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#madness in vld
artsyjesseblue · 1 year
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Slowly Going Mad - Part II - Honerva
Welcome to the second part of my Zarkon-Honerva-Lotor meta, focused on their gradual mental transitions along the show's timeline. Each of them are triggered by profound and very unique sets of reasons. (Here’s the link to the first part: Zarkon. Update: Lotor’s analysis is also complete.) My intention is to shine a light on the complexity of the characters and the depth of the scripts.
Just as in Zarkon’s analysis, there are two things to point out from the get-go:
1) Shiro’s statement: “Zarkon fell prey to his own evil instincts. The quintessence field didn’t create them, it revealed them.” - it basically casts the responsibility on the character, not on external factors, and that is an important point in my analysis.
2) The distinction between the entity and quintessence. The entity is a creature capable of magical stuff, whereas quintessence is a substance (highest known potency in the universe).
Honerva
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Her story follows a bit of a more convoluted path. Similar to Zarkon’s, when we first meet her, she’s the High Priestess of the court, the absolute villain with frightening magical powers, capable of creating incredibly destructive machines and robeasts. Her mental transitions make a full 360 degree turn during the show, with ups and downs: 1) A rational, sane scientist. 2) Unstable Honerva, drifting into her research obsessions. 3) Haggar, completely disconnected from self for 10k years. 4) Slowly recovering old memories. 5) Post Oriande Honerva, obsessed with getting her son back. 6) Honerva completely rejected by her son - full madness again. 7) Newly awakened Honerva, ready to help restore all realities.
1) The rational scientist The oldest images of her actually date back from the time when she studied science classes along with Alfor - something shown in the last episode of the series, when Allura stirs up Honerva’s memories.
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Chronologically, the next stop is during her time as a rift scientist, when Zarkon first meets her (S3E7). A young, cheerful, beautiful woman, elated about the idea of working on a science project that would revolutionize the entire universe.
2) Unstable Honerva Her passion for pushing the boundaries of science becomes her workaholic obsession, and for a large portion of her backstory, we mostly see her in front of her computer terminal, next to the rift gate. As Lotor later states, “The kinds of experiments she was conducting… she advanced science by eons.” Unfortunately, her passion - turned obsession - also becomes her downfall, just like the need for power destroyed Zarkon. She doesn’t even show up to congratulate Alfor on the birth of Allura. He seemed to have been a very good friend back in their school years. And when Alfor comes to visit her instead, she doesn’t lift her nose from her work, to look him in the eye. She is “working hard, as always,” as he notes. When he thanks her for Allura’s gift, she replies placidly: “It was a customary gesture.” Her distancing from the cordial relations with her friends are inversely proportional with her mania for science.
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In fact, she declares that “we must always push into dangerous territory in pursuit of knowledge,” defying Alfor’s plea to exercise caution. Even after the “creatures” from the rift invade Daibazaal, forcing the Paladins to use Voltron to defend the planet, she still fearlessly pushes forward with her experiments.
Fast-forward into the future, Honerva becomes pregnant. As I mentioned during Zarkon’s backstory, her facial features have changed, her hair is white and her Altean cheek marks are now distorted (hint: the entity). After their lovely conversation about having a baby, dressed up in that loose poncho, she jumps back to her console and says: “There is much work to do. First, we must continue to harvest the quintessence. It will be needed for your son’s empire.”
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Always about work. Always about her quintessence projects. And now, they both seem to have a higher purpose (or justification?) for their underlying obsessions: their heir. Notice how, even though the baby’s needs and mother’s health should take priority, she launches herself into more work. A mother (especially in the first trimester) is fatigued and needs rest. No, she continues with her rift project, exposing herself - and the baby - to the dangers of radiation, draining herself of energy, standing up long hours, focusing intensely on her project. And, although as a mother, one would want to balance work and personal health for the sake of the baby, she obviously tips the balance in one direction. When Alfor comes to visit, even though he cordially greets her, “Hello, Honerva. It’s been deca-phoebs,” we can see where her preoccupation lies: more work. Again, with her back at the king, she cynically welcomes him: “I hope you haven’t come to try to shut down my work.” Alfor traveled there out of concern for his friends. Due to the rift, the structural integrity of Daibazaal was weakening. Yet Zarkon’s power need and Honerva’s greed for more knowledge worked hand in hand - a self-destructive duo. As Zarkon bragged, Honerva’s team developed a space cruiser, five times the size of their largest ship - and that was nothing - meaning their arsenal of ships and weaponry was probably colossal. Instead of being received with joy, instead of giving him the wonderful news about having a baby, Alfor gets the cold shoulder. Nothing is uttered about having a child - in fact no one on Altea knew Honerva had a child until Allura found out directly from Lotor’s mouth, in Season 5. Instead, she condescendingly explains that “There is more hidden knowledge and power in this tiny fissure than you can possibly understand.” — And there they are - the two keywords: hidden knowledge and power! The two “evil instincts”, the weak spots that tore down this beautiful couple and the love for their son. Just as Daibazaal’s integrity is crumbling, this once strong family is now falling apart.
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The scene with Kova follows right after this. I mentioned this in Zarkon’s analysis, but I’ll go over this again: notice king Alfor is visibly aged, while Zarkon continues to look young. Kova the cat shows up. As Honerva explains, the cat fell ill when the creatures attacked (!!), but she treated him with quintessence and Kova is now 28 deca-phoebs (~years) old. We are led to believe Zonerva’s longevity is due to the continuous supply with quintessence, but there is more at play here: the entity. Honerva says: “He [Kova] revealed the truth to us. Quintessence is so much more than you can understand. It is life itself.” Logical conclusion: entity + quintessence = life everlasting. (E + Q = L).
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This is confirming to us, the audience, that Kova fell ill due to the entity, and Honerva explains that the quintessence treatment not only revived that cat, but expanded its life (indefinitely, as we know, since Kova is a character very much alive after 10k years). This is something that scares Alfor deeply, and Honerva finally turns around to face him, accusing him of being a coward. Her face… her face has changed - yes, her cheek marks look distorted, and Alfor notices right away with shock (parallel that to how Kova’s appearance has changed). Also, see how her hair is unkempt, unruly, she already has the appearance of a witch.
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Preoccupied only with her quintessence obsession, she disregards her own self-care (not to mention - the baby!), and the climax of this madness comes right after Alfor leaves. Consumed with her own anger against the king (perhaps the anger fueled some sort of toxic reaction against that entity as well), she collapses on the floor. And there is no cure for this trance she’d fallen into, except… quintessence. Because Q is a fuel for life, and without it, the equation “E + Q = L” cannot be completed.
Here we are, revisiting the scene with the bedridden Honerva - looking visibly aged - hallucinating and trembling in bed, uttering disparate sentences about the immediate need for Q. Honerva: “We mu— We must… We must have… We must have it. Get back. Get back. Get back…” Zarkon: “What is it, my love?” Honerva: “Uh, quinte— quintessence. Quintessence is life. Into the— Into the rift.” Zarkon: “How?” Honerva: “We mu— We must— We must have Voltron. Voltron. Voltron! Voltron… It is the only way.” It pretty much seems like Honerva is not in control of her mind anymore in this scene. Eyes rolling, incoherent speaking, gasping for air, quivering, spastic muscles. And then she talks about herself with “we”. “We must have it.” Also… “Get back.” “Into the rift.”
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Get back into the rift? But… had she ever been there so she could actually say she needed to “get back”? No. At that point Voltron had never been into the rift either. Who had been into the rift and came from there? The Entity. The Entity was the only one who had been into the rift. Who actually hailed from the rift. Logical conclusion: that was the entity speaking. The entity was desperate to get back into the rift to obtain more quintessence, because it was their food, their life. “It is the only way.” Of course it is the only way, because it follows the immutable rule of E + Q = L. You cannot obtain L (life) if you don’t add Q to E. The entity cannot survive without quintessence. The tragic fate of Honerva is, just as Zarkon’s, the complete loss of self to the entity.
3) Haggar - first madness When they wake up, after their “funeral”, they both have glowing purple eyes with motes of quintessence effusing from their orbits. She is shivering, and, unlike Zarkon, cannot remember who she is. Doctor Haggar tries to help her. Instead, she (or more likely the entity inside her) sucks out the life (quintessence) from the doctor, and, apparently, along with it, the doctor’s own consciousness, because Honerva calls herself “Haggar” after this. (Plus we know Honerva was trapping people’s minds in her own mind after killing them, because Allura discovered it during her trippy-trip inside Honerva’s consciousness.) And this is how the High Priestess Haggar is born. Ten thousand years of witchcraft follow, during which she expertly makes use of her powers and tech talents to syphon out quintessence from entire planets. But before she begins this long journey, she gives birth to Lotor. As doctors explain, it was “difficult, but successful.” Something that she also completely forgets. She rejects the little boy, maternal instinct abolished, her own self-awareness buried deep under the potent energies of the entity.
4) And then… very slowly (10k years slow)… her memories seem to come back. Bit by bit. The very first one comes during an interaction with teenage Lotor (S8E2). He wants to pet that curious-looking cat that is always around her. Out of some sort of (protective? motherly?) instinct, she tells him: “Do not touch him. He will hurt you.” Asked about the cat’s name, Haggar replies: “He has no name.” Isn’t it symbolic for how she basically lost her name, too? But then, suddenly, a flash of memory comes back. “Kova. His name is Kova.”
Her Altean instincts still subsist somewhere there. When Allura awakens on Arus in S1E1, she senses a resurgence of Altean energy. Many episodes later, when Lotor arrives at Galra central to relinquish power back to his father, she senses “a powerful energy on him,” “something ancient.” A major memory boost comes when she taps into Zarkon’s mind, to revive him (S3E7 “The Legend Begins”). She apologizes before she starts the process, which, yes, involves probing into his memories without his accord. Images of the past zoom through her vision: a Galra attack on Altea; the final fight with the Paladins; planet Daibazaal after and before destruction; then diving deeper back in time - images with the group of five Paladin friends peacefully gathered under their lions; a splendid wedding picture of her and Zarkon; the mighty comet at the crash site; and finally, a picture of her young self - a beautiful, radiant, exuberant Honerva.
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She snaps out of her visions and notes, with a flat tone: “Husband. How could I have forgotten?” As probably many have noticed before, there is little emotional attachment in her demeanor. There is only one little glimmer in her reaction, right before Zarkon awakes. She says (and her voice doubles into both Honerva's and Haggar's): "You brought me back to life long ago. Now, come back for me." This is a powerful moment, which shows the beginning of her duality - Haggar and Honerva. But after this, we don’t see her being more affectionate towards her long-lost husband. Neither do we see any scenes in which she would acknowledge to him that she remembered her past. There is no grand reunion of the lost couple. Haggar continues being the placid witch, alongside her villain emperor, now fully armored in a quintessence-infused mega-suit. Some took this as a flaw in the show’s writing. I take it as a very coherent flow of her character’s arc. My wishful mind screams to see Honerva run back to her husband, rocking the walls of their dark magic cage, telling him: “Husband, I remember! We used to love each other, we were once good people!” But, realistically, that is not what an entity-possessed, quintessence-poisoned Haggar would suddenly do, would she? The fact that she is still very much under the dark spells prevents her natural instincts from manifesting. So the only thing she does is notice, coldly, as if someone else watches her life from afar. But not for long, as we’ll see.
In S4E3 “Black Site”, the episode starts with Haggar examining herself in a mirror, a reflection of Honerva instead. As she brushes her long, clawed purple fingers along the brown cheeks and chin, she notices the white cornea of her eyes and the presence of small irises. A very wistful music accompanies the scene (the very same soundtrack used in S8E2, where most of her tragic flashbacks will happen). Her expression is of utter shock, but also astonishment. The mirror motif appears frequently in madness arcs, as a means to show the disassociation between the two personas conflicting inside the character. Her sane persona begins to wake up and claim back her territory, and it is the very first time when we see her in a vulnerable state of mind. It’s the beginning of her reversion into Honerva. This state of mind is immediately suppressed once a Druid enters the room. Her harsh, sour expression and purple facial color immediately replace her Altean features, and the music shifts back to the ominous Zarkon theme.
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As you’ll notice, Zarkon’s arc, compared to Honerva’s, is one of descent into the darkness (with a redemption late in S8), whereas Honerva’s is upwards - she gradually ascends towards recovering her memories and feelings. Immediately after, in the scene with the interrogation of Throk, Haggar says something that has multiple implications: “No one can completely wipe a memory away. There are always remnants deep within to claw out.” She clearly speaks from her own experience… as we just witnessed. Her memory is still there, remnants of it buried deep, waiting to be clawed out… Yet, with all their efforts, Throk’s specific memory of a particular event seems to be completely erased - courtesy of Narti’s work - but that belongs to a different meta. Not all of Honerva’s memories are back. She definitely doesn’t recognize Lotor is her son, and happily rats him out to Zarkon once she discovers he’s got his hands on a trans-reality comet. Her allegiance to the emperor is unshaken.
But here comes the next big blow to her fortress of multi-millennial oblivion. As she wallows in a pool of purple quintessence inside her space cruiser, she begins having visions again (S5E2 “Blood Duel”). It seems the dive into her memory reservoir is not without pain, as she releases a sharp scream before more echoes of the past start to surface… This time, they’re about Lotor. There is a crescendo of emotional intensity in these scenes, enhanced by the same nostalgic (almost elegiac) music that envelops her other flashbacks. Watching the tragic life of her lost son rewind in front of her eyes must have been truly heartbreaking. Her pained expression, the angst behind her glowing eyes, the eyebrows raised in incredulity and awe, but also imploring, begging to get back something she never had, her gasps in the darkness, in antithesis with the cute sounds of a cooing baby and then a giggling child, along with soul-stirring violins evolving into a more and more solemn hymn that will later accompany the most inspiring VLD moments with Lotor… these, all of these culminate with her regretful whisper, almost a question at the end, as she herself cannot believe this had actually been a living part of her life and she completely missed it: “My son… Lotor.”
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I’m sure a lot of mothers watching this probably shed one or more (or a lot) of tears. How can you not? Honerva’s portrait grows more and more complex, while, sadly, her husband’s shrinks into the distorted image of a heartless monster. When she finds out Zarkon is on an exchange mission to retrieve Lotor, she immediately activates Operation Kuron Stage 4 - which, as we now know, used Shiro’s clone to spy on the Paladins (and her son). After Zarkon’s death, we were never shown any state funerals or Haggar mourning after him. Again, people would say this is a hole in the script. I would say this matters not for Honerva’s evolution. She clearly did not show emotional attachment to him before, so why would she now? The dark entity still has considerable hold of her consciousness, even though she does show empathy towards her son. But how much, actually? Well, it seems that operation Kuron is fully functional, since she is already able to watch Lotor planning to go to Kral Zera to get the throne. Again, she whispers wistfully “My son…” while her purple claw tries to possessively reach out and get him. There is a powerful symbolism here: the hand that extends out into the void - both to try to grasp him for herself (her selfish need towards her lost family) - and as a desperate gesture of reaching out from inside a dark place, reaching out into the light, to the only one who… can save her (which ties well with how the show was initially intended to end).
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You’d think that a mother whose instincts have just awoken would want to see her son ascend to the throne… Instead, we see her summon Sendak, because “The Empire will only accept a ruler with Galra blood. It needs a natural-born leader, with an iron will to match his iron fist.” At Kral Zera, she actually insults Lotor in front of everyone and continues to twist the knife in that same spot where the prince has been teased about all his life: being biracial. Haggar: “Lotor, you cannot lead the Galra.” Lotor: “You think you can stop me, witch?” Haggar: “The blood that so bolsters your claim is also what quells it. You are not full-Galra. You are a half-breed. Your mother was Honerva.” It’s so mind-boggling that she is able to talk about herself as if it’s someone else. But if you get to think of it, she is still very much overpowered by the entity, which seems to speak instead of her. The snippets of her reawakening of consciousness were actually just that… Snippets. Which makes this scene even more tragic, knowing that she cannot fully connect with her son. This duality - two persons living inside a character - one belonging to the good/real side, the other one to an evil realm - this duality is characteristic of story arcs that revolve around the subject of madness. This paradoxical pairing of evil and good inside one person evolves via a gradual buildup. Usually, if it declines towards madness, there will be a buildup of negative energies and events. In Honerva’s case, it makes a sinusoidal arc - descending and ascending several times.
5) Post-Oriande Honerva Right after Allura and Lotor go through the Oriande trials, Haggar, who continued to spy through Shiro’s clone, sets a course to the same location. It seems that Shiro is telepathically linked to Haggar’s magic, because he starts having visions of her while she goes to Oriande and takes down the Sages. Notice that her cheek marks, although distorted, still glow at the entrance to Oriande - meaning she does have the marks of the chosen.
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The fact that she is telepathically linked to clone-Shiro, I believe, proves that Haggar was using the entity in her clones as well, because that kind of telepathic link, as shown in S8, could only happen via the entity (Keith severs the link when he removes clone-Shiro’s robotic arm - which seemed to concentrate most of the purple energy). Oriande is a turning point in the High Priestess’s story. It is the moment of transition from witch Haggar to Honerva. Alas, not completely. The metamorphosis happens gradually, but now she is definitely more Honerva than Haggar. She’ll start thinking more and more as an Altean and as a mother. Of course, the entity is not gone (it also explains why she destroyed the Sages of Oriande). Which will maintain a significant layer of darkness over her judgement. And her witch-Haggar appearance will still coexist for a while with her newly recovered Altean countenance. Here comes S6E4 “The Colony”: Haggar/Honerva reaches into clone Shiro’s mind, rendering his consciousness inactive and fully turning on the entity-controlled subject. Notice how she retains her Haggar complexion:
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In the next episode, S6E5, we discover that Haggar now has the ability to create wormholes. Allura wonders how… but we know. Because Haggar finally connected with her Altean capabilities. Which means, she is double-dangerous now. As a sorceress, and as an Altean. She can fully command her entity-possessed subjects, and she does so with Shiro’s clone, instructing him to lure Keith away. One very interesting scene in her arc is her encounter with Lotor and the way she addresses him while revealing she is his mother: Honerva (slowly taking off her priestess hood and turning around, fully showing her Altean visage; her voice trembles and sounds quite emotional): “Prince Lotor. My son.” Lotor has no reply, just a visibly vexed expression. Honerva: “The anger you feel toward me is to be expected. But understand that the events that transformed me into the witch Haggar also shrouded any glimmer of maternal instinct I may have had for my one and only child. However, you’ve continued the work I started all that time ago and have indeed seen it through to heights I could have only imagined. Your never-ending pursuit of knowledge is truly —” Lotor: “Enough. My mother ceased to exist when Honerva drew her last breath. Do not believe for a moment that I would ever accept you as a kin. You are an abomination. A twisted perversion of what was once so pure and beautiful. The end is near, witch. I know you can sense it. If you beg for your life now, maybe I will take pity on you when the time comes.” Honerva (frowning, visibly offended and pained by the rejection): “Take him away.” Acxa, after a short eye look exchange with Lotor, decides to actually aim at Honerva instead. The witch vanishes in a cloud of smoke.
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Let’s unpack this heavy conversation, loaded with angst, with spite, with something that was supposed to be motherly affection. Honerva starts quite emotionally… From her voice, you can sense her tense expectation. She’s been waiting for this moment for a while, and ever since she traveled to Oriande, her Altean senses revived, she really is looking forward to reuniting with her lost son. But… there is a twist to her motherly wish…
This is her apology for ten thousand years of missing in action: “The anger you feel towards me is to be expected.” Um… No “I’m sorry”, no “please, forgive me”. Her voice is actually… quite emphatic and firm. No sense of remorse for her actions, no apologies for her mistakes. Neither does she take the responsibility, nor does she accept her guilt. Actually, she casts the blame on external factors: “the events” that caused her to become witch Haggar are supposed to be the cause. How about… apologizing for being obsessed about her scientific discoveries, to the point where she neglected everything else, including her unborn child’s needs? Also, notice her expression in the above screenshot: despite the pain in her eye squint, she looks rather arrogant. Well, that’s actually the big problem, and she still doesn’t see it. In fact, she applauds Lotor’s accomplishments, because he… “continued the work” that she started, in a “never ending pursuit of knowledge.” Again, these are her vulnerable spots - work and pursuit of knowledge. These blinding obsessions for something that she thinks is absolutely revolutionary and beneficial to the world, these are her downfall. She cannot see anything else, even after ten thousand years. In her own twisted world, these are the ultimate tools for good. Why did she pursue knowledge? Well, first off, out of pure passion - turned into obsession. She wanted to advance science. Secondly, to fulfill Zarkon’s need for power. In contrast, Lotor sought to unveil King Alfor’s knowledge in order to “better the Universe”, to bring peace and prosperity, to defend against the dark forces of his parents. There is a bit of a difference in their scopes, I’d say. This is what she doesn’t understand. And she will continue to misconstrue Lotor’s work and delude all the Alteans into her vengeful plans. Lotor is, unfortunately, right. She (still) is “a twisted perversion” of her original self. Which proves once more that Honerva’s dual personality pervades her newly displayed self. For the entirety of S7, we don’t see Honerva at all (except the caricature from the garfle-warfle episode “The Feud”).
In S8E2 “Shadows”, we get an avalanche of flashbacks - some recent, some very old, revolving around Honerva (not going to touch the subject of why these flashbacks should belong to S7 and not S8, as it’s been already discussed in other metas and reconstructions (especially the work of Team Purple Lion) in great detail. My focus is on her evolution overall, which is chronological, not based on episode order). The episode starts right where S6E5 left off… when Acxa shoots at Honerva, after Lotor’s tense conversation with her. Here, we finally find out where Honerva went after vanishing in a cloud of smoke. She’s back at the command of her cruiser. Her pained expression (after being rejected by her son) becomes stark. She pulls her hood back on and Haggar’s purple complexion and glowing eyes return, as she contacts commander Mar and orders him to track Lotor down. For a considerable amount of time, as the scenes suggest it, she’s searching for her son, who has disappeared. She finds out that commander Mar is also nowhere to be found, and we can see that her desperation grows. She’s hunting high and low for him, roaming the universe in her ship. Until she finds the wreckage of his cruiser, at Daibazaal (the location sort of doesn’t make sense, because the last place his cruiser has been seen abandoned, in S4E3, is nowhere near Daibazaal, but that belongs to a different discussion that pertains to the inter-dimensional meddling into S7-8). In his cruiser wreckage… there’s Kova. Which, once aboard Honerva’s ship, triggers more of her old memories (we already discussed them earlier - her past memories about her pregnancy and about Lotor). One of her loyal Druids tries to persuade her to take command of the empire, because “it has been phoebs [~months] since Emperor Lotor has disappeared. The empire is in a state of chaos.” Her response is rather surprising, but then again, Honerva has never been one to actually seek power. That was Zarkon’s obsession. She replies bluntly: “Tell them to look elsewhere. The Druids are but ash in the winds of infinity. Let them be led by someone of equal esteem. […] Depart my presence.”
Her focus is not ruling an empire at this moment. Her focus is finding her son. A motherly instinct, full of emotional resonance. Imagine that after ten thousand years, she is finally able to see her son through the eyes of the mother she was supposed to be. She is able to talk to him, express - in her own, still twisted way - her regret for not being beside him all this time. She finally meets him face to face, finally reveals herself to him… Only to have the rug pulled from underneath her… Not once, but twice. First, her own son rejects her. How painful that must have been!… And then… he completely disappears, along with her archenemy, Voltron, on whom she casts all blame, hatred and bitterness. How desperate must she be now, to find him, to get him back! Even after he rejected her, she still wants to reunite with him. Underneath all the dark magic and potent influence of the entity, she still finds the power to go past his wrath against her, because that’s what a mother does… But she has yet to see her own fault in this. She blames everyone else around but herself. There is this constant push and pull between the two personas inside her. She is aiming for the light, for finding her lost self, but her own weaknesses, which have been there since the beginning, prevent her from fully becoming what she once was. After retrieving commander Mar, who reveals what happened to Lotor and Voltron, she remarks in awe: “He pierced the veil.” When Mar says that “Lotor and Voltron perished”, her expression suddenly shifts to a terrified look, beads of sweat glinting on her cheek. “No! I must find him.” She summons the Kral Zera, but not to elect a new emperor. She wants to spew out all her rage and revenge on the Galra. By destroying them. Notice she changed her garments. She no longer wears Haggar’s cape. Now, she proudly dons an Altean outfit. Symbolic of her new persona.
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This is her justification, standing in front of the Kral Zera flame: “This flame represents Lotor, son of Zarkon, prince turned emperor, emperor that pierced the veil. And my Altean blood coursed through his veins. But the Galra empire failed him. It was the Galra blood, deeply boiled in traditions of evil, that tainted him. Your ways weakened a god.” A Galra general pulls out his blade: “That treacherous witch!” Honerva: “The empire is weak. And now, I will end it.” Holding out her dark purple globe of magic energies, she melts away all the Galra generals in a monumental deathly spell.
*Quick pause in her analysis to point out something that the Paladins figured out in S8E10 “Knights of Light Part 2” while traveling inside her mind. While unveiling some of her old memories, they get to watch the very last moments from the lives of the original Paladins. It turns out that Zarkon was not the executioner. It was Honerva, who performed exactly the same magic as later at Kral Zera, spewing the purple energies out onto her enemies. And Pidge concludes: “That’s how the original Paladins ended up trapped in here. She took their quintessence, trapped their minds inside her consciousness.” And this explains exactly how she operates the dark entity, or, should I say, how the dark entity operates through her. The entity is constantly seeking for a source of energy, which is quintessence, or “life itself”. By draining the “life” out of others around her, Honerva was constantly feeding her entity. Bonus: she was trapping their consciousness inside her mind - which explains why the first one she trapped - doctor Haggar - became the name she adopted. Devoid of her own memories, she took the persona of the first being she absorbed. Also, notice her use of the entity in mind-controlling her subjects: clone Shiro, the Alteans on the colony, her attempts at controlling Allura after she takes the entity, as well as… robeast!Lotor.
Honerva is extremely mad at everyone that “tainted” her son. She blames the Galra blood, deeply boiled in traditions of evil, for weakening him. She not only throws the guilt at the empire, but she basically blames her husband for it. She proudly states that her Altean blood coursed through his veins, but the Galra blood threw a wrench in his destiny. This is a 180 degree shift from witch Haggar. Now, the Alteans are the saints, while the Galrans are the devils. Also, wow, she calls her son a “god”. Unfortunately, again, she fails to see her own mistakes in any of this. The next scenes in this episode are an interesting choice to juxtapose next to her vengeful actions. We’re seeing into her memories with child Lotor and the way Zarkon treats him, while she - as witch Haggar - watches impassively: Little Lotor: “Please, father, I must know where I come from.” Zarkon: “I said enough!” Then turning to Dayak: “If you do not remove his impurities, then I will find a Dayak that can.” Dayak: “He will be punished accordingly. We will sear him down to his inner fire so that he may burn the universe. Vrepit Sa!” The inscrutable visage of Haggar slowly transitions to present-time Honerva and we see the sorrow in her gaze. Sorrow for not being there to protect her little child, empathy for his innocent suffering and grief for what he had to go through. There are several of these transitions from Haggar to Honerva throughout the show. They hint at her physical metamorphosis but also, more importantly, they suggest her mental journey, her slow awakening to that initial persona, buried deep beneath, the resurgence of her emotions.
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Although many of us may regard Dayak dearly due to other, more comedic interactions in the show, the fact that she needs to “sear Lotor down” tells a lot about the kind of trauma this little kid had to go through. It’s what makes present-day Honerva so angry at the Galra: these “traditions of evil” that tainted her little boy… She is now driven by revenge, against anyone that, according to her newly formed world views, is standing in the way of her grand plans. Yet she still doesn’t know her son’s whereabouts, still searching for him across the galaxies. As her cruiser hovers around Daibazaal once more, she decides on what looks like another one of her sacrificial rites… this time on Kova the cat. It seems like this is a last resort in her frantic attempt to find her son.
This pet had been around for ten thousand years and we can see Honerva’s attachment to him from the way she holds him to her chest, before setting him down on the altar of sacrifice. She is willing to lose him to get her son back. And apparently, Kova possesses more knowledge about the prince than expected. We know the cat also has the entity within. As I’ll discuss when looking at Lotor’s arc, I’m convinced he had it as well. The link that the entity formed with him was strong, because the cat was in his possession since childhood. Motes of purple quintessence rise from the floor all around, while Kova meows in distress.
The suspenseful music converges in a dramatic flow of celestial sounds and Honerva starts her dive into the depths of Lotor’s past. A tragic crescendo of flashbacks starts pouring, and Honerva finally knows where to find him: in the rift.
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She wakes up again next to her altar, Kova completely gone, a few motes of purple quintessence still floating through the air. Perhaps as an homage to the defunct cat, the next scene brings more memories of little Lotor, back when he started his friendship with Kova. And right after this, we see Honerva traveling to the hidden Altean colony planet. Just a quick reminder - these scenes from S8E2 actually take place in S7, but they have been inserted in S8 as flashbacks. In S7E5, when the newly rescued Kolivan tells the Paladins that he sent a team to the Quantum Abyss and he didn’t find any Alteans - “just an empty facility”, that happens after Honerva had already been there and scooped them out for her own plans.
This is an important point of inflection in Honerva’s arc, because finding out that her son has died creates a powerful motivator in her actions and this motivator is called grief. Her world has been shattered by this devastating news. A mother that has just been awoken from 10k years of self-unawareness tries to reconnect with her one and only son, only to lose him to such a tragic death. A character put in this kind of situation would want to fix the world, in order to bring things back as they were (she will want to resurrect him, as we’ll see), and/or get back at the enemies who did this (she will want revenge on Voltron). And Honerva decides on both.
Her speech in front of the Alteans tells us only a part of what her new beliefs and plans are. Honerva: “Lotor is gone.” Merla: “How did he die?” Honerva: “Voltron. To all of you who believed in my son so justly, your faith will be rewarded. I have come here today to continue my son’s mission. And for that, I need you all.” Luca: “We are your humble servants, as will be the members of our sister colony once we inform them of the news. Do you know of their whereabouts?” Honerva: “Unfortunately, they have also fallen to the evils of Voltron. Voltron and the Galra will pay for what they have done. With your help, I will resurrect my son’s dream.” Merla: “We pledge our allegiance to you, Honerva, mother of Lotor.”
So she wants to “continue” her son’s mission. After linking with him through Kova, she got a comprehensive view into Lotor’s life, so she (allegedly) knows what his intentions are. Based on what she will say in the next episodes, and also based on what Lotor uttered in S6 while fighting Voltron, it all seems to boil down to creating a “new Altea”, one that can rule the universe and reverse the evils of the Galra (one in which Honerva wants revenge on anyone she considers her enemy). Which… unfortunately sounds a lot like the alternate reality where the Paladins traveled in S3E4 “Hole in the Sky” (Yes, the one with Sven and the other Slav, where the Alteans are turning everyone that stands against them into “non-cogs”. The one where Allura concluded: “That is exactly why my father sent the Lions away so many years ago. To avoid this reality.”) But was this really Lotor’s initial plan with Altea? I’ll discuss more when I’ll get to his meta. An interesting detail is the mention of the “sister colony”, where Honerva casts the blame on Voltron for their death. Which we know is not true. This so-called canon pours all guilt on evil!Lotor. But was it really his doing? The garfle-warfled S8 that we got (thanks to Bob!akaWEP) left a lot of loose ends. In any case, she wants to use the Alteans to “resurrect” her son’s dream. In fact, she actually doesn’t only look for a revival of his dream, she intends to literally resurrect him. And she does tell the Alteans that she intends so, because Merla confirms it in a conversation with her at Oriande: Honerva, overlooking the magical landscape of Oriande: “This ancient land was created through powerful magic. Alteans would travel here to learn the secrets of our race. We have a long and difficult road ahead of us, but our path is true.” Merla: “We will do anything to bring Lotor back.” Honerva: “I know.” This little snippet of conversation with Honerva, as well as the previous one, shows the level of devotion these Alteans have, towards Lotor, towards his mother. They are willing to go above and beyond for him, and this is an incredibly powerful description of their community. But, as Allura noted when discussing about the acolyte Luca, “If she were so desperate for something to believe in, it may have made her susceptible to being manipulated.”
The next scenes depict the mega-lab that Honerva created inside Oriande, where she melts the statues of the Sages in order to build her Komar mechas. Here we find out something that S7 teased us about, in the last episode: the Komar machines that Honerva built have an Altean inside them, an Altean that is used as “its power source” (direct quote from commander Holt). A battery source? (clears throat - certain VAs spoke about Lotor using Alteans as “batteries”. Well… Honerva is “continuing [her] son’s mission”. But how much is she continuing, and how much is she actually altering for her own agenda?) She asks Merla: “Find me the most faithful amongst us.” So the mech pilots are the most zealous believers, which… yes, it makes them susceptible to being manipulated. After the tragic flashback scenes with Lotor and Ven’tar’s planet (where, again, we see Haggar exerting her abominable sorcery upon her own son), we switch back to Honerva (disguised as Haggar) receiving news from Sendak: the Lions have returned. She commands him to destroy them. Immediately after, she activates the first Komar mecha, piloted by the most faithful acolyte, Luca. Her words towards the Alteans clearly speak of her vengeful intentions: Luca: “Voltron will pay for what they have done.” Honerva: “May the light guide you. Rise and avenge my son.” Chronologically, after these scenes, the order of events belongs to S7 E7-13: Earth versus Sendak, then Luca’s Komar mech attack, defeat and capture. After a few episodes in S8 in which we find out that Honerva has been pumping more of these Komar mechs across the universe, while also destroying the Olkari planet in order to get their cubes, we have another view of Honerva at the Oriande pyramid, addressing her Altean people before she begins her mega-magical ceremony:
“For eons, our people have suffered, cast out from our home, driven mad by the cursed Galra. We have sacrificed much. You have sacrificed much. But Lotor gave more than any of us. And today, his ultimate wish will be fulfilled. The Galra will pay for what they have done to the Alteans. The end for anyone who dares oppose us is near. It is time to begin. May Lotor’s light guide you.” Hmmm… “driven mad”…? Then she adds: “But Lotor gave more than any of us.” “Lotor’s light”… I keep hearing Honerva talking about it. Does it have anything to do with… the “enlightenment”? (aka the “wisdom about the quintessence and the entity”, as mentioned by Honerva in her youth). Also, here it is, again, her vengeful stance: “The end for anyone who dares oppose us is near.” A very absolutist declaration. Politically, although anti-Galra, it actually mirrors their doctrine. So, if the universe were to be ruled by this new Altean order, what difference would it make from the previous oppressors? Now, do you see the purpose of the alternate reality episode? Also, Honerva makes use of her Komar mechs to syphon out quintessence from entire planets (while Matt and the Coalition struggle to save all the planet inhabitants), in order to gain galactic proportion energies for her Oriande magic. These are not even Galra, they’re innocent people, caught in the midst of this war, but according to Honerva’s twisted logic (which the Altean acolytes follow blindly), she can sacrifice anything and anyone in order to bring her son back.
A comment on Honerva’s statement regarding Lotor: “Today, his ultimate wish will be fulfilled. The Galra will pay for what they have done to the Alteans.” So, her opinion is that Lotor’s ultimate wish was to make the Galra pay for the genocide against the Alteans. Which, since she connected with him via Kova, means that she inferred it from his final words uttered at the rift battle with Voltron: “I’m ready to wipe the Universe clean of all my enemies: Voltron, Haggar and the rest of the Galra.” What she fails to recognize is that Lotor uttered those pronouncements in an unfortunate state of mental breakdown (“driven mad”). Nothing prior to that indicated that he ever intended to end the Galra. On the contrary, he told Allura that he wants to return the Galra Empire to a “bygone era of peace. […] This isn’t a zero-sum game. Meeting the needs of the Galra Empire means bringing peace to the universe.” Also, he stated that he does not want to make use of the “barbarism of the Komar.” Well, Honerva clearly still does. So much for Honerva walking in the footsteps of her son… And I shall return to this controversial subject when analyzing Lotor’s story, which is the most nuanced of all, precisely because of the suffering he’d been through, precisely because “he gave more than any of [them]”.
During the battle at Oriande, we have a one-on-one encounter between Allura and Honerva. I’ll discuss more about Sincline’s reaction to seeing Allura during Lotor’s arc, but just note that the mech prepares its aim then lowers the weapon at her sight. Lance attacks him to protect Allura, only to be pushed away by a Komar robot. The Altean quickly becomes a casualty of Sincline’s seemingly indiscriminate violence. As Lotor’s mech swings its blade at the Red Lion, Honerva commands: “Still.” Sincline complies, as if remote-controlled. Concomitantly, Allura plunges at Honerva with her bayard, only to be pulled into a dark space where the two of them will have a captivating chat, suspended in time. Honerva: “Altea’s wayward daughter.” Allura: “Don’t you dare mention Altea to me.” Honerva: “This is just the beginning. Join me and our people. Together, we will go back to Altea.” Allura: “We cannot go back. It is destroyed because of you.” Honerva: “Think of your father. I knew Alfor well. This is what he would have wanted. Join me and the Alteans.” Allura: “Never! You cannot keep me here forever. And the moment you release your hold, I will end you. Honerva, holding a sphere of purple magic, depicting Sincline in frozen-motion: “Then you will end your friends as well. I am the only thing keeping my son at bay. Join the right side of this war.”
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As we’ve been shown across the many episodes, Honerva frequently makes use of that purple sphere. If you haven’t guessed yet what it is, let me remind you: [the power of] the entity (the entity itself is spherical and purple, as Allura will discover in the episode “Clear Day” S8E8). Honerva actually makes double-use of the entity in the same scene: she’s “keeping her son at bay”, and she’s also holding Allura trapped in that dark place, where they have the little conversation.
A few things worthy of analyzing in Honerva’s current state of mind:
She actually wants Allura to join her quest. The one that has been her enemy for so long, the princess she hated with all her might, yet Honerva wants her as an ally… Why? Well, first off, most likely because she is Altean, and now the newly awakened Altean Honerva wants to recruit every kin possible. Secondly, most likely because she values Allura’s immense powers. Together with her, they’d be invincible. I don’t believe Honerva has any emotional attachment to her; it’s purely a tactical decision.
Honerva wants to resurrect Lotor, not just bring an entity-possessed son back from the rift. She knows Allura has the real Oriande knowledge. (Speculation, but…) maybe gaining Allura as an ally will help her fully resurrect her son…?
She blackmails Allura so she can force her to join her side of war. Which, again, proves my point, that Honerva has no feelings towards the “wayward daughter of Altea” (actually note the snarky tone), and she uses any means to achieve her scope.
She believes she knows what Alfor would have wanted. Allura already explained to us that Alfor wanted to avoid this kind of reality, so we know Honerva is on the wrong side.
She is keeping her son at bay. Well, well. Logical conclusion: her son IS in there. She uses her entity powers to remote-control him just like she does with all the Alteans piloting the Komar mechs when she telepathically links with them. This, right here, blatantly contradicts S8's official stance, that Lotor was dead.
Some of you might say: yes, but the Komar pilots also have free will, they are still conscious of their actions, they are able to speak freely and express their thoughts and concerns (as we see Merla do, noticing “something’s wrong with Lotor”). You might say the mad!Lotor inside Sincline is something completely different: a being devoid of consciousness, indiscriminately violent, fully on remote-control (psst: except when pointing the gun at Allura). Taking a deep breath... Well. What did I just talk about all along this meta, and during the full length of Zarkon’s meta? What is the title of these essays? “Slowly going mad.” The entity’s takeover happens as a GRADUAL progression towards complete disconnect from self. Zarkon and Honerva prove it to us during their arcs: the entity does not take full control of someone’s consciousness right off the bat. It takes time, years actually. We know the Komar pilots were possessed by the entity because we have the example of Tavo. Honerva exerts bursts of remote-controlling over them, when they do become, temporarily, completely someone else. In time, they would have turned out exactly like Zarkon and Honerva. That is my analytical take on how the writers built the entity’s behavior, based on examples that clearly demonstrate that. Which, again, logical deduction, means that Lotor right now is at the far end of the spectrum - fully gone mad, fully possessed by the entity. And I’ll come back to that during his analysis.
No mother would want to have her child perpetually in this state. And I’ll further suggest that she wanted and intended to wake him up, with examples. Examples which, unfortunately, due to the garfle-warfled S8, made little sense in the context in which they were placed. I’ll put the next few paragraphs under an indented format, because they’re more ‘speculative’ in nature, due to the aforementioned scramble-warfle.
S8E11 “Uncharted Regions” is probably the most scrambled of all, as many others noted before me. It seems to be an episode patched up with scenes from different other (chopped out) episodes. In any case Honerva suddenly wakes up after Allura traveled inside her mind.
She then goes to the bridge of her pyramid-ship and orders her Altean pilots: “Exit at coordinates beta-four-ex-seven. The Paladins are aware of our plans.” Merla asks: “Is that a problem?” Honerva: “No, it’s an advantage.” We’ve heard Lotor utter a similar phrase when cunningly using Voltron to retrieve the trans-reality comet. What advantage is Honerva seeking to gain? Was it just to use the powers of Atlas’s crystal and the Balmeras? I suspect it actually had to do with using Allura’s powers to wake up her son. Which we never got in this S8 edition. But we witnessed other little details: During their trip inside her mind (S8E9) the Paladins see a glimpse of how Honerva interacts with her son (all throughout S8, we are led to believe he is deceased - because we see what appears to be a cORpSe, but there are motes of purple quintessence rising from his body - similar to how Honerva and Zarkon wake up after being ‘resurrected’ by the entity. Also, logical questions: 1) why would she talk to a dead body and 2) why would she even carry around a corpse inside a mech robot while fighting the Paladins? I don’t believe a kids’ show would employ such an insane, horriffic, mind-twisting scenario, and, again I posit that this is a butchered version of the #realS8).
Pay attention to what she tells him, face to face (while he supposedly is dead): “Lotor. We’ll all be together soon.” Again, in S8E11, Honerva facing Sincline: “We will be back on Altea soon, my son.”
The intent is to show us that Honerva wants to get him “back”, to be “together” with him, in the environment in which she grew up, her perfect version of an Altean reality. She desperately yearns for a normal family, just like they unveiled during the trip in her mind. Her deepest desire is to have what she never experienced: family love, connection to her son, to a caring husband. Which means she wants to bring Lotor again to a normal, sane being, one with which she can communicate and share her emotions and thoughts. But she cannot do that anymore, can she? Because the only place where she could have done that, the place that helped her recover her own memories and (partially) her sensibility, Oriande, is gone. She destroyed the guardian Lion, she took away the quintessence from the Sages, she melted their statues. All the magic of Oriande is gone. But there is ONE more person left in the Universe that retains the wisdom of Oriande. One person who can probably resurrect Lotor. And that is Allura. (she’d done it with Shiro, hadn’t she?). Which, once more, proves my point that Lotor is actually there, alive (albeit fully possessed by the entity), his consciousness buried deep, deep under (and only Allura can trigger a small flicker of it), tragically resembling his father Zarkon, fully collapsed into madness (for completely different reasons, but we’ll get to that in his own meta). And (speculating - yes, I know) Honerva bets on Allura’s “life giving” powers (“Alteans are life-givers”) to bring him back for her.
Here are some extra snippets of how Honerva interacts with Merla and the other altean acolytes. Note how the order of events makes no sense chronologically: Beginning of E11, Honerva tells her Alteans to set a course to beta-four-ex-seven. Once there, she pulls up her own mech and starts sorting through all realities, using her purple-winged rosette. Nothing major happens there, just some of her robeasts eliminate a few Coalition scouts. Next, she orders Merla, while inside her mech:
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Honerva: “Preparations are complete. Set a course for Altea. It’s time” (wait, set another course? She just made a pit stop to sift through a few realities and then off they go again?) Just a bit later, when Allura wakes up, Honerva is suddenly not in her mech anymore (why?):
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Honerva: “The princess has awakened.” The next scene we see her in, she’s back in her mech again (huh?), the Sincline is next to her robot, and she’s about to fuse them together.
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Then, she uses her telepathic powers via the entity to summon her Altean acolytes on Atlas (Allura is caught in the midst of it, debilitating headache preventing her from operating the teludav): Honerva: “Arise, my children. The time has come to act. Repent for your traitorous ways. Lend me your quintessence and all will be forgiven. […] Deliver me the power I need to return to our homeland. Give your energy along with the ship’s crystal. All of it.” Merla: “My people. Honerva, transferring that much energy will destroy them!” Honerva: “Their lives will be sacrificed for their savior.”
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Merla interrupts the process, turning against Honerva. Later, she tries to directly attack Honerva, but - as implied from the animation of Merla's (clearly) exploding mech - Honerva kills her:
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Paradoxically, we see Merla again in the next episode, asking the paladins not to harm her fellow acolytes - the subtitles confirm it’s Merla - and she pilots her Komar mech… um, again. Did she just, like, survive the explosion then just go grab another robot? (which, no surprise here, is another proof of the S8 garfle-warfle).
Anyway, apologies for the detour, let’s return to analyzing Honerva: She is willing to sacrifice anyone, including Alteans, to reach her goals. As we see from her facial expressions, although not Haggar anymore, she is basically back to her state of madness. But why is she so mad? She looked more calm and confident at the beginning of the episode. After all, didn’t she just bring her son back from the rift? Is it just her frustration against the annoying Voltron? Or is it more at stake here?
Speculating once more - I infer that she reverted to a high level of mental instability after Allura presumably saved Lotor, because the newly awakened son most likely rejected her… again. Deeply hurt by his refusal to accept her as his mother after she worked so hard to bring him back from the rift, she furiously decides to check out other realities and find her version of Lotor that would fit her selfish needs. So she sets her eyes on a reality where Lotor is an orphan child, because he’d be naive enough to believe she’s the good mother. This would infuse more tension buildup into her arc, creating an even more credible trajectory towards full-blown madness. Also, let's give this a logical spin: let's do a reductio ad absurdum. Why would Honerva rescue Lotor from the rift then completely abandon him (knowing that he IS in there, possessed by the entity) to go search for a child-Lotor in another reality?? It makes no sense.
6) Complete rejection But, surprise… Little boy Lotor is just as intelligent as his adult version: “She’s not my mother.” Honerva tries to plea with him, but eventually, the suppressed anger and madness that she tries so hard to mask does come out. She demands with a harsh tone: “Come to me.” And Lotor denies her again, with the same stark voice. “No. My mother is dead. And you cannot replace her.” This, this is the last straw that breaks the dam. She collapses into an unleashed mental breakdown: “[…] I’ve spent lifetimes trying to get back. Countless worlds have fallen in the wake of my effort to return to you. And this is how you welcome me? My own child, my own husband question who I am? I have sacrificed more than you will ever know! […] If there is no place in this universe for me, then there will be no universe at all.”
Honerva dramatically reverts to her state of insanity, this time amplified to multiverse proportions. The buildup of emotional distress she goes through ultimately collapses into this apocalyptical unleash. Her son’s rejection across realities is… world-shattering for her already fragile state of mind. If no one loves her, then everyone should perish. This extremist vision, completely disconnected from reality, devoid of empathy, filled with unrestrained violence and rage, is typical of what we simply define in lay terms in stories as madness - the kind of madness that is violent, completely devoid of any rational behavior (clinical definitions encompass a wide range of mental and psychotic disorders and I shall leave the exact diagnosis to experts). This climactic point of madness in her arc happens in an episode called “The Zenith” - or a “high point”, the time when someone is most powerful. She reached the “zenith” of her madness… She breaks the dam of mental disarray, letting herself completely go on the other side. Disconnected from from herself and from all realities, she intends to obliterate all of them - and her own life - in the process. It parallels what happened to Lotor in S6.
7) Redemption The last episode brings the Paladins face-to-face with Honerva, in the Connected Consciousness, after she scorches all realities in her wake. The Paladins give Honerva a moralizing discourse, trying to convince her that everyone deserves to live. She bluntly dismisses them: “You think your words mean anything to me? I’ve lived multiple lifetimes, and all of them filled with pain and loss. If I cannot experience the simple joys of life, why should anyone else?” Translation: If nobody gives me what I want, then screw you all. But then Allura approaches her and does a mind meld (remember the tempestuous mind meld with Zarkon? Well, this one’s more peaceful, actually suspiciously peaceful). She reminds her of her past life: “There was a time when you loved more than just your family, a time when your fascination with how vast the universe is gave way to your desire to help and uplift others.” Honerva’s distorted cheek marks suddenly reshape into their original Altean form. A short recap of Lotor’s life ensues, and Honerva bitterly concludes: “He deserved better. Better than I could give.” She weeps sincerely when Allura asks her to change everything back. “I’m sorry… but the damage is done. There’s nothing left to save.”
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Although the scene is emotional and uplifting, I believe it lacks the buildup and intensity needed for a redemption of this magnitude. And that is because…
There has been much discussion around the edits made in these last scenes, including my own analysis - here and here. A recent tweet (2023) suggesting Shiro was drawn over Lotor in this last scene - liked and shared by Shiro’s VA - also sparked more interest in this subject. My opinion is that Lotor was drawn over with multiple characters, depending on the scene. They used Shiro, they also used Allura, and who knows who else. S8 was profoundly altered, the original message erased… Starting from that premise, here’s what I think really happened in this scene, which would have elevated the last part of the show to a truly remarkable ending: instead of Allura, it was Lotor who revived Honerva’s consciousness, as a follow up on what Lotor told her in their interaction in S6: “[…] maybe I will take pity on you when the time comes”. It would mean the ultimate family reunion and both son and mother would heal their multi-millennial wounds. Because, like I said, this mind meld looked suspiciously peaceful coming right after Allura and Honerva had fought a trans-reality life-and-death battle. Honerva allowing Allura’s hands over her head feels a bit unrealistic, but if Lotor were the one approaching her, the mother would be more receptive. This is speculative, of course. But keep in mind more and more evidence has started to emerge, supporting this version. And I’ll discuss more about this during Lotor’s analysis.
No matter, this ending that we got still partially preserves the original intent for Honerva, which was forgiveness, redemption through her own participation in the salvation of all realities.
Honerva finally reverts to her original self and the beautiful story arc closes.
A more complex arc than Zarkon’s, for sure (this took 3 times as many pages). Complex, interesting, diving into subjects such as ambitions versus obsessions, mental illness, motherhood, love, various emotional stages and subtle transitions, suppressed feelings, tension and accumulation of negative emotions, culminating with mental breakdown. And let’s not forget the artistry of Studio Mir in rendering the vast array of facial expressions, and the VA’s exceptional job with Honerva’s nuanced script.
Many of these nuanced emotional transitions will be found again in Lotor’s analysis, although effected by completely different reasons.
Thanks for taking the time to read this long, long analysis. Thoughts and opinions are always welcome!
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linipik · 4 months
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Shiro with a full sleeve tattoo 💜
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nostalgicish · 28 days
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hot take but i feel like it’s basic internet etiquette (netiquette, if u will) to ask an artist for permission before reposting their art.
if you don’t ask—which is insane—or can’t get in touch w the artist for some reason, you can at the very least tag and/or link the artist in the caption of your repost??
“oh but i couldn’t find the artist!!” do a reverse image search? and if that doesn’t do anything, don’t post it at all ??
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redsodaz · 4 months
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something horrible has happened and i now find myself inclined to ask if voltron is still popular on here
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burr-ell · 1 year
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"the tendency of this fandom to only engage with what THEY want these characters to be#as opposed to what their creators are trying to do and the stories they want to tell" slap this on a bumper sticker, you just summed all cr discourse (about PCs at least) in 2 sentences
It truly is maddening (and it's not by any means exclusive to the CR fandom). The reason why the discourse always goes the way it does is that at the end of the day, the loud fanwanky people only see what they would do, if they were self-inserted into the story, as a valid choice; and they are, more broadly, fundamentally disinterested in what others think or feel. There are several examples of this, and the variety of spaces within the fandom that produce these ideas is an indicator that this isn't endemic to one specific group of people.
-Keyleth is an important character whose feelings and choices are validated by the other PCs and cast even if they still disagree with them, in spite of how she and her preachiness get in the way of the Murderhobo Jubilee? It's not because the cast are all friends and they genuinely believe Keyleth is valid and are interested in how these discussions and choices can guide the story. It's because Marisha is the DM's girlfriend, and also here's my totally unbiased theory that my pet favorite players Sam and Travis secretly hate Marisha and Keyleth.
-Vax's presence is still felt and nodded to in the post-canon VM oneshots? It's not because he was an important character who mattered. It's because Liam wants to make everyone talk about his tragedy because he has Main Character Syndrome. Scanlan Wishes for Vax to appear at the wedding? It's not because he cares about Vex or because Sam and Liam wanted a sweet tribute to Vex and Vax's relationship and by extension Liam and Laura's friendship. It's because Liam thinks Vex's life should always revolve around Vax, and Sam wants to enable him and jerk himself off as the one who facilitated it.
-Beauyasha and Fjorester become canon? It's not because the players wanted it and it happened naturally. It's because there was a secret behind-the-scenes push to "force" those ships to become canon instead, and like, Dani Carr is some sort of shipping puppetmaster who made the players do it, and "they" (whomever "they" is) decided to sink Beaujester or Widojest because it was "obviously" going to become canon before the pandemic hiatus gave them time to "make the corporate-approved ships happen".
-Beau and Caleb try to reform the Empire and dismantle the Cerberus Assembly from within? It's not because it makes sense for their stories or that people who would take this position regarding a corrupt government might have a valid perspective that differs from your own. It's because the people at Critical Role Productions LLC are all spineless neoliberal cowards who won't commit to real activism. The best activism, after all, is violent, and violent revolutions have always resulted in stable aftermaths, and the real world has never demonstrated that this mindset is foolish.
-Relatedly: Caleb doesn't kill Trent personally? It's not because the most poetic justice would be to deny Trent the thing he wants most from Caleb. It's because "Limo Brain" is too obsessed with tragedy to have the stones to do "what needs to be done".
-Asmodeus, DnD Satan, turns out to also be CR Satan? It's not because it fits with the cosmology and the lore; it's because Matt Mercer is too attached to the "establishment", and the Prime Deities should have actually turned out to be the bad guys because of my personal baggage about Western religion and Christianity they're a little mean to my blorbo sometimes.
There's a pattern here: fans had expectations that they'd built up for themselves after projecting and building up fanon and deciding what players meant before they explained themselves fully, and when the players strayed from that, they were derided for all manner of reasons. I think we're seeing that same pattern play out in C3 as the story progresses in a way that fans dislike, and in fact we have seen fanwank spread whenever someone does anything that interferes with personally catering to a) the favored ship and/or b) the favored philosophy. (Orym, Ashton, FCG, Percy, Pelor...all valid when they affirm the Fandom Opinions and all disdained when they don't.)
Don't get me wrong, I think there's a place for comfort stories that deliver a personal catharsis. And I'm not going to dismissively say "well if you want it so bad make your own" because, as an artist, I am very familiar with the fact that creating is hard and draining and sometimes you just need to consume instead. But when you become so wrapped up in yourself and your feelings to the point where your perspective is the only valid one, someone else's feels like a betrayal when it isn't. It's always "They aren't doing what we wanted and here's why they're terrible people because of it" and never "Hmm, why is this what the cast wants? Let's examine that."
This isn't a new phenomenon, but I think it ultimately stems from not assuming that other people can differ from you in major ways in good faith. There are a lot of reasons for that (some more understandable than others), but I think you rob yourself of the potential to enjoy something new when all you do is demand what you already want. No matter what you're doing or where you are in life, you tend to become a better and wiser person when you open your mind to what other people have to say, no matter how mundane the subject matter. Sometimes the stories people have to tell are challenging—and the only healthy way to deal with that is to engage with them on their own terms.
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fandomination666-blog · 5 months
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As someone who lives in Texas (unfortunately) I find it SO FUNNY when people make keith overwhelmingly southern. Like, cmon yall. Texas history 101, the cowboy era ended a long ass time ago, most of us DONT wear cowboy hats anymore. Why the fuck would keith ride a horse???? Nobody does that unless they own horses??? And horses are incredibly expensive???
Like, I understand cowboy aus, and historical aus, but if Texas, in 2024, isn't like that (the stereotypes are so wild) then why would it be like that in approx 2314?
Very few wear cowboy hats or boots. Very few have horses, and NOBODY rides them to school, ffs. Keith is not a farmhand.
Some texas stereotypes that are true, however...
-yeah we say yall nonstop
-ain't, wouldja, couldn't've, etc.
-confederate flag is less common here, normally you see the "come and take it" or the "don't tread on me"
-if keith ever went to public school, 1/3 of his classmates or more are Latino
-most Texans know moderate amounts of Spanish
-we celebrate Cinco de Mayo, and most ppl think it's Mexican independence day (it's not)
-barbecue.
-chili WITHOUT BEANS YOU HEATHEN
-will fight over food, family, or football
-either you support the Dallas Cowboys or the Houston Texans. Any other team is sacrilege. Once you make this choice, it WILL have effects on your social life.
-football is basically king here lol, none of the other stuff in school gets nearly the funding
-people living in rural areas (like Keith's dad) often own guns, and not pistols either-- rifles and shotguns, usually
-NOBODY SAYS YEEHAW. at least not unironically
-Texans will ironically say yeehaw, rootin-tootin, etc bc we are aware of our history and think it's wack
-were not all racist, but everyone knows at least one person who is (usually an older family member)
-mind your gotdamn manners at the table. Get those elbows away from your food
-sir and ma'am for strangers
-open doors for old people. You don't have to be a man to do this.
-please and thank you is SO important, people will assume things about you otherwise
-if you don't have a church, you miss out on a lot of community (coming from a non-religious person)
-most people here are Baptist, on that note (Hispanic people contribute to the Catholic population, but still, Baptist is #1)
-internet service is awful unless you're in a city
-we WILL close all schools for 2 inches of snow/ice
-we laugh at hurricanes, and then do our best to help our Houston neighbors
-but everybody hates Houston and Dallas, unless you live there
-most people are okay with Austin, San Antonio, etc
-EL PASO IS TINY, AND HALF OF IT IS IN MEXICO (and is called Ciudad Juárez there)
-beer is god. And God has no problem with drinking. (According to beliefs here)
-gambling is illegal here, but we love it, so states like Oklahoma have built casinos RIGHT ON THE STATE BORDER so that we can drive a bit and gamble as we please
-everybody's dad drives a truck. Otherwise people assume he's got a small pp
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astralscrivener · 1 year
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the thing about keith and lance getting together is that lance has boundless amounts of affection and now finally has someone to direct it all towards, and keith is not used to such constant, unwavering affection
which means lance takes great enjoyment out of watching keith get flustered and the only way keith can think of to make lance stop talking is to kiss him
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stagbiitle · 5 months
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and then they tried to gaslight us into thinking they weren't supposed to be endgame
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mothmanavenue · 1 year
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where is your home, vagabond?
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keithkog · 27 days
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“Galrans are naturally violent and you’re proof of that because of the issues you had as a kid-“
Let me stop you right there. I didn’t have a ‘discipline issue’ until my environments caused me to have it. I was perfectly fine before my first foster home, being bullied at school, and having my father be dead. I needed a way to cope, to find control, so I turned to acting out of line.
There’s no genetic predisposition for a galran to be violent. This notion has been disproven by Altean research ages ago anyways.
-Keith
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justaz · 2 years
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keith doesn’t like to share food and instead hoards it as a habit from bouncing around foster homes where some of them were just fend for yourself type houses (+ galra are kinda territorial). lance shares his food all the time and steals food off of his friends plates bc Why Not. keith is like uber protective of his food except for when it comes to lance. he sometimes even offers food to him and shiro just Sits There bc once he tried to grab the salt and keith thought he was stealing some of his food and pulled a knife on him from out of nowhere and almost ended up as an amputee years earlier than he was supposed to. lance shares his bag of animal crackers with keith and when he opens it the first one he pulls out is a hippo and hands it over without hesitation or even looking up and keith is just. a mess. but only internally, he keeps his cool bc that would be Embarrassing if he made a big deal out of an animal cracker of his favorite animal (how did lance even know??? (lance cornered shiro under the guise of “embarrassing childhood stories” when really he just wanted to know about keith without exposing his totally not crush on the idiot (he failed)))
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artsyjesseblue · 1 year
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Slowly Going Mad - Part I - Zarkon
There’s a subject I’ve been meaning to write about for quite a while (of course it’s about VLD). A character analysis that, I believe, will justify their arcs and give a better view into some controversial turning points of the story. I’d like to zoom in a bit into Zarkon’s, Honerva’s and later, Lotor’s gradual psychological shifts. To set the premise, I intend to show that each of them - as presented along the episodes - had various stages of mental transitions - progressive changeovers, to be more precise . And even though some of the transitions are not so evident, they actually happen along the many millennia. Each of them are triggered by profound and very unique sets of reasons. Since discussing about all three will take up quite a lot of pages, this will be a three-part meta, and I will link each of them to the others. Here is the link to Honerva’s analysis. Update: Lotor’s analysis is also complete.
Zarkon
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The beginning of the show paints a very stark and ominous image of the emperor. The absolute enemy, heartless, bloodthirsty, obsessed about getting Voltron back, especially the Black Lion. As the show advances, he becomes more and more maleficent, to the point where he declares a full-on annihilation chase against his own son. But as we see from snippets of his backstory, during Coran’s accounts in S3E7 “The Legend Begins” and way-way later in S8E2 “Shadows”, Zarkon starts from the point of a very brave paladin with admirable intentions, a loving husband who is over the moon about the news of having a son. Unfortunately, while Alfor regards the comet ore and the quintessence as endless sources of clean energy, Zarkon starts drifting into the lust for endless power. Along with his wife Honerva, they become obsessed with their rift project, to the detriment of their friendship with the rest of the world. As Honerva’s experiments progress, we see him transform from a jovial team leader into an irascible and deceitful individual.
As he later admits in S8, when the paladins awake his consciousness - the quintessence blinded him. But Shiro’s clone actually pointed out in S6: “Zarkon fell prey to his own evil instincts. The quintessence field didn’t create them, it revealed them.” We clearly witness his tendency for pride and need for power, before quintessence even touches him. Watch closely the scenes at the beginning of S3E7 "The Legend Begins", when the old paladins are gathered at the feast table; watch Zarkon’s stiff and dominant demeanor around his colleagues and his superior attitude towards the “servant class” that brings food and drinks to their table.
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[Blaytz invites the waiter to "pull up a bench and join the feast. Zarkon, after intentionally clearing throat, scolds him: "You know that fraternizing with the servant class is not permitted. It erodes discipline."]
In my opinion, sustained by examples from the show, his own weak spot - power greed - became his downfall, and quintessence only acted as an amplifier, a catalyst; quintessence was not the original cause.
At this point I’d like to make a distinction between the substance called “quintessence” and the red little creature called “the entity”. The entity hails from the quintessence field (aka “the rift”, “the zone between realities”). Somehow, the notions got muddled together, but I believe - if the show was allowed to end the way the writers and EP’s intended to - we would have understood more about these two. So the entity is a living creature (somewhat sentient, as it seems, too), capable of some very magic and powerful stuff (it “gave Haggar the ability to conquer worlds”), while quintessence is a potent substance, (“the substance with the highest known energy per unit volume in the universe”, as described in S1E10 “Collection and Extraction”). The entity is responsible, among other things, for Haggar’s magic, while quintessence acts as a fuel (for ships, for weapons, for other living beings, for the entity itself - as we’ll further see). Quintessence can, indeed, poison one’s mind, as seen when the Paladins enter the rift, but stack the entity on top of that and you bring the game up a notch: once becoming “one” with the entity, there is a big risk of completely losing your reason, your memories, your own character and consciousness. Only someone with a higher spiritual training and with positive intents can properly handle such a potent entity (hint: Allura).
Back to Zarkon. After the comet hits Daibazaal, we see his first encounter with Honerva, who was assigned as a scientist to study the rift; we witness his shyness around her, his hilarious look at the sight of little Kova the cat. A very humanizing portrait, of a man capable of superior feelings, despite his hard shell. From here, unfortunately, things will only go down. I patched up the succession of events forming Zarkon’s backstory from the two episodes: S3E7 and S8E2: Years pass, Honerva continues her work on the rift. Zarkon, “softened up” by his relationship with Honerva, marries her. Alfor and Melenor have a baby - Allura. Alfor continues to visit his friends and discovers with great apprehension that Honerva is conducting experiments on an entity that arrived from the rift, in response to her call. Honerva’s Altean cheek marks still look intact. The entity trapped in Honerva’s tube screeches and calls out for its congeners. The rift monster attacks. Voltron defeats the monster. Honerva and Zarkon push for more experiments, while Alfor disagrees. We clearly see, from Zarkon’s verbal conflict with Alfor, that his greed for more power has grown, even after encountering such a dangerous creature as the rift monster (which is basically a mega-conglomerate of entities). Alfor (who wants to close the rift): “You have to know when it’s enough!” Zarkon: “I’ll decide what’s enough on my planet!”
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Voltron continues to be a force for good in the Universe for the years to come, while Honerva pursues her rift work. Fast-forwarding some decades into the future (and jumping all the way to S2E8 "Shadows") Honerva announces Zarkon she is pregnant. Although I’ll revisit this when discussing her arc, it’s worth noting that pregnant Honerva features the distorted cheekbone marks, not the original Altean half-moons.
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Zarkon receives the news about the baby with utmost elation. They discuss a name for the baby and together they come up with something that honors both cultures: Lotarious + Kaltor = Lotor. Around the same time, King Alfor visits their rift project again (jump back to S3E7... yeah, it's all scrambled). We see the Altean king visibly aged, while Zarkon continues to look young. Kova the cat shows up. As Honerva explains, the cat fell ill when the creatures attacked (!!), but she treated him with quintessence and Kova is now 28 deca-phoebs (~years) old. Alfor is shocked to notice Honerva’s facial features have changed. This is the first time in the show when we have a glimpse at who/what is responsible for Zonerva’s incredible longevity. We are led to believe it’s the continuous supply with quintessence, but there is more at play here: the entity. Honerva says: “He [Kova] revealed the truth to us. Quintessence is so much more than you can understand. It is life itself.” Logical conclusion: entity + quintessence = life everlasting. In this same scene we encounter the first major conflict between Alfor and Zonerva. Alfor: “You’ve gone too far.” Honerva: “You’ve always been a coward.” […] “You wish to close off our gateway to enlightenment. We should be expanding it.” [note the word “enlightenment” - put a pin in it - I will discuss about it during Lotor's analysis]. Zarkon: “If we use Voltron, we can enlarge the opening to the other reality.” Alfor: “It’s madness! This prolonged exposure to quintessence has poisoned your minds!” Zarkon: “We’ve only scratched the surface! We can rule this entire universe! We can live forever! All of us!”
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Zarkon’s megalomania has definitely reached a new level. As suggested by Alfor, quintessence seems to fuel this madness. After Alfor leaves, Honerva suddenly collapses on the floor. While a bedridden Honerva mumbles stuff about quintessence being life, Zarkon is desperate to get her back. Here, we see the portrait of a leader corrupted by his grandiose obsessions of power, but still very much in love with his wife. An almighty emperor whose terrible fear at that moment was losing his family, the one family he never even hoped to have until he met this amazing, brilliant woman.
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The next stage in Zarkon’s undoing comes with his monumental deceit of his Paladin team, driven by his unbridled love for his wife, but also by his poisoned intellect. He tricks them into believing they are using Voltron to close the rift, by telling them that first they need to enlarge it to gather more quintessence. Once inside the rift, he takes Honerva right into the Quintessence field. If we get to think of it, Zarkon pretty much had no other choice at this point if he wanted to save her. Alfor actually stated this: “You’ve gone too far.” Indeed, both are gone beyond the point of return. Honerva is actually gone farther than Zarkon. The fact that she exhibits the distorted cheek marks, she is sick, delusional, incoherent, and she talks about herself as “we” instead of “I” - these are clear and distinct signals that she is possessed by the entity (plus more hints, as I'll discuss in the next meta about her).
Kova fell sick when the creatures attacked, but then he was revived with quintessence. Similarly, a very ill Honerva, who has been playing with the rift creatures for years, demands to get quintessence, because quintessence is life. Knowing that there is no other choice, Zarkon basically makes a ‘deal with the devil’. In exchange for Honerva’s health and their life everlasting, they must give up their own souls, their own consciousnesses. Something the EP’s have mentioned in passage: they are “dead inside”. But how dead? Let’s continue with Zarkon’s own transition: Once in the rift, Zarkon carries Honerva outside of his lion, and, with a clear gesture of offering, he lifts her up in his arms. The rift monster (most likely attracted by the call of the entity already inside Honerva) encircles them. And this is where we see Zarkon’s eyes suddenly transfigured into glowing purple orbs. The entity has taken over them.
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The paladins, believing they succumbed due to quintessence overexposure, hold a state funeral. When Zarkon and Honerva reawaken, they are transfigured, both physically and mentally. Zarkon is able to remember who he is. Honerva does not. She was clearly far more affected by the entity than him, since she’d already been sick from it. But Zarkon, on top of the fact that he still retains his memories, might also display some (very small) traits of family affection. Let’s see how much, and for how long… After rising back to ‘life’, Zarkon orders a doctor to the room immediately, since Honerva is incapable of remembering who she is. So… he still cares about her, in his own, new twisted way. Full of rage against the Paladins and especially Alteans for destroying his home planet, he gets his revenge by killing his former friends and nuking Altea. His wrath against the Alteans reaches almost absolute levels. Almost… because his wife and his son have Altean blood, yet he doesn’t obliterate them. A “weakness”? In a very early memory of Honerva (S5E2 “Blood Duel”), before giving birth, Zarkon asks a doctor: “Can you save the child?” “We will try, sire. There are many complications,” comes the answer from the medic. Next, here’s Honerva (now calling herself Haggar) after she gives birth to Lotor, and Zarkon is there to watch for her proper care. A shred of compassion left inside him? Interesting aspect: the doctor mentions that she seems to regain her senses when they administer quintessence, but their resources are finite. The doctor implies that both her and Zarkon will need quintessence in order to survive. In private, Zarkon asks her: “Do you know of quintessence?”. “Can you find me quintessence?” This, right here, is the beginning of ten thousand years of quintessence hunt around the universe, to the expense of entire civilizations and planets, for the benefit of two vampire-like rulers. Both parents reject little baby Lotor. But… not completely. If Zarkon were truly dead inside and showing absolutely no mercy, he would have not kept Haggar or Lotor around him. Instead, she became his right hand, and little Lotor benefitted from a princely education, however devoid of parental love that was. In fact, we are shown snippets of Lotor’s childhood at the court. Zarkon wants updates on his son’s education progress. That is a sign of care for his child, even if the motives might not be altruistic. We could say he did it out of pure pride of having an heir to his throne. No matter, he does request that Lotor goes through the Agotian trials, as stated by Dayak. Some sort of Galra tests, from what we can infer. We also find out that he wants to “remove his impurities” (Altean impurities, that is), which corroborates with his obsession of eliminating anything Altean from the universe. Yet, when little Lotor wishes to ask a question, although considered “speaking out of place”, Zarkon still allows him to proceed with his inquiry. This is when Zarkon confesses something significant about Honerva: “I will tell you this and no more. She was my only weakness. But now she is gone.” Corrupted Zarkon considers love a weakness, yet he acknowledges he had one, in front of no other than his own son, who has Altean blood; all while former Honerva stands right next to him. How fascinating. Somewhere, inside there, buried in the depths of his consciousness, a flicker of emotion still persists. A tiny, almost invisible morsel of what was once a loving family man subsists beneath the veils of darkness.
A number of years later, when Lotor is adolescent, we see a dismissive Zarkon, treating his “insolent boy” with a dominant attitude, excluding him from important meetings. Yet he does not oust him completely. Farther into the future, we are shown an adult Lotor, in charge of Ven’tar’s mining planet. Let’s forget for a minute the harrowing events that happen next. Let’s focus on the fact that Zarkon entrusted his son an entire planet. He was willing to give him power, provided that he walked the same path as him, a path of destruction and annihilation (which we know Lotor didn’t). Lotor was the heir to his throne, and as such, Zarkon wanted to see him follow his steps closely. Alas, the emperor’s lack of empathy towards his son reaches a whole new level. This transitions Zarkon from a somewhat ‘caring’ father figure (if that could be called ‘caring’) into a murderous despot who ousts his son from his empire and obliterates an entire planet. This is another big step down towards Zarkon’s complete loss of self.
What triggered this further devolving? Two things: 1) Lotor’s confessing that he worked “alongside the denizens of the planet”, which is something Zarkon despised even before becoming corrupted. Remember his conversation with the old Paladins? “[..] fraternizing with the servant class is not permitted. It erodes discipline.” Spot similarities with his new discourse: “You dare work with this pitiful race as if they are your equals? […] The heir to the Galra throne should not sully our honor by working with his subjects.” 2) Lotor’s second ‘mistake’: uttering the words ‘mother’ and ‘Altea’… As implied by Zarkon’s own horror-stricken gaze along with a suspenseful “dun-dun” soundtrack, this is the straw that breaks the camel’s back. When his own son dares to bring the subject of his one and only ‘weakness’, a line has been crossed.
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But this is not yet Zarkon’s ultimate implosion.
Millennia pass, during which his son survives as an outcast (yet from what we see, he still has access to Galra tech and is able to form his own squad of generals). Zarkon allows his son to live, even benefit from some imperial amenities, most likely while Haggar keeps a spying eye on him. After Haggar revives the wounded husband and Lotor’s Emperor Pro Tem status is dissolved, Zarkon declares about his son: “he is no longer my concern”. So his attitude towards him is not yet wrathful, but rather indifferent, as if he doesn’t even exist. A complete lack of parental love, but no full-on enmity, yet. And right after this, comes the ultimate blow to Zarkon’s last thread of consciousness: finding out that Lotor hides another comet ore, building his own Voltron. The straw that demolishes Zarkon’s speck of family attachment is in fact his lifelong, biggest obsession: power. It is his most prominent “evil instinct”, the one that tripped him from the start. Along the many millennia, his son had been at best an heir with impurities, at worst an awful reminiscence of his only ‘weakness’ for an Altean woman. But now… now Lotor rises from the status of an ignored pariah and threatens Zarkon’s very own authority over the universe, his power. That cannot be forgiven. Thus, Zarkon starts a war against his own son, declaring him a “kill on sight” target across the empire. His final battle with Lotor is, tragically, the ultimate symbol of a man who completely lost himself to darkness.
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But, in S8E10 “Knights of Light, Part 2”, we see Zarkon’s arc closing with a grand redemption of his lost consciousness. It seems that his essence is also trapped inside Honerva’s mind, just like the other old Paladins. Keith, Paladin of the Black Lion, challenges the monster: “You were their leader! They trusted you, and you betrayed them! You don’t deserve the Black Lion!” With the aid of the other four old Paladins, Voltron is able to defeat Zarkon’s mech and the emperor finally regains what seems like very old memories. Elated to see his friends around him - Alfor, Blaytz, Gyrgan, Trigel - he happily greets everyone, as if none of the ten thousand years of madness had ever happened. But Allura, enraged by the atrocities he had committed for millennia, makes sure to remind him of his dark past, through a mind meld: “You’ve killed millions!” Lance exclaims with a stupefied reaction: “Allura, what are you doing?” Allura, in raging anger: “Reminding him of the suffering he’s caused!”
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Apocalyptic images from the past stream in front of Zarkon’s eyes, while he screams and grunts, pained by the heaviness of his own life. The last image brings back the memory of his final encounter with his son and it’s his complete undoing. Instead of a happy image with his one and only child, he gets the worst kind of parental farewell flashback. Kneeling, tears gush from his eyes, as he gasps… “No…”
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Allura, unmoved by his remorse, continues: “You did that. All of it!” He attempts an apology, which appears to be truly coming from his heart: “I’m sorry, I… I didn’t realize what I —” Allura counteracts, though: “You knew exactly what you were doing. You deceived and betrayed your friends and allies!” Zarkon bitterly supplies: “The Quintessence… it blinded me. And you all suffered because of it.” Allura doesn’t seem to nod to his explanation, standing her ground once more: “If you’re truly sorry for what you’ve done, then help us stop her. You must have been placed here to protect something! What is it?” Zarkon: “I… don’t know. I… I’m sorry.” Allura, yelling back: “What are you protecting?” OK, let’s stop here with the dialogue, because we have enough to actually paint an image of this interaction.
I might ruffle some anti-Allura feathers, but I actually agree with her. Some have considered her demeanor here out of character and abrasive. When she yelled at Zarkon with all her might and forced old memories upon him, we all jumped out of our skin, like Lance - “Allura, what are you doing?” Like, what is she doing, going like that against a peaceful guy who just said “I’m sorry”? Also, with what authority does she bust into his memories, against his will? But based on how Zarkon’s portrait has been shaped along the >70 episodes, this is my conclusion: he knew exactly what he was doing when he deceived his Paladin friends, because, at that point, he was not yet possessed by the entity. He knew exactly what he was doing when he followed his lust for power, demanding more and more quintessence from the rift, more and more experiments alongside his wife, ignoring his friends, his duties towards his people, towards his unborn child. Sure, he was not himself when he was possessed by the entity, but before that, he was still in control of himself, even if the quintessence was starting to poison his mind. He knowingly allowed himself to drift to the point of no return. Of course, one can say that quintessence poisoning can be compared with substance abuse. And as such, it can justify his diminishing self-control, but when this converges into putting the lives of your friends and the future of an entire planet in danger, this takes on a different proportion. As the ruler of a planet, he had enormous responsibilities, which he neglected in his quest for more power. That is why Allura comes at him with such outrage. Because she, as a victim of his atrocities, as a leader of her persecuted people, as a representative of a Coalition of planets that suffered for 10k years, is entitled to accuse him, to point out his original sin (power greed), which… if Zarkon had realized it, did not magically appear because quintessence blinded him. It was his original, own evil instinct. Just like Shiro said: “Zarkon fell prey to his own evil instincts. The quintessence field didn’t create them, it revealed them.”
There needs to be accountability for what he’s done; Allura is right. It makes sense that her forgiveness comes with one condition: Zarkon has to help them defeat the witch. If the emperor truly wishes to redeem his consciousness, he needs to “ride one last time” with the other nine paladins and atone for his past sins. After aiding them unveil Honerva’s most hidden secrets - her deepest, unfulfilled wishes, Zarkon indeed helps the Paladins punch out of her mind trap. But not before an interesting conversation with Keith and the other Paladins. Honerva’s powers suddenly attack them and Allura falls on her knees, blasted by a terrible migraine. Zarkon: “You’re in her mind. She’s more powerful here.” Keith: “What do we do?” Zarkon: “There’s nothing you can do but accept defeat.” Keith: “No, we won’t give up!” Zarkon: “That’s your Galra lineage. It’s what makes you a great leader of Voltron. You and I share that trait. But look where it has led the two of us. My desire for unlimited Quintessence was the catalyst for 10,000 years of destruction. Your quest to save the universe took you into the mind of a psychopath.” Keith: “Yes, to gain the knowledge of what she’s doing. And now we know.” Zarkon: “Yet you still don’t know how! She’s too powerful.” Alfor: “Zarkon, Honerva may be more powerful than each of us alone, but the strength of ten Paladins working together as one is the strongest force in the universe.” Zarkon: “The Lions are gone, Alfor. Voltron is gone forever.” Keith: “No, Voltron isn’t gone. Voltron is within each and every one of us. We’re bonded to it, and to each other.” Alfor: “We have one last chance to set things right, but we cannot do it without you. Ride with us one last time, Zarkon.” Pondering on their words, Zarkon pulls out his bayard: “Form Voltron!” Taking a quick look at this dialogue, notice that Zarkon harbors quite a defeated attitude. He really needs a lot of convincing from his friends that there is still hope. Which is something quite uncharacteristic to a Galra warrior, but given the fact that for ten thousand years he’d been under the powerful influence of the dark entity, I can see why he believes defeating Honerva is an impossible task. Another interesting fact is Zarkon’s admission (finally… finally!) that his own desire for unlimited Quintessence was “the catalyst for 10,000 years of destruction.” Zarkon finally admits his sin! But he also thinks Keith is driven by erroneous intentions: “Your quest to save the universe took you into the mind of a psychopath.” To which Keith quickly explains the intention behind his quest, which is not driven by personal desires or ambitions, but practical reasons: to gain the knowledge of Honerva’s objectives. Keith does not have evil instincts to drive him mad. He does not get dragged into obsessive quests. His ‘stubbornness’, if we were to call it so, is bolstered by reason and a moral compass. Alfor’s final words beautifully close the emperor’s arc: “Ride with us one last time, Zarkon.” Their final ascent, united into one, 10-Paladin Voltron, is symbolic of Zarkon’s redemption, an uplifting message of unity and also of hope - that it’s never too late to atone for one’s past misdeeds.
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Zarkon’s story, as I see it from this analysis, although at a first glance seems to highlight his abrupt change from a good guy to a rad villain and ultimately circle back with a redemption, is actually built through subtle shifts, and it’s challenging to follow because the backstories are peppered across the seasons, sometimes without a chronological order. But they are there, if you’re digging for them. I’ve used this quote in other metas and I’ll make use of it again here, because it has relevance to how they built Zarkon's arc. Here’s what the executive producers said, in a Syfy interview, about the way they shaped the antagonist characters:
LM: We’ve chosen to kind of selectively release little bits about our villains, like - along the way. We didn’t really have one episode where you expose everything there is to know. A lot of it is kind of underlying, for people to kind of - if they’re willing to look for it - they’ll find it. […] JDS: I think that - in our minds, and in the writers’ room - you know, there’s a full, fleshed-out backstory that goes back to… who-knows-when. Um, yeah, it’s all there, it’s all a matter of…, the viewers are gonna, like, find it, and… [motioning his fingers to suggest keyboard typing] Interviewer: …sift through it. JDS: Yeah.
The next meta in this series will focus on Honerva’s arc - the link is at the beginning of this article.
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crackship-connoisseur · 4 months
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STFU IM COOKING SOMETHING !!!!!
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heynhay · 1 year
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Keith reacting to Lance’s sword since canon denied us
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he'll be coping with this for weeks
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leenfiend · 1 year
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very much considering writing a short klance fic about the two of them each knowing the other likes them but wanting the other to confess first so bad that it just becomes a competition 
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chocommii · 11 months
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i was suppose to draw trigun for the twins birthday but I saw a old Voltron piece and um.. got disgusted. this is dedicated to my self a couple of years ago
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reference pic..
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