Xuân Cao Mạnh, known formerly by the grammatically incorrect name, Xi'an ' Shan ' Coy Manh, is a mutant Billionaire who is notable for being the first Lesbian heroine outed within Marvel comics. her arcs served inspiration for other characters as well as the TV series LEGION.
This account is independent, and will not strictly adhere to canon, however will use it to support my own thoughts and ideas. Krakoa era preference, though I can write before. Crossovers are welcome, as are OCs.
something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
The defintion of hell is knowing a show is incredibly well-received in its first season, but if people don’t become machines churning out tweets, content, and rewatching 24/7, there’s no likelihood it’ll get a chance to tell its whole story. This shit is madness. Shows in different genres shouldn’t have to pit-battle for dominance. First seasons are MEANT to be baselines establishing worlds and characters, not complete storylines. The idea that this golden age of television has turned into “get it done in one or get out” is revolting.
i can't help but feel like my drawing days are kind of over. not entirely, i'll still be drawing from time to time. and deffo not because i want to. but i'm having this exact same feeling since mid 2022, since i was really struggling with my elective period, i kind of disconnected with art there and never truly found my way back.
on top of everything that came after - moving, starting a job and working to be good at it which leaves such little room for other things because i can't handle my life well - there is just so much horrible shit going on. and i'm having a hard time comprehending it.
a part of me also feels very stupid for drawing one thing for almost 4 years now constantly, but another part of me knows "hey, but this makes you happy". it's a constant battle in my head because online spaces are like school grounds, and i don't actually wanna stand in the corner as that one kid that just can't shut up about that one character. but then again all i ever did was drawing fanart so... what does it. who gives a shit. be cringe and be free alright. but it kinda feels so hollow, esp. when you're at it for so long. a lot of mutuals move on. some are not even active anymore anywhere. and i wonder what happened. plus a huge chunk of the tone of the fandom has changed. also with the source material getting butchered so hard (since the release of ow2) it just kills the fun. playing this game used to be fun. playing this game was one thing that helped me getting through the last meters of university. it's like watching the downfall of the simpsons again without making the comparison too set in stone, just... this thing that used to be decent and nice and watching it getting ruined in real time (broken promises about pve, the recent gameplay changes?? the lore was fucked up from the start but they kind of tried, now it's just skins for 20+ dollars) while still having feelings for the characters is shit. anyway...
i recently went through a big folder of stuff i'd drawn at the age of 12-15 and there were so many fucked up but cool monster and cyborgs designs and just silly stupid stuff and all i could think of was that i felt so distanced from it, like i don't even know i think this is normal? because a lot of time has passed and a lot has happened and i knew i've drawn all this but i wasn't able to locate the person who did in my present me now and... it's just so normal that things move constantly forward but i feel like i missed huge chunks and passed a few stops and now i'm kind of lost.
i don't even know what i'm trying to say here anymore. i just feel sad because it feels like sth is slipping out of my grasp or sth has changed tremendously and i don't know how to make damage control.
i keep trying tho, i try to draw once a week at least. it's just like as soon as i take a step back and look at it i don't feel it at all. gonna continue tho, until it makes sense again i hope.
Finding out that buy and large what people mean when they say "it's dangerous to reheat rice!!" is that if rice is held at a tepid temperature for an extended period of time it tends to grow cultures that can cause food poisoning. A fact that is true about pretty much everything.
!!! FLASHING LIGHTS WARNING!!! [IM NOT FUCKIN AROUND!!]
REACHED THE CUSP OF 'THIS MAY NEVER BE ABSOLUTELY FINISHED N IF I DONT SHOW IT NOW, IT WILL NEVER SEE THE LIGHT OF DAY.' SO HERE, A PROJECT IVE BEEN ORBITING AROUND UHH SINCE 2021 OR SO.
I want to write barbie x ken fanfiction set maybe a couple years after the movie (Barbie spoilers)
where ken decides to go to the Real World because he Can Do That now and meets barbie again whos been adjusting and living self-love and doing things and finding herself and It's this, like, tearful reunion moment and Ken's still in love with her but he's much better at keeping it to himself because ken always respects barbie's decisions, but barbie spends a few days with this ken who has over time also sort of become himself, and has discovered his interests and likes and dislikes and became, like, more rounded through experiences and discovers that she finds him utterly endearing and begins falling for him and just. Second chances pure friendship to lovers barbie x ken where they take some time off for themselves and meet each other as better people (dolls? idk u get the point).
Calling my own readers out on AO3. I wish I didn't have to do this. I've been sharing fics online for 20 years and it's never been this bad. It's always been bad, but 10 years ago, you at least got 5% of readers giving a shit.
This current fic is one of the most popular I've ever written. It's got close to 300 subscribers, and every time I update, the hits go up by a 1,000 within a week or two. I shouldn't have to beg in my notes so that more than 10 people will actually engage with me.
Fic writing was all about sharing & discussing, once upon a time. It was a community. It was not about shaming writers for being upset over low engagement. I spend an average of 20 hours working on each of my chapters. That's almost a whole day. So yes I am going to be sad and upset when I see hundreds of people reading, yet barely a dozen of them acknowledge me. Ask me how my imposter syndrome reacts to low engagement.
It thrives, I don't.
Be kind to your fic writers. Engage. Write comments.
the thing is, the accounts on cr twitter who have these wild takes aren't even shippers
they're all about nuance about the gods, aeor, ludinus, ruby vanguard.....but then have these extreme views about orym, say he's got bloodlust and pretty much equate him to a cop/military soldier
Hey anon! So I will admit as I have in the past that I largely avoid CR Twitter because I hate Twitter as a platform and the community of CR Twitter specifically (more below) but I will say the tweets I have seen have largely been from people who are, if not the most rabid of shippers, shippers. I did in fact just go there and click on "Orym" as it was trending, and the tweets to this effect are largely from people with black and purple hearts in their names. I don't think they're necessarily conscious that this is the reason why they try so hard to discredit Liam's characters (and I think the desire for Laudna to be a Traumatized Innocent rather than a person who has done her own share of harm is an even larger factor) but I do think it is part of it.
I should note: a significant point of reference for me is that the person who famously said "do not uwuify this" re Orym post episode 63 is Wally Wests on Twitter. Look, I know I use the word "stupid" a lot, and I'm trying to reduce it not because I think it's a problem to use but because it reduces the impact and also heavily implying people are stupid without outright saying it tends to be more effective on every level but god this person is the dumbest motherfucker in the fandom and I'm not even kidding. Like, they're the "Australian white person who writes like Rupi Kaur but worse" I've referenced. Because of The Algorithm they are weirdly popular in that space and it baffles me because I honestly don't understand why every single thing they say isn't just filled with replies saying "are you fucking stupid." Like I physically cannot understand how you can have a brain and read a single word they say and go "this is a person I should listen to." They are also not a big shipper, but they do like the ship from what I understand. Specifically on Tumblr, the people echoing this nonsense are pretty much shippers.
With that said yeah, I do think it's worth addressing the soldier aspect. First off, if we're talking cops, why is Bryce, pleasant but forgettable minor NPC, inexplicably popular in this fandom despite them being an actual crownsguard of an actual authoritarian government. Like are all fictional cops bastards or no (fwiw my opinion is no, because the context of the world in which they exist is extremely important; I'm just pointing out the inconsistencies)? But also...I've run into this with Worlds Beyond Number too, and it actually came up on the Fireside chat, but there are words people hear (empire, religion, soldier) and automatically go "BAD BAD BAD" and don't spend any time thinking about how we've come to these conclusions. And for what it's worth I think Empire is always ultimately going to be bad because of its source in conquest; religion is neutral with the potential to harm or hurt; and soldier is deeply contextual and inherently gray; but all are very valid things to explore in fiction, where the war crimes and abuses aren't real. I remember seeing a take about Candela Obscura shitting on how half the party is former soldiers, and like...the messaging of this season of Candela is undeniably about the immense psychological damage of war, and the soldiers were defending their home against a colonizing force rather than doing any sort of invading, but some people are so high on a paper-thin unexamined concept of what I presume they tell themselves is leftism that they cannot see that. Orym's husband did not die trying to invade a nation for their oil. He died because people trying to unleash a horror ran an attack on their town as a practice run. Orym's experience as a soldier has always been one of defense, never conquest or destruction, and that is important to understand. It doesn't mean that in the future Zephrah couldn't become an oppressive power (and various worldbuilding in Exandria does explore the idea of small community watches or protective guards growing deeply corrupt or expansionist over time, but god knows the people saying this shit have the lore knowledge of a dead pigeon), but the aspects of being a soldier he is engaging with are those of personal sacrifice and protecting one's own, not killing for resources or ideology (which, let's be real, is usually an excuse to take the resources of those you disagree with).
The image startled her; how long had it been since last she saw her reflection? The prohibition on vanity bared all convent walls.
Yet here she stood in front of glass, in another's clothes, as if breathing another's breath — another Suzanne, unblemished.
The fabric fit snugly.
She touched her cheek, remade. Oh, she had aged…
Someone stepped inside the room. She turned.
“I came to check, the door was open,” Jillian said, unable to ignore the nun without her habit. “I don’t know if this is improper, but... They look good on you.”
Mother Superion might have scowled — Suzanne smiled.