#more stories that compelled her from people in her life?

[kingofmyborrowedheart]

I wonder if there are vaults for folklore and evermore.

[doedipus]

a large amount of time I've been spending on -untitled undefined scope original fiction project- since the last time I posted about it has been trying to develop the protagonist concept I came up with last summer or whatever into like, a character that would feel real and era appropriate.

it's fun research to do. naturally a lot of the details I assigned to her are things that I already think are cool, so it's been a lot of fun trying to trace her traits back through the relatively recent past, getting reminded of how much things have changed, or where the gaps in my intuition are, and then doing a flurry of reading to get a sense for exactly how someone like her and the people around her could have happened and what her life was probably like leading up to her present day. hopefully this results in some good good verisimilitude.

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[euthymiya]

it always ends with i love you ft. wriothesley — in which you, a small floral shop owner, meet the duke of meropide by a chance encounter—and then you meet a bunch more too…but not so much by chance anymore

contains: 20.3k work count (please give it a chance i put my soul into it) ; female reader ; mature content—not suitable for minors ; strangers to friends to lovers ; flower shop au + florist reader ; reader has a small backstory regarding her dead father ; use of canon flowers and and lore, meaning i did my best so please be gentle on me with my botany facts ; heavy spoilers for wriothesley’s story quest and backstory, explores themes such as murder and hints at child exploitation and trafficking—all pertaining to his adopted home life ; slight oc’s because i gave a few of his adopted siblings names ; a fun neuvillette and clorinde appearance! ; a not so fun childe appearance + jealousy ; a short argument ; love confessions and getting together ; wriothesley is scared of love (anyone who had to kill their parents should be tbh) ; reader sits on his lap/lays on him ; there’s sex in every scene lol i got carried away—includes vaginal fingering ; cunnilingus ; nipple play ; hand + blow jobs ; unprotected vaginal sex ; creampie

the first time you meet wriothesley is by accident.

he doesn’t exactly come up to the surface regularly—he sees the sun frequently enough to remember what sunlight feels like if he tries to recall, but not enough that most people of fontaine would know he’s the duke of meropide just by looking at him.

he likes it that way. the duke is no small title, and he’d prefer the trip through the streets of the court without being stopped for idle chit-chat.

he doesn’t intend on stopping on his way to the palais, but you’re a bit of a unique circumstance.

he hears the smashing sound of something breaking before the scream, quickly glancing over his shoulder at the noise. nothing could have prepared him for a flower shop to be the source of such chaos—what could be chaotic about selling petals on a stem?

except you’re clumsily chasing after a man as he stumbles past your door, knocking over the potted plants on display in the process as you follow him.

the look of distress on your face as the pot falls and shatters compels him to investigate the scene. (of course, there’s a note of distress on your face before the pot falls, but the way it deepens when it does is almost criminal. your face is too lovely to have such creases in your forehead, even if he won’t admit as much out loud).

“stop! please,” you call, “you haven’t paid for those!”

thievery. wriothesley knows a thing or two about pocketing things that don’t belong to him.

first, it’s because he spends a portion of his life on the streets, surviving more than living. those moments reduce him down to a simple pocket thief at times. (he had standards for his crimes: never too much and only enough to survive for a bit. always from someone who dresses expensively and looks like they’re comfortable enough not to feel the damage to their wallets. and, of course, never from women).

second, it’s because people, on the streets or in the fortress, love to steal from those who are weak and vulnerable. people who are sleeping are of that classification of individuals, so wriothesley learns how to keep his things hidden and how to be a light sleeper. he’s never had too many things that are precious to him, of course, but he owns little enough that he’d notice his losses harshly should they come.

he hates thievery. partly because it reminds him of his past and the darkness that taints it, but mostly because it always involves someone innocent who doesn’t deserve to lose. not even a little.

his feet carry him over to the scene before he can stop himself—not that he would stop himself even if he did have control over his body, but it’s just that this particular circumstance seems to have him in some sort of trance. one that won’t allow him to look away from your face.

“please,” you follow the man past your shop’s door, “those are the last of my glaze lilies—i promised them in an order!”

the man running doesn’t seem to care about your pleas, snickering as he turns to give you an amused look, as if your distress is entertaining. he doesn’t make it far, though, before he bumps into a muscled chest.

“what the—”

wriothesley cuts him off, raising a brow. “i do believe the lovely lady here has asked for her flowers back. or did you miss that part?”

“and just who do you think you are, mister?” the man barks, glaring wriothesley up and down. (it’s a bit funny, considering he’s much shorter, so it takes a tad bit of effort on his part to give wriothesley the menacing once over it’s meant to be). “i don’t remember asking you what she asked.”

“oh me?” wriothesley cracks his knuckles casually, shrugging as he says, “duke of meropide at your service. i must say, i’m not very popular around here—not a lot of people know me, it seems.”

your jaw drops. the man’s face pales—which is a nice confirmation, at least, that he does have some sort of a brain.

“w-what? and just why would i believe that? you expect me to think the fortress’s duke is just prancing around the streets as if he hasn’t got duties? as if!”

wriothesley’s lips quirk up at the edges as he hums, fishing through the pocket of his shirt before he pulls out an envelope, sealed with the stamp of the iudex himself. there’s writing on it in clear letters, bold and italicized, as if just to mock the man.

to: duke wriothesley

from: iudex neuvillette

“that clear things up for you?” wriothesley asks, traces of a cheeky glint in his eyes as he raises a brow.

instantly, the man is clasping his hands, head bowing as a string of incoherent apologies flows past his shaky lips. “i-i’m sorry! i’ve never done anything like this before, you can check! my records are clean! i-it was a moment of weakness, but it won’t happen again, sir. p-please don’t take me to monsieur neuvillette. or court. or—”

“your first thieving gig, and you picked flowers?” wriothesley snorts, “i almost don’t want to bring you to court just save myself from the embarrassment.”

the man flushes, bashfully shrinking as he mumbles, “w-well i just…i just wanted to get flowers for my girlfriend for our anniversary and these…th-they’re her favorite you know? b-but they’re hard to come by since liyue is so far and…and the lady wouldn’t sell them to me so…you know…i uh…” the man trails off, wilting as wriothesley’s stares down, unimpressed. “i promised her i’d get them,” he adds, as if it’ll help.

“what a tragic sob story you got there,” wriothesley deadpans. “your girlfriend must love your honesty.”

“if i may interrupt,” you call from behind, making both men glance over to where you stand some distance away.

wriothesley forgot you were there, truthfully. but now that he’s taking in your appearance up closer, he can’t help but appreciate it. your features complement each other well—like an assortment of carefully arranged flowers, hand-picked one by one by celestia themselves.

“hello miss,” he nods, raising a hand to half-wave at you, “don’t worry, i’ll get this man out of your hair in a moment with your flowers too. just give me a sec—”

“no,” you say softly, “no it’s okay. he can keep some of them…i’m sure i can make do with a shorter hand than usual.”

he blinks. you couldn’t have possibly offered to let your thief keep his earnings at your expense, could you? he can’t decide if you're just that naive, just that foolish, or truly just that kind.

maybe all three, if he’s being honest.

“uh…are you sure?” he tilts his head in disbelief, “you want to let him keep the flowers?”

“partially,” you confirm, “it’s alright. everyone deserves flowers on their anniversary. especially their favorite.”

wriothesley decides you’re just that kind—and in some ways, it’s worse than being a bit on the naive side. at least you can sharpen yourself to become untrusting and skeptical if naivety gets you in trouble. kindness is as easy to take advantage of as it is to take for granted, and it’s not just something people like you can turn off like a switch.

“oh, thank you!” the man exclaims as soon as the words come out of your mouth, not wasting a second to grin at you as he says, “you’re really so kind! if you’d just tell the duke here that it was all a misunderstanding and that you’d like to drop all charges, then i’ll be on my way with partial the flowers—”

“make no mistake,” your hands find your hips as your face hardens with a certain strictness even he’s a bit startled by, “if you should come here and cause trouble again, i have the duke’s word to press double the charges next time. i would tread carefully if i were you—don’t ever let me catch you stealing from me again.”

wriothesley stares at you and gapes. he’s sorely mistaken about you—kindness is not the absence of your spitefulness, and the man shrinks back as you stare down at him expectantly.

“o-of course,” he says quickly, “it won’t happen again.”

“good,” you nod, “that’ll be five hundred mora, please.”

“b-but—”

“is there a problem?” you raise a menacing brow, making the man scramble to shake his head. 

“wow,” wriothesley snorts as the man scampers off after fishing enough mora from his pockets, “i suppose i underestimated your ability to handle the situation, miss.”

“i think i owe a good portion of my success to you, your grace,” you bow your head slightly, unable to meet his eyes as you nervously chuckle, “i don’t usually have robberies. the people in this area are familiar with me. they’re quite kind—i’ve never had someone as stubborn as him.”

“well, rest assured, if he bothers you again, you can come to find me for my word at court.”

“i’ll hold onto the offer,” you grin.

that chance meeting becomes history after a while. he comes and pays you a visit every time he’s at the surface, which isn’t all too often, but often enough that you start to look forward to at least one routine visit per month. sometimes, he teases you about whether or not you’ve had new thieves pay you a visit. other times, you make use of his strong hands and built muscles and cheekily order him around to move heavy bags of fertilizer around. 

he likes tea, you learn—he takes a very piqued interest in the jars of dried petals you keep on shelves, ones you tell him are good for making blends for tea, or to boil with water for natural remedies, or to make syrups for beverages like lemonade. it’s a slow, steady, blossoming friendship until, all at once, you feel incomplete without the routine visit from the fortress’s warden. you’re too reliant on the familiarity of explaining flowers, their origins, what stories they share, and what they mean—and likewise, you feel incomplete without his stories from the fortress, what the inmates are up to, and what changes he’s developing to make things better for the people under his wing. 

you like to think he feels the same way; otherwise, he wouldn’t come around as much as he does. 

sometimes he walks you home, and sometimes you invite him for tea. you drink coffee, but you don’t mind the trouble of brewing two beverages if it means some extra time with him in your cozy little home.

like today, where he sits comfortably at your dining table while you cut fresh bulle fruit as tea steeps in the hot water. he watches you with fond eyes, listening as you ramble intently about your recent endeavors at your flower shop.

“—and i think i’ve finally managed to grow a cactus from sumeru long enough to bloom my own henna berries,” you grin, looking at him brightly, pride settling into the crinkles of your eyes, “it did take some trial and error—fontaine rains far too often for cacti to survive, but this one i managed to grow indoors.”

“couldn’t you just get the berries delivered from sumeru? since you have plenty delivered from there already,” he asks in amusement. you huff, rolling your eyes as you walk over, setting the platter of fruit down before him. 

“of course, you’d want to take such a simple route—but plants are far more rewarding when you grow them yourself, you know. plus, every fruit i’ve managed to grow on my own here in fontaine has had a bit of a unique flavor as opposed to ones grown from their original nation. i’d like to see if that’s the case with these berries, too.”

“well, if that’s the case,” he hums, taking a slow sip from the tea you’ve brewed for him—it’s perfectly made to his liking, with two sugar cubes and piping hot just as you’ve learned he prefers. he closes his eyes and lets out a content sigh as the warmth trickles down his throat. “let me try one when they’re ready.”

“of course,” you brighten excitedly, as though the prospect of someone to share such a moment with is one you look forward to. there’s something that tickles in his chest, right beneath his ribcage, at the sight of your wide grin.

you chatter until the sun sets, warm, honeyed rays of orange and pink pouring through your windows and painting his skin vibrant hues. it’s about time for him to leave—you can tell even before he clears his throat and stands, grabbing the plate and mug and heading to the sink.

“i should go,” he says kindly, washing the dishes with so much familiarity that it almost feels domestic and natural to have him here. you shake the thought out of your head as quickly as it enters your head. “thank you for having me this evening.”

“oh, i think we’re past the formalities,” you huff a small laugh, “you’re doing my dishes.”

“technically they’re my dishes,” he chuckles, “since i did dirty them.”

you hum, walking over to where he stands as he turns the faucet off—until a small twist of your ankle has you gasping as you stumble forward. you brace yourself for the impact of the hardwood floor, but instead, you’re met with a firm yet soft chest as strong arms wrap around your waist and catch you before you can fall.

“oh,” you breathe as you open your eyes, staring into him with just as widened pupils as him. 

“are you okay?” he asks quietly, voice just barely audible as he whispers to you—he’s so close, so painfully close, you think the only reason you heard him was because of the proximity. 

“yeah,” you nod. it’s hardly a nod, really—if you were to move your head too much, you’d risk brushing your nose against his. or maybe even your lips. “i’m fine. thank you.”

“yeah, no problem,” his eyes are still trained on yours, and neither of you can find it in yourselves to pull away. you can’t, and he definitely doesn’t, and nothing seems to give as you stare at each other. you’re pressed against his chest, and his arms are wrapped around you, and there’s a strange beating in both of your chests that you think you can just barely make out.

they almost seem to beat in sync, rapid and untamed. so, so fast, you wonder if it’s even healthy.

you don’t know who does it first—or maybe it was the both of you. all you know is that one second, you’re staring at each other, and the next, your heads are tilted so that your lips meet tentatively. he hesitates at the first brush of your lips, but your hands cup his cheeks and pull him forward, making his eyes flutter shut as he shakily breathes into your mouth. it’s so slow, so dizzyingly slow, that you wonder if time has just stopped altogether to grant you a moment with no interruptions. 

he fits perfectly against you, the soft flesh of his cheeks spilling over your palms, your thumb rubbing affectionately into the skin as he nips at your lips, kissing you like he’s waited his whole life to feel you. the curves of his mouth connect with the curves of yours like pieces of a puzzle, like he was carved to match you from the same stone. 

you’re not sure how long you kiss like that, but slowly, it grows needier, more quick and hasty as your hands leave his cheeks to wander to his hair and gently tug at the strands as his hands wander to your waist and lower back, feeling every curve of you as he groans into your mouth. 

he tries to pull away, but you chase after him, unwilling to let go.

“w-wait,” he mumbles, “maybe we should stop—”

“you really want to?” you ask breathlessly, and all it takes is one glance down at your glossy, swollen lips for him to close his eyes and shiver.

“no,” he admits hoarsely, “i don’t. are…are you sure about this?”

“yes,” you whisper instantly.

he doesn’t waste a moment, quickly pulling you into your bedroom as you both collapse on the mattress. you climb onto his lap, crotch pressing against the semi-hardened erection in his pants, the press of your heat against his bulge earning a low, drawn-out groan from him that shoots straight to your clit with a dull ache. 

“sweetheart,” he says in between kisses, making you inhale sharply at the pet name, “you’re killing me here.”

“okay,” you smile against his mouth, pecking it sweetly before you add, “then let me do something about that.”

he doesn’t expect you to drop down between his legs, face to face with the obvious tent in his pants—wriothesley is a gentleman, a giver before he is a taker. his first instinct is to protest as he opens his mouth and starts to say, “hang on—you don’t have to—”

“i want to,” you pout, looking up at him, “please? i want to.”

when was the last time someone looked up at him like that, staring up at him like pleasing him is the only way they’ll survive? he doesn’t recall, doesn’t think it’s ever happened, in fact. he groans, head falling back against your bed frame as he nods slowly. 

“okay,” he concedes, lifting his hips up so you can pull his pants down his legs, leaving him in his boxers. there’s a wet patch where his tip meets the cloth, the evidence of pre cum drooling from his swollen head that makes you hum in satisfaction as you leave a tender kiss on the spot through the fabric. he gasps, hips jolting as his thighs clench at the teasing touch.

“can i?” you purr, hand rubbing soothingly over his tense thigh as he swallows and nods, looking anywhere but at you as he breathes harshly. 

“y-yes,” he grunts, “please.”

you’re freeing his cock as soon as he utters the plead, letting him spring free and meet the cool air. he hisses, gritting his teeth as his chest rises and falls erratically, labored breaths that he tries to use to calm himself as he stands painfully hard between his legs. 

“pretty,” you murmur, entranced at the sheer size of him—he’s flushed an almost painful red at his thick tip, leaking enough pre cum that you’d think he might have already had his release with the way it runs down the side of his hardened length. 

your hand wraps gently around the tip, thumb smearing the pre cum along the tip before coating the rest of his cock, using it as lubrication for the steady stroke of your hand along the girth. he throws his head back, groaning as his hips buck into your touch before he stops himself, frantically trying to keep himself still and let you take your time. 

“f-fuck,” he rasps, “that…that feels nice.”

“yeah?” you breathe, smiling as you press a kiss to his thigh as he chokes on a grunt while your hand slowly pumps him. “am i doing it right?”

“you’re doing just fine,” he assures, biting his lip as he finally can’t keep himself from bucking impatiently into your fist any longer, “feel free to do more, though.”

you giggle, pressing a soft kiss to his lip before gliding your tongue through his slit and watching as he melts against your bed frame at the gesture, body loosening up like he’s limbless as you slowly take him into your mouth, swallowing around his cock and bobbing your head, pumping the rest with your hand that you can’t fit down your throat. 

“shit,” he curses, hand cupping the back of your head as he guides you up and down his length, moaning your name when you swirl your tongue around the tip, “you…you’re so good at this, yeah? take me so well in that pretty mouth of yours.”

you hum around him, making him cry out at the vibrations around his cock, one hand running through his hair as he tries to keep himself grounded, the other still cradling the back of your head. he’s a gentleman, though, living up to one just as much as he always lets on to be when he doesn’t force you to take more of him by pushing your head down or burying himself deeper into your throat by fucking his hips into your mouth. he lets you do things at your own pace, and you think it’s enough when you feel the telling signs of his release as his panting grows harsher and his cock twitches in your mouth.

“w-wait, wait,” he says frantically, “i’ll cum—i’ll cum. not yet, not until i have you.”

you reluctantly pull away, a trail of spit connecting from your lips to his tip that makes him close his eyes and groan, clenching his jaw as his near-orgasm dies down to nothing again. his cock is achingly hard, hot and swollen and throbbing after denying himself for the sake of feeling you.

“c’mere,” he motions for you to climb onto his lap. you do, sitting on his thigh as he slowly trails a thumb under your shirt, rubbing the skin with a feather-light, heated touch that has you shivering against him. “you sure you want this?”

“i want it,” you whisper, leaning to press a kiss to his lips that he reciprocates with a low hum of approval, “with you.”

“such a sweet way with words,” he murmurs, slowly pulling your blouse over your head and unclasping your bra, tossing them to the side as he marvels at the view of your tits. “such a sweet view, too. beautiful.” 

you flush at the praise, looking away. but his hands grab at your breasts, large as they cup them and massage lightly, thumbs running over the pert nipples as you shudder and breathe out a light gasp. 

“wriothesley, need more—”

“give me a moment,” he shushes you, “and then i’ll give you what you want.”

he admires you like that for a bit, sat on his thigh as your eyes flutter shut and his thumbs tease your nipples, wetness pooling in your core that he can feel on his thigh—you’d be embarrassed, you really would, but it’s not as though his cock is any less leaky at the head. 

finally, he inhales sharply, sitting up slightly to unbutton his shirt, revealing the scars down his chest before he helps you out of your pants. you stare at the harsh, jagged lines that pain his skin, raised, discolored skin, the only evidence of some brutal, vicious past that he survived. 

your thumb traces down the lines, making him shiver at the fragileness behind the touch.

“where’d you get this?” you murmur, staring at him curiously. 

“hmm? oh the scar on my body? it's from a gash i got while battling a gigantic undersea monster that tried to take over the fortress of meropide…” he stares at you cheekily as you blink, looking at him unimpressed. “hah, just kidding.”

“do you ever take anything seriously?” you shake your head and huff, but there’s endearment on your face as you fight back a smile.

“on the contrary, milady,” he murmurs, grabbing your hips and pulling you back slightly, exposing your drenched cunt before he slowly sinks two fingers into your folds and curls them against the back of your walls, “i take this quite seriously.”

you gasp at the feeling, his digits rubbing against your walls and angling to hit a sensitive, achingly sweet spot at the back of your cunt. it’s precise, the way he pumps his fingers into you, slowly sinking in a third digit while you mewl and throw your head back. the heel of his palm catches against your clit, the sweet friction building your orgasm up slowly, slowly, until suddenly, you’re near the edge all at once. 

“c’mon, don’t hold back now,” he drawls, voice low and sweet and so attractive, you feel like the sound of him alone is enough to send you tumbling over the edge, “why don’t you be a sweet little thing and let go for me, hm?”

you do—instantly, you do, crying out his name is choked garbles as he works you through your orgasm with his fingers, still thrusting into you with a precise pace. finally, when you’re done clenching around him, he pulls his digits out, the slickness of your pussy coating them as he hums in satisfaction. 

“think you’re ready?” he asks softly, cradling the back of your head with his good hand as he pulls you closer, “or do you need one more from me?”

“i’m ready,” you huff impatiently, “i need you, need to feel you already.”

“okay, okay,” he laughs, amused but not anymore patient himself as his cock pulses between his legs, “i’m not trying to wait any longer, either. do you have a…uh…y-you know…”

you snort at the way he trails off awkwardly, flushing at the thought of asking for a condom as if he’s not completely nude under you. “no,” you giggle, pinching his cheek as he huffs, “but we don’t need one. it’s fine.”

“okay,” he nods slowly. his hands grab at your hips, firm yet so gentle with the way they lift you up and guide you to angle over his swollen cock, slowly helping you sink down on him as he chokes on a grunt when his head pushes past your folds. 

you gasp as soon as he intrudes into your tight hole, splitting you open on his thick girth as you take him inch by inch until you’re sat on his lap completely, buried completely with his length as his jaw clenches at the tight squeeze of you around him. 

“wri—wriothesley,” you sob brokenly, unable to say anything else besides cracked repeats of his name. he’s so big, buried so deep, and leaving you so full, you’re not sure if you have it in you to fuck onto him from this position. 

he takes things into his own hands, though—roughly grabbing your hips and pulling you back before helping you sink back down on him again, rolling his own hips upward to bury deeper into you. your head spins, and all you can think to do is weakly plant your hands onto his shoulders before you roll your hips, grinding down on his length and sloppily fucking yourself onto him.

he bullies past your folds, curves deliciously into the most intimate parts of you, fat tip slamming against the soft, sensitive spot that makes you see white. pleasure burns up your spine, building a coil in your belly that grows tighter, tighter, tighter—so close yet so far from snapping and letting you plummet into your second release. 

“that’s it,” he grunts, “fuck—you’re so tight, so good. i’ve…i’ve never felt anything so good. it’s like you were made for me, weren’t you? take me so well, fit around me so well.”

his hand moves to your clit, thumb pressing against the sensitive bundle of nerves and rubbing merciless circles against it as you mewl, head burying into his neck as your nails claw at his shoulder. everything is so good—so hot and filthy and leaves you impatiently desperate for some form of release. the friction of his cock dragging along every ridge leaves your mind hazed, and the harsh press of his tip against your sweet spot leaves your vision blurry. 

you’re not sure how you even have the strength to rock yourself onto his stiff length, but somehow you manage, and he seems keen on helping you, too, with rough, bruising hands that grip your waist with a punishingly tight grasp.

“c-can’t hold on much longer,” you cry, voice a strangled sob that’s muffled into his skin, “i’m s-so close. please.”

“me too,” he pants, voice just as strained as yours as he moans through a cracked voice when you clench down on his particularly tightly, “me too, sweetheart. i’m right there with you, alright? let go—c-c’mon.”

once more, you cum around him—this time on his cock instead of his fingers, and if the first time felt good, the second time is devastating. your vision practically goes white as your walls spasm around him, slick and dripping with your release and mixing with his own as he follows you not long after. his cock jolts, pumping hot, sticky ropes of his seed deep into you, and both of your bodies are slumped against one another as you barely roll your hips, sloppy pace with no rhythm as you focus on getting yourselves through the ecstasies of your orgasms. 

his thumb is still pressing against your clit, and your hands have left his shoulders to bury into his sweaty hair, tugging fiercely at the dark strands and making him groan at the mix of pain and pleasure. 

finally, you both ride out the final few waves, him slumping against your bed as you fall against his sturdy chest, face still buried into his neck. sweat clings to your skin, but you don’t mind the feeling of his damp skin against yours, not when the warmth of your body makes the afterglow feel so sweet. your fingers thread through his hair, soothing over his scalp with the rake of your nails where you’d just tugged so harshly, and his palms glide up and down your hips, rubbing gentleness back into the parts where he dug bruises along the skin. 

“wait, is that watering can supposed to be a dog?” he asks out of the blue, making you lift your head and look over your shoulder.

“yes,” you quirk a brow, watching as he lets out a small snort as he looks at the watering can by your plants in wonder.

“it’s pretty ugly.”

“rude!” you gasp, pulling away slightly as he shakes under you in laughter, “i think it’s adorable!”

“do you now?” he bites his lips, attempting to suppress the smile that threatens to take over, “you have…interesting taste.”

“oh, you’re dead to me,” you spit dramatically, collapsing back against his chest as you bury your head into his neck again. “dead to me, i say.”

“my apologies,” he snickers. his hand rubs slowly into your hip, quietly humming for a moment before he asks, “what made you so passionate about plants?”

“i can’t just really like them?” you challenge.

“sure,” he shrugs, eyeing the watering can again as he smiles, “but you don’t give the impression that you just happen to just really like leaves, and that’s it.”

“there’s more to plants than leaves,” you scoff, rolling your eyes. and then, much gentler this time, “my father was a scholar from sumeru. an herbologist.” your voice is a quiet murmur, a low hum as you speak into his neck while his hands are still rubbing into your hips, “i used to be fascinated by his journals and all the plants he’d seen. he died when i was young, so sometimes…sometimes i try to grow them here in fontaine myself. just to feel close to him.”

“do you?” he asks quietly, staring at the various plants that decorate your small home. it’s cozy, he thinks, so lively and warm that it almost doesn’t feel like you’re the only inhabitant. “do you feel close to him when you do?”

“if it works,” you admit, “it’s not always easy to recreate the same conditions they’re meant to grow in.”

“i think you do an impressive job,” he praises, earning a slow smile from you that he can feel curve into his skin, “i’ve yet to come across a flower shop in fontaine with as much variety as yours.”

“you flatter me, your grace,” you chuckle, pulling away as you stare at him, the tousled hair from where his hand ran through, the swollen bottom lip where his teeth sank in, the flushed skin where heat settled. you take all of it in slowly, admiring him as he looks up at you through lidded eyes.

“do i? i meant it seriously, not in flattery,” he raises a brow and smirks, “if i wanted to try flattery on you, i think i’d have some other choice words.”

“don’t be so insatiable,” you gently swat at his chest, earning a chuckle from him. “will you be able to stop by tomorrow?”

“i’m afraid not,” he sighs, “i have a meeting with some people from the palais tomorrow at the fortress. it’ll run a bit late.”

“oh,” you try to hide the disappointment in your voice, but he seems to sense it instantly. “that’s okay. i just had a blend i thought you might like to try—for tea, that is. it’s um…i dried the petals myself, and it’s new. i thought i’d let you be the first to try it to let me know what you think.”

you try not to giggle at the way he perks up at the mention of tea.

“ah, i’m afraid i won’t have time tomorrow. but…” he coughs, trailing off as he looks away, contemplating his words.

“but…?” you press.

“but…well, i have a few guards returning tomorrow from the surface from a few tasks i gave them. i could have them stop by the shop to escort you down to the fortress if that works for you…it’s okay if you can’t, though! i can always come by sometime this week when my duties aren’t as—”

“that sounds nice,” you cut him off, grinning widely, something close to excitement blooming across your features, brighter than any set of petals in your shop, he thinks. “you can give me an official tour of the fortress, perhaps. i’ve only ever heard about it through stories.”

“as you wish, my lady,” he winks.

he leaves not too long after—you try not to focus on his lingering scent in your sheets once you settle back in after bidding him goodbye. it’s oddly peaceful, being surrounded by him even when he’s not there, and sleep lulls over you quicker than usual. 

the scent is faded by the time you wake up, so you take one last deep breath to inhale it before you set off to get ready for the day, counting down the hours before you get to see him again.

——————————

as promised, a group of fortress guards stop by your shop, politely waiting for you to close up before you join them on their return. 

the fortress is darker than you expected—but not at all as small as your mind anticipated. in fact, it’s huge. you follow the guards, making idle chatter as they take you up an elevator, up, and up, and up—until finally, you finally arrive on the floor of his office. 

you’re so busy taking in all you can of the fortress that by the time they escort you to his office door, you remember why you’re here in the first place. to bring wriothesley dried petals of sweet flowers that you grew yourself—flowers often make for a wonderful tea blend, and learning his passionate liking for the drink makes you feel compelled to share with him every one of the various floral teas you’ve learned about in your time as a florist. 

you knock on the door of his office—except, oddly enough, there’s more than one voice you can make out from the room. you didn’t think his meeting would still be in session by the time you arrived, making you anxiously regret the knock as soon as your knuckles leave the surface of the door.  

but he answers before you can think too much of it. “come in,” his voice calls. 

“your grace,” you hum, stepping in, “if this is a bad time, then i can…”

you trail off. both fontaine’s chief justice and champion duelist stand in his office, gathered around his desk as he sits and sifts through files. of course, wriothesley is a duke, which is no small title by any means, but you’re caught more than a little off guard as you step in and share the room with two of fontaine’s more important figures in the justice system.

“no,” he says casually, “come in, you’re right on time. i was just telling miss clorinde about the delicious tea blend you would bring for her to try. she couldn’t wait a moment longer.”

“if you want to try it so badly, just say so,” she rolls her eyes.

“fine,” he huffs, lips curling into a slight pout, “i’d like to try the tea you promised me. clorinde will pass, though.”

“i think i’ll try it, as well,” she chimes in, suppressing a smile as wriothesley crosses his arms.

“but you just said—”

you giggle, walking over as you hand him the bag with dried petals, grinning at the amusing dynamic, and murmur, “i believe it would be the polite thing to do if you made an extra cup for the madam while making yours.”

“picking her side, are we? such an act of betrayal won’t be forgotten,” he huffs. still, almost as excited as a child opening a present, he opens the bag to add the petals to the tea maker he keeps at his desk. you watch with fondness at the action. “you still owe me a present, by the way. and tea won’t do—i’ve just received a batch.”

“then i suppose i can gift you a new tie,” clorinde hums, eyeing the loosened tie around his neck and making him furrow his brows as he subconsciously straightens it, “something that fits your neck better so you look a bit more put together.”

it’s almost like she sees through the both of you, eyeing between you and him with a hint of a knowing glint in her eyes. wriothesley scowls, giving her a petulant glare.

“there’s nothing wrong with my tie. i look just fine.”

“i do believe it’s a stylistic choice,” neuvillette pipes up from the side, “it doesn’t seem to be an issue with the tie itself.”

you snort at the way the joke flies over his head. “you’re right, monsieur,” you join in the banter, “i do believe his grace has a rather…unique choice of style.”

“i wonder if he ever plans to properly wear the coat he always seems to keep hanging over his shoulders,” clorinde adds, the earlier grin she attempted to fight back now fully curled into her lips. you laugh, much to wriothesley’s dismay.

“perhaps he just values being prepared,” you hum, “one can never tell when the fortress will suddenly be too cold. someone as busy as the duke surely can’t afford the wasted time to go and fetch a coat.”

“ah,” she nods, “i suppose you’re right. he is too busy learning legal codes as of late.”

“i take it that my gift has been useful, then?” neuvillette brightens, turning to a miserable wriothesley as he rubs his temples wearily.

“most helpful,” he sighs, not bothering to explain to the iudex that he’s once more missed the point of the joke. 

“oh, we’re only joking,” you laugh, taking the tea cup sitting at his desk and pouring him a glass of the now freshly brewed tea, “it’s all in good fun, your grace.”

“wriothesley is just fine,” he mumbles, “as you can see, this isn’t a very…formal meeting.” 

he watches as you carefully make his cup, one sugar cube as opposed to his usual two—before he can point it out, however, you beat him to it. “i know you’re particular about your tea. i can see it on your face you’re about to insist i give you two, but this is a very sweet blend as it is. one will suffice.”

“careful when it comes to his tea,” clorinde warns, “he’ll be in a foul mood all day if it doesn’t live up to his standards.”

“not true,” he grumbles. as if to prove a point, he takes a sip, slowly blinking before he looks at you with an awed grin, “it’s lovely. you’re right, it is just perfectly sweet with one cube.”

“perhaps you’re the only person he won’t make a fuss with then,” clorinde teases, “he’s got quite the list of grievances if i make him a cup of tea.”

“that’s because you don’t know how to make proper tea,” wriothesley rolls his eyes, “there’s a set of steps you’re meant to follow, you know.”

“water is a most simple beverage,” the iudex cuts in, “one that has many complexities in flavor, as well. perhaps you should consider it as a fitting option if tea gives you too much trouble.”

“i would hate to think of the wrath the poor inmates would have to face if he were to miss a single tea time,” you grin, fighting back a chuckle as wriothesley takes a tired sip from his cup, resigning himself to his fate as the target of your banter, “water simply won’t do.”

“well, i believe we should be off,” clorinde looks at neuvillette, “perhaps we should leave them to themselves.”

“ah, yes,” the chief justice nods politely, “there are many more files for me to read through at the office.”

“do you ever take the day off?” wriothesley raises a brow, “wouldn’t hurt.”

“even his dreams are of legal cases, i’m sure. he wouldn’t last a day on vacation,” clorinde hums.

“i don’t typically dream when i sleep,” neuvillette frowns, still so serious that you choke on a snort as you try to hold back you giggles. wriothesley looks at you with an amused grin, biting his lip to hide a chuckle himself.

“i’ll be seeing you,” he waves as the two leave, “and hopefully with my present ready next time,” he calls to clorinde with a pointed look. she rolls her eyes, fondly waving as she heads out the door.

“i didn’t know you were friends with such important people,” you murmur as they leave, making him raise a brow as he takes another sip.

“friends isn’t the best title for it—consider us work acquaintances.”

“with banter like that, i hardly believe it,” you chuckle, earning you a half-hearted glare from him over the rim of his tea cup.

“did you have your fun at my expense?” he asks dryly—but there’s no real bite to the words, “it seems you got along quite well with clorinde.”

“monsieur neuvillette is lovely too,” you giggle, “even if he’s not exactly…the earliest to catch onto jokes.”

he laughs at that, setting down his empty cup as he stands, eyeing the door to his office quickly before stepping closer to you, eyes staring down at your lips as you chew on the bottom and wait for him to make his move. 

“thank you for the tea,” he murmurs lowly, lips just barely a millimeter away from yours, “it was quite sweet. i enjoyed it.”

“there are plenty of other floral blends i have for you to try,” you hum. 

he grins, hands finding your waist before he whispers, “surely i couldn’t take all that from you without offering something in return, could i? i wouldn’t want it to seem like i'm taking bribes.”

“oh?” you breathe, grabbing a hold of his tie and tugging him closer until your lips meet his in a slow, heated kiss. it awakens a sick, insatiable heat in your core almost instantly. “what did you have in mind, your grace?”

he groans at the way your voice teasingly lilts at the title, hungrily chasing after your lips again. it’s more tongue than it is anything, messy and almost too scandalous to take place in his office where anyone could knock and come in at a moment’s notice. he seems to know it, too, because slowly, he guides you backward, slow steps that don’t interrupt the lock of your lips until your back meets a door.

“why don’t i show you,” he breathes—and then the doorknob is twisted open, and you’re gently pushed in with an arm curled around your waist to guide you. there’s a bedroom connected to his office, you realize. 

not entirely a shock—you’re sure the duke of the fortress has his own quarters to sleep in away from the other inmates, but it doesn’t surprise you less enough that you don’t pull away to take a glance around. 

it’s empty, mainly. not too many things besides a few scattered files and another tea maker with a few cups surrounding it at a desk in the corner. the sheets are dark grey, plain, and neatly made, with two pillows and nothing else. it has no more than what he needs, no more than what’s necessary. no hints of anything that’s his, anything that makes the room belong to him outside of being a mere sleeping quarters. 

“not one for decor?” you hum, wrapping your arms around his neck as your fingers fiddle with the collar of his shirt.

“i only come here at night to sleep,” he shrugs, “never felt the need.”

“everyone needs a space that’s theirs, don’t you think? even a few flowers would brighten the place up.”

“offering me more business?” he chuckles, making you roll your eyes, “and they’d die. there isn’t much sun down here.”

“i can think of a few options that would thrive,” you murmur.

“so it is business,” he quips. sigh exasperatedly, and he grins cheekily at you before you’re gently pushed to fall onto his bed, his body moving to hover over you as your legs wrap around his waist. his cock is semi-hard through his pants, and you wiggle your hips to press against it, the friction making him groan as you feel him stiffen even more from your actions. 

“i think i’d like my payment now,” you hum, making him raise a brow.

“eager?” he asks, making your hand travel to squeeze at his bulge.

“and you aren’t?” you challenge.

“fuck,” he grunts, shuddering at the feeling, “looks like you got me.”

it happens faster than you can process—the shedding of clothes, the way his fingers slowly sink into you, pumping in and out expertly as your head spins from the way he brushes against your sensitive spots. he’s quick, the way he stretches you apart with his digits, adding a second and third finger with little to no time to waste. you hardly have time to accommodate the third when you feel a familiar ache building up steadily. 

“c-close,” you say shakily, voice brokenly whispering against his mouth as he drinks up your moans, “i’m going to—”

“i know,” he hums, “shh. just let go—you’re doing so well.” 

the praise shatters you—you break at the way he sounds so in awe of you, of the way you suck his fingers into your slick cunt, so tight and wet with every clench. your back arches, and your hips roll into his hand, whimpering as his palm rolls over your sensitive clit. “god,” you gasp, “wriothesley, please.”

“please what?” he drawls, “you already got what you needed.”

“please let me feel you.”

“such a demanding price for some tea,” he sighs, “alright. i guess i can afford it.”

the nudge of his cock against your folds is enough to make you mewl, a sweet, whiny little cry that he groans at—every sound you make leaves an ache shooting up his stiff cock in the form of a twitch, like your every cry calls out to him. he responds with a rough thrust of his hips, burying himself into the depths of you, so deep and so close you can practically feel his pulse alongside yours. 

“so full,” you gasp, panting as you try to adjust to the sheer girth of him. he waits a moment, jaw clenched and teeth grit as he waits for you to nod your head and signal him to move.

“and you’re so tight,” he grunts, moaning softly against your ear as he nibbles on your earlobe, “i wouldn’t mind it if you charged interest either, just so you know. i’ll pay it over as many times as you want.”

“oh be quiet, would you?” you roll your eyes at his words at first, but then they roll back at the feeling of his thick, swollen tip pressing against the deep, sweet spot in the back of your walls. he lets out a breathy laugh, kissing the corner of your mouth so he doesn’t muffle the precious little moan you let out. 

“sure thing,” he hums, “i like listening to you more, anyway.”

“oh,” you gasp, “oh—wriothesley!” his finger teases over your clit, making your walls quiver around him as you feel your second orgasm creep up on you. “w-wait—i’m close.”

“why would i wait?” he asks in amusement, “that’s the idea.”

“t-together,” you whimper, pouting up at him through swollen lips and watery eyes, “please. please.”

he curses, closing his eyes and inhaling shakily at the way you look so fucked out, so drunkenly hazed on pleasure from the drag of his cock along your every ridge. you ask so sweetly—and who is he to deny such an innocent request?

“fuck—okay, sweetheart. fine by me,” he pants, rolling his hips harshly as he works himself to his own orgasm. his thumb teases your clit cruelly, fast and merciless one second, and a slow, bare feather’s touch the next. it keeps you right on the edge, a drooling mess of broken pleas as he finally approaches his own high. “close?”

“so close,” you gasp, twitching as he buries himself deep into you again.

“me too,” his voice cracks, “c-cum with me—please.”

hearing him plead sends you over the edge again—your first orgasm pales in comparison to your second. you didn’t even think that was possible, but the thick of his cock bullying into you is infinitely better than his nimble digits. the blunt head hits all the right spots, curves in all the right angles, and fucks you through your high expertly without even trying. 

you both cry out each other's names like prayers, muffled strings of curses, and breathy gasps that you swallow up between slow, sloppy, open-mouthed kisses. finally, when the last few twitches of his cock finish painting his release into you, he slumps on the bed beside your body, body shaking in slight tremors as he catches his breath. 

“you okay?” he asks through a labored voice, “didn’t hurt you?”

“i’m okay,” you breathe, smiling softly. he closes his eyes, relaxing into the mattress, pulling the covers to tuck the both of you in before he stares up at the ceiling, arms folded behind his head while he seems to be deep in thought. “what’re you thinking about?” you murmur.

“just how good you got along with clorinde,” he hums quietly, almost in wonder. “she’s not exactly the easiest to banter with so quickly.”

“well, i guess it’s not too hard if it’s at your expense,” you tease.

“ah, yes,” he sighs, pretending to woefully shake his head, “i’ve been reduced to the butt of the joke one too many times today, it seems.”

he grins to himself at the sound of your quiet laughter, so soft and sweet, so perfectly filling up the quietness in the room, bouncing off the walls and ringing in his ears like a symphony. you stare up at the ceiling yourself, eyeing the pipes, the dark amber metal that makes up his home. it’s quiet like that for a bit—not awkward or uneasy, almost like you’ve known him for ages. almost like this is natural.

“can i ask you something?” you murmur after some time, shifting under the covers to face him. 

he raises a brow, looking at you curiously. “you’re scaring me with that look. going to confess some wicked crime you want me to help you hide?”

“it’s not like that,” you huff, rolling your eyes. carefully, as if treading unknown territories (you are, in all fairness), your fingers find his bicep, running along the skin soothingly. it’s an affectionate touch—you and wriothesley only touch each other for physical pleasure, nothing more. this is new, something you’re freshly navigating with a weak compass that points back and forth between your heart and your head, unsure whether to follow logic or emotion. 

“well, go ahead and ask,” he insists, “you’ve got me curious, anyway.”

“what…what did you serve for? when you were an inmate,” you say quietly. he tenses under your touch, muscles becoming rigid as you instantly regret the question. your fingers pull away at the same time as you start speaking, “it’s okay if you don’t want to answer! i just got curious and—”

his hand catches your retreating wrist, gently pulling it closer, closer, until your hand rests on his chest. this is definitely uncharted territory—but his hand firmly lays over yours as he presses your palm over his bare chest. 

“it’s fine,” he mumbles, “it’s not exactly something people in my inner circle don’t know.”

“oh,” you whisper, “i’ve been promoted to inner circle, huh?”

“you’ve seen me naked,” he snorts, eyeing you with a hint of amused disbelief, “you’ve sucked me off, in fact. i think there’s a special other circle inside the circle just for you.”

“okay, no need to get all…”

“all what?” he teases, waiting for you to finish.

“all uncouth about our activities!” you huff, face feeling hot as he grins.

he laughs, wrapping an arm around you, pulling you against his side so your cheek presses against a muscled pec as his warm hand traces circles into your hip. you gasp slightly at the sudden gesture but relax all too quickly, your own hand moving to rub into his chest slowly, feeling the rough scars and tracing them with your fingertips.

“i was adopted when i was young from an orphanage. when i was a bit older,” he swallows, voice quiet, serious—so oddly vulnerable, you think you’re talking to a new version of him altogether, “i found a diary in my mother’s drawer. i didn’t…i didn’t mean to snoop. i was just looking for some paper for my sister to color with.”

“you had a sister?” you ask softly, looking up to see his jaw tighten slightly. 

“i had quite a few siblings,” he admits, voice strained. “older and younger. my parents would adopt a few children at a time and raise them until they were old enough to be adopted into families of greater means. and then they’d adopt more younger children. i thought they were perfect parents,” his eyes stare off distantly, unfocused as they look up at the ceiling, hand mindlessly wandering along your hip as you listen.

“until…?”

“until i read that diary,” his voice hardens, still strained as he clenches his jaw and swallows thickly again, “they were records. of my older siblings, the ones i thought were adopted off. all of their names were followed by prices, and the ones who didn’t have prices had been crossed off. i didn’t understand until i saw my own name and my brother antoine’s. we had blank spaces next to ours.”

“how come?” you furrow your brows, looking at him in jarred curiosity. 

“because we weren’t sold yet,” he smiles ruefully, “i realized we were being sold off like livestock. and i started to piece together why i had never heard from any of my siblings even when they’d promised to write. i…i never knew what became of them.”

“oh, wriothesley,” you say gently, so delicate, he closes his eyes and lets out a shaky breath. you press a soft kiss to his chest under you, hand moving up to cup his cheek, “what awful people.”

“i…i should have kept it to myself,” he whispers shakily, “i didn’t…i couldn’t figure out what to do, so i told antoine—i thought…i figured maybe…” he trails off, eyes closed once more as he breathes heavily, trying to collect the composure he fights so fiercely to keep.

“it’s okay,” you kiss his jaw, “we can forget about it. i’m sorry for—”

“no,” he shakes his head. “i want you to know.”

it should make you feel special—maybe even a little happy that he trusts you enough to want to share. but nothing about this makes you feel anything but pain—you can feel his pain, every inch of it. from the way his hand clasps around your waist in a shaky grip to ground himself to the way his jaw is tight under your lips as they press a soothing kiss to the angle of it. every part of him is in pain, and you can feel it. deep in your own bones, like a lingering ache. one that runs years deep, living in the deepest, most intimate parts of your body.

you don’t mind it, though. you don’t mind sharing his pain, not if it’s him.

“okay,” you nod slowly, “okay.”

he inhales sharply, taking a deep breath before he continues. “i told him because i knew we were next. i thought maybe we could have figured out a plan together. but he asked my mother about the diary, what the prices meant, and why we’d never heard from the others once they’d left. he was gone the next morning—my mother told us he was adopted, but i knew. i knew he was merely disposed of. and it was my fault.”

“it was not your fault,” you turn your head swiftly, looking up at him in disbelief as he scoffs and shakes his head.

“if i hadn’t told him, if i handled it on my own—”

“then what? he would have been fine? you don’t know that, what if he was sold off for something awful? or found out on his own without you? you were a child, and you didn’t know that he’d choose to do that.”

“but i still could have kept quiet,” he chuckles dryly, voice cracking as he adds, “i could have gotten us both out of there. on my own.”

“you shouldn’t have to have done it on your own,” you cup his cheek, bringing him to face you as your forehead presses against his, “you didn’t want to be on your own, did you?”

“no,” he admits, lips trembling, “i didn’t.”

“and that’s okay,” you murmur, rubbing a thumb over his cheekbone, “you didn’t deserve to be alone.”

“maybe it was for the better, though,” he sniffles.

“a lot of things are. we can’t hope to predict everything for what would turn out better.”

“he died,” wriothesley chokes, “my brother. he died that night—i…i knew he did. so i ran the next day, when my parents were busy, i snuck off and ran. i didn’t come back until a few years later and i…” his breath catches in his throat, glancing at you for a moment. there’s something fleeting in his eyes. doubt, maybe—perhaps even fear.

you’re not entirely sure, but you press a kiss to his lips, soft and tender, so unlike your usual heated ones. something that’s shared not for the sake of pleasure but for the sake of knowing you’re there—that he has you. you’re both here, together, just the two of you. he can feel your warmth, and you can feel his. 

it eases the tension somewhat, making his rigid muscles relax as he pulls you closer. 

you pull away first, murmuring a soft, “i don’t care what you did. whatever it is.”

“you say that now,” he chuckles weakly, “but you don’t even know what i did.”

“i don’t care,” you say seriously, “i don’t. whatever you did, it was because you didn’t have a choice.”

“i killed them,” he says against your mouth, such harsh, dark words that don’t belong against your soft, pure lips—he thinks he might have just tainted them. almost like you know his thoughts, you prove you don’t care when you peck his mouth lightly. “i killed them and set the other children free.”

“you were just a kid,” you breathe, “a baby.”

“a teenager,” he huffs a laugh hoarsely, “maybe not that young.”

“a baby to me,” you say firmly, “no one that young should be pushed to such extreme methods.”

“you’re oddly calm about sharing a bed with a murderer. was the sex that good?”

you roll over, laying on top of him, pulling a soft oof from his lips—you know it’s exaggerated. he’s strong and broad under you, capable of taking your weight and then some as his hands find your waist to keep you in place, eyes boring into yours. so bare and so easy for you to look into, to read, to see so plainly for all he is. 

he doesn’t even blink—as if he’s offering himself to you, trusting you to see as much as you want, see as much of him as he can show you. 

“is that all you see yourself as? a murderer?” you ask seriously.

“of course not,” he denies, breathing softly into your hands as they cradle his face, “but it’s the part of me that matters most. that defines me the most. whether i want it to or not.”

“not to me,” you shake your head, “and not to you either, i can tell.”

“i know why i did it,” he tells you, staring at you so intensely, you feel like maybe he’s seeing you more than you’re seeing him, “i did it for my siblings. because i knew it was the only way to get them out. no one else would do a thing. but when you strip my title as duke from me, whether you put me in the underworld or put me in the overworld, i am a murderer. that won’t change.”

“and?” you raise a brow, “do you regret it? what you did?”

“never,” he says instantly. he means it. “but i’m aware of what i am to others. what they see me as. i’m not naive enough to believe my past will go away.”

“and it shouldn’t,” you shake your head, “i don’t think it should. i don’t think murder is what matters most about you—i think a child raised like livestock, betrayed, and taken advantage of, matters most. a boy who willingly gave up his freedom so his siblings would have theirs is what matters most. a man who served his time and chose to stay so he could make things better for everyone who followed is what matters. death was a kind fate for your parents, wriothesley—i for one, believe there were more fitting fates for them. far crueler ones than a peaceful demise.”

he chuckles at that last part, staring at you in wonder, in slight amusement, in so much awe that you almost feel shy.

“now i’m really questioning if the sex was that good—you’re really rationalizing my crimes, aren’t you?”

“oh, you’re such an asshole, do you know that?” you huff, “i think that’s what defines you best. a complete, utter, shameless assho—oh.”

he kisses you—abruptly so. his lips are pressed hard and firm against you, kissing with so much conviction, so much need, you’d think that you were disintegrating in his arms, that this was his last opportunity to kiss you and commit how you feel to memory. 

“you sure it’s not my stamina?” he wiggles his brows, “how about my—”

“i’ll see to it that this is the last time we ever engage in such activities if that’s all you can focus on—”

“okay, okay,” he laughs, pouting as he pulls you down to lay on him, your head tucking under his chin as he kisses the crown of your head, “enough sex jokes. i promise.”

“so crass,” you scold, “have some decorum, will you?”

“my apologies, milady,” he sighs regretfully, voice exaggerated and theatrical as he adds, “i won’t allow myself to forget my manners again. from here on out, i’ll make sure to discuss more…gentlemanly topics for your liking.”

“you’re a real handful,” you sigh, “poor sigewinne. such a sweet little angel to put up with the likes of you.”

“you met her?” he smiles fondly at the mention of her.

“briefly, yes,” you nod, “the poor thing must be tired of your antics.”

“i’m on my best behavior around her!” he insists, “you can ask her.”

“i don’t think she’ll vouch for you, you know.”

“yeah, you’re probably right,” he withers in defeat.

you giggle, kissing his collarbone softly before nuzzling against him as he relaxes. it’s comfortably silent, just your body against his, warmth seeping between the space that hardly separates your bodies, spreading across your skin. you share your heat, and he shares his. it lulls you, slowly but surely, and you can feel it lull him, too as his breath slowly evens out under you. 

sleep is just a breath away from clutching you when you mumble, “wriothesley?”

“hmm?” comes his sleepy hum.

“thank you,” you whisper, yawning, “for trusting me. enough to tell me.”

“go to sleep,” he grunts tiredly, “you can be sappy and sentimental in the morning.”

“okay,” you grin tiredly, pressing closer into him, “i’ll hold you to it.”

sleep comes quickly after that—so easy, so natural in his arms, you wonder how you’ve rested all these years without him. 

——————————

your routine to meet with wriothesley ebbs and flows between the surface and the fortress. sometimes, he stops by just like before, and sometimes, he sends for guards to fetch you when he’s too busy to make an appearance himself. your meetings more or less end the same—catching your breath together, bare bodies huddled together in a tired mess as you share quiet, whispered words into each other’s skin. it’s a routine that both of you are too used to by now, that even a short gap of not seeing each other makes the both of you impatient for the next time you’ll get to see each other. 

on days you can’t afford to see each other, your days at the shop drag by slower when all you can do is think about him. sometimes, the guards will be relieved to come to escort you, woefully expressing the awful mood the duke has been in, shuddering as they recall how unpleasant he is to be around when he’s unhappy. they seem to insist your visits are what help end his supposed awful temperament—your instinct is always to flush and insist they must be mistaken.

but it’s an intimate sort of development—the way the two of you slowly learn to depend on each other for comfort. you on long days at the shop, him after tiresome affairs with the fortress. every delicate touch and every saccharine word you exchange slowly peels away the harsh layers of the week, leaving you raw and bare to each other. 

it’s nice. something you’ve grown a bit dependent on, in fact. a part of you would like to be scared, but wriothesley doesn’t let you fear anything—it’s just the kind of guy he is. everything about him feels too safe for you to consider being scared. 

you miss him terribly, too. you haven’t gotten a chance to see him in over a week—it’s the first week of spring, the blooming season for a number of flowers. you have shipments from across the continent—cecilias from mondstadt, silk jades from liyue, sakura blossoms from inazuma, and padisarahs from sumeru. there are plenty more—too many for you to list off the top of your head, but those are the ones you’re sure will sell out the quickest. 

there’s a certain man who stops by every day, a mop of ginger on his head and an interesting aura about him as he asks you if you’ve received kalpalata lotuses yet—they’re for my sister, he tells you, i bring them home for her every time i visit sumeru. but i won’t have a chance for quite a while.

you learn he’s a harbinger, the eleventh in rank, and hardly one to step foot in his homeland for too long at a time. but he’s due back, he tells you, for a project that won’t allow him to leave for quite some time. mingling with a fatui operative is hardly on your list of possibilities for the week, but you realize even a harbinger can appreciate the beauty of flowers. so you promise him your batch's biggest blooms as soon as they are delivered. 

and he’s patient, coming every day in hopes that they’ve been delivered, helping you organize the deliveries you do get, going as far as to join you to loch urania amidst a terrible storm to assist in picking lakelight lilies when you’re low. you appreciate the small companionship you’ve formed with him—childe, as he’s called, he tells you. a code name for his place as a harbinger that you relish in being given the knowledge of.  

the day finally comes when the lotuses are delivered, and for all his help and kindness, you try to repay him with a free bouquet. 

he declines persistently. “no, no miss,” he chuckles, waving his hands in dismissal as you offer the beautifully bundled flowers, “i couldn’t possibly accept them free of charge.”

“oh, don’t be silly,” you huff, “you’ve done plenty for me. an extra set of hands in the shop is as rare as glaze lilies blooming in midwinter!”

“i was happy to help,” he chirps, “i had a good time occupying myself as i waited to depart fontaine.”

“and archons know when the next time you’ll return is,” you sigh, “which is why you should accept these as a parting gift.”

“a parting gift, huh?” your eyes widen at the familiar voice—wriothesley. it’s been almost two weeks since you’ve heard it, and you beam as you look over at his approaching figure.

“wriothesley!” you hum, “what are you doing here?”

“thought i’d come to pay a visit,” he says gruffly, eyeing childe, who grins tightly at the warden. “i wasn’t banking on seeing an ex-inmate, though. what a shocking surprise.”

“the fortress’s duke in broad daylight,” childe coos, “what a fascinating sight.”

it’s tense—you can feel the atmosphere shift all too quickly as the two men stare each other down. 

“i didn’t know childe was a prisoner at the fortress,” you murmur, making the warden scoff as he glares at the harbinger.

“well,” childe shrugs, eyes sharp as they gaze at wriothesley, “i like to consider myself wrongly sentenced. justice isn’t always fair in the courts of fontaine, it seems.”

“ah, is that why you escaped from your sentence early?”

“i believe my escape proved to be quite helpful in saving the people of this nation in the end, didn’t it?” he asks, voice low, almost predatory, as wriothesley grits his jaw, glancing back at you before crossing his arms. 

“is the fatui boy giving you trouble?” he asks, making you shake your head frantically as the harbinger lets out a dry chuckle from the side. 

“oh, no!” you insist, “no, childe has been quite helpful, i promise. he’s given quite a hand, in fact!”

“is that so?” wriothesley perches a brow, tongue poking his cheek as he glares to the side at the smug ginger. 

“oh, absolutely,” childe nods, “you see, i’ve been offering the lovely lady my assistance as i waited on my delivery. we even visited loch urania together to pick lakelight lilies for a bouquet she needed to deliver.”

“he treated me to lunch,” you beam innocently. you might have missed the way wriothesley’s jaw tightens, but childe certainly doesn’t, making his grin spread even wider. “he’s nice, wriothesley, i promise. i hope you both can sort out whatever differences you had during his previous sentence.”

“perhaps next time, you could join us for lunch,” childe drawls, “it’ll be on me.”

“a kind offer,” the duke chuckles dryly, a rueful grin on his tight lips as he adds, “but i’ll have to decline.”

“please, i really insist you take these lotuses,” you hold the bouquet out to the harbinger, and much to wriothesley’s dismay, there’s an evident amount of extra care put into the floral packaging. your careful handwriting in soft, looped letters spelling out his name across the paper, with a heart beside it as though you took time to thoughtfully scribble each letter just for him. “give your sister my best regards.”

“you know his sister?” wriothesley grits.

“oh no,” you chuckle, “but he tells me of her. the flowers are for her!”

“like i said,” childe hums, taking out a heavy pouch of mora and placing it on your counter—both yours and wriothesley’s eyes widen at the sheer amount of mora you’re sure is inside. it’s undoubtedly far more than a small, simple bouquet would cost, but he waves it off like it’s nothing as he says, “i insist on giving you the payment you deserve. you’ve certainly made my last few days here at fontaine interesting. it’s made up for the less than…welcoming treatment from the beginning of my trip.”

wriothesley’s eye all but twitches. 

“that’s far too much to accept for a small bunch of kalpalata lotuses, you can’t—”

“consider it a payment in advance for the next time i return to fontaine,” he winks, “i’ll be sure to visit for more of your lovely flowers. i’m sure my mother will appreciate a bouquet too.”

with that, he waves at you, walking off with a grin as you sigh and shake your head fondly, waving him off as you call, “you’re quite the handful, you know. do visit again next time you’re here!”

“oh, i wouldn’t miss the opportunity for anything.”

wriothesley scoffs at the final exchange of words, watching the retreating figure of the harbinger with hardened, distant eyes while you exhale softly and grab the pouch of mora. 

“are all harbingers this loaded with mora, do you think?”

“who knows,” he mutters, looking away as he swallows before adding, “i came to visit on my way back to the fortress. i had business with neuvillette.”

“oh,” you hum, smiling as you ask, “is he doing well?”

“fine,” is all wriothesley says.

“that’s good,” you nod, “we haven’t been able to see each other in quite a bit, huh? i’d have visited, but the deliveries all week have kept me busy.”

“good thing you had the harbinger to lend a hand, huh?” he remarks, raising a brow.

“well, yeah, i suppose so,” you frown slightly, watching as he takes a slow, deep breath before fixing his tie. “is everything okay?”

“yeah,” he says instantly. “may i walk you home?”

“of course,” you smile—it doesn’t reach your eyes, and he wishes he could find it in himself to do something to reassure the lingering worry in your irises, but he doesn’t. instead, he quietly waits for you to close the shop, so uncharacteristically silent that you can practically feel the tension in the air tangibly.

the walk to your home is just as silent. wriothesley doesn’t say anything, and you don’t have the confidence to break the silence yourself. you’ve never seen him like this, so bothered and visibly so. you’re not entirely sure what brought it on, either—but you are sure it has something to do with childe. 

you finally reach your home after a long walk, quietly standing in front of the door as you turn to him and inspect his face. hard-lined lips, distant eyes, and crossed arms. he doesn’t look like the usual wriothesley you know—the one who grins and gives you a slight bow as he says, we’ve arrived at your lovely home, milady. 

“thank you for walking me,” you murmur, looking at him carefully as he nods.

“sure,” he responds flatly, “my pleasure.”

“you didn’t have to trouble yourself if you were tired from your meeting,” you add.

“not tired,” he shakes his head. “it was no trouble to me.”

“are you sure?” you raise a brow, sighing as you cross your own arms, “you don’t seem too happy to be here.”

“what do you mean?” he shrugs lamely, avoiding your question, your gaze. you know that one look into your eyes is all it takes to make him spill, and normally, you don’t take advantage of that, but you think tonight you will. 

because you’re tired of dancing around half-truths and coded words you have to decipher. you want one straight, laid-bare conversation with him. so you reach over and tilt his jaw, making him inhale sharply at your touch as you force him to face you and look at you. 

“what is up with you? and don’t even think about saying nothing.”

“nothing is up with me,” he mumbles stubbornly.

“wriothesley,” you warn, looking at him unimpressed, “i was not born yesterday.”

“my apologies,” he says sarcastically, a rueful smile curling on those chapped lips of his, “i suppose i’m just a bit shocked i’m not the only customer you offer your affections to. i suppose that was silly of me—it must be good for business.”

“excuse me?” you recoil, staring at him in disbelief. a little hurt, too—he regrets the words as soon as they leave his mouth, flinching slightly at the implications. “how dare you insinuate i’m a common whore?” 

“that’s not what i was trying to say at all,” he groans, pinching the bridge of his nose, “it came out wrong.”

“then what were you trying to say?” you demand, looking at him expectantly, hands on your hips and a raise of your brows that almost mockingly tells him, i’d love to see you work your way out of this one. 

“you never told me you and the fatui boy were so close.” 

if there’s one thing wriothesley is good at, it’s shifting things to focus on other people. so he can observe. watch closely. take note of all the little things so he can figure out what he wants to know without asking at all. all without having anything told to him right out. it’s how he works—and you won’t entertain it. 

“the fatui boy has a name,” you point out.

“his name is not actually childe,” he snorts—there’s no real amusement in the action, just as sarcastic and sardonic as everything prior. “is that what you believe?”

“if you’re not going to say the problem with your words like an adult, i’m going to go inside,” you spit, “we’re both wasting time here if we’re just going to talk in circles.”

“yes, because i’m the one who’s not admitting things,” he chuckles dryly. 

you glare at him—because enough is enough, and you’re sick of taking one step forward just to stumble ten steps back. with one swift move, your hand grips his wrist firmly and yanks, pulling him to stumble into your home as the door slams behind him. you’re tired of having bystanders walk past you and listen to your pointless discussion, and you’re tired of getting nowhere the longer you stand outside. it feels like the more you talk, the less you know. every word he says confuses you more and more.

and that’s the thing about him—he never tells you things, not since that night he first opened up. you thought you broke some newfound trust, a new ground to walk on with him that leads somewhere further than just two people who seek each other out for pleasure. you feel something for him—and you thought he did too, but it’s always something vague or another with him and you’re tired of it. tired of wondering where you stand, what he wants, how he feels. you want to know, and tonight, even if it kills you, you’ll find out.

“what is it you want me to admit wriothesley? huh?” you scowl, “tell me so i can tell you what you need to know so you’ll finally answer my question. i’m tired of the back-and-forth game with you.”

“you don’t need to admit anything to me,” he shrugs, “it’s not my business.”

“you don’t even believe that yourself,” you scoff, “even i can tell that much. is this about childe? you don’t like me mingling with the fatui? he’s just friendly, that’s all. and good business.”

“right,” he nods slowly, disbelievingly. you almost see red—how dare he hint that you’re a liar. 

“what do you think i’m doing then?” you challenge, “let’s hear it. fraternizing with the fatui? is that the accusation you’ll pull out?”

“well, if he’s helping you pick flowers and buying you lunch, then you certainly can’t be strangers,” he smiles tightly, “perhaps next time he can join us in our canoodling too if you’d like.”

“so that’s what it is?” you shake your head exasperatedly, “you’re moody because you’re jealous?”

“i’m not jealous,” he narrows his eyes, “i have no reason to be.”

“i’d believe you sooner if you’d said the underwater beast really was the cause of your scars,” you scoff, pursing your lips. “why is it so hard for you to just speak your mind?”

“then let’s start with you,” he retorts, hands throwing up in the air as he takes a step closer and glares daggers at you, “why are you dancing around what your relationship with the harbinger is?”

“there is nothing between me and the harbinger! nothing at all, and i don’t appreciate you assuming things about me. i’ve only been intimate with you!”

“you don’t need to hide it,” he smiles bitterly. finally, as if the conversation has chipped away at his resolve enough that bits and pieces of his inner turmoil can show, you can see the lingering hurt in his gaze. the betrayal. the doubt and fear—all of it pools in his eyes, swimming in the many, many flecks of his eyes as you stare into them. “it’s not as though we’ve committed to anything here.”

“i’m not hiding anything,” you say firmly, “you don’t have to be jealous.”

“i’m not jealous,” he shakes his head. it feels like he’s convincing himself more than you. because more than you, admitting to himself he cares is hard. all of this is hard—you know that. the last time he dared to trust someone, to love someone, he’d lost more than he could fathom. more than he was ever ready to lose.

so you sigh, dropping your shoulders as you let the anger dissipate.

“i wouldn’t blame you if you were jealous,” you say softly, extending the olive branch with a slow, hesitant hand to his cheek. he stiffens, but he doesn’t pull away, “it would kill me, too, to think you were close to another woman. but the harbinger is a customer i’ve become friendly with and nothing more. don’t you believe me?”

he closes his eyes, letting out a shaky breath as he hesitantly leans into your palm, letting your thumb brush soothing strokes along the scar under his eye.

“i was jealous,” he admits, quiet. hoarse. strained. it takes every ounce of him to admit as much to you—the progress makes you smile softly. “i…i was so jealous i couldn’t think straight. and i took it out on you. i’m sorry.”

“maybe it’s time we had a discussion,” you say softly, “about…well, us. what it is we’re doing. it’s long overdue.”

“i’ve been avoiding it,” he confesses. 

“i know,” you murmur, smiling tightly, “i know you have. that’s why i didn’t bring it up. but we can’t dance around it forever.”

“i’m no good at this,” he opens his eyes, defeated and so lost, you can’t help but lean in and press a soft kiss to his jaw.

“you’re not so bad,” you hum, “give yourself a little more credit.”

“no,” he shakes his head, “you don’t understand. i’ve never been good at this…at trusting people and getting close to them. i don’t even have real friends—i see clorinde and neuvillette every few months, and briefly at that. one of them was the judge at my trial, and the other knows as much about me as the files say. i don’t like talking about my feelings, and i hate sharing things about myself. i’m not jealous of childe because he threatens me—even i know you’d never give a fatui member a chance. but i’m no good for a stroll in the park, or picking flowers, or lunch at a cafe. i live underwater in a large prison that i run, and i rarely come up—at least, not often enough to be a healthy, functioning member of society, that is.”

“so what?” you frown, “i don’t care. nothing is easy at first—isn’t that why we try? who says you have to share all your feelings immediately? we can work up to that slowly. this was sharing, wasn’t it? what you just did? that’s a step in the right direction.”

“and look how much we had to battle for that little bit,” he lets out a sharp, self-deprecating laugh that makes your heart ache, “you’ll grow tired of me.”

“you don’t get to decide that,” you shake your head stubbornly, “i would never grow tired of you. never you.”

“i might be a duke now, but i was a murderer in the past,” he adds, a low and cheap attempt to convince you he’s not worth it. you roll your eyes at the statement.

“i’m aware,” you say blandly, “i don’t care, wriothesley. i don’t. those are all excuses—if you want this, if you really want this like i do, because you care about me just like i care about you and you feel the same way, then you’d realize these are all petty excuses your head is coming up with. i’ll wait for you to be better at communicating if you promise you’ll try. and your past is just a small stain on the cloth that we can ignore.”

“it’s murder,” he says in disbelief.

“i said what i said,” you huff. he blinks once, then twice before letting out a breathy chuckle.

“you’re insane.”

“thank you,” you nod, grinning, “and you being at the fortress is just a small obstacle. we’ll make it work, you and me.”

“how?” he asks, voice small and unsure.

“you act like it’s impossible, you silly thing. i’ll come see you, and you’ll come see me, and we can spend nights together wherever is most convenient for the time. why are you overthinking it?” you ask like it’s obvious. maybe it is—maybe his brain just doesn’t let him see how simple of a solution it really is.

“the fortress is no place for someone who’s used to the surface—”

“enough excuses,” you scold firmly, “i won’t have any of it.”

“you don’t know what you’re getting into,” he shakes his head—you cup his cheeks, pulling his face close as you press soft, delicate kisses along his skin. like he’s fragile. like he needs to be handled with care. 

no one has ever handled wriothesley with care. even as a child when he was defenseless. when his parents saw a commodity to raise and sell like livestock instead of a child to love and cherish. when the streets saw a rat with dirty clothes and nimble fingers only good for theft. when he woke up in a hospital bed with cuffs to his hands, wrists shackled, and a caseworker sat a comfortable distance away, even without his gauntlets. when they saw him as nothing more than a murderer on trial as opposed to a child with no other way out. when the world showed him no mercy and left him to fend for himself in a dark, ruthless corner of the nation under the sea with no sun, no grass, no fresh air, and no hope.

no one has thought to treat wriothesley with gentleness, with kindness, with grace—as if he mattered. not until he made himself matter, taking what he wanted through a pen, paper, and meaningless title. 

no one until you. 

“i know exactly what i’m getting into,” you whisper, “you know what i see? when i look at you?”

“what? big muscles?” he teases, voice weak. a last, feeble attempt at keeping himself guarded. it’s useless, and he knows it as well as you do. he’s already far more vulnerable than he’s comfortable with. 

“a good man,” you say firmly, “a good man who is worth the effort. one who has a good heart and no one to share it with. someone who knows when change needs to happen and makes it happen. someone who knows a thing or two about second chances. who shows people mercy if they’re willing to be better—because that’s all he wants. for things to be better.”

“you’re giving me a lot more credit than i deserve, sweetheart,” he says shakily, trying to give you his usual smirk. his lips wobble, much to his dismay—you kiss them to help him hide the tremor like the angel you are. 

he’s not sure why the archons, celestia, or whoever is in charge of fate would send him such a perfect, pure angel in his arms. but they did. he’s certainly not one to miscount his blessings—they’ve been few and far between as is. 

“no,” you murmur, whispering between kisses, “i’m not. i’m giving you as much credit as you deserve. because no one has ever told you these things about you, and it’s time someone did.”

“doing the dirty work, huh?”

“i wish you’d stop with that,” you smile at him sadly, “i wish you would treat yourself with the same kindness you treat everyone else with. that you treat me with.”

“you’re an angel,” he murmurs, pecking your cheek, “that’s the difference.”

“you can’t be that bad if that’s the case,” you grin cheekily, “what kind of angel picks such an awful guy?”

“one who thinks the fatui harbingers make good friends,” he snorts, “one who’s a little on the naive side.”

“i like to think of it as seeing good in people,” you wink. 

he laughs, arms wrapping around you, pulling you flush against his chest as he kisses you. and kisses you. and kisses you—and kisses you some more until you’re forced to pull away and breathe. even then, he’s not satisfied, lips finding the sensitive skin along your collarbones, traveling up along your neck and finding your jaw, peppering soft presses of his lips until they hover over your mouth again.

“you good?” he asks smugly, “need a minute to catch your breath?”

“you’re such a pain,” you huff, pressing against his mouth and closing the gap as he hums against you. 

“what were you just saying about me just a few moments ago? something about a good man?”

“come here,” you sigh exasperatedly—and then you’re tugging him into your bedroom, stumbling and giggling as you both impatiently find the bed. you fall back, the mattress catching you along with him as he hovers over you and doesn’t waste a moment to nip at your neck.

“next time you need help with flowers in a dangerous, stormy place, you ask me,” he says lowly, breath fanning over your skin and making you shiver, “you don’t need the fatui boy.”

“okay,” you laugh, breathless as your eyes flutter shut when he nibbles on the sensitive spot over your pulse point, “you might have to temporarily drop your duties as a duke for that, though.”

“consider it done.” his hands tug your blouse over your head, doing quick work to toss it somewhere on the floor as he grins at the lacey red bra you have on underneath. “this is new,” he comments, “i like this.”

“of course you do,” you grin in amusement, “so predictable.”

“hey,” he pouts, “i’m an easy guy to please. just need you, maybe a few accessories…i don’t ask for much.”

“well,” you look at him in anticipation, “are you going to stare all day? or are you going to take it off?”

his eyes darken—hazed with lust and desperation as he quickly works the bra off of you and tosses it off to the side, too, but not before he stares at the label quickly. “chioriya boutique,” he reads, nodding, “remind me to give her my thanks. and business, too, in the future.”

“shameless,” you scoff, shaking your head.

“grateful,” he corrects, grinning cheekily at you. you don’t even get a chance to retort before his lips are around your nipple, teeth lightly grazing the pebbled nub as he sucks, making you gasp as your hands find his head, cupping the back of it as your own head throws back against the pillows. 

“wri—”

“you know what i see when i see you?” he hums, pulling away from one nipple and latching onto the other, tongue rolling over it slowly as his thumb finds the other, not to leave it neglected, “i see the woman i would defy the gods themselves to possess. who i would commit far worse crimes for, and serve time all over again for. one who commands my every thought. do you know how many times i’ve neglected my duties just thinking about you alone? when i see you, i see the one thing that’s finally mine—mine alone.”

you whimper as his lips reattach themselves to your breast, sucking and grazing his tongue around one nipple and pinching and toying with the other with his hand. your hands tug at his hair, pulling a soft groan from his throat as he pulls away and stares at you. you’re a panting, heaving mess already—he grins in satisfaction.

“pretty,”  he hums, nuzzling his nose against your throat, right where your pulse is erratic, “so, so pretty.”

“all this flattery, and you’ve yet to do something,” you rasp, just to rile him up as he lets out a deep, gruff sound of disapproval, eyeing you with a raised brow.

“oh, you want me to do something, is that it? i thought we’d take our time,” he grazes his finger along your waist, tracing the edge of your skirt before looping his finger under it, tugging slowly, “but if you insist, i guess we can pick up the pace.”

he pulls the skirt down your legs, eyes widening as he takes in the matching red laced panties from the bra earlier—you grin cheekily as he does. “like this one too?”

“oh,” he chuckles, breathless, “sweetheart, you have no idea.” wriothesley is a giver—you’re reminded of this fact as soon as his head buries between your thighs enthusiastically, kissing your clit through the lace as your breath hitches. “did you pick this little set up just for me?”

“don’t be silly,” you tease, “i obviously got this for myself. consider yourself a lucky witness.”

“and a lucky witness i am indeed,” he nods, humming as he slowly, carefully inches the lace down your legs, admiring the way it contrasts against your sweet, supple skin. “i owe chioriya boutique my life. i’ll even give my thanks to madame chiori myself.”

“please do not,” you say in horror, making him chuckle, “that would be utterly undignified.”

he’s not even listening, you realize. his lips attach to your clit as soon as the fabric is discarded somewhere to the side like the rest, a soft groan rumbling from his chest as soon as he tastes you, spreading your legs for better access as he glides his tongue to your folds, pressing between your folds and looking up to watch as your head throws back with a soft gasp. 

“wriothesley,” you gasp, pulling his hair in a tight grip to ground yourself.

you’re the most gentle with him when you handle him—but you’re also the roughest. the way you grasp him so harshly, mercilessly in your grip, makes his eyes flutter shut in a sick, twisted sort of masochism. he loves the pain, the dull throb in his skull from your pleasure. 

“yeah, i’m right here, sweetheart,” he chuckles lowly, “feels good?”

“yes,” you whine, “s’good—so good.”

“i know,” he hums, pressing soft kisses to your clit, along your inner thigh, until he’s back to your folds, hovering over them as he whispers, “i can tell just from the way you’re dripping. isn’t that cute?”

you whine in embarrassment, closing your legs around him as he grins against your cunt, grinding down on his mouth until he’s back to devouring you, tongue slipping deep into you as far as he can, exploring your tight, wet hole with fervor. 

“close,” you whisper, voice bordering on broken, “i’m s-so close—oh, wriothesley!”

you come undone on his tongue with one more roll of his tongue over your clit, shaking as he sloppily eats you out through your high until your whole body is a shaking, quivering mess along with your walls. 

“got anything else from that boutique you want to show me?” he murmurs, moving back up to hover over you, burying his face into your neck as your arms snake around his shoulders, rubbing into his back.

“maybe,” you say vaguely, grinning, “it’s a secret. maybe if you behave, you’ll find out.”

“yeah?” he chuckles, “consider me on my best behavior, milady.”

“then take this off,” you tug at his shirt, pouting as you add, “not fair that i’m the only one undressed.”

“as you wish,” he agrees. you watch as he strips—it’s not embarrassing like the first time or two when you looked away with a hot face and ears. now it’s intimate, watching him bear his soul to you, with every scar and imperfection, every flaw and tainted part.

his cock is hard, standing between his legs as it throbs, a bead of pre cum coating the tip. your arms wrap around his neck, pulling him close again as you feel his hardened length poke at your thigh, making you press against it and pull a groan out of him.

“i want you,” you whisper, “i’ve never wanted anyone else. not like this. not like you. i don’t think i ever will.”

“you can’t have met too many people then,” he teases.

“oh, i meet plenty of people. romantic ones at that—flowers are a love language, you know.”

“and you still want me? they must all be taken.”

“they’re not you,” you correct, pulling him into a sweet, slow kiss, taking your time to mold your lips against him and feel him against you, “nothing close to you. no one comes close.”

the bees should come to your lips for nectar, he thinks. flowers bloom from your mouth, delicate and sweet petals that light up his world and color him every shade of love. 

“in that case,” he whispers, pulling away from your mouth to press a soft kiss to your nose, “i’m the luckiest man in fontaine. maybe teyvat.”

“i would agree,” you wink cheekily, “aren’t i such a lucky catch?”

“oh absolutely,” he laughs, amused, fond, so deeply enamored. then his lips are back on yours, and his hips are angled so that his cock teases your folds, grazing the entrance of your cunt as he coats his tip with your dripping slick. 

you both shudder at the feeling, gasping against each other’s mouths as you exchange hot, labored breaths. 

“i want you,” you repeat, “please.”

“you have me,” he whispers, letting out a soft moan as he pushes the tip past your entrance, “as long as you want.”

“that’ll be forever,” you say breathlessly, “think you can handle that long?”

“i’m sure i’ll manage.”

finally, he pushes all the way through, buried to the hilt and stretching you apart until he splits you open on his cock. he presses so deep into you, you can feel him nudge against that sweet, spongy spot without even trying. it’s like he was made for you—like the laws of this land declared him yours from birth and made him fit you in every way possible. the slot of his fingers with yours, the mold of his lips against you, the press of his cock into your cunt. all of it fits you so well, you wonder if you’ve lived your life just to find wriothesley. 

you both moan into each other’s mouths, strangled sounds that you swallow from each other’s mouths as your lips sloppily press into each other. 

“wr-wrio—fuck,” you stammer, nails raking along his back as he rolls his hips, slamming into your deepest, most rawest parts.

“yeah, baby,” he pants, kissing the corner of your mouth, “m’right here, sweetheart.”

you sob when a rough, callused thumb finds your clit, rubbing circles into the bundle of nerves perfectly in tune with the harsh thrusts that fill you so deep. deep—he’s so far into you, you wonder if you can feel him in your throat, in your lungs, and in your heart, knocking the air out of you as you breathlessly try to call his name. 

“faster,” you plead, clinging to him, “more—please, need more.”

“think you can take it?” he chuckles, cutting himself off with a strangled grunt when you squeeze around him particularly tightly, “i think you’re falling apart as is.”

“more,” you whine, back arching as your hips desperately buck up to meet his in tandem, trying to feel him closer, deeper, harder. 

“if that’s what you want,” he hums—you want to scoff at him, but you’re too delirious. you’d tease him for acting like he doesn’t want the same, like the ache of his cock doesn’t crave more friction, doesn’t want to slam into you with little to no self-control outside of chasing his pleasure. you feel so good around him—so good, his head falls to your shoulder as he pants harshly into your ear, murmuring stammered praises. “s-so good, sweetheart. you always take me so good, like the pretty thing you are. how in teyvat did i score the affections of fontaine’s most radiant lady? o-only the gods could know.”

“why don’t you ask them,” you breathe, head pressing against the pillow as your back arches and your toes curl when he slams his swollen tip against your sweet spot once more, hips rolling in perfect precision, “ask them how you got so blessed.”

“maybe i’ll ask the divinity right before me,” he hums smoothly, chuckling when you mewl as his thumb rubs faster into your clit, “how did i get so lucky?”

“because i need you,” you whine, “n-need you—only you.”

“what a sweet answer,” he groans, pumping his cock into you faster, feeling the familiar twitch indicating he’s close—and you are too. he can tell from the erratic squeeze of your walls. “always spoiling me, right sweetheart?”

“wriothesley,” you cry, “i-i’m close. m’so close, please. please.”

“no need to say please, baby,” he grunts, “you can have whatever you want. when you want it, yeah?”

and just like that, you break—his thumb is still rubbing those harsh circles into you swollen clit as you cum, clenching down on him through your high as your mouth parts and your head presses deeper into the pillow. he’s fucking into you, still slamming his hips into you as mercilessly as before, riding you through your orgasm as you chant his name. 

“wri—wriothesley,” you sob.

“yeah, sweetheart? what is it?” he teases—it doesn’t last long, though. his bravado falls apart as soon as the first twitch of his cock indicates his own orgasm. you feel the hot, sticky, endless ropes of cum fill you up, coating your walls as he stiffens over you and shudders, groaning lowly as he empties himself into your sweet cunt. “f-fuck, you feel so good—you’re the only one. the. only. one.”

his hips thrust into you to punctuate the words, cock pushing his release deeper into you, messy and leaking down your thighs and forming a ring at the base of his length. it’s so filthy you almost think it’s a sin. but how could it be when it feels so right, so good?

finally, he slumps over your body, spent and panting as he finishes. you catch your breath under him, labored breath one after the other as your sweaty skin clings against his own.

“you’re beautiful,” he murmurs after some time, kissing the damp skin of your neck.

“i know,” you whisper cheekily, making him chuckle as he rolls over, pulling you into his chest.

“so humble,” he snorts.

“of course,” you beam, “but feel free to leave more compliments.”

“oh don’t worry, i won’t run out any time soon.”

it’s quiet for a bit, apart from your giggles and his low chuckles. soft, peaceful, and so painfully comforting, you wonder if heaven itself wishes for a place beside wriothesley. 

“when you first came up to the surface after your sentence,” you mumble after a few moments of quietness, tracing small loops into his chest as he silently hums for you to continue, “what was the first thing you did?”

“i got a croissant,” he answers thoughtfully, thumb rubbing circles into your hip where his hand is comfortably rested.

you blink, tilting your head to look up at him. his lips curve into a knowing grin.

“pardon?”

he laughs—it’s a beautiful thing. like a boy, eyes crinkled and lips freely curved so wide, you’d think his cheeks were endless with the way they expand to accommodate for such a large stretch. it’s the one time he doesn’t seem like the rugged man you usually know. something younger, more innocent, more raw comes out when wriothesley laughs.

“they go well with tea,” he shrugs, looking down at you, quickly stealing a peck of your nose, “and…” his voice is softer as he trails off, smile faltering.

“and?” you press delicately. so delicately, you’d think you were speaking to a house of cards, one word that’s breathed too harshly away from toppling over.

“and i wanted to visit a bakery i went to as a kid,” he murmurs quietly, voice dropping to a whisper as if he’s admitting something he’s never told anyone. something tells you he just might be. “there was an old lady who used to feed me sometimes when i was a kid on the streets. after i ran away. she’d give me a chocolate croissant and warm tea. i thought…i thought maybe there was a chance she’d still …”

he swallows, cutting his words off just before his voice has the chance to break. it’s a measured gesture. you know it is because you know him. just like you know the feelings of petals and thorns with your eyes closed, you know wriothesley. just like you can tell flowers apart from scent alone, you have him memorized. just like you know what every petal and its origin means, you understand him like it’s your job, too.

except you get paid to do this with something better than mora. with open-mouthed kisses and lingering touches. with coffee in a mug to complement the tea next to it. with strong arms to shield you when rain pours hard over your unsuspecting heads. with a gentle voice that learns to whisper back the language you speak better than anything else.

it says you’re the one i need the most, like rainbow roses. i miss you so much, i ache for you, like mourning flowers. i’d shed blood for you to live, like dendrobiums. you’re what i desire more than anything else, like romaritimes. each word is carefully formed, fragile as it hangs from a singular point. like petals on a stem, his words blossom from the tip of his tongue, falling one by one to your awaiting hands as your thumb traces his lips.

they all tell you one thing—whether he says the words out loud or not, he tells you he loves you through the things he does say. every little promise, every compliment, every form of praise. they say one thing—i love you.

you have always felt loved around wriothesley. you know he loves you, even if you question it sometimes, even if you ache to hear it, you’re always reminded he does when those eyes soften as they look at you, training on you like they never want to look away.

he loves you. he loves you not. he loves you. he loves you not. he loves you.

he loves you.

he loves you.

he loves you.

it always ends with he loves you.

“was she?” you whisper, finger tracing up his chest, along his neck and jaw until it cups his cheek tenderly. he shivers at the touch. “was she still there?”

gentleness isn’t something wriothesley is very familiar with. it raids his skin, takes over the territory that’s only known harshness, and conquers the scarred patches that are barren and empty from all the pain and desolation.

“no,” his voice is barely audible. “her son owns it now. the croissants still taste the same, though.”

“some things never change, i suppose,” you smile softly, leaning closer as your nose presses against his, “even when everything else does. it’s not so bad if you hold onto what you can.”

“and what if you have nothing?” he challenges, closing his eyes when you kiss his jaw sweetly and slowly inhaling a soft breath.

“i’m sure that’s never true,” you murmur, “there’s always something.”

“yeah? how optimistic of you,” he chuckles.

“i’m serious,” you pout, “there’s always a way to make do. look at cacti. they go ages without water, don’t they? and did you know naku weeds can survive being struck by lightning?”

“do you just compare everything to plants?” he asks in amusement, eyeing you with a charmed glint.

“of course,” you huff, “don’t you compare things to what you love most?”

he looks at you for a moment. really looks at you. grazes his eyes over your supple skin he’s traced so many times, over the small crinkles by your eyes permanently etched from smiling so often, over the curve of your nose and lips he’s pressed his own against, over the two eyes that stare back at him and see him more than they do look.

and then he nods.

“yeah,” he admits, “i do.”

your lips are as sweet as the warm chocolate that coated his lips and chin as a child. your touch is as soft as the hands of his mother when he thought he could trust her. your eyes are as bright as the sun when he first saw it after years of dark, rusted walls. everything about you reminds him of his past, the better parts and the worst. all of it.

some of it is healing, and some of it hurts so raw he thinks he’ll bleed out. but your hands are dipped in gold, he thinks. they’d make the most infertile soil rich and filled with life, letting him blossom new again right where his blood spilled.

he’s reminded of you in everything he sees. tea reminds him of your coffee with too much milk. paperwork reminds him of how distressed you are by wasted pages and killed trees. his gauntlets remind him of your hands so small in comparison. he’s doomed, he thinks. cursed, even.

cursed to always remember you in everything.

so, of course, he compares everything to what he loves most. because why else would you reside in his mind so endlessly, taking up the space from one end all the way to the other? why else would you remind him of you in even the mundane of things if he didn’t love you so deeply, so purely, so easily, that you’re everywhere all at once, even when you’re nowhere in sight?

he presses his forehead to yours, closing his eyes and inhaling sharply before letting out a slow, shaky breath.

“i lied,” he admits, making you frown.

“about?”

“about the first thing i did when i got to the surface,” he says quietly. “i went to my parents' graves.”

“to visit them?” you raise a confused eyebrow.

“no. to make sure they were really dead.”

“oh,” is all you say, staring into his eyes as he waits for you to say something more. “well, were they dead?”

“yes,” he snorts, closing his eyes and huffing out a small laugh. “very much so.”

“well, that’s a relief,” you giggle, “otherwise, you’d have served a sentence for murder for nothing.”

“good thing i didn’t, huh?”

“good thing you didn’t,” you nod, grinning as he stares at you softly.

“i’ll take you one of these days,” he hums quietly after a moment. you look surprised, eyes widening as you process the words.

“to your parents' grave?”

“to the bakery,” he rolls his eyes, letting out a breathy laugh. “i don’t think my dead mother would appreciate me bringing back a woman after i killed her.”

“oh, very funny,” you scowl, glaring at him.

“you think so?” he winks, laughing when you gently shove his face away, making his hand grab at your wrist and bite gently into the skin.

you squeal, giggling as he nibbles into your skin. “stop that, you brute!” you demand in between laughs.

it’s quiet for a moment as the laughter settles down, just you and him. him and you. silence echoing off the walls and warmth radiating between your bodies, the sheets clinging to your bare skin. you can feel his bare hip brush against yours. it’s intimate—far more intimate than either of you are used to, but not unwelcome.

he turns, pulling you into his arms and pressing your foreheads together. you think that’s his favorite position to be in—when your faces are so close, they touch. when his eyes can bore into yours. when he can feel the warmth of you tickling his skin as you breathe, as you talk, as you exist before him.

“you’ll like the croissants,” he adds quietly, thoughtfully, “the blackberry ones are particularly nice with the lemon and mint tea—”

you cut him off. before you can think. the words fly past your lips, swept with the breeze like dandelion seeds, and carried through the room as they find shelter in every little crevice. they’ll be here, in every corner, in every little place, a memento of your first real confession.

“i love you.”

he pauses as you cut him off, blinking as he stares at you. something flashes in his eyes—fear, excitement, a small bit of shock and doubt that makes your heartache. you can read him like a book.

it’s not doubt because he thinks you lie. it’s doubt because he thinks it shouldn’t be him. you know that, and you’re prepared to patiently prove him he’s wrong. little by little. day by day. one kiss at a time.

“that’s really enthusiastic,” he shoots you a teasing grin, too easy and too practiced for your liking, “if i knew you liked croissants that much—”

“no, wriothesley,” you say gently, like your words could rock the boat and topple you both into a dangerous, unforgiving current any moment. “i love you. i love when you tell me things you don’t like sharing, and i love when you show me things that are hard to revisit. i love you. because you try, and you’re good at trying. and that’s enough.”

“getting sentimental on me?” he asks hoarsely, smiling tightly.

your hand cups his cheek again, pulling him in so you can kiss the corner of his mouth as you whisper, “yes.” your lips find the other side of his mouth, still at the corner as you whisper again. “because you deserve to hear nice things. even the cheesy ones.”

his eyes close. one moment turns to two, and you let him take his time. let him swallow as he takes a shallow breath before he opens them again and looks at you.

he’s laid bare before you. in more ways than one. being nude is easier than being seen—he trusts you enough to let himself be both.

“you deserve to hear nice things, too,” he admits. it’s not the same as admitting he loves you too, but it’s as close as he can get—still difficult enough that his voice breaks. like it’s hard for him to confess something like this.

it is.

it’s hard for him to tell someone he loves them. the last time he did, he felt the sucker punch of betrayal in his guts, so young that he hardly understood what it meant to be betrayed at all. he watched the same eyes he used to think were his saviors die out as blood spilled in the living room, where his tiny feet padded across as he ran around and played. he misses them sometimes, even now.

his mother’s beautiful green eyes that greeted him in the mornings as she kissed him awake, warm and gentle on his forehead. his father’s deep blue ones that would look at him proudly as he grew and grew, clasping his shoulder with that firmly affectionate grip.

sometimes, he misses them, misses what he thought he had. other times, he’s glad he did it. sometimes, in the dead of night, when it’s just him, he mourns the old him. the one that didn’t have blood on his hands, the him that didn’t have to take two lives to set so many free. the version of him that was allowed to be a boy who existed freely, no taxes to pay for the love he so desperately wanted.

love is wicked like that—it creeps up on you, takes pieces of you, and changes you until you can hardly recognize yourself. until you can hardly recognize everyone around you. how long has it been since he’s seen his siblings? can he even still call them that? do they remember him? would he even recognize them?

he still loves them in his own way. his precious little sisters camille and lucie, and his sweet baby his brothers alexandre and nicolas—he came back and set them free just before it was their time. he didn’t want to leave them, but he had no choice. there were ones who left before him, a time that he can hardly remember anymore. a time before him and antoine. but he recalls them being so delicate with him just as older siblings should be. did they make it out of whatever fate they were sealed to? were they disposed of with no witnesses to bring their demises to justice? he doesn’t know. it’s easier not to know.

it’s easier not to love at all than to open up the risk of hurting. every person he’s ever loved has caused him pain. even the innocent siblings who did nothing wrong—all he’s ever known is pain. the pain of not having them around anymore. the pain of their quiet demise. the pain of setting them free and letting them go. the pain of never having them to himself like a proper family.

loving is so hard for him, so hard on him. so unforgiving to him. so cruel and harsh to him that he hides away behind guarded fists and loaded punches. and you know it, too—he knows you do because you reward his confession with the softest kiss you’ve ever given him as soon as he spills the words.

“i love you,” you murmur the sweet words into his mouth between warm kisses, “i love you. i love you.”

“say it again,” he pleads. it’s easier to let you love him than it is to love you—you don’t mind letting him be a little selfish. he deserves it, in fact.

“i love you. more than anything i’ve ever loved.”

“promise me,” he begs.

“i promise,” you say firmly. “and you don’t have to say it back, not yet. but i want you to know it because you should know you’re loved.”

all at once, the vines wrapped around his chest release, one petal blooming across his heart and arteries at a time until the nectar is running through his veins.

it’s warm. it’s sunny. it’s soft. it’s so, so safe. it doesn’t hurt. it never does with you. you never let it.

“i love you too,” he croaks. he shivers as he says it before he’s grinning slowly, chuckling in wonder as he lets the words sink in before he repeats again, “i love you.”

“yeah?” you beam, eyes crinkling as joy tucks itself into the crevices.

he nods. “yes. and your weird nature lectures.”

you pout, making him laugh. “hey—”

“and your annoyingly aromatic house with petals everywhere—”

“they’re not everywhere—”

“and that ugly dog watering can of yours—”

“it kind of reminds me of you, so—”

“i love them all, and i want them for the rest of my life. i hope you take it easy on the snapdragons, though. i think i’m allergic.”

“such a romantic at heart,” you grumble, rolling your eyes. but they’re glassy, swelling with unshed, precious little tears.

he kisses your eyelids as you close your eyes, murmuring, “i’m doing my best here. cut me some slack, i’ve never dated someone before.”

“oh, wriothesley,” you sniffle, tears coating your sun-soaked skin. and despite the evidence of tears, he’s never seen joy on your face like this before—so clear and radiant. “who taught you about romance? you’re hopeless.”

“hopelessly in love with you,” he shoots back smugly, wiggling his brows.

“i’m doomed,” you snort, letting out a watery chuckle.

“yeah,” he says cheekily, “you are. i hope you’re prepared.”

you kiss him in reply. he kisses you, too. you kiss each other. flowers bloom everywhere your lips touch—wriothesley swallows every petal gratefully.

you love him. you love him not. you love him. you love him not. you love him. you love him not.

you love him.

you love him.

you love him.

it always ends with you love him.

and he loves you, too. you both love each other. the words bounce from both of your tongues like you take turns tasting them, feeling them, familiarizing yourselves with them.

it doesn’t matter who whispers the words first or who murmurs them last. no matter who breaks the silence, it always ends with i love you.

ITS FINISHED. WOW. i never thought a flower shop drabble was going to turn into this—i actually had a completely different flower shop au idea that was going to be a long fic but i just wanted to write a tiny practice round drabble to get the itch out my system before i had time to sit down for the full fic. well as you can see…the practice run kind of took a mind of its own so now we have this. LOL. i think perhaps i will also write the other idea but we will see!!! this one kind of replaced the other one in my heart as flower shop wrio lore lol 🥸

ANYWAY!!! i hope you all enjoyed this as much as i enjoyed writing it. idk if wrio was ooc or not or if i did his past and trauma justice but i certainly tried!! all the things about his past with the siblings and his mother's diary and the croissant at the bakery are all headcanons i carefully crafted and hold so so so dear. they are my truth!!! and they make me fall in love with him so much more deeply :( anyway! if you liked it then as always, reblogs and comments are appreciated. now if you’ll excuse me, i will be doodling his name in pink glitter pen with hearts in my diary and giggling.

[visenyaism]

They butchered Alicent so bad

oh i LOVED her this episode. some of the execution was a little clunky in places but moving the blood and cheese “pick which of your kids are dying” moment to be a conversation between rhaenyra and alicent was sooo fucking choice in a way i really found compelling.

like aegon this episode, alicent has been realizing she doesn’t know what the fucking point of all of this has been. again like aegon because they were raised in a deeply ableist society she cannot conceive of aegon where he isn’t the king she cannot wrap her head around what he’s supposed to be now all of the suffering she bore to get him to this point was for nothing. aemond is acting scary and out of control to the extent that he is an active threat to her and her other children she does not know him anymore.

she gets out loud explicitly asked by rhaenyra to resolve the dilemma that has been her entire character: she either has to choose her children or her relationship with rhaenyra. otto has been drilling this into alicent’s head since she was a child, alicent has been drilling it into her children’s heads since THEY were children. rhaenyra was the only one who pretended that wouldn’t be a choice forced on alicent! so then rhaenyra is the one to demand this of her it’s CRAZY. and alicent, who has been trapped for almost her whole life who has done everything expected of her and has been left with what? so much blood on her hands, everyone hates her, no one listens to her,and the children that she had to bear the conception and raising of against her will are unrecognizable to her. this war is transactional and will not stop until everyone is dead.

and alicent does something fundamentally selfish and cut them loose in the name of all of this just being over. she wants to be a person again. she can’t tell the difference between being her own and being rhaenyra’s those are the same to her. and then she steps out to look at the wide open sky, out of her cage for the first time ever while rhaenyra settles deeper into hers. that’s so interesting. 

the consequence being that she never had control of the narrative! but she’s still punished for this in how this story is told. she’s largely written into the background of the historical record and when she’s there she’s a caricature of a cold ambitious stepmother-queen. they’re trying really hard to reckon with the historical record as history is happening.

overall, I think I can understand why people are upset about this, but I loved it. I thought it was really compelling and there could’ve been a bit more buildup to that moment for her but I don’t think it’s that far out from her previous characterization at all.

[charmwasjess]

Still thinking about Galidraan, about the Legends vs Canon treatment of Dooku’s character, namely his exit from the Jedi. 

It’s funny how much it matters to me and improves Dooku’s story that he didn’t leave the Jedi out of growing disillusionment with the Order itself. In the current canon, it’s all framed around a very Padme-esque disenchantment with current political makeup of the Republic, the Jedi being used by the Senate and political machines inappropriately, and how planets with little wealth or influence are left out. In the penultimate moment of crisis, he leaves for Serenno, not because he can’t be a Jedi any longer. Because of a conviction that he could truly make something better. 

And I don’t mean to suggest that he never expresses any criticism of the Jedi or particularly, the Council. He seems to have founded that characteristic trait within the Disaster Lineage. (Ironically, the person in Dooku’s story who should have the most legitimate reason to have a personal problem with the Jedi Order is fucking Sifo-Dyas, who never seems to have considered leaving and literally dies telling the camera he did it all to save the Jedi, but that’s a different post.) But that isn't what compels Dooku to leave. In fact, he remains close with the Order for years afterward.

Why it matters to me is because that detail makes Dooku ultimately betraying the Order SO MUCH MORE FUCKED. 

Because they weren’t an old score he was settling. It wasn't seething resentment that boiled out into revenge years later. They were innocent collateral damage of his decisions. His family. His lineage. His legacy. It makes his treachery so much more personal. He had a wager, power for a horrible cost, and he took the power and paid the horrible cost. Sidious really gets him with:

If Dooku hated them and had always thought they deserved to be destroyed, it wouldn’t have been a true Sith bargain, the trade off wouldn’t have tallied. In the same way that Vader could not have existed if Anakin hadn’t loved Padme and yet still killed her.

If Dooku was just a horrible, conceited, power-hungry ass who expectedly traded the kinda shitty people in his life for a shot at more power, it wouldn’t be a very good story. If he really didn’t give a shit, why would Sidious make that his initiation? But if he does - does care deeply about Sifo-Dyas, does love Qui-Gon like a son, is touched by Yaddle’s kindness and sympathy, begins to see Asajj as a true apprentice, consistently tries to save Obi-Wan out of affection, still considers the Jedi his true family - and yet still dooms them all, how much more tragic and horrible and sickening and real and interesting is his story?

[lowkeyerror]

The Family Business Ch.3

WandNat x Reader

Word Count: 1.5k

Chapter Notes: Mentions of death, violence, underaged drinking, slight mentions of SA, lisichka=little fox

Summary: Natasha has heard stories of you from Wanda. It has her doubting your current day skill level. With Dragos and Wanda in a meeting, you get the chance to tell her a bit about the person you've become.

An: Finally something between Y/n and Natasha (I say finally as if this isn't chapter 3 lol) Anyway enjoy this chapter and see you back next week.

Series Masterlist | Masterlist

You could feel Natasha’s eyes on you as you worked. It was tedious work, but you typed away with a smile on your face regardless.  You thought that maybe she’d pick up her phone or something, but she seemed to just watch you.

“You want to ask me something or you just going to keep staring?” You kept your eyes on the computer screen as you addressed her.

“You’re different than Wanda said you’d be,” was all that she said.

You finally looked at the red head, “Well like I said, it’s been a while since she has seen me. A lot has changed in the years she’s been gone.”

“Like what?”

You paused your work to give Natasha your full attention. You sat back fully in your chair pondering back to the last time you saw Wanda. “Well, she left before I graduated. Back then I thought I was going to take my degrees, find an honest job, and live a normal life. I was fragile, even after the self-defense training. I hadn’t held a gun, I hadn’t hacked into anything, I was just a little girl.”

“And now?”

You gesture around you, “Now, I have this nice office. I crunch numbers for the most high-profile company in town, that just happens to be a front for a criminal organization. I have 2 degrees, I can defend my family and myself, I’ve shot a gun more times than I can count, and I could hack into anything that you could imagine.”

“You’ve got a ledger?” The line about the gun seemed to stick out to Natasha.

You shrug your shoulders, “I’ve carried my weight.”

“How many?”

The question startles you a bit. It was so candid as if she was asking about the weather. You could see them, the people you had killed. It wasn’t a large number, not even in the double digits, but still.

“7.” You don't know what compelled you to keep speaking,” I remember all of them. What is it they say about the first one? You will never forget it. I was 20, it was before I joined the organization. Pietro had dragged me to some party.”

“I take it you weren’t a party animal back then?”

You chuckle and shake your head, “Not even a little so I did what everyone does to get comfortable at a party. I took a few shots, it was stupid. As a light weight and someone not of legal drinking age, I should've been more careful. The shots had loosened me up, so I was enjoying the party for awhile. I lost Pietro at some point, but I was too drunk to notice.”

You see Natasha frown a bit, but you continue, “The host of party finds me on the dance floor. We dance for a while; we don't say much, just hi. Someone spilled a drink on me while we were dancing. He offered to get me a new shirt. Like the innocent little idiot I was, I followed him up to his room.”

You paused, almost feeling like you were back in that moment. You could feel everything again, your skin was hot and sweaty, the hairs on the back of your neck stood up, you could feel him on you.

Natasha could sense she lost you to the memory. She got up from the couch in your office to make her way towards you. She took a seat on the edge of your desk and pulled your hands into hers. “What happened in his room?”

“He tried to take advantage of me. He tore my shirt off just so his gross hands could grope my skin. He pulled me against him fiddled with his belt before trying mine. His breath was hot on my neck as he peppered kisses on my collarbone. When his hand slipped into my pants, is when it really clicked in my head. I had told him to stop, but he wouldn’t. You know the kind of guys that say, ‘you want this’ or ‘you teased me all night’ or ‘You’re the one half naked in my room’. He was one of those, no wasn’t going to cut it.”

Natasha squeezes your hand as you recount the harsh memory. It looks like you could cry right there in the office. Then all of a sudden, the tears pooling in your eyes are gone. A blank expression takes over your face.

“For a minute, I pretend I’m into what this creep is doing to me. Only enough for him to loosen his grip on me. At this point my back was against his front. I reach behind his head, like my arms trying to loop to bring him closer. Except one of my hand rests on top of his head and the other one is on the opposite side of his jaw. I snapped his neck. His body hit the floor like a sack of potatoes.”

“Y/n- “

“I threw up when I saw him. After I was done, I called Pietro, he found me upstairs with the body. He felt so guilty for leaving me, but I could tell he was surprised too. So surprised that fragile little Y/n had snapped someone’s neck.”

Natasha’s eyes bored into yours, “That asshole deserved that. He deserved worse.”

“He didn’t rest even in death. Dragos made sure of it. He made that family’s life a living hell. It was a message to the entire city that I was under their protection. If anyone so much as laid a finger on me there would be dire consequences.”

A silence filled the room. Natasha didn't remove her hand from yours and you didn't ask her too. You glanced back at your computer, knowing you had to finish your work.

“Wanda never said you were fragile, just delicate,” Natasha’s fingers drew patterns on your hand.

You shake your head, “Wanda has always had a way with turning something negative into a positive. I never saw the difference between the two words, but she’d always say- “

“Fragile things break quickly into millions of pieces under the slightest pressure,” Natasha starts as if she had been there when Wanda said it to you.

“If you were fragile, you wouldn’t be here with us. You’re delicate, beautiful, intricate, and deserve to be handled with care,” you finish with a fond smile on your lips.

“For what it’s worth, I think she was right,” Natasha returns to her space on the couch to allow you to keep working.

She finally pulls out her phone seeming to have relaxed a bit because of your vulnerability. You want to refocus on work, but there are some questions that are nagging you about the woman in your office.

“How did you two meets? If you don’t mind me asking.”

Natasha ponders a minute for a suitable answer, and you take note of it, “The short version is that we met at work.”

You raise an eyebrow, “And what did you do for work?”

“Guess.”

You let your eyes look over the woman. You took in her relaxed posture, the muscles hiding under her shirt, the way she allowed you to be vulnerable with her, the mischievous glint in her eye. She was a multifaceted woman, you could tell.

“Spy, a Russian spy to be exact.”

Natasha seems slightly surprised, “How’d you guess Russian?”

“Romanoff sounds suspiciously close to Romanov, common last name in old Russia.”

“You’re a smart lisichka aren’t you?”

A blush takes over your features, “Little fox is new, but you’re stalling, Natasha.”

She crosses her arms across her chest, “Well I was formerly spy, turned into assassin for hire. I was anonymously hired to kill Wanda.”

“Too charming to kill?”

Natasha sighs, “I tried, but she was just too good. We started this rivalry, playful banter, suggestive tones, I spent a lot of time trapped under her thighs. It got to the point where I didn’t want to kill her, I had terminated the contract, but I just kept coming around to see her. She told me that my skills were being wasted on petty assassinations, when I could be working for her. I said the only way I’d consider was if she went out with me. The rest is history.”

“Leave it to Wanda to seduce an assassin.”

Natasha laughs, “Hey, she only seduced me because I let her.”

“Whatever you say super spy. I’ve got to finish this work before we have to leave for dinner.”

“Flora might have your head if you show up late,” Natasha comments.

You press the small button on your desk, “Thanks for reminding me. Kate, do you think you could get me some hydrangeas for Mrs.Maximoff.”

“Of course, Y/nn, anything for you,” she responds cheerfully.

You roll your eyes, “Thanks Katie.”

With that you're back to working. Though Natasha pulls out her phone, you still feel her eyes on you at time. It sends shivers up your spine, yet you don't want her to stop looking.

Taglist: @natashaswife4125 @autorasexy @alexawynters @blkmxrvel @toouncreativeforausername

[danlous]

"Armand is Alice and Daniel's wife/s and kids aren't real" has become a popular fan theory (even Luke Brandon Field said he liked it!) but i'd be surprised if it was right. I think it's definitely possible that Devil's Minion will be adapted in the show (though probably not exactly like in the books), but i personally think this whole imaginary family thing would be a poor way to handle the storyline for a variety of reasons. I think a twist like that would probably come across convoluted and (as Daniel might say) like something from a telenovela.

We see children's toys in Daniel's house and he's public figure who many people know with an autobiography and everything. Creating decades worth of false memories for Daniel and somehow also maintaining that imaginary life story for decades wouldn't be enough, Armand or whoever did it would also realistically have to have an absurd level of control over the physical world, public records and many other people's minds to sustain an illusion like that. I also frankly think it would be difficult to avoid having some sexist and biphobic undertones to the idea that Daniel's relationships with women were unreal and meaningless and only his relationship with a man matters.

However, the most important reason why i think Daniel's wives and children should be real is that they make him a richer, more nuanced character and are actually central to understanding him and his motives. He has lived a full and complex life that has been influenced and to some extent defined by his encounters with vampires, but those vampires still weren't his whole life. I think it's more interesting to see Daniel's human life and his relationship with Armand and Louis as something connected and overlapping that both affect each other. We actually learn quite a lot about Daniel from what he says about his partners and children.

This scene - as well as how Alice in general is discussed - reminded many people of how Daniel in the books talks about Armand, such as this famous passage:

Parallels between Daniel's relationships with Alice and Armand in the books are obvious but i think they're just that, parallels. Both the sweet little scene where Daniel is talking about Alice's eyebrows and the book scene where he's talking about loving Armand not despite but because he's a monster reflect in different ways who Daniel is as a person; he feels drawn to unconventional and strange and sees beauty where others might not. He ended up in this situation with vampires too because he wanted to interview people who're rejected by the society.

If Daniel already had some sort of relationship with Armand in the past it makes sense that it would be associated with Alice in his mind. There may be an overlap between the timelines of those relationships. A memory of Armand rises when Daniel is reminded of Alice rejecting his marriage proposal, in the books Armand rejected his wish to be turn him into a vampire, which would've been something akin to marriage. I think Alice being real is much more compelling for Armand's character too, with Armand expressing surprising understanding and sympathy toward Daniel's wife rather than just speaking about his own experience through an imaginary woman.

Completely putting aside Devil's Minion and is it a thing in the show or not, i think Daniel's family is particularly important to Louis' and Daniel's relationship. Something that hasn't technically been explicitly said but to me seems obvious is that Louis and Daniel strongly relate to each other as fathers. Many scenes where we see Louis and Daniel show vulnerability in front of each other have something to do with their partners and children. In 1.02 as one of the earliest examples of this Louis replicates the dessert Daniel had with Alice, trying to connect with him and his humanity through it, Daniel shares personal memory and they eat together in companionable silence.

I would argue that Claudia, her memory, and Louis' relationship with her is the heart of the story in these first two seasons. Claudia entering the story in 1.04 marks the shift in the interview and Daniel's approach; he becomes both more combative and more emotionally invested. He has a strong reaction to reading Claudia's diaries, and it's not difficult for any parent to guess that he's also imagining her own daughters in similar circumstances to Claudia.

I think this conversation at the end of the episode (alongside Louis' speech to Daniel in San Francisco and them remembering it in 2.05) is the most important scene between Louis and Daniel. They share the understanding what it feels like to have children and love them so much you don't even have words for it, but still fail them. It's not a coincidence that in the original interview in San Francisco what leads to Louis attacking Daniel is Louis telling the story of Claudia leaving alone and Louis going back to Lestat, and Daniel acting dismissively and clearly not understanding why this is so painful memory to Louis. Daniel was young, stupid and high - and he didn't have children yet. Daniel now wouldn't act like that when hearing this story, and he doesn't in 1.06 when hearing it again. And notably when Louis says that he would now agree to turn Daniel, Daniel says he doesn't want it anymore and specifically mentions his daughters as one of the reasons. Having to watch your children die before you is the most horrifying thing in the world. It's something Louis had to go through and Daniel wishes he never has to, even if vampirism still intrigues him.

Daniel realizes quickly that it all comes down to Louis' feelings of guilt and shame about failing Claudia and his inability to protect her, because he has similar feelings about his own daughters. Louis' story unravels in s1 finale because Daniel recognizes that Louis' more palatable narrative around what happened with Claudia isn't fully true. Daniel carefully read through Claudia's diaries and tried to learn to understand her, and he positions himself as someone who's trying to defend her integrity and reveal the injustice that was done to her. This is again about Daniel's own children as much as it's about Claudia. He knows that he's a bad father, his daughters don't talk to him anymore and it's implied that he neglected them when focusing on other things that interested him more. When Daniel defends Claudia he's on some level trying to rectify his own mistakes and when he calls Louis out he's also voicing his own self-loathing.

Eric Bogosian remarked that the scene in 2.01 where Louis cries and thanks for Daniel for helping him to remember that Claudia could dream is another shift in their dynamic. Daniel looks at Louis with genuine concern, and after that he tones down his usual sarcasm and jabs significantly. Daniel, again, can sympathize with how important this is for Louis. There's a new sincerity and empathy in their interactions. Sometimes the audience forgets that this story is ultimately about Claudia, but Daniel hasn't forgotten it since he first realized it. They're trying to understand together what happened to Louis' child and everything that led to it. I think if Daniel wasn't a father he would've acted differently, and Louis wouldn't have trusted him in the same way either and been able to share his and Claudia's story. I think this shared sorrow, love and guilt they feel as fathers is one of the most crucial parts of their connection.

[idkwhatever580]

Always remember the things she said

Masterlist

Based on the song “as good a reason” by Paris Paloma (the girl who wrote “labor”)

Pairings: Natasha romanoff x reader | Wanda maximoff x reader!platonic\older sister vibes | Wanda maximoff x Natasha romanoff!platonic\older sister vibes again

Prompt: two occasions happen where Natasha and y/n give their sisterly advice to Wanda, and she’s the first one to connect the dots.

Warnings: swearing, songfic

A/N: guys I love a good songfic. this is giving me life right now btw. I’m living for this song.

Here’s the song if you want to listen. It’s not important that you hear it but it’s soooo good

Wanda and Pietro just joined the team.

Of course Pietro was busy recovering from almost bleeding out, and Wanda was getting tested for her abilities.

After most of the screenings were done she was pretty tired. And you were there to help her settle in.

You went with her to the party that night since Tony used their presence as a good reason to celebrate.

Wanda had sat next to you the whole night almost as you were elegant and beautiful in your own right. And you knew it. Suddenly she speaks up after not having said much more than a peep all night.

“You really know what you’re doing.”

“Hm?”

“I mean. You look like you love yourself so much and it’s attractive to everyone. It draws eyes towards you. The way you carry yourself”

You smile and thank her and nod your head.

“I didn’t always know how to own the room.”

She turns her head and says

“When did you change? Or become like this?”

You smile and say

“Can I tell you a story?”

She nods interested now.

You sit back as you recall that fateful night.

“One night. I was at a party not unlike this one.”

Wanda nods along and you start

“I met a woman with lips so red. A face so lined like spider webs. I’ll always remember the things she said. They were so wise, she opened my eyes and they’ll never close again.”

Wanda asked

“What’d she say? What did she do?”

You smile at her innocence and intrigue

“Oh how she sighed when she stubbed her cigarette. I felt compelled to enquirer of her success. ‘How do you do, how can you be so in love with yourself? Tell me please cause I need help’”

I smile at my youthful innocence and say

“I was just like you in that moment I guess. Which is why I’m telling you this story.”

Wanda is already on the edge of her seat.

“She said… ‘Every time you are succeeding there’s an old man somewhere seething, and spite’s as good a reason to take his power. When you hate the body you are in, oh love, you’re acting just for him as he counts his gold and green in his ivory tower.’”

I take a sip of my drink and say

“I was being manipulated by one of my exes. And she helped me realize I didn’t even like him and I freed myself from his grasp with her help. ‘Our fear it lines his pockets love, so take that rage and bottle up and put a drop into his cup of wine. You don’t need him you don’t need me. With that poisoned bottle you’ll be free, but be damn sure you don’t mix it up with mine.’”

I smile at Wanda’s face. She’s incredibly sweet.

“What happened to the woman?”

I chuckle and say

“Well, I did exactly what she said not to do”

Wanda furrows her eyebrows and says

“What? But you’re doing what she said to do right now yes?”

I smile and say

“Partially. See. The first part I listened to yes. But the second part. I didn’t listen so good.”

Wanda tilts her head slightly and says

“What did you do?”

“I mixed my poison with hers. But not in the way you might think. I simply fell in love with her”

Her eyes widen and she’s on the edge of her seat

“What happened to her though?”

I smile and say

“We got married.”

Wanda looks shocked and she says

“You’re married?!”

I hush her and say

“Yes but not many people know. It’s to keep her safe in a way. Being an avenger is risky. I wouldn’t want the love of my life to get hurt now would I?”

Wanda shakes her head and we continue on with the night without another question.

~~~~~~~~~~~~~~~~~~~~~~~~~

Wanda has been with the avengers for a few months now and she’s been adjusting perfectly.

She is like family to them and she is at a gala sitting next to Natasha. You were drug off by Tony to talk to people. And to pass the time Wanda says

“Tell me a story.”

Natasha raises a brow and says

“A story?”

Wanda nods her head and says

“Like. Something that has happened to you that you’ve never told someone. That has a meaning behind it I guess. I guess what I’m asking is tell me a story and give me advice as well”

Natasha smiles when she pictures the perfect memory in her head.

“I’ve got a story. A few years ago I was at a party.”

Wanda nods along

“I met a young girl with eyes so bright. She was already getting sick of life. She had this boy who was controlling her basically. Her arms were laden with his merchandise. She asked me why I no longer try and waste my time and I said ‘spite’”

With a smirk Natasha continues

“I said… ‘Cause every time you are succeeding. There’s an old man somewhere seething, and spite’s as good a reason to take his power. When you hate the body you are in, oh love, you’re acting just for him as he counts his gold and green in his ivory tower.”

Wanda furrows her eyebrows as she recognizes those words.

“‘Our fear it lines his pockets love so take that rage and bottle up and put a drop into his cup. You don’t need him you don’t need me, with that poisoned bottle you’ll be free, but be damn sure you don’t mix it up with mine.”

Wanda mumbles the last words trying to recall where she had heard it before

“Be damn sure you don’t mix it up with mine”

When she makes the connection she says

“And then you ended up marrying her!”

Natasha furrows her eyebrows in shock and she says in a hushed tone

“How did you know that?”

Wanda responds

“She told me”

“Y/n told you that we’re married? We agreed to not tell anyone without each others consent.”

Wanda shakes her head.

“She told me her point of view of that exact moment and said ‘I met a woman with lips so red. Always remember the things she said’ and I remembered that she said that she married the woman but she didn’t tell me anything else. And I put two and two together and boom baby!”

Natasha smiles and says

“You’re the first person to figure it out. It’s funny because I told her not to mix our poisons and we did”

Wanda smiles and says

“I think you work well together. Like your poisons complement each others.”

Natasha smiles and says

“Thank you. And good job at remembering the woman’s words”

She smirks and Wanda giggles.

You finally break free from the people talking to you and you immediately make your way over to Natasha and Wanda and say

“Up to no good?”

Nat turns around and says

“Actually. Wanda has something she’d like to tell you”

You look at her waiting for her to say it and she gets all shy

“Um. I know who the woman with lips so red is”

Your eyebrows raise in surprise and you say

“Nat? Did you tell her?”

Nat shakes her head and she says

“She figured it out all by herself. She’s a smart one”

You nod your head and say

“I always knew she was smarter than she let on. Congrats on being the first to find out.”

Wanda nods her head and she says

“You shouldn’t hide it. I think you would be New Yorks top power couple”

You sigh and say

“It’s for our own protection. If we were to let that out someone might use us against the other”

Wanda nods and says

“But you have each other. You know you’ll come for each other. You know every avenger would drop everything to help you”

I nod and say

“You’re right. Maybe it wouldn’t be so bad to soft launch”

Nat smiles and says

“Let’s do it”

I grab my ring from my necklace that keeps it there and I put it on my finger. As does Natasha and Wanda smiles and claps excitedly

“I feel like a proud sister!”

I smile and say

“Good. You are our sister.”

She smiles and says

“Slay”

~~~~~~~~~~~~~~~~~~~~~~~~~

Taglist

@ilovesnat @ihartnat @marvelnatasha12346 @moistblobfish @justarandomreaderxoxo

[warningsine]

Notice how Helena uses "I" instead of "she" and how Milchik gives her the soft sell.

Combine this with:

her embarrassed "My dad forced me to recite the 9 rules as a child and I did not like it then" admission in front of a camera.

James basically thanking her for risking her life for the company and lying about it. He "cried" about the suicide attempt, and yet he didn't even contact his daughter, since he's telling her this now at the gala as an aside to the event. In terms of family emergency time? Too fucking late. Is this the only time Helena's seen him since then? Not to mention how he didn't want to take responsibility and blamed it all on his daughter's alter ego.

And you'll get a more nuanced interpretation than the "Helena pure corporate evil, Helly R. good rebel" binary one.

Despite doing that cruel "I'm a person, you're not" presentation and being determined to see the process through even after Helly tries to commit suicide, there's some part of Helena that must know that this is messed up.

Sure, she's complicit and not a hapless victim, but she's also a product of her upbringing. Stripping her of her privilege, heritage, cult-like brainwashing/indoctrination and Shiv Roy-like desperation to win her dad's approval gives you Helly.

They are the same person under different circumstances.

There are no contradictions between the fundamental makeup of her innie and outie.

The version of herself Helena brings inside Lumon questions everything and demands accommodation and answers, because she is used to getting what she wants as a privileged woman.

What changes her is the different context she's given.

Helena is a wealthy and powerful woman who gets what she wants; Helly is a powerless woman who is often being tortured. It makes sense that her traits—stubborness and determination among others—and the fundamental sense of "I deserve to get what I want" are present in Helly.

But also make no mistake: they're both prisoners. Helly in a more literal sense, Helena in a figurative one—a prisoner in her family and the role that was imposed on her.

A willing participant that benefits from a controlling system is not free from the harm or influence of it. Acknowledging Helena's abusive circumstances doesn't take away from her as an antagonist, it makes her story more compelling.

Helena's self-serving qualities are more a matter of nurture than nature, because Helly shows caring and compassion as well as rebellion and independence. Helly is like a very young version of Helena.

All of the outies' emotions leak through to some extent.

Helly's "Well, that's a given for me [that I'm an asshole out there]" is a pretty safe assumption to make based on Helena's video, but it also oozes self-loathing. Helena taking it out on Helly does too.

Ultimately, I think this happens on a figurative level to a lot of people who undergo an—emotionally in this case— abusive upbringing. Rejecting their most vulnerable parts and imprisoning them. It's a survival mechanism, and helps them feel like they have more control over their out of control personal life. But, in a way, it makes them more out of control once they get into the real world.

Their inner, imprisoned parts find ways to make it so they can't ignore them. We definitely saw that with Helly threatening to mutilate herself and attempting suicide.

There are consequences to denying and imprisoning any part of ourselves over the long term.

[coraniaid]

The scene where Willow confronts Faith is Choices is kind of fascinating to me, because ... well.

I like Choices quite a lot, and I think Willow's dislike of Faith is perfectly understandable and in character (and her speech has some fun but probably not intentional foreshadowing for later seasons), but it's hard not to notice that the narrative expects you to be rather more unambiguously on Willow's side than I think is really warranted.

I mean, Willow might not have been the most popular girl in high school, but she has multiple close friends, a nice boyfriend, a stable [and fairly comfortably middle-class] home life, she "represents the pinnacle of achievement in Sunnydale High" in the words of her school's principal, she's trusted enough to teach at the school, in a year she'll be able to go to any college she wants (and, unlike some people, she can afford to go anywhere she wants), she used to hack into government computer databases (before she ever met Buffy!) and now she's teaching herself dark magic "for fun" and she hasn't [yet] ever suffered any real repercussions for either of those things.

On the other hand, from what little we hear about Faith's past we know she grew up poor and that her mother used to get drunk and beat her, that she didn't have any friends and dropped out of high school young, she is very strongly implied on multiple occasions to have been the victim of some pretty horrific abuse before being called as a Slayer, and after being called as a Slayer she got to watch the one adult who ever told her she mattered get killed horribly in front of her before fleeing across the country to a town where she doesn't know anybody, still has no friends, doesn't have a job or go to school and lives alone in a motel in the bad part of town. And when she accidentally killed a man, while trying to do the whole slaying vampires thing she's supposed to be doing, the Watcher's Council -- who never actually bothered to send her a new Watcher of her own -- decided to have her abducted and dragged away to England [a fate which surely nobody deserves].

Yet a part of Willow clearly thinks (and almost outright says) "oh, well, yeah, but she hangs out with Buffy sometimes when I don't get to and she slept with the guy -- not my nice boyfriend! -- who I used to have a crush on (and who I was briefly cheating on said boyfriend with), so it's clearly impossible to say which of us really had things worse and I don't need to feel sorry for her". And -- again, while this is great characterisation for Willow -- it's kind of hard not to notice that the writers think she has a compelling point.

Yes, sure, Faith has defected to working for the Mayor and has a knife drawn on Willow this scene (she's not anything like a blameless victim at this point of the story) and it takes a certain level of physical bravery for Willow to stand up for herself despite that. But ... I mean, come on. "You had friends like Buffy" is only true if you accept it to mean "you had exactly one friend, who was Buffy". "It's way too late" for Faith to seek forgiveness ... how many people has Faith killed at this point? One, by mistake? Giles has killed more people than that. "Some people think you had a lot of bad breaks?" Yeah, actually in Faith's shoes I'd want to hit Willow after she said that too.

I realize that part of the show's central thesis -- something that explicitly came up as recently as Earshot -- is the idea that everybody, regardless of how comfortable their life might seem from the outside, has their own sorrow and pain and (only occasionally metaphorical) demons to fight. But while that's not entirely wrong, it's also ... not entirely complete? Everyone has it bad sometimes, but some people really do have it worse than others. Pretending otherwise is ... not a serious position to take.

Willow's life could be better, but she's not gone through anything like Faith has. I'd argue she literally can't imagine how bad Faith's life has been. She really doesn't have as much moral authority as the show's writers think she has at this point.

[Compare this part of Season 3 with the first half of Season 6, when the show is overflowing with sympathy for Willow's abrupt descent into magic addiction but has no sympathy at all for Amy Madison, whose own magic addiction is just implied to be because she's inherently a Bad Person who Willow needs to avoid and whose own horrific past and abusive mother and complete lack of support system is just entirely forgotten about. Or, indeed, to the weird take of Dead Man's Party, which has Buffy apologize to Willow for ... what? Having problems of her own that don't revolve around Willow? Being too busy mourning the loss of everything she ever cared about to tell Willow how uniquely special and amazing she was for learning rudimentary magic? Not being grateful enough for Willow restoring Angel's soul without bothering to ask Buffy if that was something she still wanted her to try?]

So, the overall effect is ... yeah, it's a good scene. But it's almost a good scene despite the writer's intentions, not because of them. It's much less of an ambiguously triumphant moment for WIllow than I believe we're meant to read it as.

[sgiandubh]

2023 or last week

That's not really matters', what is interesting is that Caitríona has a very high level of privacy in her movements or travels

She has a private life that is completely away from notice and attention, no press, no ordinary people, no fan who meets her by chance

Wow.. as if she had the invisibility power since 2019.

Dear Privacy Level Anon,

We're going to do things a bit differently, this time, with an audio answer. Nice to meet you, by the way:

For those who need a transcript, here goes:

'Your charade has very simple answers:

No Press? The Press would have to actually care or be sold a juicy tip/story, about that elusive B-lister who is such a compelling Claire Fraser (huh?) from Outlander ('wait a minute, that nice, secksay series around 2016, right?'). Press interest is, however, likely to immediately jump up, the minute she lands a better PR team and/or a part in a really relevant cinema project. Let's see what those two next movies bring, Anon.

No Ordinary People? Imagine you're Jane Doe (aka, an Ordinary Person), traveling from 🛫 London to 🛬Bangkok. Upon arrival at 🏯Suvarnabhumi Airport , while waiting in line for the notoriously looooong passport control (full profile pic included), you spot C (or S, or C and S, or C and S and Boos 1, 2, 3... 554). They vaguely remind you of someone. That someone could be anyone from a) your cousin Matilda's co-worker you have been briefly introduced to, three years ago; b) someone who looks like your homeland's host of 'Who Wants To Be a Millionaire' TV show (totally random example, here); c) someone who looks like that actress you once saw in that TV series which name you can't really remember. Ultimately, the fact that you are unable to put a name on that face really irritates you. Your feet hurt, you are sleepy, grumpy and you need to go to the bathroom ASAP (🚨🚨🚨🚨). Meanwhile, S and C kiss, Boo #456 is as unhappy as you and wants his blankie. Did I mention you need to use the 🚻 (somewhere far away from 🛃) ASAP? S and C 💋💋💋💋 some more. YOU NEED TO USE THAT TOILET AND YOU'RE STUCK IN THAT STUPID LINE. Boo #433 wants their mommy's attention NOW (🥹🍼🤦‍♀️), so you sympathize a bit ('what a cute 👶, just like his/her parents') but you are really focused on your 🧻problem. By the time you dragged your 🧳to the 🚕 area, in the thick, humid heat at Arrivals, you'd have forgotten everything about it, but remember every single second of your Passport Control Ordeal.

No Fan? Outside of these Tumblr/X/Instagram jihadist pockets, no casual 🪭 would probably ask for a pic, provided they remember the name of the series (it is really poor taste to go for it and candidly tell her/them something like ' oooh, I remember you from The Last Kingdom, such a wonderful series'). Out of those who still go for it, I bet the farm:

85% keep The Nice Pic tucked in their iPhones and just randomly share at the next school bake sale/corporate teambuilding/ Rotary Club meeting with random people saying random things like 'oooh, she's nice, wait a minute, wasn't she in The Last Kingdom'?

10% foolishly post on X or Instagram, to be immediately greeted by The Fandom Vigilantes, courtesy of alerts installed on their own iPhones: 'where was it/ when was it/was she alone/yes? why?/no? why and with whom/ what did she say/ did she say anything/ why didn't she say anything'. If, by a very probable misfortune, what you have to dish out does not click with the Greeting Committee's agenda, expect to be: a) treated like a 5 year old idiot or a tortured POW ('was she alone...? was she alone...? are you sure she wasn't alone...? ARE YOU SURE SHE WASN'T ALONE? ANSWER ME, WAS SHE ALONE?'); b) Caitsplained she is married to someone else and what you saw is an optical illusion; c) perhaps even forced to adjust your own narrative (maybe that 6′ 3" Viking was Tony McGill, after all? 😵). You immediately regret posting it on your public Social Media accounts, erase the pic and go private. By the time you do it (12 hours from posting), it would have been dutifully screencapped, in a middle of a full blown Fandom Skirmish.

5% know what Tumblr actually is (at a minimum) and/or are actively involved in its Fandom Subset. The minute they post is the start of just another Nagasaki episode. The DM inbox will explode with a rich array of pleas/insults/more Caitsplaining. Comments will range from the ecstatic to the revoltingly vulgar. And remember (LOL for weeks):

The Fandom will eventually never forgive you for sharing.'

[the-owl-tree]

Deer's Xenofiction List - The Good, the Bad, and the Furry

Compilation of my xenofiction books I've read, my opinions on them, and ones that I've yet to get to. Will be updated as I go along, if I remember. Books I have not read have an asterisk (*) in front of them. Not a complete list, I will update as I gather more titles.

Adaptations will be listed along with the source material and not as a separate entry.

While I am accepting additions to the list, please make sure your suggestion isn't already listed.

Last Updated: 24-06-2024

-New additions to the books section

-Categories and sub-categories being considered: short films, animal transformation (human to animal).

-Content Warning: Mentions of sexual assault, animal abuse, animal death, and violence. Only a handful of entries have content warnings because they were given to me prior. Please look into the works beforehand to see if you feel comfortable engaging with them, this list is not a content warning guide.

Books

Warriors by Erin Hunter - A long-running series following the drama of four groups of feral cat groups in a forest.

Rating: sucks just read the first arc and nothing else. unless you have childhood nostalgia for this series you probably won't like anything that comes after.

Seekers by Erin Hunter - another animal series from the erin hunter team. It follows a group of bears searching for a safe place to live.

Rating: It's fine. I only read the first arc. While it has a much drearier tone than Warriors at times as it deals with growing environmental impact of global warming and human interference. If you like Erin Hunter's writing style, you might like this one.

*Survivors by Erin Hunter - Look we just gotta get these out of the way, these guys have a monopoly on kid's animal books. Survivors follows a dog named Lucky (yes. really) trying to survive in an area abandoned by humans.

Rating: I read the first book and nothing else. I'm sure it's...fine, suitable for a dog-obsessed young reader but as it is, no one's really rushed to recommend it to me. I'm sure it has fans somewhere, but I can't really speak for them.

*Bravelands by Erin Hunter - uuuhhh animals? in Africa? Surviving? I guess? Sorry my bias against Hunter is showing, but at some point you start to wonder what's going on here, you can feel them trying to recreate the success of Warriors.

Rating: idk what to tell you, never read it and probably never will. If you're a person who likes lion stories, you might enjoy this, maybe? Been told the hyena rep is appalling, another sad day for hyena lovers everywhere.

*Bamboo Kingdom by (you guessed it) Erin Hunter - It follows three pandas (apparently) each in different panda kingdoms.

Rating: I couldn't tell you shit about this one to be honest. You want more bears? Here's bears!

The Bees by Laline Paull - A novel following the life of Flora, a sanitation bee in her hive who rises through the ranks of her devout society.

Rating: Unfocused at times and a rushed ending, but a gripping story nonetheless. Would recommend!

Pod by Laline Paull - Follows the life of Eira, a spinner dolphin from an "exotic tribe" who is forcibly taken into another group of dolphin's to become a member of their leaders harem.

Rating: This book relies on the mythos of "dolphin rape" with numerous, non-graphic sexual assault scenes. While interesting concepts are introduced and, at times, the plot becomes compelling; it otherwise flounders its premise with messy execution and poorly thought out ideas. Also there's an American spy dolphin named Google, make of that what you will.

*The Wildlings and its sequel The Hundred Names of Darkness by Nilanjana Roy - A book about a small band of cats lives in the labyrinthine alleys and ruins of Nizamuddin, an old neighbourhood in Delhi.

Rating: Recommended multiple times to me by different people, no warnings given.

Varjak Paw (and sequels) by S. F. Said and illustrated by Dave Mckean - A short book about Varjak, a Mesopotamian Blue Cat, and his journey to learn an ancient art from his family’s past.

Rating: Varjak Paw is unique with striking imagery and interesting ideas. However, the writing in itself is far from anything special. The book it at its best when accompanied by Mckean’s striking visuals.

*The Underneath by Kathi Appelt - An abused dog hides under the porch of a home to escape from its owner. Based on a reply I've been given, do not ask me to expand anymore on the plot of this book, I have no goddamn clue.

Rating: Described as a formative book for reading xenofiction, it’s been recommended highly! Contains heavy topics such as animal abuse, be warned.

*Fire Bringer by David Clement-Davies - A novel following a red deer named Rannoch and a prophecy that looms over him.

Rating: It seems to have a decent fanbase and it's been recommended to me a handful of times.

*Bambi, a Life in the Woods by Felix Salten - A coming-of-age novel following a roe deer named Bambi. Best known from the 1942 Disney film.

Rating: If you're a deerhead, check it out I guess!

*Raptor Red by Robert T. Bakker - Often (favorably) compared to a textbook, Raptor Red follows a female Utahraptor. Written by a paleontologist, it's meant to be a realistic look at dinosaur's social habits and their interactions with their world.

Rating: Yet to read but sounds cool as fuck. This book contains a heavy emphasis on realism and world-building, with little dialogue. It may be slow for some readers!

Black Beauty by Anna Sewell - Horse girls, certain English classes, and so on, Black Beauty is fairly well-known. Though for those unaware, Black Beauty follows the titular Black Beauty's life in Victorian days.

Rating: It's a classic! Pulls at your heart strings! Just typing this out makes me want to reread it.

Watership Down by Richard Adams - Similar to Black Beauty, I can't imagine anyone reading this list doesn't know about the tale of a group of rabbit's trying to survive a harsh world.

Rating: It's well-written with a lively world, but its treatment of its female cast reveals a deep gendered bias in the writing.

*Mrs. Frisby and the Rats of NIMH by Robert. C. O'Brien - Mostly known from the (excellent) Don Bluth adaptation, the book follows Mrs. Frisby and he encounter with a group of highly intelligent rats.

Rating: Yet to read.

*Redwall by Brian Jacques - A 22 book series following a group of anthrophormic animals who live in Redwall Abbey and their call to action to defend themselves from "vermin".

Rating: Yet to read

Guardians of Ga'Hoole by Kathryn Lasky - A 31 book series following a group of owls and their attempts to thwart evil. The first arc follows Soren and his attempts to find the owls of Ga'Hoole and beat the 'Pure Ones' while the later books act as an epilogue and prequel.

Rating: First half read and loved! Highly recommend! Handling of Kludd is...meh.

Note: It has an animated film adaptation! While not entirely faithful, it still does a great job keeping to the themes of the books, trimming the fat, and telling a complete story. It also has two video games, one on DS and one on ah other consoles? Both are fun, I like the Wii version.

*(sorta?) Wings of Fire by Tui T. Sutherland - Most people reading this will know this one! It takes place in a world of dragons with seven tribes. The first arc follows the exploits of prophecized dragonets and their attempts to end a war.

Rating: I've yet to finish it. The writing is skewed for a younger audience but is charming nonetheless.

Note: It has a graphic novel adaptation illustrated by Mike Holmes.

*Duncton Wood (First book of the Duncton Chronicles) by William Horwood - A novel the three groups of moles in Duncton Woods and the tyranny of a powerful mole named Mandrake.

Rating: Not yet read, heard good things! lots of mole sex apparently.

The Plague Dogs by Richard Adams - After escaping an animal research facility, Snitter and Rowf escape out into the wild where they must survive a hostile world.

Rating: ough. my heart. would recommend.

Note: Well-known for its animated adaptation, would recommend it as well.

*Silverwing by Kenneth Oppel - The first in the Silverwing book series, Silverwing follows a bat named Shade who loses his colony during a migration to the south.

Rating: Yet to read but I've heard good things!

Note: Currently has an animated television adaptation, go check it out!

*A Black Fox Running by Brian Carter - The story follows the tale of a dark-furred fox named Wulfgar and his human nemesis, Scoble the trapper, over the course of time.

Rating: Yet to read.

*The Books of the Named/Ratha’s Creature (First book of the Ratha’s Creature series) by Clare’s Bell - Ratha’s Creature is set in prehistoric times following the story of Ratha, a Dinaelurus nimravid(?) and her role as a female in her Clan.

Yet to read, often recommended in the Xenofiction scene.

*The Taken (Book one of the Foxcraft trilogy) by Inbali Inserles - Follows the story of Isla, a fox kit who loses her home and family and must survive in the world of “furless” while mastering Foxcraft.

Recommended by @girlashfur

*Hurry Home, Candy by Meindert DeJong and illustrations by Maurice Sendak - Described as "heavy", Hurry Home, Candy follows the life and struggles of a dog named Candy.

Recommended by @mosshugs

Felidae (the first book in a nine book series) by Akif Pirinçci - A crime novel following Francis the cat as he tries to uncover the truth behind a series of murders in his new neighborhood.

Rating: I haven't read the novel and nor do I want to, but I did watch the adaptation. It's a grisly one but apart from the violent murders and striking imagery in the film, you're not missing much by skipping it. I can't really recommend this one for a variety of reasons.

Important: I can't stop you from reading the book or watching the animated adaptation, I watched the animated adaptation, but please do not financially support the author in any way. Pirinçci is a far-right dipshit and does not deserve support.

The Animals of Farthing Wood by Colin Dann - With eight books under its belt, The Animals of Farthing Wood originally started as one book about a group of woodland animals trying to find a new home after losing their old one to human development. It was followed by six sequels and one prequel.

Rating: Haven't read the books but I love the animated adaptation of it! I recommend checking out both.

*Ragweed (First book of the Dimwood book series) by Avi - A book about the adventures of a mouse seeing the world.

Recommended by @meanling

*A Dog's Life: An Autobiography of a Stray by Ann M. Martin - Written by the same author of the Babysitter's Club series, A Dog's Life chronicles the life of a dog named Squirrel.

Recommended by @meanling

*Scary Stories for Young Foxes by Christian McKay Heidicker and illustrations by Junyi Wu - Scary Stories for Young Foxes is a book consisting of several stories all told by a mother to her kits.

Recommended anonymously

*The Sight (and its sequel The Fell) by David Clement-Davies - Set in the same universe as Fire Bringer, The Sight follows a pack of wolves cursed by a lone wolf, Morgra, whose powers foretell the destiny of one of the mother wolf's pups: Larka, a white wolf gifted with a mysterious power known as The Sight.

Not yet read.

*Last of the Curlews by Fred Bodsworth - A realistic depiction of the journey of the last of a critically endangered and soon to be extinct bird.

Not yet read.

Note: Has an animated adaptation!

*Wish Tree by Katherine Applegate - From the same author as The One and Only Ivan! While this story includes animals, it's main character is an old oak tree named Red! The perspective is really interesting. She is both the neighborhood wish tree, and a home for many animals. A family of Muslim refugees move into the neighborhood, with the kid, Samar, becoming attached to the tree.

Not yet read.

*Pax by Sara Pennypacker - A war approaches and Peter must release his pet fox when his father enlists. The story alternates between Peter as he starts a journey to find his pet, and Pax who is learning to survive in the wild.

Not yet read.

*A Wolf Called Wander by Rosanne Perry - Inspired by the wolf 0R-7 (Journey), we follow Swift. After a rival wolf pack attacks, Swift's family scatters and must find a new home, taking an 1000 mile journey across the Pacific Northwest.

Not yet read.

*The Tygrine Cat by Inbali Iserles - Alone and lost, a young cat called Mati is struggling to be accepted by a colony of street cats in the bustling marketplace at Cressida Lock. What Mati doesn’t know is that he is the last of a vital, age-old breed and that a mysterious feline assassin named Mithos is close on his trail. With his enemy nearing, can Mati learn to harness his ancient powers — before a deadly feline force destroys both him and his newfound friends and takes the spirit of every cat on earth?

Not yet read.

Fifteen Dogs by André Alexis - The ancient Greek Gods make a bet and endow fifteen dogs from a shelter with human-level intelligence.

Rating: I can't say I loved this book but nonetheless I appreciated it's prose. If you can get past outdated pack dynamics and some...questionable writing around its female characters, there's a lot to appreciate. Mind you, this is a book for adults and does not shy away from sexual material.

Comics (Webcomics included)

Beasts of Burden written by Evan Dorkin and illustrated by Benjamin Dewey and Jill Thompson - The comics follow along the adventures of the ‘Beasts of Burden’ a group of animals who investigate paranormal happenings in their neighborhood.

Rating: With gorgeous art and an interesting world, I recommend! Just be warned, it is bloody and the sory doesn't hold your hand.

Note: Beasts of Burden currently has 21 comics published in Dark Horse Comics.

What Lurks Beneath by ArualMeow - A feral colony must grapple with a food shortage while simultaneously tussling with the divide between two groups of cats.

Rating - A highly compelling read. Each character plays a role in the unravelling drama of three siblings and you will walk away loving someone.

Note: Ongoing!

I Hope So by Detective Calico - A rewrite of My Pride turned into an original story, I Hope So follows the story of three lionesses navigating both the complicated politics of the lion prides but also the harsh environment they must survive in.

Rating: Slow to update but absolutely worth it! I Hope So is a charming and interesting read. It’s yet to finish but it’s far enough that you'll be able to invest yourself in the world and characters with no trouble!

Note: Ongoing!

Tofauti Sawa by TheCynicalHound - A revenge story that follows a spotted hyena named Sahara.

Rating: Tofauti Sawa is not here to endear you to its protagonists or hold your hand. It can be a tough read but a worthwhile one nonetheless. I need to catch up but I recommend it!

Note: Ongoing!

*Golden Shrike by Doeprince - A story about twin deer and their friends and their search to retrieve three fallen stars for a bored God.

Rating: Yet to read but I've heard good things!

Note: Ongoing!

*Doe of Deadwood by Songdog - It follows a deer who has a pact with a demon that takes the form of a tree. It has some heavy themes and light gore.

Recommended by @beeloaf

Note: Complete!

Jet and Harley by Doeprince - Described as a beautiful piece on grief and moving on, Jet and Harley stars a kitty cast and gorgeous artwork.

Rating: Recommended anonymously. It's still starting but it has some strong set up and charming writing going for it, I recommend keeping an eye on it!

Note: Ongoing!

Preeny Has to Repeat 6th Grade by momodriller - A love letter to adoptables and the creativity of young artists, this charming comic utilizes designs bought from adoptables on DeviantArt! It follows the story of Preeny, a young cat with a magic brush tail and what happens when her whole world turns upside down.

Rating: Beyond adorable, charming and sweet. There's a lot of love put into this webcomic and it shows! Highly recommend.

Note: Ongoing!

Africa by Arven92 - The story of a female leopard named Africa and her quest to protect her family and loved ones while her territory comes under threat.

Rating: Gorgeously drawn and with a story that twists, Africa pulls no punches in showing you the wickedness of its antagonists but also the enduring bond of a family.

Note: Ongoing!

*Oren's Forge by Teagan Gavet - A webcomic that explores the dynamics of predator and prey and what happens when those divisions fall in the story of a pair of pine martens and their journey for sanctuary.

Rating: Not yet read

Note: Ongoing!

*Pride of Baghdad written by Brian K. Vaughan and Niko Henrichon - A graphic novel falling the fictionalized account of the real life escape of four lions from the Baghdad Zoo after an American bombing in 2003.

Rating: Not yet read.

Content warning for graphic violence, gore, animal death, and a brief one panel depiction of sexual assault.

*I Didn't Know by Songdog - A comic about a cat exiled from her Church.

Rating: Not yet read.

Note: Ongoing

*Fox Fires by Pipilia - This ongoing Webtoon follows a Tanuki named Raate as she goes on a journey to find the missing "Fox Fires", a gate between the land of the dead and living. She encounters many friends such as birds who are messangers for elves, magic cats, and normal mean wolves.

Not yet read.

Note: Ongoing

Manga & Anime

*Silver Fang Gin and Ginga Densetsu Weed written and illustrated by Yoshihiro Takahashi - The original and the sequel respectively, the manga series follow Akita dogs, Gin and Weed. While Silver Fang focuses on Gin's search to fight the monstrous "Red Helmet", Weed follows the titular Weed and his search for his father.

Rating: I've not read this but upon getting recommended it, multiple people warned me about the misogyny in the series. Ye be warned. Additionally, the manga is (apparently) very gory!

Note: Both have anime adaptations. Weed's opening is a fucking banger go watch it at the very least.

Beastars (and Beast Complex by extension) written and illustrated by Paru Itagaki - In a world of anthromorphic animals, Beastars follows Legosi, a young wolf navigating his complicated feelings towards other species and learning more about his world.

Rating: Beastars is action-packed, fun, emotional, and dramatic! The first half is a compelling story of identity and how we interact with one another and the complex forces of society that drive our feelings, all wrapped up in a wonderous animal metaphor. As a coming-of-age story, it carries themes of desire, sexual desire, yearning, shame, and more. The second half is eeeeehhh not as strong, but I still recommend it nonetheless!

Note: Beastars currently has an anime adaptation by Studio Orange! It looks fantastic and has some really nice quality of life changes. Highly recommend.

Chi's Sweet Home written and illustrated by Konami Kanata - An adorable slice-of-life story following a cute kitten named Chi adapting to her new home.

Rating: It's just plain cute! If you're looking for something adorable to help you relax, I recommend this one. It's for a younger age demographic so don't go in expecting deep storylines or anything.

Note: Chi's Sweet Home has two adaptations: one with traditional 2D Japanese animation and two seasons and a 2016 3DCGI adaptation. I'd recommend the original adaptation but that's pure preference.

Nyankees written and illustrated by Atsushi Okada - A comedy manga that depicts street cats as brawling "yankees", drawing them as both cat and human to depict their brawls over food, territory, and ladies!

Rating: It's funny, I can't deny the humor in this one makes me chuckle. It's a little racy but otherwise, a fun, light-hearted read.

*A Cat's Tale written by Sae-Him Kwon and Hyeon-Jung Kim and illustrated by Kwon-Sam - A thrilling tale of murder and deception from the animals living on the Sae-Min's farm from the point of view of an elderly cat.

Rating: Yet to read, discovered on Anime-Planet's search system.

Monotone Blue written and illustrated by Nagabe - A story set in high school, it's a BL manga that follows Hachi the cat and Aoi the lizard.

Rating: Yet to read, but I adore the author's other works so I have high expectations!

*Neko to Ryuu written by Amara and illustrated by Sasaki Izumi- A cat raises a baby dragon as her own.

Rating: Yet to read but come on, that sounds adorable.

A Story of Seven Lives written and illustrated by Shirawaka Gin - A Story of Seven Lives follows Nanao, a former housecat turned street cat after a terrible tragedy.

Rating: It's a tearjerker and absolutely adorable. The artwork is lovely and all the cats' designs look fantastic. if you're interested in a simple drama about the relationship between cats and people, i would highly recommend it.

Note: There are human protagonists! If you want pure animal protagonists, maybe skip this one.

*The Walking Cat: A Cat's-Eye-View of the Zombie Apocalypse by Tomo Kitaoka - Zombies roam the earth and civilization as we know it is dead. When Jin—a young man trying to survive the chaos—rescues a cat from certain death, the unlikely duo sets off on a quest to find a mysterious island where Jin’s wife may be alive. Witness the zombie apocalypse through the eyes of a fearless feline whose curiosity may kill him yet.

Rating: Not yet read.

PLEASE READ: Due to its setting, this series has been given a handful of content warnings, please heed this warning before you read. Content warning for gore, death, sexual abuse, physical abuse.

Film

i'm not gonna put every disney or dreamworks film on here i'm sure a majority of us know that disney makes a lot of already popular animal films. if possible, i'd like to spotlight some films that weren't made by big studios and/or don't get a lot of attention. Further note, some of these are adaptations of children's books. I'm cheating a little here mainly because the adaptations are more well-known and probably more appealing for readers of this list than the original books. Uh, sorry.

The Brave Little Toaster directed by Jerry Rees - The film follows the adventures of sentient kitchen appliances and the search for their owner.

Rating: Aimed for a younger audience, it's an adorable viewing for all ages.

Isle of Dogs directed by Wes Anderson - In the year 2038, canine flu breaks out in a futuristic Japan and all dogs are sent to 'trash island' where they fight to survive. One day, a young Japanese boy crashes down on trash island to find his dog.

Rating: The stop-motion animation is gorgeous, the writing is fun and charming, and the visuals are amazing, however the film has rightfully garnered criticism for its stereotypical depiction of Japanese society and 'white savior' narrative around one of its human characters.

Chirin no Suzu (English Title: Ringing Bell/Chirin's Bell) directed by Masami Hata - On a farm, Chirin witnesses the death of his mother to a wolf. Distraught and filled with rage, Chirin vows to get revenge and trains to do so.

Rating: A fantastic and visually striking film, the film's cute aesthetics hide a sombre and darker story. Would recommend!

*Vuk (English Title: The Little Fox) directed by Atilla Dargay - A Hungarian animated film that follows the life of a fox and how he must use his wits to survive.

Rating: Not yet watched.

Arashi no Yoru Ni (English Title: One Stormy Night) directed by Gisaburō Sugii - On one stormy night, a sheep and a wolf take refuge from a storm in the same abandoned home and befriend each other...unaware of what species the other is until later. They strike an unusual friendship that's tested when their respective groups begin to clash.

Rating: Cute, sweet, and well-animated, One Stormy Night is well known for the romantic undertones of its two leads. I think it's adorable and highly recommend.

Note: It received another adaptation of the same source material, a 3D animated show where they made the sheep a girl. Do with that information what you will.

Leafy, A Hen into the Wild directed by Oh Sung-yoon - A farm chicken dreams of one day living a life in the wild and raising her own clutch of eggs and, after faking her death to escape, finally gets the opportunity to do so.

Rating: A gorgeous animated film with moments that will tug at your heart strings. It's got some kiddy jokes with poop and fart jokes but they're not too distracting. Would recommend!

Note: Please find a version with the ORIGINAL ending, not the censored one. It is more thematically fitting and one heck of a gut-punch.

Underdog/A Dog's Courage directed by Lee Chun-baek and Oh Sung-yoon - After being abandoned by his owners, a dog joins up with a pack of other dogs in search of 'paradise'.

Rating: Despite some poor pacing and wonky tonal problems, I think this movie is still worth checking out! The character designs are cute and it's decent entertainment if you've got some time.

Note: There's a post that says this movie is about dogs escaping to North Korea, it's not true. They escape from North Korea to South Korea.

Padak directed by Dae-Hee Lee - A dark and sometimes brutal film about a wild fish that ends up in a restaurant fish tank that overlooks the ocean. The film stays there and the audience is given a tense, nerve-wracking narrative of life and death.

Rating: A fantastic, emotional movie that uses its limited setting to its full advantage. It's brutal and unforgiving but one hundred percent worth the watch.

Khumba directed by Anthony Silverston - A film that follows a zebra with only half his stripes and his journey to gain the rest of them in hopes of being accepted by his herd.

Rating: It's fine, a little wonky but it has a lot of heart.

Earnest and Celestine directed by Stéphane Aubier, Vincent Patar and Benjamin Renner - A gorgeous 2D French animated film based on a series of children's films about a bear who takes in an orphan mouse in an anthropomorphic society that does not approve.

Rating: you're going to get cavities at how sweet this film is. Charming, funny, and visually stunning, you would be remiss if you didn't watch this wonderful film at least once.

The Land Before Time directed by Don Bluth - After tragedy strikes, young Apatosaurus must embark on a journey to find the Great Valley.

Rating: It's a classic! A bit cutesy and meanders at times, but still worth a watch.

Note: Pretty well known for the host of direct-to-DVD sequel movies it produced, a television series, and a video game.

Television (Online Productions Included)

My Pride directed by Maddi Patton - My Pride is an independent internet production that follows the tale of a disabled lion named Nothing trying to exist in her cruel society.

Rating: My Pride is clearly a work of passion, one can’t deny the creator clearly had a vision of what she wanted from this show. However, the execution is flawed and the handling of disability has been (rightfully) criticized. While the animators and voice actors have clearly put a lot of love and effort into the project, the writing falls short of what it could be.

Note: The series ends on a cliffhanger and has been discontinued. You have been warned.

My Little Pony (Generations 1-5) developed by Hasbro - If you like ponies, here you go! While G1 did have a human character, G3 to G5 are purely horsies. Each generation has a different story and main cast to follow.

Rating: Very obviously for a younger age demographic, the generations do have their own charm! G4 is popular for a reason with a sleek style, witty writing, and a lovely cast of characters.

Azurehowl and Azurehowl Reborn created by azurehowlshilach - Bet this one brings back nostalgia lol Azurehowl is set in a world where wolves have the magic of dragons! It centers around Ruuza who may be more special than she realizes.

Rating: i gotta rewatch this one to make my thoughts clear but i remember finding it charming. Azurehowl Reborn appears to be the remake/reboot of the original series.

Note: Ongoing!

Twelve by Petpyves - An original series about May and Imp, a duo who's jobs are to jump from body to body and guide them to a better end, results vary. It's a work of love and has some really strong concepts and writing, as well as doing its best to handle more mature subejcts with respect.

Rating: It's rough around the edges but nonetheless a great show to binge! I recommend it, though it's been a while since I watched it.

Note: Complete!

No Evil by Betsy Lee - In the land of myths and fables incarnate a group of spirits live their casual lives alongside humans, until a cataclysmic force thought to be dealt with shows once again in the world. A prequel series to the webcomic Brother Swan.

Rating: Not yet watched.

Note: Complete!

Burrow's End by Dimension 20 - A Dungeons & Dragons campaign following a group of stoats.

Rating: Not yet watched.

Note: Complete!

Video Games

Okami developed by Clover Studios - You play as the wolf Amaterasu on her journey to save the world from forces of darkness.

Rating: A classic for a reason. Fun to play, great story, lovely characters. Would recommend!

Stray developed by Bluetwelve Studios - In a walled city populated by robots, you play as a cat.

Rating: ending made me bawl. Gameplay is a bit clunky, the platforming is essentially hitting buttons to automatically jump to your destination instead of you jumping yourself. Otherwise, would recommend!

*Tokyo Jungle developed Crispy's! - Set in a deserted, furistic Tokyo, you can select from a wide array of animals to play as and survive.

Rating: never played but maaan do I want to.

*Spirit of the North developed by Infuse Studio- You play as an ordinary red fox whose story becomes entwined with the guardian of the Northern Lights, a female spirit fox.

Rating: Yet to play.

Untitled Goose Game developed by House House - honk

Rating: honk

*Copoka developed by Inaccurate Interactive - You play as a pigeon trying to build a nest in a totalitarian state.

Rating: Yet to play.

*Seasons After Fall developed by Swing Swing Submarine - 2D platformer where you play as a fox in a magical land.

Rating: Yet to play.

Pokemon Mystery Dungeon developed by Spike Chunsoft - A rogue-like RPG in which you take the form as a human turned Pokemon and must navigate your world. There are currently seven games to choose from, each with a unique world and story.

Rating: I love PMD, I'm putting it here because I'm biased. I love it a lot and it fits the criteria so here you go!

Cattails & *Cattails: Wildwood Story developed by Falcon Development - With the creator known for their WC fan game, Untold Tales, Cattails branched out from the bones of the fan game and became an original game of it's own! In this RPG, you play as a cat where you can hunt, fight, find love, and solve puzzles. Wildwood expands on the base mechanics, adding in farming, characters, and more!

Rating: I found the first Cattails to be cute and simple. It's not an intensive RPG, the mechanics become repetitive after a while. If you're someone who likes getting into the rhythm of a grindy rpg, you'll like this one. Not yet played Wildwood but I've heard it's great!

Rain World developed by Videocult - You play as a nomadic slugcat in a brutal world with only your wits, agility, and strength to survive. Eat, hunt, flee, and hibernate while finding out the secrets of your world.

Rating: Okay. this game is HARD. Like unfair hard. Imprecise controls, brutal difficulty, and sometimes really unfair save points - this one is tough. However, it is gorgeous and it's really fun seeing all the beautiful environments the creators came up with. Enemies are also incredibly complex, reacting to each other and you in different ways. It's an acquired taste, while it wasn't for me personally, I would recommend giving it a try at the very least.

Miscellaneous

Additions that aren't necessarily xenofiction but pertain to it in some way.

Cheek by Jowl: Animals in Children's Literature by Ursula K. Le Guin -A fantastic essay that explores the role of the animal in children's literature from its role as something to reflect human society, or how it teaches children about animals. Furthermore, it explores the ways in which xenofiction can intentionally or unintentionally reinforce human bigotry through what we deem the "natural" order of the world.

Rating: Please read if you're interested in xenofiction! A fantastic essay that kicks you off thinking critically about what xenofiction has to say. The essay has a striking section on Watership Down that I highly recommend reading.

Cardinal West (YouTube) - A YouTube channel that discusses xenofiction. Videos that I recommend to start with are:

How (Not) to Write Xenofiction: A Literary Autopsy of “One for Sorrow, Two for Joy” by Clive Woodall (CW for discussions of sexual assault)

How Adapting The Fox and the Hound Changed Animation

[miquella-everywhere]

Miquella and Griffith: Why the comparisons make no damn sense

So instead of me screaming to the sky, "Waah Miquella is Griffith theories make me so mad grrrr I hate them so much" I've decided that I'm going to do an analysis between the two characters and dissect why the comparisons and Giffiths influence on Miquella makes absolutely no damn sense.

So first and foremost, warning: I will be talking about and spoiling Berserk, so if you wanna read it for yourself then steer clear of this analysis

So to start off let's discuss Griffith and his character/motivations in Berserks story: Griffiths whole goal from childhood was to establish his own country, his own paradise and to achieve that goal he first established his own mercenary group The Band of the Hawk. Griffith was beautiful and charismatic and the people who were apart of his band all looked up to Griffith and admired him, placing all of their hopes and faith into him and his dream.

But as the story goes on Griffith hits an all time low point, and after essentially being tortured for a year, which makes him emaciated, weak and practically crippled for life, all of Griffiths dreams seem like an utter impossibility as he is left as nothing more than a shadow of his former self.

That is until he decides to cast everything aside to become a God.

And by cast everything aside I mean that he betrays his companions, his Band of the Hawk, and sacrifices their lives to untold evils in what is absolutely the most genuinely horrific and unsettling imagery I have ever seen from a work of fiction in my entire life.

(Going off topic but I cannot stress this enough that if you decide to read Berserk understand that the violence shown pulls no punches with its depictions and involves both heavy gore and sexual violence. Especially the sexual violence)

Anyway, what makes the Band of the Hawks sacrifice so jarring is that these people all loved Griffith. They adored him. Backed him every step of the way and were the ones to go and rescue him as he was being tortured, and they all mourned the pitiful state that he was in when they found him. But regardless they STILL tried to be hopeful for Griffiths sake.

The Band of the Hawk loved Griffith and that is why Griffiths betrayal of them hits so hard and is why Griffith is known as one of the most evil characters in fiction.

And all of these reasons are precisely why Griffith is such a good and compelling character.

From the beginning of Griffiths introduction you could tell that something was... off about him. But at the same time his charisma and big ambitions painted him in a sympathetic light and you rooted for Griffith. But as the story went on you could see how Griffith was going deeper and deeper into the darkness and, quite frankly, his subsequent torture is entirely his own fault because he made several stupid and completely avoidable choices.

And it's all because Griffith at his core is selfish.

And it's for exactly these reasons why it's so baffling to me that so many people believe that Miquella is going to be just as evil, or worse, than Griffith.

Because in truth unlike Griffith, Miquella is not selfish.

The main problem that I have with the Miquella is Griffith comparisons is that all of those theories hinge entirely on the Bewitching Branch item description, and so many people have gone out of their way to spin Miquellas ability to compel affection as definitive proof that he is manipulative and evil, meanwhile conveniently ignoring everything else that Miquella has done in the lore.

So for a single moment, let's pretend that the Bewitching Branch does not exist and take a look at all the other lore that surrounds Miquella:

Miquella has dedicated most of his life to curing Malenia, his twin sister, of her crippling disease, and has even crafted prosthetics for her as well as an entirely new type of God Repellent Metal, which can halt the effects of said disease

He was a Golden Order Fundamentalist but ultimately abandoned it because it could not cure Malenias sickness

He created a Haven for those who are outcasts in the eyes of the most dominating and repressive Order in the Lands Between

He watered said Haven/the Haligtree with his own blood so it could grow into something that could rival the Erdtree

He used his identity as St. Trina to sing to and ease those who have been afflicted by the Frenzied Flame

There are several statues that depict Miquella and Malenia embracing eachother, 1 in Altus in an area dubbed Miquellas Hideaway and several all over the Haligtree. The fact that this statue is the dominant imagery found at the Haligtree really hammers in the fact that the twins love eachother, and that the Haligtree isn't just Miquella's, but Malenias home as well

He also has a clear affection/love for his brother Godwyn as the statue at the Haligtree depicts him embracing his siblings and even created a sword to commemorate Godwyns death and prayed for him to Die a True Death.

The soldiers of the Haligtree came across a bitter revelation as they await Miquella(presumably they feel immense guilt for being unable to protect their Lord) and explode with light, which they hope will guide Miquellas return and no Miquella did not put the light in them to make them explode there is absolutely zero proof of that, looking at you vaati

And now to be fair, lets get into the comparisons that are shared between the Griffith and Miquella:

Both are highly charismatic and beautiful individuals to the point where both Griffith and Miquella are mistaken for being girls.

The Eclispe imagery. For Griffith the Eclipse is what allows him to ascend to Godhood(after sacrificing the people who love him) and for Miquella the Eclipse is presumably how they are trying to resurrect Godwyn (Miquellas plans for the Eclipse are mostly unknown/vague at this point)

The Egg. Griffith and Miquella both go through a type of metamorphosis involving being encased in a cocoon/egg.

And honestly that's kinda it. The straight comparisons between the two are highly lacking and purely thematic in my opinion, especially when you consider everything else going on between their respective characters.

So to summarize, the good things that Miquella has done outweighs the bad and that is why Miquella is, in actuality, the exact opposite of Griffith. Unlike Griffith who is selfish, Elden Ring canon points to Miquella being a compassionate and loving individual, and if anything, he is a complete inversion to Griffiths character.

With the points listed above a majority of the in game text highly suggests that Miquella is kind and altruistic, and with the newest text regarding Miquella in the DLC:

Points to Miquella potentially being selfless and self-sacrificial.

And also, I've seen several people argue that Miquella wants to become a God so he can create his own utopia/Falconia like Griffith did. And I'm like.... Uuuum okay well, there is a big problem with that argument along with an elephant in the room that's being completely ignored, and that is the fact that Miquella has already created his utopia/Falconia with the Haligtree and Elphael.

So as of this moment Miquellas exact goals are completely unknown, what he is doing in the World of Shadow cannot be determined until the DLC arrives. But my point remains that so many people seem to think that Miquella will be evil based off of, in my opinion, evidence that is completely lacking in substance, along with the pervasive belief that since Elden Ring has drawn inspiration from Berserk/Griffith it means that Miquella will end up as a similar type of evil character as Griffith, all while ignoring the things that Miquella has done in canon that sets him apart as his own character.

So I've said my piece and what I believe in, so I'm just going to leave this analysis with this last statement:

The good that Miquella has done and committed himself too in the Lands Between completely outweighs the singular implied evil of the Bewitching Branch.

[sanjisluvbot]

Isekai Yandere Strawhats x Reader

Masterlist

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[ Check Masterlist for ch 9-19 ]

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Life began to feel so boring. The days blended into one another and suddenly we’re in march. Staying up late catching up on your favorite show because there is nothing better to do right now. One piece was such a breathe of fresh air, full of adventure and characters that seem amazing to be around and explore the world with. You wished to be in the world where u can freely be who you wanted, the world where you weren’t shackled by the burdens of reality.

You’ve been around all the corners of the internet so you know of shifting and astral projection which is exactly what seems to be going on right now. Rewatching episodes leading up to the time skip around 4 in the morning till your eyes flutter shut. Suddenly the wafting scent of the ocean filled your nose. “ Is she a stowaway?” “ How have we just found her we haven’t been on land for over a week now”. You opened your eyes to the snout of a reindeer and other very familiar faces.

You sat up so fast knocking into the poor doctor. Panic set through you because the first assumption anyone would have is that they’re in a dream or— congrats you’ve finally lost your damn mind. “ Who are you people”.

“ We’ve got the same question for you”

“ well I asked first”

The blunt part of a sword was thrust into your face by a very angry green swordsman. Fear etched across your face you give him a once over. Zoro. To your left was Robin and chopper holding his snout on her lap. There should be absolutely no reason that you’re in this world with these wacky 15th century pirates from your goofy anime show. Your voice shakes as you try to convince the green haired man to stop threatening your life.

“ Listen this is surely a misunderstanding, I really don’t understand how I have gotten here and I’m not really too sure who you people are.”

Maybe if they think that I don’t know who they are I can figure out a way to get out of this mess without ruining the story.

“ What is your last memory before you woke up on our ship” a voice from behind spoke. Turning to the left at the top of the stairs was Nami with Sanji following behind her.

“ I was laying in my bed falling asleep and then I woke up here”

After that you were bombarded with questions, what’s your name, your age, if an 8ft skeleton can see your underwear and it nearly drained the life out of you. The sun was now beginning to set after such a long day of being interrogated by the crew you used to watch through a screen. The captain was sitting on the head of the Sunny watching the day fade away when he stretched his arm to you pulling you to sit with him.

It was quiet for a while and nerves began to set in. Does he see through me? I know a lot of people don’t give luffy the credit but he’s way more intelligent than you’d think. “ What is it like where you’re from y/n” he spoke as he turned to face you.

“ Very different.”

“ Tell me about it please”

The sun completely faded into night and the stars littered the sky while you told luffy about “ where you’re from” and he was absolutely entranced by the world he’s never been. You ended up telling Luffy the truth about your origins, somewhat about himself, there was just something so compelling and trusting about him you didn’t think nothing of it. You slept in the girls room next to Nami that night, thinking about the next step and getting home.

Was this really a dream or did your desire to escape mundane life make you shift into this world of unknown.

The next day you went to eat breakfast with the crew and luffy starts spouting all the things you told him the night before. With seemingly no thought behind his words as he swallowed everything on his plate, though his crew members all stopped to stare at you in confusion.

“ I thought you said you weren’t from here?”

“ You said you didn’t know how you got here”

“ Well I wasn’t exactly lying, I really don’t know how or why I’ve been transported into your world. I just didn’t want to scare you or make you think I’m crazy with all of this.”

Over the next few days you were beginning to settle with the crew, you spent hours getting to know everyone and having the most fun you’ve had in years. Nami and Robin were curious about your world and you were more than elated to tell them all the things you enjoyed. The boys liked when you played their silly games, Sanji was obsessed with everything about you and loved having you perched on the counter when he was cooking so you can serve as his taste tester.

Zoro only just began to acknowledge you after finding out you also had a love for drinking, it became really easy to bond with the man. You knew you had to go back but what’s the harm in spending time with such a loving group of people, it’s not everyday someone is given your experience don’t waste it being worried.

You were able to convince Nami to give you a blank sheet of paper where you wrote all the things you knew about shifting and astral projection. You’ve been with the crew over a week now spending every night trying to shift back to your world. Sometimes you feel close others are strangely disturbed by Robin and Nami whether they are sparking up a conversation with you or knocking things over which disturbs your concentration.

The next few days you began to see birds meaning you were finally reaching land, the sabody archipelago. You know the way this arch ends and you need to go home now before you spend two years on an unknown island doing who knows what because YOU aren’t a straw hat and you have no place where you can learn to polish your skills.

The bubbly island became visible and you’d be reaching it by midday, while you were sitting on the head of the Sunny with Luffy again he asked you his million dollar question.

“ Y/n join my crew” he smiled. Your cheeks burned and you had to turn away from the boy whose smile brightened all your days.

“ Luffy I would love to but—”

“ Great- EVERYONE Y/N” you clasped your hand over his mouth.

“ Luffy l can’t join your crew. I have to go home I don’t even belong in this world”

“ Why do you want to leave” sadness dripped from his voice.

“ Yeah, we’ve been having so much fun” the small doctor announced from the deck.

“ It has been very fun I’ll admit but I don’t belong here with you guys. I’ve got a whole life in my world— and a family and just so much to do.” You reasoned.

The rest of the day the crew seemed angry and distant, you simply couldn’t understand why. When they all found out where you really came from they said they would help you get home. During dinner that night you were seated between luffy and Zoro who barley uttered a word while hushed conversations were surrounding the rest of the table. It was insufferable and reminded you of elementary school when someone didn’t want to be your friend anymore and told everyone about it.

“ Luffy are you upset with me? I haven’t done anything wrong”

“ Why do you want to leave? You just joined the crew and were on a new island”

“ I never said I was joining your crew luffy”

“ you know the captain doesn’t take no for an answer y/n” Zoro chuckled.

With a huff you stood up everyone’s eyes landing on you. “ Are you all acting this way because you don’t want me to leave?”

“ Why would we want a crew member to leave us?” Nami’s voice wobbled as tears formed in her eyes. Are they serious? When did u ever agree or tell these people that you were a part of their crew.

“ Listen closely all of you. You have to understand I am not from here, I never joined the straw hats, and I don’t even have any powers I can’t protect myself.”

“ That’s why you have me Y/n-chwaaan”

“ ignore that idiot cook but you have Luffy and I, we wouldn’t let anything happen to you”

“ Who is an idiot you damn moss ball !”

A fight between the cook and the swordsman broke out and you would usually find everything hilarious but…

These people have convinced themselves you are one of them and they don’t want you to leave. You decided tonight will be the night where you will go home with or without their help especially because you already know what’s in store the next day. Laying next to Nami that night waiting for her breathing to even out so you can concentrate with no interruptions you hear soft sobbing.

“ Are you alright Nami..”

“ Y/n I know you want to go back but can you stay a little longer we all care about you and enjoy having you around. We really feel like you’re one of our crew mates”

“ Sure, I’m not missing anything important right now” lying is better than letting this girl cry all night. When her breathing finally evened out you were able to try again.

Eyes fluttering open you were finally in your own bedroom. It was just as you left it, your iPad paused on the intro to one piece and the sun was showing through your curtains.

I really did it.

Life began as usual but you had a newfound appreciation for all the little things that made life worth it. Friends and family found your new outlook pleasant and you finally felt like you turned on a new leaf. While you were getting ready for bed applying all of your creams and oils the Tv in the living room turned on.

Wealth, Fame, Power.

A chill ran through your spine, you haven’t watched the show in over a month in fear of being brought back into that world by some odd chance. Getting up to turn off the tv something in the hallway made a noise. The fear of someone or something being in your house had you clenching on the door knob for dear life.

Just open the door nothing is there you’re only scaring yourself.

Opening the door and walking down the dark hallway into the softly illuminated living room the episode of the strawhats finally meeting up after two years was playing.

“ My favorite arch I should rewatch soon”

“ Why don’t you live it instead?” A voice from behind hissed.

You felt your heart thumping in your ears as you slowly turned to be met with a very angry Captain.

——

Not proofread ! 🫶🏽

I was inspired by a similar stories I’ve seen down the tl hope you enjoyed. Pt 2 coming soon maybe

[powdermelonkeg]

just saw ur gale/mystra analysis post. im new to the game and dnd lore and honestly… ur take on their relationship feels like the most natural/compelling one??? esp since its all too easy to simplify topics that have many facets and nuance….

thanks for sharing i love analysis and reading people’s takes on narratives : D

My pleasure! (Bee from the future here: congrats, you spawned another meta!)

I love complicated characters, WAY more than I like a clear cut-and-dry case. Flaws, to me, are what make a character compelling and lead to interesting stories about them with choices that can get them into situations. I'm both writing a fanfic and running a campaign where I'm playing as Gale, and in the interest of portraying him properly and in-character, I've gone into SUCH a deep dive into all the decisions and facts that make him him.

It helps to, y'know, also be in love with the fictional wizard, but I digress

The thing about Baldur's Gate 3 is that no character in there is perfect. I've seen a couple analyses about the theme of continuing cycles of abuse vs breaking out of them, but in my mind, in terms of the characters themselves, it goes like this:

The origin characters have just come out of the lowest situation of their lives (Lae'zel being the exception; being tadpoled is a gith's worst nightmare. You're seeing that lowest situation in real time).

Not the lowest point, mind. Gale's lowest was probably the day after he got the Orb. Wyll's was probably the day his father cast him out. Karlach's was the day she lost her heart. But the lowest, accepted normal for them is what they've just left.

They're then thrown out of their depth and forced to rely on you to live. That's #1 priority: living. We get the extremes of these characters before we get their nuances, because they're quite literally at their breaking points.

Then once we get to know them, we see their wants, their hopes, their fears, as they open up to us. Every companion's story is at their own pace, but they all have a moment where they ping-pong between despondency and desire. Sometimes that desire is what we know isn't good for them, like Shadowheart wanting to be a Dark Justiciar. Sometimes that despondency is only for a flicker, like Astarion's realization that he's condemned 7000 people to a half-life of tortured spawnhood for as long as he's been a vampire.

Romance lets us crack all that open more, because if you pursue a romantic partner, they see you as their closest confidant. They WANT to trust you, so they're more willing to explain how they see the world and what decisions they want to chase.

And then their endings. Those often get simplified as good/bad, continuing the cycle vs breaking away from it. But how is Duke Wyll on the same platform as Ascended Astarion? He's not evil, he's not even entirely unhappy. He might even have broken out of his abusive cycle with Mizora, if you played your cards right. And Ascended Astarion is overjoyed, even if he is remarkably more cold.

I think that the endings are less a dichotomy of "this is good for them" vs "this is bad for them," and more one of "bringing out their best traits" vs "bringing out their worst."

Wyll's worst trait is being willing to sacrifice his own wants for whatever people desire of him. His best is standing for what he believes in and ensuring people are safe. Duke Wyll leans into that necessity to turn the other cheek in the name of people who count on him, while the Blade of Avernus has seized that moral compass of his and forged it out of mithral.

Shadowheart's worst trait is blind obedience at the cost of her individuality, while her best is her desire to be kind to things that don't deserve to be hurt. Mother Superior Shadowheart's whole life is defined by Shar. Selûnite Shadowheart's life is defined by her hospitality, especially towards animals.

Karlach's worst trait is how willing she is to accept that things are (to quote her) fucked, letting despair override hope. Her best is her durability in the face of horror. Exploded Karlach would rather die than try to work out a solution in the Hells, because she's terrified of facing Zariel alone. Mindflayer Karlach has accepted her fate and decides to give up her heart and soul to go out a hero, losing who she is. Fury of Avernus Karlach is willing to keep fighting for a solution, and by the time the epilogue happens, she's got her sights set on one.

Astarion's worst trait is his desire for power over people. His best trait is using the tools he has to his advantage. Ascended Astarion has let his powerhungry nature and paranoia lead all of his decisions, with his sights set on dominating mankind. Spawn Astarion has embraced what he is, and carved out a life for himself where he can do as he pleases.

Lae'zel's worst trait is her blind fanaticism, while her best trait is her individual dedication, making her loyalty a marriage of the two. Ascended Lae'zel is a meal for the lich queen, turning a blind eye to all Vlaakith's tried to do to her and literally being consumed by her fervor. Champion of Orpheus Lae'zel has turned her loyalty into something productive for diplomacy. Faerûnian Lae'zel has seized her individuality by the throat and decided her own future.

And then Gale. Gale's worst traits are his hubris and, paradoxically, his low self worth. His best traits are his creativity and wonder for the world. God Gale is the embodiment of ambition, having burned away all but that in pursuit of perfection. Exploded Gale has let his remorse blot out all hope for a redemption in which he does not die, because he thinks he's earned it. Professor Gale leads his life by embracing the school of Illusion and letting his creativity thrive, teaching others to do the same. House Husband Gale has multiple creative projects he's working on, and Adventurer Gale is always finding new sights to see and wanting to share them with you.

There are arguments to be made on which ending the origins are happiest in, certainly, or which one benefits them the most, but each ending represents the extreme of a facet they possess.

So with all that, there's a sort of malleable method to figuring out the ins and outs of a character.

You take their endings—all of them, all variables they can have—and reverse-engineer the flaws and details they carry. Then you start to notice how those work into their approvals for minor things: Astarion approving of your taking of the Blood of Lathander, or Shadowheart approving of standing up for Arabella. Getting a list of approvals and disapprovals is helpful, but having those endings on hand tells you why they react like that to a majority of their decisions.

You take their romance-route explanations of how they act, and apply those to earlier decisions. Astarion's confession to manipulating you and Araj-prompted admittance to using himself as a tool brings to light how he reacts to your decisions, regardless of his actual opinions on them. Wyll's fairytale romance and love of poetic adages speaks to his idealistic nature, and why he takes a sometimes-blinded approach to decisions in which the "right" answer isn't always the smart one.

You take their beginning reactions to stress and use that to measure how future decisions impact them. Lae'zel locks down and gets snappy when she's scared, while Gale immediately turns to diplomacy. Shadowheart has gallows humor, while Wyll turns to quiet acceptance. If they break from these and seem even worse, you know the situation is more dire in their minds than having seven days to live.

And then you factor in all their fun facts and dialogue choices and backstories.

A wizard falls in love with a goddess and her magic, attempts to retrieve a piece of her power for her, is scorned for his attempt and is cursed to die.

Give that backstory to a Tav. Look at how it changes.

A chaotic good wizard fell in love with a goddess, thought retrieving a piece of power for her would be a showy bouquet of love, and was punished for not thinking things through.

A lawful evil wizard fell in love with a goddess's power, snatched the most precious thing she owned, tried to use it to barter his way through to the secrets she kept, and was given a swift retribution.

Same backstory. Same class, same act, same goddess. Wildly different connotations. Wildly different conclusions as to who is in the wrong.

If you take all there is to Gale, all that the game shows us makes up his character, and apply it to this backstory, you get what really happened:

A wizard, enamored with magic, fell in love with a goddess. His desires led him to want more than she was willing to give. In his well-buried fear of inadequacy, he concluded that the reason she wouldn't indulge his ambitions was because he just hadn't proven himself worthy enough. So he tried to prove himself, but he lacked the context for what he was proving himself with. And the goddess, seeing a weapon that had killed her predecessor, saw this ambitious wizard as losing his way and coming for her just like the weapon's creator had. She was angry, she withdrew his link to her, and he didn't know why. So he drew the conclusion that she took his powers to punish him, and let that encompass his fall from grace.

Was he wrong to reach for what was out there?

If you knew that the answers to everything you cared about were not only known, but kept by someone you loved—someone who adored you—what would you do to ask to see them? What if your curiosities were if there were other planets with life out there, or how dark matter worked, or whether or not we could one day travel in the stars? What if it was the potential cure to an illness that's little-understood, or the way to make a program you dreamt up, or the scope of the true limits of your artistic talents? Would your answer change?

Was she wrong to cut him off?

If you were once hurt, and the person you loved—the person who adored you—brought the thing that caused it to your door, believing you'd want it, how would you react to seeing it? What if that thing was someone you thought you'd broken contact with, like a friend or family member you'd been trying to avoid? Would your answer change?

That's the sort of scope that needs to be applied to this, on both sides. You have to take the perspectives of each party, and apply two analogies instead of one.

Gale saw the vastness of the universe, untold wonders, the solution to every question he could ever dream up, and saw Mystra as withholding this from him because she thought he just wasn't worthy enough. To claim Mystra knew his perspective does her a disservice.

Mystra saw a cruel weapon she thought long gone, in the hands of someone who could use it, brought right to her, and thought Gale was willingly following the path of Karsus. To claim Gale knew her perspective does him a disservice.

Should Gale have researched his prize more, so he knew just what he was obtaining? Should he have kept his hands off a cursed book that would devour him? Of course he should have.

Should he have given up on chasing his dreams?

Should Mystra have understood that Gale's pursuit of power was nothing like Karsus'? Should she have communicated when she was angry instead of giving the cold shoulder? Of course she should have.

Should she have given him the benefit of the doubt?

That's the root of their falling out. That's what leads to hurt being inflicted. Understandable, human reactions to the situations they perceive. Unhealthy, unwise choices made afterwards.

You work backwards from this to figure out their dynamic as Chosen and goddess. You work forward from this to understand more of where Gale and Mystra are during the events of Baldur's Gate 3. Gale reached too high, and understands this. His goddess hates him, and he regrets this. Mystra isolated Gale, and understands this. Her Chosen wants redemption, and she wants to make it happen.

Just like we took Gale's character into account, we also have to take Mystra's.

A goddess is faced with a problem. She uses someone who's desperate for approval to solve it, by telling him to kill himself.

An evil goddess is faced with a threat to her reign. She sees someone who's unfailingly loyal and hates himself, and elects to have him tear himself apart rather than do anything about it.

A good goddess is terrified of the future. She sees someone who tried to hurt her, who's going to die anyways, and tells him to use it to save the world.

Same story. Same act, same power, same pawn. Different character. Different perspective. Different outlook on whether or not this is the right thing to do.

Mystra has died, multiple times, to people trying to stake claim to her domain. Someone appears with the very thing that could do it again, right as she's regained her stability.

She does not see mortals the way mortals do. She is timeless. She is eternal. She has a duty to protect billions of people, and one person lost to protect that number is more than worth the sacrifice.

People like to bring up the Seven Sisters as proof of Mystra's cruelty. For those unaware, Mystra asked permission to, then possessed, a woman, used her to court a man (with dubious consent from the woman), and bore seven children, all of whom were capable of bearing Mystra's power as Chosen without dying. The woman she possessed was killed in the process (reduced to no more than a husk, then slain by her now-husband, hoping to end her suffering), and the husband was horrified by the whole story.

Mystra needed Chosen in order to restore herself in the event that she was killed again, to prevent magic as a whole from collapsing and wreaking havoc on the mortal realm, like it had in the few seconds Mystryl had been dead. Elminster, Khelben Blackstaff, and the Seven Sisters contributed to this. The more Chosen she has, the better; what happens if Elminster dies? She can't afford to have all her eggs in one basket.

Mystra has Volo (yeah, that Volo) as a Weave Anchor, imparted with a portion of her power to prevent the Weave from shredding itself to pieces in her absence. All Chosen of Mystra are Weave Anchors by nature. The creation of Weave Anchors was mandated by Ao, the Overgod, and Chosen are the best way to make sure those anchors aren't drained by ambitious people hoping for godlike power. Chosen can, and will, defend themselves, unlike static locations (which Mystra also has). The anchors are why the Weave wasn't completely obliterated during Mystra's last death, when the Spellplague rose up, because they stabilized the Weave around them.

Everything Mystra does is in the name of the big picture, to prevent a catastrophe like the fall of Netheril from happening again. Her restriction of magic, her numerous Chosen, her creation of Weave Anchors, her destruction of those who would claim her power, it's all in the name of the stability she's been charged with. Dornal Silverhand's grief and Elué Silverhand's death, while regrettable, were worth it to bring seven more anchors into existence to save all of the Material.

So someone appears with the Crown of Karsus, potentially powerful enough to try to kill the other gods in the name of the Dead Three. She can't risk being a target of them. She can't risk the destruction of magic again.

Gale is going to die. He lives in fear. He begs for forgiveness.

In Mystra's eyes, she's offering him the best outcome. She'll let him die in service to her, to save Faerûn, and she'll forgive him. He's going to die anyways, and if he does this, she'll give him everything (she thinks) he could ever want in her realm. She's asking him to do what (she thinks) is the right thing.

"She would consider what she considers to be forgiveness."

Notably, she leaves the decision in his hands. She doesn't have Elminster lead him to the Nether Brain. She doesn't activate him as soon as he's there. When he lives yet, she doesn't revoke the charm that keeps him stable. And when he declines, when he lets it go and starts pursuing Karsus' path, she doesn't smite him on the spot.

She is (she thinks) being incredibly patient. If Gale is going to try to be Karsus II, she's ready for him. If he decides to walk off and keep the Orb, he's dug his own grave in the Fugue Plane (those who don't have a god to claim them roam endlessly as husks and form a wall of bodies around the City of Judgement).

From her perspective, she's not being unreasonable. But from the perspective of a mortal, she absolutely is.

"Now, I have a question for thee: what is the worth of a single mortal's life?"

This is a question she cannot answer properly.

I think a lot of characterization is lost whenever someone paints one of them as being totally in the right. But I also think you have to be invested in them as characters to want to see that characterization. If you want to write about Mystra, you have to try to get into her head, analyze the decisions she made, figure out why she thinks she was right, and follow the pattern.

Gale's sacrifice is a very predictable thing for her to ask for.