#no hate to evil women I love evil women

[blupenguinz]

Bro for real tho what the fuck is up with Punchline. Like she just appeared one day and just.. didn’t go away. She’s like Harley Quinn except someone misunderstood her and Jokers relationship and she shops at hot topic. She’s apparently a ‘fan favourite’ yet I have yet to meet a single person who even acknowledges her existence (betting you they called her a fan favourite just so they could justify keeping her around for the marketable Joker dynamic). Why the fuck is she like the only woman in Batman comics thats unapologetically evil. Why make the only female character that no one cares about the bad bitch like that makes me so upset im going cry and go asleep forever .SHE HAS HER OWN COMIC LINE LIKE WTF I JUST FOUND OUT ABOUT IT LIKE RIGHT NOW LIKE GIRL WHO TF ARE YOU WHY ARE YOU DESIGNED LIKE THAT WTF. Slay I guess

[widebruh]

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[stardustizuku]

As someone who consumes a stupid amounts of Villainess/Saintess/Isekai shoujo mangas and webnovels.

I cannot stress how refreshing it is, to have most of the AoB villains be old men in positions of power.

Like, way too often these stories make the (cartoony) villain, a teenage girl whose biggest sin was to steal the men of the heroine.

Which, sure, it’s a bit shitty. But BY GOD the levels of cartoony villainy these girls are acted for the sake of a man is insane.

And for the better part of the AoB novels - the villains were mostly men. Men who searched to take advantage of Myne.

The first real Female Villain was Georgine and she’s such a GOOD one. Her villainy never comes from the interest she has on a man, but on the AUB position that was taken from her. And the fact that Myne was indirectly responsible for the death of the only adult who ever cared for her.

The rest of the villains are men. Kings from Lanzenave and the Knight Commander. Even Sisgwald to a degree.

Perhaps the only character that suffered this “cartoony” villainy is Detlinde. But she’s introduced until Part 4 and while never shown as sympathetic, you can logically understand why she’s the way she is.

But with her taking up so little time, and effort - compared to most characters like her in other series who are THE MAIN VILLAIN and end up as the focal point for reader’s hate - it feels so refreshing.

Like wow, FINALLY a series that doesn’t hate women 😭

[hamartia-grander]

Resident evil fans going "I love evil women" when it's Lady Dimitrescu because she's sexualised by the fandom but hating Mia with completely unwarranted vitriol when she's a human who made Mistakes. Do I need to keep saying it.

[chamberlains-ghoul]

When you’re browsing through the Ethan Winters shipping tags and it’s all Mia bashing/Rose doesn’t exist

[allgremlinart]

idk. how I look knowing about 10,000 interesting conversations about Zuko and Azula and sibling abuse dynamics are permanently inaccessible and implausible because any insinuation that Azula ever exhibited abusive behavior will get me 10,000 people in my inbox asking me why I hate her:

[thebestusernamepossible]

‘We need more morally gray women’ you can’t even handle Ceroba from Undertale Yellow

[queen0fm0nsterz]

Ended up pirating all of Hazbin for the sake of my younger days (used to be a fan when I was around 14/15, before all the stuff with Viv came out) and I am so surprised by how I felt... nothing for the most part. Like a lot of the show's storylines feel like they was crammed in there with no real pacing. A lot of this should have been season 2 territory, which is a sentiment I've seen echoed around, but also... it feels as if the show is trying to be episodic while also having a long narrative thread, which just doesn't work with just 8 episodes. Especially not when paced like this. So I kinda ended up feeling nothing for the most part. All the events got a "Oh, great, so what?" reaction out of me because there was little to no buildup to most of them.

Sir Pentious was always a fave of mine so I was glad to see they kept him around and, though I think we should have had more episodes with him as a villain, I think how he ended up was fitting for what little of an arc he had. I am livid about what they did to Cherri and Mimzy.

I fucking loved Mimzy, I have no idea why they sent her away -- having someone like her at the Hotel would have been a blast considering how the others are already on the road to redemption. She would have balanced it out by being a regular sinner, someone who doesn't care about redemption and won't probably ever care unless it's in her best interests to. Plus her friendship with Alastor was quite cute, they bounce off of each other very well imo. Plus I could see her have a bit of a conflict with both Charlie and Vaggie because of her ways of acting. I'm so sorry they took that from you girlboss.

And Cherri... dear lord where WAS she? She should have been a lot more present. I used to like her relationship with Angel and I even think Cherrisnake is cute conceptually, but both these relationship had... little to no room to breathe imo.

[arggghhhsstuff]

unpopular opinion maybe but i LOVED the witch in dead boy detectives. yes she was crazy yes she killed little girls for eternal youth yes she has a goddess in her mind. she would probably kill me if we met and she's evil. she's also super hot . and mean. how could i not love her. im just a girl

[prosebushpatch]

Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.

Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.

I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.

This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.

I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.

Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.

Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?

Simon.

Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.

Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.

Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.

Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.

Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.

[rabbits-of-negative-euphoria]

I feel like I'm missing the crux of the man vs. bear debate because it's so silly. of course I would pick the man, because neither my Sig nor jiu jitsu is going to take down a bear

[atopvisenyashill]

my hot take of the day is that clearly the people who swallow the in universe targ & valyrian exceptionalism are being completely taken in by the exact system that george is trying to critique but also i think the people who over correct into this idea that not a single targaryen is worthy of like, our empathy or sorrow or are rightfully chafing against the structures put in place by valyrians, first men, and andals alike are also being incredibly 2d in their analysis. i feel like this happens most often when people try to make the case that andals are somehow oppressed in westerosi society on a cultural level simply bc valyrian supremacy trumps andal culture. i think this is incredibly silly to say or posit as the truth in universe because there is in fact some oppression of culture in westeros but it’s not the andals lol!!! it’s the first men, the dornish, the rhoynar/greenblood orphans, and the ironborn. there Is some level of,,,, idk bigotry/xenophobia towards valyrians but only valyrians who don’t worship the faith - people like larra rogare, who still follow valyrian gods, do face this bigotry because they’re Too Foreign, the same way someone like thoros, melisandre, taena, etc who are essosi but not from a still heavy valyrian-based society like volantis and lys, and that’s definitely important to the conversation, because it shows the Dominant Culture is in fact the Andal culture when it comes to westeros and that’s like,,, fine, and even more interesting to me to see how andals, who have been the dominant force on westeros for thousands of years, interact with valyrians, who clearly want to keep ideas of valyrian supremacy alive somehow and essentially try to get the other dominant force in westeros to buy in (which they do!). like, are these two at odds sometimes? yes! but i don’t think it’s correct to say that the andals face ~prejudice for being andals or followers of the faith either!

[c0smiccom3t]

May the WII U and 3DS Online Play systems rest in peace and be remembered in our hearts.

Anyway Monita.

[palaceoftears]

Ooh, I try, I try, I try Try to rationalize People are people But it's like you're made of angel dust

- Lacy, Olivia Rodrigo