#oc: queen victoria

[wh0reforcoriolanussnow]

Dear Motherhood Series Masterlist

Baby Blues

So Soon

Did You Like Them?

Duties

1 Step Forward, 3 Steps Back

Why Me?

Eyes Never Lie

Little Girl

[juuumdraws]

happy pride you gays, love you xoxo💕

some close ups

my babies💕

the hippies 💛

the pinky obsessed and the goth 🖤💖

the rockstar running away from her tiny gf

the tiny idiots matching outfit (the last three are poli)

Happy Pride, love u 🌈🫶🏻

[dread-red-queen]

🚫do not re-upload/edit my Shots/Art without my permission🚫

~~**Raven as the Dark Queen**~~

Arasaka having angered the Dark Queen send Goro Takemura to try and appease her - random trope that popped into my head, really I was just looking for an excuse to use the Throne Props I found on Nexus XD

[bunny-bluue]

I haven’t gotten the chance to draw Sorina with Seras Victoria so here they are! Alucard’s beautiful and deadly Draculinas! To be honest, Sorina didn’t really think much of Seras when they first met. She thought that since she was recently turned and refused to drink human blood to solidify her transformation, she wouldn’t last long. But with time and keen observation, Sorina warmed up to her eventually and started to admire her strength and progress she made as a fellow Draculina. Seras respects and truly admires Sorina, she views her as an older sister figure since from time to time, Sorina would either protect and guide her on how to be a proper Nosferatu! Seras also tried her best to keep Sorina company and comfort her during Alucard’s 30 year absence. So all in all, the two Draculinas are close and they are not to be messed with!

[pinkfluffacttuff]

Whelp, I'm throwing my hat in the ring. Here are two of my Hellsing ocs, Lance Corporal Jamie Davies and Corporal Sam "Kelly" Whitaker.

They form a quick kinship with Seras over the 30 year gap, initially bonding over rock music and horrible jokes as they escort her to and from her training with Alpha Faelan.

Jamie grows from a carefree prick to a reliable friend and soldier, even if he's still a lewd smart-ass. Disowned by his family for his identity, he eventually finds a sister in Seras and a fiance, Bradley. He does his best to be there for Seras as she struggles and is willing to push back against Alucard's-at times- dickish behavior. Because he is openly gay, he was one of the only men who could still touch Seras without angering her premature mating bond with Alucard.

Kelly gets his nickname as collateral for having no secrets to share when Seras and Jamie have breakdowns during a werewolf party. As he becomes more vulnerable with his friends, he loses the desire to brownnose his way up the chain of command. He's the straight man in the trio's dynamic, and although he claims to hate Jamie's sense of humor, he secretly appreciates the puns. His hair gets messier as time progresses. Kelly is ace.

I'm a furry dork who hasn't had much practice with human faces lately. I know the anatomy's wonky.

Thanks for the request, @sailor28hikari I'll draw Naomi next. Stay tuned!

(ﾉᵔᗜᵔ)ﾉ*:･ﾟ✧

[vamxxpire]

Now that I’ve had some time to think about Red Queen’s ending.. I actually think their separation in the fourth book was needed. I realized my problem with the ending was that it’s not properly executed, or explained at least.

Mare and Cal had gone through various traumatic events, and were living/active in war. While the war and tragedies makes them seek support in each other and strengths their bond — it is still frail and unstable because of how their traumas make them respond to situations and to the people around them.

— Mare lived through poverty/starvation, witnessing her brother die, was made to kill people, captured and tortured, and used various times in politics. She watched various people she cared for and love get hurt because of her. Mare is betrayed various times, and is made to be something she’s not by both sides. She was used as a pawn by both Silvers and Reds, even if it was for a good cause in the Scarlet Guard. She’s used as the face of the revolution/Newbloods, but is merely just 17-18 when she’s made to go through all of these things.

— Cal was made to kill his father, betrayed by his brother, his mother was murdered by his step-mother, along with his only brother gets killed by the person he loves the most. The people who are in his corner are Annabel, Julian, and Mare; but even then Annabel wants to push a certain standard for Cal, and Cal had only started to repair his relationship with Julian after he’s rescued in near end-Book 2.

While his status as royalty / Silver continued to encourage the oppression of Reds, everything he knew was ripped from him. From Book 1-2 he was left with no one else. The closest person to him that could understand what he’s going through, is Mare, who even then he felt betrayed by in the same books.

Neither of them seem to enjoy war, or what comes from it. We see this many times in Mare’s pov, going as far as trying to not look at the people’s face she kills out of fear of them haunting her. Along with feeling like a monster and someone entirely else because of her actions. And while we don’t get many Cal povs, from Mare’s narration and descriptions he doesn’t enjoy killing and fighting as well. They are both made to do things they don’t like, one born for the role and the other doomed for it by conscription. They have a multitude of reasons as to why they seek comfort in one another. Ranging from their responsibilities, the traumas of war, losses, to being betrayed by the same person.

Despite this, I particularly enjoyed how their responsibilities and view of the war differ so much. With Cal seeing the throne as a means to end the war/oppression, and Mare seeing the Scarlet Guard as liberation of Reds. They both want similar things, but because of upbringings seek different methods. It shows how Cal was raised privileged and molded to be a certain way, while Mare had to sit back and watch her family & people she knew be sent to their deaths because of Silvers.

Their separation in Book 4 felt very much needed. They’re both damaged and hurt people who need time apart to learn to love each other in a healthy way, one not fueled by war and need of support for each other. Now my complaint is that, VA doesn’t update/follow up their relationship or the war until Book 5 / Broken Throne. And while I haven’t read Book 5 and can’t confidently say what happens, I have some basic understanding of it.

2 routes could’ve been taken with Book 4’s ending.

1. Mare/Cal’s fighting comes to an end; Mare and Cal are two traumatized people and it makes sense they no longer want to participate in war. This could be portrayed in the end by showing them rekindling their relationship and becoming friends months after, then attempting their relationship after a year(s). I say this because trauma takes time to heal especially when it’s tied so tightly between those two, and because they end up getting married/having children in 5. This could’ve been a perfect opportunity to portray their trauma and what they do to deal with it and better their relationship with not only each other but loved ones. (This one isn’t quite my favorite in the context of RQ, because the war is still ongoing, but it feels somewhat realistic considering war takes a long time. Life continues, people settle down and have children. 🤷🏽‍♂️)

2. Mare/Cal continue to fight; While they both need their time to heal from the war, oppression of Reds continues to be rampant in other Silver-ruled countries. After rekindling their relationship and it being stronger, their dynamic in fighting against Silver-Oppressors would’ve been much more stable. The fight is far from over, and at the very least a time skip portraying the liberation of Reds would’ve been nice. (I know writing out a war and it’s end can be difficult, especially when you’re on your 4th book lol, but Mare and the newbloods are meant to represent the ‘tide’ or shift in the war/history that leads the downfall of this oppression.) I say this because the fear of conscription was so strong in Mare, and I don’t think she would’ve had kids unless she was sure her children and other Red kids were safe from it.

(An example of ending 1-2 being done wonderfully is the Hunger Games! Recently reread the books and it’s how I came to the realization of this post. I love it’s ending imo.)

3. A secret third thing; The story could’ve been shifted to another character, preferably Farley/Carmen/or even Kilorn (I learned to love his character sorry guys). This way the liberation of Reds could’ve been portrayed, but characters like Mare/Cal who are done fighting can get their well deserved rest. It also gives opportunities to expand your characters, and the world you’re building through different lenses.

It felt as though she was rushing the end, or as if she were tired of writing the series. The story is meant to be about the liberation of an oppressed group, yet that is not achieved in Book 4. And while I’m not saying that every book needs a happy ending, it just felt odd to not do so when the story is meant to be a change in an oppressive system. This also gave Book 5 the impression of being a cash grabber (am I using that term right?? lol) especially when various other people/reviewers felt as though Book 5 could’ve been fit/included in Book 4.

TDLR; I love the ending’s concept but feel like it wasn’t executed properly. It’s a story meant to be liberation of the oppressed yet we’re left with a route of them not being liberated at the end. Many things are left unsaid and done poorly which just leaves you feeling disappointed by it. There’s different things that could’ve been approached to end the series, and I wish they were taken rather than giving us a 5th book that barely gives us that closure as well.

[sonyanotdraw]

Сute Queens commission

[rise-jez]

The Chessboard Sisters♟️

Victoria Redboard & Chelsey Whiteboard

Daughters of The White Queen and The Red King of the Chessboard fields

--

So... I'm alive and posting again, with my finished designs for the Chess girls🩵

[brainyxbat]

"Beetlejuice" Recast (OP)

🖤👻💚

Betelgeuse: Gecko Moria

Adam Maitland: Franky

Barbara Maitland: Nico Robin

Lydia Deetz: Tempeste G. Venus (my OC)

Charles Deetz: Dracule Mihawk

Delia Deetz: Catarina Devon

Otho Fenlock: Hogback

Beryl: Victoria Cindry

Grace: Honey Queen

Juno: Kureha

Magician Assistant: Boa Hancock

Maxie Dean: Cabaji

Sarah Dean: Alvida

Jane Butterfield: Zala (Ms. Doublefinger)

Ms. Argentina: Perona

[kaleidoscopr]

I can't imagine why the filters thought this was inappropriate.

Context: This wasn't a sexual message, I was just making him eat his own severed fingers.

[pixel-lightart]

Tonoit will be tha noite that oi will fall four ywou, Over agayuuuuun

[lilyharvord]

Sorry I'm in ✨Them✨ Brain Rot Hours.

Please ask for the link to my playlist, I'm begging you.

*Also Cori is the dark curls and Nik is the water color eyes* I just know he has such pretty grey eyes that are like storm clouds🥺

[juuumdraws]

Arson Heart Gang🤘

Finally a drawing with all of them and yeah it’s the 30 flirty skirt, Éden likes The Owl House 🦉

close up

[house-of-mirrors]

♟️ for Orsinio?

♟️ Is there a faction they are totally at odds with?

Society. He's Irish so has lots of resentment towards the British Crown, to say the least. In general, he's appalled by the staggering wealth inequality of the time period and the fact you have to fit a certain mold to be amongst the elite. If given the choice, he would want to take down the Empress before the Masters.

[commissionsdarian]

How many times have you broken people out of mental wards?

I'd say surprisingly a lot, but it's not surprising. My favourite was breaking Alir out because they got diagnosed with hysteria