Hello ranger’s apprentice fandom can we talk real quick about the stupidest thing Flanagan ever wrote
It’s about the bows. Yanno, the rangers’ Iconique™️ main weapon. That one. You know the one.
Flanagan. Flanagan why are your rangers using longbows.
“uh well recurve arrows drop faster” BUT DO THEY. FLANAGAN. DO THEY.
the answer is no they don’t. Compared to a MODERN, COMPOUND (aka cheating) bow, yes, but compared to a longbow? Y’know, what the rangers use in canon? Yeah no a recurve actually has a FLATTER trajectory. It drops LATER.
This from an article comparing the two:
“Both a longbow and a recurve bow, when equipped with the right arrow and broadhead combination, are capable of taking down big game animals. Afterall, hunters have been doing it for centuries with both types of bows.
However, generally speaking and all things equal, a recurve bow will offer more arrow speed, creating a flatter flight trajectory and retain more kinetic energy at impact.
The archers draw length, along with the weight of the arrow also affect speed and kinetic energy. However, the curved design of the limbs on a recurve adds to its output of force.”
It doesn’t actually mention ANY distance in range! And this is from a resource for bow hunting, which, presumably, WOULD CARE ABOUT THAT SORT OF THING!
Okay so that’s just. That’s just the first thing.
The MAIN thing is that even accounting for “hur dur recurves drop faster” LONGBOWS ARE STILL THE STUPID OPTION.
Longbows, particularly and especially ENGLISH longbows, are—as their name suggests—very long. English longbows in particular are often as tall or taller than their wielder even while strung, but especially when unstrung. An unstrung longbow is a very long and expensive stick, one that will GLADLY entangle itself in nearby trees, other people’s clothes, and any doorway you’re passing through.
And yes, there are shorter longbows, but at that point if you’re shortening your longbow, just get a goddamn recurve. And Flanagan makes a point to compare his rangers’ bows to the Very Long English Longbow.
Oh, do you know how the Very Long English Longbow was mostly historically militarily used? BY ON-FOOT ARCHER UNITS. Do you know what they’re TERRIBLE for? MOUNTED ARCHERY.
Trust me. Go look up right now “mounted archery longbow.” You’ll find MAYBE one or two pictures of some guy on a horse struggling with a big stick; mostly you will actually see either mounted archers with RECURVES, or comparisons of Roman longbow archers to Mongolian horse archers (which are neat, can’t lie, I love comparing archery styles like that).
Anyway. Why are longbows terrible for mounted archery? Because they’re so damn long. Think about it: imagine you’re on a horse. You’re straddling a beast that can think for itself and moves at your command, but ultimately independently of you; if you’re both well-trained enough, you’re barely paying attention to your horse except to give it commands. And you have a bow in your hands. If your target is close enough to you that you know, from years of shooting experience, you will need to actually angle your bow down to hit it because of your equine height advantage, guess what? If you have a longbow, YOU CAN’T! YOUR HORSE IS IN THE WAY BECAUSE YOUR BOW IS TOO LONG! Worse, it’s probably going to get in the general area of your horse’s shoulder or legs, aka moving parts, which WILL injure your horse AND your bow and leave you fresh out of both a getaway vehicle and a ranged weapon. It’s stupid. Don’t do it.
A recurve, on the other hand, is short. It was literally made for horse archers. You have SO much range of motion with a recurve on horseback; and if you’re REALLY good, you know how to give yourself even more, with techniques like Jamarkee, a Turkish technique where you LITERALLY CAN AIM BACKWARDS.
For your viewing enjoyment, Serena Lynn of Texas demonstrating Jamarkee:
Yes, that’s real! This type of draw style is INCREDIBLY versatile: you can shoot backwards on horseback, straight down from a parapet or sally port without exposing yourself as a target, or from low to the ground to keep stealthy without banging your bow against the ground. And, while I’m sure you could attempt it with a longbow, I wouldn’t recommend it: a recurve’s smaller size makes it far more maneuverable up and over your head to actually get it into position for a Jamarkee shot.
A recurve just makes so much more SENSE. It’s not a baby bow! It’s not the longbow’s lesser cousin! It’s a COMPLETELY different instrument made to be used in a completely different context! For the rangers of Araluen, who put soooo much stock in being stealthy and their strong bonds with their horses, a recurve is the perfect fit! It’s small and easily transportable, it’s more maneuverable in combat and especially on horseback, it offers more power than a longbow of the same draw weight—really, truly, the only advantage in this case that a longbow has over the recurve is that longbows are quicker and easier to make. But we KNOW the rangers don’t care about that, their KNIVES use a forging technique (folding) that takes several times as long as standard Araluen forging practices at the time!
Okay.
Okay I think I’m done. For now.
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HELL YEAH!!! can i get uhhhh #9, an I'm so proud of you kiss? pairing, fandom, etc is all up to you :) ill read it even if im not in the fandom go fkn crazy ily xoxo
hi @clumsyclifford!!! alrighty let's throw some fake college sports players in here.
jerejean: I'm so proud of you kiss
Jeremy goes to find Jean after a few minutes, weaving through the crowd of his teammates and the Foxes until he reaches the edge of their party's sphere, out in the sand where the light from the bonfire has no hope of reaching. He stumbles over Neil and Andrew, drawn hypnotically to the bright cherry of the cigarette they're sharing, but neither of them question where he's going or make any attempt at conversation. Neil simply tilts his head to the left with a knowing look, and Jeremy nods in thanks once he spots the shadowy figure sitting yards away in the darkness, looking out at the waves.
Jean doesn't look up as Jeremy approaches, chin resting on his knees as he looks distantly out at the ocean, where the horizon line blends too deep in the darkness to discern what is sea and what is sky anymore. Jeremy flops gracelessly down next to him, kicking up sand and checking to be sure Jean isn't shying away. He relaxes when he doesn't. Jean still doesn't do well with isolation, but he's an introvert at heart and needs his space. After the events of today, Jeremy isn't surprised that he retreated down the beach to be alone, but he also knows that it's the kind of alone that Jeremy is welcome to interrupt.
It makes his chest fill with warmth, being one of the people that Jean doesn't need energy to be around. It's a privilege that he doesn't take lightly, especially when so few people in Jean's life have been safe. For him to have found a group of people to love and be loved by in return is no small feat, and it's something that they've gradually cultivated together in the past year.
For a moment, Jeremy thinks about the first time he saw Jean in person outside of a court, watching the shell of a man cautiously approach him at LAX with only a few t-shirts, a tattoo, and years of abuse to his name. He would never have predicted that they'd be here now, only a few weeks shy of a year later. Jean has grown in ways too numerous to list, but Jeremy has changed, too. It's a mutual metamorphosis, made more important for the way that they've grown in harmony with each other, filling in each other's gaps while leaving room for the other person to stretch and flourish.
Of course, one other difference is that they're NCAA champions now. It isn't a new title for Jean, but Jeremy suspects that this one feels sweeter, more earned.
This is a win that Jean should feel proud of, one untainted by the shadow of black wings and bruises. A championship that has nothing to do with the number that used to be tattooed on his face and everything to do with the person he has decided to become.
"What are you thinking about?"
Jeremy tilts his head towards the quiet, lilting sound of Jean's words. His accent has lessened slightly over the year, either due to less necessity to use his French without Kevin around or being surrounded by people who never stop talking in loud California drawls, but it still colors his words like a swash of blue in a sunrise.
Jean never wants to return to France, but sometimes Jeremy wonders if he would enjoy visiting Canada or Haiti, somewhere that he could use a version of his native language without ghosts following him.
"Jeremy?"
Jeremy blinks, bringing himself back to the present rather than some unnamed future with the two of them wandering around Montreal.
"I was thinking about our win," he says when he can remember what Jean's original question was. Jean huffs, but the sound is fond. Jeremy can't see much in the darkness, but he can picture Jean's expression perfectly. He's not smiling, but he's softer, relaxed and open enough that Jeremy can read his intention.
"How does it feel to be a champion?" Jean asks.
"Amazing," Jeremy sighs, tipping his head back and remembering every hour of practice and hard-fought game that brought them here. Despite the backlash from his decision to cut down the line last year and all of the negative press surrounding Jean's transfer, they made it all the way to the championships and came out on top. It was a battle in more ways than one, but it was absolutely worth it for the look on Kevin Day's face when Cat stole the ball from him using a technique that Jean taught her, then slammed the ball down the court for Jeremy to catch and score.
The team as a whole has grown exponentially. Jeremy has never pushed himself harder, and it wasn't all sunshine and smiles on the court this year. Still, they held it together, and as turbulent throwing a former Raven into their midst was, Jeremy has never regretted the decision to bring Jean to them.
"It's sweeter because I could do it with you," Jeremy says.
He glances at Jean out of the corner of his eye. He doesn't duck his head bashfully, and he doesn't freeze awkwardly the way he used to when Jeremy would drop a sappy but sincere compliment months ago. He simply lets the sentiment wash over him, keeping his focus on Jeremy.
"I'm glad you are happy," he says. Jeremy reaches for his hand, fingertips dragging along his forearm and wrist until Jean turns to thread their fingers together.
"What about you?" Jeremy asks. "How does it feel to be a champion this time?"
Jean takes time to consider his answer. Jeremy listens to the distant sounds of their teammates and friends over by the fire and the gentle sounds of waves hitting the shore while he waits. A breeze gently shifts his hair, light and crisp enough that he nearly shivers.
"I didn't think it would mean this much to me," Jean says quietly. Jeremy squeezes his hand once, then relaxes, giving Jean the space he needs. "I knew that winning with the Trojans would feel different, but the Ravens won because we were expected to. You and I won because we deserved to this time. Because we fought harder and wanted it more."
"And you did it all without a red card, even though Neil was being annoying," Jeremy says.
"It felt good to beat him," Jean grins. "That was very satisfying."
No one felt like it would be a good idea to make Jean block Kevin, not with everything he's told them about scrimmages in the Nest. While he played with Neil at Evermore as well, it was never while Neil was playing striker, and Neil only features in a fraction of the traumatic memories that Jean has recounted. Jean has been doing great in his sessions with Betsy and has grown a lot in his recovery over the past year, but no one wanted to risk prompting a flashback during the championship game, when the eyes of the entire public and Ichirou Moriyama would be on him.
Jean seemed to enjoy playing against Neil, anyway. Jeremy still doesn't understand their relationship and probably never will, but it was one of Jean's best games. Neil ran him ragged, but both of them seemed satisfied with their individual performances, and Jeremy overheard Jean tell him to have a winning day while stealing the ball at one point.
It's taken a long time for Jean to be able to have fun on the court. Healing is slow and non-linear, Jeremy knows that better than most. The progress that is visible, though, is much more gratifying because of it.
Jeremy looks at Jean, tracing his outline in the blue shadows. He takes in the relaxed slope of his shoulders, the enticing tilt of his head, the self-satisfied smile that Jeremy can barely see gracing his lips in this light. He looks like he belongs on this beach, relishing in his win with dozens of people who love him only a few yards away, holding hands with someone who adores him.
It's amazing, what a difference one year can make. Jeremy's chest feels warm and full, ready to burst.
"Hey," he says, squeezing Jean's hand. Jean turns towards him with a questioning noise. Jeremy tugs on his t-shirt, coaxing him forward until he can lean up to press their lips together. Jean responds once he catches on to Jeremy's intention, relaxing against him and sliding his free hand around Jeremy's waist. Jeremy presses forward, trying to transfer as much of the feeling in his chest to Jean as he can. He curls his hand around Jean's shoulder, partially to draw him closer and partially for his own stability. Jean sighs against him, and Jeremy can't help but smile into the kiss.
When they part a few moments later, Jeremy watches the way that Jean's eyes take a moment to flutter open.
"What was that for?" Jean asks. Jeremy smiles and brushes his thumb against Jean's cheek, right over the small heart tattooed there.
"I'm really proud of you," he smiles. Jean ducks his head, leaning into Jeremy's palm. "You've come a long way."
Jean wraps his hand around Jeremy's, pressing it against his chest.
"I couldn't have done it without you, Jeremy."
Jeremy doesn't think he'll ever get used to the way his name sounds in Jean's mouth, his accent curving around it and voice soft as music.
"Still," Jeremy says. "I'm really proud of you, Jean-Yves."
Jean ducks his head again, but Jeremy can't have that. He reaches for Jean's jaw again. Jean knows him well enough to evade and kiss him instead, the perfect distraction. Jeremy is happy to let him get away with it, because that was his end goal anyway.
They stay on the beach together for a long time. When their friends eventually find them, Jeremy watches the way that Jean lights up as Cat tackles him in a hug and he playfully banters with Kevin, two things that would've been impossible a year ago. Jeremy keeps hold of his hand, both of them on top of the world with no plans on coming down.
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One reason why I think Mila Finelli's mafia books do work for me better than most other (Italian--I did really love Kresley's series) mafia romance novels I've read is that the characters do feel DISTINCT and so do the relationship dynamics.
In a lot of these somewhat darker, more erotic reads, you do get the sense that any of the characters could be switched out for one another. The heroes are always the same types of alphas, the heroines are always the same types of a) virgins or b) defiant rebels who may also still be virgins, and what really sets the books apart are a few bananas scenes here and there, and some distinct sex scenes.
And while I definitely think there are distinct sexual dynamics and kinks at play with each couple (Fausto/Frankie are obviously daddy kink-central, Enzo and Gia are.... generalized freaks with some heavier BDSM by way of CNC vibes, Giulio and Alessio also have some D/s vibes but with a more competitive edge and are very into each other's violence, and Giacomo/Emma are obviously a breeding kink/softer touch vibe) they're also just super different people.
I guess the closest couples would be Fausto and Frankie and Enzo and Gia, but even then... Fausto is a dick, but he's more rational, more doting (see: daddy), and though Frankie is absolutely defiant and strong, I actually think that though she and Fausto have more of a traditional partnership in terms of gender than Enzo and Gia (which also could be because Frankie wants a billion kids and yes she has her MBA but she's very much a wife and mom first, whereas Gia is more about her career, which keeps them from being too similar). Enzo and Gia are more into the defined D/s shit sexually, but you get the sense that she has more control in the relationship and that, at the end of the day, he is very much... her bitch. Enzo and Gia have a very similar age gap to Fausto and Frankie, but Fausto and Frankie have more of a care-focused DD/lg relationship, whereas Enzo and Gia thrive on the friction of her giving as good as she gets.
And Alessio and Giulio, aside from the obvious of being the only queer relationship in the series, are very much coded as D/s as well... But not as inflexibly as the previous two couples. Aside from them switching it up in the bedroom a little, there's also a lot of space for Alessio to take care of Giulio. Like, Giulio kinda doesn't know shit about what he's doing lol, whereas Alessio is hypercompetent (which also makes sense, as Fausto for sure spoiled Giulio and Alessio has been in essentially a different class his entire life). So while Giulio is more sexually dominant, Alessio is really the stronger, steadier, and more threatening partner otherwise. And again, they both really get off on watching each other do what they do best, which is: crime.
I do think Giacomo and Emma have the softest relationship in the series--but it's not so much because she's this kind of babe in the woods virgin (and I will say, I did love that Frankie and Gia were NOT lol) but because Giacomo is just a much more tender guy. Like, yes, Fausto and Enzo both also had loved ones, but I think that because they'd both been running their shit longer than Giacomo had before he met Emma, they had these very set roles. Fausto and Enzo come off as more brutal, and honestly more crazy (like, Enzo is THE CRAZIEST for sure, but Fausto is a fucking nutball). Giacomo seems like a dude who's good at killing people and doing mafia stuff, but it's really like? His day job. It's not his life and it doesn't feel like his culture, even, which makes sense because he was on the fringes of the types of levels Fausto and Enzo have always been in, because his father and brother kept him separate from it. Even Giulio is more connected to that space than Giacomo, because he was groomed to take over for years.
I think it would be very easy to rely on these great sex scenes and wacky plots she writes, but the thing that does make it clear that Mila has the chops (.... and it also makes it clear that she's very experienced, lol, and someone who has had to write series with very individualized characters for professional editors in the past........) is that the characters are very DIFFERENT. Like, Frankie and Gia may both have their partners' balls in their pockets, but you see Frankie do a wheedling kind of little girl pouting thing to get her way with Fausto because she knows he looooves it, whereas Gia is like LISTEN UP ASSHOLE with Enzo (and it makes the relationship the best because nobody else can do that with him, Enzo and Gia are the greatest, thanks for coming to my Ted Talk). Giacomo is willing to let Emma go in a way that Fausto, Enzo, and honestly I would say Giulio too after working out some things, really aren't okay with. He's probably the best guy out of the series, on a moral level, while also being a scary murder man.
(Except for maybe Alessio? Because Alessio is also a scary murder man, but he literally just does it for the cash or to protect Giulio. It's PURE BUSINESS.)
I find the distinctiveness of the characters really cool, especially when I reread the books, and that is probably why I've had a hard time finding a series that really clicks for me in the same way within the sort of Italian mafia genre.
(That, and: so much of the other books center on Italian-American mafia stuff and that shit DOES NOT HAVE THE SAUCE the way Mila's Italy-set books do. Like, be real here, the Italian-American mafia has not been raking in this kind of cash for DECADES.)
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