arthur and john's relationship is built on codependence and working together because there's no other choice, but it's also a lot about arthur projecting onto john. arthur considers himself a failure as a person, but now he has a chance to prove that someone evil can actively choose to be better. he believes that if john can be saved, so can he. if john can be redeemed, so can he. that's why he tries, at every possible turn, to push john to be better. that's also why, whenever john takes a few steps back in progress, it has such an intense effect on arthur. because he wants to save john.
because if he can save john, he'll finally have proven to himself that he can be saved too.
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So basically: I'm trans. 🤷♂️
My name is Francisco, and I use he/him pronouns exclusively. Call me by masculine terms, basically I'm just a guy that's here.
I’ve always been like this, I can’t repress who I am anymore. Due to my unfortunate living situation, many financial reasons, not having a very supportive family, and living in an unsafe area (suburban Florida... come on), making the path to live my truth as a man, in real life, at this time, is unlikely to straight-up dangerous for me. Online I feel I can navigate this easier, and it's less scary.
If we're mutuals, feel free to reach out if you have any questions, as long as it isn't invasive. My about page has been updated. 🫶 much love
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was rewatching season 3, and noticed something that definitely doesn't actually mean anything, but made me pause for a second
at the end of the specials when Wukong apologizes to MK for being a bad mentor, MK never actually accepts the apology. he makes a joke about being able to just get another bowl of noodles and when Wukong explains his apology more, says he knows and plays dumb to lighten the mood, but he never actually accepts his actual apology
I'm probably thinking too hard about something that's just a silly joke but still
Oh, I think that moment was intended to highlight MK's traits rather than just be a "silly joke".
MK has a habit of wanting to move on and pretend every thing is fine. He doesn't want to think about the things that are messy and grey and complicated. He doesn't want to think about Wukong's flaws or any of the ways Wukong has hurt him, he just wants to go back to things being simple and easy, without working through anything. (Think like, 4x01 and 4x02 where MK keeps insisting he's alright, 4x05 where he says "Monkey king will explain how he's definitely not my dad and that everything is fine", or even 4x12 with "Kick this can down the ol' half marathon"/"So they can never make us live our nightmares again!")
MK during s2 feels so abandoned by Wukong, then brushing past his emotions the moment he realizes Wukong "had a good reason" for leaving. Which, Wukong did have a good reason, but his methods were less than ideal, and there are undoubtedly complicated feelings that came from that. Those two just like, fucking SUCK at communicating with each other.
And, it's definitely not all on Wukong, not by a long shot. But the thing is, MK can't acknowledge or talk about his feelings with Wukong, because that would require him to admit that Wukong hurt him in the first place. So I interpret the 3x14 Apology scene as MK not wanting to accept an apology, because what is Monkey King apologizing for? Nothing happened! Everything's fine! When that's just not true.
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so. in light of recent news, I’m logging on here so I can delete what i have written for cwilbur - I was already debating on leaving it up or not anyway - and I’ll be changing my username once I figure out a new one. I know this hasn’t blog been focused on his characters for literal years, but I figure it’d be best to let y’all know - especially considering the username change.
I will probably continue to be inactive for the next month at least, but will be active for the next few days trying to edit things here, if anyone wants to talk through asks or DM’s. I hope you all are doing well, and I hope Shelby continues to receive the support she deserves.
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I love space SO much. And it absolutely terrifies me too. If I wasn't terrified of space, and I was good at math, I'd be working at NASA. But even then I won't ever get to explore the galaxy in my lifetime, because we are nowhere near travel that equals the speed of light, and even then, lightspeed is still painfully slow on the cosmic scale.
Did you know that, no matter where we are in humanity, our sun will begin to die billions of years from now? We may all be dead and gone, or we may have evolved into something unrecognizable, or we may still be around. But one day, the Earth will be engulfed by the sun. Or it'll be thrown out of orbit. It'll be the end for Earth. We may have figured out how to go beyond the speed of light by then. We could have discovered that the Einstein-Rosen Bridge theory - wormholes - is real, and we could have used that to bend spacetime to our will and find somewhere new to call home, potentially even new universes.
But we don't know. Earth will likely become uninhabitable before the natural lifespan of our sun can engulf it, as a result of our very human mistakes and actions and impacts.
And... this is just a longwinded way of me saying, that's what Starfield is about.
It's about being human in the face of the divine, in the face of being so so so small in the universe. It's about conflict, the tragedy of it, how it can so easily destroy our humanity before time itself has the chance to. It's about looking at the petty wars between the UC and the Collective and going, "what are they doing? There is plenty of space for us all. This is only our galaxy, what about beyond?" It's about humanity pushing forward for answers about the universe and how they will always resort to the same petty violence over those answers. It's about how you can decide what you do with those answers. It's about looking in the eye of sure destruction that will certainly come one day, and say, "I will live and love in spite of it."
You can certainly become like the Hunter. You can continuously perpetuate the cycle of very human violence because that is all that is left to you, because you have embraced the uselessness of it all. Or you can become like the Pilgrim. You can settle down and bring love and kindness to others, and bring them knowledge, despite the fact that everything is pointless.
We are just starstuff. We come from the stars, and back to the stars we will eventually go, one way or another. And it's up to you to decide if you will embrace that as the only meaning in the universe, or if you will reject the simplicity of that, and embrace humanity, embrace love, embrace compassion, embrace meaning in spite of it all.
That is what Starfield is about. That's what it is about to me. And I love it.
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People will often say, 'If you could be with Lincoln for dinner, what would you want to ask him? What would be the unanswered question?'
And I know I should be asking him, 'OK, suppose you had not been killed, how would you have dealt with the South? How would you have dealt with Reconstruction and all the controversies that arose?'
But I know that if I really had him for dinner one night, I would simply ask him, 'Tell me a story, Mr. Lincoln.' Because then I would see him coming alive.
He laughed so hard when he told one of his funny stories, his eyes would twinkle. And then I'd know that the Lincoln I knew -- who was somehow able in the worst days of the war to dispel the anxiety of his Cabinet members by his humor and his life-affirming sense of storytelling -- then I’d know I would have seen him alive.
-Doris Kearns Goodwin, Presidential Episode 16
This was where I had to stop the Lincoln episode at the end of my commute, and as I pulled into the parking lot I said to myself, "Wow, that's lovely." A little schmaltzy, perhaps, but I think it gets to the core of why people study history. Sure, there's the intellectual impulse to analyze and understand events with the benefit of hindsight, but deep down, the heart of historical study is a desire to connect with people. To bridge the gulf of time and space and get to know people despite the fact that they lived in a completely different century.
History's not just dry lists of dates and names and theories. It's people. It's personalities. It's quirks and memories and stories. It's knowing that a historical figure isn't just a face on a monument, or a source of information, but a guy who can tell really funny stories. And I wanted to share this quote because it really understands the humanity of history in a way I rarely see expressed.
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