#not a post about the characters themselves

[vigilskeep]

hello! you know a lot of dragon age lore so i thought id ask you— i saw a post earlier that was discouraging to me aa trans person where the op said that veilguard having top surgery scars in the cc goes against established worldbuilding. does it make sense for top surgery to be possible in thedas? thanks

my rule of thumb is that in a world where healing spells exist, there’s absolutely no logical, believable reason for it not to be possible. you don’t have to go back and provide sources about historical surgeries—which is something i personally know nothing about—for this to be true

like, i just can’t take this line of thought seriously. ohhh we can have floating cities and magical neon lights and spirit healers who can mend injuries just by passively standing next to you, but we draw the line as soon as it’s something that would make our trans players happy! it’s so transparent. do not listen to these people or let them discourage you

if you want to get into the worldbuilding potential of it—which is just fun to do—we can probably guess that for the top surgery scars to be as neat as they seem to look in the veilguard character creator, similar to modern ones, magical healing was involved. now i do believe that the chantry might get suspicious of body-altering magic, that magical power is hoarded by the circles in the south and the wealthy in the north, and also that “out” trans people are a minority in thedas. so i’m not saying that this is something easy for your average guy to get hold of. that’s where you can feed it into backstory. are they powerful and connected enough that they could find specialists willing to go beyond the ordinary? or do they have underground connections to hidden apostate healers, whose only priority is what helps (or perhaps just how much you’re willing to pay)? do they belong to a culture that might not be restricted by the chantry’s norms about gender or magic, like the dalish or the rivaini? or do they belong to a mage-focused community or order, who among themselves do whatever they like? endless options

some might be referring to a line in dai from krem, a trans man, where you can ask him about potentially changing his body with magic and he essentially says he wouldn’t let magic that could do that anywhere near his body, though when he was younger he might have dreamed about the possibilities. firstly, krem is absolutely not the gold standard for trans representation and nobody should care about being flexible from what bioware put out a decade ago. secondly, krem is a random mercenary who knows one (1) mage, who spends the entire time insisting she’s not a mage. i very much doubt he’s the no. 1 source for what might be magically possible in this or any regard

also ultimately, and i cannot express this enough, you can do whatever you want forever. it could be absolutely fundamentally impossible in-world somehow and it would still not be that serious to be “unrealistic” in the dragon video games. don’t let anyone discourage you from making the character you want to make. it being an option makes it canonically part of thedas, end of. they put it in the game and nobody bitching about it can take it out

[thepersonperson]

Gege is doing to his characters what they did to jfk there's so much character assassination happening djsjdsnsdjn

This ask was sent to me shortly after I complained about JJK 269 leaks. (Aka before JJK 270's release so be nice to them.) And while I still agree that chapter contained character assassinations, JJK 270 has given me a good reason for them. 

Since my other post related to this topic was trimmed down by Tumblr’s 30 image limit, I’m going to use this ask as an excuse to this burning question...

Why does everyone feel so out of character in JJK 268–270?

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

4) Written as of JJK 270.

5) Read the light novels.

(Another extremely 'hear me out' discussion under the cut. Click pictures for captions/citations.)

Preface

This post is banking on the framework I set up in the previous related post so please read/skim over it. (If you don't? Just hear me out!)

Short Summary of the Previous Related Post:

Yuji is projecting a massive delusion onto Megumi that gives him a happy ending. JJK 268–270 is a mesh of Yuji and Megumi’s memories and dreams that serve to rationalize all that’s happened to them in a way that allows them to forgive themselves. Sukuna’s vessel memories are probably mixed in too.

Because of this I’m assuming the following:

>The battle recollection in JJK 269 is Yuji constructing explanations from his, Megumi, and Sukuna’s memories during their battle. Neither of these 3 ever knew the plan in full. This can explain why so much of the battle recollection is wrong.

>The characters we see outside of Yuji and Megumi are constructs based on their memories of these people. They’re more like representations than the actual characters.

I don’t know if it means they’re dead or not, but that doesn’t matter. I want to explore the way the characters feel off can be explained by them being memory constructs.

In the previous post, I used "Without love it cannot be seen." from Umineko to give my best faith reading of these past 3 chapters I've hated so much. This time the tool I'll be using is:

"Flipping over the chessboard."

This refers to how one should try to see things from a different perspective.

Memory in JJK

A neat touch that has always been around in JJK is characters remembering others as they last saw them. When Gojo recalls his best students, Hakari has a very different hair style from when we meet him. His recollection of Yuta's is accurate though. When Panda recalls Yuta, the hairstyle differs from what Gojo recalls. And when he recalls Kiara, he mistakenly refers to her as a guy.

This all can be explained by considering when Gojo and Panda last saw these characters. Gojo last saw Yuta in Kenya with Miguel where he changed his hairstyle. Panda hasn't seen Yuta since he's left the country. Neither Gojo or Panda have seen Hakari and Kiara for a very long time.

Their memories reflect how they last knew them. Kiara is a whole girl now and Hakari is blond. But if Panda and Gojo never saw them again? Those memories would be true to them, even if it’s no longer accurate.

And sometimes the memories aren’t accurate. See this side by side recollection of Gojo meeting Megumi from both of their perspectives.

I believe Gojo’s memory of this event is the accurate one because he’s 19 when it happens, not under distress when he recalls it, and has the Six Eyes which act like a supercomputer. Megumi’s memory is iffy because he’s 6 when it happens, has a head injury that knocks him out when he recalls this, and doesn’t have perception enhancing abilities. And though Megumi can’t recall the memory in its truest form, what he does remember still tells us a lot about his feelings towards the event and his relationship with Gojo.

The emotions child Megumi felt at the time distort what Gojo was actually like back then. Instead of a benefactor, he’s a suspicious weirdo with a funny face. The heart behind Gojo crouching down to his level, being way too honest with him, trying to give him options, patting him on the head—it’s all missing.

With all this in mind, I don’t think it’s unreasonable to assume Megumi and Yuji’s impressions of other characters via memory would influence how they appear in these delusions too. Yuji’s impressions probably take the most precedence since I think his will is shaping the delusions the most.

Recalling Incomplete Information 

Yuji is very good at understanding people. He can intuit their feelings and sync up with them easily. (I go over this in greater detail in this post.) But that doesn’t mean he fully understands their hearts. He gets close enough to their core to bond with them, but the little details aren’t quite right. 

If all the characters (save Megumi) we’ve been seeing in JJK 268–270 are constructs based on Yuji’s perception of them, I think this can explain everything off about them.

What made me consider this possibility was JJK 270. There’s this pattern I keep seeing... Characters’ motivations being misunderstood and being resolved by scenarios that aren’t quite right. Every time I try to explain what exactly is wrong with them, assuming their inconsistencies align with Yuji’s perception of them solves the problem.

Amai Rin

Rin is introduced as a coward. He’s unable to fight and goes along with the whims of those stronger than him to avoid getting hurt. This is why he keeps his head low as his friend is being harassed by bullies during his Jr. High days. Still, he tries to help. Just not at a risk to himself.

When Yuji saves his friend and beats all the bullies up, he turns to Rin and assumes he was part of the bully group. This simply isn’t true. He was a bystander. That’s why it’s weird for him to apologize like he was the one who beat the guy up.

Yuji’s false impression of Rin, one where he’s a bully that feels guilt over his actions, explains this. Rin’s actual guilt comes from him being a bystander—someone who doesn’t take action for others when something is wrong. He dealt with that in the Culling Games by helping Yuji and risking his life to save Angel. And he really stepped out of his comfort zone to join the medical team for the Sukuna battle. He might be the reason Yuta survived. (Yuji doesn’t know about that though.)

And what’s this? Here Yuji outright admits he doesn’t fully understand what kind of person Rin is. All he knows is that he did some good things and is trying to become a better person. So now we’ve got this other Rin that’s apologizing for something he didn’t do for the redemption he’s already earned.

(And that’s the pattern! Rin’s motivation is misunderstood by Yuji so he’s doing something that seems out of character to us readers, but is perfectly in character for Yuji’s perception of him. When I apply it to everyone else. Everything makes sense.)

Takaba Fumihiko

What Yuji knows about Takaba is pre-Kenjaku development. Yuji knows the Takaba that speaks over others, rejects their criticisms, and insists he’s funny. That’s kind of what he’s doing to Totally Not Kenjaku. In reality, Kenjaku caused Takaba to reflect on his approach to comedy and they are nearly in perfect sync by the end of it. Kenjaku satisfied Takaba.

Yuji didn’t see that battle and he hasn’t spoken to Takaba since. So he’s constructed a happy ending where Takaba has found his partner and is working towards the show of his dreams that already happened.

I also want to note that Takaba is 100% ok with sex jokes. Kenjaku makes one and he doesn’t object to it. This is just another little detail that makes everything so slightly off.

Higuruma Hiromi

Yuji knows that Higurama wants to go back to his roots. He knows that he feels guilt over killing people.

What he doesn’t know is that Higurama’s roots are him being a defense lawyer that cherishes the flaws of humanity. He doesn't want to ever look away from the impurities that even Yuji has. That’s why I think Yuji resolves his problems with him becoming a sorcerer who saves lives.

Yuji seems to think that Higuruma is like him. He’ll make up for the lives he’s taken via sorcery by saving more. That’s something he could assume from their convo, but that’s not actually what Higuruma wants. He wants to fundamentally change Japan’s legal system for the better in his own way.

Kurusu Hana

She’s the most in character of the bunch. In fact, there’s nothing out of character about her interaction with Megumi. What she represents is Yuji misunderstanding Megumi’s desires.

Yuji understands that Megumi’s type is someone with an unwavering humanity (literally the definition of Yuji’s name) via access to his memories. But for some reason (he’s kind of dumb academically), he thinks this means Hana is perfect for him. 

I think this is because Hana meets Yuji’s definition of a good person. She’s just like Megumi. She saves others for a selfish purpose. And that means…Hana does not meet Megumi’s definition of a good person. Not once has he considered her saving others as selfless. (...But Yuji has.)

And that’s just facts. Hana is kind of unhinged. She’s extremely possessive of Megumi and saves others solely to win him over. Yuji saves others because it’s the right thing to do.

Megumi’s preferences are Yuji, not Hana. Which has led to the most awkward confession and rejection scene. That might have clued Yuji in to construct an alternative. In the memory Yuji is probably recalling, Todo does clock Megumi as someone into dudes.  …The very next scene is Yuji hitting on a dude in front of his gf in a way that causes him to blush. (Yuji has not once complimented someone’s body up to this point if I recall correctly. And he’s been around some beefy dudes.)

(Yeah Nobara me too. Second most leftfield possible bisexual confirmation I’ve read in a manga. The first will always be from Baki the Grappler.)

Is this Yuji letting Megumi know it’s ok to come onto him? Is he not initiating because Hana’s forwardness freaked Megumi out? It’s possible. 

What this suggests is that Yuji is kind of fine tuning this whole delusion to make Megumi as content as possible. It’s telling that the moment Megumi starts getting super uncomfortable the scene jumps to something else.

It happens at the beginning of the chapter too. Gojo is mentioned by Shoko in a way that causes Megumi to pause. And Bam! Change scene.

Anyways, I hope this demonstrates that Yuji working with the limited information from memories is most likely the reason for everything being so funky. It’s character assassination by accident.

Why make these happy endings when this is all for Megumi?

Two reasons as to why I think Yuji is trying to give everyone a plausible happy ending.

1) He genuinely wants them to live good lives.

2) It has to be believable for Megumi to accept them as real and forgive himself.

This line may have been about Yuji, but Megumi’s not any different. He blames himself in the exact same way Yuji blames himself.

I also think there's something to be said about Yuji crafting a dream that resembles the perfect cookie cutter Shonen ending. The guy gets with girl he has no chemistry with. All these complicated plot lines are wrapped up with a neat little bow. Everyone lives and goes on like nothing traumatic happened.

Yuji is a big fan of Shonen. Straight up his final move against Sukuna is a Hunter X Hunter reference. That's not just Gege doing a reference as a fan, Yuji himself is a fan of that manga.

I think Yuji is trying to make this fiction a reality because it's the only way he knows how to cope with his trauma.

JJK 269’s Character “Assassinations”

I promise I still hate this chapter. But I won’t deny how fun it is to pretend these are all delusions Yuji created for Megumi’s sake. I went over Kusakabe to cut him some slack in the previous post, so let’s do everyone else.

(The chapter’s formatting as one long unending nightmare makes it hard to separate this stuff out by the character. I’m just going to do groups this time.)

The 2nd Years

The most common complaint from readers outside of Kusakabe telling Yuji he should’ve died is Maki being really fudging mean to Yuta. Maki is mean, but she’s not that mean. You could assume this is her showing Yuta she cares and that her anger scales with worry but… Here’s a side by side comparison of her getting angry over Yuta risking his life in Vol 0 vs JJK 269.

Pretty big difference I think. Here is a Maki with a Yuta she thinks is about to die vs a Maki with a Yuta who is 100% ok. And the only reason she even gets mad in Vol 0 is because she had no idea Yuta did something that risky. Maki already knew Yuta was going to body hop if all else failed, so her reaction here is disproportionate, especially since he survived.

Speaking of survival, the first thing Maki, Panda, and Inumaki do when Yuta survives in Vol 0 is ask if he’s ok and thank him for saving them. This doesn’t happen in JJK 269. They're all very protective of Yuta after the events of Vol 0. We see them defend him from Gojo for being a little mean about his training. They’re all against the plan because of how much they value him. The 3 of them not checking in on Yuta immediately after the fact is wildly OOC.

The explanation I have? This version of Maki is based on Yuji and Megumi’s memories of her. (And let’s remember that Megumi claims he can’t openly respect her and the other 2nd years outside of Yuta.) When Megumi and Nobara mourn Yuji’s “death”, Maki does this to them.

Maki also intimidated Yuji pretty bad when they first met. Her, Panda, and Inumaki went along with bullying Yuji after he came back to life. It makes sense that Yuji would up Maki’s meanness. He’s not been around her long enough to know she’s not like this when it comes to people she cares about. 

I do think it is weird Maki is pre-awakening levels of mean. This could also be Yuji trying to return to the time before everything went to absolute hell. Or...because she’s Yuji’s construct, this could be him expressing his anger at Yuta for defiling Gojo’s body in a very roundabout way. From both Yuji and Megumi’s perspective, Yuta didn’t discuss this beforehand and used it as a last second plan. And that’s kind of how the conversation goes. Everyone talks about Yuta’s Yujo plan like he didn’t clear it with them first.

It’s also telling that they harp on Yuta over Miguel and Larue. Miguel said no help unless Sukuna’s domain was down. Everyone except Yuji knew that. There was never a scenario where they’d help from the start. But to Yuji who only heard they might show up? It’s a missed opportunity.

Say if you were, trying to find a reason for such a horrific defiling of a loved one’s body. Wouldn’t you try to reconstruct the crime by considering the motives and methods? That would help give you some closure, right?

I think that’s what Yuji is doing for himself and Megumi. Yuji is trying to figure out why things went the way they did through a blend of what Sukuna intuited and what makes the most sense to someone who never had full knowledge of the plan. 

And if you think about it, this is still a happy ending for them. They’re all absolved of their guilt surrounding the outcome of the battle. Even if they screwed up, they’re all still alive and able to move forward in a better world. They did the best they could, so it’s time to move on from what happened to Gojo. Thinking about that too much would break someone.

Mei Mei and Ui Ui

Mei Mei is out of character in a way that’s unique compared to everyone else. She’s still herself, but with less…yikes. It’s odd since Yuji has seen how awful Mei Mei can be and is deeply uncomfortable with how she treats Ui Ui. He’s not missing information about her motives so why have we gone from this to this?

I propose this is an extension of Yuji’s denialism. (We’ve seen how avoidant he is with Gojo’s death.) Mei Mei is grooming Ui Ui and has made it clear this is all for money. Ui Ui is being abused, but he’s so attached to his abuser that separation would break him. How do you make a happy ending out of that?

Well, you can soften those edges. Spin a tale where Mei Mei is an over-doting sister who would kill for her cute little brother. She doesn’t touch him inappropriately, she just plays with him. She loves money as much as him! No abuse here! She’s not someone who would kill a child for cash.

And in a weird way this whole Simple Domain debacle mirrors Gojo killing the higher ups. If Maki is Yuji's rage towards the Yujo plan, then this could be him trying to process his mentor slaughtering a bunch of old people in mass for his sake.

It probably helps that Yuji wasn’t there to see Mei Mei tell Ui Ui to die for her. There’s no way he knows she was paid to help kill him either.

Mei Mei doesn’t care about the well-being of other people. She’s just a hardcore capitalist who loves money and will do anything for it. But this version of her can be less terrible to Ui Ui while still getting her cash and that’s sort of ok I guess? Yuji has moved on from this and so will I.

The Megumi & Nobara Problem

The 1st years going on like nothing happened after Sukuna has made readers feel betrayed. It flies in the face of everything that’s been established for them when it comes to mourning.

As stated in CFYOW, JJK Thorny Road at Dawn, Chapter 5: At the End of a Sidewalk, this is how the trio deals with grief.

Despite knowing Yuji for only 2 weeks his death screws with Megumi and Nobara pretty badly. In the manga, it looks like Nobara is more upset because she’s visibly in pain, but I think the light novels show they’re equally shaken. 

This is why the non-reaction to Gojo’s death makes no sense. Megumi has known Gojo for a decade. He’s 6 when he first meets him and 16 when he dies because Sukuna used his Cursed Technique (CT). Nobara knew Yuji for 2 weeks, and didn’t see him for another 3 months. In all that time, Gojo was her teacher. She knew him longer than Yuji. When she “dies” Gojo is on the same tier as Yuji and Megumi to her.

So why is it that in JJK 268, Nobara thinks of Gojo as a creep? Why did she toss his letter despite him being one of the people she thought of in death? 

Well… When Yuji came back from the dead via Gojo’s prank he heard Nobara say this.

Nobara is prone to saying out of pocket nonsense to people. If she thinks it, she says it. Yuji also doesn’t understand Nobara’s thought processes (Just like Amai Rin he admits it too!). Nobara tries to hide her feelings to appear tougher than she is sometimes. So I think Yuji has done to Nobara what he has done to Maki—upped the meanness and neglected the heart.

And though Nobara being a construct can explain her behavior, this still leaves us with Megumi who is definitely not one. Why is he acting like Gojo meant nothing to him?

Megumi in particular is super fragile when it comes to his feelings. This is how stressed he gets when he learns exactly why Tsumiki is in a coma.

She’s not even dead and he’s halfway to a mental breakdown. The idea that he can just look at her grave once after having a hand in her murder and move on this quickly makes no sense. Inadvertently killing his defacto guardian he’s been raised by for 10 years should be upsetting him to a similar degree. (Maki said Gojo treated him like a precious treasure!)

When Megumi is on the verge of death he thinks of Tsumiki, Yuji, and or Gojo. It’s always at least 1 of those 3. There’s no way Gojo dying and having his corpse reanimated for reasons Megumi might feel responsible for isn’t screwing him up.

Unless…Yuji is suppressing his memory on purpose. He can’t even cope with what happened to Gojo, how is Megumi supposed to? How can either of them forgive themselves for that if they acknowledge it in full?

When Sukuna tries to tell Megumi to give up, he looks miserable. Every time Sukuna has verbally kicked Yuji while he’s down, he’s done it with a big old smile and laugh. He doesn’t hold back and goes for the throat.

Sukuna is being very nice to Megumi here when he doesn’t mention Gojo at all. The only death he blames on Megumi is Tsumiki. Everyone else? Nothing. That’s weird given that Sukuna will pass the blame of his kills onto Yuji to torment him.

Is this Sukuna a construct or is he playing nice because he respects Megumi? Who knows. Whatever happened here seems to point to Gojo’s memory being suppressed for Megumi’s sake. 

And why might Megumi accept this suppression? Why does he seem to be going along with Yuji’s delusions? The Unlimited Void brain fog. Megumi brings attention to it after he wakes up. 

If Sukuna can’t think straight after Gojo brain damage, neither is Megumi. Still Yuji has to be careful. If Megumi thinks too much, the illusion will be broken. 

What does this mean for them?

Well, the character assassination isn’t real (probably) which is a good thing! Other than that? Not a clue. We’ve got a real catbox situation here. I can’t tell who is dead anymore.

Sukuna projects delusions when someone he’s connected with is dying. Yuji projects delusions when he’s dying. Both of them are kind towards the people they’re interacting with in this space between dreams and reality. They try to give people endings that leave them satisfied.

JJK 270 ends with the hunt for a curse user who can distort perceptions of reality. This curse user is initially mistaken as a cursed spirit. That sounds like Sukuna I think.

I’m pretty confident this happy ending illusion will be shattered, that's for sure.

My Final Answer

I'm betting it all on this being a delusion. This is a kind of prediction that will either age well, very badly, or interestingly. I don't know what's in store for the final chapter...but I do have some ideas I'd like to speculate with.

"Without love it cannot be seen."

This time I'm going to use this phrase very literally. I'm going to make one final gamble on the assumption that love is the answer. So let's go back to Love itself—one of those reoccurring themes in JJK.

Love is a curse in JJK. It has the power to distort reality and transform loved ones horribly. Desperation to save a loved one from death over and over has resulted in extremely traumatic things. Yuta turned his childhood crush into monster that caused havoc for years. You can pin blame everything that has happened in JJK on Gojo being unable to get over the loss of his loved one, Geto.

Hana could've vanquished Sukuna on the spot, but she didn't because she loves Megumi. It's something a lot of people blame her for. If she had just killed him there, the Sukuna battle wouldn't have happened. But that's not really the truth. The only reason Sukuna even got his powerful is because Megumi refused to let Yuji die.

Megumi and Yuji going back and forth trying to save each other have been acts of love driving the plot of JJK since the beginning of this manga. If Megumi actually died on Yuji? Who knows what would happen.

...

A lot of readers have been on a very funny copium because of these last 3 chapters. Some of them joke that they are just one massive Takaba-induced hallucination. This theory has some merit to it! After all, his CT does two things:

1) It distorts reality.

2) By sheer force of will it bends people's souls to his whims.

One of the biggest complaints about the past 3 chapters has been the Merger plot ending abruptly. As of JJK 270 Tengen and Sukuna's remains have been mixed into the barrier around Japan and everything is just fine according to Gakuganji.

People wanted to see what the Merger would do, just like Kenjaku. In universe, Tengen made a prediction. They guessed that the impurity from humans would dominate and consume everything. The impurity that Higuruma wants to protect. The impurity that Higuruma sees in Yuji.

Would Sukuna activate the merger and kill Megumi to spite Yuji? Absolutely.

Would Yuji do or become anything to save Megumi's life? Absolutely.

Do whatever you want with this information.

[luludeluluramblings]

Dick Grayson's Obsession with Smalltown!Reader

A/N: Why dialogue hard? Why so hard? Y'all I tried, once again. I saved Dick for last because I really really really did not want to screw up his character. I did end up adding a scene from Part Seven in here. Just to give it some pizzazz.

A/N: Part Eight is in the works, but it’s either gonna be massive or I’m going to have to divide it up. Also, people be posting so straight up fire in the Yandere Bat tags lately. Good stuff, I needed that.

Warnings: Yandere themes, physical affection.

Out of everyone, Dick was the most enthusiastic about Reader coming to Wayne manor, while also being the most melancholic. The tragedy of their arrival wasn't lost on him, despite the thrill he had over the thought of having another person to add to hi life. Already, the need and wanted to smoother them in comfort and care was there. But, the life experiences he had allowed him to realize it was probably best not to overwhelm them.

Therefore, it came out in short burst of staggering affection at times. But, only when he was visiting. (There was no denying the fact that he was extremely tempted to call them on the phone just to make sure they were settling in just fine. And, that he fought that temptation every single night.)

That didn't stop him from feeling some minor annoyance with Bruce for keeping the fact that they existed a secret. Dick had seen the affects of this life and even felt them, but to let the family nearly miss out on something so honeyed with normalcy was cruel. (It would have been preferred if they didn't have to lose their parents in order to join the rest of the family, but it was hard to think like with how busy his schedule was and soft they felt in his arms.)

Admittedly he may have latched on to them too hard in the beginning. They felt stiff the first time his arms wrapped around them. The guilt of it gurgled in his throat, which is why he cut it short and went about his business. But, he couldn't stop the urge to do so each time they crossed each other's paths in the manor halls.

And, much to his glee, they start to soften. Slowly, but surly, they start to cling to him a little longer when his arms wrap around them. They start to depend on him. For once the thought of someone so conventional depending on him as Dick rather than as Nightwing, because everyone seems to depend on him as Nightwing, doesn't fill him with anxiety. It makes his chest flutter in a different way. Not with anxious butterflies, but with a flicker of a warmth.

It's completely innocent, the way the craving starts. He has to talk himself out of rearranging his entire schedule to be around them. Especially after the kidnapping incident. But, the Rouge break out gives him plenty of work to distract himself, and more frequent chances to find them in the manor for a dose of his new source of comfort.

His feelings finally start to become clear when rather than holding him longer and tighter, they finally reach for him themselves.

☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️☁️

“And, how is my favorite person today?” Already Dick has his arms opened wide for you when you walk out of the kitchen. He always appears from the depths of the manor, before he wraps around you like a slow creeping vine blooming with all sorts of sentiments.

"Alfred was doing good last I saw." But, by now you've grown to appreciate the way the tendrils curl around your limbs and burrow themselves into you. A small grin forming on your face at the chance to finally have someone to talk to, even if he isn't consistent company.

"Alfred isn't my favorite person, and you know it." The banter between them enjoyable and the undertones of his words ignorable in your obliviousness. "But, seriously, how are you doing today? You look like you have something on your mind. If it is you can tell me, you know that right?" The concern pouring put of his lips, as his grip tightens.

He had seen you through the cameras and had overheard the longing phone calls. The fact that your birthday was coming up had crossed his mind, and the realization that this would be your first without your parents did register in his brain. (But, it would also be you first with them. With him.) Bringing it up to you seemed like a bad idea. But, he would still try to encourage you to spill your feelings to him.

"No, no. It's nothing I promise." Your reply was soft and dismissive. But, the dishonesty was noticeable in it still.

Dick's arms seemed to tighten around you as you spoke, as if he was trying to decode the root of your troubles from the way your heart was beating against his chest. Eventually, he does loosen his limbs around you.

As he looks down, you known and he knows you’re lying. For a moment you think he going to push. To try to choke the words out of your lungs with another tight squeeze. But, he doesn't. Instead he lets you breathe.

"Okay," is all he says.

No extra nor unnecessary words. No constant reassurance that he'll always be there for you. Just a single word and the room to breathe. Those other things have already been said. Multiple times, in fact.

It's this one instance where he lets you breath that somehow gives you lungs the air it needs to blurt out what's bothering you as he pulls away.

"I wanna go home." The words escape your lips when you finally exhale and reach for him. The words coarse. "I just really want to go home for a bit. I miss home. I miss my family. I just—“

Dick doesn't even let you get halfway before he's enveloping you again. A slight tremble in his hands as he sprouts around you once more.

This. This is what he's wanted. You coming to him with your raw feelings. And, he knows he's the first person you've said this to at all.

"How can I help you?" He asks instead of questioning the statement.

"Can you help me convince Bruce to let me go, please, Dick?” The tentative way you ask and look up at him has him caving immediately.

"Of course!" Perhaps it was a good thing you didn't grow up in Wayne manor. If Bruce hadn't spoiled you, he most definitely would have. "I'll bring it up to B as soon as he gets back."

"He's gone?" You hadn't been informed of him even leaving, but then again, you were hardly every informed about anything it seems.

"Yeah, work emergency. It wasn't a big deal, but he'll be back soon." Dick can sense the mild tone shift, but manages to shift it back to something more lighthearted. "I'll make sure to butter him up for you. I swear. Puppy-dog eyes and everything."

It works, because before he can even clutch you to his chest you already wrapped your arms around his torso and pulled yourself towards him. Just the way you hug him tells him how genuine this type of embrace is. This is how you hold people. And, now, this is how you hold him.

"Thank you, Dick. Thank you." Comes your muffled reply into his chest.

The way you nuzzle into him like that's where you belong, because that's where you do belong, and the way you say his name causes his heart to melt. And, his mind to slowly sinks into the puddle it became.

Dick could stay like this for hours, but you start to pull away after a solid minute.

"I should let you get going. I know you got a lot of stuff to do." Your words sound so hopeful and understanding as you him go. The way you look up at him like he is your hero just for this simple small thing is touching.

Inwardly, he curses. The criminals of Gotham. The criminals of Blüdhaven, the team, the family, his schedule. Everything. He curses it all for that moment, because he could be holding you to his chest longer and having you look up at him like that instead. But, he lets it pass. He manages to let it go just as you pull away.

"Yeah, I do. But, don't think I'm going to brush off helping my favorite person in the world." Plastering on a well practiced pretty smile as he speaks.

"So, that means you got somebody more important off world? I see how it is." You tease in return as you fall for the practiced charm.

"Maybe." Dick lets the banter easy his mind. In reality, even off this world, you're probably his favorite, still. It should scare him, but it doesn't. "I'll let you know how Bruce takes the request. But, I'm prepared to sneak you out of here if necessary."

"I'll get the spy music ready, just incase." Things are starting to look up, and it's nice to have someone in your corner in this massive estate.

"Mission Impossible theme?" His grin become less practiced at the thoughts of having an adventure with you.

"Nah, the Pink Panther one. Just for the shenanigans." Your own grin growing wider and wider.

"Now I want to sneak you out just for fun." And, he means it. Already mentally planning your trip back home with him escorting you. And, then you possibly coming and staying in Blüdhaven with him in his guest room. Just to get you out of the manor, of course. Clearly you need it.

He can't ignore the way his pocket keeps buzzing, though. Clearly the others are in the cave waiting for him. But, they can wait a bit longer, he thinks diving in for one last embrace.

As you wholeheartedly reciprocate, he can see one of the secret security camera out the corner of his eye and he can't stop the smug smile from forming on his face as his gives you one last squeeze in front of it.

With the way his phone stills, he can tell the rest of them saw. It's not his fault they're too scared of physical affection to actually hug you. But, it does give him a monopoly on it with you.

As he makes his way down to the Batcave there's a skip in his step and that smug smile is still on his face.

He makes sure to look at everyone's faces as he joins them. Soaking up their envy. All of that wasn't to make them jealous, but it's kind of nice to have.

"Was all that necessary, Grayson?" Damian being the first to break the silence by practically spitting the words out through his gritted teeth. Even with his perfect poster the tension coiling in his limbs is visible to the untrained eye.

"Someone's got to be the one to do it, little D. And, clearly, they needed it." Dick's tone was placating, but his smile wasn't. The way he stands in the center of the room reminiscent of an orchestra conductor.

"Don't use them as an excuse for your touch-starved tendencies, Dick." Barbara retorted, rolling in her chair towards another computer. She immediately began typing on it at a furious pace, clearly trying to distract herself.

"Low blow, Babs." He whistled in return. Everyone else seemed focused on giving him the silent treatment causing his grin to widen further. "I can't help that I'm a naturally-"

"I just texted Bruce about it." Duke suddenly says, looking up from his phone with a smug grin. He face had been blank before, but the way his eyes glanced up at Dick and the others when there heads jerk towards him showed off a hint of self-satisfaction.

"That's cheating." Childishly spills from Dick's mouth. This was suppose to be his favor to them. His. Not anyone else's.

"Bruce doesn't get text while in the Watchtower." Stephanie points out while uncurling from her seat, but the damage is done.

"Could we contact Father in the Watchtower?" Damian practically leaps from his seat and rushes to the Batcomputer where Tim sits. Alliances quickly being drawn up.

"He'd be pissed if we contacted him for something like this." Jason adds with a grin. He doesn't bother looking up from cleaning his guns, just not at all bothered by the prospect of pissing Bruce off.

"But, then message would be logged into the League data base." Comes Barbara's stern voice from her computer, her typing coming to a pause. Tim still keeps at whatever he was working on before Dick walked into the cave, but on the screen there is a flash of airline websites so it's fairly easy to conclude what his plan of persuasion is.

Cassandra watches the exchange reading the emotions through everyone's movements. Silently, she throws her bid in as well. Choosing to slide over to Stephanie and signing the making of a plan.

From there it spirals into an all out argument between each and every member of the family. Debating logistics and exchanging petty insults that seems to go on for hours. Hardly anything gets done while words are being thrown around like bullets.

In the back of his mind, Dick once again curses everyone and everything for ruining this for him. But, he reassures himself, the banter from earlier comes back to him.

It's a decent plan, he thinks. Sneaking Reader out of the manor. Convincing Bruce would be ideal, but it wouldn't be the first time he's broken the rules. And, it's for their happiness and well being. They need him. They asked him for his help. Not the other's. Not anyone else's. His. Bruce will understand.

Besides, it would be nice to see the Smalltown they grew up in. It sounds like a quaint little place. What could possibly be wrong with it?

[simptasia]

LOST: Season One

[thedreadblog]

I just had a Hypothetical Thought:

It's odd to me that Solas ends up trapped in his own prison. It's odd to me that he so readily gives a total stranger the reins in trying to fight his two escapees, Elgar'nan and Ghilan'nain.

And just now, while re-watching one of the videos posted here on tumblr (which I'm not gonna reblog, videos get reblogged AFTER game release, it's so much easier to spoil people in videos and I'm not gonna.) I wondered if he might pull a Vetinari:

"Never build a dungeon you can't get out of".

In Terry Pratchett's Guards! Guards!, the patrician of the city Ankh-Morpork gets locked up in his own dungeons. When the main character of the story, Captain Sam Vimes, ends up in the dungeon with him, he learns that Vetinari has actually made himself quite comfortable until it is safe to leave again. Vetinari tells Vimes that one should never build a dungeon they wouldn't like to live in themselves, nor should they build one they can't escape.

And I know that Trick is a Discworld reader. They've talked about several of the main characters of the series on Twitter. I know that several of the other devs are as well...they might've gotten inspired.

Look, if this is a thing that happens, I'll be fucking delighted.

[youremyheaven]

Jupiter & Rahu Influence Among Popstars

When I look at pop-stars across industries, I have noticed them all often having the same planetary influence showing up one way or another (usually nakshatra's ruling planet but less often, rashi lord as well).

Now, lets look at what or who a "pop-star" is. The simplest definition is that "a pop-star is a highly successful singer of pop music". Some would say that being a pop-star is the pinnacle of fame. They are at the very top of the entertainment industry food chain.

Actors pretend to be other people for a living but a pop-star is one who has to pretend to be an exaggerated version of themselves for a living. Most pop-stars have an alter ego or stage persona that they project, sometimes these alter egos have different names, other times they don't.

If you think about it, being exalted to the status of a superstar, akin to a God or deity and being adored, worshipped and obsessed over by millions of people, for being "you" is a bit bizarre in itself. Actors spend months making movies and playing a character, someone singing and dancing on stage and "being" themselves sounds simpler even though, in truth, it is a much harder job. If your full time job was being an exaggerated version of you, you'd struggle immensely with your sense of self. Most people would have some kind of breakdown, being unable to distinguish between what is "really" them and what belongs to the persona.

I'm by no means suggesting that Jupiter influenced people are exempt from having an identity crisis. In fact, I would say its the opposite. I think due to the expansive and boundless nature of Jupiter, which has a tendency to exaggerate the effects of whatever it touches, most Jupiter natives kind of permanently live in a state of "in-between-ness" , this feeling of being stuck in limbo is reflected in how each Jupiter ruled nakshatra falls between two rashis, one air and another water.

Punarvasu- Gemini & Cancer

Vishaka- Libra & Scorpio

Purvabhadrapada- Aquarius & Pisces

These 2 elements are very different from one another, Air element is typically associated with the intellect and ideas, whereas the Water element is associated with emotions, spirituality, wisdom etc. So, Jupiter, the planet of luck and abundance, the "Guru" (teacher) is one that is "well rounded" in the sense that it is both practical as well as spiritual and emotional. This also insinuates that, in order to amass abundance and be fortunate in life, one has to have a mixture of opposite qualities and be "well rounded". Duality is an innate theme of Jupiter, and whilst many think of duality as having opposite qualities, its wiser to think of Jupiter as the union of opposites. Light and dark, good and evil, feminine and masculine, peace and violence, love and hatred, all co-exist together here. Due to the scholarly "Guru" nature of Jupiter, it becomes the duty of its native to rise above the lower manifestations of these energies and embody the principled nature of it. In this sense, its not just the "meeting" of good and evil but the triumph of good over evil.

I had already explored in a previous post about how having an alter ego/multiple identities is kind of a Jupiter thing. Most Jupiter influenced individuals majorly struggle with their identity simply because they feel like they're "all things" and this sort of commercial marketing of "aesthetics" and "niches" is very limiting. They're all things, all at once. This can be disorienting for others who struggle with their identity for other reasons (Nodals who struggle with over-attachment and detachment, Malefic gworls who don't have very many hobbies/interests/passions to base their personality off of). Its hard to explain what "being everything" is like to people who don't have a sense of self/reality to begin with, or those who have a very narrow or rigid understanding of themselves. We're familiar with Rahu mania but Jupiter mania often flies under the radar because they seem so put together on the outside, unlike Rahuvians who wear their madness on their sleeve.

Most people would have a tough time figuring out how a Jupiter native actually felt or if they were going through something in their personal life because they're usually stoic af and very well kept. Their world could be falling apart but they will never lose their etiquette or their manners. This can lead to scenarios where they're either not given adequate consideration for their suffering because they dont "look/seem" like they're going through it OR people tear them apart for seeming too "cold/nonchalant" even in the face of crisis. People like to see vulnerability because it makes others more humane and relatable and sometimes the stoicism of Jupiter natives can irk others because it makes them seem robotic or beyond human.

How does all of this tie into Jupiter being the most common planetary influence among pop-stars?

I had already mentioned that pop-stars are idolized for simply existing. Having the expansive energy of Jupiter helps one become a vessel for the projections of others. You can be anything or anyone to everyone. I have observed Jupiter influenced individuals code switching irl, in the sense that they have an entirely different personality depending on who they're interacting with and usually have several different friend groups that have nothing remotely in common with each other.

Many anons have mentioned dating Jupiter men who seem very sweet and giving and then being mindblown when they turn out to be insane party animals who smoke and drink till they drop and go batshit insane at the club. They seem too "goody two shoes"-y to be about that life, yet they are.

Being a performer/pop-star seems to suit Jupiter natives because it gives them an outlet to channel their manyyyy sides. Even their alter egos have alter egos and if they had to live normal lives, it would kinda drive them crazy unless they found some phenomenal ways to compartmentalize all that stuff. Not to rely on anecdotal evidence (I'll cite more "celebrity" examples after this) but there's a guy I know whose chart is heavily Jupiter influenced and he is the most responsible family man ever and provides for his whole family but he is also extremely passionate about weed, does not say no to a drink and LOVES to party. He lives in an apartment complex with a lot of people our age and mf is always at someone's house party 😭😭 I am in no way implying that these things CANNOT co-exist, that you can't both be a hardworking family guy who looks after everyone AND drown yourself in booze but typically the kind of person you associate with one kinda lifestyle is not who you associate with the other, if ykwim

There are many examples of these "contradictions"

Miley Cyrus, Vishaka Moon

She is known for her wild, freaky stage performances and her no-nonsense personality but beyond all that, Miley is a homebody who has a gazillion animals and lives a very "simple" (or simple, for a celebrity anyway) life.

Beyonce, Vishaka Moon

Beyond all her glamour, Bey is veryyyy lowkey and raises honeybees in her backyard and harvests her own honey. She's very spiritual and is all about her family and minding her own business. I know this isn't news to anyone but isn't it interesting how the biggest pop-star of our time, known for her fierce performances and larger than life persona, is actually a tradwife? A proper Southern lady, if you will.

Jennie, Vishaka Moon

In a recent interview, she said:

"Anyone who meets me will say I’m so far from what I represent as me onstage...it's a part of me , a switch inside of me that I can just click.”

(This is SOOO Jupiter coded of her)

Jennie's friend Deb Never described her as:

“She’s shy and really humble and very sweet,” she says. “And then as soon as it comes to music and how she performs, it’s this flip side, this opposite person where it’s like in your face and very outspoken. It’s not like she’s acting. It’s being able to let out a whole other side of you that you don’t get to in real life. There’s a vulnerability in that.”

I had mentioned a few times previously about how Jupiter and Rahu's energies can be veryyyy similar. Jupiter has more structure and can keep the mania and obsession under wraps a bit more than the average Rahuvian (Jupiter is a benefic, Rahu is a malefic, so the limitless energies are channelled in more "beneficial" ways by a Jupiterean and in less beneficial ways by a Rahuvian). Looking at the charts of entertainers who were/are highly successful, the Jupiter + Rahu influence recurring is crazyyyy.

Frank Sinatra is considered one of the earliest pop-stars. He is a Shatabhisha Moon.

Elvis Presley, Shatabhisha Moon

Aretha Franklin, Punarvasu Moon, Vishaka Rising

Billy Joel, Punarvasu Rising

Michael Jackson, Shatabhisha/Purvabhadrapada Moon

I am not trying to imply that people without Jupiter influence can't be pop-stars, they can!! But when they aren't Jupiter influenced, they're usually Nodal

Mariah Carey, Punarvasu Moon

Whitney Houston, Shatabhisha Rising

Celine Dion, Venus atmakaraka in Purvabhadrapada and Mercury amatyakaraka in Purvabhadrapada

Taylor Swift, Ardra Moon

Diana Ross, Vishaka Rising

Eric Clapton, Swati Moon

The shapeshifting ability of these natives is what allows them to flourish in an industry where you're essentially selling yourself as a product.

Adele, Ardra Rising

Lady Gaga, Swati Moon

Ariana Grande, Ardra Sun

Rihanna, Shatabhisha Sun

Dua Lipa, Ardra/Punarvasu Moon

Katy Perry, Swati Sun/Mercury/Rising and Vishaka Moon

Billie Eilish, Purvabhadrapada Rising

Shakira, Punarvasu Moon

Lana Del Rey, Ardra Sun, Vishaka Rising

Halsey, Punarvasu Moon & Mars, Vishaka stellium (Venus/Jup/Rahu) and Swati Mercury conjunct Rising

Janet Jackson, Ketu conjunct Rising in Vishaka

Lorde, Vishaka Sun & Mercury

Sabrina Carpenter, Purvabhadrapada Moon & Rising (she's also Bharani Sun and that's why she's an it girl)

Chappell Roan, Shatabhisha Sun/Jupiter/Ketu

Charli XcX- Ardra Rising

[aziraphales-library]

Y’all are awesome and I appreciate the hell out of this account! Any fics that are an attempt at a season 3? Preferably comedic ones! Thank you so much and keep up the amazing work! ❤️

Hello. We have a #good omens s3 speculation tag, so check that out. Here are more to add that have some kind of humour tag...

a place to be by kaiyen (NR)

In which Crowley moves back into his flat, Aziraphale has problems at work, and the Second Coming of Christ is but a stone's throw away. In the end, Crowley makes it to rolling green hills, leant against a stubbornly yellow Bentley. He remembers the first morning. He had slithered out of the ground not long before dawn, the dirt damp even before the first rain, the grass cool and crisp against his scales. And the sun had risen, jewels spilling across the great blue sky, warm and golden from the East. Crowley – Crawly, then – had wanted to follow it, had felt a great pull Eastwards. He went, too, until he found the ripe red fruit nestled amongst the lush green leaves and knew what they were for. It was luck, then, that the humans had left in the direction of the sunrise. Luck, or– ineffable. The sun rises over the South Downs, and Crowley finally wants to stay.

The Ineffable Shades of Gray (Good Omens Season 3) by altsernative (T)

After returning to Heaven, Aziraphale learns the Metatron's true intentions, finds himself disillusioned, and regrets his choice to leave Crowley, who has been working in the Temptations department. They reunite, and find themselves stopping the final war between Heaven and Hell and learning God and Satan's true intentions for the world and each other.

Demons are Forever by in_a_pickle (T)

After finallly finding the courage to tell his best friend his feelings, Crowley's dreams are shattered when Aziraphale once again chooses Heaven over happiness together. With ‘Great Plans’ afoot upstairs, Aziraphale discovers that the starring role he accepted comes with some unforeseen duties and that Crowley’s kiss has become something of a distraction. Crowley meanwhile is trying to come to terms with a broken heart and is trying to fathom why Heaven is so keen to have Aziraphale back in the fold. A mini adventure with our favourite group of two, written in case I get hit by a bus and never get to find out what happened next.

The Intended Effect by Esme_Abner (E)

A post-S2 fic that begins with a very sad Crowley and a conflicted Aziraphale and a surprisingly not-awful Jesus. It's all building toward our boys reconciling, because like everyone else, my heart is broken and I need to pick up the pieces somehow. And they might try to like save the world again, too.

(I just can't wait for) Season 3 Good Omens! by RCReveal (T)

After Season 2, I really needed to find out how Aziraphale and Crowley could get their reunion: a real reunion & not 'pretendy real'. They both have so much growing to do with neither of them, yet, being able to even say 'I love you' clearly to each other. Angel, what's going on? What kind of doublethink are you doing to still think that Heaven is the Good side & that you can't even admit to being friends? But you'll do anything to protect the World. Crowley, always planning on running. Sorry, but that won't work. If you had run at Armageddon there'd be no here to be in. But somehow, still a little seed of optimism. And wow! what you two can do together! Especially with a little help from old and new friends. So here's a story about averting the Second Coming with that great ensemble cast of characters in Heaven, Hell, and Whickber ST. Long set up, but then starts to speed up, kinda a wild ride from chapter 42 onto the end. This story is at about the same level of cursing, violence (well, maybe a little more Gaiman-esque), humor (definitely much more Terry Pratchett-esque) and romance as that of the second season.

There's a Special Place on Earth for Beings Like You by Kipje (T)

Set two years after Aziraphale leaves to become Supreme Archangel. It’s the Second Coming. Aziraphale is tasked with finding parents for the new Christ and returns to earth. He needs Crowley’s help, but the two haven’t spoken since the break-up. Crowley doesn’t want to forgive the angel, nor does he want to help out with the baby, but he finds it incredibly hard not to get involved. OR Aziraphale and Crowley raise the new Christ together; a girl named Eden. While they try to sort out their feelings and avert the apocalypse. Excerpt: Crowley had always assumed Aziraphale would want to run away with him in order to be together. He had never bothered to ask if there was a version where they would be an ‘us’ on earth. What was Aziraphale supposed to do once they arrived in the Alpha Centauri system. How would that even work with his book collection? Sure, Aziraphale had fallen in love with the demon – and it had taken him a while to be able to admit that – but he had also fallen in love with humanity, with earth. He had never planned on leaving. He knew earth would be no fun without his favourite wily serpent, but that did not mean he would be fine anywhere as long as Crowley was there. He had standards.

- Mod D

[preciouslittle-bhaalbabe]

I've had to close DMs for people I don't follow for the time being. Someone decided to take advantage of the fact that I posted my twitter on here a while back and DM'd me a screenshot of my profile, talking about how ugly I was and how I don't deserve love and a bunch of other hateful shit. I really don't know what i've done to upset this person so much. I think they finally outed themselves as the anon who's been posting those super rude asks for quite some time. They've been blocked. But I'm sure they have alts.

This isn't going to stop me from posting. They may not like what I post but over 900 people so far have decided they like my blog enough to follow it. I must be doing something right lmao

I'm very happy that so many people enjoy my stuff and my characters. And just know I appreciate you all, even the lurkers. <3

[another-goblin]

Doc and Gambler: An essay A disjointed musing

I've been thinking about the words they use to address or refer to each other. Gambler and Doctor are rather special nicknames. I can't think of other characters who talk to each other a lot but avoid calling each other by actual names so deliberately.

First of all, of course I can see it as a sign of their relationship. They are old friends, so it makes sense that they have cute special names for each other.

Can there be other explanations?

1. We never see them use each other's actual first names.

It's understandable with Aventurine. If he's ever comfortable being called Kakavasha, it's definitely not now. And I can understand if he'd prefer Kakavasha to just remain a happy, innocent child in his memories forever.

It's more interesting with Ratio. Nobody calls him just "Veritas" (I think?..) He's referred to as Veritas Ratio in some official situations in his character stories. Even his elderly professor, who talks about teaching Ratio when he was a child, only calls him "Ratio."

Actually, I remember a theory that "Veritas" isn't a personal name but a kind of honorific. Maybe a title that Veritas University gives to its most distinguished members. But if Veritas is his actual first name, then I think it's quite significant that nobody seems to call him that. Especially while all of the other characters who have identifiable western-style first and second names are mostly referred to by their first name. (I'm sorry, I don't know how the Xianzhou characters' names work.)

A little off topic, but is Ratio even his real name? According to the wiki, his full name means "truth of the matter," and his Chinese name means "doctor truth." What a coincidence that a person with such a name became a famous scientist. Although there can be other explanations too.

2. They do use each other's more commonly used names sometimes (I think Ratio called him Aventurine once in the game when discussing him with us, and Aventurine addressed Ratio by name a couple of times). But it's mostly nicknames. Mostly Doc(tor) and Gambler, but also "learned professor," "knowledgeable friend," and a hundred of silly ways Ratio refers to Aventurine. I made a whole post about it long ago.

3. Can it be because all of their direct interaction happened in Penacony, in the middle of a murder mystery somewhat reminiscent of the board game Clue, with our little "Mrs. Peacock" and "Professor Plum" here just imitating the naming conventions of such a game? Like archetypes from a classical detective story, where most characters can be described with one word like that. But it's a bit of a crack theory.

4. The only situation we saw them talking to each other was when they had to play their roles for Sunday.

It's interesting that Sunday later proceeds to call Ratio just "doctor" or "learned doctor" too, the way Aventurine did. I mean, strictly speaking, there isn't anything unusual in calling a doctor "doctor", but it's funny in an awkward way. Imagine two close friends having special names for each other. And then a complete stranger who's been eavesdropping starts using these names too. Umm, that's "Dr. Ratio", Mr. Sunday, thank you very much.

Btw, that's another point to the theory that Sunday only knows (and tries to use against them) the things they deliberately fed him through their conversations.

So it might be that they did it deliberately for Sunday to hear. Like, see? we are so not friends that we don't even call each other by name. But then we see them using similar words when mentioning each other while talking to other people, and in Aventurine's thoughts too (in mission descriptions during Double Indemnity).

5. Although it might still be the way for them to try and distance themselves from each other, at least verbally, trying to deny the obvious special connection between them.

6. Or maybe it's about their "masks". They both have public personas to hide their real selves behind. (Ratio directly tells us about it and wears a literal mask to hide behind, and Aventurine's whole Harmony ordeal was basically to show his inner self, so unlike the confident and cocky Aventurine other people know.)

But they know each other better and see deeper than just their public personas of "Aventurine" and "Dr. Ratio". And it's still too early in their relationship to prod deeper ("Kakavasha" and "Veritas"). So a secret third thing it is.

[maowives]

this isn't a coherent thought yet but I'm like fairly certain that the proliferation of the framework of fictionkin is rooted in the fact that for many people (in particular, children who have not been given the language to identify and articulate the underlying phenomena animating their experiences), these identifications with characters provide a mythological scaffolding upon which they can start to build a way to make sense of the difficult interpersonal and intrapersonal experiences they've undergone. this may seem trivial to some, especially to those who participate, as it's clear that part of the draw of "Fandom Culture" broadly is that it affords an (ostensibly) unified theory of analysis and engagement for intimate interpersonal and intrapersonal experience, by way of storytelling and the curation of particular fictional experiences which resonate with the reader. it feels evident to me that this is more often than not, designed both as a method of communication, seeking to provide (relatively) broadly legible shorthands and handholds for articulating painful or otherwise important personal experiences which would otherwise be complicated or simply emotionally difficult to express, as well as a form of identity-crafting, in which these characters form the building blocks of an internal symbolic language that, when rearranged and ordered in a particular manner, enable the user to understand their experiences and their internal responses to those experiences. frankly I think it's quite an elegant solution, and one which I understand the utility of. in particular, I think it's relevant and understandable that these kinds of frameworks arise in the particular political contexts in which they do. further, it seems clear to me that many of the more reactive and reactionary elements of these kinds of contexts frequently arise from a deeply felt defensiveness about the sanctity of these internal frameworks and spaces, not because of the sanctity of the thing itself, but rather the ways that these symbols act as placeholders for particular individual experiences of particular and deeply felt narrative relevance and importance. said in another way, the sanctity of the particular reading of a character or a story are not valuable in and of themselves but rather for how they act as stand-ins for The Self. an example might be in the ways that "Fandom Discourse" tends to produce heated conflicts between different people who interpret different characters as having different kinds of essential moral qualities, as these characters do not function as characters in a text but rather as placeholders for either the reader or other people relevant to the reader's life, whether they be loved ones or agents of harm, or both. it becomes easy to understand why contending understandings of a particular character's "moral quality" become very high stakes very quickly, as the coherence of the individual's particular meaning-making system, and therefore, the integrity of a particular narrative about one's own life, depends on a particular reading of that character.

and, while, as I mentioned above, I do think it makes sense for this framework to function the way it does, and while I do think it is, broadly, an elegant solution to a difficult problem, I think it is hobbled by a few factors.

Using other people's fictional characters as a mythmaking device requires necessarily having inconsistencies and misalignments as well as implementing an active practice of Character Curation.

Conversely, using one's "OC's" as a shorthand for personal experience and expression requires other readers to be heavily invested in, and acquainted in, this particular idiosyncratic mythology.

These frameworks, while undoubtedly valuable for their legibility to others within the shared fandom space, are both imperfect, in that they never are able to communicate exactly what an individual sets out to communicate, as well as incomplete, in that their explanatory power borders on nil.

Because of the previously discussed contending interpretations of given individually relevant characters, these frameworks tend to promote intense and heated conflict between contending camps who, all in all, are most likely fighting over some relatively inconsequential quibbles of personal idealist moralism at worst, or just simple miscommunication and misunderstanding at best.

Because of this fact, ingroup compliance is heavily, heavily policed, and the space becomes more and more encouraged to adopt increasingly draconian and reactionary methods of control.

these observations are not intended to be a moral condemnation of these practices, as savvy MaoWives readers will know that OP does not traffick in idealist moralisms or other such quibbles. however, I do think that identifying the particular gap of where a unifying theory with explanatory power may come in handy for encouraging people to make sense of their own lives in terms that they have more control over, and which have more robust analytical tools. again, savvy MaoWives readers will be able to see the predictable turn to articulating the value of using a dialectical materialist and Marxist-Leninist analytical frame for these kinds of things, but further, perhaps more particularly, I could see a place where family abolition as a framing device may be significantly more helpful in encouraging interpersonal abuse survivors to make sense of their experiences, rather than the readily accessible, but inevitably incomplete, frameworks of using particular characters as social signifiers of experience, and mythmaking devices for intrapersonal awareness.

[I apologize for the length of this post. I did not have the time to write a shorter one.]

[theshiftingwitch]

my question is, why would an adult initially have a crush on a minor? like even if they shift to a reality where they’re an adult, why did they at first have a romantic attraction to a child in a reality where they’re an adult? 😭

this is about aging up to date, not aging up in general

Because some fell in love with those characters when they also were minors but only discovered shifting as adults.

Not everything has to have this insidious, disgusting ulterior motive behind it. Some shifters were lucky to learn about shifting in their teens and they are regarded as normal and accepted no questions asked even if they decide to age themselves up. But adult shifters have to jump through hoops to explain that they are not pedophiles, they are just normal people wanting to meet the characters that brought them comfort and love and acceptance when they were younger.

But the main point of that post was not the attraction in itself. It was that awareness is ageless and aging yourself up or down is not even the correct term. You are not aging up nor down. The same way you were born in 2004 in this reality, you could have been born in 1992 in another, or 1867, or 2190, or 2001, or 3689, or 1212. You have lived in that Dr your entire life, you're not going to suddenly become aware of it and develop a whole new perspective and personality influenced by your cr self.

But let's say for argument's sake that you do. And you happen to shift to a reality where you are an immortal creature, born one thousand years ago. When you shift back to this reality, will you be celibate for the rest of your life? Never dating and never marrying and never falling in love, right? Because according to that logic, you now have the awareness of a 1000 year old creature, so dating anyone back here makes you a pedo. No?

Time is not linear, and all of the possible, infinite realities are happening at the same time. Once you shift, you become infinite, pure consciousness, and none of this will matter to you anyway.

I hope that clarifies things.

[aspecardaweek]

Aspec Arda Week starts tomorrow, September 23!

Hello and welcome to Aspec Arda Week!

This is a week-long event to celebrate the interaction of the asexual and aromantic-spectrums and Tolkien’s Legendarium of Arda. Though these experiences are not explicit within Tolkien’s work, many fans across the a-spectrum see themselves in Arda, and we are here to appreciate any and all interpretation of characters, relationships, and events through an aspec lens.

Any content about the a-spectrum in Arda is welcome! You can create edits, gifs, fanart, fanfic, fanmixes, and more! This event will run from September 23-29, 2024! Please tag your posts with #aspecardaweek AND @ mention this blog @aspecardaweek so they can be easily found. If your submission turns into a long post, please put what you can beneath a “Keep reading” divider.

Below are some prompts for each day of the week. They are not mandatory, but they are here to inspire you. This page will lead to an explanation for each one. The first prompt is the “main” prompt, but we are also providing more open-ended secondary prompts.

DAY ONE: Asexuality || Discovery, Confusion, Education DAY TWO: Aromanticism || Acceptance, Loneliness, Pride DAY THREE: Across the A-Spectrum || Hope, Complexity, Diversity DAY FOUR: Worldbuilding || Community, Change, Family DAY FIVE: Relationships || Companionship, Intimacy, Queerplatonic DAY SIX: Intersectionality || Connection, Relief, Friendship DAY SEVEN: Freeform || Love, Vulnerability, Identity

This event is being organized by @arofili and @astriiformes. If you have any questions or suggestions, feel free to message this blog or @arofili.

For further clarification, check out our about, FAQ, code of conduct, and prompts pages! Happy creating!!

[vivika-ka]

Some instances that I feel show how some messages in MHA are detrimental, especially on how victims react to their abuser, can be gauged by responses that tend to be highly prevalent in the fandom.

(Definitely not every fan, but a great majority).

Endeavor is a great example. Whenever you post criticizing his approach to atonement (and ultimately criticizing Horikoshi’s writing), you get BOMBARDED by people either belittling you for not liking his character or essentially forcing you to like his character by frantically writing “at least he tried” arguments.

If I have the CHOICE whether to forgive his character or not, especially given he goes through an atonement arc and not a redemption arc, why is any form of criticism about his abusive behavior and essentially his abuse of power practically ignored by the story unacceptable?

The message was detrimental because people operate on the notion that for victims to be good people, they must forgive and even help their abusers. MHA presents people who choose not to forgive him as either a monster (Toya) or inconvenient (Natsuo). And if they are still unforgiving, they must admire the abuser for doing the bare minimum (taking responsibility; this is also about Natsuo).

Essentially, they are considered "imperfect victims" because they weren't merciful in their approach to their abuser.

The majority of the fandom tends to ignore the lack of actual consequences for Endeavor's actions because he vows to talk to Toya every day. Insisting that doing the bare minimum, which is recognizing his son's existence and suffering, became his "hell" is a wildly fucked up message, in my opinion.

It harps on the issue mentioned above that if a victim isn't receptive to forgiveness or doesn't act "demure," they are seen as an inconvenience—which is how the Todoroki family ultimately views Toya.

On a less critical note, I'll vent, so if you don't like this, just ignore it.

I'm so fucking tired of stories depicting imperfect victims as people who deserve death and torture. Plus, having to be on the brunt of so many people acting like you're morally fucked because you're not impressed with how a writer handled abuse. Horikoshi is not the first writer to try to atone a character who is an abuser (and he isn't the first to fail at that, either).

I'm not about to dick-ride every decision every author makes. Especially if the message convinces some audience members that victims are inherently broken if they can't bring themselves to forgive and/or admire someone who hurt them.

[puma-riki]

No One Noticed....

Synopsis: You've never seemed to make friends well. Sure, you had people you knew and were well acquainted with, but no one ever seemed to get closer to you or want to. You think that no one notices you and you'll continue the rest of your college years alone like all the years before. Except Ni-ki notices just about everything you do.

Pairing: Nishimura Riki x Fem! Reader

Genre: Fluff, Humor (or attempts at), slight angst, smau + written parts

Warnings: none

Characters: Enhypen (all), Eunchae (lesserafim), Keeho, Soul, (P1Harmony)

Status: Ongoing (Start: 092124)

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Masterlist | Previous | Next

03. Existential dread + written

[name]:

Each day seemed to blend together. Every morning was the same—you'd get up, go to your classes, have no social interactions at all, and then come back to your apartment that your parents were working hard to pay for, just for you.

You felt guilty. Your parents were so proud of you for getting into the college you worked your ass off to attend. They shared their excitement for you to start your own little life with school and all the new people you'd meet, people you could bring over during holidays. They'd imagined the friends you'd make filling their table, sharing stories on how you guys had met and cheerfully sharing the same adoration for you as they did.

You would be sad to share the news that you'd be coming home for break empty-handed, for the second year. You don't know why it'd seemed too hard for you to connect with people. It's not like you've never talked to a person before. you had been in plenty of extracurriculars in high school, one of which was theater. You were good at what you did—organizing, tech work, always making sure the show ran smoothly. People appreciated you, right? You were in the group pictures, but never fully. Cropped out, a half-figure on the edge of the frame, while everyone else beamed in front of the camera. You never got invited to the after-parties. You never even knew they happened until you saw the Instagram posts the next morning. It hurt, but after a while, you got used to it. You showed up, did your part, and slipped out quietly, unnoticed, as if your presence didn't really matter. And now, college wasn't much different.

Enough depressing talk of the past. At least in college, no one expected you to have a social life. Everyone was busy, and being alone was almost normal. But even knowing that didn’t make it feel any less lonely.

You huffed as you pushed your key into your apartment's lock and turned it. Upon Entry, you were embraced by the warmth of your heater and the orange hue of the small lamps scattered about your place. You kicked your door shut and toed off your shoes, then made a beeline for your bedroom.

Your room had the same feel as the rest of your apartment. A small lamp shone down on your desk next to the door, scattered with half-finished homework. A stained-glass lamp glowing softly on your dresser, adjacent to your bed. Your bed was right next to the window that overlooked the city street. You sat your half-drunk boba on your nightstand next to yet, you guessed it, another lamp. You sat on your bed and looked out the window and watched all the people walk by, blissfully unaware of an admirer from above.

The city lights flickered to life outside your window, reflecting against the glass as the sky deepened from pink to blue. It was beautiful, but distant, like everything else. You sat by the window, staring at the people below, moving with purpose, with company.

You watched the streets below. Some people were rushing off by themselves, some were linked in arms with each other and chatting, others stood idly against walls or walked in and out of shops.

Couples linked arms, friends chatted, even strangers seemed more connected to the world than you were. Your eyes caught on a guy wiping down tables outside a nearby restaurant. He looked up as a girl walked out, her uniform and jacket marking the end of her shift. He opened his mouth, like he was about to say something, but hesitated. She walked right past him, not even sparing him a glance. His face fell just slightly before he turned back to his task, scrubbing the table with renewed intensity.

You stared, feeling a tug of recognition. Was he disappointed in her, or in himself? You wondered if you'd ever been the girl, completely unaware of someone’s desire for connection, too wrapped up in your own world to notice.

Probably not.

You tore your gaze from the window and pulled your phone from your pocket. A reminder came up on your phone.

Ni-ki biology tutoring session @ 2 tmrw !!

Right, that was tomorrow.

You've been in the tutoring program for a while now. Strangely, Ni-ki was the only one person who signed up for sessions with you this semester. usually, you have a session every other day.

It felt strange seeing his name on your screen, knowing you’d never actually tutored him before. Sure, you’d seen him plenty of times in class—he sat right behind you in biology, close enough that you could hear him tapping his pen against the desk during long lectures. But beyond the occasional brush of elbows when passing each other or mumbled exchanges, you hadn’t really spoken to him.

There had been a few moments, though. Little things, like the time you almost bumped into him while walking through the classroom door. You had both been moving at the same time, awkwardly shuffling in that way where neither of you knew who should go first. You’d blurted out, “Sorry!” and glanced up at him. He had met your eyes for barely a second before replying, "You're fine," in a tone that felt neutral—neither cold nor warm—and that had been the end of it.

He never made an effort to continue the interaction. He didn't ask how you were, or even give a polite smile. It was just... transactional, like you were two bodies moving through the same space but living in different worlds.

You wondered if he even remembered. Maybe to him, you were just another face in a crowded class, nothing more than the girl who sat in front of him. But now he’d signed up for tutoring, and you’d be sitting face-to-face, forced to acknowledge each other beyond the occasional shared oxygen in the lecture hall.

You were curious, but not hopeful. It would likely be just like every other connection you’d tried to make—brief, functional, and shallow. He’d come for help, you’d give him what he needed, and that would be that. No new conversations, no shared inside jokes or study sessions spilling into friendly coffee chats. Just another person passing through your life, barely noticing you.

But at least with Ni-ki, you had a chance to speak again, to break the silence that lingered between you every time he shifted in his seat behind you.

The reminder blinked off your phone as the screen dimmed. you dropped your phone onto your stomach and laid back on your bed. its softness makes you feel weightless.

The ceiling looked exactly how it had the day before. The lamps glowed softly, casting a warm light that didn’t reach the cold emptiness inside you. You closed your eyes, feeling the loneliness settle in your chest like a weight you’d carried for far too long.

No one noticed.

[chefwhatnot]

A Too-Close Analysis of the Double Exposure Treatments from Duskmourn (2/2)

We return to the Double Exposure cards from Duskmourn! This post will be going over all the cards I didn't talk about in the first part, which is all the legends that don't appear in the main story (not including Altanak, Norin, and Arabella since they're all at uncommon so none of them got Double Exposure printings). Now, because we don't know much about most of these characters, this part will include a lot more educated guesses. Quick shoutout to wotc for posting the "Legends of Duskmourn" article a little bit earlier than they usually do so I have a little bit more to go off of. Away we go!

(Oh, and if you missed Part 1, you can find it here)

Toby, Beastie Befriender-

A creepy Jack-in-the-Box looms behind Toby's profile. Could simply be that kids are afraid of clowns, or perhaps something more? A Jack-in-the-Box is startling, and even though Toby says he has his Beastie friends to protect him, that would not make him immune to a brief startle, would it?

The Mindskinner-

A hand. Who is its owner? Unclear, but the clawed motif on the gloves make it almost look like it belongs to a Razorkin. From the Legends article, the Mindskinner is the fear of Razorkin, and employs a much more gradual and insidious methodology compared to the rest of the nightmares in the House. Based on this double exposure, it seems that not even Razorkin are immune to being targeted by its cruel whims. Plus, the only way to drive off the Mindskinner is to have your glimmer nearby, meaning Razorkin, who've already given themselves in to maddening pain make for easy prey. It might have enough intelligence to find this delightfully ironic, to torture that which first gave it form.

Kona, Rescue Beastie-

Overlaid on Kona’s profile is a set of canine jaws, facing the same direction as her. Two interpretations: one, that the prey instincts that were within whatever animal later mutated into Kona are still active and alive, that she still fears being snatched up by the jaws of some greater creature and devoured. Or, alternatively: those are Kona’s teeth. Beasties are, at the end of the day, as monstrous as anything else in the House, their masks being their attempt to conceal that fact. A beastie knows that if a survivor sees its true face, they will immediately flee in terror. The biggest fear of a Beastie is that its monstrous nature will be revealed, that for all its efforts it will terrify and lose those it seeks to protect. Or worse, that it will be the one to take them away, slipping back into bestial instincts.

The Jolly Balloon Man-

I've spent so fucking long staring at this one trying to figure out what the fuck that even is and I honestly have nothing. A kinda fucked up looking balloon animal? Some kinda I got nothin’. I will say, though, that I think the JBM's rictus grin is a very good demonstration of the way Razorkin have fully fucked up senses of pain/pleasure and such. But yeah I don’t like this one. Pass.

Rip, Spawn Hunter-

A skeletal hand, reaching upwards towards Rip, who has her back turned towards the viewer. Rip used to be a member of the Doorblades, the group of survivors who dedicate themselves to fighting back and eliminating as many of the House’s monsters as possible. Which, we know from the planeswalkers guide, is a group with a very high fatality rate. Turn your attention now to the flavor text on Came Back Wrong and the Duskmourn printing of Pyroclasm. Rip has a practice of burning bodies of those who fell in the line of duty. The skeletal hand is that of one of her former comrades, whose body she had to burn and leave behind. It represents doubt, doubt that she’s doing the right thing by cutting off any chance of grim revival for those who’ve passed, doubt that the human toll of spawn hunting is worth it. No wonder she prefers to work alone.

The Swarmweaver-

Ahh! The Bees! Not the Bees!! A living scarecrow beehive, with a giant bee layered on top. Insects, crawling within its being, beneath its wooden skin and throughout its spindly form. The Swarmweaver is a wickerfolk: maybe in life they feared what they now wholly consist of? Not a huge amount to go off of here- is what I would say if the Legends article didn’t confirm that the Swarmweaver can indeed still feel the corpse bees crawling around beneath its wooden skin, that they are constantly in pain and the only way they have to relieve that is to send the bees to attack others. Do you think they’re still aware enough to feel regret, for sending the source if their pain towards others?

Victor, Valgavoth’s Seneschal-

In front of his face is a moth, symbolizing his total devotion to Valgavoth. In the flavor text for the Special Guests printing of Sacrifice, they describe a ritual where cultists allow their fears to be fully consumed by the house, allowing themselves to be reborn. Victor has apparently undergone this process dozens of times, no trace of his original self remaining. The chain of eye-marks on the moth’s wings connect to Victor’s glasses. His fears are now inseparable from Valgavoth’s being: in a way he has made himself part of the house.

Marvin, Murderous Mimic- Another hand! Now, originally I assumed that this was the hand of the Razorkin who used Marvin as an intimidation tactic and possessed him, but according to the Legends article, Marvin isn’t possessed at all, and merely “quickened” when the Razorkin grabbed him by coincidence. Which is… not what I expected from the Chucky analogue and makes it a lot harder for me to explain what the skeleton hand means. Cool. I do still think the hand might represent a lack of agency, a vague memory of being used as a puppet by whatever ventriloquist originally owned him. Beneath all of Marvin’s psychotic behaviors is the fear that he might still be no better than a puppet after all.

And that’s all folks! I hope you enjoyed this writing exercise and all my philosophical wankery about this silly card game. I’m literally in the middle of my prerelease event so I gotta go now. Also plz read my magic the gathering fanfiction i have a lot of it and crave comments

[devil-in-hiding]

I feel very disrespectful and guilty now for my ask now when you said that. So I really wanna apologise. Like I am genuinely sorry, I didn't mean to offend you but I can see why, so again I'm really sorry for the question, even though I maybe should've known, but still asked/thought about, so I'm genuine with this apology and I get why you would be mad and everything, but I hope I wasn't too annoying or rude to you, but I can still see why the question I asked was disrespectful to you. <3 (cus I was the on that asked the most recent ask you posted and I actually felt quite guilty and wanted to apologise to you😭)

I know why y’all find fun in it, but i promise you there are thousands upon thousands of fanfics out there, headcanons, real humans who breathe life into characters yall love. I love that you enjoy my work but please, when any other than the author themselves copies and pastes their works somewhere it is theft. It’s quite literally is taking something someone poured hours of love and work into and feeding it into a freakin machine.

Please just support authors. supports writers. support artists. Don’t push us aside, don’t steal our works.