#not having the funds to run a site

[hjeojeo]

it's...missing smackjeeves hours..

telling myself if no one makes a good alternative for smackjeeves in the next like five years, im gonna start making one myself (only 10% serious)

i just miss like that atmosphere of 100% unmarketable, just comic sharing/making space.

where we all knew that 99% of the time the comics we see will never get finished bc ppl get busy, kids grow up and change interests ,etc. (i mention kids bc most of my memories of smackjeeves was when i was a teen, so it was a significant like developmental years as an artist kind experience for me)

like i remember most of the comics were like

barely legible sketch pages with like text written in mspaint.

there was absolutely no quality standard. and that's why it was so good

it made me as a kid feel like oh i can do comics! cause it can be WHATEVER YOU WANTED IT TO BE AND LOOK HOWEVER WAY.

and the collaborative ones on smackjeeves were so fun to look at

just overall.

having that. rough, crude, unmarketable space for art/comics was significant.

[the-ghost-of-jason-todd]

just saw a post claiming ao3 is run by zionists with no links, facts, articles, or anything else to support said claim

i'm having a really bad brain fog year and i feel like search engines are getting worse and worse so does anyone know where the fuck this came from and if there's anything to it

like links to anything substantial are preferable but if you can give me an idea of what the fuck to look up that would also work

[thenotoriousscuttlecliff]

I really am at a loss to explain Doctor Who's current ratings. From The Star Beast to The Church of Ruby Road they stayed consistent, with some of the best catch up numbers the show had seen in years, the fact they stayed high for TCORR showed that it wasn't just the Tennant factor, but the sudden drop for this season is a surprise, even the catch up has massive dropped, back to the level it was at the end of the Chibnall era. It's like 2023 was a blip and the gradual decline the show has been suffering for the last five years has got back on track.

[shivasdarknight]

Putting this over here to isolate this point: the OTW Volunteers did a lot of work to get AO3 back up and running after the DDoS. The OTW Board didn't do shit.

Your donations to AO3 go into OTW's financial reserve, and an estimate of how much they have is around $2.5 million (thread that breaks this down). They can maintain the platform for five years with what they have stored, and that number may be a low estimate.

OTW doesn't need your money. OTW's volunteers deserve financial compensation for all they've been subjected to, but none will see a penny from your donations.

Support the volunteers all you like, but know that your donations do nothing for them nor improve their working conditions.

Also stop being islamophobic assholes, the people who did this called themselves Sudanese just to get this kind of response. Grow up, learn to spot a troll, and go educate yourselves instead of constantly spewing racist shit.

[hualianisms]

verified ways to donate to gaza directly

[this post is outdated. up-to-date version here.]

Donate to a Palestinian family directly:

gazafunds.com - Donate directly to a Palestinian family in urgent need of evacuation, medical treatment, daily necessities or more. Site run by Palestinians, all GFMs verified (full list here). Spotlights 1 stagnant GFM at a time. (*If you can't decide who/where to donate, just go to gazafunds.com & donate to the 1 GFM they show you!)

masterlist of 200+ verified Palestinian families' GFMs: Operation Olive Branch

Help provide tents:

The Sameer Project: Currently providing tents & transport for families in Rafah who urgently need to evacuate to Deir Al Balah. Has a team on the ground in Gaza who have supplied tents to 1% of the displaced population in Rafah. Run by Palestinians. (paypal) (gfm)

@helpgazachildren: Currently helping Palestinians in a refugee camp in Rafah flee the Rafah invasion to Khan Younis. Funds go directly to Hussam, a Palestinian in Rafah who hosts a refugee camp. Funds will cover the cost of tents & transport fuel. Managed by a Palestinian @.fairuzfan. (gfm)

Food:

Care for Gaza: Palestinian charity on the ground in Gaza distributing food, cash, medicine & other essentials to displaced families. Proof of their work found on their Twitter. (paypal) (gfm)

We Feed Gaza: Team of Palestinian volunteers in the heart of Gaza distributing food & water to 344+ families. More details & proof in their gfm. Vetted & promoted by LetsTalkPalestine on IG. (gfm)

Direct Aid for Gaza: A Palestinian activist on the ground in Gaza distributing food, cash & other essential supplies to displaced families. Proof of their work found on their twitter. (paypal) (gfm)

Water (*urgent and crucial!)

Gaza Municipality: The official Municipality of Gaza is doing vital, life-saving work to rebuild the water pipes in Gaza City to restore access to clean water & waste management services for the people of Gaza.

eSIMs (*very urgent):

guide to buy & send esims to gaza

Crips for eSims for Gaza: donate any amount to this team of volunteers who pool funds to buy & maintain gaza esims regularly (see their financial accountability document).

Medical Aid:

Gaza Wound Care: Palestinian doctors in central Gaza treating injured/sick children & mothers in neglected displacement camps far from hospitals. Facing a severe shortage of medicines, equipment, and medical supplies. Currently raising funds to support their efforts to battle infectious diseases in refugee camps. (gfm) (paypal) (gogetfunding)

international charities: Palestine Red Crescent Society, Palestine Children's Relief Fund, Medical Aid for Palestinians

How to help if you can't donate:

Share & amplify Palestinian fundraisers in your irl & online circles

Organize or help to run an online/irl event to raise funds for Palestine

Boycott

Get involved with a protest/strike/direct action in your area

Contact your reps

Educate yourself & others both irl & online

Daily clicks on Arab.org

(you can even adopt 1 fundraiser campaign to regularly boost it & make materials promoting it online, or print posters/flyers about Palestinian fundraisers to encourage others to donate. (poster/graphic about gazafunds.com: here, flyers about esims: here, flyers about gazafamilyfunds: here)

(longer masterpost of all ways you can help)

(*all these links and more now in this rentry page. will no longer be updating this post, instead refer to the rentry page)

Last updated 3/6/2024 with Gaza Wound Care & We Feed Gaza. Wanted to focus on Palestinian-run grassroots initiatives that will actually reach Gazans on the ground, so all of these except eSIMs, PCRF, MAP are by Palestinians. Donating to international orgs is not ideal rn as aid is still being stopped at the border. Please focus on Palestinian-run initiatives on the ground in Gaza.

Remember, small donations really do add up. Any amount counts, even $1!

[buttercuparry]

Recently there has been a fall in engagement with Palestinian content on tumblr, and for those of us who are helping Palestinians fundraise it is very obvious that this has happened directly after the very public smear campaigns, carried out by some racist users with significant followings.

It seems half the site somehow found it easier to believe in the horseshit about “belgian scam rings” and “russian botnets” in an effort to justify their apathy towards genocide victims, and the other half seems to think that everything is over and that the evil was defeated just because some racist bloggers got run off the site after giving half-hearted apologies that did nothing to mitigate the damage they had done.

THERE ARE PEOPLE STILL IN DIRE NEED OF HELP !! There are people who are still getting death threats from zionists every day and have to stay on this godforsaken website because their gofundmes haven't reached their endgoals yet...

I'm going to keep this brief:

Siraj's ( @siraj2024 ) family including his parents, and his five siblings and their families were displaced during the recent attacks by IOF on deir al balah

This means there are now 23 family members that Siraj is the sole provider for at the moment. 

10 of those members are young children.

Siraj's wife, Halima, is having a terrible flareup of eczema and his children are suffering from skin infections and badly need medical attention.

This whole family has been living in unhygienic conditions in 2 tents, packed like sardines during this heatwave, leading to spread of infections between them as well– all during a time where hygiene products have become unaffordable due to the israeli blockade, and when water has become scarce, and kids cant even receive life saving vaccinations during polio epidemic.

All this while everyday siraj risks his life trying to reach out to us from an internet point amidst violence and shelling from the IOF in what once was a “humanitarian safe zone”, even more desperately than before because–

THIS FUNDRAISER IS NOW THE ONLY LIFELINE FOR FIVE FAMILIES INSTEAD OF JUST ONE !!

Currently at $55,614/ $82,000 CAD

TIME IS RUNNING OUT!! We have to get to 60k by thursday i.e WITHIN THE NEXT THREE DAYS!! DONATE AND BOOST

Vetting link #219

If you want additional incentive to donate, pls check out:

Art raffle here (ending in 4 days!!!) - where you get to win this zine as a prize as well for as low as $5 for 1 entry, please dont miss it !!

[postgameroutesix]

instead of continuously over-donating to ao3 when those running the site are racist zionist sympathisers who shut down support of palestine from its volunteers 1 / 2 (among myriad other issues that u should NOT be funding) please direct your attention to these incomplete fundraisers for people in gaza and various tangible operations doing work. this is a call that if u have donated even a cent to ao3 to a) match that in your donations to palestinians/causes and b) stop donating so uncritically and unconditionally to ao3, pressure them. id like to direct u to @end-otw-racism

fundraiser masterpost by @el-shab-hussein

mona

care for gaza

help gaza's children

operation olive branch

the palestinian children's relief fund

unrwa

the palestinian red crescent society

buy an e-sim / donate for mass buying

[gothhabiba]

🍉🇵🇸 eSims for Gaza masterpost 🇵🇸🍉

Which eSims are currently being called for?

Connecting Humanity is calling for:

Nomad (“regional Middle East” plan): code NOMADCNG (they are completely out)

Simly (“Palestine” and “Middle East” plans)

Airalo (“Discover” plan)

Gaza Online is calling for:

Holafly (“Israel” and “Egypt” plans): code HOLACNG

Nomad (“regional Middle East” plan): code NOMADCNG (can now be used multiple times from the same email)

Airalo (“Middle East and North Africa” plan)

Sparks (“Israel” plan)

Numero (“Egypt” plan)

For Connecting Humanity: if you sent an eSim more than two weeks ago and it is still valid and not yet activated, reply to the email in which you originally sent the eSim. To determine whether the eSim is still valid, scan the QR code with a smartphone; tap the yellow button that reads “Cellular plan”; when a screen comes up reading “Activate eSIM,” click the button that says “Continue.” If a message comes up reading “eSIM Cannot Be Added: This code is no longer valid. Contact your carrier for more information,” the eSim is activated, expired, or had an error in installation, and should not be sent. It is very important not to re-send invalid eSims, since people may walk several kilometers to access wifi to connect their eSims only to find out that they cannot be activated.

If a screen appears reading “Activate eSIM: An eSIM is ready to be activated” with a button asking you to “Continue,” do not click “Continue” to activate the eSim on your phone; exit out of the screen and reply to the email containing that QR code.

Be sure you're looking at the original post, as this will be continually updated. Any new instructions about replying to emails for specific types of unactivated plans will also appear here.

Check the notes of blackpearlblasts's eSim post, as well as fairuzfan's 'esim' tag, for referral and discount codes.

How do I purchase an eSim?

If you cannot download an app or manage an eSim yourself, send funds to Crips for eSims for Gaza (Visa; Mastercard; Paypal; AmEx; Canadian e-transfer), or to me (venmo @gothhabiba; paypal.me/Najia; cash app $NajiaK, with note “esims” or similar; check the notes of this post for updates on what I've purchased.)

You can purchase an eSim yourself using a mobile phone app, or on a desktop computer (with the exception of Simly, which does not have a desktop site). See this screenreader-accessible guide to purchasing an eSim through each of the five services that the Connecting Humanity team is calling for (Simly, Nomad, Mogo, Holafly, and Airalo).

Send a screenshot of the plan's QR code to gazaesims@gmail.com. Be sure to include the app used, the word "esim," the type of plan (when an app has more than one, aka "regional Middle East" versus "Palestine"), and the amount of data or time on the plan, in the subject line or body of your email.

Message me if you have any questions or if you need help purchasing an eSim through one of these apps.

If you’re going to be purchasing many eSims at once, see Jane Shi’s list of tips.

Which app should I use?

Try to buy an eSim from one of the apps that the team is currently calling for (see above).

If the team is calling for multiple apps:

Nomad is best in terms of data price, app navigability, and ability to top up when they are near expiry; but eSims must be stayed on top of, as you cannot top them up once the data has completely run out. Go into the app settings and make sure your "data usage" notifcations are turned on.

Simly Middle East plans cannot be topped up; Simly Palestine ones can. Unlike with Nomad, data can be topped up once it has completely run out.

Holafly has the most expensive data, and top-ups don't seem to work.

Mogo has the worst user interface in my opinion. It is difficult or impossible to see plan activation and usage.

How much data should I purchase?

Mirna el-Helbawi has been told that large families may all rely on the same plan for data (by setting up a hotspot). Some recipients of eSim plans may also be using them to upload video.

For those reasons I would recommend getting the largest plan you can afford for plans which cannot be topped up: namely, Simly "Middle East" plans, and Holafly plans (they say you can top them up, but I haven't heard of anyone who has gotten it to work yet).

For all other plans, get a relatively small amount of data (1-3 GB, a 3-day plan, etc.), and top up the plan with more data once it is activated. Go into the app’s settings and make sure low-data notifications are on, because a 1-GB eSIM can expire very quickly.

Is there anything else I need to do?

Check back regularly to see if the plan has been activated. Once it's been activated, check once a day to see if data is still being used, and how close the eSim is to running out of data or to expiring; make sure your notifications are on.

If the eSim hasn't been activated after three weeks or so, reply to the original email that you sent to Gaza eSims containing the QR code for that plan.

If you purchased the eSim through an app which has a policy of starting the countdown to auto-expiry a certain amount of time after the purchase of the eSim, rather than only upon activation (Nomad does this), then also reply to your original e-mail once you're within a few days of this date. If you're within 12 hours of that date, contact customer service and ask for a credit (not a refund) and use it to purchase and send another eSim.

How can I tell if my plan has been activated? How do I top up a plan?

The Connecting Humanity team recommends keeping your eSims topped up once they have been activated.

See this guide on how to tell if your plan has been activated, how to top up plans, and (for Nomad) how to tell when the auto-expiry will start. Keep topping up the eSim for as long as the data usage keeps ticking up. This keeps a person or family connected for longer, without the Connecting Humanity team having to go through another process of installing a new eSim.

If the data usage hasn't changed in a week or so, allow the plan to expire and purchase another one.

What if I can't afford a larger plan, or don't have time or money to keep topping up an eSim?

I have set up a pool of funds out of which to buy and top up eSims, which you can contribute to by sending funds to my venmo (@gothhabiba), PayPal (paypal.me/Najia), or cash app ($NajiaK) (with note “esims” or similar). Check the notes of this post for updates on what I've purchased, which plans are active, and how much data they've used.

Crips for eSims for Gaza also has a donation pool to purchase eSims and top them up.

Gaza Online (run by alumni of Gaza Sky Geeks) accepts monetary donations to purchase eSims as needed.

What if my eSim has not been activated, even after I replied to my email?

Make sure that the QR code you sent was a clear screenshot, and not a photo of a screen; and that you didn’t install the eSim on your own phone by scanning the QR code or clicking “install automatically."

Possible reasons for an eSim not having been activated include: it was given to a journalist as a back-up in case the plan they had activated expired or ran out of data; there was an error during installation or activation and the eSim could no longer be used; the eSim was installed, but not activated, and then Israeli bombings destroyed the phone, or forced someone to leave it behind.

An eSim that was sent but couldn’t be used is still part of an important effort and learning curve. Errors in installation, for example, are happening less often than they were in the beginning of the project.

Why should I purchase an eSim? Is there any proof that they work?

Israel is imposing near-constant communications blackouts on Gaza. The majority of the news that you are seeing come from Gaza is coming from people who are connected via eSim.

eSims also connect people to news. People are able to videochat with their family for the first time in months, to learn that their family members are still alive, to see their newborn children for the first time, and more, thanks to eSims.

Some of this sharing of news saves lives, as people have been able to flee or avoid areas under bombardment, or learn that they are on evacuation lists.

Why are different plans called for at different times?

Different eSims work in different areas of the Gaza Strip (and Egypt, where many refugees currently are). The team tries to keep a stockpile of each type of sim on hand.

Is there anything else I can do to help?

There is an urgent need for more eSims. Print out these posters and place them on bulletin boards, in local businesses, on telephone poles, or wherever people are likely to see them. Print out these foldable brochures to inform people about the initiative and distribute them at protests, cafes and restaurants, &c. Also feel free to make your own brochures using the wording from this post.

The Connecting Humanity team is very busy connecting people to eSims and don't often have time to answer questions. Check a few of Mirna El Helbawi's most recent tweets and see if anyone has commented with any questions that you can answer with the information in this post.

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[fenrislorsrai]

Justice 40

Joe Biden is boring and often bad at tooting his own horn, but by god, he is good at process.

Justice 40 is simple but powerful application of that. its a shift in how the executive branch works. 40% of money from a bunch of existing programs should go to census tracts that are overburdened with pollution, at higher risk for climate change, and have been historically underserved.

The shorthand here is basically "communities that don't have enough internal resources to deal with long term problems". So yes, communities that had been redlined for decades, ones that have Superfund sites, ones that have high rates of asthma from air pollution.

and this is by census tract. Not city. census tract. So parts of New York City qualify... but other parts don't. And the city HAS to use the money in the targeted part. it doesn't go into the communal pool. it's for THAT tract specifically.

Also all land federally recognized as belonging to a Native American tribe and all Alaskan Native Villages qualify, specifically.

And again, this is for existing programs that are already running and have existing staff and budgets. They're supposed to prioritize grants and projects for those areas specifically. And that's everything from Department of Agriculture, to FEMA, to Labor, to Environmental Protection.

Does it instantly get rid of all the baked in racism from decades past? No, not even close. But it puts in a countermeasure that has a concrete and measurable goal to aim for rather than a nebulous "suck less." even if the administration changes, many of those changes will stick.

And as things improve, some tracts may come off the list! Some may go on that weren't there before!

You can see a map here. Blue highlighted tracts are "disadvantaged" so qualify for that extra assistance! Check and see if you live in one or part of your town does. Because if you've been hearing constantly "we can't afford to fix X problem..." and you're in that tract.... there's money available. For you. Build that sidewalk, fix those lead pipes, get that brush truck your volunteer fire department has been asking for.

And tell your local officials that! "did you look at Justice 40 for funding". And even if they're doing their best, particularly people in little towns.... being a government official isn't their full time job. They may have missed it. Just asking them about the program may suddenly open a world of possibilities.

[bisexualbaker]

Why do people keep recommending Dreamwidth as a Tumblr alternative, when Dreamwidth and Tumblr are so different?

To be flat-out honest, it's because Dreamwidth has so many things that Tumblr users say they want, even if it's also lacking a lot of features that Tumblr users have come to love:

Dreamwidth has incredibly lax content hosting rules. I'd say that it's slightly more restrictive than AO3, but only just slightly, and only because AO3's abuse team has been so overwhelmed and over-worked. Otherwise, the hosting policies are pretty similar. You want to go nuts, show nuts? You can do that on Dreamwidth.

In fact, Dreamwidth is so serious about "go nuts, show nuts", it gave up the ability to accept transactions through PayPal in 2009 to protect our ability to do that. (It's also one reason why Dreamwidth doesn't have an app: Dreamwidth will never be beholden to Apple's content rules this way.)

Dreamwidth cares about your privacy; it doesn't sell your data, and barely collects any to begin with. As far as I'm aware, it only collects what it needs to run the site. The owners have also spoken out on behalf of internet privacy many times, and are prepared to put their money where their mouth is.

No ads. Ever. Period. They mean it. Dreamwidth is entirely user funded.

Posts viewed in reverse chronological order; no algorithm, opt-in or otherwise. No algorithm at all. No "For You" or "Suggested" page. You still entirely create and curate your own experience.

The ability to make posts that only your "mutuals", or even only a specific subset of your "mutuals", can see. Want to make a post that's only open to Bonnie, Clyde, Butch, and Cassidy? You can do that! Want to make a post that's only open to Bonnie and Butch, but Clyde and Cassidy can't see shit? You can do that, too!

The owners have forsworn NFTs and the blockchain in general. Not as big a worry now as it was even a year ago, but still good to know!

We are explicitly the customers of Dreamwidth. Dreamwidth wants to make us happy, so any changes they make (and they do make changes) are made with us in mind, and after exploring as many possibilities as they can.

Dreamwidth is very transparent about their policies and changes. If you want to know why they're making a specific change, or keeping or getting rid of a feature, they will tell you. You don't have to find out ten months later that they're locked into a contract to keep it for a year (cough cough Tumblr Live cough cough).

So those are some things that Tumblr users would probably love about Dreamwidth.

Another reason Dreamwidth keeps being recommended is that a significant portion of the Age 30+ crowd spent a lot of earlier fandom years on a site known as LiveJournal. Dreamwidth may not be much like Tumblr, but it it started out as a code fork of LiveJournal, so it will be very familiar to anyone who spent any time there. Except better.

Finally, we're recommending Dreamwidth because some of the things that Tumblr users want are just... not going to happen on the web as it is now. Image hosting is the big one for this. Maybe in the future, the price of data will be much cheaper, and Dreamwidth will be able to host as much as we all want for a pittance that a fraction of the userbase will happily pay for everyone, but right now that's just not possible.

Everywhere you want to go that hosts a lot of images will either be running lots of ads, selling your data, or both.

Dreamwidth knows how much it costs to host your data, and has budgeted for that. They are hosting within their means, within our means.

Dreamwidth is the closest thing we may ever get to AO3 as a social media platform. One of the co-owners is from, and still in, fandom; she knows our values, because they are also her values. It may as well be the Blogsite Of Our Own.

[weirdmageddon]

this is happening at my college right now. i’m in my third year here and everyone i know is like, haha, im in danger.

one of my professors earlier today had the perfect word to describe the feeling of it: traumatizing

what they’re doing seems almost illegal, like.. considering desantis brought in the majority of the trustees in one sweep, we didnt even have a chance to dissent their new supermajority firing president okker with no cause. or if it isn’t, it should be illegal, there’s literally no checks and balances happening here. no democracy involved. genuine fascism at work, it’s actually absurd. extremely fucking filthy and despicable political ploy.

yesterday wrt the board of trustees meeting, a student commented, “The fact they are playing [the college president] like she's a game and she is sitting at that table CRYING is something that shakes me.”

this is who they replaced our president with

they don’t care about education or the students at all. they don’t care. we’re chess pieces to them.

read more:

please help us defend ourselves, not just for NCF but for educational freedom in academic institutions in general. donate, spread the word, etc. here’s the site

this son of a bitch is definitely going to run for president in 2024. pay attention to what’s happening on the ground here. it’s very bleak.

[bee-the-b]

🌱Would you love to own a Plant? - My Mom Needs You🌱

Hello everyone,

incase you’re just seeing this, My mom is a plant lovers. It’s been her, her cat, and her plants since we lost my dad as a kid. Unfortunately, Few years ago cancer came in between her and her plants. Just few months ago she had a successful surgery to remove the cervical cancer. We thought we were done.

With deep sadness, I must share that despite the successful removal of her cervix, my mom began experiencing severe internal pains during her recovery. After several check-ups and extensive kidney tests, it was confirmed that her kidneys have been affected by the cancer in a process known as metastasis. We now find ourselves facing a new and daunting challenge.

The treatment plan for metastatic cancer is complex and depends on various factors, including the type of primary cancer, the locations and number of metastatic sites, my mom’s overall health, and the treatments she has already undergone. Unfortunately, this new phase of treatment is extremely expensive, and we are struggling to manage the costs.

Compounding our difficulties, my sister was recently laid off just a few weeks into her new job, and our plant shop is not running as it should. We are in a dire situation, having exhausted many of our resources to treat my mom's cervical cancer.

With heavy hearts, we are reaching out to you once again to request your help. We are initiating a crowdfunding campaign to raise funds for my mom’s kidney treatment. If you can, please consider donating. Your support means everything to us, and we are eternally grateful for any assistance you can provide. Below you find link to her cancer story/journey from months ago and a link to donate.

Thank you for standing with us during this incredibly challenging time.

LINK TO HER CANCER STORY

[reiderwriter]

💫 Starry-Eyed 💫

Pairing: Porn Star! Spencer Reid x fem! Reader

For the CM Kink Bingo Challenge

Summary: For work experience, you take a job working the cameras on a porn shoot, but after becoming suddenly attracted to a new coworker, you shortly find yourself as a fluffer, the person whose job it is to keep the "talent" aroused between takes.

Warnings: 18+ MINORS DNI, Porn AU, College AU kinda, exhibitionism, oral sex (f receiving), consensual voyeurism, masturbation (male), blow job, deep throating, messy orgasm.

A/N: Well, look at where we are. I think this actually counts as my first Alternate Universe fic, which is crazy all things considered. I'm really enjoying the Kink Bingo Challenge as it's leading me to so many new ideas for fics!! I hope you all enjoy this one 🥰

Masterlist || Bingo Board

Being a college student still at age 25 meant many things, but mostly, it meant you had friends at many different stages of their lives. Some were fresh out of high school halls, enjoying their first taste of freedom, some were enjoying their first drops of alcohol. Some were giving up alcohol for good and starting families. 

Some of them were successful porn stars who'd funded their own start-up porn production company. It certainly was one way to use a film degree. You knew a professor or two who would enjoy her work more than half your syllabus as well. 

Candi Rapper had become famous doing cam shows in her first year of college and had gone all-in after graduation. You'd shared a few classes in the early days, before you took a break from college for financial reasons, of course. By the time you'd gone back, she was a big time and now in the position to offer you a job. 

“One of my crews is down a cameraman this weekend. If you're open to it, I pay a fair wage?” she'd offed at your weekly brunch. 

“Will you be the star?” You joked back with her. 

“You wish.” 

You took the job, of course, along with a ride from Candi (her name was Kate, but you'd let her pretend) and pulled up on site bright and alert at 7am. 

The set was a large mansion - typical, Candi said - and you'd be mostly shooting in the living room - typical, Candi said. You'd had to tell her after her second typical that you were, in fact, an adult and had seen at least one porno before until she cut out pornsplaining everything to you. She introduced you to the key staff and the director, and they got you set up at your camera. 

“The shoot today is going to be around 5 hours. You'll be on camera three. The papers in front have your cues and directions. You can have some free time until we start. There's a breakfast spread in the kitchen, help yourself.”

Not one to turn down free food, you bee-lined there and stood awkwardly in line for the coffee with the dozen or so other crew members, eyeing up the take-out pancakes organised across the granite surface. 

“Your first time?” An older man asked from behind you, smiling in a friendly manner. 

“You can tell?” 

“You're thinking about eating the pancakes, and the rest of us are remembering the scene filmed there last weekend," as if on queue, a shiver ran down his spine. "Yeah, we can tell.” You laughed along with the man's joke and finally grabbed your coffee. 

Luck just wasn't on your side, though, as you turned and immediately ran into someone immediately sloshing the coffee onto your shirt. 

“Oh my god, I am so - I'm so sorry, I need to watch where I'm going.” 

You'd run into 6’3” of lanky, awkward male perfection. He looked young, your age or younger most likely, and was fidgeting as he stood, the most obviously uncomfortable person in the building.

Your first thought was “Is he lost?” closely followed by “Can I beg him to get lost in a linen closet somewhere with me?” 

He grabbed a handful of tissues from the counter nearby and began attempting to wipe away the coffee you'd spilt down yourself, completely unaware that he was fondling your breasts in his haste to do so. 

“Slow down there, tiger, shoot doesn't start for another half hour,” you said, winking at him as you took the tissues from his panicked hands and dried yourself as best you could. 

“I know, I memorised the call sheet. Who are you?” His question was blunt, but you weren't taken aback at all, your smile even deepening as you enjoyed his subtle attention. 

“I'm Y/N. It's my first time.” 

He spluttered, coming up with an answer to that, and you immediately cursed yourself for the slip. 

“My first time on set, not my- I'm 25. Not that age determines experience per say but-”

“I'm 22. And my name is Spencer,” he said, grasping your hand and shaking it. 

“So, it's your first time on set?” He asked, relaxing more into the conversation as he stepped closer to you, letting the other staff members come and go from the kitchen. 

“Yeah. My friend offered me the job, you know Candi?” 

He nodded but didn't speak, so you continued. 

“She thought the experience would be good for me. And the cash. Gotta put myself through college somehow, and it was this or stripping.” 

He laughed, and you felt a flash of warmth in your stomach, a familiar hunger spreading across your lower body. Maybe it was just the atmosphere of the set, but the air was charged with arousal. 

“Well, you're certainly attractive enough to do both jobs. I'm sure the camera is going to love you,” he said, sounding so genuine and enthusiastic that you almost felt bad you had to correct him.

“Oh! Oh, no, Spencer, I'm not - I'm, uh, I'm going to be behind the camera. Behind camera number two.” 

His face instantly flushed, and you thought you saw a pang of disappointment there for a second, too. The thought of him being disappointed made your skin heat, that he'd been looking forward somehow to watching you get fucked? Your cunt throbbed and suddenly, you found you did wish to display yourself, to let everyone see if it meant that he got to.

“I am so sorry. I didn't - I thought… No, I didn't think, I… I'll shut up now, please excuse me-” 

“No, Spencer, wait-” 

You tried to call after him, but he sent you an embarrassed smile and walked off in haste, leaving you behind as the director called people to their places. 

You were still flushed with arousal as you moved to your station, getting your camera ready for filming. You were distracted even as the scene started, and the female actress came on set, already stripped down to her underwear and touching herself, teasing the camera. 

Surprisingly, you found the work easy enough, too busy focusing on the settings and the gaze of the camera to even care about what was going on down the lens. She was moaning and writhing and gasping sure, to the benefit of the cameras, and although strangely intimate, nobody in the room seemed bothered, so neither did you. 

Or neither did you until the actual scenario started, and your actress got ‘caught’ doing the dirty by the needy boy next door. You hadn't looked at the call sheet closely enough as Spencer peeped through the door to the bedroom, entering the scene not by accident but as a scripted part of the show. 

Your eyes bulged out of your head as you immediately looked down to your prompt sheet to find his name there. 

LEAD ACTOR: SPENCER REID

His stage name was scribbled next to that, but you paid it no attention as you steadied your camera again and got to filming seriously again. 

The actress had pulled his glasses off and led him to the bed, letting him keep on his sweater vest and tie as she pulled his head between her legs, and he started doing his job. 

Even from your view to the side of him, you could tell this wasn't his first time doing that. His tongue spread across the expanse of her heat, first, letting her grind into his face, getting comfortable before he snaked a hand up to her stomach and held her in place for as long as he so desired.

Then, he rolled her clit into his mouth and sucked. The fake moans and whimpers suddenly became real as you saw the sheer skill of his tongue ripple through the woman's body. 

You couldn't even be jealous at this point, despite how much you sorely wished that were you on the bed. Surely no girl had resorted to porn out of pure horny desire before, right? 

After a while of letting her gasp and moan under his tongue, Spencer's fingers curled inside the other woman as well. The director called cut, and he kept his fingers there, even as they walked him through the next few shots, and instructed him to unzip his pants in the next few clips. 

“Shit,” you muttered to yourself as the cameras started rolling again, and he did finally free himself from his tight khakis. 

You knew you'd probably sign up for whatever was on offer at this company next to see that gift again. Spencer wasn't an impressive size or girth, nothing so alien or out of the ordinary that it only belonged in porn. It was just that his cock looked so… pretty. 

He was an inch or two longer than any man you'd ever been with, you were sure, but his cock seemed to have an air of dignity about it. 

You had to stop yourself at that thought. Dignity? Really? You were working part-time on a porn set, and there was suddenly dignity involved? 

You rolled your shoulders back and tried to find your earlier unbothered attitude. But with his cock in his hands and his face slick with female arousal, you really couldn't bring yourself to think about anything less than his fingers roughly finger-fucking you. 

You tried to close your eyes to it, to be blind, but the wet, sticky sounds only distracted you  and you found yourself soon swaying, swaying, swaying until you had to catch yourself before the camera dropped. 

With a shout of “yes, baby, yes,” the female star came on his face, sending up a furret of fluids as he just kept diligently stroking his cock, only stopping at the director's final yell of “CUT.”

“Perfect guys, let's get her up and drinking water again. You need to stay hydrated after all that,” he joked, a PA walking over to pass the actress a robe and a bottle of water as she walked off set. 

You relaxed for a second, trying to find your quickest route out of the room so you wouldn't have to drool over the man's cock so obviously any more. 

“FLUFFER? Where's the fluffer?” The director yelled, looking around for someone who obviously wasn't there yet. 

“Well?”

Still, no one arrived to do whatever job they needed doing, and you felt desperate for escape. 

“New girl, would you mind?” Some crew member called out from the sidelines, nodding at you. 

“Oh, uh, sure,” you said, hoping that whatever job you agreed to would get you far enough from this room and the heat between your legs as possible. You were not a prude, and you would not bolt from your very first film shoot. 

“Great, get on the bed and keep the boy company,” the director said before exiting the room. 

You were absolutely on board with becoming a prude and bolting the scene as fast as your legs could carry you. Unfortunately, eight people still sat around, monitoring equipment and chatting on their breaks, and so you were forced to comply with the task. 

“We meet again,” you greeted the man stiffly as you found him on the bed, an apprehensive, tight smile on his own face.

“You don't have to do this if you're uncomfortable, I can keep myself… occupied.” 

You noticed then that his hand was still wrapped around his cock, giving it slow strokes, not enough to tip him over the edge, but just enough to maintain the erection. 

“So the fluffer….?” 

“Prepares the actors for the next scene? I need to stay- let say in shape.” 

His face flushed crimson as your gaze slipped down to his cock in his hand. 

“So you want me to-” 

“NO. No, I usually only talk to the Fluffers. Look at them, you know?” 

You nodded and found yourself suddenly going still, watching his face contort with pleasure as his eyes raked over your chest and legs. 

You couldn't help but let your eyes dart south again, and fuck did you wish you hadn't. His spare hand fisted the sheets as he stroked himself gently, practically taunting himself with the light touch. 

“You do this often?” you asked, trying to pretend you were open to having a normal conversation even while your brain begged you to climb into his lap and sink down as fast as you could. 

“You mean maaturbate or the porn thing?” 

“Porn.” 

“No. No, I come in for a shoot every few months. One of these shoots tends to fund another semester of my PhD, so-” 

Somewhere in the back of your mind, you were impressed by that admission, but your predominate thought was still “shit, shit, shit, shit.” 

“That's impressive,” you said, only catching your words as they tripped out of your mouth. “THE PHD! The PhD, I mean not your… penis? Not that it isn’t appealing, or- or-.” 

You tried your hardest to use the most clinical word you could, distancing yourself from the honeyed words you so wanted to drop in his ear to get him to crawl further up the bed and entice him to make his own scene with you. 

“Thank you. It's my third,” he said, slightly more relaxed now that you were the flustered one. 

“PhD that is. Not cock. I only have one of these.” 

“One is enough,” you say, unable to stop the words tumbling out as your eyes again find themselves following each pump of his hand up and down his cock. Inwardly, you curse your friend for starting up her stupid business and paying you to simply exist in the same hemisphere as this man without being able to ride him. 

“Do you want to touch it?” He asked, blurting the words out suddenly. As if God had answered your prayers, your heart leapt up into your throat, your pussy clenching around nothing as you shifted your hips closer to him. 

You'd thought then that you'd quite enjoy bouncing on that thing yourself, but a handshake would have to do.

“So you have to stay hard, but-” 

“But it's best I don't cum, yeah.”

“Okay. Noted.”

Slowly, you reached out a hand and gently wrapped each finger around the tip of his cock. He released himself and wrapped his now free hand around yours, setting the pace for you quickly as he engaged you in conversation again. 

“So, where are you from?” He asked, as inept at small talk as you felt in that second. 

You answered him without a fuss and returned the question. Las Vegas. That seemed to check out with how easily he'd broken into porn. There was always something happening in that city. 

"How'd you get into the business?"

"Well, Vegas, you know. A producer saw a group of... street ladies offer me a freebie and gave me his card."

You went back and forth on questions like that for a few minutes before you noticed he was coughing every few seconds to mask moans and groans, evidently too into this to request you stop. 

“Is it okay to…Can I touch you?” He asked, sounding very afraid of rejection at that second. 

“Oh, um, yes. That'd only be fair, right?” 

He ran a hand up your waist to the curve of your breast and pressed his fingers into one, digging into the skin as though it were a pillow, and he was testing it before he fell head first into it. 

Maybe that was just wishful thinking, though. 

Temporarily, you let go of him, popping the front buttons of your blouse until he could freely see all of your black and red bra, and feast on the tops of your dusty nipples, peaking out just above each cup.

You heard him inhale sharply, even as he tried to hide it, but you didn't care, too transfixed on the precum decorating his tip. 

“Would you mind-” You started, but cut yourself off quickly, biting your lower lip. 

“Mind?” 

“Can I suck it?”

You didn't know where it came from because there were probably half a dozen other people still in the room, and mostly men. But dear god, he looked delicious, and you wanted just a little sample. 

“Fuck yes,” he said, finally giving in and letting out a whole gust of breath as he slumped down a bit further, no longer holding himself rigid. “No, no, actually, please do. I'm begging, I'll beg-” 

You cut him off by pushing yourself to your knees and crawling in between his, and seconds later, you were licking the length of his cock from the base of his balls all the way to that precious drop of precum. 

Hard, but no cumming. You could do that. You'd never done it before, preferring to fully pleasure sexual partners any chance you got, but there was no time like the present to start learning. 

Slowly, you wrapped your lips around his tip and sank down, taking one inch, then another, and then another. When you reached the base of his cock, you pushed that little bit further down, calming yourself and going slowly so you didn't gag, nose pushing into his neat public hair before pulling away just as slowly and doing it again. 

You took him as deep down your throat as you could manage, and suddenly, it was like everything that kept your conversation casual and civil earlier had flown out the door. He threw his head back, fisted his hand in your hair, and moaned deep. 

The sound shook you so much you almost pushed a hand into your own underwear and started fucking yourself, needing to prepare yourself for him like a good girl. 

Around you, you could hear signs of the shoot starting back up again, people finding their places, still all but ignoring you deep-throating a porn star. 

Spencer's breaths grew more rapid as you sucked him, hips becoming restless as he tried to lift up into your mouth, hand in your hair tightening as you realised your mistake. 

You pulled off his cock and grasped it again, stroking it slowly, but it was too late. With a sharp moan and a twitch of his hips, Spencer so prettily decorated your chin and chest. His cum dripped down your face, hitting your cleavage and pushing further down to stain your nice black laced underwear white.

“Fuck! Sorry, I wasn't meant to do that, let me get some - Can I get a towel please? A baby wipe? Some tissue, anything?” His voice was panicked, but his hand on your head relaxed, and he brushed your hair gently behind your ear, as if comforting you. 

He was panicked, for sure, but the crew calmly handed him everything he needed, as if they'd been in anticipation of just this thing happening. You supposed they probably were, this being a porn set. You were sure you were supposed to clean yourself up, but instead, he grabbed a wet tissue, leaving the pack just out of your reach.

He managed to clean your face off a bit before the director returned to the room with a laugh. Running a hand through his hair and messing it up slightly, the director turned back to you.

“We're five minutes out from shoot time,” he said, shaking his head. You started to apologise, but he stopped you with a hand. 

“New girl, work whatever magic you just did and get him hard again. Five minutes.” 

“W-What?” You spluttered, trying your best to rise from your knees, but ultimately failing. You were either stiff from the position or just weak with arousal. 

“He just came, I don't think I can-”

“10 pictures I've done with that kid, and I haven't seen him cum that quickly ever before in my life. And certainly not just for some kitten licks. Do it.”

You turned back to Spencer, his cum still trickling down your chest, creating an almost uncomfortable stiffness as it dried up. 

“Pleasure working with you?” You said, not-so-secretly ecstatic that you got to sample him once more. 

“I'll be in your care,” he replied, as you begin softly kissing the head of his cock again, tipping his head back again and losing himself in the pleasure or your tongue.

[foone]

AAA games? Pfft. Indie games? Double pfft.

I only play games from the alternate history where Hillary Clinton was elected in 2008 and banned all video games. You can only imagine how weird their underground gaming scene is. People like to call unlicensed games "bootlegs" but they've got actual bootlegged games! I've played games about helping your grandmother in hospice care realize she's a lesbian by reading Sappho to her, at 2am in a speakeasy in Baltimore. The cops raided it the next night, hundreds of Gamers were arrested. They posted pictures all over Friendster of the Baltimore PD destroying the arcades with axes.

I nearly got busted once because I was imaging old disks from a 386 and someone tipped off the gaming cops that there was a copy of Commander Keen in there. I had to prove that I didn't know it, I was imaging the disks blind and then indexing them later, and I would of course turn over any contraband to the proper authorities.

I was already on a watch list because I'd been known to have some gamedev-related activities pre-ban. They can't arrest me for making games back in 2007 when it was still legal, but they do want to keep an eye on me since I have the skills to break the law.

Anyway that universe's bootlegs are mainly PC games. Can't really have console games if there hasn't been a console release since the Wii/PS3/360 era. At one point Nintendo threatened to release the Wii SDK so game devs in the US could make unlicensed games, but that didn't happen as there were quickly no functional Wiis left in the US, except for very rare holdouts that never move. PC games are easy to distribute samizdat and hide on a USB stick or CD-R labeled "nickelback".

Japan's games industry is still going, so the later Nintendo and Sony consoles still exist, but Microsoft got out of the business of course. They sold the franchise to Sega who were hoping to release the 360 successor (the Xbox One in our universe) as the Sega Phoenix but it never materialized, either through their own financial incompetence or because of pressure from the US. There's a lot of international treaties that the US has pushed "and this aid only goes through if you ban games" clauses into. That would have been an official UN resolution if the USSR hadn't vetoed it. For once, thank God for the security council, eh?

I mainly get my gaming news through Japanese gaming sites (through a set of VPNs, since they're blocked at the border firewall), and some tor onion site run by a weird guy in Minnesota who is obsessed with documenting all the underground US games.

There's a lot being worked on, but it's always a tricky trade off. Too much attention and the police might be able to track down the creators, and it's basically impossible to fund underground games, as the VISA/PayPal etc funds get seized immediately. There's a whole task force for that.

Anyway one of the weirdest differences between our two time lines is that they've gone back and edited out gaming from a bunch of movies. Those that they can, of course. War games was just banned because they couldn't remove the tic tac toe ending. The Net just removed the scene at the beginning where she's playing Wolfenstein 3D, by recording some new screen footage and a new voice over. She's fixing a spreadsheet in the new edition.

(Yes, I've seen The Net from this alternate timeline. On Laserdisc, of course. I'm just that kind of person!)

They even edited Star Wars. You know that scene where R2-D2 is playing holochess with Chewie? They edited it to be a board game instead of holograms, because that made it too "video gamey".

Technically it's not illegal to show gaming in a movie, but it needs to be an 18+ film and you have to show the deleterious effects of gaming and/or the gamesters coming to a bad end.

This has affected films less than you'd think, to be honest. They were never great about showing video games even before they banned them.

Anyway, go have fun playing your AAA games with hundred-million-dollar budgets. I only play indie games made by people under a constant threat of arrest for their art.

[fiercynn]

poetry outlets that support a free palestine

after finding out that the poetry foundation/POETRY magazine pulled a piece that discussed anti-zionism because they "don't want to pick a side" during the current genocide, i decided to put together a list of online outlets who are explicitly in solidarity with palestine where you can read (english-language) poetry, including, except where otherwise stated, by palestinian poets!

my criteria for this is not simply that they have published palestinian poets or pro-palestine statements in the past; i only chose outlets that, since october 7, 2023, have done one of the following:

published a solidarity statement against israeli occupation & genocide

signed onto the open letter for writers against the war on gaza and/or the open letter boycotting the poetry foundation

published content that is explicitly pro-palestine or anti-zionist, including poetry that explicitly deals with israeli occupation & genocide

shared posts that are pro-palestine on their social media accounts

fyi this is undoubtedly a very small sample. also some of these sites primarily feature nonfiction or short stories, but they do all publish poetry.

outlets that focus entirely on palestinian or SWANA (southwest asia and north africa) literature

we are not numbers, a palestinian youth-led project to write about palestinian lives

arab lit, a magazine for arabic literature in translation that is run by a crowd-funded collective

sumuo, an arab magazine, platform, and community (they appear to have a forthcoming palestine special print issue edited by leena aboutaleb and zaina alsous)

mizna, a platform for contemporary SWANA (southwest asian & north africa) lit, film, and art

the markaz review, a literary arts publication and cultural institution that curates content and programs on the greater middle east and communities in diaspora

online magazines who have published special issues of all palestinian writers (and all of them publish palestinian poets in their regular issues too)

fiyah literary magazine in december 2021, edited by nadia shammas and summer farah (if you have $6 usd to spare, proceeds from the e-book go to medical aid for palestinians)

strange horizons in march 2021, edited by rasha abdulhadi

the baffler in june 2021, curated by poet/translators fady joudah & lena khalaf tuffaha

the markaz review has two palestine-specific issues, on gaza and on palestinians in israel, currently free to download

literary hub featured palestinian poets in 2018 for the anniversary of the 1948 nakba

adi magazine, who have shifted their current (october 2023) issue to be all palestinian writers

outlets that generally seem to be pro-palestine/publish pro-palestine pieces and palestinian poetry

protean magazine (here's their solidarity statement)

poetry online (offering no-fee submissions to palestinian writers)

sundog lit (offering no-fee submissions to palestinian writers through december 1, 2023)

guernica magazine (here's a twitter thread of palestinian poetry they've published) guernica ended up publishing a zionist piece so fuck them too

split this rock (here's their solidarity statement)

the margins by the asian-american writers' workshop

the offing magazine

rusted radishes

voicemail poems

jewish currents

the drift magazine

asymptote

the poetry project

ctrl + v journal

the funambulist magazine

n+1 magazine (signed onto the open letter and they have many pro-palestine articles, but i'm not sure if they have published palestinian poets specifically)

hammer & hope (signed onto the letter but they are a new magazine only on their second issue and don't appear to have published any palestinian poets yet)

if you know others, please add them on!