re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"
this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?
some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.
take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.
and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.
people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.
that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis
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We are interrupting our regularly scheduled program to bring you a snippet of a potential ZoSan undercover as a married couple fic:
(Timeline wise shoehorned in sometime shortly after the timeskip, before the Strawhats make it back into the news big time.)
(People need saving from a exclusive circle of nobility, but most of the Stawhats have already been seen around the island, so the lot ends up on Zoro and Sanji to try get in posing as a freshly married couple on their honeymoon to try get more information.)
[after coming up with the plan and Zoro and Sanji hesitantly agreeing]
Robin: "You seem a little stressed, Cook-san."
Sanji, chain-smoking his third cigarette: "I'm fine, I'll do this… I just… I don't like lying about something as significant as marriage, alright? I know it's stupid, but that's just how I am."
Luffy, perking up from where one might have thought he wasn't paying attention at all: "Oi, Sanji, promise to protect Zoro?"
Sanji, puffing out smoke: "Obviously, the Marimo would get lost within all of two seconds without me having his back."
Luffy: "Good! Now, Zoro--!"
Zoro, already rising to the bait: "Oi, if anyone is protecting anyone, I'll be guarding your lanky ass, shit cook!"
Luffy, laughing: "Alright, then as the captain of this ship I hereby pronounce you married!"
Zoro:
Sanji:
Robin: "Oh my, congratulations!"
Brook: bursts into song
Luffy, grinning at Sanji: "See, now it's not a lie anymore, so you don't have to feel bad about calling Zoro your husband."
Zoro: "LUFFY!!! YOU CAN'T JUST--"
Sanji: wordlessly walks off to get ready for the mission
Usopp: "Wait, wait!" runs after Sanji, grabbing his wrist
Sanji: stares
Usopp, sweating nervously: "Need your ring size…"
Sanji: staring intensifies
Usopp, scurrying off as quickly as humanly possible: "Wedding gift!"
Luffy, in the distance, still being yelled at by Zoro: "Too bad we don't have time to celebrate, I really want some wedding cake… :("
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Submitted Prompts #144
*shakes a bag of bird skulls I found in the woodsI and places it on your desk like it's a bag of gold*
I had an idea:
What if the Fenton parents are, in fact very competent Hunters, but they love their children more than their work?
Say the first shot Maddie ever fired at Phanton actually lands, and the scream he makes sounds too much like Danny's voice, to a point even with any ghostly distortion, his own still recognizes the voice.
I can see her pulling Jack to the side, making a ruckus about how the "darn ghost got away just as her blaster ran out of juice". Mostly as a way to get Danny her darling son to leave and go somewhere safe, while his parents have a whole breakdown in the GAV about their dead son.
And so begins the stealthy studies on how Phantom's "human disguise" works, the Revelation of Horrible Truth, keeping tabs on Danny's growth and revising their whole attitude on Ghosts to account for the fact that Danny himself is, at least in some part, a Ghost himself, but all he's done is live his life (and be the little hero Mom always said he'd grow up to be).
Jazz stumbles across his secret and is immediately pulled aside to join the secret "Protect the Baby Ghost" family group chat.
"And what about all the times they shot at him in canon" I hear you ask?
They're damn good shots, but while Maddie can train herself to aim just so that the shot misses just enough it looks like Phantom dodged it, Jack has the Fenton Bazooka outfitted with a tracking HUD that purposely fails to hit everyone's favorite Ghost Boy.
Danny picks up on that, but not on the fact that They Know.
And so begins the single most convoluted training arc ever.
Next time Skulker's in town, Phantom has become untouchable. Not a single shot or electrified net reaches it's target.
(The electrified weapons in particular send the Fentons into a rage when Sam and Tucker finally can't keep hiding it, and come clean about what happened, since the Fentons have proven themselves to be trustworthy)
When Red Huntress comes about, and Valerie Grey becomes barely a distant acquaintance after having only just now started becoming more than a friend, and with the GIW sniffing about, Maddie and Jack pull Danny to sit between them and finally tell him they know, and they want to prove that they'll love him just as much as before, whether Human or Ghost.
Danny breaks down in the safety of his family's love, and takes some time off as Phantom to help his parents establish a proper line of communication with the Ancients, considering they've kinda adopted themselves into the roles of Aunts and Uncles towards their little Ghostling.
Which is a good thing, because in Phantom's absence the GIW make a giant spectacle of destroying several houses while chasing some blob ghosts. They're chased out of town by brick, stone and metal bat.
Next time Red Huntress actually manages to hurt Danny, the Fentons pack up and leave. The Portal can be transported somewhere else. It can be rebuilt.
Their baby boy can't be rebuilt, no matter how much he likes to be a little shit and ignore Reality to quote Shakespeare at his own head (thank you Mr Lancer, for not giving up on him) or "give them a hand".
As Fenton takes the last tour of Amity, Phantom disappears. The Protal has been left seemingly unguarded.
The Ghosts decide to have one last hurrah in Anity Park before Danny closes the Portal, as per their deal. They won't hurt anyone, just cause chaos, but in return Phantom won't stop them. It's not like poor Red has the energy to chase them down, now that she's been "upgraded" into Amity's sole defender (the one time Lancer compares her new lack of sleep to Danny's, horrifying pieces start lining up too well in her mind)
The Fentons move out. Into a quiet farm neighbouring the land that belongs to the delightful couple that are the Kents, and their darling son, little Clark, who stares at Danny mildly horrified whenever he comes by to babysit, or help out with fixing the stubborn tractor. One day under Danny's clever hands, and Jonathan Kent's eagle-eyed gaze, and that damned tractor has never worked so well before. The boy's alright in the old man's eyes, and he makes sure they kid knows it.
After quiet rooftop admissions of one small boy's growing powers (I know Adult Clark is a brick house of a man, but what if he was a little twig while young) and the reveal of Something More Than Human from his honorary older brother, the course of Time sets into it's best version, and an Old Clock smiles, as Superman rises, only to be scolded by Spectre for recklessness.
(Dunno how well it came across, but I'm envisioning Valerie's feelings towards Danny to go from bitter resignation because she " had to" push him away, to horrified despair when the truth starts falling into place. He's her "the one that got away". And it's not like she gave him much of a reason to trust her with his secrets.
Maybe older and wiser Red Huntress gets invited to the Justice League, and has to deal with not just Fenton, but also Phantom flirting with her, after a good long conversation on how dumb they both were as kids, and a mutual vow of "I think I can do better now, and I want to prove it to you")
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OnK Chapter 158 Thoughts
This is literally me every time Akane shows up 😭
It was so cute to see Ruby so happy to see Akane! It feels like the two must have grown close again off-panel after this happened:
Akane looks so cute, too 😭
Onto the more pressing matters, first thing that caught my eye was that the concert took place in Miyazaki, aka the town where Goro & Sarina lived and died. According to Akane, she had "some business" there. This business is quite obviously not something she is keen to discuss, considering her reaction.
Could the business be keeping tabs on our resident psycho, the one and only Nino?
To be perfect honest, I'd also hope that "business" involves Akane doing some digging about Goro...
...But since I've gotten used to not having nice things in this manga, I'll just settle for Akane tailing Nino and keeping an eye on her, because that feels like the in-character thing for her to do.
So we could say that the beginning of the chapter establishes that Akane may be tailing Nino.
That's one thing to keep in mind.
Moving on, Akane says that she "might not be able to make it" to the Christmas concert. The very concert Kana will Graduate in. The one where Kana is expecting a reply from Aqua.
Akane (and her now patented ^^ smile) is vague enough that we can read it in various ways. Could it be that Akane doesn't quite want to watch the concert where she's expecting Kana and Aqua to get together? Or could it be that she has something more important to do that day?
And if she does, could that involve the 'Happy Ending' she and Aqua discussed two chapters ago?
That's another thing to keep in mind.
Speaking about Aqua, since Christmas in Japan is a holiday for couples, we get this very funny, very interesting panel from Ruby, who looks anything but supportive at the thought of Akane dating someone new lol
Looks like Ruby isn't too keen on Akane moving on from her precious brother. It's up in the air whether that's just Ruby being a brocon or because Akane still has her seal of approval to date him, though.
Akane really has this fake smile down to an art lmao
Next we get an Akane monologue where we're told that despite Kana being a force to be reckoned with, she can't match up to Ruby, who outshines her.
When I read those words, they automatically reminded me of Nino, who went through the same thing with Ai. Fittingly enough, we later get this Nino panel, where Memcho's face is obscured and only Ruby and Kana can be seen.
We also happen to get this ominous panel where Akane shows she's aware that there are people out there who want to "destroy" Ruby's sparkle. This is another thing to keep in mind.
I'm curious as to what Ruby was about to say when the scene cuts to Nino, but I won't speculate about it. Tsukuyomi's monologue was also interesting, in the sense that it tells us how Aqua's, Nino's and Kamiki's love for Ai has gotten all twisted.
Next thing we know, we get a timeskip. Aka has literally timeskipped us straight to Christmas, aka Kana's graduation concert.
The rushed pacing alone would've been hilarious if it weren't for what happens next.
Let's summarize everything Aka has established in the past few chapters up to now, shall we?
Aqua and Akane know that Nino is behind all the deaths in the manga. We have no idea how they realized this, but Aka took the time to show that they magically knew it. We're thus led to believe that this is important.
Akane wants to ensure everyone's future holds a happy ending, and Aqua is aware of this. Considering that both of them outright discuss Nino, we're led to assume that they may team up to make sure she's dealt with.
To this end, Akane may be, quite literally, tailing Nino.
Meanwhile, Ruby herself is being constantly watched by Miyako and Ichigo, to the point she says she doesn't have a single second of alone time.
Moreover, Akane pretty much summarizes in this chapter why Nino would target Ruby.
So I must ask:
Taking all of this into account, in what world does this make any sense at all?
The door even had a window! A window!
And even if it isn't see-through, we've been told over and over again that idols need to have keychains and security systems to protect themselves from crazy fans. Ai herself says so.
So in what world does it make sense for Ruby to get stabbed like that?? lol
Now, the stab in and of itself is anything but surprising. The manga hasn't exactly been subtle lately about Ruby likely becoming Nino's target. Some of us thought that Gotanda's line about Kana protecting Ruby was foreshadowing and that Kana would tank the stab for Ruby. Others thought that Kamiki would be the one to step in to save his daughter, one good deed to help atone for his past wrongs.
Whatever the case, despite our personal preferences and hopes for this manga, we all knew that Ruby was in danger and that someone would be getting stabbed. Some of us even expected it to happen this week because it's the week where Sayahime would be getting slashed in the manga lmao
So how am I supposed to believe that Aqua and Akane, who somehow even figured out Nino killed Yura and thus her motif, didn't take the necessary measures to not let it happen? lol
Even the lead up to it is... bland. Forced. Nonsensical. Why isn't Ruby shown curiously peeking at the door just like Ai would've done? Why don't we see her behaving normally at all before she opens the door?
The stab page is pretty much a copy-paste from Ai's, so why not go all the way and have a repeat of these panels, too?
This all could be explained by forced, bad writing — an Aka staple, certainly. And I wouldn't be surprised if that's the case. In fact all of this must sound silly coming from me, since I've been laughing about Aka's mess for weeks now. But biased as I am, I'm kind of forced to take the bad writing more seriously when my favorite character is directly impacted by it 😂
So I'd like to think that Akane and Aqua did see this coming and that they have a contingency plan. In fact, I'd even go as far as saying that I'd like to believe that the stab itself is staged. There are certainly enough weird things about it to make room for that possibility. The first thing I wondered about when the leaks dropped was if it could be someone pretending to be Ruby to trick Nino, and the lead-up to the stab does leave room for that possibility imo
Akane (or Aqua) with a wig, or even Ruby herself but aware of the plan — I would literally take anything at this point except the very empty, very forced scenario where Ruby truly just got stabbed because everything established in the previous chapters suddenly ceased to matter lol Heck, I'd even take Akane using a prop knife to give Ruby a scare and force Miyako & Ichigo to take measures to keep Ruby safe during the concert. Would it be silly? Absolutely. But this entire situation is already silly as it is, so I'll settle for the lesser evil lol
The story can't keep making Aqua & Akane ridiculously intelligent when it suits it, and normal when it doesn't. It's inconsistent and most of all, it's unnecessary. They could just as well have figured it out after the fact, alongside the reader, which would have drastically increased the emotional impact of the Nino reveal from: predictable and rushed to predictable but impactful.
If this was done so that Aqua and Akane can question themselves and their desire to shoulder the darkness to protect others, couldn't this be done in a better way? Because as it is, if everything is just as it seems, then Aka has deliberately kept Aqua and Akane from growing just so he can force them to do so through shock value alone.
I know I always say that I don't like predicting Aka, but I thought it'd be revealed that they had enlisted everyone's help to deliberately lure Nino into targeting Ruby during the Christmas concert, and that they would catch her red-handed before she could hurt Ruby. Since I figured that Aka may want someone to get stabbed anyway so that Aqua could put his medical knowledge to use, I thought that something would go wrong during the confrontation with Nino and that she would manage to hurt someone either way.
Maybe it was my mistake to expect any sort of consistency from Aka. Time and time again he shows that all he cares about is his perfect timing, and so characters will do whatever they have to do and will be kept as stagnant as they need to be in order for their development to happen only when that perfect timing has been reached. Like the way he rushed and rushed just so the stab could happen at the same time as the Saya slashing in the anime.
I do wonder though, aside from Ruby being immortalized as the ultimate idol through surviving the same attack Ai died from (and Kana's graduation happening at the Dome, because who wouldn't want B-Komachi at the Dome after this), what would be the point of this? Will Aqua magically get there in time so he can use his medic knowledge? Will Tsukuyomi perform a miracle? Or will we get a few chapters of people crying over Ruby's hospital bed while Nino keeps being crazy in the background?
No matter how I look at it, I feel like the only scenario where the writing is (somewhat) salvaged is the one where things aren't as they seem and this is all part of a plan we aren't privy to. Making Nino think that she has killed Ruby, only for Ruby to get on-stage brighter than ever would be a pretty cool twist.
If there is no twist though, then characters were made to look circumstantially dumb and incompetent just so Aka can have some last hurrah in the form of forced drama lol
So yeah, as per usual, I'll be hoping for the better option out of the two while preparing myself for the worst outcome.
Edit: I literally forgot KAMIKI lmao if not Aqua and Akane, KAMIKI should know that Nino is definitely going to go after Ruby. Why would he just sit on his butt and let it happen??
If there's no twist at all, this will seriously be an all-out character massacre 💀
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Feel free to ignore you've probably got a lot going on right now, but considering you know a lot about DOTC and Clear sky, I had a question...
We know that he's a terrible, misogynistic, woman beating and war mongering lunatic who was excused of all his actions because his equally misogynistic brother said " But-But he's nice! Deep down! This isn't the real him! "
But! In a world where the Hunters could write such a character, what do you think Clear Sky would look like as an actual sympathetic villain?
Idk if that makes sense, but what I've thought of doing is taking purely cannon Clear Sky and attempting to change him enough that he's still an antagonist, but not too far where only Reddit defends him.
I don't think he works as a sympathetic villain, on any level, ever. I think you're making a huge mistake to even try, and I have never seen an AU where it was done well nor am I interested in entertaining the thought.
Characters. Are. Tools. They exist to tell a story. The story that people tell me, by obsessing over some alternate universe where he was "ACTUALLY sympathetic and had a REAL redemption arc," is that they're not fucking interested in his dozens of victims. Nor do they actually care about the abusive impact he had on the minds and feelings of his family. They're JUST interested in Clear Sky himself.
Just like the Erins. Everything that happens in DOTC revolves around him. Everything. All his wives die so he can be sad about it. His brother defends all of his actions and BEGS you to sympathize with his pain so he can be 'redeemable.' One Eye comes out of nowhere so that there can be an example of "real" evil to contrast Clear Sky so he's less bad in hindsight.
The first three books of DOTC are bad, but the last three are fucking insufferable because SUDDENLY all that Gray Wing apologia pays off, and they take their main villain and throw him out a window. You CAN'T have "redeemable" Clear Sky and the plot of DOTC without dragging in someone else to drive the conflict, to BE the bigger threat to "unite" against. Slash and One Eye have to be conjured up out of thin air so Clear Sky can WHINE about how people only suck his toes instead of deepthroat them after he killed all their friends.
And yet, in spite of this absolute failure of an attempt, we continue to see this bullshit "redemption" be a mistake because Clear Sky is a fantastic villain, with major antagonist roles in nearly EVERY bit of follow-up material for DOTC that came after.
He's the most consistent monster in all of Warriors.
He's a fragile, egotistical, self-absorbed megalomaniac who ALWAYS sees himself as the victim, REFUSING to self-reflect and blaming everything else for all of his terrible choices. He will USE your love of him against you like it's a chain through your nose, step out of line and he will yank you into place with guilt trips, manipulation, public shaming, and violence.
He's a child abuser. He's a tyrant. He abandons the sick and disabled as soon as they're of no use to him, with grand speeches about "illness" and "weakness." He's a murderer who stands above the shredded corpse of his victim and bellows, "I'M NOT GREEDY! I'M JUST STRONG!"
And you'd write a "good" redemption arc for this, why?
Why are people so chronically unable to accept that there are LOTS of people like him, and you can't save your abuser? Why don't you ask yourselves why you're not interested in exploring Thunder, or Petal, or Gray Wing, and how his toxic influence impacts them? Why does the sympathy fall on Clear Sky? What about the DOZENS of victims who are dead by Book 3, and how THEY could have been saved?
Why ruin a perfectly good villain?
What's behind this trend where a billion people say to me, "Yes Clear Sky is a walking cavalcade of fucked up abuse apologia, and an incredibly realistic depiction of an abuser, but how would you change this while keeping it all the same?"
I wouldn't. You can't. It wouldn't be the same story, or it wouldn't be the same character. Never seen it done well, and I have seen it a lot. So I don't entertain this deeply frustrating "Well What If Clear Sky But Nice" impulse.
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