That's Where You're Wrong
"This were the last song we did for it. I think something we've always struggled to do is get a record that– I mean they've all got their own identity but I dunno know ... there's always an exception or something that is leading onto something else perhaps. I guess on the last album it would be 'Cornerstone' and on the album before I guess it were '505' or something. I think this is that song and maybe on this one where it doesn't quite– I mean it fits in but it's got summat else about it. I always wanna do that like get a blueprint and make this album neat and tidy but it never works out being neat and tidy with us."
[x]
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(transcript by @violentandmagnificent)
It’s quiet here, living in your head.
It’s quiet here, and when I talk, you listen,
at least when you can hear me, which isn’t always.
It isn’t always, but it’s better than never.
It’s quiet here, living on this ship.
It’s quiet here, and I remember when it was loud,
I remember different voices bouncing in these halls,
I remember old arguments,
I remember myself.
I wonder how much I can tell you; because
I can tell you; I have much to say.
But you never saw me astride the Prophet’s Path,
beside the Resin Heart, imparting wrath and play.
So who am I?
You only know what they’ve told you.
So who am I?
You only know what’s written down.
So who am I?
You only know what’s on recordings,
and according to the world, I’m a hypocrite, or drowned.
I doubt you can hear me, but I know that she can.
So pardon my frustration, I’m just tired of her plan.
I lost my life long before I understood,
before metaphor became real, before I felt the wheel’s wood.
I wonder what she’ll tell you.
I wonder what she’ll share.
I wonder what she’ll ask of you, what task of sweat and prayer.
I long to sweat and pray, a body in the day.
The color of the sun.
The touch, the ocean's spray.
The last thing that I felt in life.
(The first thing that I felt in life.)
The touch, the ocean's spray.
I hope she tells the truth to you.
(I hope she tells the worst to you.)
The touch, the ocean's spray.
I loved her like she told me to.
(I left her like she told me to.)
The touch, the ocean's spray.
We’re running out of time, you know?
(She’s running out of time, you know?)
The touch, the ocean's spray.
I fear we might be mirrored, two echoes of a call
shouted between two queens, two queens who want it all.
I fear we might be symmetry, I fear we might be one.
Make her tell the truth to you
before we come undone.
PALISADE 37: Reach In / Reach Out Pt. 1
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I saw a crab on a rock and the waves hit it just enough to sway it and just enough to cool it from the sun and when I say balance in life that's what I mean
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I ride the dolphin, guided by the ocean's rhythm. As I move through the water, I feel my connection to the sea. The waves are my intuition and the sun is my awakening. 🐬🌊🌞
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so either the pirates are invading as soon as the world's in hardmode, or I'm getting jungle-side crimson, or both, because there's no way I got water-walking boots THAT easily with no downside
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Brennan: and you see a thorn of poison holly, a sprig of some plant meant to touch you and in a moment stop the beat of your heart with deadly venom - strikes Naram in the chest. You see him standing there ... you watch the poison spread across his chest.
Ame: no! No!!
Brennan: He turns to you and smiles. "My wife has poisoned me many times, my darling."
... The vines reach and touch the wound and begin to drink the poison back up out of it.
Naram: my wife can become very cross.
Ame: no judgement
Naram: she is the most beautiful of spirits. I know that she would never harm me in a way that she could not take back almost right away.
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On that trojan war au thing you're writing. 1. What are the tags for it, cause I'm super interested! And would love to read what you have so far!
2. "And Odysseus is a much grimmer darker man due to his home being one of the places that were first swallowed up by Erebus" - I wanna know more about this. Please tell me more.
Oh , wow, I'm so flattered! I'm very happy it sounds appealing to you <33 This work is a huge passion project of mine so I'm always glad to talk more and more about it, especially since there are many aspects occurring in the background (such as the alternate fates of the main players of the Trojan Conflict) which I cannot properly cover or even explain within the events of the novel itself.
That said: 1) If you mean tags as in ao3 - unfortunately, this work isn't on ao3 my friend :( As I said above, these are elements and concepts in the greek mythology based-fantasy novel I'm currently writing (the concept of which I outlined here in the introductory post of my novel concept!) As for wanting to read whatever writing I currently have available: I currently have three fics available on ao3 that are written in my Pursuing Daybreak verse!
The Prince and Princess series deal with a young Apollo and Artemis and the many consequences they face after Apollo has slain Python. The two works uploaded right now are Exeunt Phoebus Apollo which covers the murder trial of Python and Manent Apanchomene Artemis which covers the intense feelings of helplessness and alienation Artemis experiences after Apollo returns from his banishment and is completely changed. Both of these have themes of family, grief and relationship exploration at their heart.
The third bit of writing I have up is quite outdated but does cover the immediate aftermath of Hyacinthus' death. It's called A Petal Falleth and features Apollo making one of those Big Silly Decisions that have completely unintended but extremely important consequences: namely, instead of the larkspurs being made of Hyacinthus' spilt blood, Apollo anchors the boy's soul to the flowers so Thanatos wouldn't take him. Like the Dawn is also set in this world but because it is nsfw in nature, I wouldn't recommend it as easily as the other three bits of writing. If you don't mind the whole naked men thing though, I'd definitely suggest reading Like the Dawn for a better idea of what my current writing is like (along with eventually getting to see characters like Hector, Andromache and Cassandra/Helenus) Like the Dawn's themes are also different to the other three works with it focusing more on the power dynamics of a god/mortal relationship, exploring masculinity and masculine sexuality and self discovery.
The running theme here, of course, is that all of these bits of writing are centered on Apollo/Artemis or Hyacinth because my novel itself is centered around them. There are, of course, other important characters and figures like Eros, Psyche, Penthesilea and Iaso (one of Asclepius' daughters) but while there is the definite presence of characters from the Trojan War they most certainly aren't at the center of the novel (and the ones that are aren't the Greeks but rather the Trojans i.e Hector, Alexander, Andromache, Cassandra, Helenus, Aeneas, so on and so forth.)
2) The basis of the apocalypse in my work is cosmological! Due to Apollo's err-- untimely departure, there's no longer anyone maintaining the axis of the heavens or the navel of the earth. Because of this, Erebus - whose darkness is usually kept firmly in the spaces between the realms - begins to spill out into both the heavens and the earth. The beasts of Erebus (referring primarily to the Seven Curses - Old Age, Misery, Deceit, Violence etc etc) consume, torment and destroy whatever is inside of Erebus' darkness and Ithaca, as one of the islands on the far edge of the world, was one of the very first places that were devoured in this manner. Odysseus was visiting the Argives at the time for a festival and had left the pregnant Penelope at home since he didn't want her to suffer through the voyage in discomfort. He only finds out about the destruction of Ithaca after it had already been consumed when Athena personally interrupts a feast to warn both him and Diomedes. Needless to say, Odysseus, like everyone else, assumes that everyone on Ithaca has died and thusly is a very, very different man in terms of humour and comport. A part of him still stubbornly clings to the belief that Penelope managed to escape - that she was smart and resourceful enough to see the end approaching and do her best to escape - but that doesn't stop him from being dour for the majority of the time. Diomedes does his best to keep his spirits up in the meantime. Without him around, Odysseus is something of a black hole when it comes to the oppressiveness of his discontent though he does manage to lighten up when in the company of Helen, Clytemnestra and even Menelaus on occasion.
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