#message handling

[justnshalom]

Efficient Tools for Working with Large Messages

Introduction Working with large messages can be a daunting task, especially when it comes to optimizing performance and improving data processing capabilities. In this article, we will explore some of the best tools available that can assist you in effectively working with large messages. 1. Apache Kafka One of the most popular tools for handling large messages is Apache Kafka. It is a scalable,…

[sexhaver]

every time i see what the Duolingo owl is up to or whatever Arby's latest crazy crossover is i get war flashbacks to the Denny's tumblr circa 2012ish. we could have stopped this. we saw a fish evolving legs and kept shoving it back into the water and it kept coming back and now we're drowning in legged fish. we should have stomped it into paste.

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 6

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 4] [Pt. 5]

[trianglesand]

Marble hornets x Slendermansion AU but instead of Hoodie and Masky being proxies they also live in a small cabin in the same woods and are constantly trying to sabotage the creeps plans. Hoodie learns Jeff is supposed to kill some random family and follows him there to purposely set the home security system off and Masky jumps out of the closet and tackles Jeff. They all run away to their own homes afterwards when the cops are called. The Operator/Slenderman could put a stop to it if he so pleased, but finds the shenanigans amusing.

[snake-berry]

my queens <3 arya, sansa, & dany

ok before this starts controversy the crowns were so fucking random you have no idea. dany's is just the classic, arya's is a lineup of wolf teeth bc why not, sansa's is intended to be a wolf face with wings lol. pls dont ascribe secret hidden meanings to the crowns bc there is none i have no agenda and 0 horses in this race. i chose for aesthetics not for fandom discourse propaganda

anyways i love all 3 of these girls and it was fun to draw them older than their canon ages :)

[speaking-riddlish]

Thinking about how Riddlish is handled in cannon and in fics. I've seen people just put random things that happen to ryhm anytime they want someone to be speaking Riddlish and it's like, a minor pet peeve of mine? But every time we see Riddlish spoken in cannon, it kind of makes sense in a way? Like, if you think about what is said, and try to piece together any symbolism based on context, you can kind of understand what they're saying. Like Maddie said, "Riddlish is not an exact language". Putting together the metaphor and symbolism gives you the general idea of what they're getting across. And whenever a fic does this well, it's like an instant favorite.

Let's look at and dicect some cannon examples (I've always kind of found these facinating):

"Feathers and Friends, together alone!"

"Feathers" could refer to Raven, since she's named after a bird. She also has feathers fairly prominent in her character design, so it'd make sense for Giles to say this even though he doesn't know her name yet.

"and Friends" probably refers to Maddie, since she's known him for a while and is presumably his friend. It could also refer to their friendship, and maybe even be a way of including Raven in.

"together, alone" They're here with him, joining him in his solitude.

Putting it all together we get "Raven and Maddie, you're here! You came to visit me!" Which lines up pretty well with Maddie's translation of "he says it's nice to have us here!"

"Can a musical chair change its tone, when the tablet of granite is inscribed with a bone?"

"Can a musical chair change it's tone" The music in musical chairs is integral to the game, yet the song played does not come from the chair, but from the people playing. The tone of a musical chair is something fundamental about itself, and also something imposed by something outside itself. Can it change? Can something change something about itself that someone else has decided is fundamental?

"When the tablet of granite is inscribed with a bone?" A tablet of granite inscribed with something is literally that thing being written in stone, another reference to destiny and inevitability. And what's written on that stone is a bone, is death. Death is what is written in stone. Death is supposedly inevitable here.

From Raven's tone and terrified body language when asking Maddie to translate for her, it's fairly clear that the thing that wants to change is referring to Raven.

Putting it all together we get "Can Raven change from what others have said she's supposed to be, or is death the inevitable consequence of that like we've been told it is?" Which lines up pretty well with what Maddie was asked to translate: "What'll happen to me if I don't sign the book, am I really gonna disapear?"

"The king that sings with pages of sky fears too much the dawn that rises with lies"

"pages of sky" is in reference to the book, and maybe the fairytales themselves. The sky is often used to symbolically reference heaven and the divine. The book, determining people's destinies, fits fairly well into that category. It's almost like he's referring to the book as being from above.

"The king that sings with pages of sky" would then be Headmaster Grim. He's in a position of authority over the students like a king is to his subjects. He "sings with" the book/the stories with his constant insistence that people must sign the book and follow their stories, speaking in unison with them.

"fears too much" this part is fairly clear, Milton's paranoid. The consequences he thinks are inevitable aren't as inevitable as he claims.

"the dawn that rises with" would mean something like "the consequences of" or "the fallout from". Then there's one of two ways the rest could be. "lies" could refer to that which is contrary to what the stories say will happen. If you take the stories as "truth" then changing the stories would be "lies". Or, "rises with lies" could mean the consequences coming from Milton's lies being brought to light. The dawn rises as Milton's lies rise.

Yet the whole thing sounds rather foreboding, giving the impression that something is seriously wrong.

Bringing it all together, we either get "Headmaster Grim told you to follow your destiny because he's paranoid about what'll happen if you don't. But those fears are unfounded. Also something is very wrong." or "Headmaster Grim told you to follow your destiny because he's afraid of what will happen when people find out why you don't need to (and its emplied that that reason is something very bad)" This lines up fairly well with Maddie's translation of "There's something wrong with the book, and if you don't sign, your story will continue... I think". I like the touch that Maddie wasn't as confident in this translation, since the last phrase is more ambiguous. It's not really clear how the foreboding tone integrates into the message without more context than Maddie has, so Maddie doesn't really know what it means.

"The baby bird flies. The snake, it slithers. But the cage holds both, to die and to wither."

"The baby bird flies. The snake, it slithers." The baby bird and the snake are two very different creatures, they move and interact with the world in two totally different ways. Most people also would look more favorably on the baby bird than on the snake.

"but the cage holds both, to die and to wither." the cage doesn't care what is inside of it, it will indiscriminately hold them both captive. The things that make the baby bird different from the snake, and the adorable charms of the baby bird will not free the baby bird from the cage, nor will they protect the baby bird from the grisly fate that awaits it in the cage.

The context is also relevant, since she's talking to Alastair and Bunny, two of her subjects who have just been arrested, but also two of her daughter's friends.

Putting this all together we get "Yes, you enjoy privileges that others do not have, but my affection for you will not compromise my judgement. You are not above the law. I am not above punishing you like I would anynother citizen." While we don't have a cannon translation to compare this to, it seems to make sense. Its immediately followed up with her letting them off with a warning, and despite this interaction, Bunny later tells Lizzie that her mom really is a good queen, but that the curse has stressed her out. I think the Queen of Hearts probably made exploring illegal to protect people from the curse. If she really is a good queen, then this type of objectivity ("I don't care if you're my daughter's friends, crime is crime") would make total sense.

[burins]

giving tim drake the illness. that boy doesn't have a spleen and when he gets the Normal Human Flu he is out for like two months. no one has ever been worse at being sick. his text chain with dick is just like

tim 8:07 pm

when i die do you want my playstation

dick i thought about it some more and im gonna give it to bart he likes games more. sorry I hope this doesn't hurt your feelings

i measured my heart rate and it's 83 but that seems high. that's too high right?

Cleveland clinic says asplenia can cause heart problems maybe i should call leslie

DONT TELL BRUCE BTW. HE DOESNT KNOW I'M SICK

or about the spleen thing either haha.

wait I told you about the spleen thing right?

haha

tim 9:12 pm

nvm I drank a gatorade All Good Boss!

(1 missed call - Dick Grayson 10:37 pm)

(1 missed call - Dick Grayson 10:38 pm)

(1 missed call - Dick Grayson 10:39 pm)

dick 10:40 pm

timothy drake I am at your door. let me in.

WHAT HAPPENED TO YOUR SPLEEN.

tim if you don't let me in i will call babs

tim if you don't let me in i will call babs and also I will tell her about your spleen

TIMOTHY!!!

[jomtones-bussy]

People on tiktok infantilizing curly from mouthwashing and saying that him becoming crippled was his punishment. Killing u. With my teeth.

[polysyndetonaddictsupportgroup]

okay but the way negotiations between mark s and his outie immediately fell apart. and why wouldn’t they? mark s has only known an existence where he’s been used by his outie. he woke up in a room where a voice asked him sixteen times who he was, and he told that voice he’d kill him. he knows every single way helly’s going to fail at escaping because he tried it himself. two years pass in this endless hell scraping by and his outie doesn’t take his resignation and he can’t escape the building because his outie just walks back in. And then suddenly his outie needs his help and he’s meant to just fall into line and kill himself for him. that conversation started with mark s wanting to believe his outie so bad. He was apologizing for what he did to him. He was sorry. but now he just wants to take what little life he’s built and kill him. reintegration is just tossed to him as a scrap of a promise and outie mark is lying as he does it. He didn’t reintegrate because he felt that this was unfair to his innie. He reintegrated because of Gemma. Mark S’ entire existence is utility for Gemma. He was created to help Mark Scout grieve Gemma and he’s supposed to die to get her back. But his outie can’t comprehend that his innie has something similar to lose. He condescends about his relationship with Helly, gets her name wrong, and then tells him that what he has with Gemma is Helly times a thousand. Mark Scout wants to sacrifice Mark S to save Gemma but never considers that Mark S would do the same to him to stay with Helly

[skunkes]

does anyone else relate to dis btw. I keep thinking about it since someone posted it around the same time I was having this realization about myself

[poorly-drawn-mdzs]

I have been following your work since the beginning. At first I just really liked your sense of humour and analysis of MDZS, but with time I started to really enjoy watch your progress in this drawing journey. I just watched your animatic and just wanted to say that I'm really happy for you, you're a really inspirational person.

I usually don't comment in anything and it's just because I'm really awkward about commenting. But I'm always accompanying your posts and seeing your notifications always make me smile, please continue with your good work!

(English isn't my first language, sorry for any mistakes)

Thank you very much! I've seen you around for a long while; I sincerely appreciate your support, no matter what form it takes!

[thelaurenshippen]

collecting these like infinity stones. every day my power grows stronger

[sleepsucks]

[seventh-district]

Figured I'd try my hand at some Redacted character post/text edits!

[ 1 / ? ]

Credit to @/sainthowlzon for all the Listener icons, and to @/elisacaleisa for their google drive with all the canon icons!

(slightly alternative version of the Solaires' GC edit below the cut bc i had a lil too much fun with what Vincent would name his contacts)

[marzipanandminutiae]

I was just looking into the notion that widowers only had to mourn for 1 year after their wives' deaths, during the Victorian era, while widows had to mourn for two. because I've heard that a lot, but it seems to jive more with the Pop History version of the era where mourning existed because Imposing Rules On People Is Fun and All Marriages Were For Money than with the real version, inhabited by real people who idealized love matches and theoretically practiced formal mourning to show that they were going through something and needed gentle treatment

what I've gathered from a brief search for period sources seems to be:

one source from 1839 mentioned the "widows = 2 years; widowers = 1 year" thing

every other source I read (about 7, from various points in the era) implied or stated that the minimum normal period of mourning for widows and widowers was the same

That's a small sample size, but I still think it's significant

men's clothing could often be harder to visibly alter to reflect mourning, relying heavily on things like black cufflinks and collar studs that could be trickier to notice at first glance than. you know. a bonnet with a black veil over someone's face

a lot of sources talking about mourning clothes were fashion magazines aimed at women, and thus would be more likely to talk about women's mourning attire than men's

so my takeaway is that while some people at some parts of this 60-year period felt it acceptable for widowers to mourn for half the period of widows, many others at other times expected any bereaved spouse regardless of gender. obviously, in a highly misogynistic society, women's adherence to ettiquette could be much more scrutinized than men's; a widower who married six months after his wife's death would be looked askance at, but probably not subject to as much censure as a widow who did the same. and obviously, things don't go according to plan and the formal mourning system could of course backfire- forcing a woman into months of social seclusion for an abusive husband, for example

but.

the overall goal was to convey "handle with care" to the outside world. for many people, widowers were expected to need as much care as widows- and therefore to mourn for the same length of time