Keep seeing that post where OP starts like 'Thinking about...grieving the undead' and then adds on about like. Real life situations where people have not died but have left your life and you would have reason to grieve them.
All respect, that's an important concept, but that is not what I am thinking about when I read 'grieving the undead'.
So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!
No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)
25 Feelings Dick Has About Tim
This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!
OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:
WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3
Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)
I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!
Below the cut:
I hate him and find him infuriating (#1-5)
On second thought, he's endearing & fun (#6-10)
Grief is complicated & he's all tangled up in mine (#11-15)
I love him & think highly of him (#16-20)
I rely on him & though it's hard for me, I trust him (#21-25)
I hate him and find him infuriating (#1 - 5)
1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)
2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)
3) He is so nosy about stuff that is MY business (Robin 0)
4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)
5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)
On second thought, he's kinda endearing (#6-10)
6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)
7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)
8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)
9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)
10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)
Grief is complicated and he's all tangled up in mine (#11 - 15)
11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)
12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)
13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)
14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)
15) Life sucks, so what. I sucked it up so he should too (RR 1)
I love him and think highly of him (#16 - 20)
16) He’s the closest thing to a brother I’ll ever have. If someone hurts him I will hurt them harder. (Nightwing 6)
17) I can't handle the idea of losing him. (Nightwing 97)
17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)
18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)
19) In my head he’s the responsible one. (Gotham Knights 10)
I rely on him, and though it's hard for me, I trust him (#20-25)
20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)
21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)
22) I trust him. When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)
23) I want him to trust me (Red Robin 12)
24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)
25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)
Final rambling thoughts:
TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important?
DICK: No? I think I got everything?
TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building -
DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.
SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.
And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf
All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.
But that's not Dick's version of the story!!!
Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.
And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --
-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3
This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!
Inspired by @bamsara's “Solar Lunacy” fic.
If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!
so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:
and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!
you thought the animatic itself was sad?
*writing muse laughs maniacally* IT'S ALL A METAPHOR
Frame 1. "turn down the lights"
We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.
Frame 2. "turn down the bed"
We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.
Frame 3. "turn down these voices inside my head"
Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.
Frame 4. "lay down with me"
Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.
Frame 5. "tell me no lies"
An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.
Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.
Frame 6. "just hold me close"
pspspspsps
Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.
Frame 7. "don't patronize"
In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.
Frames 8-9. "don't patronize me"
Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.
The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.
This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.
(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)
Frame 10. "'cause I can't make you love me if you don't"
A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.
The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.
From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.
Frame 11. "you can't make your heart feel something it won't"
Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.
Frame 12. "here in the dark in these final hours"
Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.
There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.
Frame 13. "I will lay down my heart"
A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.
Frame 14. "and I'll feel the power"
Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?
Frame 15. "but you won't, no, you won't"
A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.
The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.
Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)
Frame 16. "'cause I can't make you love me"
We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.
Frame 17. "if you don't"
But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.
But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.
Thanks for reading and watching!
We'll be back to our regularly scheduled fun and games shortly!
You can’t tell me that Ryunosuke was mentally okay after having to spend nearly two months in the room where his best friend died after desperately having to prove that he wasn’t the one who did it. He felt like he had to pick up his dead friends dreams and belongings because it would be suck a waste for them to be abandoned. He took on a whole career that he explicitly stated terrified him because he couldn’t stand letting Kazuma or Susato down.
Anyway there’s some psychological horror to being trapped in the room where someone you loved died just feet away from where you were sleeping for weeks and weeks with the only thing to occupy your mind being relentlessly studying to replace him.
The only picture he had of Kazuma was the crime scene photo staged to look like he was implicating him for the crime and he wouldn’t be able to just throw it away.
You just cannot tell me this guy didn’t suffer some amount of psychological distress and constant nightmares on the way to Great Britain.
Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.
Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.
Mikey being paired up with Meatsweats? Yeah that checks out!!
Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…
And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????
OKAY a friend hyped me up to post at least this… plot bunny that got too far from the haunting hero’s server (dpxdc server), cause I’m literally always thinking about demon siblings aus,,,,,,,, Danny’s league assassins uniform getting reversed with his ghost form just Hits Different
i’ve definitely said this before but in a universe where shen qingqiu was kind to luo binghe and luo binghe had fallen in love with him, i don’t think bingjiu would happen at all, mostly because shen qingqiu would rather die than get with his own disciple.
there’s already enough false rumours about him perving on his female disciple, i don’t think shen qingqiu would want to prove them right by getting with his youngest disciple.
I truly do love that Luffy is fighting for the right to take down Doflamingo with all these people who have extremely valid and long-standing beefs with dude and he's just like;
Rebecca bought me a food with all the money she had left and was generally just really nice and I don't really understand the specifics of the situation but I know that flamingo dude is making her and everybody in this country that has helped me and my crew, real sad so I'm gonna fight him.
And it is presented as just as valid a claim as the dude that had his father-in-law's thrown stolen, was turned into a toy forgotten by his family, his wife was killed and his daughter was forced to fight in a colosseum. And Law who has a decade-long beef with dude over the murdering of his father figure who was also said dude's brother.
And Luffy will obviously be the one that fights and defeats doffy and we are all the better for it because One Piece isn't about revenge it's about Liberation. By fighting these antagonists on their behalves Luffy is also liberating his friends from revenge. Because Luffy doesn't go into these fight to seek vengeance or some kind of recompense he does it to set people free.
also him going "well I've been beefing with him for 30 years" is objectively hilarious.
"Is [Barkov] a normal dude? Meaning like—is he just like, you're having a cheeseburger some day and he's like 'Oh, no, no, no! I need this, I need the superfoods,' like is he kind-of... is he a normal guy?"
"'Is that Wagyu or no?'"
"'I need, you know, the best of the best,' Like how is he?"
"He's undercover really funny, especially when you get to know him. I don't think he said much for the first 3 to 5 years. But I always joke with him I've never been invited to his house and we've played together for 10 years."
"Dude, Brandon Montour said the same thing! We had him on last year! He's like, 'Dude, he's never had us over! We're always like—' But he doesn't live by all you guys, right? He kind-of lives a little further out?"
"Yeah, he lives 20-30 minutes away in Boca [Raton.] But, yeah, no I—Listen, it's just his personality. It's who he is, and we respect him for it. Like I said, he's a really funny guy when you get to know him, and sometimes he's got those one-liners. And, you know, he's one of those perfect humans, right? You know, one of the guys we all strive to be, and we'll all come short forever, but—yeah, he's a good person."
The Cam & Strick Podcast | 7.30.24 (x)
i hope this bit never ends if not for the fact that each time ekky has to say it he has to add another year to it which adds to the comedy of it all
"Hey, who's got the best setup on your team with the Panthers? When all the boys get together, 'We're going to your crib. We're gettin' on the jet skis,' whatever. Who's got the best setup?"
"Yeah, um—Aaron [Ekblad]'s probably...I mean, Aaron's been there the longest. Hopefully, Barkov hears this! He's been there the longest, but he never invites the boys over to his house!"
"Oh~ Barky!"
"Is he cheap?"
"I'm gonna call Barky out right now, and see if he can invite the whole team over next year..."
"Is he cheap? Is he cheap? What is it?"
"Will he do it?"
"Oh, he's up in 9 East—obviously, like quiet, unbelievable guy, but he's the only up in Boca [Raton.] So I don't know if anybody wants to even drive up to Boca..."
"Oh, Fancyland Zone..."
"What do you mean? How far is that away from where you are? Like, and everybody else?"
"Yeah, we're all in Ft. Lauderdale, Las Olas—within probably... you know some families are in Parkland by the arena, but we're all within probably 10 minutes away and he's up 30, 40 minutes away so."
The Cam & Strick Podcast | 7.25.23 (x)
the boys ribbing sasha for living so far away and never inviting them to his house but still going btw hes amazing and incredible and perfect and sososo good we say this to tease him but like this is just who he is as a person and we accept that so please dont misconstrue this into something its not this is a joke and we dont take it to heart
and on that topic its really a shame that NA media doesnt know how fucking funny and how absolutely unserious he can be. I understand the notion of diligent no-nonsense captain is a prevalent idea (which he is lets make that clear he takes hockey so seriously) but especially since this season hes said hes cut down on weight so he could skate faster (and the results show) so i understand where the questions are coming from knowing the track record but also
we've won a cup and hes ramped it up its fantastic and this is one of my favourite examples of it of how quippy he can be
happy to talk about my cappy!!! happy to tease my cappy!!!
"and you know hes one of those perfect humans right? you know one of the guys we all strive to be, and we'll all come short forever but yeah he's a good person" do you also cry about how terribly fond and sincere ekky gets about sasha