#sometimes more and sometimes less

[bestshipsmackdown]

Can you tell us which ships have more votes so far or would you rather not ?

I’ll tell you the top ship submitted at the moment is Percy x Annabeth! Honestly there’s enough submissions for it on its own that it’s qualifying regardless of if it gets more submissions or not.

It’s been so long since I read PJO and I never finished the series because I was trying to read it around the time high school took away my love of reading physical books.

But honestly I think it’s really neat that that’s the one at the preliminary front of the pack!

[soosoosoup]

sunset serenade

[emo-batboy]

A Wild Battinson (Social Media AU)

Part 43 (Masterlist)

(Part 44)

Me, to myself: I just think the series was better when I posted several times a week because the pacing felt more natural, and it translates better when people binge it.

Also Me, holding two jobs and a bat: If you try to post once a day again, I will disconnect your head from your shoulders—

@bruciemilf guess who’s back

Anyways, folks! :D So I'm thinking of a new upload schedule where I spend a bit preparing the next ten or so parts then post it all in two weeks? I think that would be fun (and much better for my creative process.)

I’ll be posting the next part very soon :) But it's going to be drastically different from what I've done before. Let’s see if anyone can guess why.

Yada yada don’t die LOVE Y’ALL

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[tam--lin]

The thing is, you don’t have to have a diagnoses to make simple “unmasking” changes that make your life easier. You don’t even have to self-diagnose! You are not appropriating anyone’s culture or struggles or hijacking anyone’s movement by allowing yourself to sway in line at the grocery store or buying a weighted blanket or using study or household hacks intended for people with ADHD. If you start favoring the needs that make your brain and body unique over the arbitrary norms of society, you’ll be better off, and you’ll be expanding the norms. It’s a win/win.

[rayjeff]

silly ugly doodles because i haven't drawn dca and y/n for a month or two

(poison ivy reference)

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”

[sparrowlucero]

Even if a creator is a bad person it's still okay to like their work. People need to mind their own business.

Honestly it's not really that sort of situation. I'll actively defend Steven Moffat here.

There was a huge hate movement for him back in the early 2010s - which, in retrospect, formed largely because he was running 2 of the superwholock shows at once, one of which went through extremely long hiatuses* and the other of which was functionally an adaptation of an already well regarded show**, making him subject to a sort of double ire in the eyes of a lot of fandom people. Notably, his co-showrunner, Mark Gatiss, is rarely mentioned and much of his work is still attributed to Moffat (and yes, this includes that Hbomberguy video. Several of "Steven Moffat's bad writing choices" were not actually written by him, they were Gatiss.)

People caricatured the dude into a sort of malicious, arrogant figure who hated women and was deliberately mismanaging these shows to spite fans, to the point where people who never watched them believe this via cultural osmosis. It became very common to take quotes from him out of context to make them look bad***, to cite him as an example of a showrunner who hated his fans, someone who sabotaged his own work just to get at said fans, someone who was too arrogant to take criticism, despite all of this being basically a collective "headcanon" formed on tumblr. Some if it got especially terrible, like lying about sexual assault (I don't mean people accused him of sexual assault and I think they're making it up, I mean people would say things like "many of his actresses have accused him of sexual assault on set" when no such accusations exist in the first place. This gets passed around en masse and is, in my opinion, absolutely rancid.)

On top of that a ton of the criticism directed at the shows themselves is, personally, just terrible media criticism. So much of it came from assuming a very hostile intent from the writer and just refusing to engage with the text at all past that.

Like some really common threads you see with critique of this writer's work, especially in regards to Doctor Who since that's the one I'm most familiar with:

A general belief that his lead characters were meant to be ever perfect self inserts, and so therefore when they act shitty or arrogant or flawed in any way, that's both reflective of the author and meant to be viewed as positive or aspirational.

An overarching thesis that his characters are "too important" in the narrative due to the writer's arrogance and self obsession

A lot of focus on the writer personally "attacking" the fans or making choices primarily out of spite.

A tendency to treat the show being different to what it's adapting as inherently bad and hostile towards the original

Just generally very little consideration of the themes, intent, etc.

This one's a little more nebulous and doesn't apply to all critique but a lot of it, especially recently, is clearly by people who haven't seen the show in like 10 years and their opinion is largely formed secondhand through like, "discourse nostalgia". Which. you know. bad.

I think these are just weird and nonsensical ways to engage with a work of fiction. I also think it's really sad to see the show boiled down to this because that era of who is, in my opinion, very thematically rich and unique among similar shows, and I hate that it's often dismissed in such a paltry way.

This isn't to say people aren't allowed to critique Steven Moffat or anything, but the context in which he basically became The Devil™ to a large portion of fandom and is still remembered in a poor light is very tied to this perfect storm of fan culture and I just don't agree with a ton of it.

* I'm sure most people have seen the way long running shows and hiatuses will cause people to fall out with a show, with some former fans turning around and joining a sort of "anti fandom" for it while it's still airing. That happened with both these shows. ** Doctor Who will change it's entire writing staff, crew, and cast every few years, and with that comes a change in style, tone, theme - the old show basically ends and is replaced by a new show under the same title. As Steven Moffat's era was the first of these handovers for the majority of audiences, you can imagine this wasn't a well loved move for many fans. *** I know for a fact most people have not sought out the sources for a lot of these quotes to check that they read the same in context because 1) most of them were deleted years ago and are very difficult to find now and 2) many of them do actually make sense in the context of their respective interviews

[groenendaze]

these make me feel emotions i dont quite understand

[luna-lovegreat]

A concept:

This is their entire relationship

"I grew up in a cave and my motto is I DONT KNOW THE MEANING OF GIVING UP!!!"

And

"I was raised in a forest but am older with a wife and somehow (?) can act responsible"

They love each other. I feel like that panel is just how they interact ya know? Magic Cave Boy is excited and Disturbed Forest Boy is. somehow still acting responsible.

Also going through the comics and?? Like every frame with them is like this

More of their goofy little dynamic:

Art and odd little dudes from Jojo @linkeduniverse au

[ohbother2]

Introducing everyone to my Alastor headcannon!

He's a deer right? And what are deer well-known for? Yes, yes, staring un-waveringly into your soul in the middle of a country road in the twilight hours.

But what else are they known for?

As soon as something happens, they are GONE. They run so fast and with such wild-abandon to just get the fuck out of wherever they are they they go hurtling through the brush never to be seen again.

This brings my to my head cannon - Alastor is easily skittish, he is just fortunate that his deer-caught-in-headlights instinct takes over long enough for him to grapple with his fear and restrain the part of himself that wants to flee, so instead he just stares unwavering and intimidatingly with that cocky grin until he has enough composure to begin talking again.

Now, sometimes, sometimes his instincts are too strong. And sometimes, he cannot stay composed, especially after a particularly bad fright, like bumping into Nifty or Angel Dust stalking the corridors of the hotel silently at night. What happens then? Alastor freezes for mere seconds, and then goes hurtling as fast as he can in whatever direction his feet decide to take him.

Sometimes, much to his dismay, his feet decide to propel him into the nearest wall before he even realises where he is heading.

This has led to many encounters where Alastor appears to bolt head-first into a wall for no other explanation than he felt like it, and he leaves Angel Dust as confused as ever as he bounces back from the impact, shocked from his deer-like-terror, and begins a conversation as normal, ignoring the new antler shaped hole in the wall he had just careened into.

No one dares question him about this odd behaviour, and the residents of the hotel have just had to accept that they often see the sole's of his shoes as he sprints full-pelt away from them at the drop of a hat.

[ozzgin]

Do you have a funny fact with husband Demon King? 👉👈

(Im so miss this guy🥺)

Referring to the Demon King story.

I like to think that his hatred for mortals remains completely unaltered, with you being the one, lone exception. So, you know, like any working husband, when he goes to obliterate worlds and destroy civilizations, while the living wail and the fires reach into the sky, he likes to take his little pouch out and gaze at a picture of you.

"That's my spouse", he'll say with a proud smile.

The monstrous soldier at his side glances sheepishly and nods.

"M-my question was how to deal with the survivors, My Lord."

"What survivors? Didn't I say kill them all?" he retorts with a scoff.

Back to important matters. What should he get you as a souvenir?

[originalaccountname]

in Storm Bringer, Iceman mentions Chuuya punching a guy through (several) ceilings for having asked him about his past. That guy was a wholeseller Chuuya was supposed to be making a deal with for the jewel trade he was in charge of. That incident happened July 18th, and it took the guy 3 months to heal.

Now, we know both halves of skk were 15 in, well, Fifteen, and that at this time in SB, they should both be 16. Chuuya's birthday is in April, and Dazai's, June.

Since there was a time skip of a month at the end of Fifteen, the punching incident can't have been from then, as we need at least that amount of time for Dazai's birthday to have already passed. So this was after the boys' 16th birthdays, July 18th +3 months, placing SB's events at somewhere at least mid-October, even November.

The events of SB take place over like, at most, 2 weeks, between the Flags' deaths and the final fight. Then, there's another one-month skip in the epilogue, +1.5 month, so we're now at minimum in December-January range.

The Dragon's Head Conflict is said to have happened "shortly after the King of Assassins incident". Skk should still be 16 during the conflict, so we have until the end of April to get there. The conflict lasted for 88 days, nearly 3 months, bringing us to a bare minimum of it starting at the tail end of January.

What I'm saying is there was barely 6 months, most likely even less, between SB and the end of the Dragon's Head Conflict. The PM might have mostly avoided taking part in it (canon reason why they managed to take over the underworld in its wake), but they still suffered from it all the same, especially since they had just spent and lost a lot of resources during their fight against Verlaine.

Also Chuuya must have had like 3 months to make those friends before losing them too.

[canisalbus]

Sorry if this is comes of strange, but I sort of love how Machete is always cleverly “censored” with your more intimate works involving him. Obscured might be a better word for it!

(And I’m curious if that’s always been the case 👀)

.

[glumspell]

My biggest hope for the Mighty Nein animated series is that they capture the tone correctly and don't use the same tone for TMN that they used for TLOVM.

I thought the tone in TLOVM was great for Vox Machina, it was littered with Scanlan style adult humor that suited the adult-style comedy/drama very well but I dont think that exact same tone would work well for the Mighty Nein.

Even though TMN had dirty humor, I think it's style of humor was different than TLOVM. Sex scene cut-aways and projectile vomiting, over the top gore and poop humor throwaway gags I don't think would hit the way for TMN as it does in TLOVM even though it exists in TMN.

I think that in the way that TLOVM is framed around Scanlan style humor, I think TMN is framed around Jester humor- which is still dirty, but sillier and a bit more naive and familiar that fits the mature tone of TMN much better than the throwaway humor of TLOVM.

And i'm sure TMN will be gore-y too but sometimes the gore in TLOVM was over the top in a way that detracted from some of the major villain deaths and made them less impactful when compared to some disposable npc whose skull gets exploded in a few scenes prior. What I mean is that I hope it's gore-y where it counts. Like Caleb crushing the guards while storming the sanitarium in rage and vengeance is not as impactful if everyone dies in a similar fashion all the time, if you know what I mean?