shipping two characters you love equally is difficult because on one hand, you want them both to be happy, but on the other, you want one of them to be put in danger and the other one to go absolutely batshitfucking insane to get them back
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[ cw: violence mention / death mention / ]
Will never stop thinking about how Leo, all alone in an endless void and being beaten again and again and again by the only other living thing around, still finds comfort in that space. The situation he was in was completely hopeless, and in any other circumstances he would not have escaped, at least not fast enough to save him from permanent (or even fatal) damage, be it physical or mental.
And yet, despite the bleakness of his situation, despite the agony and helplessness, all he needs is one glance at a crumbled photograph, one glance to remember his family, and that’s enough of a reason for him to smile.
Maybe that’s why his powers center around manipulating space - because no matter how much space is between them, no matter how dire his own situation may be, just the thought of his family, alive and okay, is enough to give Leo hope.
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I wish I had pushed the angle on this one a little more to match what I'd imagined for this scene from the end of chapter 14 of Mand'alor Cabur by @nautilicious but at this point stubborness has kicked in and I've dug in my heals so this is what I'm working with! In other news I've picked my birthday project for this year, and in my post-vacation optimism I see a chance to get this at least to a lines-and-flats (and maybe even some lighting???) stage by the end of next week, which would be very great for me! That is if the green background doesn't completely sabotage me in the process...
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THE DEPRAVITY HATH RETURNED UNTO US. ALL HAIL
Merry Christmas, and Happy Holidays everyone.
Let us commit some sins.
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