#note: queued

[mail-me-a-snail]

TRUE BLU - CHAPTER ART ii.-v.

the complete collection of the weekly chapter art i did for my fic true blu ꒰ᐢ. .ᐢ꒱₊˚⊹ also, idk if it was obvious before this post, but...

...each piece that has red in it lines up with the next ^_^ if you somehow noticed this before i pointed it out, congrats! you get a billion funny monies

[eastgaysian]

compiling a far from comprehensive list of palestinian fundraisers i'm aware of that are far from their goal (less than 25% raised) and/or stagnating. i will try to update this post at least every couple days - please check the op for updates.

if you can donate at least USD $15 (€14, CAD $20, kr160, £12) and dm me proof, i'll offer a colored sketch commission akin to these drawings (more details here). [EDIT: not accepting new donation comms at the moment until i've worked through my backlog; check back in a week or two!]

even if you're not able to donate that much or at all, please share, and follow the links to the fundraisers - there's much more important information for each one than i'm able to quickly compile into one list.

(created aug 2, updated aug 15)

Hazem Khalil (hazempalestine) - vouched for by bilal-salah0, who has been vetted - €6,015/50k (USD $6,556/$54.6k) raised to evacuate 7 family members

Mohammed Haboub (mohammedhaboubsblog) - shared by 90-ghost - kr85,347/300k (USD $8,108/$28.5k) raised to evacuate 4 family members, along with paying for rent and medical expenses - URGENT RENT + MEDICAL COSTS

Walid Al-Qatrawi (waled-family, waledps) - shared by 90-ghost, instagram - €2,164/€50k (USD $2,362/$54.6k) raised to evacuate a family of 5 with a child on the way - GOFUNDME HAD TO BE CLOSED, DONATIONS STAGNATING SEVERELY

Bilal Abed Rabou (bilalassadabedrabou) - verified by 90-ghost - €7,169/80k (USD $7,814/$87.3k) raised to evacuate a family of 3 + living and education expenses

Israa Alazaiza (isra-elazaiza, sarah-family) - verified #236 - CAD $5,480/48k (USD $3,946/$34,593) raised to evacuate 9 familly members - DONATIONS STAGNATING

Abdelmutei Al-Habil (abdelmutei) - verified by 90-ghost - €8,985/50k (USD $9,794/$54.6k) raised to evacuate 7 family members

Heba Al-Anqar (heba-baker) - shared by 90-ghost - €3,170/60k (USD $3,455/$65,499) raised to evacuate 7 family members + provide for living expenses - DONATIONS SLOWING DOWN

Salahaldin Hor (salahaldinhor) - shared by 90-ghost - €5,032/40k (USD $5,485/$43.6k) raised to evacuate 5 family members + medical and education expenses

Mohammed Atallah (mohammed-atallah) - shared by 90-ghost, organizer's instagram - €11,542/82k (USD $12,581/$89.5k) raised for a bone grafting procedure + rebuilding family home

Fatima Alanqar (fatma93-gaza) - shared by 90-ghost - €4,730/20k (USD $5,156/$21.8k) raised to support a family of 7

Mohammed Matar (matarmoh) - verified by el-shab-hussein - €1,119/€20,000 (USD $1,220/21.8k) raised to evacuate 5 family members, including a 6 month old baby daughter

Mohammed Iwais (mohdiwais) - shared by 90-ghost - kr156,227/500k (USD $14,842/$47.4k) raised to evacuate 10+ family members

Ahmed Abu Shammalah (ahmed8311) - verified by el-shab-hussein - €12,051/100k (USD $13,136/$109k) raised to evacuate 8 family members and provide living expenses - DONATIONS STAGNATING

Wafaa Resh (wafaaresh) - shared by 90-ghost, tiktok - €26,122/100k (USD $28,473/$109k) raised to support 15+ family members

Musab Abed (musababed) - shared by 90-ghost - £3,780/8k (USD $4,838/$8.7k) raised for living and education expenses

Fadi Zakkout (burningnightgiver) - shared by 90-ghost - CAD $10,310/50k (USD $7,423/$36k) raised to evacuate children who have been separated from their parents; their daughter Wafaa needs insulin

Malak Dader (malakabed) - verified by 90-ghost - €5,646/€25k (USD $6,154/$27.2k) raised to support a family of 6 with living and medical expenses + education

Shymaa Taiser (shymaafamily) - #141 - USD $10,878/$50k raised to reunite a father with his children in Gaza and provide for medical expenses

Yousef Hussein (adham-89) - shared by 90-ghost - USD $11,001/50k raised to evacuate 6 family members - DONATIONS STAGNATING

Sujoud Al-Sarsawi (sojid222) - #155 - CAD $10,587/45k (USD $7,623/$32.4k) raised for a single mother and her 3 children - DONATIONS STAGNATING SEVERELY

Siraj Abudayeh (siraj2024) - #219 - CAD $36,515/82k (USD $26,291/$59k) raised to rebuild a family home

[pomegranatears]

I love sweet boys so much. "You did such a good job," while gently cupping their face. Peppering kisses across their soft cheeks and whispering praise; teaching them that as much as I love when they eat me out it's ok for them to enjoy and feel pleasure too because they deserve it

[dark-dirty-daydreams]

Sorry for becoming violently obsessive after you showed interest, it will never stop.

[plutodile]

🐊

[ongoingexperiment]

A dreadful night

[futurelabs]

leaving this here, it's a good shot

[canon-gabriel-quotes]

[Yes this is a reference to that one superman pic]

Transcript:

*sniff sniff* Is-is that a boy I smell?

*sniff sniff* Mmh yes, I smell it! Boy Smell!

I smell a boy!

Ah! what is a boy doing here?!

Oh my gosh. What am I gonna do? There's a boy here!

I'm freaking out so much!

Calm down, calm down! Calm down and take a nice deep breath.

*sniff sniff* Mmph it smells so good. I love boy smell so much!

It makes me feel so amazing~

I'm getting tingles all over from the delicious boy scent!

IT'S DRIVING ME BOY CRAZY.

Audio source

[smallsinger5901]

Et tu, Matsuda?

[jesus-holding-your-fave]

Buddha but specifically from Saint Young Men?

Today, Jesus is holding:

Buddha from Saint Young Men

[anbaisai]

Happy birthday to @crystallizsch and the lovely Yuusha! May you have another wonderful year full of happiness and currynoodles💜

[jewish-mccoy]

The "pro-pals" only ever seem to being up the suffering of Palestinian children as a gotcha or a bludgeon against Israel.

If Ariel and Kfir Bibas deserved to die because Palestinian children are dying, does that mean that Palestinian children deserve to die when Israeli children are killed? Is every Palestinian child's death justified by the many Israeli children killed in terrorist attacks and antisemitic hate crimes over the decades? Why is one child's death an unspeakable tragedy but another's is just a consequence of their country's actions? Why do Israeli children deserve to die because of their government but Palestinian children don't deserve to die because of Hamas?

Why are we even talking about dead children like they're exchanges or bargaining chips instead of focusing on ending the violence against ALL children, regardless of their ethnicity or nationality?

Palestinian and Israeli citizens deserve so much better than they're getting from either government, especially the children who only know the hatred that's taught to them and have no say or involvement in the violence except as victims.

bargaining chips is an excellent way to encapsulate how these kids are being treated. incredible that we can’t agree as a society that little kids deserve to be safe.

[literaryvein-reblogs]

Do you have anything for high school cheerleading? Tips on writing sports-related work would be appreciated as well. Thank you!

Writing Notes: Cheerleading

Cheerleading - team activity in which elements of dance and acrobatics are combined with shouted slogans in order to entertain spectators at sporting events and to encourage louder and more enthusiastic cheering.

Once exclusively a sideline activity geared toward supporting school sports, cheerleading has gained recognition as a sport in its own right and often operates outside the school context altogether.

HISTORY OF CHEERLEADING

Although cheerleading is today predominantly associated with femininity, the original cheerleaders were men.

Cheerleading was connected to the emergence of gridiron football at Ivy League colleges and universities in the United States in the mid-1800s, and the growth and formalization of cheerleading paralleled that of football.

The first organized cheerleading squad was formed at the University of Minnesota. The squad, consisting of 6 male students, was tasked with leading crowd cheers and chants at football games.

Over the latter half of the 19th century, as attendance at college games grew, large stadiums were constructed, and spectators were distanced from the playing field.

Cheerleaders—or “yell leaders,”—led cheers from the sidelines both to encourage the spectators and to serve as a form of crowd control.

Cheerleading remained a male activity until the early 20th century when women began to participate (and the first megaphone was used), leading to the formation of the first all-female cheerleading squad at the University of Minnesota in 1923.

The megaphone made it easier for the spectators to recognize and take up the battle cries. With the entry of women, the nature of cheerleading changed:

Gymnastics, dance and even acrobatic elements were incorporated into the program, and cheerleading was introduced into high schools.

CONTEMPORARY CHEERLEADING

Cheerleading remains “feminine” not only in terms of its supportive sideline function but also in the performance and appearance demands placed on women:

short skirts

hair ribbons

makeup

the expectation to smile constantly and express enthusiasm

Competitive cheerleading - even more highly feminized than sideline cheerleading insofar as there is a heightened emphasis on showmanship and performativity.

Although there are stylistic variations among the cheerleading companies that oversee competitions, competition routines are typically:

loud,

fast, and

energetic.

They exude glitz, glamour, and glitter, particularly in the all-star context: bows are extra large, makeup is extra sparkly, and dance moves are brash and sexy.

Since the 1990s, “alternative” forms of cheerleading have emerged alongside the mainstream variants discussed above.

An extensive national network of adult LGBTI (lesbian, gay, bisexual, transgender, and intersex) teams (modeled after Cheer San Francisco, the oldest and largest) perform at community and gay pride events, and “radical cheerleaders,” groups of young feminist activists, use cheerleading as a vehicle for protesting social injustice.

Although less popular and less visible than mainstream cheerleading, such alternative groups similarly use the energy, spirit, and performativity of cheerleading to communicate with and influence audiences.

THE WARM UP

The warm-up involves moving the whole body, as well as individual joints. It consists of 4 main functions:

Warming-up

Preparation

Preventing injury

Building team spirit

STRETCHING

Over time, the following 2 stretching techniques have prevailed:

Active stretching - a self-directed stretch, i.e. a muscle is stretched because its antagonist is working.

Passive stretching - an other-directed stretch, i.e. it requires an external influence, e.g. a partner, piece of equipment, etc.

Both techniques can be further divided into static and dynamic stretching.

Basically, you should stick to the following points when stretching:

Always stretch calmly and gently

Always concentrate on the muscle being stretched

Always breathe regularly and calmly, increase the stretch when exhaling

Stretching should never be painful

The practice area temperature should be comfortable

MOTIONS

Motions - form the basis of many important cheerleading movement patterns.

High V - Arms are stretched above the head in a V shape.

Low V - Arms stretch downward to form an upside-down V.

T-Motion - Arms are stretched out to the sides; arms and body form a T shape.

Half-T - Arms are still at shoulder height, but in this motion, they are bent at the elbows instead of being fully extended to the sides.

Touchdown - This motion is so-called, because the football referee performs the same action after a touchdown. The cheerleader touchdown motion is, unlike that of the referee, performed with locked arms. Extend the arms above the head, with the upper arms almost touching the ears. The hands can form a fist or a blade, the important thing is that the palms of the hands face each other.

Right Diagonal - The right arm hits a High V and the left arm a Low V. The arms should form a straight line from the right fist to the left fist.

Left Diagonal - The left arm hits a High V and the right arm hits a Low V. The diagonal runs from top left to bottom right.

Right L - The arms form an L-shape. The right arm is in the Touchdown position and the left arm is in the T position.

Left L - The left arm is in the Touchdown position and the right arm is in the T position.

Punch - The right arm hits the Touchdown position close to the right ear and the left hand is placed on the left hip. The left hand forms a fist and the back of the hand faces forward.

Clap - The hands are held in the blade position and pressed together. The fingers are together and the hands are flat. The elbows are held close to the body.

Clasp - The hands clasp each other when they touch. The elbows are kept close to the body.

You can combine the motions together, thus giving new variations.

CHANTS

Chant - a combination of words and actions.

It is a kind of speech song consisting of very few words, used for encouragement.

Unlike cheers, chants can be shouted spontaneously throughout the game.

The crowd is supposed to shout the chants along with the cheerleaders, to support the team. The cheer team shouts the chant once by themselves and the second time, the crowd ought to join in. Examples:

"Defense Go!"

Defense: Take one step to the right with the right leg, then slap your thighs twice, shouting “DE-FENSE.” Lean forward slightly.

Go: On the word "Go," bring the left leg in and the feet together and the arms perform the motions shown. After the word “Go” there is a short pause. This chant is now performed in the other direction, i.e., starting with the left foot.

"Go, Fight, Win!"

Go: On the word “Go,” perform the K motion to the left, with the head facing forward.

Fight: On the word “Fight,” bring the right leg in and hit a High V with the arms.

Win: On the word “Win,” bring the arms down from a High V to a Low V. Make a lunge forward onto the left foot. Bend both knees and distribute your body weight evenly over both legs.

CHEERS

Cheers - consist of a combination of words and movements.

Much longer than chants and are not repeated.

Always consists of several lines, most of which rhyme.

Not only longer than a chant but also has a completely different purpose.

Tell a short, appropriate story and cannot just be inserted during the ongoing game, unlike the chant.

Only performed during the official time-outs or before and after a game, i.e., during a pause.

This should always be observed, for during a cheer, the cheer team wants to ensure that they have the crowd’s full attention during the cheer. This can only happen during a break.

Should always have a positive message to motivate the crowd and the team.

Examples of Cheers

"Come on Team"

Come on: Step forward onto the right foot, keeping the back straight and leaning forward. Outstretched arms are crossed in front of the body, knees are bent.

Team: The left leg is pulled into the pose, the left foot is next to the right knee so that the left knee points forward. The right arm hits the Touchdown motion and the left hand is placed on the left hip. The left elbow points backward.

"Let's be Proud"

Let's be: Make a lunge forward onto the right leg, so that you are kneeling on one knee, while crossing the arms in front of the body, and bending the head toward the floor.

Proud: The arms are stretched up into the High V position. The upper body is straight and the head is raised. The tip of the right foot touches the ground.

JUMPS

The role of the cheer team is always to entertain the crowd and to provide a good show.

A well-executed jump is particularly eye catching, and a successful, well-synchronized jump is a real crowd-pleaser.

Jump Phases

Every jump can be divided into 4 phases, and the cheerleader must master all four.

Preparation

Lift

Execution

Landing

Examples of Jumps

Tuck - In this crouch jump, the upper body remains upright and the legs are tucked up toward the upper body, with bent knees. Make sure that the feet are together. Take off from and land on both feet. The arm position can be changed and means that the arms can be held in either the High V or the Touchdown.

Toe Touch - Extend legs to the side immediately after take-off, and tilt her hip forward. The legs should be brought up as high as possible, making sure that the knees face upward and not forward.

Pike - The legs should be parallel to the ground. Immediately after takeoff, the legs are raised and straight. At the same time, bend your chest toward your legs. Straighten the arms and touch your toes with your hands. Don’t deliberately try to touch the toes, as this can prevent you from jumping as high as possible. In the Pike, both feet are together for take-off and landing.

DANCE

Dance has become the most important component of cheerleading for many teams. These teams are called dance teams. Most commonly used dance styles:

Jazz

Hip-Hop

Funk

Novelty

Character

STUNTS

Stunts - the formation of pyramids of various sizes with at least two people.

Double stunts - usually carried out by two people.

Partner stunts - by 3-4 people

Pyramids - by as many people as desired.

These numbers do not include spotters, of course, who must always be present at any kind of stunt.

In every stunt, there are 3 different roles:

Base - the person who remains on the ground in a stunt; supports another cheerleader (the mounter) on her hands, shoulders, back, arms or legs

Mounter - the person who does not have ground contact during the stunt, as she is standing on one or more other people

Spotter - additional person who supervises the whole proceedings but does not take part in the stunt; always stands where the mounter could fall, and, when necessary, intervenes and catches the mounter

Every stunt consists of 3 phases:

Set up

Execution

Dismount

STYLING

Hair and make-up naturally help to create a unified appearance, and they are part of the dress code along with clothing.

Every team decides for itself which hairstyle the members want to wear and how they want to make themselves up.

It is not necessary for all team members to wear the same make-up, as skin type, face shape and eye color differ from one person to another, so it is difficult to find make-up that suits everyone.

Deciding on a certain lipstick color and the intensity of the make-up can already go some way to ensuring a unified look. But these decisions are made by the team and the coaches. There are also teams whose cheerleaders wear identical make-up, which is also fine.

The main thing is that everyone understands the decisions and that everyone is totally present. Presence shows as soon as you step onto the field or the stage.

OTHER ELEMENTS

Music

Formations

Props

Tumbling

Tips on Writing about Sport

Tell a story. Sport is all about what-happens-next – an open-ended form of storytelling in its own right, presenting rags-to-riches parables, fairy stories, farces, thrillers, tragedies and cautionary tales, sometimes all at once. Books about sport should aspire to the same sort of narrative excitement. Triumph and disaster should remain in play until the final whistle.

Tell a larger story. While the game, the race or the tournament is afoot, sport can seem all-encompassing. But the best books manage to place sport in a larger frame. Write sport as something that ripples beyond mere winning and losing.

Have a central character. Imitate the action of the traditional novel by narrating the trials and tribulations of an individual life. It is not easy for stories about team sports to attain the level of human drama that belongs to individual adventures.

Take us behind the scenes. Readers love to peek through the curtains of what we see on television to glimpse real stories, real voices.

Look behind you. Modern sports pages have become promotional vehicles: today’s newspapers describe tomorrow’s games. Live TV coverage has replaced ordinary reporting, leaving a gap in the market for detailed retellings. Sport is theatre, so dramatise, dramatise.

Write about sport as if it matters greatly – and also not at all. Its struggles are only figuratively life-or-death, and failure is just as gripping as success. It is in these gaps (between sport’s importance and its triviality) that irony and humour can take root and ripen.

Strive to avoid back-page jargon. Sports punditry is dominated by ex-pros who agree that everything is the referee’s fault, and articulate this in terms that have already been much parodied. So it is important to refresh the vocabulary. Not every opportunity has to be “golden”; not all penalties are “hotly disputed”. In fleeing from these, it is also important also to avoid the language of art criticism. Banging on about beauty, the sublime and the paradoxical sounds boastful when the subject is … darts.

Accept your niche. In the name of populism it is tempting to woo readers who don’t care for sport with populist or self-deprecating gestures. But aiming a book about motor racing or boxing at people who dislike such pursuits will only alienate those who might have enjoyed it, while failing to engage the attention of the non-interested. By the same token, never talk down to readers: safer to assume that they know more about this than you ever will.

Break some or all of the above rules, when necessary.

In sport, as in life, something is always hidden.

Sources: 1 2 3 4 ⚜ More: Writing Notes & References

Thanks for the request. This was so interesting, I learned a lot. Hope this helps with your writing!

[cavesalamander]

Hey that one post you made in 2013 is almost at 10k notes

OH TRUST ME I AM WELL AWARE LMAO

My phone has been blowing up for this past week I swear kejfkebfbjdjdkfj

Way back 10 years ago when I said I'd do it, I was still in college and it had jumped to the 5 or 7k or so it was back then, I actually got started working on the damn thing because it looked like it was going to happen.

Then the notes dried up and I was like oh phew, I'm good, I'm fine, I won't have to.

BUT THEN.

This goddamn renaissance of notes has been orchestrated by @composeregg because I've just started playing Mass Effect for them and some other friends and of course my beloved Mako is right there, and I tell them about it.

And hey, what do you know, it turns out I actually do still have that canvas board I started painting it on?? It somehow survived college and like 5 moves.

So like, I guess if yall can do it, at least I won't have to start from scratch?

[cent-scratchnsniff]

i wish to be your shadow , forever behind you , even if i am not good enough

plus some extra. they are quite literally metal boxes. i wonder how large they are in actually. im assuming human size? i also never realized just how complicated hokma's was.. i think its all the gears

[stellar-collective]

Hi there!

If I can request something, can it be Agent Phoenix, Reginald and Prism, meeting a YOUNGER Reginald and Prism?

(From this, one of my ideas made a reality from @phoenix-and-found-family!!)

https://www.tumblr.com/phoenix-and-found-family/760792138142400512/a-trip-to-the-past?source=share

older Prism is already so tired from thinking about all the paradoxes they’re causing