrong I'm saying that there's a lot of cultural ''we honour this trio because they created us'' in #the way wed talk about a culture of drinking. Not like a culture as in a literal locational group of people. Anyway.#Stuff like that and talking about how yeah sorry put in the work if you want results and how the spiritual world does not conform #to discourse any more than the natural world on this plane does like.... Animals will still kill and torture and abuse other animals #even if we sit here debating if they should or not.... Likewise we can sit here and have discourse over whether spirits will or won't #reach out to people of other cultures and whether reincarnation only works within the same culture over and over which....#I don't...... Unless you wanna use castes as your primary example of what Good ideas of reincarnation looks like.......#So many cultures that believe in reincarnation are being thrown under the bus by our discourse on what they should and shouldn't believe #for their own good??? Anyway this discussion doesn't have anything to do w reincarnation but that is one place where this attitude #is exemplified so. It's an example #ramblings //#Anyway. I know he's encouraging me to talk about it bc I know what I need to do and if I'm wrong I will figure that out #But man I spent enough years in a spiritual cult and then a borderline political cult online I'm so tired of being told I am evil #for having opinions on how to be Good and Appropriate and Kind. Bit even on how to get away with stuff I genuinely think the way #we approach appropriation is harmful to these cultures and I want to go about this more educated and understanding and....#Aware that we all use discourse a lot of the time to denounce other cultures' autonomy and practices and beliefs #but because we can rationalise why what we're doing is Helpful and Good we just shut down any attempt to say UMMM not good....#As being an excuse to appropriate and cross borders that shouldn't be crossed. Anyway #UGH. It makes my head spin to be sitting here like yes the most respectful thing for me to do seems to be reach out and learn #like. Because I know this spirit is real - shared by the culture I'm interacting with so if you shut me down saying yeah how do you Know #he's real you're shutting them down too which... Is most of my argument.... But because I know he's real that means he is a part of this #culture. This is a partner of mine. A best friend. Who has spent millennia in Mongolia with millions of people there. And I'm sitting here #like yeah yeah anyway we can't talk about Mongolia and what you do there and who you work with and why bc.... People on the Internet #will yell at me for it....

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