#not tagging this with the fandom bc it’s just a rant

[sweetieviktor]

jealous! viktor x reader (headcanons + tiny scenarios)

summary: viktor sees you talking with a friend and get jealous.

content warning: idk if it counts as a cw but jealousy?? also, i made with s1 viktor in mind!

author notes: heyyy, so sorry this one is little, im still trying to find motivation after the end of the series but i think it turned out cute! thank u for the request and hope u like it!! :)

» it was a common sight to see you walking up and down piltover’s academy, working or just chilling on lunch breaks, but every time viktor would approach you, you were already with someone. sometimes an unknown person, other times with a friend, laughing and joking, touching them in such a sweet way, side by side in the aisles.

» he looked at you both, blood boiling and shaky hands. if you looked at him, it was possible to see his lips forming a thin line, brows furrowing, his left eye almost twitching. oh, he was jealous.

» he felt angry at himself to feel like this, he didn't mean to be jealous at all, but he wanted to steal you away, just for a second, and be the one by your side, be the one you smiled to, the one you’ve been touching so sweetly.

» he wanted to reach for you, to interrupt your silly conversation about whatever you two have been talking about, he wanted to share his new discoveries with you, he wanted to be in their place so bad.

» but he couldn't complain, not when you waved a goodbye at your friend, and turned your body, recognizing viktor, eyes lighting up immediately, smiling from ear to ear.

“viktor!”, you shouted, voice echoing in the aisle while you walked to him, “i’ve been looking for you all day. you wouldn't believe what happened!”

he looked at you, expression softening, eyes shining, mimicking yours, his thin lips now turning into a little smile, “yeah? tell me."

» soon all the jealousy melted away, now, he is the one walking by your side.

[stealingyourbones]

Never will I stop with the steadfast notion that folks in the DPXDC fandom should interact with at least some form of canon DC media.

There are comics, tv shows, radio dramas both old and new, podcasts, movies, magazines, so much shit that intentionally avoiding the media is simply preventing yourself from spawning new ideas and gaining a new appreciation for a fandom that you’re already in.

The Superman Radio Show has episodes 11 minutes long. A lot of the TV shows don’t have episodes that surpass 30 minutes and most are nearly fully clipped on the official DC YouTube channel. The amount of fan made motion comics is astounding. The amount of fanmade animations is equally as incredible.

[bookofmac]

Evil is such a genuinely excellent show but because it's called 'Evil' AND it moved from network to streaming it becomes esoteric as fuck to search for and discuss with people; which is thematically meta i think, but also the most annoying thing about the show

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[ladyofchroyane]

few things annoy me more than some of this fandoms 1. weird pro-slavers anti-dany bias and 2. stripping a woman’s experience from female characters because they don’t ’woman right’ enough

i don’t even really want to discuss point one because it disgusts me so fucking much. not only is the logic convoluted and always hinges on interpreting dany’s actions in the absolute worst light possible. it is also very, very misogynistic due to the double standards necessary to condemn dany to such a degree while none of the male characters committing the same or worse offenses get even a smidge of criticism from these same people. i’m just going to say one last thing: if you are using pro-confederacy talking points to condemn dany then you are a vile person.

as for point two, this is much more insidious in my opinion. much of it is based on the idea that these specific (normally gender nonconforming) female characters were ‘indulged’ so therefore their experiences do not meet the necessary ‘standards’ to equate to a woman’s experience. it’s insane logic meant to demean a female character and condemn her agency and the choices she made. it’s the type of logic that always veers into the ‘arya was indulged and therefore her experiences are less valid’ or ‘dany’s power and agency makes her experiences less valid because she’s not suffering this specific way’ or ‘lyanna was indulged and is therefore selfish and her experiences are less valid.’ for some reason it is always. always. these three characters getting attacked in this specific way. all three female characters faced the same exact challenges as every. single. other. female character. the same barriers, they share similar experiences with male characters to varying degrees.

arya and sansa were both ‘indulged’ by ned. i agree that ned had an easier time connecting to arya (like how cat had an easier time connecting to sansa), but both girls were indulged (like most noble girls!) and this is framed as a good thing. please don’t turn it into something bad, especially when both instances fostered character growth. after neds death arya continues to have a variety of experiences, and through arya we actually learn what a peasant girls experience looks like! no, arya does not have a boys experience. a girl hiding as a boy in a war zone is a common occurrence in the real world, and it is not just valid to explore but key to understanding george’s views on war. so far though arya we see 1. a non-conforming little girls life whose father was kind but still held gendered expectations for her. 2. a common girls experience without family or class protections going through a war zone. 3. a servant girls experience under feudalism where servants have basically no rights. 4. arya also gives us a multitude of experiences after becoming an acolyte at the hobaw. all of these experiences (including the erasure of arya’s identity and her holding onto it) are important looks into different classes and how outsiders view westeros. people not respecting arya’s very female experience makes me fear that there’s a bit of a aesthetic/male gaze epidemic going on here. arya’s suffering isn’t pretty enough or isn’t in a romantic setting so it gets dismissed. it’s dirty and violent and crass and doesn’t conform to passive suffering. there’s also a classism angle to all of it, though that would require an essay of its own to cover everything. but please remember that at the core of arya’s storyline is a simple truth: the world is hostile to girls.

dany is oftentimes hit by two different anti views: 1. a focus on her lack of agency but no focus on her rise to power 2. a dismissal of the validity of her experience as a female character because she’s risen to power. both views are incredibly self serving and are meant to chip away at character relatability. focusing on her lack of agency is tasteless (imo), and suggests that the person sees dany’s experiences with men/women as a ruler as inherently invalid because she has power that places her above the pecking order. this makes me believe that you cannot handle a female character whose path to power stands as different from the rest. it’s odd to say the least, and tells me that you think there is a right way to gain power just like people believe there is a correct way to end slavery without upsetting the poor economy. as for point two, this is similar to most anti rhetoric levied at arya and lyanna. because the experiences explored through dany and arya and lyanna are outside the norm, and because they are incredibly active characters, they also make waves and are involved in things like… violence *gasp* death *GASP* adultery (this one just relates to dany and lyanna. arya’s three apples tall so this doesn’t apply to her) *GASPGASPGASP*. people seem genuinely unable to handle complexity in women’s lives. some people seem to have a very narrow view on what counts as a woman’s experience, but if a woman steps outside those bounds she is therefore stripped of her womanhood and is fair ground for attacking. this is something i see so clearly in every anti dany post. i’m exhausted tbh.

as for lyanna… well... some people seem to believe that lyanna making active choices (knight of the laughing tree, running away, having a bastard) therefore mean she was ‘indulged,’ which is both true and not true. all noble girls are indulged more than their common girl counterparts, but lyanna was still placed under gendered expectations like all the rest of her peers. lyanna clearly just didn’t let these expectations prevent her from playing around with sticks and riding in a tourney as a mystery knight to defend the honor of howland (who would’ve been considered a nobody to most). her actions were clearly driven by her morals, morals she placed in higher esteem than gendered expectations. trying to strip a woman’s experience from her is just wrong. these people are practically telling on themselves and show that they cannot sympathize nor understand a female character who steps away from the beaten path, and does something considered ‘morally wrong’ in her world and in our own: having an illegitimate child with a married man. oh nooo… anyways. this just proves to me that many women cannot sympathize with a woman who does something they consider ‘wrong’ and that women will take it so far as to invalidate the womanhood of those they consider ‘not right.’ i think of lyanna as a litmus test tbh. i will absolutely judge you for your views on her. if you fail then i am NOT trusting your views on dany and arya.

i want to add onto this actually. catelyn is another character who’d place high on this list, though i’m actually really happy with the direction the fandom is going with her on this issue at the moment. many people struggle with cat because she… *GASP* doesn’t mother jon. cat’s a very active character, but thanks to fandom’s standards, she has the benefit of fitting into our preconceived notions of how a mother should behave—expect in how she treats jon. and then it’s a goddamn bloodbath. i’m glad most people now seem to agree that cat’s character is not only made better, but that it’s completely valid of her to not have mothered jon or theon. still, cat is often criticized for the choices she makes as a mother to protect her children. here, i see a dismissal and even a mocking of motherhood and Love as valid motivations for risky behaviors. and that does disappoint me. however, catelyn didn’t make my top 3 because she experiences confinement—she is stripped of power and agency—and this, i fear, is why she ends up meeting the criteria for what some fans view as a ‘valid’ female character. all because she lost power to her son :/. hopefully it’s obvious that i’m not dismissing this arc, because i do think it’s important to explore. but it’s still vexing to me that a woman’s loss of agency is so often treated as peak feminism (a trend i see a lot in modern feminist literature and one i honestly cringe at).

i believe i covered everything i wanted to. i’m just struggling with this fandom and the way people treat womanhood as some narrow thing with criteria one must meet. womanhood shouldn’t be something that feels so excluding. well, to me it should be embracing and kind and supportive of girls from all walks of life. being a woman makes you a woman. that’s it. that’s all the criteria you should need to meet to be embraced, and that logic should reflect back onto the female characters we all love and care about. thanks for reading :)

[nightcorecarseatheadrest]

opinions on servant boq

Ok I have like. A lot of these. Strap in

The first thing is that servant boq is really interesting to me because we have nothing to compare him to at the moment. He doesn’t exist in the books, and the movie in which he appears is not out yet. This means that’s he’s his own thing at the moment. Shiz era boq exists in both the books and the movie. Tin man boq will always be analyzed alongside Baums/1939 tin man. But servant boq is different. He’s his own thing

Depending on the actor playing him, the way I see him varies. His primary emotions are usually angry/sad/apathetic. Michael Wartella plays him very mopey, where jake Pedersen plays him very mad!! This makes every single Boq actor give him a different outlook on the witches and his situation.

This bleeds into how he talks about seeing Glinda. Most of the time, it’s clear that she’s his crush the way that she was at shiz. He thinks that Galinda Upland is waiting for him in the emerald city and that she’s gonna say thanks for the favor babe now we can be together. But sometimes his Glinda speech shifts from ‘I like a real girl’ to ‘I like the idea of freedom and I miss my old life’ (this isn’t to say that he’s lying about going to see Glinda per se, just that how he views her changes from actor to actor sometimes)

He’s obviously pretty important to me. Boq is SO flawed and servant Boq retains this annoying stupid attitude while still allowing for some really sad moments!! Wwote just punches us in the gut with his bad decisions.

We don’t know the exact way he ended up in Nessas employment (im gonna call it employment because that’s what it is I’ll explain in a moment) so the story is pretty vague. Here’s what we know based off of tests wwote, the grimmerie and the show we have

1. Boq was offered a job by Nessa to keep him close after her fathers death. They were still in college here.

2. At some point, Nessa started changing laws and removing rights with the intention to keep Boq from leaving her.

3. At some other point, Boq succumbed to a mixture of Wizard propaganda and anger at Nessa, which led him to resent Elphaba.

4. Boq is now a (probably still paid, because it’s a job but I wouldn’t think the rest of the work environment or his wages are particularly good) servant to Nessa.

(Tests is not in the show and the grimmerie only has actor testimonies about their characters but I’m treating it as canon because there’s no other information as how he ended up there.)

When Elphaba comes in and Boq sees that Nessa can walk (god I hope they change this well this plot point is so shitty) he goes oh okay so you don’t need me anymore I’m heading out, implying that boq has been staying with her out of pity this whole time. Now. I’m hesitant to say that this is Boq the character being ableist and more wicked the musical being ableist. This plot point makes NO SENSE. Do the laws mean nothing now?? He says he can’t leave earlier due to laws but now decides he can. This just feels like they needed a reason for boq to try to get out now at that time specifically for the story. I’ll link two articles on the ableism with Nessarose below to read if you’d like to hear smarter people talk about the other ways the show has wronged her.

Ok so. He’s a college dropout working a shitty job with a boss who’s also his girlfriend and he can’t leave because there are laws preventing it that his boss girlfriend made. He’s angry and sad about all of this. He’s still crushing on the girl that told him to date his boss girlfriend in the first place. He makes the stupid decision to anger his dictator boss girlfriend by trying to leave her for a woman that doesn’t and has never wanted him, and in return she tries to cast a love spell that just ends up killing him. He’s sad and pathetic and annoying and makes all the worst choices given to him.

My opinion is I love him deeply and think he should be sent straight to hell for his sins.

[eyeballs-in-my-head]

How do you think MK would react to finding out the truth about how Macaque died?

Knowing that he's wielding the exact same weapon? Do you think he'd feel how actually cold it is in his hands from then on? It's always cool, but after knowing, would he feel a different kind of frigid than before?

Or in quiet moments when he's alone he'd sit thinking and his eyes would unconsciously search for any history of that battle? Gold cannot rust, so it'd be easy to spot.

Also, since we're at this topic. Imagine if Wukong initially hasn't cleaned the staff for...well, gods know how long, because he thought "that's the only thing left of him". And, well, he didn't want to get rid of..."him"

On today's episode of: I'm Sad So I Need To Make Everyone Else Sad Too So We Can Suffer Together <3

[avnasace]

tim minear i havent forgiven you yet but i do appreciate that instead of writing tommy off because of all the hate and review bombing by a certain immature and kinda psychotic section of the fandom, you instead said nope, we dont do that here, heres a helicopter chase with the ex boyfriends :D

[angelsdean]

don't know how people multi-fandom. dipped my toe into another one and immediately backed out bc everyone there was insufferable.

[milesofstars]

is this even vaguely posting quality? no not at all

am i still going to post it because i feel like it and its the first genshin art ive drawn in 2 years because i deleted it? yes of course

[dinnorthstar]

i’m so close to writing code to block the fucking “mentally stable alexis ness” tag off my ao3 results permanently i dont even care im going to code it into a fucking site skin I AHTW THAT TAG FUCK YOU FUCK YOU FUCK YOU YOURE TAKING AWAY HIS WHOLE CHARACTER WHU WOULD I WANT TO READ A NESS WHO ISNT EVEN NESS AUAUUAGHHH I HATE YOU I HATE YOU I HATE YOU why are u ruining him dude his whole thing is being odd and freakish and fucked up and unhealthily attached to kaiser and not knowing how to live w out him. his whole character is quite literally mental illness are you KIDDING ME WDYM BROOOO he’s genuinely there is SOMETHING WRONG WITH HIM AND U ARE MISSING IT. STOP. STOOOOP

[ladyofchroyane]

one of my biggest pet peeves with this fandom is how some ppl treat the robert’s rebellion characters like actual characters. pleaseeeeee stop doing that. they’re not characters, they’re ghosts. the only way to understand them—and the function they serve in the narrative—is to look to the motifs, symbols, and the characters they parallel and foil. please stop trying to create your own pseudo canon version of events. it’s biased and it’s annoying when these takes dominate actual book canon discussions.

[humblefryingpan]

Do those characters really have a sibling relationship or do they just not get along? Are they actually "like siblings" or do they just bicker sometimes? Are they actually like family or do you just not like the damn ship??

I love platonic relationships and I love found family but it's so annoying seeing every pairing that argues being deemed "sibling like" when sometimes they're clearly just not getting along

[freevoidman]

also this is such a side tangent of the themes of DMC being misconstrued into "family and love are SO IMPORTANT guys it's INHERENT that everyone LOVES EACH OTHER SO MUCH and there's no effort behind it and that's why demons are INCAPABLE of such COMPLEX EMOTIONS" thing (that is just flat-out false and I'm not gonna rant about it again) but I genuinely hate it when the fandom has Nero call Vergil "dad" or Dante "uncle" right out of the gate once they're back from hell.

Vergil hasn't been a dad to Nero. Like, at all. He was never present for Nero growing up, he was only kind to Nero as V and riiight at the end of DMC5 when he gave Nero his poetry collection. He has no reason to feel familial love to either of the twins, especially since he was 1) raised as an orphan for most of his younger, formative years and 2) adopted by the Eleisons (Kyrie and Credo's parents) so he ALREADY has a 'mom and dad' in them, not in Vergil and whoever his biological mother is/was.

Aside from the biological connection there would be no reason whatsoever for Nero to call Vergil 'dad' and the idea that he'd do so right away and have that become a regular habit annoys the hell out of me. That's something you have to work towards and I don't think either party would be comfortable with calling them by familial terms (dad/uncle/son/nephew) for a long, looong time. I think other characters saying it teasingly is fine but like. If I suddenly learned that the completely random guy I only knew for about a month was my biological dad I wouldn't feel comfortable calling him that right away.

(This isn't to say I dislike dadgil, I honest to god love those works, some of my favorite fandom stuff right there, especially post-5 where all three have to work towards it. It's just that I really can't vibe with the immediate titling thing, especially since I think Nero would have a LOT of pent-up issues he'd want to address once Vergil and Dante would return and calling either of them by family terms wouldn't be the main priority there lmao)

[eumeliafeu]

Me when I see anti percabeth/anti Annabeth stuff and it's literally just vilifying her for problems(and things caused by these problems) girls with ADHD have that she very clearly needs help with

I'm just trying to enjoy my Tumblr experience and look at the tag of one of my favorite ships and characters of all time after some dumbass drama that happened at my school and I didn't expect to have to tag out this stuff so soon. Like... Let me live in peace! I do see someone handling their points with decorum and I absolutely adore them for it. Thank you for your service. Yes, they're not the greatest couple but they are trying. Stop getting upset over reactions caused by trauma/a chemical imbalance in their brains! Btw, I'm saying this as a girl with ADHD. It's hard, incredibly so, especially when a lot of our "symptoms" are seen as us being dramatic, it being that time of the month, or literally just us acting like women should act. Anyway, that's my two cents, no hate for anyone just think about things with a little more nuance and remember ADHD is different in girls than it is in boys and you may not know how it actually affects girls. Rick may not know it either and could be writing her like that without the nuance but he could also know! And ofc he isn't the best, he forgets stuff he established previously and sometimes has plot holes but all writers do it when they've written so many books in a continuity. This doesn't mean he's forgiven for those things, of course I'd love for some things to have been better written, but he's not the worst out there. I'm just tired, y'all. Also, if you attack me, you will be blocked, I want to have mature conversations if this does get seen by anyone and if you can't handle that then I don't want you on my blog. End of story.

[ladyofchroyane]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.