#most of which are totally wrong
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tanadrin · 2 years ago
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They also make an argument that conceptions of property are often outgrowths of, or connected to, ideas of the sacred: in societies with weak or no other form of strong property laws, there still may be ownership or exclusive rules of possession around sacred objects and rites, together with the obligations these things carry. This makes sense to me: consider also the rise of early city states around Sumerian temple complexes, the outgrowth of bureaucracy from the need to track the wealth temples collected, the role of the sacred and the concepts of personal possession that accompanied the development of indo-European kingship, etc. Roman property law, with its unusually strict construction, came out of a society where public administration was closely bound up with the performance of religious rites. All this is in accord with my suspicion that the most accurate framing of “private property” as we understand it today is as a kind of religion or even supernatural belief (cf. also the “color of bits” essay about IP law and data).
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voidpunkpal · 5 months ago
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achievement unlocked: watch all intrepid heros seasons of d20
new achievement available: Finally Get To Watch Time Quangle
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egophiliac · 6 months ago
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I'm trying to avoid getting spoiled so I haven't looked up what's happening in the Jp server's main story, but for my own sanity I need to ask; is the story at a point where we know whether Lilia will get better/survive his almost-empty magic reserves..? Was it a true death flag from the start or only a plot device for malleus' overblot....?
not yet! I do think they're going to get back to it eventually, but -- keeping it as low spoilers as possible -- there's been...let's just say a LOT going on in the meantime.
enjoy 7-6!!! :)
#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 part 6 spoilers#i AM going to talk more about spoilers for a minute (i will try to keep it just up to 7-6 stuff though)#but i have. THEORIES.#my current hypothesis (based on absolutely nothing except vibes)#is that they're going to find the princess glow and use it to save lilia#via magic boost or...something. idk it was vaguely-defined enough they can handwave exactly how#because. look. they made a point of introducing this super powerful macguffin gemstone with magical dad-saving powers#and then never solidly established what happened to it#(twst? talk at length about something totally irrelevant that never comes up again? surely not)#but it would tie in very nicely with the rest of the parallels between silver and the knight of dawn#and i like how it would be sorta like...a little bit of meleanor coming back to save lilia#(again) (less violently this time)#my even-more-based-on-nothing theory is that crowley might have the princess glow and this might segue into whatever's going on with him#as always i could be completely wrong but i'm just. y'know. feeling it.#i'm still obsessing over that one line from episode 4 where azul was like 'oh yeah i totally know crowley's big secret'#which was most likely azul bullshitting but i'm still like IT'S GONNA COME BACK AAAAANY DAY NOW#(at this point no one will be more shocked than i) (the validation would be nice though)
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serpentface · 5 months ago
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WARDI WRITTEN LANGUAGE (BASICS).
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Couya's full name (properly 'Haidamane Couya') written formally and with common handwriting conventions.
The Wardi written language derives from earlier proto-language systems consisting exclusively of logograms without direct phonetic meaning or grammatical structure. These symbols gradually became simplified and abstracted to the point of many having little intrinsic clarity, and combined to communicate abstract concepts.
The development of a full written language did not occur independently (as very few written languages do), and its phonetic elements (namely its use of syllabograms) were largely derived the 'ancient' Burri writing system, gradually synthesized with native writing conventions, and in the contemporary forms a wholly distinct system. The language's Relatively universalized form is a very recent phenomena, developing within the past two centuries with the region's conquering/unification into a single entity.
The contemporary written language is a mixture of logograms and syllabograms. It is read from right to left and arranged in horizontal columns. The most formal variant of this system contains each character within a square outline, usually separated by a small space. This outline confers little phonetic or symbolic information beyond making distinction between syllables exceptionally clear, and can be (and often is) omitted in handwriting. The separation of words is conveyed through a narrow rectangle or line in formal contexts, and again often omitted in handwriting (instead indicated instead by a wider blank space).
The pure logograms that have been retained in this writing system tend to be those of very common words or specific concepts (most logogram characters for types of livestock, key crops, water, major body parts, etc are widely recognized and in common use). There has not yet been any attempts to fully 'formalize' the language and omit potentially unnecessary logograms, and they remain frequently used as shorthand while conveying the same semantic information.
Many of the syllabogram characters are directly derived from logograms that depicted monosyllabic words. For example, the spoken word 'gan' means 'cow', and the character for the syllable 'gan' is identical to the common logogram for 'cow'.
The name Gantoche (literally "cow-eye") could be written either fully with syllabograms as:
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or through logograms as:
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Both ultimately communicate the same meaning, but the former clarifies pronunciation (the words gan and atoche are contracted, it's gantoche and not gan-atoche).
It is a relatively easy written language to learn, as the pure syllabogram characters indicate their own pronunciation with little ambiguity and often have consistency to their construction (ie the character for the syllable 'man' contains most of the same elements as that for the syllable 'wan'- the dot placement in particular has indication of the vowel sounds).
The inclusion of logograms in general and many of the syllabic characters being directly imported From logograms complicates matters. These characters lack visual consistency, and can be confusing to the large swath of the public who know common logograms but not the full written language itself. Ie: the word 'ungande' meaning 'liver' will be composed of logogram-derived syllable characters for 'un' (which alone means 'hand') and 'gan' (which alone means 'cow'). Someone who is only semi-literate in common logograms may be confused at the meaning, especially since these same exact same characters may be used elsewhere on their own to indicate 'hand' or 'cow'.
One major exception to this tendency is that current religious doctrine requires established logogram characters describing God to be used in place of syllabic characters. The word for god is 'Od', and has its own unique character (as do each of the Faces, the capital F 'Face', and Its deified pronoun). The syllable 'od' [oʊd] is very common in the Wardi language, and a wholly separate character is used for the phonetic sound when it is not a reference to the deity (ie 'lion' (odo [oʊdoʊ]) does not contain the same character for God in spite of its first syllable having the exact same pronunciation). Names are a bit of a gray area (ie: the name 'Odabi' is very common and carries the meaning of 'gift/blessing from God'). Religious leadership is currently experiencing a mild schism on whether the written character for God is separated due to being wholly sacrosanct (and thus inappropriate to include in the written form of a personal name) or as more of a functional delineation of the sacred and mundane.
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withthewindinherfootsteps · 8 months ago
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Wei Wuxian and Narrative Agency – Part Three
For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!
(Part One | Part Two | Full version on AO3)
The Power of Agency: Shaping the Narrative
When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.
This? Linking structure to a character’s in-universe preferences?
This is where we get unhinged.
Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).
To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.
This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.
In other words, its very structure is respecting Wei Wuxian’s agency!
Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!
Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation
Which, of course, is him dwelling on…
Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation
…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:
He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation
And Wei Wuxian’s own thoughts and words:
Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 
Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:
“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR
Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.
Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:
At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR
Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!
So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.
This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!
And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.
But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?
At The End Of The Road: Summary and Final Thoughts
In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.
It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.
(Or, if an image would be preferable:)
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Thank you for reading!
(Part One | Part Two | Full version on AO3)
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*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 
#get ready for tag thoughts because there are a LOT of them#it’s for THIS reason that fanon wwx bothers me so much (didn’t want to get negative on the acual post)#bc so often all the changes are changes that woobify him!#self-sacrificial idiot wwx?? only doing things because… poor him he has so many internal issues and values himself so little-#-so of course he’d sacrifice everything before thinking of another option? woobifying#(whenever he sacrifices something it’s a deliberate choice to act on his morals because he values his morals so much – and he’s also very-#-capable and DOES often find ways for no people to get hurt!)#wasn’t aware that what happened to him at lotus pier was wrong and needs lwj to tell him that for him to have any idea if it?#woobifying (as we see in the lotus seed pod extra he KNOWS it’s unfair)#(he downplays it retroactively in his memory (links into not focusing on the bad things in his life))#(but that’s the actions themselves that are being downplayed not their fairness!)#he chooses to act! he is defined by acting! not tragedy – all the more impressive in the face of the amount of tragedy that’s happened#he could SO EASILY have been a woobie but instead he’s the opposite of one: defined BY his agency instead of the absence of it#that doesn’t mean he’s not impacted by tragedy or trauma – he is! but it’s not the most important aspect of his character (bc he doesn’t le#it’s also something that bothers me about the changes cql made#by making qq path and nightless city the fault of someone else it means he IS someone who’s more a victim of circumstance than anything els#he had no control over the tragedies of his first life at all#apart from ig his death being controlled by him? because he just leaps off the cliff during the nightless city siege?? but in THAT case it’#i watched that part recently (i’m getting through it very slowly) and yeah it reaffirmed my love for this aspect of the book even more#despite. having these exact thoughts for two years already#he also dwells on the past events a lot more than book wwx which adds to that version of him BEING defined more by tragedy rather than who#anyway over 7.3k words total (and 400 more in the tags apparently)... it'll be posted to ao3 in its completion this evening!#mdzs meta#my meta#wei wuxian#mdzs#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc
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THEATRE KID
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neptune-scythe · 7 months ago
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unpopular opinion but Bobby and Chim should have apologized to Buck for shoving and punching him
it is never okay to put hands on another person without their permission, especially in a violent/aggressive manor, and Buck deserves acknowledgement of those wrongs and apologies for it
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evocatiio · 11 months ago
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if chibnall was the one writing this season you lot would be talking VERY differently
#anti rtd#oomfs ur so right#s14 is the kinda mid that people think his era was#and yet#you throw in that razzle dazzle written by rtd and all of a sudden there's no criticisms!#or worse somehow#is how its a polite and gentle reframing of chibs criticism#like with him it was hey he ate this singular one thing But I KNOW CHIBS IS BAD HE'S TERRIBLE DONT WORRY I KNOW IT#and with rtd its oh i disliked this nonsensical and objectively bad writing but ummm guys i lOVED LOVED everything else i swear#its soooooooooooooOOOOOOOOO#it must be studied#but i knew yous were a lost cause when we had 14/15 running around calling men hot bc yes totally something the doctor just does#not ooc at allllll#bc this is how we know the doctor is queer now guys#dont you know it#i have like a million other complaints i miss being like oh hey that was mid/bad and moved on with my life 😭😭#god i think 13 era killed me bc now i do care about u hypocritical losers#rip 15ruby i wish i cared and that you had any development#ncuti millie i would like to hang out with you though#15 maybe you'll cry less next season so that the emotional scenes have impact perhaps 🙏🏾🙏🏾#ramblings of an insomniac#god i just remembered the whole real mum antics#fuck i need to go i gotta go!!!!#ps the ncuti conundrum where he's the most charismatic dr in nuwho whilst also being the worst actor is driving me nuts#idk if its the characterisation or his lack of ability in creating that inner psychology that connective tissue between his louder acting#which he's great at btw!#idk maybe that one monologue in boom made me go yes okay here we goooo#but then every other moment has been like hmmmnnnmtgodhd okay whateve#i think he needed more acting prep before he got this role bc he's got Something he could be Great but the subtle stuff is lacking#sooo hoping he can grow into that but it's giving perfect actor wrong time.... and if ur white ur not allowed to agree with me shush go away
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sillyfudgemonkeys · 10 months ago
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Some time after the events of SoK
Rangi: Kyoshi, what's this about the Fire Lord telling me that you are, and I quote: "The failure of diplomacy." and "The breakdown of negotiations." Rangi: No no, don't you dare speak. You finish that fucking snickers. Once we're done with that, we're signing you up for some classes. Rangi: "There is no escalation of hostilities beyond Kyoshi." The hell there is??? Did you forget I exist???
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maraschinotopped · 4 months ago
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ive been staring at the naqtube channel page just doing analysis thoughts in my head for like 15 minutes and ive just been hit with the realization that Damn this is not normal. normal people dont do this. either the mental illness or the mild sickness is doing something to me right now.
#[cosmic heroes of dubious alignment]#IM NOT EVEN WRITING ANYTHING DOWN. IM JUST BRUTEFORCING THOUGHTS IN MY HEAD.#uhmmmmmm anyways. im trying to think of potential themes naq might have#and its like wow i am not good at recognizing themes bc im dense as bricks sometimes but i swear theres a repeating pattern of .. roles?#the expectation and breaking of stereotypical roles to be more specific#like listen to me here. obviously theres the line ive pointed out b4 with the 'theyre fighting evil/theyre [..] evil' line;#the lines in the unused takes video that paint n&q as less than morally good in /some/ sort of way;#queen buzzbeamer's whole deal as ive said ad nauseam; a more recent example i feel like would be part of the binary translated from hazard:#'this is who i am and who i will ever be'. accepting your role.#but also on a more meta sort of way with the games themselves. the female mcs getting more focus than the male mcs-#-in a time period where most video game mcs were male and the female characters were one-note is something noteworthy to me.#the fact that nebula is CONSISTENTLY framed bigger/more prominently in almost every piece of official art we see.#her name is first in the title. naq was conceptualized as a concept with her only first. shes always also featured in ads alongside quasar.#the only ad that features quasar prominently is the jumparound ad which alludes to it possibly being a request from sony#-and thus would want to play it more 'mainstream'.#by itself this doesnt stand out bc it could always be just the creators wanting some hashtag women in their unfiction series#which i would be fine with if that was the case. we love women. HOWEVER#its the fact that naq2 (from what we know so far) ACTIVELY TRIES TO BACKPEDAL ON THIS. which makes me think its INTENTIONAL.#both nova and nebula have seemingly been sidelined in naq2 with their screentimes reduced. nova reduced to a 'supporting character' and -#nebula into a possibly offscreen kidnappee. QUASAR takes their spotlights in naq2.#...maybe a way of 'making back lost sales' from naq1? pivoting too hard into the stereotypical from the unusual...#because obviously thats whats scaring away your customers. not the white room scandal. totally not.#'..ok is this leading up to anything mara. whats your conclusion statement' idunno man.#i just think its an interesting tidbit that keeps popping up. i am not a coherent theory guy#i am a pointing out things and throwing them at the wall to see what sticks guy.#there is also the very real chance that im completely wrong abt naq2 bc we still dont know a lot about it sooo. shrug.
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adriartts · 9 months ago
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this network of mycelium
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asthedeathoflight · 5 months ago
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The problem with being an extremely argumentative child who was constantly being reprimanded by adults to pick my battles and not start fights over nothing is that in the moment when I want to stop a conversation in its tracks to call out an injustice i always feel like I'm being overdramatic and i shouldn't cause problems or rock the boat and I'll regret it if I speak up. But that's literally never been true. I've never once regretted opening my mouth, but there have been times I didn't say anything that will haunt me to my grave. You can apologize for overreacting or reading into things, but you can never go back and have spoken up when you didn't. If you're someone who finds yourself biting your tongue a lot over stuff that seems like maybe only you care, cut that shit out. Its 2025 we're picking all the battles now.
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deus-ex-mona · 3 months ago
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emotions? wrecked.
#it was a bad idea to play h.b.r after finally listening to ei.kyuu hours (and crying a lil) bc aaaaaaaaa#w h a t was *t h a t* h.br ch2???????????????#it was all fun yuri times for the most part then… m a n.#what the heck???????????? i totally thought it was like an an.gel beats situation where all the main characters are already goners#and are able to. like. regen at any time which is why they’re sent out to fight the aliens#but aaaaaaa?????????????????? what do you *m e a n* the reality is?????? aaaaaaaaa?????????#if i cried buckets for ch1 i cried an entire ocean for ch2 bc. aaaaaaaaaaaaaaaa#if ch1 destroyed me ch2 burned my entire family tree to the ground bc. man…. aaaaaaaaaaaaaa#i just *k n ow* it’ll get worse from here on out… shame on me for jumping into a key game thinking it was gonna be happy fun times…#g. gonna power through the recommended event story later… bc… man. these girls………#anyways~~~~~~ in other words~~~~~ no idols are gonna get sengen-ed this weekend either bc i’ll be busy~~~~~~~#…these truly have been a very emotionally taxing two weeks though… first i had that infected acid burn (which i thought was just a rash)#then i won a random company lucky draw that i wasnt even there for bc of understaffing in my department’s subdivision…#and *then* everything went wrong at work yesterday… and i’m sure i won’t have a fun time on monday either… man.#at times like this ig im glad that there’s something to invoke the waterworks. crying (alone at home) sure is a great stress reliever~~~~~~#anyways. highly recommend hea.ven b.urns red. there are weird jokes thrown in at times but pls forgive the protag she’s kind of a dum-dum—#in any case!!!!! that’s all from me for now!!!!!! see y’all again some time!!!! maybe!!!!!!!!!!!
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capricioussun · 5 months ago
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Luck and Cue!! I love those guys!
I'll start with what they do! Cue handles the more professional stuff, and inner workings of the family, while Luck is more like an ambassador, checking in on local business they're "partnered" with, befriending even those they're not, doing his best to make Aster a name with predominantly positive association for most.
Honestly not too dissimilar to how the Mafiafell brothers' work dynamic functions, too, except Cue handles the more official publicity type of stuff, and Luck usually handles the, uh. "Sensitive matters".
As for their relationship, it's still pretty good, if maybe a bit more distant than classic US. They do still look out for each other, that loyalty is absolutely still there, but things are just...a little stilted between them. Almost not as close as brothers, sort of more like very good old friends, but not entirely. A little hard to explain, but they do know each other very well, even with the rift that'd grown after having the torch passed to them.
Luck is a bit of a brat and loves to do things for the sole purpose of annoying Cue, however he learned very early on Cue wouldn't bail him out if he really wanted to teach him a lesson and is careful about taking things "too far".
Cue, while caring deeply for his brother, feels like entertaining his more rebellious nature is just coddling or humoring him, and he doesn't want to encourage that, so he can be a bit hard on him, but whose to say that isn't deserved?
They tend to step on each others toes, and neither really wanted to live this kind of life and sort of had it forced on them unexpectedly, but they cope with that in entirely different ways. Though it's still significantly better for both than it'd be if either had to do it alone, that's for sure
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after-nine-at-the-oasis · 4 months ago
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the rookie let women make mistakes challenge
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rxttenfish · 3 months ago
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actually what does it mean that my biggest inspiration for merfolk and writing miranda is specifically accounts of animal attacks.
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