#madame margaret

[majoracats]

For celebrating this March 8th, i decided to make an special illustration with all the adult villains in KND (including my ocs and my sona)

[magnificentlyreused]

This red and golden kaftan was first worn by Şah Sultan in the twenty-second episode of the third season of Magnificent Century. When she wore it again in the twenty-eighth episode, the kaftan's neckline had been drastically altered. This new version is next seen on Mihrimah Sultan in the eighth episode of the fourth season.

Magnificent Century: Kösem used the kaftan twice, first on Menekşe Hatun in the twenty-sixth episode of the first season and then on Madame Margaret (later Melek Hatun) in the third episode of the second season.

[kommandonuovidiavoli]

is margaret meant to be deceased at a young age? her elderly future self is the villain of the episode and the adult version of her at the beginning is a robot

There are actually two versions of her in the list: Madame Margaret in the Adult Supervillains list (her old self, deceased, or better, she won't ever be a thing since the future got changed) and Margie in the Child Villains list (decommissioned after she spent 5 years in a boarding school because she was causing too many problems around).

That's all we know about her in the Teen AU...

[boogeyboyrules]

I think Madame Margaret's a lesbian.

Don't you think?

[chess-blackmyre]

People who have NEVER seen Once Upon a Time, tell me which of these plot points you think I’m lying about.

[oldstuffilikealotandstuff]

Sydney Sweeney

[thepastisalreadywritten]

PART 1

Never-before-seen photo of four royal mothers, including Queen Elizabeth and Princess Margaret with their newborn babies, as a personal token to doctor who delivered them to go on display at Buckingham Palace

By Rebecca English, Royal Editor and Mark Duell

16 May 2024

—

It is a remarkable and never seen before snapshot of royal motherhood.

The image, taken by Lord Snowdon, shows Queen Elizabeth II, Princess Margaret, Princess Alexandra, and the Duchess of Kent holding their newborn babies in 1964.

It was captured by Princess Margaret's celebrated photographer husband as a personal token of thanks for Sir John Peel, the royal obstetrician who delivered all four babies within two months — Prince Edward, Lady Sarah Chatto, James Ogilvy, and Lady Helen Windsor.

And it will be one of the highlights of a new exhibition Royal Portraits: A Century of Photography, opening tomorrow at The King's Gallery, Buckingham Palace.

The charming picture will be displayed along with a handwritten letter from Princess Margaret to her sister, asking her 'Darling Lilibet' to sign a print 'as a souvenir of an extraordinary two months of delivery.'

The new exhibition — the first to be held at the The King's Gallery since it was renamed following the death of Queen Elizabeth — will also include The Queen Mother's personal copy of her daughter's Coronation portrait and the earliest surviving colour photographic print of a member of the Royal Family.

It charts the evolution of royal portrait photography from the 1920s to the present day through more than 150 items from the Royal Collection and Royal Archives.

The photographs presented in the exhibition are vintage prints – the original works produced by the photographer – most of which are on display for the first time.

Alessandro Nasini, curator of Royal Portraits: A Century of Photography, said: 'The Royal Collection holds some of the most enduring photographs ever taken of the Royal Family, captured by the most celebrated portrait photographers of the past hundred years – from Dorothy Wilding and Cecil Beaton to Annie Leibovitz, David Bailey, and Rankin.

Alongside these beautiful vintage prints, which cannot be on permanent display for conservation reasons, we are excited to share archival correspondence and never-before-seen proofs that will give visitors a behind-the-scenes insight into the process of creating such unforgettable royal portraits.'

'Royal Portraits: A Century of Photography' is at The King's Gallery, Buckingham Palace, from tomorrow (May 17) until October 6, 2024.

[chicinsilk]

"Perle Océane"

Pierre Balmain Haute Couture Collection Spring/Summer 1959. Margaret (Maggie) Brown wears "Jolie Madame", soft green silk-faille coat set, dress with pink silk taffeta bodice and white silk taffeta skirt with pink polka dots, soft green silk-faille belt to match the coat.

Pierre Balmain Collection Haute Couture Printemps/Eté 1959. Margaret (Maggie) Brown porte "Jolie Madame", ensemble manteau en faille de soie vert tendre, robe à corsage en taffetas de soie rose et jupe en taffetas de soie blanc à pois roses, ceinture en faille de soie vert tendre assortie au manteau.

Photo Raymond Ginsbourger

[pancreasnostalgia]

I went from only two winter coat sets to having a lot more cold weather wear. Since I sold Samantha's Beforever coat, everything except for Rebecca's outfit is new.

Went with the calico dress for Julie since she wore the casual outfit a few months ago. Also since I had Kaya wearing her winter accessories previously, she gets to wear the fancy shawl this time.

The hardest to dress was Kirsten because her fingers kept catching the sweater. Hardest to pose was Maryellen, whose skates I think have permanently scratched my dresser.

It was a close race between Kirsten’s winter woolens and skating outfit, but Lindsey’s Valentine’s party outfit had a strong lead all the way.

[clatzstoriesphoto]

Margaret Qualley for Madame Figaro, 2023

[fawnvelveteen]

Mrs Charles Sweeny (Margaret, Duchess of Argyll) as Helen of Troy

Photograph: The Yevonde Portrait Archive

[perioddramapolls]

Period dramas dresses tournament: Green dresses Round 2- Group A: Princess Margaret, The crown vs Athénaïs de Montespan, Versailles

[magnificentlyreused]

This red and golden kaftan was first worn by Halime Sultan in the twenty-second episode of the first season of Magnificent Century: Kösem.bIt was worn again by Madame Margaret (later Melek Hatun) in the second episode of the second season.

[majestativa]

Prison made Sade into a writer. He had been something of a writer ever since he wrote love  poems as a young man, as most educated people did, but rancour, loneliness and shortage of money turned him into a professional. As a result he never forgave his wife when she apparently neglected to remove the manuscripts remaining in his room at the Bastille after it was stormed. He felt that years of his life had been stolen from him twice over.

— Margaret Crosland, Selected Letters, on Sade, transl by W.J. Strachan, (1965)

[erstwhile-punk-guerito]

[ladiesoftheages]

Descendants of the Tudors