#me: murdered in cold blood

[arabella-strange]

Also the Essek (and Astrid) of it all should not detract from the other absolutely enormous development we got hours and hours ago,

Callowmoore "do you want some company" to "I just want to wake up with you" 0-to-60 in 4.5 seconds

[septune13]

guts is his #1 simp

[quillthrillswriting]

i'm sorry, but the atla fandom is the only place where i've ever seen people unironically use a 12 year old telling his friend that killing someone out of grief is maybe a rash decision and not healthy to argue that that same 12 year old is being controlling and is an unhealthy partner

you guys know that murder is like....a bad thing....right? especially for a 14 year old? you guys know that revenge murder isn't a healthy strategy? you guys know that anyone who would encourage that is probably actually the unhealthy one in that scenario...right??

[horrorshow]

DEAN looks at SAM for a second with surprise and then shrugs in agreement.

SUPERNATURAL 3.09 Malleus Maleficarum

[sp1resong]

remember my name - mitski

[scribbyizhere]

so I drew LDR Sun(@spadillelicious) in magma :DDD

someone gave him a flower(with a special meaning behind it- waaaah I love you in between)

closeups because it's pissing me off

[wild-flowerhoney]

need more jasico fics where jason is a simp and everyone just kinda. stares at him making an absolute fool of himself to make nico notice him

[destructo-range]

blorbo supreme

image ID under the cut

[Image ID: A digital drawing of the character Freminet from the video game Genshin Impact holding a Blahaj, a stuffed shark toy from ikea. The colour scheme is mostly blue. Freminet is a young white boy with straight blonde hair that goes down to his chin, with sharply cut bangs hanging over his right eye from the viewer's perspective. He has blue eyes and pale eyelashes as well as freckles. He is dressed in his usual in game outfit minus his beret, a short sleeved and short legged diving suit with a thick navy coat over the top. It has pale beige and gold lining with golden detailing. The sleeves are rolled up and the hood falls around his sholders. The coat is somewhat short, going down to his mid-thigh. He is wearing navy fingerless gloves that also have golden detailing. Freminet also has large shiny navy lace-up boots, with chunky golden soles with some more metallic details around his ankles (coming out almost like folds) and around the top edge. There is also a small pack strapped to his thigh coloured in neon blue and the shoes also have some neon blue highlights on a part of the top rim. He has a pensive expression and is looking off into the distance, holding the blahaj in his arms with one leg curled around it. w/.End ID]

[tri-punishr]

The girls are fightinggggg

[chloepleasestopdying]

I love me a dark Max fic when it’s done right. Like the idea of Max slowly losing her grip on her moral compass due to rewinding over and over again is just, ugh, so good.

Mix that with the comics idea of Max being able to hop timelines (which seems to be what Double Exposure is going for) and I LOVE the idea of a hardened and jaded Max timeline jumping for her own personal reasons without caring how her acts affect that timelines Max.

[odd-critter]

hello wordgirl community

[sunshades]

okay i want to talk about canto vi again. this line is one of my favorite- the reference to the same scene in the book is not only precise but it also catches an implication there always is in the book, that hindley calls his sister catherine in front of heathcliff to signal that is what he wants HIM to do. despite nelly's later claims that the two just didn't talk for Who Knows What Reason, they both remember why: it's hindley breaking the bond between the two by stressing the barrier of race and class, something he'll keep doing for the rest of his life.

in the book this scene is also reprised in the second half. i think everybody knows the canto blends together the two generations, and it's interesting how hindley's behavior often reflects book!heathcliff's in many instances, like in this one, where he does his best to make hareton feel ashamed of himself, by stressing on his role as a servant and lack of education and refinement compared to catherine, to the point of not speaking or even looking at her.

it's much of the same. like book!heathcliff, hindley is noted to be extremely proud of this little plan of his falling together.

BUT beside this the interaction that i think is very interesting in this same chapter is the one that follows, linton and catherine discussing hareton--

it's a terrible scene on all sides for hareton, but of the two catherine appears (as usual) as just being kind of a snobby sheltered girl, while linton has some real fun out of insulting someone who is "beneath" him, and he feels comfortable doing so because he's already seen his father do the same. going back to the first quote, it's interesting how hindley uses the laziness as an insult, as beside being racially charged, it's also referencing this scene and what book!linton says to hareton. it reinforces the fact that book!linton and book!heathcliff's dynamic is being reprised through linton and hindley:

it's probably linton's most noticeable character trait, straight from his namesake, that he is incredibly cruel but doesn't have the physical strength to act on it, instead having to rely on other people to do it in his stead.

it sources many other points of his character- much like in the book!linton, catherine, hareton dynamic, linton effectively offers nothing to catherine as a partner, with the only thing he could use to "win her over" being his degrading of another based on his presumed superiority, and in the end even his pursuit of catherine appears much less like "devotion" and more like his need to own yet another thing for his collection, one more trophy to show that he is worthy of his name and wealth.

this characterization is consistent, and he prizes the idea of this devotion that makes him superior to others, acting as if his love not being requited makes him a better man than heathcliff, and holding this devotion up as a shield to refuse taking the blame, trying hard to give the impression he was the one with no agency, even when he was completely aware catherine's mental health had completely deteriorated and she was a danger to herself and others

in the end hindley and linton are incredibly similar people- hindley uses violence to carry out the belief in his own superiority, and linton must use words, but they're both as cruel and self-centered as the characters they're based on

[sequs-art-box]

Guys.

[earlgodwin]

"He's spent the entire time being picked upon and bullied by the family. I think personally from where Juan stands he sees the hypocrisy in the family, how they can do one thing and say another. As far as Juan is concerned he's always had the best interests of the family at heart, however misguided that might be and doesn't quite comprehend why nobody understands that. Nobody seems to understand that what he does, he does for the betterment of the Borgia clan and never waivers from that. He does that in ways that perhaps aren't sanctioned by the church or sanctioned by family law."

[several-ravens]

post season 2 horny rant about elias don't click if it's going to upset you

MY HUSBAND. A MURDERER. who would have thought???

so it was him at the murderous end of that pipe. good for him

when i tell you i screamed when he walked into the room. i mean damn he can talk to me like that whenever he wants. HIS VOICE??? and that little evil speech at the beginning oooooh that's enough to kill me

maybe he didn't need to murder leitner as well but also who am i to stop him? like eurgh brotha eurgh but also ooooh baby heaven is a place on earth like that one remix that's on tiktok atm

AND because that wasn't enough, on top of being evil and fucked up he's also very powerful

excuse me but that's hot af. his place of power should be me.

(i have a thing for evil powerful men in case that wasn't clear)

[snottertooder]

Imagine being Willis or Cathrine Todd, working for the 1% your whole life in order to create stability for your child while struggling yourself, only for said kid to be adopted by the 1% who influences YOUR child into wearing scaled shorts and fight crime at night while risking his life. And his said life later gets BRUTALLY taken by the actions of his new father, and in retaliation his new 1% father takes the clothes he died in, puts them up on display like it belongs in a museum, and uses his life as a cautionary tale.