#mia - episode one

[dazaistabletop]

Idk what to focus on sweater Chuuya or hot Mori or flannel Aku or the fact that they all look genuinely happy or-

[mulders-too-large-shirt]

s2 episode 7 thoughts

hmm. hmm. that is the sound if me pondering what i just watched.

(i understand that this episode was an analysis into mulder's self-destructive behaviors when faced with overwhelming grief, but. that does not mean i enjoyed vampire hookup time)

well. we shall start from the top!

i read that it was an episode about vampires which i thought was a weird narrative choice because. hello. scully still gone??? but then i remembered that i too ignored the main quest in skyrim to hunt some vampires and that i had no place to judge

(granted, my main quest wasn't finding scully though. might have given that a bit more priority than saving the whole world. because she IS my whole world)

we open with a guy that looks like joe biden meeting with an attractive young woman. they're making out in a hot tub and we just know someone is gonna get slurped upon. and woe, it be upon us! double vampire attack.

back in DC, mulder gets his old office back! it's covered in plastic. he takes some of it off. he adjusts his calendar from may to november, so we see how much time he and scully had been assigned to other tasks, which also has me wondering how she managed to get a new house that quick.

(also, this calendar is... scantily clad women posing next to tools such as hammers and saws. was this allowed? was this acceptable? was it normal? were the 90's a lawless wasteland and mulder an irreparable freak?)

well. scully is an x file now, and he puts her glasses and id into an evidence bag and closes the filing cabinet which was sooooo evil. but he can't bring himself to put her necklace away. oh man. oh he's gotta have it in case he finds her. he has to hold her close. i'm Fine this is Fine.

so. he goes out to california to deal with the joe biden looking fellow being murdered. and he is not wanted on the crime scene. we know this because someone greets him by saying "nobody called the bureau" and he says "well, they should have" and lifts up the tape to let himself in. because one thing about him is that he's gonna let himself into a place he isn't wanted.

he sees the writing of a bible verse in blood on the wall and says something about their grasp of biblical knowledge being "feeble and literal" and i was like okayyy need to have a theological discussion with him

he then scares the other guy who originally wanted to kick him out by reciting a LARGE amount of facts related to similar cases and it's very much giving photographic memory. got me thinking, have we ever seen this man forget something? (directions don't count. they're confusing. but everything else sticks in that man's brain)

he just needs one thing: a phone book. which he uses to call a blood bank and ask about a new guy. who must be the vampire who did this!

so he rolls up to the blood bank and i'm over here struggling because i do Not Do Blood, and i knew at this point this was gonna be a tough watch, but i didn't anticipate the non-blood related reasons why this would be true

anyway he's sniffing around the blood bank and he hears some slurping and wouldn't you know, this dude is tearing into a bag of the red stuff like it's a capri sun. somehow he gets him into custody, where the dude refuses to talk because the lights are on, and mulder comes in with a lamp he put a red filter over, because he was prepared for vampire interrogation.

the vampire is going on about how what he did isn't murder because it's not like animals hunting prey is murder which is. not the greatest approach in terms of legal defense. mulder tells the guard that the guy is delusional and it's best to play along, and he believed this to be true... until he, quite literally, burned to a crisp in the sunlight. and died.

he's talking to the coroner and rattling off a bunch of vampire facts and says he didn't believe in vampires which is so funny to me because like. why is that where you draw the line, my friend. not at bigfoot and definitely not at aliens. but man. vampires are just too out there for spooky mulder. until now!

the coroner has a very funny line: "you are really upsetting me... on several levels" which seems to be the general effect fox mulder has on people. and also because i felt the same way about his dumbass actions during this episode.

coroner finds a stamp on the dead body's hand, which seems to come from a nightclub. so naturally our fbi agent ends up there.

you often see posts saying that "(insert character here) should be at the club". i fear that this is not the case for fox mulder, but it's possible that it's his suit and tie that are throwing me off. he just doesn't seem like he belongs there. i ask myself, where should he be instead? perhaps some sort of star wars convention would suit him better. a book signing with some author he likes. idk, an interior decorating festival. not here.

i shall use my verbatim words to walk you through the next scene:

"pause. he's talking to a woman who was looking into a compact without a mirror. so. vampire suspect. and now why are they getting so close together. and getting a drink. okay now they're leaving to a new spot together? AFTER she admits to vampirism"

(here she did some stuff that required me to look away from my screen due to my Weak Constitution. but also it would have felt necessary to look away anyway because it was getting... charged)

she tries to get him to... suck on her finger... but he won't do it because aids. which is fair. i think that's a smart move, actually. it's just that getting flirty with a vampire he knows was involved with a ton of killings was such a stupid move, i don't know why it's now the braincells start to kick in.

that kills the vibe, though, so she gets another guy to take his place and things escalate.

mulder pulls in at a restaurant called ra. nice! the sun god! and he is... through a window, witnessing some more slurping action. he seems to want to intervene and save this poor soul being feasted upon...

but the poor soul is no poor soul at all! he comes out and decks mulder, and delivers this line with stunning conviction: "i don't know who you are, freak, but we're two consenting adults" and with this, he is forced to flee.

and yeah. it made me laugh. my expectations for the genre were subverted. he signed up for that shit! what he did not sign up for, however, was the next part, where he was killed by the other vampires.

cut to investigating the crime scene. mulder has brought along a forensic dentist, which is a job i had no idea you could go into. he needs to see about those bites, which are very human.

next they go to vampire woman's house. it's a very nice place. mulder... opens her oven. and sees a loaf of bread in there. and i'm thinking, man, i hope this doesn't go where i think it's going. baked goods... ovens... i never want a vampire pregnancy arc. but he cracks open the loaf and something red spills out and somehow, this to him means that she is gone and isn't coming back. he can read the signs of the bread. so add that to his resume. what did the bread tell you, my liege?

he seems to have stayed in her house, however, because he's there when she's back, and says he knows she was using the bread as a charm to ward off evil. because apparently that's an eastern european thing, blood bread to warn off evil. sound off if any eastern europeans in the chat wanna confirm or deny.

anyway. he's IN this woman he thinks is a vampire's HOUSE? what the hell. mulder seriously i need you to stop and think. like you should have stopped and done some thinking a while ago. honestly i'm not mad i'm just disappointed. and he's like "i want to save you come with me before they kill you" ohhh big tough man needs to save her huh. make him feel good inside. huh. certainly no ulterior motive here...

she's monologing about her horrible childhood and how sweet blood tastes. um girl. don't lie to him like that. i have busted my lip open before that stuff does NOT taste sweet and dangerous. it's like a penny with rust that you found in a parking lot.

it seems her vampiric origin story, if to be believed, is that things simply got too kinky. which is a new take on the genre.

(it's also about being caught in an abusive relationship and the damage that inflicts, but it seems abusive boyfriend came into vampirism at his kinky parties and things escalated from there. which. well. it blew the eyebrows clean off my head, to be fair)

at this point we see that he is WEARING SCULLY'S NECKLACE? he says something like "it's from someone i lost" and she says that she "hopes he finds her"

i did not like the undertones here and certainly not the overtones. because i knew where this was going. he was shaving in her bathroom. and let me tell you something: there is only ever a shaving scene in media because the writer needs a way to get some blood out of someone's body and into the real world. and man. i knew it was coming.

but what i didn't see coming was her SHAVING HIM??? girl. i am uncomfy. and she does, of course, cut him, and then they kiss. aggressively. terribly aggressively. can anyone answer what was going on in a satisfactory manner?

but the gag is: the original vampire- who burnt to a crisp in the jail cell, and was the abusive ex she spoke of- HE'S WATCHING THEM THROUGH THE WINDOW!

he breaks in and taunts the vampire woman about how he had to "wait for her to finish" and i was like cool. thank you SO much for that mental image i'm super happy with it. i definitely don't feel like i need a shower. but then he's going on about how he can't be killed.

here, at the tail end of the episode, we learn the rules of vampirism in this world: a vampire cannot be killed by a non-vampire. and a non-vampire BECOMES a vampire by consuming the blood of a believer and also taking a life. it is only here we realize that this woman is not an actual vampire yet, she just appropriates their culture by drinking blood unnecessarily.

mulder's still sleeping in her bed and she's like "you need to leave" and she stabs the wall to make her evil ex think she's killing him. but when they go to break out, mulder ties him up quite handily and he gets in the car to escape with vampire woman. until ANOTHER vampire woman jumps on the hood of their car. and main vampire woman knocks her out for a bit by running into her with said car, which is super effective.

mulder's leaving the place in shambles, his shirt still unbuttoned, wandering down the side of the hill. back at the house, now that we know the vampire rules, main vampire woman says she can finally kill the evil vampire ex. and he's like how!! you haven't had the blood of a believer or taken a life. so. she licks the blood off her hands (unclear if it's hers or mulders tbh) and says she'll take her own life. and drops a match after pouring gasoline.

so. that brings that to an end. and shabby looking mulder sits on a hill as he learns all four in the house died.

the episode ends with him playing with scully's necklace. which i don't even sort of feel like unpacking right now but maybe another time.

probably not, though, because i just didn't like this episode. and yeah, a lot of it comes down to me not wanting to see mulder hook up with people who aren't scully. can you blame me? is it so wrong to have preferences in this world?

but also, narrative wise- do you honestly see the guy fucking off to cali while scully's still missing to deal with an unrelated problem instead of devoting every hour of his life to finding her, like we saw him do in the last episode? you expect me to think he just puts it off for a lil while? the guy who, just last episode, pulled his gun on the ski lift operator to get to the top where she might be a little faster, and then choked his one and only suspect out of fury? you're thinking this is the guy that's gonna go soak up some west coast rays?

and yeah, he was obviously not himself through the episode- very cold and analytical- but c'mon. we all want to bang a vampire. he's not special. i just personally wouldn't do that if my friend were gone. like how is that gonna help the situation. be so for real. time and place!

and also the whole only learning the rules of being a vampire about 5 minutes before they need it to be plot relevant. that annoyed me too.

overall, mulder, like i said, i'm not mad, just disappointed.

let me know what you thought on this episode- i try to not be a hater, but i also understand that hating in small doses can be good for the soul. if it's a widely beloathed episode i'll feel better in my judgement as i join a long tradition of haters who have come before me.

[matchalovertrait]

The entree round begins! Who will cook the best dish? Who will cook the better soup? Find out... not in the next segment.

Previous / Next (Transcript under the cut)

(1.) [Mia] Somebody here did not fully follow the rules of Diced Junior.

(2.) [Carlo] And that would still be Lewis! A producer pointed out to us that Lewis here did not use the vegetables that were in the flatbread. We didn't even notice since the flatbread was so burnt.

(3.) [Lewis] Oh, I was supposed to use EVERYTHING from each basket ingredient? Anyway, thank you for the opportunity, judges.

(4.) [Mia] Thank you, Lewis. Please audition for Diced once you're older. We'd love to see you compete again.

(5.) [Lewis] Well, I already came to terms with being eliminated before they announced it. Maybe I will try Diced someday.

(6.) [Dulce] Bye, Lewis!!

[Alex] You did good, man.

[Rubiya] We'll miss you.

[Lewis] Bye, everyone. Good luck.

(7.) N/A

(8.) N/A

(9.) [Andrea] Chefs, please report back to your stations. Your baskets for the entree round have been placed.

(10.) [Dulce] Wow, they move fast here.

(11.) [Andrea] Inside your baskets, you'll find jicama, hatch green chiles...

(12.) [Andrea] ...goat chops, and chana masala.

(13.) [Rubiya] I'm pleasantly surprised with these ingredients! They won't be hard to combine. However, the real challenge here will be the time limit while using these complex items.

(14.) [Dulce] Yes! My mom is Mexican, so I am very familiar with jicama and chiles. Also, my mom's friend taught me how to cook some Indian dishes, so I know how to work with masalas. I haven't cooked goat yet, but I should be able to figure it out.

(15.) [Alex] I'm happy with the ingredients, just a lil worried about the chiles. Good thing I've cooked goat lotsa times by now.

(16.) [Andrea] Chefs, the 30-minute timer starts now!

(17.) [Rubiya] I'm making chana masala goat tacos with a green chile salsa and jicama dip.

(18.) [Rubiya] Tacos aren't necessarily easy to make, but with my thirty-minute time limit and these beautiful ingredients, this is the way to go! I'll incorporate the ingredients well. If only I could make the tortillas from scratch, but it is what it is.

(19.) [Dulce] I'm making a tomato soup with goat, jicama, chana masala, and hatch green chiles. I'll add sweet potatoes, onion, kidney beans, and green bell peppers.

(20.) [Dulce] There's a lot of things to dice and chop while also making sure the goat and sweet potatoes are thoroughly cooked, but I want to push myself. Also, the judges seemed to really like how I play with many different ingredients, so I want to do that again.

(21.) [Alex] I'm making an egusi soup with cubed goat meat, hatch green chiles, spiralized jicama, and chana masala. My other ingredients are tomatoes, onions, and spinach.

(22.) [Alex] Well, there aren't any egusi seeds here, so I have to use pumpkin seeds instead. I'll keep the name though, it sounds fancier that way.

(23.) N/A

(24.) [Andrea] Judges, any thoughts and opinions so far?

(25.) [Sofia] We love how confident these young contestants are.

[Mia] However, we also noticed how Alex and Dulce are both making soups. Unfortunately, that will make our judging harsher because we are going to have to compare the two.

(26.) [Carlo] Tsk, tsk. They should have thought more outside the box. Also, Dulce really has to watch the time. Andrea, please check on the contestants.

[Andrea] Will do, Carlo!

[radiocity]

The L Word: Lookbook ↳ 1.14, Limb from Limb

[hotasfahrenheit]

okay listen. obviously there's no preview the preview wasn't on iQiyi for the finale of My Stand In yet, and i wouldn't watch it even if there was because this one i want to go into blind, i've mostly been off tumblr today so i haven't seen any other speculation or discussion yet, and i mean obviously book readers know what's going on or what's probably going on but my untainted guess for how episode 11 ended is thus, and be warned of spoilers if you haven't watched yet:

i think that Joe needed to go through that door so he can meet Other Joe and they can have A Much Needed Conversation. i honestly expected him to be the person to speak to Joe in the hallway at the end, and was VERY surprised that it wasn't him. if we're going to get some kind of spiritual out of body stuff going on, it makes sense that Other Joe is someone he needs to see and speak to.

it felt weird that the monk came off as pushing Joe to let go, also- he knows how Ming feels about Joe all too well, and he knows how hard the two of them have fought to be together, so the fact that he was just like "do you wanna keep being miserable or do you wanna give up and walk away, the door is right there, you can just walk through it and let go" just felt.... off. but if his intent was to get Joe to walk through the door so he could talk to Other Joe, then it makes a lot more sense.

it's pretty obvious that on top of all the other struggles, Joe has been carrying a weight of responsibility for Other Joe's life, the most evident in the way he takes care of Ing- but i definitely think he genuinely loves Ing at this point, since she has been such a good mother to him and cared for him since he woke up. he and Ming discussed going to see her to explain things, but we didn't see that happen so i don't know if they actually did. it feels like too big of a plot point to gloss over, but we went straight from them talking about going to see her "that afternoon" to the stunt gym at night. i have no idea if that was a translation problem and they meant later in the day and were prevented from going by everything that happened, or if they actually just chose to leave that scene out.

the episode ending with Joe in a coma and potentially dieing again without having shown us any resolution- or honesty- with Ing feels wrong tho, so my guess is they didn't go see her yet, which means she has to deal with her son being in the hospital AGAIN.

and i think that Other Joe is too far gone, too long gone, to go back to life himself, but i think he's waiting for Joe on the other side of that door to turn him back around and send him back for both of them. Joe needs to remember why he wants to live- for love, for family, for himself, and i think talking to Other Joe, who gave up on those things specifically, is going to have to tell him that giving up on all of that isn't worth it. that he needs to take the opportunity for both of them to go back. to love Ming, and to be with his friends, and to take care of Ing. and Joe couldn't have that conversation if he didn't walk through that door, because Other Joe has been on the other side of it for too long.

we have had no kind of interaction with Other Joe at all, no flashbacks from people who knew him, no stories told by his mother to really give us an idea of who he was, just her saying he's different. we got nothing real from Tharn about their relationship, not even an apology for how it ended. nothing from anyone who knew him about him. i feel like it's time to let him speak, it's time for him to turn up and have a say in what's happening to his body. time for him to give Joe his benediction to live a full life, for him to tell Joe to do what he wasn't able to.

anyway yeah i think that's what's going on, so i'm not going to give up hope, and i'm not going to cry about this (too much) and i'm going to be tearing my hair out until next friday waiting for the final piece of this story.

[carefulfears]

okay the hank & mia ask i've been struggling with: i genuinely have no real thoughts about this show, just intense feelings. like i truly love it, all the characters and relationships, but especially these two. and i just wonder at all the ways they're similar. i always go back to the scene on the balcony

i have intense feelings about this show too and a hard time articulating so many of them, this topic included. it's funny because this is something that i've talked about absolutely non-stop for coming close to a year and have broken down from seemingly every angle and i still don't know how to pull it all together or what to say, where to start. most people who would care have heard me run the talking points through a thousand times over.

they asked duchovny this question too ("is mia at all similar to hank?") on the season 2 DVD and i literally hopped out of my seat when i heard that in my longest "i've been saying" ever, because it's something that i find very interesting and emotional but that i was a little surprised to find was as intentional as it is in the text. one of the first times that i talked about it was this tweet: "they're very similar people and it drives me crazy...when you have a dead mom, an absent dad, and you act out by putting yourself in dangerous disrespectful sexual situations."

and i used the word "disrespectful" because there's a quote of duchovny's that always reminds me of mia: "hank's lack of respect is really for himself, not for anybody else." which i think is an insightful observation about mr. moody and his relationship to women and culture and himself, but that also relates a lot to this idea of "acting out" and of sexual encounters as infringing on something personal. which is an experience familiar to that of a young woman trying to develop those relationships and sense of self, during a very spongy time where it's easy to infringe upon.

and so yeah what i'm saying is basically that hank moody has the constitution and coping mechanisms and vulnerabilities of a teenage girl (or as i put it in this tweet: "he has abandoned 16-year-old girl swag")

or how duchovny answered when they asked, is mia at all similar to hank, on the DVD: "you kinda know that there's...that her behavior is being driven by some problems, you know, and you wanna reach out and try to help that. and i think hank has a little of that too. you know, obviously they've got a history that makes everything complicated. but i think that he feels paternal towards her more than anything."

or how madeline zima put it: "mia is a wealthy girl who has had every luxury and is now probably really bored. she's been touched by hank's writing- it may be the only time she's been affected or stimulated in that way. so she's looking for something new, something exciting, and she finds that. and i don't think hank has found many people who are on his wavelength."

mia is the only character on the show that can really go toe-to-toe with hank and match him and never waver to him, which is why she's so diabolical to a certain demographic. they even call it out in the show: "did you see how completely unfazed she was by hank? i mean, no offense, he's a cool guy, but it was kind of pathetic, right?" (dani to charlie after the book meeting)

the only times that hank ever really surprises her or throws her for a loop or catches her off guard is when he's genuinely investing in her. (like when she's struggling in her writing class and he tells her that he'll help her if she just writes something and lets him read it, her eyes go SO WIDE when she has the "really? you'd do that for me?" line.)

and for the most part, outside of the obvious, mia doesn't surprise hank either. he is the only person in the world who really knows her and what she's doing and what her life is like.

we were talking in the group-chat the other night about the scene in season 2 when karen says that mia asked her opinion ("it was like she was kind of asking my approval") on dating an "older man," a scene that's one of my favorites of the series and such a delicious example of dramatic irony.

hank is instantly on offense ("i hope you shut that shit down immediately." / "why would you say something like that?" / "that's foul." / "this gross 'older man' thing.")

while karen is so much more relaxed and talking about her own times in college and how it can be a "valid life experience" with "the right guy."

and what i love about this scene is that they aren't having the same conversation, they aren't talking about the same thing, but so much of that difference is what we said: karen thinks that mia is her, hank knows that she's him.

the kind of dynamic that karen imagines when she hears her 17-year-old stepdaughter who is about to graduate and travel the country say “older man” is a world away from the reality that mia actually inhabits, and that hank knows about. as jaden pointed out when we discussed it, when karen finds out that mia is having sex with lew ashby, she freaks the fuck out!! she goes and throws shit at him and yells and cusses at him and rants at him about how she’s a child. (and hank has the nerve to go “you’re the one who condoned it” during their “parental units” phone call L.M.F.A.O.)

karen tries to look after mia and be there for her (“we are meant to be taking care of her”), but they have such a strained relationship always. and she really isn’t equipped, especially as kept in the dark as she is. it’s honestly really sad the way that you can tell mia regrets pushing karen away.

but hank knows her. he says it himself in mia culpa: “i know you. you’re a mischievous little fuck, but you’re not malicious.” (in the same scene where he tells her that she can do better than her exploitative boyfriend, that karen loves her, that becca looks up to her. holds her hand when she tears up)

and they’re able to say anything around each other. it’s this twisted thing where no one else knows their secrets. i was thinking about the other day, how duchovny always says that his favorite thing about hank moody is that he always tells the truth, and his favorite thing about mia lewis is that it’s the one time he doesn’t. it’s this pervasive exception to a rule that bonds them. the most devastating thing about it all, to me, is that there comes a time when you realize that there is no one else looking out for this girl. there is no one else who looks at her teacher and knows there’s danger. there is no one else that she feels she can call to come get her when she’s in trouble. there is no one else to read her writing or ask where she’s going when she leaves the house. (“my own father has never so much as helped with my homework” / “my dad’s always out of town, i don’t think he cares about my whereabouts”)

but they can tell each other and joke with each other and ask each other (loser shit for grown ass mr. moody but still). one of my favorite moments is when the print review of “mia’s book” comes out and she hops on his bed to wake him up so they can read it together: “it’s our review in the times!” (so much talk and discourse over her stealing his manuscript, it’s their story, it’s their book.)

in more ways than one, considering that both books (hank’s “modern day answer to lolita” and mia’s “nabokov meets judy blume”) are responses to their big secret that they intend for the person closest to them to read. hank is heartbroken when karen won’t read his new book, and we know from charlie that all it takes is “the first page” to figure out the truth. mia wants her dad to read hers, and when he calls it a “fantasy” about hank, she nearly blows the whole thing when she gets upset and snaps “who said it was fantasy?”

these are ultimately two people who want to be seen, who want to be understood, who want to be taken seriously- and they both put that pervasive truth on paper then immediately in the hands of the person that they each should fear ever finding out. it’s the defining moment of their lives, and they both try, and they both are still left with just each other. (what a trap it can be when the person you relate to the most is the most regrettable thing that ever happened to you)

it's these circumstances that lead to the scene on the balcony, my favorite of the series. they haven't seen each other since the arrest. she's back in town for the trial. and everything is so awful. each character is so much darker and weighed down. and every single time that we see mia in season 4 she's drunk or drugged or crying or all of the above.

it always makes me sad to think of her at 16 or 17 or even 19, joking around and being her "mad as a hatter" self, and then to see her on that ledge. hollywood's latest victim.

in a couple of weeks she'll be shaking in a court room, looking over at him from the witness stand, but for today she's on the balcony. remarking how easy it would be to just let go, just fall off. and still, no less tragically, there's only one person to come get her, and know what to say.

"you know what we need to do, mia?"

"what's that?"

"we need to forgive our fucking selves. you understand?"

[thesmallmeggles]

🐍 Polytheus Headcanons + Observations 🐍

First Up: The differences between Season 1 and Season 2 Polytheus. He got pretty boy-ed up! (Not a criticism by any means, but I do miss the pink cheek lines from S1)

//Image Description: Four screenshots of Polytheus from the tv show Mia & Me. The top two are from season 1 and the bottom two are from season 2//

Bonus Season 3 Polytheus

//Image Description: A screenshot of Polytheus from Season 3 of Mia & Me//

👇More Thoughts Under The Cut👇

Going back to "Magic Experiment" theory, Polytheus started out as a mundane snake, then changed either pre or post hatching

Snakes are born precocial (fully developed and independent from birth) - in other words, Baby Polytheus could not be contained. He went anywhere and EVERYWHERE. Once he ended up in the Treasury and that's when he first fell in love with 👑treasure 👑

His more human traits - speech, critical thinking, socializing, etc - took longer to develop

He was adopted by one of Panthea's servants, who later abandoned him. (Not intentionally) He's been alone ever since (if you don't count Buttercup)

Apart from supporting his desire for more shiny trinkets, being a merchant ensures that Polytheus will always be needed by Centopia- and being useful to Centopia ensures his continued survival. Especially considering his track record when it comes to both helping and hindering in equal measure.

Poly's shop is technically open all the time. About the only time he's closed is during shedding time. Do NOT Disturb Him (He won't attack. More likely rattle while giving the stink eye)

He doesn't have fangs, so presumably non-venomous? Therefore, constrictor. Not that he particularly enjoys doing so. It's a last resort tactic for him

Once nocturnal, adapted his sleep schedule to the elves. Maybe. (Nocturnal snakes have slitted pupils so that's what I'm basing this on)

Commissioned the elves to construct his home. Its design was his idea.

Believed Buttercup was male for years until she laid a clutch of eggs between S2-S3

He's a cuddler, I will die on this hill

[shikai-the-storyteller]

Hmm

[elbiotipo]

It is good that South America invented fútbol in the early XX century so we could spend all our national rivalries into kicking a ball instead of spending a quarter of our GDPs to build giant battleships to see whose dick is bigger (it's Argentina's btw)

[misiahasahardname]

i feel like if team amazon lost in ‘i see london’ instead of team chris (which they should’ve, btw), the plot would be more interesting.

alejandro is mad about the things noah said about him, and is now hellbent on trying to get him eliminated.

he knows that noah doesn’t trust him, so manipulating him would be pointless, but he also knows that noah and owen have an unbreakable friendship, and that owen is gullible as shit, so he could easily turn owen against noah, throw the next challenge while sabotaging noah, and boom! an interesting noah elimination that makes MUCH more sense than just making team chris lose for no reason.

also, having amazon eliminate a player and replace the player with duncan would still be interesting, and you could still do the gwuncan/duncney plot (and it might turn out more interesting since they’d all be on the same team)

i dunno though, those are just my thoughts

[paceypeternathanslawyer]

One Tree Hill Meme (22/24) Favorite Episodes Favorite Episode Per Episode Number

Season 2 Episode 22: The Tide That Left And Never Came Back

Season 6 Episode 22: Show Me How To Live

[thatscarletflycatcher]

I will bore you all writing about Doctor Finlay, but bear with me.

One of the most unrealistic aspects of the Doctor Finlay-Nurse Meitland mess is the idea that they got engaged right before or as the war begun, and then for some reason had not seen each other ever since. Brenda has never left Tannachbrae during that time; which would have been an easier fix, had she joined up as an army nurse herself and been sent to units far from John's. I guess it couldn't be because the maximum drama of her new American fiancé living in town couldn't possibly be cut off. The western front didn't reopen till 44'.

The only possible mitigation, then, would be for Finlay to have been on the desert front, and lo and behold, upon rewatching 1x02, he tells a kid he was in the desert, then Sicily, then Italy, and finally Germany. But even on this generous scenario of the writers it doesn't make sense. If Finlay had had 6 years of ininterrupted service without leave home, chances are he'd have priority to have leave home as soon as the war ended, specially because I don't think personnel was being roaded or flown directly from Italy to Germany for obvious reasons of logistic convenience. So he would have been home on leave after may 45, and so the plot as presented is absurd.

But then it is all doubly absurd because the most reasonable and likely course of action would be for him to hear about it through letters. A dear John letter, or even someone from town condoling with him by assuming that the public status of Brenda's new engagement meant that Finlay had been informed too. What is the audience supposed to assume about their correspondence? Was he writing her tender, loving letters and receiving no response? Was he receiving tepid, general letters from her and being unconsciously or deliberately dense?

It makes no sense. Compels me though.

[precambrian-sea-pancake]

I love the idea of Mia doing everything she can to be the best single mother to Rose. I like to think that they were really close when they were little.

They had tea parties, they made blankets forts, they baked together, they played with toys together.

They had no idea how hard it was for her mother until she started getting older, and noticing things. But she never wanted to talk about, especially since she would be too young to understand it. Maybe when they were older, but even then she was scared to. The most she’d say is stuff about their father was that he was a good man and would’ve loved her, or that he died to protect her. Classic “he’ll always be with you” type stuff. She always tried to guide Rose in a direction that so that they’d never make the same mistakes she did in life.

She always doubted herself in her abilities to do this alone. Of course, she wasn’t alone, she had Chris for support and help…but it still didn’t change the overall feeling of not being cut out for motherhood. Since Ethan died, confidence was sort of sucked out of her. He was her guide though, the fact that she knew he would tell her to keep going and not give up, to try her best.

In the first few years she was really struggling to hold herself together. There were so many moments where she just completely broke down behind closed doors. One day Rose saw her and tried to comfort her, but being 3 years old she didn’t exactly understand what was going on.

Rose didn’t grow up with much exposure to other kids due to living under protection but eventually she was able to go to school. Mia was super worried about how it would go, but she at least wanted normalcy in their lives. She and Chris weren’t happy about the bullying at all (obviously. They were pissed), and at one point Mia sat down on the couch with them to talk. Rose kept saying bad stuff about themself, and it really hit deep for her to hear, and also had a lot of self hatred. She wasn’t the best at lifting people up anymore, but she made sure to never let them believe those awful things about themself. To shower them in support and validation.

At some point Rose either went to boarding school or to live under stricter protection. It’s not exactly clear, maybe a combination. Mia didn’t want her to go but she didn’t really get a say in it. Chris is probably their link together since it’s likely he sees both of them, but probably Rose more. Maybe they were able to call each other on occasion, but it still felt rather isolating.

Needless to say, Mia still has all of Rose’s old toys, some of her clothes, and even her old bedroom…hoping that one day she’ll come back, perhaps once she’s older.

[zmediaoutlet]

happy wincest wednesday! a stanford era q for u: continuity error or not, it was established that sam and dean hadnt spoken for two years rather than four. what do you think happened to make this so? Do you think it has anything to do with why Dean said in the finale that he was afraid Sam would tell him to get lost or get dead?

heyyyyy bud happy wincest wednesday (a week later, cough -- oh my god what is this everyone tag on the post creator? what? okay I'll try to move past it-- )

DO I THINK

THAT IT HAD SOMETHING TO DO

WITH THE LINE

(BEST LINE!)

YOU'D TELL ME TO GET LOST OR GET DEAD?

yeah I think they're related.

I prefer not to take the 'two years' thing as a continuity error. There's no real need to? In general, it's fun to try to take what the characters say as fact and just roll with them, because often that creates a pretty interesting story on its own. Now, Sam's actual amount of time at Stanford doesn't make a ton of sense on its own, w/r/t when his birthday is, that it was only November 2005 when everything starts -- but whatever. The two years/four years thing is still rad.

We're never told that Dean didn't talk to Sam for four years -- that means that at some points in Sam's freshman & sophomore years, they were still talking. And then we're told that Dean hasn't "bothered" him in two -- and that also means that Dean knows it's two years, more or less specifically, which means that Dean's been aware of that time passing whether or not Sam has. It's not like he just showed up like 'oh hey haven't talked to little bro in a while' -- he knows it's two years, and he knows that Sam will be hostile to his showing up, and then with the extra finale context he's scared that Sam will just slam the door in his face. [that sound you hear is my high pitched wailing.] No wonder he doesn't call and breaks in, to make sure Sam won't get the opportunity for at least that initial refusal.

Maybe this is unsatisfying but I don't actually have a strong hc for what happened to create that divide. I do like to headcanon (...or maybe this is actual canon) that Sam started dating Jess right around that two year mark, and therefore his spare time was taken up with girlfriend. And then from there, it is very easy to imagine Dean calling on the road somewhere in South Carolina, trying to stay awake by bothering his little brother, but in the three hour time difference Sam's on a date with this killer blonde and he silences his phone so as not to interrupt. And then maybe Dean's in Maine and he calls Sam because he's bored on a stakeout and Sam's watching a movie with his new maybe-he-can-call-her-his-girlfriend, and he misses that call, too. And then maybe the next time they do talk, Dean's kinda snippy-bitchy because, damn, you avoiding my calls?, and Sam's kinda snippy-bitchy back because, no, but he does have a real life, Dean, he isn't just waiting around for random VH1 Behind the Music trivia. And so maybe the next time Dean thinks to call, nursing his stitches in a motel room somewhere in Texas, he decides not to. Don't want to bother big time college boy, does he. And then maybe Sam hasn't heard from Dean in a while, and he actually makes the initial call, but that time Dean's with John and sees the name come up on the screen and doesn't want to start a fight, and Sam hears it go to voicemail and thinks, fine.

Just that. Drifting apart, because that's what happens. You think someone's going to be there your whole life and then they're not. And then it's easy to think, well, maybe they're not interested. And then maybe you get mad, and then you get sad, and then you have this weird simmering unresolved something. And then two years pass.

Can I just say: oof. In some ways I find that to be way more sad than other versions -- like a big fight they had, or some intense interaction (I know a lot of people like to imagine first time Stanford sex in there), or whatever. But in this way -- this fairly realistic way -- it's not the big violent knife cut that leaves a clean edge and bleeds and maybe you can stitch it up; it's instead like... idk, erosion, or accidentally grating off a big layer of skin. Hard to patch up easy. Lots of little painful edges that can't get fixed all in one go. Fantastic fic fodder, that way. :)

[heartvisor]

it comes from a very tangential train of thought, but i got the idea of "what would a theoretical shin kr style tachibana racing club girl look like?" and now i really want to try drawing the idea

[hotasfahrenheit]

"Smile again, please?"

Love Senior, Ep 1