#my god am i going to write this

[toolazytodecide]

I finally got around to watching Bridgerton and my God Anthony and Kate are so goddamn Jordan/Declan coded

[killlerfang1]

The Puerto Rican flag showing up when Rio snaps at Miles for getting a B in Spanish is such a fun little example of the incredible attention to detail in this movie

[writeouswriter]

Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.

Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.

Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.

Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer

[vagueconfusion]

Feeling real ridiculous for not having realized that Baron's "stark father" was the Nightmare King until now

[ghostvibesonly]

THERE ARE OTHER WAYS DID NOT GO WHERE I WAS EXPECTING IT TO OH MY GOD /POS

PENELOPE’S THEME AND INSTRUMENT?? ODYSSEUS BEING QUITE LITERALLY BACKED INTO A CORNER AND HAVING SEEMINGLY NO OTHER WAY TO SAVE HIS MEN BUT STILL NOT BEING ABLE TO BRING HIMSELF TO GO THROUGH WITH THE ACT (EVEN THO IT WOULDN’T BE A TRUE ACT OF BETRAYAL BECAUSE THERE’S NO ACTUAL CONSENT ON HIS SIDE AND IT WAS SOMETHING HE WAS ABOUT TO BE COERCED INTO)??? CIRCE BEING TAKEN ADVANTAGE OF BEFORE AND BELIEVING THAT “BECOMING THE PUPPETEER” IS THE ONLY WAY TO KEEP HERSELF AND HER NYMPHS SAFE SO SHE OFFERS THIS “ACT OF PASSION” TO STILL HAVE A FORM OF CONTROL, AND THEN SEEING ODYSSEUS IS NOT LIKE THOSE BEFORE BECAUSE HE’S SO IN LOVE WITH PENELOPE (WHO HE HASN’T SEEN IN 12 YEARS) THAT HE REFUSES HER OFFER AND PLEADS BECAUSE IT’S NOT WORTH IT EVEN THO THATS THE ONLY OPTION HE’S BEEN GIVEN??? HIM CALLING HIMSELF A PUPPET MAKING HER REALIZE THAT THIS CYCLE OF ABUSE AND CONTROL ISN’T WORTH IT ONLY TO COME TO A MUTUAL UNDERSTANDING BECAUSE SHE KNOWS WHAT IT’S LIKE TO BE TRULY IN LOVE AND TO BE HURT, SO SHE OFFERS HIM AN ACT OF KINDNESS INSTEAD???

“Maybe showing one act of kindness leads to kinder souls down the road”

[mediumgayitalian]

“Oh, fuck.”

The clatter of her practice sword on the ground is almost louder than the crunch that rings out from his wrist. He inhales sharply, biting back a shout — no matter how many times it’s happened, he will never get used to breaking a bone. That shit hurts.

“Fuck, fuck fuck. Fuck, Seaweed Brain, is it broken?”

“Think so,” Percy grits out. He tries for a smile, and Annabeth matches it, small and worried. He leans into the hand she cups over his cheek. “Not too bad, though. If I just dump my water bottle on it —”

“Absolutely not. Water healing leaves you achey when it rains, you know that.” Shifting to wrap her arm around his waist, she helps him stand, shouldering some of his weight like it’s his ankle that’s broken. He lets her, reaching down to squeeze the hand resting on his hip — I’m fine. We’re good. She turns her hand to wrap clasp their hands together — Okay. If you’re sure.

They walk together to the infirmary, taking their time. Aside from the pain pulsing from his arm, it’s not too bad — camp is as balmy as usual, and the spring break energy is practically visible, it’s so potent. The Demeter cabin has plants growing everywhere, flowers and fruit trees blooming as bright as a box of new crayons, and the air is filled with shouts of laughter and teasing. Annabeth’s steps fall in time with his, and she’s a comfortable warmth at his side, pressed from shoulder to hip.

“You still okay?”

“Yep.” He catches her eye, smiling crookedly at her. “Doesn’t even make my top fifty.”

She rolls her eyes, hipchecking him. “Don’t I know it, ya klutz.”

“Not sure I would call being flung from the St. Louis Arch being a klutz. Or exploded in a volcano. Or crushed under the sky. Or slashed by giants. Or chased by —”

“You’re talking, but all I’m hearing is Annabeth, please, please pinch me, as hard as you can —”

“Hey! Get those claws off me, gods you’re worse than an empousai —”

“— and when you’re done pinching me please put me in the tightest headlock you can manage —”

“I am injured! You are beating up an injured person right now!”

“— and then please just bite a chunk out of my shoulder —”

“Cut it out or I’m telling Mom!”

“Wimp,” she taunts, finally releasing him. “I don’t go running to Sally every time I lose a fight.”

“Wha — you do so!”

She ducks through the infirmary door, smirking like she can’t hear him.

“You literally — you snitched on me last week! I got grounded for two days!”

“And you deserved it,” she says primly.

He gapes. “I did not!”

“Anytime you two are done,” Kayla drawls, shoving a clipboard at them. They accept it with matching sheepish grins, cowed at her perfectly arched eyebrow and slowly tapping foot. “I got patients to deal with and older brothers to harass. Let’s get this moving.”

She is shockingly good at humbling people for a thirteen year old. The two of them turn to their clipboard, chagrined, letting her stomp away with an exasperated He’ll be with you soon! Don’t set off the sprinklers again!

“That was one time,” Percy mumbles, ears reddening.

Annabeth pats him on the back. “There, there,” she says mockingly. “The fact that it was one time definitely negates the fact that you flooded the entire Big House because you got jumpscared by a child.”

“Harley can be sneaky, okay. Let me live.”

“Literally no.”

Annabeth does most of the paperwork for him, ‘cause she’s a nerd because his wrist is far too swollen for him to write properly, so it takes maybe half the time it normally would. The infirmary is crowded as Hell, though (he knows, he’s been), so they settle in for the wait, amusing themselves by tearing little pieces off of a blank form, balling them up, and tossing them in increasingly harder places. Percy is winning 7-4, although Annabeth might just pull through if she manages to toss her paper ball into Travis’ wide-open snoring mouth.

“Hey, guys. Sorry for the wait.”

Aw. She missed. Percy was looking forward to that.

“Hey, Will.”

He drags his attention away from the son of Hermes to greet his friend, but frowns before he can open his mouth.

“Woah, dude, you good? You look exhausted.”

Will snorts. “Welcome to spring break, man.” He holds his hand out for the clipboard, scanning it briefly. “Sparring injury? Oh, thank the gods. I could use a break. Here, face me.”

He climbs up onto the minimal left over space on the cot, tucking his legs under his thighs. Percy turns to mirror him, hesitantly sticking out his arm — A break? he mouths to Annabeth, meeting her eyes over Will’s head.

She shrugs.

“Just spent four hours putting Jake’s nose back on his face,” Will mumbles, placing a careful hand on his fingertips and his forearm. Percy flinches — his skin is blisteringly hot. Like someone just dropped a hot stone onto him. “I never want to sing a skin cell hymn again in my life.” He prods at Percy’s wrist for a moment, gentle enough not to hurt. “Okay, hold still, I’m gonna fix ya right up.”

Healing hymns are familiar, by now, but Percy will never get tired of them.

The cool thing about ambrosia and nectar is that as pleasure food for the gods, it’s pleasant. It’s whatever taste you want, whatever you need to have most, you get it. But healing hymns are intentional the way nectar and ambrosia aren’t. Ambrosia and nectar happen to be healing for demigods — healing hymns were constructed to knit you back together, like you mother smoothing a bandaid over a skinned knee. They’re warm and sweet and deeply, endlessly comforting in a way most things simply cannot claim to be. They don’t feel like a medical procedure or a hasty patch job, they feel like someone gripping you tightly and promising you’ll be okay. They feel like getting carried to bed when you fall asleep on the couch. They feel like sitting down after hours of standing, like a drink of water when your throat is drier than sand. Healing hymns draw the pain and sick and ache from your body, and they feel like relief.

But this time, Percy can’t focus on it.

With every word, Will seems to get a little duller. Nothing like the horrible ash-grey he went in the war, dragging the poison from Annabeth’s body, but like his usual sunny disposition was dialed down a few notches. Enough that Annabeth frowns in concern, drumming her hands on her thighs, watching him closely.

“There,” Will says, pulling away. Percy turns his now-healed wrist, noticing the slight pant to Will’s breath, the strain to his smile. The shake of his blistered fingertips.

“You look overworked,” Annabeth says quietly.

Will holds his hands up in a what can you do gesture. “Spring break.”

“You said.”

“It’s just busy, is all.”

“Yeah, but —”

“Guys,” he interrupts, smiling tiredly, “there are two hundred ADHD demigods at this camp right now who have been trapped in a classroom for six months. There are three of us. I’m going to be a little drained; we’re all a little drained. But I’m fine, okay?” He gives them a second to scrutinize his expression, eyebrows raised in amusement. “I have been running my infirmary for years. I know how to pace myself, and I certainly know how to make sure my siblings are pacing themselves. If something goes really wrong, Chiron is a whistle away. I can go longer than you guys without sleep, anyway. Apollo kid health.”

“If you say so,” Percy says reluctantly. “I just — I can wear a wrist brace, man. Not every injury needs to be handled when it happens. You can tell people no.”

“I appreciate that, Percy, and I’ll keep it in mind. Anyways, I’ve got more patients. Stay off that wrist for the rest of the day, okay? It might be tender for a bit.”

Percy turns to Annabeth as Will leaves, frowning. He’s has never noticed the so-called spring break stress before (his camp spring breaks are usually a blast, but now that he’s thinking about it, he can’t think of a single spring break where he spent any time at all with Will, which is odd), but it can’t be good for him. There’s gotta be something they can do to ease some of the bruising under their friend’s eyes.

“I could set off the fire alarms again,” Percy suggests. “That’ll certainly get this place cleared out.”

Annabeth snorts. “I think that’ll cause more harm than good, Seaweed Brain. It’ll just fall in him to clean it all up, after.”

“Shoot.”

Percy counts nine of the forty cots currently unused. Will, Kayla, and Austin are rushing from cot to cot, handing out nectar, wrapping bandages, rattling off hymns at light speed. All three of them look exhausted, squeezing shoulders when they pass each other, knocking hips, exchanging tired smiles. This is so clearly something they’re used to.

Annabeth’s head rests on his shoulder.

“It wasn’t always like this,” she whispers. “When it was fully staffed…”

Percy exhales heavily. Yeah. He remembers. There was a lot less complication, once upon a time. The most chaotic the infirmary would get was when Lee would challenge his siblings to Hymn Karaoke — trying to heal with pop songs. There was a lot more laughter, at one point. A lot more people.

Percy sighs, squeezing his eyes shut. It never does well to dwell, but he — gods, he wish they all had more time. To sit with it, to acknowledge…everything. Siblings. Friends. A camp that’s smaller than it’s supposed to be.

Annabeth squeezes his hand again, and he squeezes back, resting his head on top of hers.

“Hey,” she murmurs after a moment, pursing her lips at the front door. “Look.”

Slinking through the entrance like a criminal is Nico, in all his dork ass black camp shirt glory. He looks around shiftily, like he’s trying to make sure no one sees him, and when his gaze lands on Percy and Annabeth his eyes widen. Annabeth smiles at him, but it does nothing to ease the spooked look to his face, back arched like a startled cat. He turns to leave, but before he can slip back out the door —

“Nico!”

The son of Hades whips back around so quickly he brains himself on the doorframe. Percy ducks his head and bites his lip, hard, because he can feel Nico’s glare at the side of his head like the press of hot coal, and if he laughs as badly as he wants to then the infirmary is about to look like a Spirit Halloween.

Will turns back to his patient, squeezing his eyes shut and rattling a hymn off so quickly it makes a burst of light pop from his whole body, and rushes over to where Nico’s standing. He only trips over two things, which is remarkable for him. Percy would be proud if he wasn’t a little embarrassed on his behalf.

“Nico! Hi!”

“He-ey, Will,” Nico says, voice cracking badly on every vowel. Annabeth shoves her face into Percy’s shoulder, body shaking.

“I didn’t know you were coming! I thought you were in the arena all day.”

Nico shrugs, shoes scuffing the floor. “I am. I just — uh, I got hurt? So. Came to see you.”

Will’s beam is so bright it hurts to look at, a little. Percy squints and realises that’s not just the excitement, actually — he really is glowing, faintly. His hands flap slightly at his sides.

“Well, you’re in the right place, then.”

“Yeah.”

Neither of them say anything for a minute, rocking back on their heels. Will watches Nico closely, biting his lip. Nico looks resolutely at the floor.

“We weren’t this bad,” Annabeth whispers, “were we?”

Percy shakes his head. “Nah, there’s no way.”

“Gods. It’s so — I don’t know whether to smile or take a dip in the Lethe. It’s embarrassing and endearing at the same time.”

“Painful to watch, but I can’t stop looking,” Percy agrees.

“What’d you hurt?” Will asks, finally. “Did you pull your shoulder again?”

A look of panic flits briefly across Nico’s face until he smooths it to something neutral, aloof.

“Yep. Totally. During — sword fighting, I swung — I did this really big thrust, actually. Just — hugely powerful, training dummy exploded on impact.” He clears his throat. “Some might say too powerful. If you can imagine.”

Percy cradles his head in his hands. “Oh my gods — ”

“Don’t laugh don’t laugh don’t laugh,” Annabeth chants, “oh my gods, don’t laugh —”

A light flush dusts Will’s cheeks. He brushes a strand of hair behind his ear, fiddling with his earrings. “Woah, really? I’ve never heard of that before.”

Nico smirks, standing up a little straighter. “Well, it’s not the first time. I tend to go pretty hard.” Remembering his supposedly hurt shoulder, he exaggerates a wince. “Too hard sometimes, I guess. Could you do the — the energy thing?”

“Oh — gods, yeah, sorry. Hold on.” He stares at Nico’s shoulder, hesitating. “It, um, works better with skin-to-skin contact.”

“I have seen crystal vases less transparent,” Annabeth says, aghast. “In two years he’s going to remember this and try to drown himself.”

“I will be counting down the days,” Percy says gleefully.

On rare, rare occasions, the gods answer his prayers. Clearly, both Nemesis and Aphrodite are looking at him kindly today. Percy makes a note to scrape some of the good stuff off his plate for them both today. Hell, maybe he’ll skip the portioning and toss them an entire roast chicken each. Or something. They deserve it.

Will places both hands — interesting, Percy notes, his wrist was snapped cleanly in two and he only needed one hand, wonder why that was — on Nico’s shoulder and closes his eyes, screwing up his face in concentration.

“Huh. I’m not feeling much damage. You said it was your right shoulder?”

“I heal quick,” Nico says loudly. “I mean, some of the damage might have — um.” He clears his throat. His face glows a faint crimson. He clears his throat again. “Y’know?”

Will’s face is a similar shade.

“Right, right. Yeah. Um, brace yourself.”

Instead of starting to sing, Will closes his eyes, holding completely still. After a moment, the tips of his fingers begin to glow; soft, ambery yellow, flickering like lit candles. He opens his eyes again and focuses intently on Nico’s bare skin, tracing patterns around every defined muscle, leaving a trail of light behind. He lingers, for a moment, when he connects the last string of light, waiting until it has faded entirely from Nico’s skin to remove his hands and shove them in the pockets of his coat.

“That better?” he asks softly.

Nico swallows. “Yeah.”

“Good. I’m glad, Nico. It means a lot that you — came to me. When you needed it.”

“I trust you, I guess.” Nico looks away. “You know what you’re doing.”

“I think I just threw up in my mouth a little,” Percy says thoughtfully.

Annabeth laughs, shoving his shoulder. “Don’t be mean.” She pauses. “Me too.”

With a sigh that can only be described as besotted, Will steps reluctantly away.

“I have patients,” he says, in the same tone of voice Percy usually says I have midterms. “So I gotta…”

“Yeah, no, go. Do your —” Nico gestures vaguely. “Doctor thing.”

“Right. Yeah. I’m gonna — go.” He turns, walking back towards a group of Hephaestus kids who appear to be tightly entangled in some kind of net. After a few steps, though, he pauses, biting his lip, then darts back over to Nico, pressing a lightning-fast kiss to his cheek — “Um, bye. Thank you for visiting. Bye,” — and then runs back over to his siblings, shy smile on his face.

Nico’s jaw is brushing the floor of his father’s palace. He stands, still as a statue, for four entire minutes.

“I think he just died,” Annabeth observes, eyebrows climbing higher and higher up her forehead with every passing second “Damn. Survived so much only to literally die because a cute boy kissed his cheek. A true hero’s end.”

Percy, because he is a kind, concerned friend, clears his throat loudly.

“Yo, di Angelo, you alive?”

Nico startles so violently he falls right over. Percy shoves his fist in his mouth to keep from cackling.

“Shut the fuck up,” Nico hisses venomously, scrambling upright. “Both of you, shut the — not a word —”

Percy and Annabeth make the mistake of looking at each other and simply erupt. Percy can’t feel his stomach. His lungs have abandoned ship. He’s glad as hell he’s in the infirmary because he is heaving for breath, tears streaming down his face, entire body convulsing. Nico stands in front of them literally shaking with rage, entire body redder than one of Apollo’s sacred cows, trying and failing to string together a threat that will ease any and all of his suffering. Annabeth screeches, almost falling off the bed as she cackles. Percy cannot even find the strength to catch her, his muscles are so weak.

“I fucking — I hate you! Both of you! You’re dead to me!”

“Your face!” Percy shrieks.

“Percy Jackson, I am going to turn you to fucking dark matter! I despise your very essence! I —” He stomps his foot. “I’m leaving, and I’m going to leave a rotting corpse in your cabin! Screw you!”

“Oh my gods,” Annabeth wheezes, digging her nails into his arm. “Oh my gods, that was —”

Percy wipes a tear from his eye. “I love being alive. I love being alive so much.”

“It really is great.” Composing herself, and biting back the leftover giggles that keep bubbling out, Annabeth looks back towards Will. He stands much straighter, now, smile back to full brightness. His siblings, too, look rejuvenated, snickering to each other and making kissy faces behind Will’s back. “So many beautiful things to witness. I’ve never seen his face go that red.”

Percy sighs. “This is genuinely going to carry me through the semester. I think his soul died a little. And Will just — gods, that kid is bold.”

“Oh says you, Mr. Do I Get A Good Luck Kiss.”

“Hey, I earned that.”

Annabeth grins, punching him in the shoulder. He grabs her wrist and tugs her towards him, chasing the curve of her smile. She laughs into his mouth and it taste like strawberries and freedom, and he presses a kiss to her cheek, to her jaw, and the side of her neck, resting there, breathing against her skin. After a moment her hands come up and slide in his hair, gently untangling the knotted mess.

“He is one thousand percent going to put a zombie in your bed, you know,” she says after a moment.

Percy snorts. “Yeah, I know.” He smiles. “Worth it.”

[julijbee]

girlbossing too close to the sun.

[lineffability]

"Crowley."

Crowley froze, every atom of his body coming to a complete standstill. Aziraphale had appeared out of nowhere, just like that, and he felt like a fly in a spider's web, like he had just run against a glass door that he could not have seen. Oh, this was cruel. He did not turn around.

"Don't even use doors anymore?" He tried to keep his voice level, cold, unaffected. He failed considerably, but the message got across anyways.

"I'm sorry," Aziraphale said, immediately flinching at the words. The first time they were seeing each other again, after-- after that, and his first words were I'm sorry and he was apologizing for not using a door? Aziraphale felt like swearing, but could not. "I thought you wouldn't open if I-- well. I thought this was easier. Like a bandaid."

"Well, you were right. I wouldn't have." Steel was creeping into Crowley's voice, steel around his heart. With a forcing of limbs, he spun around, his gaze piercing through the armor of his sunglasses. Facing him.

"I need your help" Aziraphale said.

"What," Crowley said. He had possibly never put as much meaning into a single word. The glass door turned into a Great Wall. Aziraphale understood. But he was willing to climb.

The angel (oh, a true angel now, wasn't he--not his angel) fumbled, talking with his hands before his mouth even opened. Talking with his eyes, too, but they got lost in translation. Repelled by a black mirror.

"I know this is untoward. I know it's-- But Crowley, I don't have a lot of time."

"Nothing lasts forever, yeah," Crowley spat, hating himself the second the words left his lips. Unnecessary cruelty. Demonic, huh? Worse yet, Aziraphale accepted the verbal lashing. Don't forgive me, Crowley thought.

Crowley looked at him. He was still wearing his suit, there was tartan in it, but it had become polished, the worn edges returned to pristine, boring perfection. He looked prim. Proper. Perhaps this hurt most of all.

"Why are you here?"

Aziraphale glanced upwards. Then he looked intently at Crowley. I don't have much time. Right. He couldn't speak freely, Crowley realized. Of course he couldn't. This was exactly what he had been afraid of, what he had known would happen. His angel in chains. (Yet here he was. Here he was.)

"They don't know I'm here," Aziraphale mumbled, gesticulating weakly between them and Up. "I guess I can divert their attention now, for a bit. Comes with the new powers"--he shrugged helplessly--"but not for long. Crowley, do you know about-- about the-- what they're--"

"Armageddon 2.0? Sure."

There was an undecipherable look in Aziraphale's eyes. "Why didn't you-- well. It's not just. I mean it kind of is--it's. More than that. Crowley, I need you to do something for me."

"No."

"This is important." (This isn't about us.)

"I don't care." (There is no us anymore.)

"You do! You always have."

"Oh not this again," Crowley hissed. "You were an angel once. You can be forgiven. Shut up."

"That's not what I meant."

With two long, angry strides, Crowley closed the space between them. Menace, anger, hurt-- "Then what did you mean?" He spat the words. Like a weapon. (Then why was it a question?)

Aziraphale's face crumbled. He stood his ground nonetheless, not backing away. The angel's anger was less spiky, but it rose to meet Crowley's. It made his next words hit like bricks. "I mean that you love. I mean that you, Crowley, are the best person I know. I mean that I love you."

The words dropped like a lead balloon.

There was utter silence between them.

Why were they so close?

Why were his sunglasses so dark? Aziraphale saw only his own reflection. He couldn't bear that, and dropped his gaze. Oh, worse. There was his mouth, mere inches away.

Aziraphale looked at Crowley's lips, really really looked, and there was nothing more, now that he knew about the feeling of Crowley's lips and of his heart, there was nothing more he wanted to do than to kiss him. But he couldn't, he couldn't. Not like this. He needed the next time (he had to believe in a next time, in a time with Crowley, again)--the next time they kissed he needed it to be good and happy and an affirmation. He couldn't bear it otherwise. He would break entirely. He was sure of it.

But still, still-- Crowley was so close. He could smell nothing but him. Think of nothing but him. That weakness again, that soft spot inside him he had never known how to hold down. And with it, Want reared its greedy head. Aziraphal leaned in ever so slightly, felt their noses touch-- and then used all his strength to move away, to pull back. It was not the right time. Not yet.

He looked past Crowley, who might have as well turned to a pillar of salt. Crowley, whose face was a mask he couldn't let slip. The air flickered between them.

There were tears in his eyes when he finally forced his gaze towards Crowley's face, a silent plead to not misunderstand. Please, please. But he couldn't expect that of him. He was pulling away again. But not because he wanted to. No, there was nothing he wanted more than to pull closer. There was nothing more he wanted than to talk to him, to truly talk, to explain and apologize and make amends, but he was bound by Duty and Rules and Watching Eyes more than he ever had been.

This was his rebellion: he lifted a hand, the ghost of a touch, fingertips against cheekbone. The memory of holding on. Of never wanting to let go. Crowley flinched without moving, a shiver of his lips. Aziraphale let his hand drop, briefly, to Crowley's chest, holding it over his human heart. It was beating just like his.

This was his successful magic trick, when it counted: he drew away, leaving a crack in Crowley's steel-clad heart, and a note in his chest pocket.

"I'm sorry. I need to go."

"Of course you do."

"Oh, Crowley. I--" But he did not finish the sentence, knew there was no proper way how. So he said, quietly, softly, "Trust me, please."

And he did. Crowley hated it, hated it so much, but he did, he did trust him despite it all. But it did not erase the hurt. The festering wound. Now what was he supposed to do with that?

With one last pointed look, Aziraphale vanished.

Crowley was alone.

His defenses lay shattered at his feet, and he slowly gathered them back up. He did not mend the cracks. (That's where the light had gotten in.) He cleared his throat. Tried to banish from his mind the look in Aziraphale's eyes, the memory of his lips and of his tears.

And failed considerably.

I love you.

(Touched his cheek, and then his chest, and faltered.)

[this fic is now also on ao3 and being continued there]

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[stevebabey]

no one asked but this is the post that inspired this! thank u immensely for the luv <3 number 1 comment was wondering what steve’s bids were & from his pov, so without further ado...enjoy — part one here!

—

Begrudgingly, Eddie has to admit that Robin might be right.

It’s impossible not to be looking for the bids since he brought them up to her. Even though Eddie was fully expecting to tell Robin to suck it, maybe even wager what little money he had against this working out, Eddie can’t help but watch for them in every interaction. And fuck, she’s right.

They’re little, but they’re there.

The first one Eddie would’ve missed if he wasn’t looking for it. Actually, that’s a lie; Eddie does miss it, until Robin points it out, the nosy bitch. It’s minuscule and honestly, it just seems like Steve asking his opinion — which friends do all the time! It’s why Eddie brushes right over it.

“Okay, be honest,“ Steve had said, walking and talking as he entered the living room where Robin and Eddie were sprawled across the couches. They were both waiting on him, the three of them set on heading out to the drive-in to catch a film.

Eddie can’t fathom why Steve felt the need to change his outfit for it, but when he returns, he gets it. It’s not quite the usual polo Eddie had grown to like on Steve, this one hanging a little looser, the colour a bit darker than Steve’s usual choice, the sleeves a little shorter — almost midway to a muscle tee.

Steve’s fingers fiddle with the distressed collar of the shirt, smoothing invisible wrinkles and fussing over nothing. He swishes back his floppy hair with a flick of his head. “It’s a new shirt, I know it’s a little different - but what do we think?”

He says we but he’s looking at Eddie.

Eddie, who has taken to trying to reel in his gawp because what the fuck Steve? It’s like he’s well aware of what drives Eddie insane and has specifically leaned into it. Some evil goblin in Eddie’s brain whispers think how good he’d look in your shirt and he squashes it, giving a visible twitch to shut down that train of thought.

From the other couch, Robin clears her throat loudly and smiles sweetly at her best friend. “It looks great, Steve.”

It’s sincere and Steve’s mouth tugs up, nearly a smile but his gaze fast-tracks back to Eddie. Eddie nods in agreement, a bit sluggish from his distracting thoughts and god dammit, the extra exposed skin of Steve’s arms are so not helping. “Yeah, looks... looks good, man.”

Steve smiles, lips pressed together but his shoulders curl in just a bit, deflating just a tad. From where Steve can’t see her, Robin waves her hands wildly and catches Eddie’s attention. He watches as she gestures wildly and it takes a moment to realise what’s she mouthing — ‘A bid! That’s a bid, you idiot!’

Oh fuck, Eddie thinks. Cos it totally was; the question, the focus on Eddie. He doesn’t even think about the logistics of it, of the fact Robin was right, just jumps right into picking up the bid.

“You trying a new style?” Eddie asks and then thanks whatever god invented the whole fake-it-to-you-make-it schtick because he’s feeling so far from casual or confident. “Going metal on me, big boy?”

Eddie just manages to catch the grin that breaks across Steve’s face as he turns away, giving a scoff — it comes out too soft though, giving away his complete lack of annoyance. He pulls that usual Steve Harrington pose, hands sliding onto his hips, and screws his face into some melted smiley-grimace. “Shut up, Munson.”

Eddie grins and goads on the blush that’s beginning on Steve’s neck, a glorious tinged pink colour. “If this shirt is any indication, you’d pull it off just fine.”

Eddie watches the blush climb higher as Steve ignores the comment, his smile still giving him away. He grabs his coat and pats down his jeans — ridiculous tight acid wash jeans that Eddie hates he’s somehow become attracted to — ensuring he has his keys and wallet. Once assured, he looks up at his two friends again, brows raised, and says, “Ready to rock and roll?”

That comment alone has Eddie seriously reconsidering his type in men.

There’s only a brief moment to talk about it when Eddie and Robin cajole Steve into going and getting them both popcorn to get a moment alone. Steve had scoffed, face twitching in the way it did whenever he tried to hold back a bitchy comment, but he still stomped off in the direction of the snack stand.

The moment he’s out of earshot, both voices explode in the back of Eddie’s van.

“What did I say—”

“Jesus H Christ, you were right—”

“Literally how many times do I have—”

“Oh my god, you were right—”

“ —before you realise I’m always—”

“Robin.” He cuts her off, hands landing on her shoulders. Robin eyes them warily, lips still parted from how her rant had been cut off. “Robin, I’m gonna kill you.”

“What?” Robin’s nose scrunches up. “What the hell are you—”

“Oh Christ, I can’t believe- how long have you noticed those bids?” Eddie’s aware he sounds a bit estranged, eyes probably wide and it doesn’t help when he softly shakes Robin back and forth. She lets herself be shaken, hair flying back in forth. “I can’t believe you didn’t tell me! You are such a bad gay friend!”

Robin smacks his hands off her shoulders with a frown, her freckly face perturbed at Eddie’s outburst. “Dude, it’s not my fault! May I remind you that until very very recently you were seeing someone else? What difference would it have made?”

Eddie waves his hand, disregarding the point with a shake of his head. His unkempt curls cover his face and Eddie sweeps them back in one motion, “What difference would it have made? Oh my, Jesus—“

Whatever long-winded sentence Eddie was about to spit out is lost by the sound of Steve’s approaching footsteps, effectively shutting both of them up.

Eddie flings himself to the other side of the van, putting an unusual amount of distance between Robin and him like they were being caught doing something they shouldn’t.

Robin frowns at him and gestures wildly with her hands in a way that means what the fuck man? Eddie gestures back, though he’s not entirely sure what his fast hand motions are supposed to mean when Steve rounds the door.

He’s got two buckets of popcorn tucked under each arm and Eddie quickly crosses his arms, tucking his hands into his armpits like his stupid hand motions will somehow give him away. 

Steve looks up, stopping just a way from the edge of the van, and looks at the pair of them. His eyes track from Robin still sitting on one of the old cushions and looking two seconds from burying her face in her hands, across to Eddie. He huffs a laugh and kneels on the edge of the van.

“I know he’s gross Robin,” He begins, tone light, as he holds out one of the buckets for Robin to take. “But c’mon, is the distance really necessary?”

Robin snickers as Eddie makes an appalled noise, both of which make Steve smirk. He holds out the other for Eddie to take and Eddie snatches it, glaring at him over the buttery rim for his comment. Then takes a handful and shovels it in because he can’t think of a witty comment to retaliate. Steve crawls into the van and plops himself between them with a content sigh.

“See? Gross.” He teases, shoving his hand into Eddie’s popcorn bucket to grab a handful. Eddie scowls and chews a little faster when the flavour on his tongue seems to register in his brain.

His eyes stare at the popcorn bucket as he chews, then swallows — up the front of the van, the radio that’s tuned into the correct frequency begins playing the opening credits song as the screen changes. Silence sweeps across the drive-in but despite the sudden hush, Eddie has no qualms about breaking it.

“Sweet n’ salty flavour?” He asks Steve, only half attempting a whisper. Robin shushes him instantly, her focus already on the movie that’s beginning. Steve smiles, looking a bit sheepish beneath the glow of the drive-in screen, but he nods.

“I know you like it.” He whispers with a small shrug of his shoulders. Like it wasn’t a big deal. Fuck, Eddie thinks again and hastily feeds himself another handful of popcorn before he says anything majorly stupid in response to that, like: Oh, amazing- have you noticed the big fat crush I have on you as well?

He doesn’t even need to look at Robin to know she’s smiling, smug as ever.

—

Steve, God bless his oblivious little heart, doesn’t even realise he’s doing it.

Steve likes Eddie. Eddie is— god, Eddie is different but he’s good.

He’s this strange amalgamation of traits that Steve can’t comprehend how they fit together in one body or how Eddie manages to pull it all off completely charmingly.

He’s loud, he says rude things, he’s fucking dorky, and far too sweet on the kids — he likes to tease Steve, and yet somehow, when Eddie calls him ‘pretty boy’, Steve knows he’s not actually making fun of him.

Steve likes Eddie, likes his boyishly endearing charm, likes his touchiness towards Steve that no other boy his age is like, likes his messy curls and his ‘holier than thou’ attitude about metal music even though Steve doesn’t get it, like at all. And fuck, Steve really wants Eddie to like him.

It reminds him faintly of when he first started working alongside Robin at Scoops. That thought tickles in the back of his mind, something along the lines of how he had wanted Robin to like him for other reasons, but he doesn’t delve into it.

To Steve, it’s simple: he just wants Eddie to like him.

After the night at the drive-in, between Eddie acting strangely skittish and Robin giving more amused snorts than usual, Steve knows something is up.

He knows they must have discussed something when they sent him on popcorn duty, the bastards. He tries his best to not feel left out; god knows Robin and he have more than a dozen secrets they’ve sworn not to tell anyone but each other.

Besides, Steve trusts Robin to come and tell him if he really needs to know, even if it does worry him a bit. He bites down his anxious thoughts, even trying for a moment to see if there’s a pattern he’s been missing.

That train of thought gets derailed when Steve recalls instead Eddie’s delightful reaction to his new shirt — that Steve definitely hadn’t bought for that specific reason.

Even though Robin had given him that look when he’d first shown it to her — her bright eyes had narrowed, her smile turning a little more coy, and Steve had felt his ears get a little hotter. She hadn’t said anything though, just suggested that he should wear it tomorrow night when they were going out with Eddie.

God, he was glad she suggested it.

Rewinding over Eddie’s parted lips, the way his brown eyes had drank in the details as they trailed up his body and lingered on his arms— Steve had the sudden thought to flex the muscle, just to elicit some reaction, but it had gone out the window at Eddie’s original dismal reaction.

‘Yeah, looks... looks good, man’. Said all aloof, like he hadn’t really thought it. It was like bursting a balloon hidden behind Steve’s ribs, one he wasn’t even aware was there until it was deflating pathetically, making his shoulders sag.

Then— ‘You trying a new style? Going metal on me, big boy?’ And dammit, it’s like Eddie had clocked exactly what calling him ‘big boy’ had done the first time in the Winnebago.

Eddie had then grinned, done another once over of the new shirt, even as Steve pretended to search for his keys and wallet while saying something snarky to try to cover up the heat crawling up his neck. Yet, Steve found himself smiling too because, fuck yes, Eddie liked it too.

But, apparently, whatever Eddie and Robin had discussed wasn’t considered important enough because Robin never brought it up.

The thought and worry about it melt away in Steve’s mind until the memory of that night is about Eddie’s compliment, about his cat-like grin over the popcorn bucket, and how he had leaned over to whisper every bad joke into Steve’s ear all through the movie.

Some of them had been down-right filthy jokes which Eddie only seemed to enjoy more when Steve screwed his face up and nudged Eddie in the ribs, yet unable to hide his smile.

After the third vulgar joke and subsequent nudge, Steve had chided ‘dude’ with a poorly hidden grin. Eddie, smile all cheeky, had nudged him back with a ‘dude’ of his own.

Which, of course, ensued a nudge competition til Robin had given a shush that librarians all over the world would be jealous of. But Steve didn’t even care because he and Eddie were arm to arm, pressed close together and Eddie…didn’t move. Stayed close, like he wanted the closeness the same way Steve did.

Steve only remembers the strange drive-in moment when Robin brings it up finally, on one interesting Saturday night.

It’s not the usual routine; it’s not very often that the whole group gets together to share drinks and get rowdy.

But it was for Robin’s birthday and she’d been persuasive enough to get even the introverts, like Jonathan, to come along. Though, she was aware he’d probably spend the night on a pool lounger, stoned to high heaven. Whatever floats your boat, she’d said, happy for the company in any form.

There’s enough of them there that it almost resembles some sort of party— and makes Steve try not to think about the last small party he threw here. He can tell Nancy notices it too, eyeing the pool a bit too long in a way he’s very familiar with, then taking a swig of beer.

So, Steve heckles them inside — doing a fantastic mothering impression as he waves the group indoors with a promise of pizza, and that has both Jonathan and Argyle perking up and beginning a fast discussion on the best pizza toppings.

Eddie makes a fuss, because of course he does, and moans terribly when Steve tries to roll him off the pool lounger he’s on. He’s had a bit of a joint and some beer, and Steve’s learned that he gets adorably stubborn after some substances.

“Stevie, this is mean,” he had pouted, gripping the edges of the lounger and staring up at Steve with those big brown eyes. “You telling me I did all that bonding with you for nothing? Can’t even lounge by the pool! I’ve got a couch at homeeeee.”

Steve had sent him an amused look of disbelief, hands on his hips after his first round of flicks against Eddie’s arm were apparently fruitless to get him to move. “Really? Didn’t peg you for a gold-digger, Eds.”

Eddie had snorted at that, one hand coming to slap over his mouth. Steve couldn’t quite hear what he had said but the words pegging and anytime slipped through and Steve thinks he could get the gist of that.

“Oh for Christ’s sake,” Steve muttered, feeling the tips of his ears turn warm. He didn’t know how Eddie could be such a menace— or why he enjoyed it so much when he was. Steve waved a hand in the direction of the doors, ignoring Eddie’s delighted snickering. “If you go inside now, you can be on music, alright?”

And that had finally got them all indoors, Eddie whooping and skedaddling through the doors in an instant, with a call of ‘no take backsies!’ echoing behind him.

Inside was much cozier, the whole group a little more connected when squished up on the couches together. Eddie had taken Steve’s word and was jamming a cassette into one of the speakers when Steve made it back inside after scouting around the pool for leftover cans and butts to throw out.

He’s just been thinking about what playful jab he could make at Eddie’s music, like Eddie always did to him when Robin hollered at him from the kitchen.

“Steve!” She’d yelled excitedly and he come to find her quick, brows raised as he entered the kitchen. She was grinning, already a bit jumpy as she got when she had a bit of liquor — but apparently not enough because when Steve saw what she’d called him in for, she’d announced, “Tequila shots!”

Which lead to now. A hazy combination of beer, tequila, and a bit of weed, and Steve is feeling good. Robin had managed to hijack the music not too long ago, with a hiccup of ‘it’s my birthday’ that had Eddie surrendering with a pout.

She’d since put on a bit of everything: some Blondie for Nance, Talking Heads for Jonathan, and some Bowie, just so she and Steve could dance along to ‘Magic Dance’ and she could do all the silly little goblin voices that made them both cackle.

Steve realised at some point that Robin was playing their mixtape, the one she’d made for driving in the morning, and nearly tripped stumbling over to her in his excitement. He grabbed her shoulders, not too hard, and squeezed.

“Is it- is this our mixtape?” Steve asked, words slurring only a bit. Robin gleamed, hair bouncing with her excited nod.

“Yes!” She was already dancing, even though the tape was between songs — because she knew what song was coming. “It’s Springsteen time, Steve!”

Right as the drums to Born to Run filtered out the speaker.

And oh, Steve loves Robin so much. He loves having a best friend that knows his favourite song and gets jittery and excited because she knows it’s about to play— that she put it on this mix for him.

“You’re my best friend!” Steve says, the words bursting out like he can’t control them. He doesn’t even feel embarrassed, just happy, just drunk, and overwhelming happy to be able to have this.

And even though Robin knows this, she still beams, feet dancing along and just begins to sing along with the song, “In the days, we sweat it out on the streets of a runaway American dream…”

It’s a brazen drunken performance from the both of them. Steve’s chest is heaving after just one chorus that he’s pretty sure he put his whole soul into and he’s so fucking happy —and it feels like pure instinct to seek out Eddie, his eyes scouring the room for him.

Eddie’s leaned up against the wall, hiding his smile behind a can and Steve doesn’t think twice about it— doesn’t think about why he’s so drawn to Eddie, why he wants to include him in this happiness — just extends his hand out and grins.

Eddie sees the bid coming this time.

Part Three.

— 

yes i saw all ur lovely tags and MAYBE cried about it. but thats none of ur business.

@orangeandthefairroadkill @swimmingbirdrunningrock @sadcanadianwinter @phantypurple @omg-elledubs-things @henderdads @farfaras @mixsethaddams @prismandblue @kerlypride @bushbees @legitcookie @temporalcoffin @callmesirkay @beautifully-useless @millyditty @cinnamon-mushroomabomination @ninjapirateunicorns @darkwitchoferie @vi-the-best-you-can @psychosnowfox @desert-fern @scarletzgo @cr0w-culture @softpink-candlelight @livingforfictionalcharacters @makewavesandwar @kozuuji @rhapsodyinalto @eddiethesexy @cassaloopa @lightwoodbanethings @qu33rcommunist @moonlitkilljoy @starkdusk @theysherobinbuckley @sanguineterrain @loganwright @sillysparrow @hotcocoaharrington @eddie-munson-is-my-wife @she-is-tim @steddiehearts @sideblogofthcentury @sidebarre @corrodedcoughin @stevieclaus

[willowser]

you don't know how much comfort your dragon king bkg drabble has given me ever since you posted it!! i keep reading it i love it sm 🥹

as it turns out, the man bakugou is — a bit harder to handle.

he sleeps like a heathen; you once thought the dragon bakugou to be a bit lazy, with how often he tended to curl up in the fields of grass, warm under the sun, but now — it would seem his little human form needs significantly less rest.

almost up all hours of the day, and when he does finally lay down, he's everywhere. a mess of limbs: one thrown carelessly out to the side and the other bent at an angle you can't believe doesn't hurt his joints. his head stays tucked into you somehow, either buried in your neck or pressed against your ribs — or you'll wake to find him nose-to-nose with you. he still snores like a dragon, however.

you're also beginning to wonder if there is a bottom to the pit of his stomach. he ate much before, whole fields of things, but you expected that appetite to dwindle, at least a little, now that his stomach has decreased considerably in size. and in number ? you're not even sure how many stomachs a dragon has; that's not something that was mentioned in the fairytales.

it burns through him quickly, gives him more energy than he needs, and it doesn't ever seem to affect his weight much. already, he's huge and thick with muscle and eating as much as he does never dulls the severity of his cut abdomen. not that you're looking all that much.

— not that you have a choice not to, as he seems to have little-to-no understanding of —

the door to the bathhouse kicks open, with enough force that you already know who it is without ever turning to look. you try not to shriek when you see him, because he seems to like that in some evil, impish way.

you've been alone to wash so far, thankfully, as the inn you'd managed to find was small and far enough out from the nearest kingdom that the occupancy was low — enough for you and your little brute.

the man bakugou comes to stand in front of the bath, blinking and huffing against the steam. finding clothes for him was — nearly impossible, and so the trousers you'd found hanging on someone's line outside fit above his ankles, a bit too tight around his waist. instead of a shirt, you've wrapped him in a scratchy linen, swaddled him up like a baby to cover the small smattering of scales that decorate his body, almost like freckles from the sun, though they gleam just as bright and red as they ever have. no matter his form.

a horn has started to sprout, on the right side of his forehead, and you've done your best to cover that, too.

you have no idea how long this man thing will last. if it's permanent or if he even has control over it. the last thing you need is for him to switch back, somehow, while you're in the middle of feeding him, absolutely demolishing whatever tavern you're in and calling all of king todoroki's guards to attention.

bakugou grunts, almost sleepy, and tosses a fat, weighty sack onto the edge of the bath. it jingles a certain jingle that makes your heart stop.

"oh, allfather—" you move for the edge, awkwardly keeping one arm against your chest despite the fact that he's seen it all by now. when you peek inside and confirm your fears, you lob it back to him furiously, as if it were a steaming potato. "where do you keep getting this stuff?"

things have started to turn up, miraculously. shiny things — like coins and rings and gems. things he could not have simply found rolling around in the dirt.

"go put it back!" you hiss at him, and the tone of your voice makes his frown deepen. you never realized how pouty he was, when he was still a dragon.

you think he understands you, and you're pretty certain he just chooses not to listen; instead of doing what you've told him in the slightest, he simply dumps the coin-purse to the floor, and then lets his linen and stolen trousers cover it as he unceremoniously undresses.

the biggest issue that you would say the man bakugou poses is — his complete lack of understanding of personal space.

"bakugou!" your voice wavers, shocked again by his nakedness. as if you haven't seen it all by now. "no, you — get out!"

but he does the exact opposite, which is hop into the steaming water, ignoring the arm you hold out to keep him away as he saddles up beside you. skin against scales, pressing a nose into your hair to huff out his annoyance, to make it something you can feel.

if anyone were to walk in right now, they would — probably think the lie you'd told the innkeeper was true. that you are a simple traveler and this is your mute, over-sized husband.

regardless, you think this behavior isn't polite. especially in a public bathhouse.

"bakugou," you try again, turning your face away as you speak to the wood-paneled wall. "i'm taking a bath, you have to wait your turn."

all you receive in response is another huff against your ear and a low rumble of disagreement from his chest.

he has yet to speak back, and has only used inhuman sounds as his points of conversation. the only word you've ever heard him utter is oi, which he does when he really thinks he needs your attention. you're starting to wonder if he's named you that in his head. oi.

curiously, you turn back to him and the movement has him pulling his face from your hair, just enough that he can look down at you, too. watch you, with the red-rippled sea in his eyes.

they're — amazing, you will admit. just as bright and detailed as they always have been. fit for a fairytale told by the fire, veiled by the soft-ash of his lashes. he watches you through them, half-lidded, and you wonder if it's something other than fatigue that has them so heavy.

"do you know what i'm saying?" you ask quietly, voice lacking the firm heat you want it to. instead it's heavy, too, weighted by something soft and unfamiliar and frightening. "can you even understand me?"

bakugou doesn't respond, not with a huff or a rumble or ever a purr, like the one he let out on the night he lay over you by the lake. you've only heard it sparingly since then, oftentimes in his sleep when his face is pressed into you.

you try not to frown at his silence, try not to let it disappoint you because it shouldn't; he's a dragon afterall, and you're not sure what it matters. the little horn protruding from his forehead catches your eye and you reach up to touch it gently, watching him blink away the water that drips from your wrist — and then he's turning into you again, too close.

beneath the water, you feel his hands skate up your bare thighs, wrap around your waist until your chest is pulled flush against his. you feel his huff, again, against the damp skin of your neck but it's slower, lighter. not laced with his frustration. some unknown thing you feel guilty for liking.

you drop your hand to his hair, rushing full force into all the damned things you've thought about doing but have been too afraid to. he's soft between your fingers, and you trace your nails lightly against his scalp until he groans quietly; a new noise, one you don't know how to translate.

your fingers stop when they brush upon little spines that have grown at the base of his skull, that have started to trail down the center of his back.

suddenly, tangled up in the bath with him, you wonder how much time you have left.

bakugou huffs again into your skin, a little fiercer this time, and it's because of his light jostling that you realize how rigid you've gone. you try to relax so that he will, too, though you must not do a convincing job, because a sharp nip comes to your earlobe.

"ow!" you squeal, but he doesn't let you go far, not even as you try to jerk away from him. in fact, the harder you try the more his teeth show: into your cheek and the point of your jaw and then dangerously low on your neck.

it's not until you finally freeze that he stops, huffing again, with a warmth that burns more than the steaming water.

and then, very quietly, he grumbles, "shitty wife," into your collarbone, just before biting you again.

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

[sinnabee]

INGREDIENTS:

2 cups evil boredom

3 teaspoons (heaping) blorbo poison (powder, not liquid)

1 daycare theme (10 hour loop)

1/3 cup brainrot

*1/2 cup distilled back pain

**(un)diagnosed mental illness

*(any kind of pain works, back pain is usually what i have on hand)

**(if you aren’t a fan of the flavor a diagnosis leaves, undiagnosed will work in a pinch! Personally, I like to add a bit of both.)

INSTRUCTIONS:

First, turn on the daycare theme (10 hour loop) and pre-heat the oven to 375 degrees.

Sift together your evil boredom and blorbo poison in a medium sized bowl.

Add in your pain of choice and mix well.

Once thoroughly mixed, it should be looking a little thicker. Some granules from the evil boredom and blorbo poison are fine. (You can always mix further, if you’re worried about it affecting the texture.)

Add your brainrot and beat with a whisk until it’s looking lighter, a little fluffy. (If you aren’t in the mood for fluff, a dash of angst or hurt/comfort can help tone it down. An AU if you really wanna spice it up.)

Realize this is turning out a lot better than you thought it would. Dang. Well, you’re certainly committed now.

Go ahead and get out a glass baking pan. Coat the bottom with non-stick spray. (I tend to favor Y/N brand Nonbinary Spray myself)

Using a baking spatula (one of the rubbery bendy ones), carefully move your mixture from the bowl to the pan. It’s alright if you get some on the sides, the heat should help it settle once it’s in the oven. To get out any air bubbles, tap the pan (carefully!) a few times on the counter.

Place the pan in the oven and set a timer for 15-25 minutes, or take a peek every now and then and see if it’s the right shade of cheerful.

Congratulations!!! You’ve successfully survived evil boredom, despite the hurdles you faced, and made something! (Pretty tasty too, if I might add.) You are still mentally ill, though. But - hey - now you have a little treat! And hopefully, your day’s just a little bit brighter! Enjoy!

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[mrghostrat]

when i tell you i found a handwritten postcard from a stranger in my new mailbox...........

addressed to "DARLING BEE!" !!!!!!!!!!!!!

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.