Notes:
"School" in the question means the educational facility you usually attend between 5-17/18. I'm not including higher education in this definition.
Gens:
Baby Boomer - 1946-1964
Gen X - 1965 - 1981
Millennial - 1982 - 1995
Gen-Z - 1996 - 2011
I'm gonna assume we haven't got any silent generation (pre 1946) or gen alphas (2012+) who have somehow miraculously finished school already, lurking on tumblr.
Reblog for wider sample.
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April 7, 2024: The First Line is the Deepest, Kim Addonizio
The First Line is the Deepest
Kim Addonizio
I have been one acquainted with the spatula,
the slotted, scuffed, Teflon-coated spatula
that lifts a solitary hamburger from pan to plate,
acquainted with the vibrator known as the Pocket Rocket
and the dildo that goes by Tex,
and I have gone out, a drunken bitch,
in order to ruin
what love I was given,
and also I have measured out
my life in little pills—Zoloft,
Restoril, Celexa,
Xanax.
I have. For I am a poet. And it is my job, my duty
to know wherein lies the beauty
of this degraded body,
or maybe
it's the degradation in the beautiful body,
the ugly me
groping back to my desk to piss
on perfection, to lay my kiss
of mortal confusion
upon the mouth of infinite wisdom.
My kiss says razors and pain, my kiss says
America is charged with the madness
of God. Sundays, too,
the soldiers get up early, and put on their fatigues in the blue-
black day. Black milk. Black gold. Texas tea.
Into the valley of Halliburton rides the infantry—
Why does one month have to be the cruelest,
can't they all be equally cruel? I have seen the best
gamers of your generation, joysticking their M1 tanks through
the sewage-filled streets. Whose
world this is I think I know.
--
Poetry nerd extra credit: How many repurposed bits from famous poems can you find? I count 7 and I'm probably missing some!
Also by Kim Addonizio:
+ For Desire
+ Mermaid Song*
+ Onset
+ My Heart
* (Weird fact: this is about her daughter, Aya Cash, who starred in the sitcom You're the Worst. What!)
Today in:
2023: Insha’Allah, Danusha Laméris
2022: To the Woman Crying Uncontrollably in the Next Stall, Kim Addonizio
2021: You Mean You Don’t Weep at the Nail Salon?, Elizabeth Acevedo
2020: Let Me Begin Again, Philip Levine
2019: Hammond B3 Organ Cistern, Gabrielle Calvocoressi
2018: Siren Song, Margaret Atwood
2017: A Sunset, Ari Banias
2016: Coming, Philip Larkin
2015: The Taxi, Amy Lowell
2014: Winter Sunrise Outside a Café Near Butte, Montana, Joe Hutchison
2013: The Last Night in Mithymna, Linda Gregg
2012: America [Try saying wren], Joseph Lease
2011: Boston, Aaron Smith
2010: How Simile Works, Albert Goldbarth
2009: Crossing Over, William Meredith
2008: The World Wakes Up, Andrew Michael Roberts
2007: Hour, Christian Hawkey
2006: For the Anniversary of My Death, W.S. Merwin
2005: The Last Poem About the Snow Queen, Sandra M. Gilbert
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Living the high lie [sic.]
No rules, no instructions
No frontiers or boundaries
As we strive higher
Bypassing the physical
World of self-sufficiency
So many strings attached
We must surely fly by
Taking life for granted
Food, shelter, rest
No transition yet
On lowland farms
Seeking lonely paths
Who am I to tell
And they to listen
Deciding upon change
Breathing pranayama
Periods of years pass
Consuming marijuana
Mastery coming later
Like Ludwig's opera
I only need one pill
To make the world work
Never too late to try
Beings soaring high
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April 2, 2023: The World Keeps Ending, and the World Goes On, Franny Choi
The World Keeps Ending, and the World Goes On
Franny Choi
Before the apocalypse, there was the apocalypse of boats:
boats of prisoners, boats cracking under sky-iron, boats making corpses
bloom like algae on the shore. Before the apocalypse, there was the apocalypse
of the bombed mosque. There was the apocalypse of the taxi driver warped
by flame. There was the apocalypse of the leaving, and the having left—
of my mother unsticking herself from her mother’s grave as the plane
barreled down the runway. Before the apocalypse, there was the apocalypse
of planes. There was the apocalypse of pipelines legislating their way
through sacred water, and the apocalypse of the dogs. Before which was
the apocalypse of the dogs and the hoses. Before which, the apocalypse
of dogs and slave catchers whose faces glowed by lantern-light.
Before the apocalypse, the apocalypse of bees. The apocalypse of buses.
Border fence apocalypse. Coat hanger apocalypse. Apocalypse in
the textbooks’ selective silences. There was the apocalypse of the settlement
and the soda machine; the apocalypse of the settlement and
the jars of scalps; there was the bedlam of the cannery; the radioactive rain;
the chairless martyr demanding a name. I was born from an apocalypse
and have come to tell you what I know—which is that the apocalypse began
when Columbus praised God and lowered his anchor. It began when a continent
was drawn into cutlets. It began when Kublai Khan told Marco, Begin
at the beginning. By the time the apocalypse began, the world had already
ended. It ended every day for a century or two. It ended, and another ending
world spun in its place. It ended, and we woke up and ordered Greek coffees,
drew the hot liquid through our teeth, as everywhere, the apocalypse rumbled,
the apocalypse remembered, our dear, beloved apocalypse—it drifted
slowly from the trees all around us, so loud we stopped hearing it.
--
2022: For the Journalists Who Write About Ukraine, Julia Kolchinsky Dasbach
2021: For My Friends, in Reply to a Question, Safia Elhillo
2020: The Conditional, Ada Limón
2019: Dorothy Wordsworth, Jennifer Chang
2018: A Small Needful Fact, Ross Gay
2017: What We Need, David Budbill
2016: Husky Boys’ Dickies, Jill McDonough
2015: Why Some Girls Love Horses, Paisley Rekdal
2014: The Fox, Faith Shearin
2013: You Can’t Have It All, Barbara Ras
2012: Road Trip, Kurt Brown
2011: Onset, Kim Addonizio
2010: February, Margaret Atwood
2009: Domestic, Carl Phillips
2008: A Birthday, W.S. Merwin
2007: Words for Love, Ted Berrigan
2006: At the Trial of Hamlet, Chicago, 1994, Sherman Alexie
2005: The Waking, Theodore Roethke
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As political and economic freedom diminishes, sexual freedom tends compensatingly to increase. And the dictator (unless he needs cannon fodder and families with which to colonize empty or conquered territories) will do well to encourage that freedom. In conjunction with the freedom to daydream under the influence of dope and movies and the radio, it will help to reconcile his subjects to the servitude which is their fate.
/ Aldous Huxley, Brave New World
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