#no but really the sense of desperation

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[papertowness]

i’m so sorry but comedy peaked when the shameless writers made lip gallagher have anger issues and then decided he was absolute shit at fighting like you can’t get any fucking funnier than that

[turtleblogatlast]

Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.

Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.

So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.

In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.

Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.

It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.

Unfortunately, levity alone does not alter reality.

[mortysmith]

while we're on the subject of "morty-prime teamup" what if there was another two crows situation

[not-equippedforthis]

really love characters who have varied panic responses. kirk stating himself that he does not panic outright, externally, not in high-stress dangerous situations, but instead becomes tense and level like a wound string, on-guard: mostly because his role as captain necessitates that he maintain level rationality even when facing potential death as his training as 'the guy who tells you what to do when shit hits the fan' requires, but also because his childhood experiences taught him early that drowning in the desperate haziness of panic won't help you survive. especially as kirk already follows his intuition so deeply. he learned to grasp and contort the feeling. spock is the main person who represses his emotions, of course, but kirk does it to those deep-set, personal ones (this includes how he doesn't reveal anything truly personal about himself willingly 90% of the time, only what others already know/shallow anecdotes) in a much more subtle way that's really interesting to me. certified expert at avoiding the subject as long as he isnt caught out on the lie. professional bluffer.

in terms of past or parents we dont know much!!! hes known as the heart-on-his-sleeve guy!!! like yes he yells, he gets irritated, excited, hes a whirlwind of quick-thinking and plans and intuition, he goes out of his way to connect with his crew and shows it, when he puts on a little act or bluff he puts his heart into it and clearly enjoys the dramatics so much, at times he wears his heart on his sleeve, he laughs openly and is honest to spock about what he means to him, he's very sun-coded to me in a burning, passionate way, always intertwined with the stars and seeking them out, but when it comes to genuine deep-set turmoil? we dont actually know all that much about him??? hes so full of emotion and character (i love fics where spock characterises jim's mind/bond as a whirl of colour and sensations, hes a quick thinker!!! intuitive!! lively!!!) and yet its still so outwardly surface level. tarsus iv gets mentioned like twice? so especially here where kirk gets briefly jumpscared by the creature, because like:

its subtle but his eyes. his eyesss!!!!! kirk commands with his emotions but there's always some sort of level of control to it, or he transforms them into something that spurs on others or uses them to ascertain a goal: seeing unguarded fear/distress in his eyes even if its faint and brief (in this instance) makes me go insane every single time. like!!! its such a small moment!!! he isnt even panicking!!! really, he just got jumpscared!!! its insignificant!!!!!!! but seeing a two-second flash of actual, naked apprehension is just...oughhh,,,,,,,,,

oh god, and dont even get me started on the galileo seven episode where he assumes a tense level-headedness throughout the whole thing, irritated and apprehensive but not panicking, making sure he maintains intelligent rationality, even when he has to leave them behind, but when spock and the crew are confirmed safe and the bridge is occupied the camera pans to him and his eyes look like they're fucking watering and he's so achingly relieved. don't even talk to me. im. fuck.

he shows so so much but at the same time reveals so little.

[orchid-n-petals]

So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.

The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.

You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.

And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.

Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".

His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.

But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.

Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.

And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.

I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.

He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.

He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.

He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.

He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.

But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.

I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.

Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.

I don't know, I just have a lot of thoughts about his character.

[lbarker]

[eternal-moss]

When people continually whitewash my favourite characters.

[ID: A black and white, rough digital drawing of someone sitting at a desk and clutching their head in their hands. End ID.]

^thank you @describe-things

[insomniamademedothis]

I take it all back torchwood is batshit insane Jack saves a man from suicide but the guy immediately says I’ll do it again btw so Jack says oh ok and sits with him while he kills himself?????????????

~200 years old and never had any mental health awareness training????

[muzzleroars]

and i know the earthmovers were largely dependent on solar power but they were blood fueled too and what i wanna knowis how the FUCK do you get enough blood to power even a FRACTION of that thing

NO BUT FOR REAL.....it's terrifying that those things were even a LITTLE powered by blood at their size. i have to think it's largely to power its core rather than the large machinations of it, but i think it stands as a testament to the absolute meat grinder the world had become. they likely had some way of recouping the blood loss that occurred when they leveled entire cities and that's what it would take to power them...and it's just. insane to think of the captive populations that hitched a ride on them. they keep moving forward, smashing anything left to pieces without really any direction. as long as there is sun and blood, they will keep moving - and no one can stop them, since others are out there. no one even knows who they're killing anymore, if it's their "enemies" or their own neighbors, yet they must have been so numb to violence by then that all they cared about was the earthmover always being fed enough to keep its lucky passengers alive.

[fandom-geek]

you know, it really is a good thing orin lobotomised durge when she did. between this and the madness ending... it really seems like durge was created more for the purpose of breeding more bhaalspawn, than anything else

[sskk-manifesto]

Through all the first time watching the second season I thought the shadows were supposed to represent Lucy, and even now I have an hard time shrugging that impression off

[milkweedman]

The new meds I'm on have, as far as I can tell, caused my hands to be very weak, to the point that I can't tension this thin sock yarn :/ I'm in the gussets of sock 2 but the sock is definitely bigger and a thinner fabric.

Im... not positive what to do (whether to frog or not, or maybe just switch to a worsted weight project?) Other than tell the doctor this shit is not good.

[inalandofsadclowns]

Yes, we all know bbc merlin can be incredibly mythologically inaccurate, but one thing that's always been bugging me is how Nimue is the best known name of the Lady of the Lake – an enchantress with many important roles in different stories (between others recovering Excalibur from the water and helping to take Arthur's body to Avalon). Well, that role befell not our Nimueh. Here that was all Freya, a goddess of love, beauty and war, a completely different character in the stories.

But hear me out, what if... what if Nimueh in the series, after she died, had reborn as Freya?

I mean, she had always fulfilled an extremely important role – she used to be a sorceress in king Uther's court. Possibly her destiny was all along to help lead Arthur to uniting the whole of Albion. But then Uther betrayed her, she got on the wrong path to take revenge until her final battle with Merlin. But then she came back to life as Freya, as destiny would have it, to become the Lady of the Lake and fulfill her role in history.

[padfootastic]

if you were to summarise sirius' personality and character traits, how would you do it?

hi hi hi! so sorry for long this took but okay, so, let’s do this.

so, his CORE trait for me will always be loyalty, hands down. i once waxed poetic about sirius’ devotion to the potters to my friends for like, half an hour straight (one of them actually teared up). the way he talks about james even after so many years, how his first instinct is always to look out for harry, how everyone talked about him & j even when they believed he was the traitor—all of it just really drives home how he gives all of himself to someone when he decides to. if someone’s his person then he’ll do whatever it takes for them (if you’re not, tho? ur lucky if u even get a look in ur direction)

he’s also very competent. he was probably brought up as a pampered heir, with access to all the resources his little heart desired, so coupled w his innate ability/potential/aptitude, it becomes a deadly combination. he uses logic to work through things, prides himself on his intelligence, and probably wouldn’t like hanging out with people who can’t atleast match him in some sense (so laziness/incompetence grates badly).

as a corollary, he’s also pretty arrogant, in that casual sense that old money people are ykwim? he’s had the world on a silver platter his entire life, and even when he’s cut off from it, it’s still a part of him. there’s also the fact that he’s got a lot going for him—looks, power, smarts wise—and that just adds to it. so it can be off putting or it can be hot or both, but he has a superiority complex and he doesn’t exactly hide it. less interaction with the plebs, the better for him.

irreverence and dark humor!!! sirius copes using morbid jokes and making people uncomfortable; he has slight control issues and this way, he makes sure everyone’s always on their toes. it’s also like,,,a way to kind of gauge how others will react to him based on how they deal w his humor. bc he’s not sunshine and roses, right? and he doesn’t want anyone treating him like it or expecting him to be so. and in a way, their reactions to his jokes correlated to their degree of acceptance for him.

intense. when it comes to things he likes, he’s very passionate about it, almost with a single minded focus. and it can get A Lot. he operates in a lot of extremes, right? so either 0 or 100 and this comes across in the way he interacts with people, the level of interest he shows to things, and how much effort he puts in, if it’s His Thing, then he won’t leave a stone unturned but if he doesn’t care? then he will not give a single shit

soooo, these are some of the things i very strongly believe in for sirius 🙈 tell me what u think? (and as always, @artemisia-black has some great metas on sirius’ character so i’d recommend checking those out for sure!)

[mymitochondriaforpresident]

I already know I’m going to like S3 the best.

First of all, Wilmon is finally OUT (Prince Wilhelm S2 ending speech you will always be famous) so S3 >>>>>> everyone (including Rousseau) on principle alone;

And second, they really put Simon in a purple button up for his first time at the palace. Purple…representing his love for Wille. Which is now stronger than ever regardless of any upcoming conflict we might see. (Be still, my heart 💜)

Eat your heart out Starburst.