#no comment on the playlists

[takeariskao3]

I have been having such an exhausting week and the chapter 8 and 9 of already gone really cheered me up but broke my heart at the same time.

Like, GINNY'S MOVING IN ??!! and THE MEMORY!! "“But I don’t remember,” she reassured quickly. “I don't know the difference.”" THIS ENTIRE CONVO!! GOD!!

By the end of it, I swear I wanted Gin to be alright again because of the sheer angst, but then again I am a sucker for it.. So, sorry Harry you will have to suffer a tiny bit more.

All in all, I am dying to read the next chapters and eagerly accepting all the crumbs you send our way. 💕

Also, those chapter 16 and chapter 18 playlists are suspicious.

(P. S. - I wrote this right before bed, while my body screamed at me to go to sleep, so I really hope it's coherent.)

lol you are perfectly coherent <333

yeah so, already gone harry is really going through it (sorry not sorry) and i really don't see the end in sight for him anytime soon. but we are all going through it with him!

[ottiliere]

hey! I've spent the last year working on a book with my buddy lindsay dane @myskyperevenge that we're getting ready to start sharing publicly. it's about (emotional parasitism? psychic parasitism? and LOVE of course..I think you guys have a general idea about what to expect from me in terms of subject matter haha, so maybe the less i specify the better.). pdfs of the first chapter wil1 be up for free sometime next month. in the meantime, have you heard that 8tracks is working again? here are playlists for the two lead characters. a bit premature maybe, but I'm really excited to share this with you!

lynn's playlist: 8tracks | youtube

cam's playlist: 8tracks | youtube

[suuho]

Don't you usually go to work with Jeongwon? He had to go in early for an emergency surgery. I'm going to buy him coffee. Are you guys married, or what? You're so good to him.

Hospital Playlist 2 | 슬기로운 의사생활 (2021) dir. Shin Wonho

[magpie-lu-aside]

What are some songs that you guys associate with the chain/specific LU characters? I want to expand mine (cuz it's mostly Four and Time) for when I write fics, but I'm also just genuinely curious.....

[fountainpenguin]

People have been asking me for the link to Joel's Neck Kisses playlist since I off-handed mentioned it in some tags- it was something I'd seen someone else post about, but wasn't sure I'd find again.

I don't actually know how to use Spotify and wasn't going to bother looking for it because of that, but I decided to go searching today... Anyway, the whiplash is cracking me up:

Please tell me "Artist" is just what Spotify calls people who organize music in playlists, because if I'm about to find out that Joel wrote an actual song about Neck Kisses, I will simply be SO flummoxed.

Upon investigation, it looks like he's on here because he sang "Reel Love" in the Empires SMP Musical. Why did he come up when I searched neck kisses tho... Joel...

I did find it! Here it is: "Oh no, tumblr found my neck kisses playlist" - organized by joel.beanss

Etho in that one clip roleplaying that he was swooning as Joel got close to him, but he should "cover up his neck" before Joel kisses him, and then narrating that Joel's hand was "slowly reaching into his hair" while Joel just giggled and sputtered and yelled about how he doesn't kiss people's necks, you will always be famous to me.

I'm glad you're having fun being silly with your friends, nerds <3

Disclaimer: I have not listened to these songs and I assume some are not for all ages. I'm putting this in the tags for sharing and personal blog organizing purposes, but listen at your own discretion!

[kens-ramblings]

i’m back on my singer tim drake au bs(sue me he’s my current fixation and im always obsessed with music so take it or leave it).

okay so after the bruce quest he decides he can’t do the vigilante bs anymore, and bruce will be back so WE can be ran remotely until he’s got it again. he leaves gotham not long after the ra’s thing. he picks a new alias and decides he will finally use the vocal lessons his parents made him take when he was younger. and he starts a band, some how cassie, bart, and kon(since they are also back from the dead and cult shit now and if that’s not the timeline,,, it is now) find him while he is in the beginning stages and they are like fuck it let’s be a band. they blow up and fast, bc plot  convenience. so it’s only like a year after bruce quest, bruce has taken WE back and the batfam has just been busy. they are vigilantes shit never stops for them; they just got their dad back into fully working order, they are still acclimating dami, there is some shifting of suits and responsibilities happening. all this meaning the fact that tim never came back just,,,, got lost in the shuffle. so now that everything is slowing down they are like,,, wtf,, where is tim? they spend a while searching for him but the trail goes cold bc aliases and tim is damn good at hiding when he wants to. they eventually have to put it on the back burner. but then one day, maybe now it’s been about another year since they started looking for him, and dukes favorite band is coming to town. the wayne’s all decide to go, even jason is gonna go under the guise as a body guard for the fam. and color them shocked when they see kon settle behind a drum set, bart come bouncing on stage with a guitar and cassie grinning with a bass. they’ve all been missing for just a couple months less than tim. and then their breath is stolen as they see him. it’s fucking tim,,, walking right on stage as if he hasn’t been the center of a bat hunt for the past YEAR, smiling with a microphone in hand and asking the crowd if they are ready to get going. even more shocked with the first notes of a song starts playing and he makes direct eye contact with each and every one of them and calmly says, “this songs for you, you know who the hell you are.” and starts singing. I like to think the song is “love from the other side” by fall out boy. there are just so many parallels to parts of tim’s story(the fannon ver. anyways, im still working on the comics) and lines in the song(i’ll expand in the comments this is already long as hell)

and they are taken aback, why the hell is he so angry. and then dick specifically is reminded of how he treated tim right before he left. how at the time he thought tim was going to fine, and dami just needed him more. so tim just fell to the wayside. a running theme recently. and from the few times they had to deal with ra’s while looking for tim, it sounds like he went through some shit, and then he left. and they are at a loss. struggling with wrapping their heads around it all. and then the concert is over, and they are left scrambling, hoping to talk to tim before he’s gone in the wind again.

[idonotbitemythumbatyou]

The Mark by @hellostuffedtiger

Obsidian Order Agent, Garak's, latest assignment: surveil Doctor Julian Bashir, the Federation medical delegation’s lead doctor who’s been living on Cardassia, trying to find a cure for a deadly Cardassian illness. Tain wants damaging intel on Julian and he's counting on Garak to get it. If surveillance doesn’t work, he may always use interrogation.

I always appreciate when writers take the Soviet Union as inspiration for the Cardassian Union, and this one takes that concept and runs with it. Cold war vibes in desert weather. Spies commuting, clocking in, and talking shit. The characters we know are all one step away from how we know them in canon, because this is how they would be if their circumstances were ever so slightly different. I'm particularly fond of Garak's Tain-generation coworker. I based this cover on a few different Le Carré covers.

[gennyrthewriter]

waiting on the second round of edits for book 2 is AGONIZING.

so, to stay sane while i wait around for the blorbos on my pages to become perfect, i made Spotify playlists for book 1 AND book 2!

Each song corresponds to its respective chapter, mostly based on vibes, but there are some meme picks in there. THE PLAYLIST FOR BOOK 2 IS SO HYPE LISTEN TO IT TO GET HYPE FOR THE HYPE BOOK

And of course, here's a link to the Amazon page for book 1

[berrysquared]

quick trigun playlist covers I made for myself

[cboffshore]

ONE. WEEK. TIL. GLOOM DIVISION

[unhingedpirates]

Sorry, there's no hidden message this time. This playlist is entirely based on what would make Crowley cry.

[sunshineandlyrics]

💙 When a Video Editor is suppose to be reacting to the Silver Tongues MV but is distracted by Louis' voice and the song (9 August 2023)!

[snailsnaps]

I'll be living my day to day life just like normal, just like always

And then remember this comment left on this DJ Music Man OST video and just

[leafatlaw]

🌻

okay so kenadian themed answer, but I often find myself trying to compare Ken and ivory. Their both escape mcyt with an overarching story elements. But the thing that makes this really difficult, is Ken seems less afraid of being trapped ? It seems like he’s more afraid of losing than being stuck for all eternity or whatever. It’s not loneliness that motivates him but his ego, his determination, maybe his need to be right, to figure it out. Maybe it’s because he’s so rarely in real danger of being trapped, he mainly reviews “bad” escape room. Or maybe it’s the difference of puzzles he escapes from compared to ivory. He participates in rooms meant to be escaped, a labyrinth of sorts, a trap but one where’s there’s an obvious exit. While ivory escapes from prisons, meant to contain forever, with no built in ways out. By nature of their methods of containment, Ken is ingrained to not lose hope because he’s used to there being a way out he just has to figure it out. But ivory is used to having to make her own way through with unintended solutions, more often than not alone.

[ratinayellowbandana]

lavender thread // a curated imodna playlist

I started curating this playlist over two years ago, and it’s still one of my favorite creations because I put arguably way too much thought into it. I soft-launched this a couple weeks ago, and I was genuinely surprised by how many people checked it out.  

It’s in rough chronological order from pre-relationship to post-campaign. Every song goes through a fairly thorough vetting process for thematic appropriateness, accuracy, tone, and genre. For example, if there are too many references to modern technology, days of the week, months, real places, religion, etc., it will likely be cut to build the "world of the story." Imodna playlist, but make it hyperspecific. Like, corpse falling in love with an embalmer specific. (you can find the "rejects" here)

Right now, the playlist is broken into two acts, with a prologue, an epilogue, and a couple of sub-sections sprinkled in. I personally recommend not shuffling, at least on a first listen, so you get to experience the full journey. But hey, I can’t stop you.

This playlist is a constant work in progress. I’ll add new songs I find that feel fitting, and sometimes they live at the bottom of the playlist for a while before I get around to slotting them in. “Dance in the Graveyards” will always be the end of the structured playlist. Rarely, I’ll remove or shuffle a song if I think it doesn’t fit the vibe, the lyrics aren’t specific enough, or it’s just not working. 

I’m making this post to share my playlist with anyone else who might want it and to write down my reasoning for every song so I don’t forget it. It’ll be updated as new songs get added. Enjoy!

I laid out my reasoning for each song mostly for my own benefit. You'll see the "section," song title, artist, a little blurb from me, and one/two of my favorite or the most relevant sections of the song. Sometimes, I just had to pick something because the whole song was perfect.

Prologue: 

“Stories” - Lilli Furfaro

It’s a beautiful framing device. It’s the premise of the game, the world, the show, and the characters. Fun fact: I found this song two full years before I learned she made a whole Vox Machina album lol.

“We are stories / Bеginnings, middles, ends / Our power lies in living lives that touch a life or two [...] / In this world we’ve built on games of chance / And hours of introspection”

ACT 1

Laudna, Before:

A general note: I looked for songs that were just slightly off-putting with darker over and undertones to match Laudna’s energy.

“Old Churchyard” - The Wailin’ Jennys

Welcome to the world. Foreshadowing and a set-up for the downfall of Whitestone. Speaks to the exhaustion. I imagine a tiny Laudna being ever so hopeful that it might get better but embracing the eeriness of a graveyard in the meantime.

“I rest in the hope that one bright day / Sunshine will burst through these prisons of clay / And the trumpets will sound on the hills near and far / Will wake up the dead in the old churchyard”

“Funeral Bell” - PHILDEL

The aftermath of the banquet. The fear, sadness, and resignation. The sense of relief. 

“Oh mother, I’m scared to die. / Where, where do my good deeds lie? / Oh father, I’m scared to live, / Takes more than I’ve got to give.”

“Apple Tree” - Marika Hackman

Hanging from the tree. A crowd gathering. Wanting to be remembered. Enough said. 

“Here I hang for the sated crowd / To look upon my eyes, look upon my mouth / And say, ‘We were there that day / I saw a face, heard a sound’”

“Special Death” - Mirah

Asking, “Why me?” A sense of confusion and loss along with the saving of Whitestone. Concludes with the beginnings of the la-la-las. 

“But it's a special death you saved / For me, the brown-eyed daughter”

“Ain’t No Grave (Sparse)” - Crooked Sill, Aoife O’Donovan

It’s a little on the nose, yes, but I chose this version specifically for the sense of emptiness it evokes. There’s an implied skepticism of seeing people you think you’re able to trust, specifically “gods’ people” (as I’m choosing to interpret it), and thinking of the clerics who saw a monster. The dismay of being resurrected into a world that hates you. We’ll see if this one sticks; it’s a little heavy on references to Christianity.

“Ain't no grave gonna hold my body down / When I hear that trumpet sound / I'm gonna get up out of the ground”

“Don’t Know Who I Am” - Rebecca Roubion

The distinct loss of identity and a surprisingly apt description. Laudna had no name and no sense of self or what she was. She’s searching for something to identify.  

“Black tears on my shirt / Black tears on my freckles / I've been stung by this hurt / I've been stung by a stinging nettle”

“Lying Beast” - Run River North

Running. Running far and fast, leaving home behind. Seeing herself as a beast and being terrified of it. So alone. 

“And so I flew away with myself / I was the beast all alone in my hell!”

“Drinking Song” - House Phone

What could she have become if she hadn’t been murdered so soon? We see her begin to play and fantasize and dream and grow. 

“'Cause you won't rewrite history / To commemorate the likes of me / And you would not believe me if I tried / To tell you all the things I've seen / And all the places that I've been”

“Mile Magnificent” - molly ofgeography

Starting to explore her magic and Delilah’s influence in her head. It starts to feel... good? The pent-up frustration and anger have a release.

“We bloom beneath the blessings of a goddess with no face [...] / All my better demons have gone the way they came”

“Stolen Roses” - Karen Elson

Digging into the anger, searching for a purpose. Too old and too young at the same time, forced to grow up too fast. 

“There once was a time when I was a girl / That darkness hung in my sky / I was old before I learned to be young / Stone cold till I learn how to cry”

“These Bones” - Azrai (ft. Momo O’brien)

Searching for a home, a place to rest. Crossing the sea to Marquet. (The intro, as you’ll hear, foreshadows the pluckier sound of Imogen’s section.) Skeletal imagery. 

“I am a long time finding home / I have only ever wandered before / It′s a savage sea we're made to roam / Every tide can turn to haunt us / But the ocean reaches past these ghosts / And I will always sail for more” 

“Mountain Song” - Little Chief

A beautiful, adventurous musical introduction. Open to the possibility of new things, still weary, but there’s more here. 

“I’ve been living in a hole in the mountain / Ain’t no sins in there / Oh, these memories they keep on following”

This is our transition into...

Imogen, Before:

A general note: I tried to seek out songs with more of a folky-bluegrass vibe for Imogen to match her background. 

“Second Child, Restless Child” - The Oh Hellos

I imagine a very young, carefree Imogen. Well before her powers kicked in. I like to think she thought she was a bit of a troublemaker, but anything she did was so endearing and mild that it was sweet. A happy kid with big dreams until the signs of something else started to appear. 

“With a spirit running wild, running free / And they saw trouble in my eyes / They were quick to recognize the devil in me”

“I’ve Endured” - Tim O’Brien

Growing up with her father in the mountains and in the fields. The nightmares begin. But this is fine, right? She can handle this. 

“I've seen the lightnin' flashin', I heard the thunder roll / I've endured, I've endured / How long must one endure?”

“Wander. Wonder.” - The Arcadian Wild

The powers are coming on strong. Post-nightmares and in pain, nothing she did was good enough. She felt trapped in her own home, shackled by her mind and father, perhaps, as she tried not to let on that she was changing.

“Half awake I wander through this house / Lost in a labyrinth and left with no way out / I built this hall of mirrors all myself / Faces staring back at me look like somebody else”

“Lost in My Mind” - The Head And The Heart

Everything is So Much. Thoughts of leaving but–

“Momma once told me / ‘You're already home where you feel loved,’ / I am lost in my mind / I get lost in my mind”

“Trouble and Woe” - Ruth Moody

The voices are awful, and the world is so bleak. People are cruel. Getting worse, and hoping it will get better. 

“This world is full of trouble and woe / All I see is trouble, everywhere I go”

“Little Bird” - The Weepies

People have noticed. Trips to town are much harder. The voices are louder. 

“Sometimes it's hard to say even one thing true / When all eyes have turned aside, they used to talk to you / And people on the streets seem to disapprove / So you keep moving away”

“Storm Comin’” - The Wailin’ Jennys

It’s getting worse. Nightmares getting more frequent. Control is slipping. And, you might notice this song is by the same artist as Laudna’s first. I do love a bit of symbolism. 

“Will you listen to that thunder roar and let your spirits soar / When that love calls, open up your door [...] / No, don’t run from the coming storm, ‘cause it can’t keep a storm from coming.”

This leads us to…

Connection

General note: a blending of both genres and styles. 

“Mostly” - Vian Izak, Juniper Vale

A prelude, almost. Are you real?

“I've bought up all my dreams and sold off most my heart / I'd been lying to myself just to bury all my thoughts”

“Maybe” - The Henry Girls

The timid hope of meeting someone and realizing you feel like you’ve known them all your life. Suddenly, things might be okay.

“I feel like I should know you / I feel like we have met before [...] / And all these things that I don't really understand / Would be much simpler if you'd only hold my hand”

“Dandelion” - Heather Maloney

A moment of peace. I like to think of this as Laudna’s adoration of the natural world and its beauty. Her will to bend the laws of the world to give Imogen what she deserves. And, on a more literal level, to offer Imogen the gift of flowers because Laudna has little else to her name. This song also begins the recurring flowers-in-hair motif.

“I have nothing but these weathered hands / And I live nowhere on this wild land”

“Rain Clouds” - The Arcadian Wild

A connection over shared struggles from both sides. A mutual agreement of trust. 

“I’m being frightened by the people / They look at me like I’m a scar upon their perfect skin / Perfect to only them / I’m being shadowed by my past / Reminding me of what I was and what I could become” 

“Daylight” - Watchhouse

Realizing that this person might’ve saved you. 

“My search was unending, and my soul was bare. And darling you came to me like a midnight flare.”

“The Devil In You” - The Haunted Windchimes

The joy of being seen. Of being known. 

“I've walked a long long way it ain't new / Here I sit face to face with the devil in you / It looks a lot like someone I've spoken to / We were broken together it's true”

“Curses” - The Crane Wives

The fear that neither is good enough for the other. Basic choice? Maybe. But it’s too good to pass up. 

"Every word I say is kindling / But the smoke clears when you're around / Won't you stay with me, my darling / When my walls start burning down, down, down?”

“Wildflowers” - The Wailin’ Jennys

You deserve better. You deserve the world, and I can’t give that to you. The feeling that this is too good to be true. Surely, it can’t last. 

“Go away somewhere bright and new / I have seen no other / That compares with you”

“Bruised Feet” - Haunted Like Human

Laudna’s invitation to leave. Together. An escape from mistakes and the past. 

“Do you want to hear the stories these bruised feet could tell / ‘Cause I’ve been chasing sunrises, throwing change in wishing wells / And I’m running to and I’m running from and oh Lord knows that I ain’t done / Running for the sake of running wild, so come with me child”

Unless...

ACT 2

On the Road

“Light in the Sky” - We Banjo 3

And they’re off on a search for knowledge and freedom. 

“So if you’re lost in the night / Stuck between the demon and the knife / As it traces a line across your heart”

“Apple Pie” - Lizzie McAlpine

Transient, finding solace in one another. Home after home. How long can this last? This one has a few more references to modern things than I’d like, but I can’t pass up the vibes. 

“Every house looks the same in my dreams / Every house feels like home for a couple weeks / I've been runnin' 'round trying to find a place where I can breathe...Home is wherever you are tonight.”

“Almost Home” - Keston Cobblers Club

In search of a person, a place to settle. As long as they’re together. 

“The clouds will break the wind will brace these sails of stone / And I have never known a journey take this long / But I'm almost home”

“You and Me” - You+Me

They fit together. 

“They say everything, it happens for a reason / You can be flawed enough but perfect for a person / Someone who will be there for you when you fall apart / Guiding your direction when you're riding through the dark”

“Witchcraft” - Vian Izak

I like to think Imogen is... realizing some things, and getting attached. (We all know she fell first.)

“It's witchcraft / And I've got no defense for it / The heat is too intense for it / What good would common sense for it do?”

“For My Emablmer” - Emily June

Laudna’s turn. Still seeing herself as a dead thing, a little confused by Imogen’s friendship but embracing it all the same.

“I hope you know I won't complain / If I decompose and you're to blame / Abandon your duties, lay down next to me / Grab my hand, feel no shame”

“Home to Me” - The Devil and the Deep Blue Sea

Keep coming back to each other regardless of what other people think.

“How dare you love me like you've never known fear / You've got more troubles than minutes in the year / And a voice like your father's tells you nothing good's for free / Well, that may be / But you're walking home to me”

“The Moon Song” - Brittin Lane, Mitchel Morse

Foreshadowing the importance of the moon later. For now, it’s peaceful. 

“We're lying on the moon / It's a perfect afternoon / Your shadow follows me all day / Making sure that I'm okay”

“You Are My Sunshine” - Lena Hall

Contrasting the last song, when the moon becomes too much… there’s the sunshine. Specifically for Imogen constantly fighting the pull of the moon, Laudna is the sun, her spark, her light. What happens if she disappears?

“As I lay sleeping / I dreamed I held you / In my arms / When I awoke, dear / I was mistaken” 

“Two” - Sleeping At Last

These two self-sacrificial, loyal, dedicated characters. Bonus points for “I will love you without any strings attached.” A double meaning for Laudna and Delilah.

“No, I don't want to talk about myself / Tell me where it hurts / I just want to build you up, build you up / Till you're good as new”

The Campaign

“Growing Up” - Run River North

Apt for both of them as they come into their own. Growing together as they explore the world, adventure with their friends, and learn to take what comes.

“I used to close my eyes / To what stirred under my bed / Now, they're open wide / To the monsters in my head / Instead of claws, they whisper lies”

“I found my way without your help / With broken family / I'll take my breaks with my sins / Do as I do, please / With my friends 'til the end / There lies my loyalty”

“Anything Can Happen” - Tors

Imogen is being pulled. 

“But even when I start to dream / Every little piece of me / Gets a little close to the edge of darkness / I know I've been here before / Long as I'm not falling off / I'll be fine”

“Crawl In” - Upstate

Things are getting harder, but they’re seeking comfort in each other after nightmares and bad days alike. 

“Crawl in my head tonight / Read my thoughts so I don't have to speak / It's been a long, long week but I'm tryin’ / To make do and stop fussin’ and fightin’”

“Bottom of the River” - Delta Rae

The crickets chirping continue the nightmare-ish theme of the last song. However. Shit’s getting real. Holding onto each other as they sink deeper. 

“Hold my hand / Ooh it’s a long way down”

“Raise Hell” - Brandi Carlile

Can’t believe Laura Bailey beat me to this song by 2 days with her Imogen playlist. It’s the perfect mix of angsty and bluegrass-folky. Being born cursed and learning your strengths. May or may not stick because of the substantial references to Christianity, but I do love it for Imogen coming into her god-like power.

“It came upon a lightning strike / And eyes of bright clear blue”

"I'll Bend But I Won't Break" - Red Moon Road

First of all, could that band name be any more perfect? Second, this song is such a good tribute to Imogen's character. The tempo is quick; the drums like rolling thunder; and allusions to dreams, storms, the dark. "Still I will endure" calls back to the second song in Imogen's section, "I'll Endure," and "Still in the eye of the hurricane" is both great storm imagery and foreshadows "Hurricane" which is a song further down the playlist. I imagine this during Otohan Round 1, but it may shift around the playlist depending on how I feel about the flow.

"Lighting lights the sky like it's looking for me / Flashes of the forces the dark has set free / Thunder strikes the land / With the mighty heavy hand / It rocks me to my core / I won't fall down / I'll stand my ground / I'll bend but I won't break"

“Bury Me Smiling” - The Ballroom Thieves

Laudna’s second death. Love and loss. 

“I stood in silence / A mind's worth of violence / Strung me a short rope / Round my neck / A love like an old home / Breathes in these dry bones”

“Afterlife” - Haunted Like Human

Laudna on Imogen’s desperate search to get her back. Asking Imogen not to waste her time. The choice to return. I particularly love the chimes. Musical thoughts and the reflection of death. 

“So darling don’t go digging up graves / When love is lost the afterlife is a choice you gotta make / So put the nails in the coffin, let them rust in place / But darling don’t go digging up graves”

“The Mountain Song (First Dance Version)” - Tophouse

The “I would do anything for you” of it all. Resurrection. Hope. Bonus points for flower-in-hair motif.

“Well the clouds rolled in / There was lightning there was thunder there was rain / As we hid beneath our shelter / All the doubts that we had felt / Came pouring in as a flood we had to face”

“Flowers in My Hair” - Wes Reeve

Yearning. A bit of good old fashioned wanting what can’t be had. I imagine this is the last of the first Whitestone visit and the orange tree is the golden glow of the sun tree. Whitestone Andy mention? Continuing flower motif. 

“I had a dream of a boy who loved me and / We danced in the leaves of an orange tree [...] / Then I went my own way, and you crossed the highway / But just maybe someday we’ll be, my pretty”

“Haven” - We Banjo 3

The Rudius arc is kicking into gear. “You have the biggest spark of anyone I’ve ever seen” vibes. 

“The moonlight's a path we can travel down / River runs wild with what has gone before / Cast aside for new and more and more and more and more and more and more / Let me be your haven / Let me be your light”

Moon Arc

“Wax & Wane” - Alana Henderson

Oooh tension. The drama. The moon is affecting the relationship. We’re starting to see a shift to a darker mood around the Solstice and all that’s around it. Mirrors “Moon Song” - “There’s nothing I’d keep from you.” Oh yeah?

“But we bent and we broke and I meant what I spoke / And the blame game does not produce a winner / We went as far as we could go we had to go that far to know / That we had nowhere left to aim / And no one left to blame but / The moon’s wax and wane and the turn of the tide”

“The Moon Will Sing” - The Crane Wives

This reminds me of Laudna during the separation and immediately after, starting to question everything, seeing herself as dark. That extreme co-reliance. Clinging to each other. Is it a good thing? Laudna starting to lean back into Delilah’s burn. 

“The moon will sing a song for me / I loved you like the sun / Bore the shadows that you made / With no light of my own / I shine only with the light you gave me [...] / I want to feel the fire that you kept from me”

“Always You” - South for Winter

The rush of reunion. The high-pitched start, disbelief. Then: the warmth of returning to Your Person. Being able to rely on them. A bright spot. 

“Should the blood red tides run o’er / Should our nightmares all come true / Should we lose this holy war / I know there’ll still be you [...] Oh my love / The skies are growing colder / Oh, my love / I need you more than ever”

“Tether Me” - Galleaux

In addition to the obvious tether relation, they’re both feeling pulls in different directions: Imogen to the red dawn; Laudna to the darkness of her mind. Being tied to her limbs earns you more puppet symbolism, particularly after Delilah's resurgence. 

“For a moment, I was gone /  The speed of light into the red dawn / In this space, do I belong?/ It’s dark out here in my own thoughts / Pull me back out of my body / I’m tied to my limbs”

“Blood Moon” - Saint Sister

The moon sure is tempting. The pulls for both of them are getting stronger. Things are getting darker, harder, more intense. 

“And so I wonder will those scattered pits / Take root behind your cracking lips / They are always doing that [...] / The hunter’s moon was bleeding red / The night you left our thorny bed / You were always, always”

"Stay" by Haunted Like Human

I try really hard to avoid repeat artists because I feel like it keeps my bias toward one band in check. However. I'm a little convinced this artist is straight-up writing about Laudna at this point. This song isn't quite as musically dark as the other songs by the same artist that have made the playlist. It's a little more acoustic/has more guitar as a connecting bridge to Imogen. Plus, it hits all these specific marks: 1) reassuring that the voice in her head hasn't got the best of her yet 2) begging [Imogen] to stay and to not give up on her 3) apologizing for the weight of her sins and that they're not [Imogen's] to hold 4) addresses [Imogen's] feelings about the voice in Laudna's head.

"Darling you don’t hold me close the way you used to do / And I wonder what you’re thinking when I’m reaching out for you / You’re trying to be patient, yea you’re trying to be kind / But I know that you’re still running from the demons in my mind / But I promise this thing in my head / It ain’t got the best of me yet"

“If We Were Vampires” - Baggio & Hannah Kol

The looming sense that one of them won’t come back. As the end draws near, even if the upcoming fights don’t kill one of them, Imogen will out–age Laudna. 

“It's knowing that this can't go on forever / Likely one of us will have to spend some days alone / Maybe we'll get forty years together / But one day I'll be gone or one day you'll be gone”

“Hesitate” - The Harmaleighs

They’re hiding things from each other as the tension builds. 

“You keep saying you love me / You keep telling me you’re proud / But you don't know who I am / 'Cause you're not even living out loud”

“Soothsayer” - Haunted Like Human

Not gonna lie this is my favorite song on the entire playlist. It is peak Laudna-Delilah. I would quote the entire song if I could. It’s dark, thematically perfect, and haunting. It's also by the same artist as "Afterlife," Laudna's "death" song to reflect that link. I imagine this is late C3 as Laudna continues to feed Delilah. My favorite line: “The thing that you hate / Is the thing you've become.”

“There's a price to be paid / But ain't that every trade? / You're just looking for strength when you're weak / Oh you know there's a flickering darkness / And it sings out like sirens to you / Yea it's sickly sweet and elegantly violent / But these debts that you take / They will someday come due / Hungry hands reaching up / Crave for more, lust for blood”

“Hurricane” - Bandits on the Run

While still being them having to navigate their relationship in the midst of the impending end of the world, this song brings to light Imogen’s relationship with her mother, too. She meets her mother in the storm. 

“They told us run for cover / Stay close to home and mother / Don’t seek out any other”

“Chasing Twisters” - Delta Rae

It’s time. Make or break. 

“I was born with lighting in my heels / Sewed a spur onto my ankle / Bit a horse under the steel / And I lost hope when I was still so young [...] / I’ll take you to the grave / The only love I’ve ever known / The only soul I ever saved / And I went home”

Epilogue

At the time of writing, we’re around C3:E95, so from here on out this is even more so my reinterpretation or guesses about the future. I’m hoping to flesh out this section and the middle/end of Act 2. 

“Oh Mama” - honeyhoney

Our transition song. The cacophonous high of the last song into the unbelieving stillness of the piano, the end of a battle. The world has shifted. There’s no going back. 

“All covered in mud the day is done [...] / Oh mama look at my heart / I’m useless now that it’s dark / We’re praying for rain a thunder of change / And lightning to lighten my way”

“If She Ever Leaves Me” - The Highwomen

Alright, this one’s a little self-indulgent, even more so than the others. But don’t we deserve a little wholesome “we made it” energy? I think it also nicely circles back to and reflects the shift away from the early-on Laudna "I'm not good enough for her; she's going to leave me" vibes we get in songs like "Dandelion," "Curses," "Stay," and even "For My Embalmer."

“I’ve loved her in secret / I’ve loved her out loud / The sky hasn’t always been blue [...] / She loves wild horses and tumbling dice”

“The Time for Flowers” - Emily Scott Robinson

The bookend and parallel to “Dandelion” from much, much earlier. This time, from Imogen’s perspective. Conclusion and continuation of flowers motif. “The skies are clear now. The moon is new.”

“I came upon a woman in a field on her knees / Singing ancient songs and sowing wildflower seeds / Tell me what the point in planting pretty things / In these days of darkness and disease [...] I have witnessed funerals and wars / Worried mothers, empty shelves, and empty stores / The storms will rage and the winds will blow / You are gonna find out that you're stronger than you know”

“Dance in the Graveyards” - Delta Rae

I always knew I was going to end the playlist with this song. It perfectly mirrors “Old Churchyard,” the first of Laudna’s songs. It's also by the same artist as the "climax" of the playlist. The drums give me Laudna, while the folksy sound gives me Imogen. Finding joy in death, in life, in love. Life will go on, new friends and old will come and go. And that’s alright. She’s happy. They’re happy. 

“When I die, I don’t wanna rest in peace / I wanna dance in joy / I wanna dance in the graveyards, the graveyards / And while I’m alive, I don’t wanna be alone / Mourning the ones who came before”

If you're listening to the playlist on a loop, you'll return to "Stories." It reminds us that it was all just a story. It will happen again. Stories and characters and people will move us, make us feel and hurt and love. It is an ending just as much as a new beginning.