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THE 2018 DENGEKI BUNKO INTERVIEW WITH 86--EIGHTY-SIX AUTHOR ASATO ASATO

Disclaimer: This translation is made by me for fandom purposes only. This interview, conducted in 2017, gives major insights on how the sci-fi mecha series 86--EIGHTY-SIX was conceived and written before it eventually won the Dengeki Novel Prize back in 2016.

Please ask my permission and credit me+this post if you will be re-translating this to other languages. PLEASE DO NOT REPOST ON YOUTUBE AND TIKTOK AND PLEASE DO NOT REPOST THE IMAGES ON THIS INTERVIEW. Please take the fan translations here with a grain of salt.

Credits to @Yashamise from Twitter for copies of this Dengeki Bunko Kono Light Novel ga Sugoi magazine.

Erratum: This interview was conducted and printed in 2017, but this Kono Light Novel ga Sugoi magazine is dated 2018 as an advance issue of sorts. This interview has been summarized here. My apologies for the title.

I’m posting my Ko-Fi here as currently, I’ve been having financial trouble regarding my medicine, so if anyone can donate, I would be much grateful for the help, thank you very much.

AN INTERVIEW WITH 86--EIGHTY-SIX AUTHOR ASATO ASATO

“I wrote what I liked, in the way I liked them,” this author says. This tale is filled with the grief from war, the ugliness of racial discrimination, as well as the romance of mechas and of garter belts! In this interview, she reveals to us everything about its roots and its appeal!

Text and Composition: My Street

Illustrator: Shirabii

Translator’s Note: For purposes of this interview translation, the interviewer will be labelled as “MS” for My Street, since they layouted and probably conducted this transcribed interview. Also, for words that have brackets or parenthesis:

{} = implied by context

() = given emphasis/given parenthesis in the interview itself

[] = included in the footnotes/translator’s notes

A robot lover as far as she could remember

MS: Thank you very much for your time today for this interview. It was surprising to learn that the author {for 86--EIGHTY-SIX}, Ms. Asato, is a woman.

ASATO: I get that a lot (haha). My family says the contents of my work is just “the usual {for Asato}” though. I think my Afterwords have the impression they’re written by a woman, and I never hid that in particular (haha).

MS: This year {2018}, 86--EIGHTY-SIX placed first in the New Works category and second in the bunkobon {paperback} category overall. How do you feel about this now?

ASATO: I’m very happy. I knew of KonoRano’s existence [1], so I was hoping {86--EIGHTY-SIX} might be listed there somewhere, but it was a surprise that it placed higher than expected. As I said in this interview’s foreword: “I wrote what I liked, in the way I liked them.” I’m thankful that many readers found it interesting.

MS: For readers who haven’t heard of 86--EIGHTY-SIX, can you give us a summary of this work?

ASATO: It’s a lively, filled-with-clanks story of the protagonist Shin, his merry band of thieves, and their remotely-working-class-president Lena. [2] (LOL)

MS: 86--EIGHTY-SIX is your debut work. Can you tell us about the time you started writing this work?

ASATO: I’ve been writing ever since I can remember, and I started with writing manga {scripts}. I switched to writing novels around before I started junior high school and have been writing them ever since.

MS: You’ve been interested in robots and military-related things ever since elementary school, is that right?

ASATO: Yes, that’s correct. My mother liked {Space Battleship} Yamato [3] and Gundam, and as I have a younger brother, I got into watching and reading anime and manga targeted at boys. I was rarely exposed to anime and manga targeted at girls. We had the Mobile Suit Gundam movie trilogy [4] at home (which I’ve seen many times), and I also watched The Brave Police J-Decker [5] and The Brave Express Might Gaine [6], as well as other shows in The Brave [7] series. The only anime I had watched that is {targeted at girls} is Magic Knight Rayearth [8], which is another story with robots fighting in it (haha).

MS: I reckon such an environment led you to writing 86--EIGHTY-SIX. Can you tell us about your writing process?

ASATO: I originally submitted {works} to the Kadokawa Beans [9] Bunko Newcomer Awards. I avoided the Dengeki Novel Prize as it was rather {too hard to enter} due to the large number of entries [10] there. The novel entry I made on the 21st year of the Dengeki Novel Prize (2014), however, was totally not aimed at women at all, so I didn’t have any other choice but to submit that to said contest, as it has the closest deadline. It was a sci-fi fantasy work, with a theme of redemption, set on a time before and after {a} revolution. At that time, I thought, maybe I can go past beyond the 3rd round of screenings and unexpectedly, maybe placed on a good spot? However, the evaluation I got from the judges were “This is a 100% a work targeted at girls” and “Next time, we hope you will submit a work that should be Dengeki Bunko-like”. As Dengeki Bunko [11] is an all-kinds-of-genre publication, I didn’t know what ‘Dengeki Bunko-like’ even meant. I thought about it a lot but couldn’t figure it out, so I just kept on writing and finished my next entry, which is 86--EIGHTY-SIX.

MS: How did you come up with the idea and structure of 86, a war drama where unmanned drones and “unmanned manned drones” battle each other?

ASATO: I once read a newspaper article whose main message was “It won’t be good if a country sends its citizens to war, but it shouldn’t be a problem if they made an army of foreigners fight in their stead.” In that case, I felt very afraid that other people will be forced to fight instead of us, with the idea of “those aren’t people, but drones” justifying this and everyone just allowing it {to happen}.

MS: As written in Volume 1’s Afterword, looking back at history, it. is true that racism and racial exclusion existed to no small extent. So, why did you decide to incorporate “racism” into your work?

ASATO: Ever since I started writing novels, I have repeatedly written about boundary lines between “human beings and those who are human but not treated as human beings”, with 86--EIGHTY-SIX being in a similar vein. One of the bases for this is probably the class discrimination found in Final Fantasy Tactics [12], for example. A character there, Argath, who is an aristocrat, tells a commoner character: “But the gods have no eyes for chattel! [12]” This line has stayed with me ever since. After that, I continued to write with the motifs of “human beings and livestock in human form” and “human and those considered not humans”. I think BLACK/MATRIX+ [13] influenced me as well. This game deals with ethnic discrimination, set in a world where black-winged people are ruled over by white-winged people. In there, those who were discriminated against were treated harshly. They were treated like livestock, with the game having this line of, “Why is a mere slave like you wearing clothes?”

MS: Do you often play games?

ASATO: When my gaming consoles weren’t connected yet to the Internet, I used to play a lot of RPGs. I’m not good at action games. I did play a lot of Final Fantasy, like Final Fantasy VI, Tactics, VIII, IX, and X [14].

MS: Are there other works which influenced you? I wonder if there’s something similar like the war situation in Knights of Sidonia [15], which was mentioned in Volume 1’s afterword.

ASATO: I often watch a lot of robot shows, Knights of Sidonia included. In addition to the Gundam series mentioned earlier, I also watched Full Metal Panic [16] and Gunparade March: A New Song for the March [17]. It’s not a robot series, but I also have read Battle Faery Yukikaze [18] over and over. I like {literary} structures where the protagonist side is overwhelmingly inferior while the antagonist side is the superior one. I want to see the flow of emotions from the characters more than the fight scenes themselves. I think emotions such as fear, resignation and desperation show more in situations where {characters} are hopelessly in a big disadvantage. Winning a battle by domination can be exhilarating, yes, but those other emotions don’t show as much during that. That’s why I prefer for the protagonists to win through unrefined and tenacious means, rather than them winning by outsmarting {enemies}.

The work’s influences from horror films and in-depth military research

MS: The Legion are getting more ominous, and the deteriorating situation for Shin and his group is putting them on a very big disadvantage, if I’m not mistaken.

ASATO: 86--EIGHTY-SIX has been influenced more by horror movies than robot anime, with it being based on movies such as The Mist [19] and Screamers [20]. Mist is a horror story where the protagonists get trapped in a supermarket due to a mysterious fog and monsters, and the people gradually lose their ability to make rational judgments as they are unable to defend themselves or escape, without any rescue in sight. This horror movie has a great ending, so I’m inviting you all to watch it without further spoilers. 86--EIGHTY-SIX was initially set as a novel about a fog of nanomachines covering the walls outside of the Republic, and the “Legion” being an aggregation of said nanomachines. However, that kind of thing couldn’t exactly be defeated by conventional weapons, so it was rejected at the setting phase. These elements from this setting, however, were retained in the form of Volume 1’s final boss character and the appearance of those electromagnetic jammers clouding the sun.

MS: It’s rather surprising this came from a horror setting.

ASATO: The other {inspiration mentioned earlier}, Screamers, is a sci-fi horror film where autonomous war weapons evolved on their own and went out of control. In 86--EIGHTY-SIX, the Self-Propelled Mines, which look like wounded soldiers, are based on Screamers. The work is rather interesting as one has no ideas who their enemies are and everything else looks suspicious.

MS: So you have a situation like this, and you applied what kind of emotions you want to be shown in that situation, correct?

ASATO: Yes. Looking back, I think I was strongly influenced by the novel Chaos Legion [21] {in this regard}. Shin’s Personal Mark, which has a shovel on it, was influenced by his special ability as well as his role being the “Undertaker” responsible for collecting the fragments of his comrade-in-arms’ {Feldreẞ} units.

MS: The more I hear about it, it seems this work is really packed full of things {you} like.

ASATO: While I was writing this, I played the Black Hawk Down [22] movie repeatedly instead of just background music. It’s also a favorite {movie} of mine.

MS: I would like to ask you about military-related matters. What kind of material did you use for your research?

ASATO: I borrowed all relevant materials I use from the library, so I don’t have any specific references… About racial discrimination, I read materials about Nazi Germany [23], the internment camps in US as well as the 442nd Infantry Regiment [24] and Scroll of Agony: The Warsaw Ghetto Diary [25]. As for the weapons, the Juggernaut and the Legion are based and patterned from tanks, so I’ve read materials dating back from World War II [26] as well as the Gulf War [26], where 120mm tanks were the main weapons used. The Juggernaut’s 57mm cannon wasn’t used very often, so I had a difficult time finding research material for it. The unit itself is based on the M551 Sheridan [27]. This airborne assault tank has aluminum alloy armor, but the Juggernaut reflects the pitiful aspect of said flimsy armor which explodes upon impact by any stray attack.

MS: Why did you make the Juggernaut and the Legion multi-legged tanks?

ASATO: Because it’s romantic! I love multi-legged tanks! My first exposure with them is the X-ATM092 [28], a spider-shaped mobile unit from FFVIII. The loud, resounding footsteps it produced as it chased you away was very scary, and it left this impression of being a symbol of a very powerful weapon. I also like Ghost in the Shell’s Tachikoma [29] and the Tobigumo from the Swallowtail novel series [30]. In reality, multi-legged tank units aren’t really fast enough, and there is too much ground pressure for those to actually carry a 120mm cannon… but I make up for it with my imagination (LOL)

A character that embodies the idea of “to be human” walks alone

MS: Concerning those people called “Eighty-Six”, what do you think it means “to be human”, which you tried to depict in Volume 1?

ASATO: What I tried to depict in this work is “to respect other human beings, and to live without regrets.” However, I don’t think everything I wrote in this main part is actually correct. I think this is the answer the “Eighty-Six” came up with due to the environment they lived in. In Volume 2, the stage now shifts to the Federacy, so the theme there is now what will happen if said environment has changed.

MS: In Volume 2, I see this as a story where the “Eighty-Six”, who managed to get safety for the time being, nevertheless still returned to the battlefield. I think this sentiment was portrayed very well.

ASATO: Volume 3 will focus on what happens inside {Shin’s head} after he made that choice, so please look forward to that. After all, they don’t feel safe even after coming to the Federal Republic of Giad. And the war against the Legion isn’t over yet. Since the Eighty-Six think they will not survive if they don’t fight, I think they will continue to fight until the Legion disappeared. Then… what will they do after the Legion are eventually gone? …They will certainly have to think about that in the future as well.

MS: Do you have a favorite among all the characters?

ASATO: It’s Raiden. Of course, I love the two protagonists, Shin and Lena, but Shin isn’t really a very cooperative character with me, so I have a certain attachment to Raiden, who provides much support. Instead of simply just crafting the plot, I write in a way that captures how each character would act in line with {the type of} world I've created. That’s why I do not know what the characters think, what goals they have, or what pasts they bear unless they “talk” to me. Shin is not the type {of character} to talk about anything in particular, and he doesn’t even say anything much except for his name. It wasn’t until I finished writing that climax of a battle in Volume 1 that I realized what he was fighting for. After I wrote it, I was like, “Huh?! So, this is it?!” and was surprised as the author (LOL).

MS: So, you didn’t think about Shin’s background at first?

ASATO: Yes, that’s right. During that climax, I finally understood {everything} concerning Shin, so I went back on that part and wrote the details that I then added.

MS: So even at the plotting stage, you haven’t put together the {setting and background} for each of the characters?

ASATO: To begin with, when I wrote Volume 1, I haven’t even made a plot. I didn’t even have a story structure in particular, and just wrote while letting the characters act. The first time I finished this volume, the last two pages were still missing, but Shin brought them to me, saying, “Sure enough, write up to this far.”

MS: What happened after Volume 2?

ASATO: I have submitted the plot… but stressed on the important scene that “I won’t know everything until I write it” then submitted it. As a result of this, only the boss character from Volume 3 remained in that plot I submitted. {I caused} my editors a lot of trouble.

MS: How did Frederica (the character) come to be?

ASATO: Frederica is a character with a part further on in the series, so I intended to debut her in Volume 2. As I was writing her, however, it seemed she and Shin have similarities on what they carry on their backs. Since then, she acts as a mirror to Shin. As Shin is a character who is not very good at grasping his own emotions, {I had Frederica} serve as the one who verbalizes those emotions. I wondered then, what does it mean to have a 10-year-old verbalize {another person’s feelings}? (LOL) I simply wanted to show a little girl. In Volume 2, the heroine, Lena, is absent, but I can’t have another girl the same age as her as this volume’s heroine… and so, under this pretext, I brought out {Frederica as} the little girl heroine.

MS: For some reason, I thought there’s other many works featuring little girls in the battlefield.

ASATO: If this were about a real battlefield, it would have been filled with old men. I like older men soldier characters, so that would have been fun to see, but I don’t think readers would find that interesting. Cute little girls adding a touch of color {to a work} is important (LOL).

MS: Did you decide on the setting from the start?

ASATO: The setting was generally decided from the beginning. The scenes were written out as needed. For example, regarding the battlefield, the Legion are ground-based weapons, and it would be troubling if they’re easily eradicated by aircraft weapons. That’s why {I had} the Eintagsfliege, a Legion unit which has jamming, and restricted the use of aircraft and communication devices. This, however, would have prevented Shin and Lena from communicating with each other, so I then devised the special communication device called the Para-RAID.

MS: How deeply did you think about this world’s setting on itself?

ASATO: The necessary scenes have been chosen in detail, otherwise, the rest of the details aren’t fixed. For example, it’s not in the main story, but the Republic’s population has already been decided upon. It’s the reverse with the countries on the edge of the continent that aren’t scheduled to appear, as they might have a Chinese-like culture… that’s all I thought of it right now. There’s also this “sensory tuning”, which hasn’t been written in the setting yet, but is scheduled to be involved in the future part of the plot. However, as I said just a short while ago, the story {as a whole} is influenced greatly by how the characters act, so it depends on them to make the best use of the setting. From this point on, who will survive and who will die… is something that I still don’t know.

MS: Is it still unknown how the war against the Legion will move forward?

ASATO: The basic points {for that} have been decided, with the foreshadowing being built onto step by step. However, it is up to those two, Shin and Lena, if they will follow suit. (LOL)

MS: What about the Legion, then?

ASATO: About the Legion, the setting about them has been solidly established, including the future boss characters. However, I can’t say anything about them yet. Details about them have been foreshadowed little by little. I write hoping the readers will be surprised by this later.

The love for garter belts explodes! A talk about eroticism

MS: Changing the subject, what it is about your particular fixation towards garter belts [31] and pilot suits [32], both of which you spoke so passionately about in your Afterwords?

ASATO: About the pilot suits, on the outline for volume 2, I wrote "I don’t want men’s pilot suits paired with ground-based armaments!!!" using half of the A4 outline paper and submitted that (LOL). I’ve wondered whether pilot suits are really necessary, apart from space or aircraft or even ground battles. I’ve my doubts about it, and with said doubts I don’t want {characters} just wearing pilot suits, even in a robot thing. I do agree with the editor-in-charge about “Female pilot suits are justice!” so Lena wearing a pilot suit is scheduled to appear in the future [32]. After all, the garter belt shows a good place between sexy and cute. I think the eroticism {from the garter belt} dwells in its self-contradictory element: it’s just one additional item {in a set of clothes}, and somehow manages to show more skin―I think that’s the charm of the garter belt. In particular, if the color {of the garter belt} contrasts strongly with the skin color {of the wearer}, the impression of bare skin is more emphasized in spite of the wearer. Because of this, I think it’s wonderful that Shirabii colored the belt part {of Lena’s garter belts} black.

MS: It’s amazing the garter belt drawn by Shirabii has the functions of both a belt and a ring, isn’t it?

ASATO: Furthermore, Lena’s military uniform, a garment that is very much seen in public, has garter belts, which are usually private items, and I think that adds further to her ambivalent charm even more. As a matter of fact, at first, I argued that it would be better if {her} thighs were not visible all the time but could be glimpsed at occasionally, but after a 2 AM discussion with the editors-in-charge while looking at the rough draft of the cover art, they convinced me that “That ‘occasionally’ should be now!”, and we settled on its current form. The ideal situation {we have} was when {Lena} lifts her legs up and a glimpse of the black lace garter can be seen through the slit of {her} dress. However, as Lena is a prim and proper lady, the only situation I can think of where she lifts her legs while wearing a dress is when she is about to wear heels… I’ll have to ask Shin to do his best on this one.

MS: Rather a difficult situation, isn’t it?

ASATO: It’s Shin, after all. Also, a military uniform with pretty boy shorts + sock garters is also cute, and as Theo hasn’t appeared with his military uniform yet, I’m thinking to add that to his outfit now… (LOL). However, middle-aged soldier uncles shouldn’t show their bare legs with shirt garters! (Editor’s note: Please Google “shirt garters” for more info)

MS: Are there any {role/inspiring} models for your characters?

ASATO: Basically, none. However, as mentioned earlier, Shin is partly inspired by Sieg Wahrheit [33] from Chaos Legion, while Lena is partly inspired by General Garrison [34] from Black Hawk Down. In the film, {Garrison} is placed on a situation where he could do nothing but only communicate with his subordinates in adverse circumstances, and this inspired Lena’s position {in the series}. In Black Hawk Down, many characters died before we even understood them, and I think that influenced 86--EIGHTY-SIX as well.

MS: That’s right. They die when the chapters change. When you are writing, you’re writing without knowing who is going to die, isn’t it?

ASATO: There are some characters whose manner of death came to mind as I was writing them. I think they’re good kids, but I have no choice but to let them face their fates (oops).

MS: If the names of the Eighty-Six characters were names of Japanese people, would they still make good names?

ASATO: Yes. All their names can be written in kanji. For example, Shin’s surname, “Nouzen” is from the kanji of the Chinese trumpet creeper (凌霄花) {pronounced as “nouzenkazura”} [35]. I actually like the arrangement of the kanji {from that plant} within the kanji for “surpassing the sky” (霄を凌ぐ) {pronounced as “sora wo shinogu”}. If you use the same kanji and put the honorific (君) {pronounced as “kun”} on it, you can form the characters for the Eurasian goshawk (凌霄君) {pronounced as “ryoshoukun”} [36]. This is also a reference to Shin’s image, as he does resemble a hawk.

What’s next for this series? There’s so much more to write about!

MS: What will happen in Volume 3 of 86--EIGHTY-SIX? [37]

ASATO: It will be properly connected to Volume 1’s Epilogues, so please don’t worry about that. The battle scenes, which were limited in Volume 2, will be much increased here. It might be even tragic.

EDITOR KIYOSE: This paperback series will, of course, continue to be serialized, and the series will also be expanded into various adaptations such as comics [38] and other various media. This work will have a lot of side stories, so we hope you will all appreciate this series as a whole.

MS: Can you please tell us about the future developments of 86--EIGHTY-SIX?

ASATO: The stage has shifted to the Federacy from Volume 2, and as the war situation gets more violent, the environment surrounding the Eighty-Six and the others is about to deteriorate further. There will be new enemies for mankind to face, and their own numerous personal conflicts standing on their way one by one. However, they have survived far difficult circumstances up until now, and since Lena will join them in earnest by Volume 4, I think they will still survive, stubbornly, shamelessly, and boisterously. However, I really wouldn’t know what would happen unless I write them. (LOL)

MS: How many volumes does this series will have?

ASATO: Currently, I'm thinking of around 13 volumes. The war against the Legion has a general flow and an ending in sight already, so I'd like to get to that point first. In addition to that, I’d like to like to write a side story about Raiden and Shin when they just first met, if I have the opportunity [39]. There’s so much more I want to write about. From Volume 4 onward, countries other than the Federacy will be related, and there’s plans to stretch out the stage even more. The Queen's Knights [40], led by Lena, will also make their appearance. I think there might be some slight surprises about Shiden, who first appeared in Volume 2.

MS: Lastly, any message for the readers who have supported you and the series?

ASATO: I was never active on the web at all, and I was totally an unknown newcomer writer. I believe the reason why I and the 86--EIGHTY-SIX series have come this far is due to the readers who picked up the books and supported us. So, everyone, I will do my best to write bringing Shin and Lena and the Eighty-Six’s battle to conclusion, so from this point on, I look forward to your continued support!

{End of Interview}

Translator’s Notes (Most of the blurbs here are taken from respective relevant Wikipedia articles, and the notes also include the Magazine Notes from the actual interview):

[1] Kono Light Novel Ga Sugoi: Kono Light Novel ga Sugoi! (このライトノベルがすごい!, lit. This Light Novel is Amazing!) is an annual light novel guidebook published by Takarajimasha. The guidebook publishes a list of the top ten most popular light novels according to readers polled on the Internet and votes from critics, influencers, and other people related to the light novel industry. 86--EIGHTY-SIX ranked 2nd and 5th in the bunkobon category here in 2018 and 2019.

[2] Lena is the class president of Class 2-E in the 86--EIGHTY-SIX Operation High School spin-off side stories and the manga. This is probably among the first references to said spin-off.

[3] Space Battleship Yamato: one of Japan’s most influential sci-fi/mecha series, a Japanese science fiction anime series produced and written by Yoshinobu Nishizaki, directed by manga artist Leiji Matsumoto, and produced by Academy Productions.

[4] Mobile Suit Gundam: The first series in this very popular Japanese military science fiction media franchise, it was re-released into a film trilogy in 1981.

[5] The Brave Police J-Decker: The fifth installment in the Barve series.

[6] The Brave Express Might Gaine: The fourth installment in the Brave series.

[7] The Brave mecha and sci-fi series: a Japanese toy and anime franchise Brave series made by Takara and Sunrise, and currently owned by Bandai Namco.

[8] Magic Knight Rayearth: a mecha, fantasy and isekai shoujo manga series made by the all-female manga artist group CLAMP.

[9] Kadokawa BEANS Bunko Award: The contest launched by Kadokawa’s female-focused light novel imprint, Kadokawa Beans Bunko.

[10] Dengeki Novel Prize: a literary award handed out annually (since 1994) by the Japanese publisher ASCII Media Works for their Dengeki Bunko light novel imprint, spearheaded by parent company Kadokawa. It is among Japan’s largest light novel contests, with more than 4500 entries submitted annually. 86--EIGHTY-SIX won 1st place in the Rookie Awards category in 2016, launching it to the spotlight.

[11] Dengeki Bunko: a publishing imprint affiliated with Kadokawa’s ASCII Media Works. Many anime adaptations from light novels were published by Dengeki Bunko, including 86--EIGHTY-SIX.

[12] [Magazine Note 1] Final Fantasy Tactics: A tactical simulation RPG released in 1997. The socially conscious storyline, which tackled friction between nations and the gap between the rich and the poor, became very much a hot topic during its time.

Please take note I used the Final Fantasy Tactics: The War of the Lions translation here as contextually I believe this translation has more in line with EIGHTY-SIX than the translation of the actual game Asato played, which is the original Final Fantasy Tactics. Also, Argath vs Algus :3

[13] [Magazine Note 2] BLACK/MATRIX+: A tactical simulation RPG for Sega Saturn, with the PlayStation port released in 1998. It has a unique setting where virtue and vice are said to be reversed.

[14] Final Fantasy: a fantasy anthology media franchise, first and mainly developed as RPGs, owned, published, and distributed by Square Enix. Currently this franchise has 16 main series game releases. One of these games, Final Fantasy VIII, has its main soundtrack (“Eyes on Me” by Faye Wong) featured on the Afterword of 86--EIGHTY-SIX Volume 7: Mist.

[15] Knights of Sidonia: A sci-fi/mecha seinen manga, made by Tsutomu Nihei and ran from 2009-2015 in Kodansha’s Monthly Afternoon magazine. Its anime adaptation, which ran for two seasons, was produced by Polygon Pictures and aired from 2014 to 2015.

[16] Full Metal Panic!: a series of mecha light novels written by Shoji Gatoh and illustrated by Shiki Douji, published by Kadokawa’s Fujimi Fantasia Bunko and ran from 1998-2011. Its anime adaptations were produced by Gonzo, Kyoto Animation and Xebec respectively, from 2003 to 2018.

[17] Gunparade March: A New Song for the March: The anime adaptation for the Playstation video game Gunparade March, produced by J.C. Staff and aired in 2003.

[18] Battle Faery Yukikaze: a Japanese military science fiction novel series written by Chouhei Kambayashi. Its five-episode OVA adaptation ran from 2002-2005.

[19] [Magazine Note 3] Mist: A 2007 film based on the award-winning science fiction horror novella by Stephen King.

[20] [Magazine Note 4] Screamers: A 1995 futuristic science fiction horror film, based on Phillip K. Dick’s novelette “Second Variety”.

[21] [Magazine Note 5] Chaos Legion: A mixed-media action RPG released in 2003, getting a novelization by Tow Ubukata.

[22] [Magazine Note 6] Black Hawk Down: A 2001 war movie. Based on a non-fiction work about an actual urban war between international forces and guerillas that occurred in Somalia. The film depicts how a UH-60 Black Hawk gets taken down and this being dragged into a war situation.

[23] This is a very extensive subject, so please feel free to check out Nazi Germany on Wikipedia to get at least an overview.

[24] Another extensive subject, so feel free to check out 442nd Infantry Regiment on Wikipedia to get an overview.

[25] [Magazine Note 7] Scroll of Agony: The Warsaw Ghetto Diary: A diary kept by a Jewish teacher, {Chaim A. Kaplan}. It described the persecution and pillaging by the Nazis, as well as the three harsh years of {Kaplan’s} life.

Printed in Japan as (ワルシャワ・ゲットー日記―ユダヤ人教師の記録 or “Warsaw Ghetto Diary: A Jewish Teacher’s Record”), with Kaplan implied to have died in 1942 when he was sent to the Treblinka death camp along with other Warsaw Jews.

[26] Another extensive subject, so feel free to check out World War II on Wikipedia to get an overview. Feel free to also check out Gulf War on Wikipedia to get an overview on this topic.

[27] [Magazine Note 8] M551 Sheridan: an American tank developed to be amphibious, airborne tank. Its body was made of aluminum alloy to help reduce weight, but this made it vulnerable to anti-tank weapons and land mines, and it could explode when the shells it’s equipped with are triggered.

[28] X-ATM092: A spider-like robot boss enemy found in Final Fantasy VIII.

[29] Tachikoma: a blue-colored AI walker/roller tank that looks like a spider in the Ghost in the Shell cyberpunk media franchise.

[30] Swallowtail series: The sci-fi novel series written by Chitose Touma and published by Dengeki Bunko in 2008. The series is about artificial fairies, androids created in the form of humans, to be companions to still-living humans after parts of Tokyo’s population were wiped out in a pandemic, and one of these fairies, Ageha, is investigating a serial killer causing destruction. The work also has this multi-legged armored tank called “Tobigumo”. So far as I know this mecha doesn’t have official art, however, a fanart can be found in Pixiv here.

[31] [Magazine Note 9] Garter: They’re suspenders of sorts. “Garter belt” is the term for {a fabric strap which} which is clipped on over-the-knee socks or stockings. Having no shorts above garters is righteous! between the rich and the poor, became very much a hot topic during its time.

Asato’s interest in garter belts is not only shown in the novels, but also in the anime, which is noted to have a lot of thigh shots of Lena wearing said garter belts.

[32] [Magazine Note 10] Pilot suit: In this case, this is the type of suit that sticks really close to the body. As it shows the body lines quite clearly, it’s considered quite fetishistic.

In the current time, 86--EIGHTY-SIX Volume 5: Death, Be Not Proud, has already been published, and Lena did wear the Cicada, which is Asato’s homage to pilot suits.

[33] Sieg Wahrheit: the protagonist of Chaos Legion.

[34] William F. Garrison: a retired major general of the United States Army who commanded United States forces during Operation Gothic Serpent including the Battle of Mogadishu, which served as an inspiration for the novel Black Hawk Down.

[35] The Chinese trumpet creeper, a native flowering vine species found in East Asia, usually in China, can mean “fame”, “honor”, “glory”, “abundant love” and “life filled with flowers” in the flower language.

[36] Eurasian goshawk: a medium-large bird-of-prey found in Europe and Asia and is among the species considered as “true” hawks. The kanji used in the article actually just refers to how Shinei Nouzen looks like a hawk, but upon further examination of said kanji in this reference, it pertained to that goshawk as well.

[37] Volume 3 of 86--EIGHTY-SIX was just about to be released in Japan around the moment this article was published, serving as a promotion of sorts.

[38] Several manga adaptations of 86--EIGHTY-SIX have been published as of current time. For more information, please check out this 86 Reddit Manga FAQ for further details.

[39] Besides Volume 1, Eighty-Six’s Interlude: Headless Knight II, Asato has managed to write this in the side stories Volume 10, Fragmental Neoteny Chapter 8: The Banks of Lethe and Alter.1: Claymore Squadron.

[40] The Queen’s Knights, formally known as the Brísingamen Squadron, was the squadron Lena became the Handler with after the Spearhead Squadron was sent on the Special Reconnaissance Mission. It was led by Shiden Iida and was pivotal in the Republic of San Magnolia’s defense during the 1st Legion Large Scale Offensive.

#86 eighty six #86 #エイティシックス #86 ーエイティシックスー #86 エイティシックス #86 anime #asato asato #dengeki bunko #86 light novel #86--EIGHTY-SIX #eighty six #vladilena milizé #shinei nouzen #安里アサト

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foxysgirl · 4 months

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BREAKING: Surveillance footage released showing Sean “Diddy” Combs beating his then-girlfriend Cassie Ventura.

The footage was obtained by CNN. The incident occurred at the InterContinental Hotel in Century City, Los Angeles in 2016.

Ventura reached a settlement with Combs regarding the incident according to CNN.

Her attorney released the following statement:

"The gut-wrenching video has only further confirmed the disturbing and predatory behavior of Mr. Combs. Words cannot express the courage and fortitude that Ms. Ventura has shown in coming forward to bring this to light."

#Sean Combs #Cassie Ventura #p diddy #Diddy #Cassie

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itwasrealtome · 9 days

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BEST BELOVED

CHAPTER FOUR — DAMN RIGHT, I’VE GOT THE BLUES

⚠️ DO NOT READ IF THIS MIGHT TRIGGER YOU

Scarlett Johansson x fem!OC fic | Masterlist

Summary :

Content Warning : Elle listening to some Buddy Guy | New School | Discovering a new place and new people | Carter hates LA and misses Portland

Navigation :

Chapter Three

Chapter Five

Don’t miss any more chapters or info by being tagged

TikTok

•••

LOS ANGELES — CALIFORNIA

DECEMBER 06, 2016

Carter hated Los Angeles.

From its sweltering heat to its crowded streets and inhabitants. He'd only been there two short weeks and was already missing Portland. Not what he would have liked to call home, or the people who were supposed to be his family, but the city itself. The alleys of Japanese maples, the café where he played his first guitar notes in public and, above all, the weather in favor of a snowy Christmas.

Here, the air was stifling and the sun never seemed to take a break. Even sprawled out in his new bed, the atmosphere seemed to descend on him, crushing his chest. Repainting the walls and assembling the furniture had been an ordeal for him. Unlike his sister, who seemed accustomed to the Californian air, Carter was still wiping the corner of his eyebrow and inhaling every second.

In the car, the ordeal was the same. But at least he could enjoy the occasional light breeze. He leaned back, his cap hitting the headrest of the seat, his long legs stretched out to the glove compartment. For someone who has money, he thought, it's definitely no luxury.

— Don said it’s a very good school, reminds Elle, taking her eyes off the road for a second. They have excellent results and programs.

— Yeah, whatever…

Chewing gum wrapped around his tongue, Carter blew until the bubble burst in his face. Elle flinched at the sound though she tried to hide it. She nudged her brother's shoulder, a heavy sigh covering Buddy Guy's voice.

— I'm doing this for you.

It was as if the words were floating around in the vehicle without ever reaching their intended target. The dark-haired teenager's face was now glued to the glass, his eyes glued to the immense building looming overhead. It was by no means the same kind of school as the one Aunt Nancy had placed him in.

The facade alone was impressively large. From their parking place, he could see teachers dressed in a clean and serious manner, but also students who did not seem at all to be petty criminals. Yeah, it was definitely a big change.

— I know it's nothing like the shithole we grew up in, but I think you're going to love it here.

Carter simply shrugged, following the actress blindly, hands clutching his backpack. He relied heavily on his feet to lead him to the right place. The sight of the path through the trees didn't interest him. He wanted to see the branches move with the light breeze and the white chalk of the walls lighten with the sun. If he had to face this view for the rest of the year, then it was nothing like the hell he'd imagined.

— Ah. Ms. Wiley, it's a great honor to have you here in our school. The school principal spent some extra time buttering Elle up, before realizing Carter’s presence. And you, young man, must be Carter.

Carter shook her hand and gave a brief, shy smile. He suddenly felt his cheeks heating up, just as they did when attention was focused on him. Only this time, Elle was right by his side.

— I hear you have an excellent program for athletes. I'm quite interested, can you tell me more about it?

The woman went into her lengthy explanations and began guiding her guests around the establishment. Elle didn't care much for the school's sports program, but she knew Carter did. He trailed behind the two women, his gaze darting all over the place, swallowing each piece of information he was given.

His sister was right. This building was nothing like the one they'd known. The corridors were huge, well-lit and furnished with rows of lockers that still looked new, or at least functional. He was surprised to find that the refectory was clean and free of tags on walls and tables, something to which he'd become accustomed in his old school. Only a few kilometers stood between him and the place he had once known, yet he had the distinct impression of being in another world.

When both women halted, Carter missed his cue and lightly jostled his sister. He murmured a simple apology, tightening the grip on his backpack straps. Elle quietly patted his shoulder and prompted him to focus on the space in front of them, where one of the school’s gymnasiums stood out. Her knowing smile betrayed her familiarity with her brother's interests. There were only two places to find Carter: the music classroom and the gymnasium, ball in hand.

— Coach Cruz has already studied your profile, Carter. Let me tell you, if you keep up the good work, you'll soon be the team's new star.

The brunet only nodded, too absorbed by the sound of soles on the wooden floor, the whistles and the power of the strikes to find words. Los Angeles may not have been home, but this place could be.

He could already see himself practicing for hours on end, improving his sets and shots, making this room his reference point. The equipment didn't look as bad as he'd imagined.

Here, at least, they had equipment.

— I have a couple of matters to settle with Mrs. Hale. stated Elle, her hand massaging the nape of her brother's neck. Why don't you introduce yourself and take a walk? I won't be long.

Before he could react, Principal Hale had already called the coach over to them. Cruz was a man in his fifties, with an athletic bearing and a posture that showed immense respect. His handshake was strong and seemed genuine. And for the first time since he'd been in his sister's company, Carter saw a man more preoccupied with his sport than with the actress' beautiful face.

— Hey son, welcome to the team. Cruz guided him with a hand on his shoulder, his fatherly posture almost reassuring for a young boy like Carter. You're gonna love it here!

•••

Taglist : @micaluvssoccer @rain-mikaelson @red1culous @taylucky13 @womenlovingwomen-imagines @aqiia24 @youdontknowwhotfiamm @mmmmokdok @unexpected-character @iheartmilfies @natalia-quinzel @electricboost @angeliqueh5331 @emskisworld @sami1642 @waltermis @imjai02 @enjoytheentireworld @jatrovyknedl @madamevirgo @lyak12 @anku1901 @ssaaggwwaa @marvelandotheruniversesloveradhd @canvasscoloredin @butwhynothavesomwmore @hi-1-1-blog @g1u2y @fanfiction-24824 @greyslover3004

#bestbeloved #new chapter #ellewiley #carterwiley #scarlett johansson x oc #scarlett johansson masterlist #scarlett johansson x reader

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susannaius · 10 months

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"Ms. Groves. Root. The threat to Beth's life…is it you?"

Has Harold ever called Root her name?

"I give you my word, Harold. Beth will live. Please. Just please believe me." "All right, I believe you…Root."

It only took 3 years and an attempted suicide for Harold to start calling Root her name.

"I don't wanna see you for a while."

Person of Interest (2011-2016), 4x18: Skip

#person of interest #poi #harold finch #samantha groves #poi root #my five cents

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derseprinceoftbd · 1 year

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In honor of the new Upd8, here's the updated version of my Personal Homestuck Explainer.

An explainer for Homestuck, typed up on a Google doc for Reddit, and now transplanted onto Tumblr, and too long to fit in a single reddit comment. Most explainers I've seen utterly fail to get the tone of the series across, thus not answering the main question I see: "what is Homestuck *and why is it like this*". Why does it evoke the reactions it does? Why are so many things considered a reference? Who is Vriska? (I can't actually explain that one in under 3000 words, it turns out.) But, here's a briefer briefer (heh) on the subject of "What the actual fuck is Homestuck":

Andrew Hussie, a person (now going by any pronouns) then known for various obscure things around the net, made an interactive reader-driven comic-type-thing called Jailbreak where he would draw panels demonstrating the events of the story as dictated by other posters in the thread, putting his favored suggestions in the narration and responding in kind. The happenings and variables were influenced by his own strange brand of humor and set of fascinations, such as rap, horses, clowns, and H!rry P!tter as a cultural presence. He would eventually compile this, along with the unfinished followup, Bard Quest, on its own website.

The third installment of the so-called MS Paint Adventures, Problem Sleuth, was a massive step up in production value, featuring impressive art and output speed as well as evolutions such as some pages being flashing gifs. This sort of thing was considered to be one of the best demonstrations of the potential of the internet. It ran for 1674 pages over the course of about a year.

Homestuck was the followup to that, running 8123 pages from April 13th 2009-2016 with numerous hiatuses in the latter half of that time. It featured such advancements as videos with sound, small WASD-controlled computer games on various pages, and most significantly, actual conversations between characters, semi-hidden behind clickable boxes at the bottom of some pages, allowing them to become three-dimensional and truly sympathetic. Hussie, it would soon be revealed, was heavily skilled at writing compelling and unique character voices and dialogue writing in general.

Homestuck was definitely the most complex MPSA, with a grand overarching plot being integrated into the results of the actions of the readers. The plot revolved around an in-universe game called SBURB with the power to influence reality, sort of a Jumanji with time-travel mechanics that would soon be revealed to be the centerpiece of reality itself, destroying the home planets of its players to motivate them to enter the world of the game and fulfill an unknown grand purpose, complete with millions of fully sentient NPCs. (Homestuck is, technically, an isekai.)

Homestuck has been described as "a story that's also a puzzle", and this lens has gained authorial approval; events are often told anachronistically, as a kitchen sink of high-concept ideas are explored by a man who sometimes wants to show off his semi-deconstructive version of a classic sci-fi/fantasy trope, sometimes wants to infuriate readers through anticlimaxes and misdirections, and sometimes wants to just go off on a tangent about a random movie from his childhood that somehow soon becomes integral to the plot in an absurdly esoteric fashion.

Eventually the suggestions from readers became so numerous and difficult that the suggestion boxes were closed near the end of the first year, leading to less meandering from Act 4 onwards, but the influence of the audience remained; one easy example is a character only seen from the top half initially being theorized on the official forums as using a wheelchair, a fact which would not only become Canon, but highly relevant.

The early MSPAs curated an audience through programming humor and 80s-90s film references as filtered through the styles of Terry Pratchett, Mark Twain, and the Something Awful forums, but the audience for Homestuck, due to the nature of the characters, was markedly different, especially after the Trolls showed up.

You've probably seen them.

The Trolls, initially presented as some extremely odd and bothersome fellows on the internet, were soon shown to be a race of grey-skinned, orange-horned aliens. Trolls possessed multicolored blood in both organized castes and clear deviations, psychic abilities, unique typing styles, insectoid traits as opposed to hominid, near-universal bisexuality with the sole known exception being Sapphic, and a complex romantic system with its own symbols, comically vague-yet-comprehensive reproductive system, and of course, relationship dynamics.

I cannot express how perfect the Trolls were in terms of catching on. Tumblr loved these fuckers and it's not at all hard to see why.

It's also worth noting that this wasn't the only market-perfect part of Homestuck; Classpecting, the equivalent of Hogwarts Houses, featured a 144/168/288/336/384(depending on who you ask and what they count)-strong grid system of human personality traits that not only seemed eerily accurate as a personality mapper, but corresponded to what elemental powers one received in the game of SBURB.

So... yeah. Homestuck was an incredibly complex and engaging work, driven by a single incredibly talented and flawed creative voice, which was perfectly made to attract a massive, unabashedly bizarre/proudly cringe, and notably largely queer fanbase across a younger internet; you may well be aware of incidents such as cosplay failures and inappropriate recreations of Troll culture. The style of presentation, art, and character writing was instantly recognizable and relatively easy to imitate, leading to fanfiction and even fanmade adventures galore, most of the latter hosted on MSPFA.com.

The main site for Homestuck is broken now-it's recommended that new readers download the [Unofficial Homestuck Collection](https://bambosh.dev/unofficial-homestuck-collection/), and starting with Problem Sleuth to ease into the format and writing is a pretty popular choice. The ending is also considered generally quite poor in a number of ways, particularly regarding unfollowed foreshadowing and blatant abandonment of character arcs, with some fans even [making](https://friendlybatteringram.tumblr.com/tagged/altstuck) their own [works](https://mspfa.com/?s=44153&p=1) as [substitutions](http://mspfa.com/?s=12003&p=1). You can find The Homestuck Epilogues (a sequel novel) on the official site, and Homestuck^2 Beyond Canon (a sequel webcomic after the Epilogues) on its own website, but neither of these are very well liked by fans (at all). YouTube also has several dubs of the comic; by far the largest and most popular is [Voxus](https://youtube.com/@Voxus), which has unfortunately slowed to a crawl at around the 65% mark.

Content warnings for Homestuck include: blood, violence including decapitation, clowns, brainwashing/mental possession, dicks-out furry bara art in the background of like ten pages, brief black-and-white nudity, swearing, the R-slur, a joke about an acronym organically forming the F-slur, child abuse, discussed child abuse and homophobia, mocking of the disabled (as an unsympathetic action), cartoonish levels of sexism (as an unsympathetic action), statements that an antagonist is analogous to Hitler, mocking of otherkin, a minor character being a racial stereotype of Japanese people (Damara), a somewhat major character being a stereotype of Black people (Meenah), minor characters being stereotypes of disabled people (Meulin and Mituna), a controversial and prominent depiction of blindness, eye trauma, underage alcoholism, written depections of noncon facilitated by mind control (as an unsympathetic action), sexual assult (an unwanted kiss, as an unsympathetic action), jokes about pedophilia, and child grooming (textually 100% non-sexual, but sexually-coded).

Also: when I said the Trolls type weird, I wasn't kidding. Every character gets at least one color for their speech text, plus a pattern for how they type, generally worse for the Trolls, ranging from "no caps" to "British" to "drunk" to "ebonics" to "aLtErNaTiNg" to WH4T3V3R TH3 FUCK K1ND OF L33TSP34K BS T3R3Z1 1S DO1NG. So that's worth a warning.

And that's as abridged as you can get when summing up Homestuck.

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starsopinions · 1 year

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Why I'm excited for The Marvels

The first real introduction I had to the MCU was in 2019, my best friend and I decided to go to the cinema. We weren’t sure what movie to watch but we eventually landed on Captain Marvel, I remember being hooked from the first second and being so excited when, at the end, the words “Captain Marvel will return…” appeared on screen. We left the theatre excited for the sequel which we promised to watch it together. I’m not friends with her anymore but I have to say that, less than a month away from the release of The Marvels, I can’t wait to finally see it and I don’t understand why there seems to be so much negativity surrounding the release of this, in my opinion, very promising movie. So here is why I'm excited for The Marvels!

The cast

Watching the trailer, the first thing that jumps out at me is the cast. The main cast consists of actors who have done consistently good jobs in the past. You may not like Brie Larson but there is no denying that she can act, which is further proven by her many awards, including an Oscar for best actress in 2016. Joining her is Teyonah Parris as Monica Rambeau who, I think we can all agree on, did an amazing job in WandaVision. And completing the trio is Iman Vellani who is playing Ms marvel. I know a lot of people didn’t like Ms Marvel as a show but I think many are disregarding the fact that the target audience was (younger) teens and not middle-aged men (that isn’t to say that Ms Marvel was perfect but I think it was a fun addition which added something new to the MCU). Besides, I think the problem in Ms Marvel definitely wasn’t Iman’s performance and if they fix the writing issues there is nothing wrong with her character. She is very charismatic and funny, and in my opinion, she is a joy to watch. I am so excited to watch the trio’s dynamic and chemistry!

And as if that wasn’t enough, acting alongside them will be Zawe Ashton. You may know her from Fresh Meat or Velvet Buzzsaw. We don’t know a whole lot about her character yet besides that she will be the antagonist. I think Zawe has a lot of talent and I’m excited to see more of her villainous side.

“throw-away villain”

A lot of people seem to think that this will be a boring, one-time/throw-away villain- kind of movie but I honestly think that that is just what the MCU needs right now. There have been so many big cross-over movies recently that deal with very complex issues (time travelling, the multiverse) that something small that focuses on the characters and story would work really well. Especially as it seems that Zawe’s character is going to be building on past villain Ronan (Guardians of the Galaxy), which gives her an already established back story so it doesn’t come out of nowhere which is often an issue with these one-time villains.

Recent MCU movies have been falling into the trap of building up lots of expectations, for them just to have a simple storyline. For example, everyone was expecting Dr. Strange Multiverse of Madness to include loads of crossovers and references to other movies which made the reality so much more disappointing. I think The Marvels has done a really good job of building up realistic expectations while still making an exciting trailer. No one is expecting Wanda or Loki to appear in this movie so no one will be disappointed when it doesn’t happen.

“The M-She-U”

I have been reading the comments on the promotion for the movie and a lot of comments say things like: “Ain’t no one watching this ms marvel Has become sadly feministic”

and

“I am willing to bet money this movie I’ll include nothing but horrible comedy, political takes, and sex takes”

(yes, these are actual comments)(I’m not sure if I should correct the grammar or just leave it help)

These comments are commented by people who have seen as much of this movie as you and I, and that means they have seen a 2-minute trailer and you just can’t base a full opinion on those snippets of an entire, 2-hour movie, but let's address them anyway.

“Horrible comedy” – To be completely honest, comedy is always a difficult topic because that is just such a personal preference. But based on what we have seen so far, it seems pretty funny and I hope they’ll be able to balance the serious tones and the comedy. I think to write off a movie as having horrible comedy purely because you think the trailer isn’t funny is shallow and kind of stupid. If one person doesn’t like something that doesn’t mean the whole world agrees with you.

“sadly feministic”/”political takes” – I think it is weird to call any MCU movie “sadly feministic” because it is something that was lacking so much in earlier Marvel movies and their more recent works have started to include more female representation but that doesn’t mean the problem is suddenly solved. I do agree that some representation has been lacking in depth which makes it feel cheap but that’s all the more reason to be more feminist. But even without that, the trailers don’t feel like they are pushing a feminist agenda. They are just heroes who happen to be women and I, as a young girl, am really excited to see that on the big screen.

At the end of the day, anyone is entitled to their own opinions but the hate and negativity that has been surrounding this movie is absolutely insane. There are a lot of people who have decided that (without seeing the movie) they don’t like it and no one else can either. It is 100% okay to not like something but please don’t ruin it for other people.

The cast and their chemistry have me really thrilled for this movie, I am very excited to see what Captain Marvel has been up to all this time.

I will be there opening night with high expectations and a very large bucket of popcorn, I hope to see you there :D

#the marvels #captain marvel #marvel mcu #loki #natasha romanoff #marvel #movies #ms marvel #wandavision #nick fury #cinema #mcu #the marvels 2023 #monica rambeau

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ms-m-astrologer · 1 year

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Welcome to the Shadow of the Eclipse

October 4-31, 2023

Some introductory notes

The “shadow of the eclipse” is a time period lasting from 10 days before the first eclipse, to three days after the final eclipse. It is recommended not to start anything new, or schedule anything important, during these days - as usual I refer everyone to the 1981 wedding of Lady Diana Spencer to the Prince of Wales, as an example.

Of course we live in a place/time which scoffs at letting astrology help with the timing of events - therefore don’t lose hope if something falls unavoidably within the eclipse shadow. Just be prepared.

I wanted to take a more thorough approach to delineation, this time. I hope it’s helpful.

South Node Solar Eclipse

A solar eclipse happens when the New Moon lies close (in the Zodiac) to either the North Lunar Node, or to the South one. It occurred to me to do a little research on whether which Node is involved, makes any difference - and yes, it does.

Astrologers call the South Node “the dragon’s tail” - Steven Forrest calls the South Node, “the dragon’s butt” - because here we are “pooping out” what we don’t need and can’t use. (One person’s poop, however, is another person’s fertilizer.)

Eclipses conjunct the South Lunar Node, like the October 14 one, have an outflowing (outpooping?) of energy. They tend to feature external events which we have to “rise up to.”

If you’d like to note how these have affected you in the past (always a good idea to check “what happened last time”), here is a list of the previous South Node solar eclipses in this century:

December 14, 2001, 22°56’ Sagittarius

December 4, 2002, 11°58’ Sagittarius

November 23, 2003, 1°14’ Sagittarius

October 14, 2004, 21°06’ Libra

October 3, 2005, 10°19’ Libra

September 22, 2006, 29°20’ Virgo

September 11, 2007, 18°25’ Virgo

August 1, 2008, 9°32’ Leo

July 22, 2009, 29°27’ Cancer

July 11, 2010, 19°24’ Cancer

June 1, 2011, 11°02’ Gemini

July 1, 2011, 9°12’ Cancer

May 20, 2012, 0°21’ Gemini

May 10, 2013, 19°31’ Taurus

April 29, 2014, 8°52’ Taurus

March 20, 2015, 29°27’ Pisces

March 9, 2016, 18°56’ Pisces

February 26, 2017, 8°12’ Pisces

February 15, 2018, 27°08’ Aquarius

January 6, 2019, 15°25’ Capricorn

December 26, 2019, 4°07’ Capricorn

December 14, 2020, 23°08’ Sagittarius

December 4, 2021, 12°22’ Sagittarius

October 25, 2022, 2°00’ Scorpio

October 14, 2023, 21°08’ Libra

Going down that list was a very uncomfortable trip down memory lane for me. When those South Node eclipses affected me, it was generally a harbinger of some difficult “external event” which I had little to no control over - which is not the same thing as saying “it wasn’t my fault.” I brought some of it on myself due to bad decisions. Some karma chickens coming home to roost, in other words. Not all of them were dire, though. One in particular gave me something of a respite from what had been happening in my life - it was conjunct my natal 12th House cusp.

Saros Series “7 South”

This eclipse is part of Saros Series “7 South.” Bernadette Brady writes,

The individual experiencing this series will find that huge obstacles will suddenly and easily clear or, on the negative side, a pending potential crisis will suddenly manifest and move through his or her life very rapidly. Either way the individual will feel that everything is moving at great speed. (The Eagle and the Lark)

Previous Saros “7 South” eclipses in Ms M’s lifetime:

September 11, 1969, 18°53’ Virgo

September 23, 1987, 29°34’ Virgo

October 3, 2005, 10°19’ Libra

Not quite as depressing for me personally.

Whatever Shall We Do?

1) Determine which of your natal houses this eclipse falls in.

2) Determine whether the eclipse makes an aspect to anything in your chart. Use a 1° orb. In my case, the conjunctions, squares, sesquiquads (135°), inconjuncts, and oppositions made the most obvious impacts.

3) If there is a close aspect to a planet, check to see which house(s) that planet rules. One South Node eclipse was conjunct the ruler of my natal 4th House, and I moved three months later.

4) Avoid strenuously negative thoughts. If you put a lot of energy into anticipating that something is going to be horrible and painful and disastrous, well, guess what - that’s exactly what’s going to happen. If you catch yourself falling into a panic, try to refocus the energy into “the best possible outcome.”

#Astrology #2023 Libra New Moon/Solar Eclipse #Ms M astrologer

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warningsine · 3 months

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Françoise Hardy, an introspective pop singer who became a hero to French youth in the 1960s with her moody ballads, died on Tuesday. She was 80.

Her death, from cancer, was announced by her son, Thomas Dutronc, in a post on Instagram that said simply, “Mom is gone.” No other details were provided.

With songs like her breakthrough 1962 hit, “Tous les Garçons et les Filles” (“All the Boys and Girls”), and later “Dans le Monde Entier” (“All Over the World”); her lithe look, prized by star fashion designers; and her understated personality, Ms. Hardy incarnated a 1960s cool still treasured by the French.

“How can we say goodbye to her?” President Emmanuel Macron of France said in a statement on Wednesday, a play on the title of Ms. Hardy’s 1968 hit “Comment Te Dire Adieu” (“How Can I Say Goodbye to You?”).

She was the only French singer on Rolling Stone’s 2023 list of the 200 best singers of all time.

Ms. Hardy’s ethereal, almost frail voice expressed a particular kind of youthful French ennui, though it became fuller with the years. She sang of love sought and not found, of love lost, of time passing, of hopes unfilled, in words written by herself, by the French pop legend Serge Gainsbourg, and even by the Nobel Prize-winning novelist Patrick Modiano (who wrote, in the song “Étonnez-moi, Benoît,” “Astonish me, Benedict, walk on your hands, swallow some pine cones, Benedict”).

Ms. Hardy captured the melancholy of her generation, born, like her, at the end of World War II and, like her, unsatisfied by France’s material progress in the decades after, in the “Trente Glorieuses,” or “30 Glorious Years.”

That youthful discontent, anticipated by the Existentialists — she was sometimes considered their pop-singer adept — exploded in the demonstrations in France of May 1968, when her fame was at its peak, though she disapproved of them and fled to her retreat in Corsica. The words Mr. Gainsbourg wrote for her that year incarnated the icon of cool she had already become: “Under no pretext/Would I want to have/The reflexes of unhappiness.”

Indeed, her cult of steely, solitary sadness would keep her well shy of movements of mass solidarity, leading her to reject what she called “the intolerances of the left” and steering her later toward right-leaning affinities with the likes of Nicolas Sarkozy, the former French president, or the misanthropic writer Michel Houellebecq.

A damaged childhood with a single mother led Ms. Hardy to seek refuge in inner exploration, through songwriting. As she told Le Monde in 2016: “I am incapable of dissimulating and lying. Writing a song, on the contrary, forces you to go deep into what you have lived, and felt.” Songwriting, she said, was “an outlet.”

Everything was already present in the lyrics to her first hit, “All the Boys and Girls,” which she wrote in 1962 and which sold more than two million copies. She later disavowed the song (“I’m ashamed of ‘Tous les Garçons et les Filles,’” she said in 1995, when a collection of her work was released), but all the essential sentiments of longing and nostalgia were there:

“And me, I walk alone, because I am loved by nobody,” she sang.

Without joy, and full of ennui. When will the sun shine for me? Like the girls and boys of my age, I ask, When will my day come … The day when my soul is no longer in pain?

Her career was launched. The next year, 1963, she released her first LP; received a major French music award, the Grand Prix de l’Académie Charles-Cros; and appeared on the cover of Paris Match. By 1965, she had become a hit across the English Channel; she recorded a 45-r.p.m. single in London, “All Over the World.”

Bob Dylan fell for her, writing about her in the liner notes of his 1964 album “Another Side of Bob Dylan.” He began, “For Françoise Hardy/At the Seine’s edge/A giant shadow/Of Notre-Dame.” When he held his first concert in Paris, in May 1966 at the Olympia, he refused to return to the stage after an intermission unless she came to see him in his dressing room. Dylan was 25; Ms. Hardy was 22. She duly appeared.

Ms. Hardy’s singular look — tall, long brown hair, a natural reticence — catapulted her into the worlds of fashion and film. She was dressed by André Courrèges, Paco Rabanne and Yves Saint Laurent and appeared in movies by Roger Vadim (“Castle in Sweden,” 1963) and John Frankenheimer (“Grand Prix,” 1966).

She disliked making films, however (“I cried every night,” she told the Le Monde interviewer), and soon stopped. In the 1970s and ’80s, there were more albums and experiments with jazz and bossa nova styles. But by then the public fascination with her had cooled, and in 1988 she announced that she would stop singing, though she continued to write songs for others.

She returned to singing in the late 1990s and 2000s with a turn toward a more rock-oriented style, recording an album with Thomas, her son from her marriage to Jacques Dutronc.

In later years, as illness overtook her — she was diagnosed with cancer in 2004 — she retreated into astrology and gloomy autobiographical writings. “The pessimism I attribute to myself, or that others attribute to me, is perhaps quite simply realism,” she was quoted as saying in 1997, after a concert with the singer Julien Clerc.

Françoise Madeleine Hardy was born on Jan. 17, 1944, in German-occupied Paris, in a clinic at the top of the Rue des Martyrs, in the Ninth Arrondissement, in the middle of an air raid. Her mother, Madeleine Hardy, was a bookkeeper, and her father, Étienne Dillard, who was largely absent during her childhood, was an already-married industrialist. The class divide between her mother and her sometime father marked her life, as she made clear in interviews.

She went to a Roman Catholic parochial school in the neighborhood and later attended classes at the Institut d’Études Politiques and the Sorbonne.

But it was the gift of a guitar from her father, after she had received her high school diploma at 16, that she later remembered would prove decisive. She would practice for hours in the kitchen of her mother’s tiny apartment. By age 17, she had landed her first recording contract.

She would later say that her long relationship with Mr. Dutronc, whom she met in 1967 and finally married in 1981, inspired the “sufferings, frustrations, disillusions and profound self-interrogations” that suffused her songs. They separated in 1988.

As her health declined in the 2000s after her cancer diagnosis, Ms. Hardy became an outspoken supporter of euthanasia. In 2016, she was placed in a coma, her doctors thinking that she would never wake up. She did, and went on to record another album, “Personne d’Autre” (“Nobody Else”), which proved to be her last, in 2018.

Her son is her only immediate survivor.

In his statement on Wednesday, Mr. Macron described Ms. Hardy as a singer who “with reserved elegance, almost shy, didn’t hesitate to lay bare, raw emotion in her sentimental ballads.”

“She sang of love,” he said, “that was dreamed, deceived, wounded.”

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