#no one asked im just rambling anyways

[soadscrawl]

too much by girl in red is so klancecore

[cubbihue]

Would the Hazel puppet we see in a few of the shows episodes be a kind of very basic changeling? Its obviously made out of way less unwishes than Chimmy but the similarities are too striking to be ignored.

YES! YES IT ISS.

Hazel's puppet is a very basic changeling. So basic, that it's only purpose is to complete one specific set of actions. When those actions are done, it disappears! It's quite literally and physically a sock puppet.

The differences between Hazel's changeling and Timmy's changeling is that their lifespans and construction is different. They serve different purposes.

Bitties Series: [Start] > [Previous] > [Next]

More information about changelings that's ultimately just world building ramblings. Lotsa paragraphs.

Hazel's changeling is short lived, low on unwishes, and more specific to the job.

Her changeling is a one-and-done tool. It only has to do one thing. "Distract the Teacher." "Distract the Mother." So it doesn't need a lot of unwishes, it just needs enough to do its job! As a result, it is made of low quality cloth, it can't verbalize, and it doesn't make its own actions.

Hazel's changeling favors Perceptional Magic. This is why Mr. Guzman doesn't recognize that Hazel's changeling isn't Hazel. He can't see that it's made of felt and sticks. It's constantly pooling out perception magic to warp how its being viewed.

For this reason, the changeling doesn't actually need as much connections as Timmy's does. It can exist by itself, or with Hazel, so long as it has just enough Unwishes to keep it alive. Maybe not stable, but, alive.

By contrast, Timmy' changeling is on the opposite end of this spectrum.

Timmy's changeling is a continuous tool. It must persist and adapt and grow. "Go to school" "Get a job" "Find a partner". It needs many unwishes to face many situations and scenarios. So the changeling has a more difficult build.

The magic it favors is different. Timmy's changeling requires Environmental Magic. People see it for how it looks. It has human skin and can speak the human tongue. But what it requires is a suitable environment. Otherwise, people will know it for what it is. Wooden and hollow.

The more developed and high-tech the Changeling is, the less it's recommended for it to see it's real counterpart. The bigger the amount of Unwishes, the more you want it to be stable and calm. Especially when that changeling's job is "Be Human".

[ashenberry]

[ID in alt]

hi hey hello. you should go check out @u3pxx 's piece for the mea culpa zine I just made a fun and silly continuation of it because im normal about it <3

more fun and silly shenanigans under the cut

[ID in alt]

[batbabydamian]

Met Joshua Williamson at NYCC during one of his signings! He said of all the characters he wants to protect the most at DC, it would be Damian because that’s his “baby boy” 🥺 Said he’s tired of people hurting Damian since he’s already gone through so much his whole life.

Asked him 2 questions!

What accent does Damian have?

Others have asked him but he doesn’t want to say, because he wants people to talk about it! He mentioned Damian has only lived in America for 4 years, and would naturally have an accent.

Who decided on Damian’s new hair?

Simone - Joshua said he didn’t notice it at first and then he was like “UMMM IT KINDA LOOKS LIKE TIM…”

He let it go because he thought about how Tim has had different hairstyles, and Damian is young and still growing.

[lovesickeros]

lord its so dark in here the sahara desert of tsaritsa content you are like a shining oasis. your characterisation of her compels me & mihoyo would be hard pressed to top it imo.!! caaaaan i humbly request yr thoughts on her first meeting w a reader of any kind, or maybe even multiple kinds (sagau, sagau god au, isekai, etc) if you so desire...

it really is like a desert here. being the fan of a character we aren't getting until the last damn nation is driving me up a wall but i will persevere bc if nothing else i support morally bankrupt women in media. we r in a severe drought over here but i do my best. unfortunately nothing i say is ever coherent so pull out your translation notes its abt 2 be messy

also this got out of hand but thats bc first meetings w the tsaritsa are tricky to write + a LOT of her characterization lies in deeper exploration then just surface level yknow...NOT A DIG AT YOU this is just my excuse for rambling. gently pats the tsaritsa she can hold so much complexity i do not have the word count to delve into it completely :]

gonna talk cult au for a bit here though because that's 99% of my content. and honestly? she thrives in sub au's of the cult au like villain au + imposter au. it's basically made for her. i mean, early days, the imposter au had been going around for a little while but one of the first few ideas was the Fatui taking reader in so like. it kinda technically actually was. pretty sure cult au Tsaritsa popped up because of the imposter au. a lot of it's writers kinda left though which. man am i getting old or.

anyway.

there isn't much of a chance her first impression is all that positive. at best it's usually neutral, imo, but rarely if ever positive. specifically because i view the Tsaritsa as someone who isn't as fanatical as most of the acolytes typically are towards the creator. she's not exactly going to worship the ground you walk on unlike a certain geo lizard. which is partially why i think she thrives in the sub au's i mentioned.

imposter au, for example. she meets you at your lowest. there's no gaudy extravagance or pampering from the acolytes waiting for you because your own acolytes have turned on you. for all intents and purposes you aren't a "god" at all. which is why i don't think she meshes well with normal cult au reader. the Fatui are made up of outcasts, basically, and imposter au slots right in just perfectly. you're weak, at your lowest, when you meet the Fatui in the imposter au. and the Fatui can help you, too.

a mutual exchange, really. the Tsaritsa sees a tool she can use to one up the rest of the nations and especially Archons, and she has no qualms about you using her and the Fatui in turn. you both want something out of it, after all. whether you just want to be safe from the rest of the acolytes, or you want revenge, or whatever else..she'll give you the power to fulfill it, and she gains the strongest piece on the chessboard when all is said and done.

the best way i can describe the first meeting is "practical", i suppose. she sees an opportunity in you. the ultimate gamble. because if she "saves" you, and you dont trust anyone else because they tried to kill you, well..she holds all the cards, doesn't she?

but the Tsaritsa, imo, is just as capable of being just as fanatical towards you as anyone else. she just won't worship you as the creator. but as yourself? clawing your way back to your divine power and taking back what belongs to you? the Tsaritsa is, to me, a character who's character flourishes in long-term fics more because she changes a LOT between "just met reader" and after having been with reader for some time. she's practically apathetic at the beginning but a lot of her character, in my characterization, shines through LONG after the first meeting.

[kelocitta]

What why??

Theres a few reasons! I do want to clarify that I do like Saint and their campaign in a bubble, and still like downpour as a whole, they're just the most 'off' in terms of overall.

This is going to be very messy, and I haven't fully yet made up my mind on a lot of things

For starters Saint themselves... Downpour is for-sure less grounded in naturalistic biology than RW vanilla- and thats fine. The base game slugcats are all relatively mundane for a reason, but that also means their overall variety is limited- so downpour mixes that up with a bit of a fantastical slant and then tries its best to re-ground it various ways (Spearmaster is genetically modified, Gourmand is just very smart and very big, Artificer is implied to have been mutated by a toxic environment, rivulet is just fast and evolved for increased flooding). The issue with Saint here is that they are, by far, the most ungrounded in any sort of reality and a bit more 'magical'- but that aspect isn't really explained past maybe a short nod in the general direction of something. This isn't exactly a flaw in itself, but it does mean we have something immensely powerful in a way that's very... contradicting to the general vibe of the world. Especially as a little animal. Something like that can work, but its hard to make work, especially in a world set up like RW is. And then the campaign itself... for starters, I think its one that naturally going to be very polarizing depending on the way you read various things about RW- the characters in it, the things it touches on, and your own personal outlook on life. I'm a nerd for evolution and 'life finds a way' type stuff, and for me Saint goes a little too far in direction I don't really vibe with. Its really hard to explain here, but I'll try. For probably the most minor thing, the environment. There's a sort of undercurrent that the frozen over tundra of world as is a 'dying' environment. The undergrowth echo does add a counter to this mindset (By pointing out there is still life and beautiful blooming in a increasingly barren world) so its not the biggest thing, but its a outlook a lot of people tend to hold to begin with, so the ways it reinforces this is a little... sour? I suppose. Deserts and tundras and areas of low life are not dead or dying environments- they are their own ecosystems. They exist and are needed. Many things can not survive them. Many things can. Worlds and ecosystems are naturally always shifting and changing, and ecosystems like deserts and arctics stand equal to rainforests and coral reefs. We see some creatures have failed to adapt and died off, but so many others have begun to carve out their niches and are changing with the world- I think a tundra is a great metaphorical 'the world is shifting away from its old self' type thing. Everything being broken down and changed once more and a lot of things aren't surviving, some are, but changed. Metaphorically that is great. But Saint is there as a big, literal kill switch on the world (Small aside that yes, kill is an inaccurate descriptor. Ascension is by nature 'something else' than dying.) Its just a little... wrong, that the implied shift in what the world is- the last stains of the Ancient's being washed away into something new and independent, is being done with the literal removal of those remains rather than the natural clockwork of the world. Even without Saint there things would die and shift, iterators would crumple into nothing, buildings would break and become dust and rust- and from all that things would still claw their way to the next day. Their offspring and offspring's offspring would grow ever more different from them, until they hardly match. Something new would be borne from the dusts of an old one forgotten. Tundras would freeze over into something else, a change in the atmosphere would trigger a shift, and ice would melt into water once more. Thats another great big thing everything is a small part of. (For some reason if this space isn't here this whole post breaks?)

Its sad, but theres a beauty in the way things lead into each other- erased in anyway meaningful way but their ghosts still etched imprinted into the shell of the new. Both insignificant and yet strangely important. I don't think Saint is implied to 'succeed' at all, of course. I think its very much hinted at that they'll be at whatever mission they have forever. But is also feels implied that this mission is supposed to be the intended end of the Ancients' 'era', pieces bit by bit ascended, finally removed from this cycle they can't perceive themselves as even a part of- and that even with this there will still be something new that takes their place. Their whole goal is ascension, so it makes sense ultimately. But it just feels... something is off about it, and maybe thats entirely on me. There's something I just don't like about it. A long time ago I was asked about Saint and the void worms (you can read that here, although note this was pretty early into DP's release) and I do think at least part of that is the idea that Saint pulls control from things. The worms, buried deep in the void sea, the last step to ascension... Crossing yourself out feels like a weighty choice, but one you have to seek. So a sort of mobile ascension that does it for you, these lizards and bugs that couldn't possibly comprehend what ascension is, creatures that mostly just know survival and all its ills... it feels like it skips all that weight behind that choice. The underground Ancient, stuck midway, says it was never something they really wanted anyway, seemly contended to be in the in-between. An outlier for sure, but an outlier none the less- one that makes it clear that things can comprehend the weight of ascension and what it offers and understand the world and its ills and still want to be a part of it. What does that mean of Saint, a system that brings that to you, without say? Sure most of the creatures they ascend are simple things, the others are iterators- Beings designed to seek that solution and even want it for themselves but to barred from being able to achieve it. These are all things that it should feel good to grant the blessings of ascension too, that final peace that is neither living nor dying, but I just think about that echo and the way it makes it clear that many, if given the choice, would not want to be crossed out. I like it in a bubble, removed from those things, but I don't know how I feel about it in the greater scheme of things, as a sort of end to rain world. If there is one thing I do like a lot though, its the finale- with the worm. It gives Saint's place in the world a distinct sense of wrongness, something capped at the void worms. The void worms are just... still at the center. Something ancient and unbreakable. A rule of existence Saint doesn't- can't, bypass.

[winryrockbellwannabe]

this guy is honestly making me question too much shit

bc there's no way in hell is just that nice, right?

at this point either: 1. he's being this nice and kind bc he has a crush on me, 2. he's honestly that nice, which will make me have a crush on him, bc omg. he's just the nicest person ever

[torrentofhermits]

doodled two of my fav moments from ren's latest ep

[crystallizsch]

I want the infodump on Jamil and Yuusha ma'am I beg

THIS HAS BEEN UNANSWERED FOR A MONTH IM SORRY AUGH

but thank you so much yes im okay im normal about them i’ll do my best (for context i mentioned in the tags of one of my posts a while back wanting to infodump about them, but i forget which one it was jfkdlsjhl anyways-)

this won't be a full info dump because i think that would somewhat restrict my dynamic of them if i put it all into words (if that makes sense) ;;;

and i realized i lowkey dont have a coherent timeline for them (yet); i just put them in random scenarios of what i think would be fun at the moment

to make up for it i'll also put a silly self-indulgent sketch dump all below ;;;

I JUST REALIZED I DRAW THEM MAKING EYE CONTACT A LOT (bc something something there's a level of trust that jamil wont use his snake whisper on yuu anymore)

okay now for some random jamiyuu dynamics/hcs/lore

yuu fell first -> yuu lost feelings (bc why would you trust someone who took advantage you) -> ✨ then something happened ✨ -> jamil fell next but harder.

highkey disliked each other -and showed it- in the beginning bc of the whole scarabia drama; then an -accidental- act of service got them to think differently about one another. like "holy shit maybe they're not so bad after all???"

extremely slow burn.

very competitive with one another which then bled into their "flirting" / affectionate acts when they eventually became closer.

basically: “sweetheart” but rivalry -> “babe” but platonically -> “bro” but romantically pipeline.

(“are you flirting or starting a fight”)

yuu kinda throws around “love you” a lot, especially to her close friends; so -during their “platonic” stage- for some reason, jamil was the only “friend” she has not said this to. but it’s okay it’s not like jamil had referred to her as the “f-word” (friend) anyway.

had a mutual agreement that their romantic relationship is temporary because of yuu wanting to go home; they’re just going to “try it out” “no hard feelings”.

yuu made jamil promise to never use snake whisper on her ever again.

jamil: personal beef w/ bugs + afraid of them; yuu: personal beef w/ bugs (w/ a few exceptions) + not afraid of them, just generally pissed at their existence.

dancing and music lowkey became one of their love languages.

kalim genuinely became one yuu’s best friends because of how much they hit it off. jamil always third wheels them no matter the circumstance.

yuu loves grim more than jamil; jamil knows this very well. and so does grim.

[kazumist]

alhaitham is the type who thinks hes talking to you in a silent voice but in truth everyone in the damn room hears you and finds it cute how you're just talking to one another like that in your own little world together (more in tags. kinda)

[sugarsnappeases]

kara i wanna know allllll about your reg. tell me EVERYTHING <3

so obvs canonically pretty much the only thing we know about reg is his betrayal of voldemort and the cause etc etc so i like to centre that in most of my thoughts about him……

he joins the death eaters bc he’s a loser w a freakish voldemort obsession who has like three friends and bc he’s lonely and he hates sirius and he wants to spite him by joining the group to which he’s so opposed. he wants to prove sirius wrong and prove himself right and i believe wholeheartedly that, even if he was influenced somewhat by the way he was raised and by the circles he runs in, he joined the death eaters completely of his own volition!!! i’m passionate about this!!! i think it destroys the nuance of his character to say that he was forced to join or that he joined w the intention to betray them all along or whatever . to me, he was fucking gagging to be a death eater and he’s so smug when he’s allowed in. i picture him ranting to barty and evan about ‘the great honour that has been bestowed upon him’ whilst lovingly stroking his dark mark

anyway, then he gets scared. he’s just a boy!!! and he realises he’s in too deep when it’s far too late… to me he just can’t stand the violence of the death eaters. like he’s a blood purist and further than that thinks he personally is superior to pretty much everyone else, on account of his black blood, but he hates that he has to get his hands dirty in order to see his idealised vision of the world (sans mudbloods and blood-traitors) realised…. he’s soft and weak and squeamish and lonely and always so so miserable at all times as a rule. he also tries to hide how scared he is by being a massive bitch. classic.

then he realises that tom has a horcrux (and imo he would figure this out fairly easily after the kreacher thing, bc he’s smart but also bc tom read about them in a book in the HOGWARTS LIBRARY!! so it’s not much of a stretch to say that the same book and probs further, more detailed books would be in the library at grimmauld, likewise in most of the darker pureblood family libraries…. this is another thing i’m passionate about. horcruxes aren’t this big secret. nobody makes them bc nobody’s a fucking idiot like tom is. they’re also warned off properly by their rents. tom doesn’t have this…. ANYWAY) he realises tom has a horcrux and that the guy he’s idolised and basically sold his soul to is fucking bonkers (shameless self promo - i write a bit about this realisation in the regulus letter in my fic ‘where can i put it down?’…. makes me crazy) and he’s scared and alone and he wants out and he does the one brave thing of his life in dying…..

and he doesn’t think it’s a brave thing. he tells himself that sirius was a coward for running away and betraying them and specifically him. he tells himself he’s being brave, braver and better than sirius, when he’s like sticking it out, joining the death eaters, following the role prescribed to him, so when he decides he’s gonna go to the cave it’s like giving up, it’s being a coward, its admitting to himself that he’s never been better than sirius no matter how much he want or tries to be, it’s betraying the cause and everything he’s stood for but he HAS to do it. for sirius and for kreacher and for himself and for the chance that maybe he’s not past saving. he spends his whole life trying to be good but in the sense of behaving and then his death, his first (and last) real rebellion, is the only time that he actively attempts to be good in terms of a moral act even if it has nothing to do w a renouncement of blood purity. and i don’t think he fully realises that when he does it bc it’s all so tangled up in other things. and i’m not saying that he’s like morally reprehensible the rest of the time (he’s just a boyyyy) but the majority of his active choices have been kinda bad ones up to this point even if he’s been like . passively good . and also literally just a child. an angsty teen if you will

his life is marked by inaction and bad decisions and his final act is kinda the antithesis of this and it’s tragic bc he’s not ever going to survive it. and sirius is never gonna know. it makes me miserable. does any of this even make sense lmaooo basically he’s a loser and he misses his brother and he’s so lonely and he loves sirius so much even as he hates him and he’s quiet and he wants so desperately to be a good death eater bc this is everything he’s ever wanted but he just can’t in the end!!! he’s just a boy!!! a boy who would nurse birds with broken wings back to health and cry when they flew away, a boy who would hold his brother’s hand and hang on every word he says and exist almost entirely in sirius’ shadow until said shadow is suddenly gone and he’s left reeling, a boy who’s so so soft and gentle but who hides it all behind layers of barbs and cold remarks, a boy who is desperately desperately sad and scared and GOD I LOVE HIM……

[ninja-knox-ur-sox-off]

The way I have not written a single word for like a month it feels like I have been busier in the last two weeks than I have been in the last four years of my life and will continue to be busy for the next two weeks I got one day between a four day family trip and a sib visit gotta sew a monkey during the trip and if monkie kid drops in that time I will simply combust

[carnivalcarriondiscarded]

do—

Do Howdy and Barnaby ever get together in your human au 🥺🥺

of course they do, who do you think i am

oh BOY do i have things to say about human!Laughingstock! im so unwell about them allow me to talk and talk and talk and ta-

~

so in this au they're like... the ultimate slowburn. their feelings for each other slowly simmer and grow over the course of *checks nonexistent watch* a lil over a decade i think. it's not very dramatic - just soft & silly w/ just a heap of pining and a pinch of angst for Flavor

it starts when they were teens - Howdy had a lil crush on Barnaby in middle school. and how could he not? Barnaby was cute, hilarious, and kind. at this point, they weren't friends! Barnaby knew Howdy's name, but only because they'd shared a school since elementary (as with 6/7 of the other neighbors) & speaking from experience, you just Know Those Names. Howdy slowly "grew out of" this crush, especially when the friend group started forming and he & Barnaby became actual friends.

that crush would fluctuate over the years. It starts out strong and then softens into just this hum in the back of Howdy's mind. always there, often easy to ignore, just... part of him, in a way.

Barnaby has a similar experience. when he and Howdy became friends, he got a lil crush - how could he not? Howdy was cute, laughed at all of his jokes and had a few of his own, and was endearingly eccentric. but at the time, Barnaby didn't recognize the crush for what it was. so he elected to ignore it until the crush dwindled to something easily manageable, something he wouldn't realize is still there. as with Howdy's, it'd never fully go away

and its noticeable enough to their friends that they'd all kinda side-eye how touchy Howdy & Barnaby are with each other (Barnaby is a physical guy, but damn. if Howdy is nearby they Will find a way to be touching at all times), the way they always laugh at each others jokes, the way they always ask "where's [x] / is [x] coming with" whenever the other is absent. but the group couldn't be sure if they were looking into it or not. it's too subtle. over time they get so used to it that they don't bat an eye - Howdy is Barnaby's best friend after Wally. of course they're close!

but then there's this one college party Howdy drags Barnaby to (and by extension, Wally). they're drunk off their asses, Wally's edible has kicked in, the party is pretty chill and everyone is having a decent time. all three of them are on the couch, and Barnaby and Howdy start drunk-complimenting each other. naturally, this feeds their mutual attraction, and one thing leads to another! they make out on the couch. naturally with Wally sandwiched between them, snacking on chips and committing the moment to memory (it's a surprise tool that'll help them later!) neither Barnaby nor Howdy will remember this

now, something i'd like to state for Barnaby in this au! he has had a lot of relationships - from one night stands to actually dating someone for months. sometimes the one night stands were a "he takes someone home after a date, & they leave while he's sleeping and ghost him" situation. with actual dating, the other person always breaks things off after a few weeks, if not days. it breaks Barnaby's heart a little bit every time. to the point where in his mid-20s, he just... stops dating. he avoids other people's advancements towards him, he always takes a friend with him to bars/etc as a buffer, he becomes an expert at gracefully turning people down

("why, pray tell" no one asks "do they always leave him? he's such a catch!" that he is! when he was in school, it was his friend group. he'd try to introduce his 'girlfriend' to his friends, and it'd be an immediate "eugh, you're friends with those freaks? no way!" as an adult, people found it off-putting how (by societal standards) unusually close he was with Wally. also, again, a "weird" friend group. they'd think it's too much, or just not their scene, or 'why don't you date your little blue haired boyfriend', etc. Barnaby never holds it against Wally or his friends. he has the mindset of if that person was the one, they would accept every part of Barnaby - and his friends are indeed part of him. Howdy has also dated around a little, but to a much lesser extent. he's too busy! he doesn't have time for that!)

but the ball really starts rolling in their late 20s. something the group does together - as a fun lil rare hobby - is LARPing. they get really into it! Sally made them all custom costumes, Julie helped make the weapons (like a giant sword for herself), etc etc. they fully commit to the bit (even Frank <3). so at this event's point in the timeline, Eddie is fully integrated into the clique, but that's unimportant - just to show where we are!

so they're all doing their thing, it's a pretty big LARP event - there's always way more people than our dear neighbors, yk. they're just part of the crowd! & there's a big battle hosted, the group is split between teams, but Barnaby & Howdy are on the same side! yay! during the battle, Barnaby is "mortally wounded." Howdy half-drags him away from the main battle under the cover of their teammates (including Eddie and Julie) and sits him down by the tree. now, Howdy & Barnaby are the ones who get into the roleplay the most. they get lost in the sauce! they perform the hell out of everything they do!

& since Barnaby is "dying", he really acts like it. Howdy acts accordingly, but again, they get a little too emotional, a little too into it, a little lost in the sauce. genuine tears are in their eyes, Howdy's voice is genuinely shaking a little as he holds Barnaby in his "dying moments" (Barnaby is holding the sword between his arm and his side. he has ketchup on his armor.) Eddie and Julie are getting choked up just watching this happen. and as Howdy & Barnaby look into each others' tear-filled eyes, those little feelings that have been so quiet for so long come right back babey! full force! but then they all get hit with "arrows" and have to die right there and then, and the moments over. but! both Barnaby & Howdy walk away from this LARP session grappling with Partially Realized Feelings.

Barnaby struggles with this the most, since yk at this point he's sworn off dating. he's being careful with his heart! but when he tells Wally all of this, cause he tells Wally everything, Wally's like "oh. yes, i know! remember that one college party where you two kissed for an hour". and then he goes on to point out every instance where he's thought "right, Howdy and Barnaby are in love" (bc Wally is way more observant than he lets on! he saw that shit! his peepers were peepin!)

BUT IT'S STILL A SLOW BURN BABEY!

Barnaby and Howdy don't approach each other about this. they're both in the boat of "well, i'll just keep going and see what happens" to the point where they're practically dating without ever saying anything to each other. Howdy notices how Barnaby lingers around the store more. Barnaby notices how Howdy keeps turning up at his work to talk more. (they already chat so much...) but they still! dont! say! anything! but they both Know! they're not emotionally circling each other they are Dancing to their Own Music!

and Barnaby is letting himself believe that this can work because, well... Howdy already accepts him as he is. Howdy is part of the group. Howdy loves Wally just like the rest of em. Howdy has seen Barnaby at his (presumed) worst and didn't even flinch! as for Howdy, well, he just thinks this is right! his whole life no one has really caught his eyes or heart, but Barnaby is different. he's always been in Howdy's peripherals. it feels natural to love him so deeply. Barnaby slots into his life like the final piece of a puzzle!

there's a lot of stuff that happens in this inbetween state - Howdy's store burns down & almost takes him with it, there's some family drama that needs to be handled, The Crash happens, etc etc etc - so it's a while before they "actually" get together. but they're both patient! they've waited this long, even if they didn't know they were waiting. neither of them are in a rush. they're young. they have time.

[northern-passage]

i've been thinking a lot about the word "representation" and what it means and how it's changed over the last few years, particularly when it comes to the writing/publishing landscape but also in movies and tv shows… and i really don't like it anymore. to be clear, of course i think it's important to have diversity in your work, i'm not saying i hate the concept of representation. but i do really dislike the way it's used now, and i really just hate the word itself

in a broader sense it's just become a marketing tool. i'm not impressed by any publisher or author who just describes their book by listing all of the minorities/identities the characters represent as if that should be enough. it feels very gross, very exploitative and disingenuous. it also really bothers me because it's always marginalized identities- which i understand Why, but it feels very othering to me (and again. Very exploitative as an advertisement). you would never list out "cishet able-bodied white man" as a character description to pat yourself on the back over. so why do it to everyone else? why insinuate that one is the "default" and the other one is "special"? (and when i say this i'm mainly talking about advertisements/marketing. i understand why people would specify about characters in descriptions with the plot, but i don't like to see an ad that's just "this book has gay people!" with nothing else)

which then leads me to my other point, which is that a lot of people treat "representation" as if it's "too hard." like "oh i don't know enough to write about that, i don't have that experience, etc" which is a fair way to feel! however… it's weird that people only say this about writing trans characters or characters of color. i'm writing a story right now with a character who is really into motorcycles. i personally do not know that much about motorcycles, so i researched what parts are what & what different kinds of models there are & what basic bike care looks like. i guarantee Most people will have to google something at some point in their writing process. so what's the problem? it also, again, feels very othering when authors treat certain groups of people as "impossible" to write, "too hard" to understand. they are just.. people. you write them as a person. and then you figure out the rest later.

and i think part of the refusal or fear to write something outside of your experience is because of the way representation is treated as So Special. these characters are So Special that they aren't allowed to be anything other than "representation." they're Not allowed to be characters with complex emotions and interesting motivations, they have to just be Trans or Gay or Disabled or whatever. they're not allowed to be people. which means, at the end of the day, we loop right back around to where we were at the start….

there is bad representation. there are depictions of certain marginalized people that are harmful and that are damaging, i'm not trying to minimize that or argue against it at all, in fact we should all be mindful of that while writing and reading. but i also think it's possible to swing too far in the opposite direction as well and put certain groups of people on a pedestal and not allow them to do anything at all but be Perfect Representation, if that makes sense.

[shalomniscient]

sevchino req!!! wanna see protective arle to the children please,,,,,,father in action raahhhh

you and me BOTH anon 🥺🥺🥺 ......................

protective || sevchino

cw. none (?)

notes. yeah i like bullying pantalone (and not in a fun way like a bully rahu). sue me. also super self indulgent with no consistent pov dshjjdfhk

"My, my. What's a little girl like you doing in a place like this, hm?"

Estelle hugs the little bear closer to her chest. Her father had told her to stay in the office, but she was taking so long, and it was starting to get lonely...

She lifts her eyes up from the ground to look at the man crouched before her. He has long, dark hair that reminds her of her father's with how soft it looks. He has a polite smile on his face, but it doesn't reach his eyes. And his eyes—something about them made her nervous.

"I'm here with my father," she answers quietly, squeezing her toy. "I was supposed to stay in the office, but..."

The man clicks his tongue. "Tsk. Poor little thing, did your father leave you behind?"

Estelle bites her lip. Should she answer him? Father always told her not to speak with strangers, but it's been so long, and she wants to go home. She knows she'd begged her father to let her tag along, but now, all she wants to do is go home to her mother and Noé.

So she nods, looking back down at the ground. The man sighs, and rises back to his full height. He's tall, towering over her, and the way the lights backlight his form makes Estelle reflexively take a step back. He looks down at her down the bridge of his nose, the silver rim of his glasses glinting.

"Then how about I help you find her, hm?" he asks. "I think I know exactly who your father is."

Despite her apprehension, Estelle brightens. "Really?"

"Really," he nods. His white cloak parts, and he extends a gloved hand to her. But before he can take her smaller hand in his own, an arc of pure, blistering flame snakes around the girls feet, creating a protective, blazing wall. But around the girl, the fires cool, warm and comforting instead of threatening.

Footsteps echo like thunder down the hall, and the man tucks his hand back into his cloak, those dangerous eyes turning sharp, and a venomous grin creeping onto his face.

"We meet again, Knave," he sneers. Estelle turns, and standing behind her, expression twisted into a level of fury she's never seen before, is her father. A blood-red wing pulses over her left shoulder, flickering and shifting in the light. In her father's hand is a mean-looking red scythe, radiating a furious, hungry aura.

"Stay away from my daughter, Regrator," Arlecchino snarls, practically vibrating with rage. She keeps her eyes trained on the other Harbinger as she kneels down, and Estelle runs into her waiting arm. Pantalone watches it all with a deceptively placid smile.

"You know," he hums, "she has her eyes."

Arlecchino glares at him with enough fury to kill a normal man. But as much as she loathes the waste of breath before her, he is still a Harbinger, and Harbingers have always been far from normal.

"Do not speak of my wife," she says lowly, dangerously, cradling Estelle against her chest. Estelle tucks her head beneath her father's chin, one small hand winding tight in her father's jacket and the other clutching her bear plushie. The little thing's fur is slightly singed. Then, her father's gaze shifts from the man and to her, and her eyes soften. "Are you alright, starshine?"

Estelle nods, snuggling closer against her father's warmth. Arlecchino presses a soft kiss to her forehead, then turns back to Pantalone. She dispels her scythe, but it does not make her any less deadly. She considers, briefly, ripping the man before her to shreds; but Estelle takes priority, and she'd hate for her daughter to have to witness such violence, so she turns on her heel and walks away instead.

She will ensure the Regrator understands that her family is off limits in other ways.

[olivewormz]

ELLO!!!! GUESS WHO REDID HIS METAL SLUG DESIGNS!!!! i guess you could call it that uuhm

but YEA!! i've been thinking a lot about metal slug lately and i just... couldnt resist redrawing my versions, hopefully i do more in the future for more characters n all, i really want to post more metal slug stuff, i love LOVE these silly guys

im not writing anything at the moment cause i really didnt change my headcanons and im kind of tired to write proper paragraphs (i should stop staying up until 3 am to finish drawings? maybe).