#ocean spirit katara

[beach-boyzz]

Another set of designs for my "May the Spirits Guide You" AU. Katara and Sokka are gravely injured from a raid as children, but were blessed by the moon and ocean spirits to save their lives. Katara was saved by the ocean spirit and given black hair, while Sokka was saved by the moon spirit and given white hair. Sokka is able to enhance the waterbending of any waterbender, while Katara's bending has also been enhanced by her spirit blessing.

they are the first teachers Aang meets that fit the description of his vision of being helped by others blessed by the spirits/original benders

The idea of a moon spirit Sokka was inspired by @peachieflame (as well as this au, because I would not have gotten this idea for all of the other characters in this au without seeing moon spirit Sokka)

[burst-of-iridescent]

not to beat the "sokka's misogyny" disk horse even further into the ground, but while i agree with the take that sokka being sexist logically doesn't make sense, i would go further to say that the water tribes themselves being sexist is both illogical and thematically contradictory.

the flaws of each nation in atla have always been linked to their element, and specifically what those elements represent. fire is the element of power; power, left unchecked, leads to imperialism and authoritarianism. earth is the element of substance and stability; stability, prioritized too highly, creates and justifies the rigid class system and rampant corruption of ba sing se. air is the element of freedom; freedom, taken too far, becomes irresponsibility and abandonment.

meanwhile, water is the element of change... therefore the water tribes cling to antiquated ideas about gender roles instead of adapting with the times (especially when the times involve a fucking war going on).

not only is this unrealistic, it also breaks the thematic pattern of the nations' flaws being virtues taken to extremes, and how this dovetails into the show's overall message about the importance of balance. if we're keeping with the pattern of virtue and vice being two sides of the same coin, then the flaw of the water tribes has to be related to change. and here is where some of the (badly executed) ideas in the comics and legend of korra could have come into play: change, left uncontrolled, can lead to progress... but at the cost of tradition and spirituality.

(imagine a nwt cut off from the world and forced to rely solely on itself, ingenuity and creativity flourishing out of sheer, desperate need. imagine a nwt where waterbending is nothing more than a tool, used to build and defend and maintain a fortress always at risk, its spiritual origins slowly lost to time. imagine a nwt more military than community, whose architecture and technology far exceed anything the world has ever seen, who look down upon their less advanced sister tribe, and see no need for the avatar - after all, where was he when they had no one but themselves for the last 100 years?

when warned that the fire nation is coming, they show no fear; they have held strong on their own for the last century, bolstered by their weapons and wits, and will continue to do so. you need the spirits, aang implores, and is met with derision, for there is no place for spirits in a society always chasing more, greater, better. the spirits have not helped us before, avatar. why would they now? we are all we need.

when the moon spirit falls, unprotected and forgotten in an abandoned, rundown spirit oasis - so do they.)

not only would this fit better thematically, it would also ensure that the nwt's flaw plays a role in its own downfall. where the fire nation's warmongering resulted in the poverty and suffering of its own people, and the earth kingdom's corruption led - at least in part - to the fall of ba sing se, the misogyny of the water tribes is never shown to negatively impact them in any way. the north isn't defeated by the fire nation because they relegated half the population to healing. the south doesn't suffer raids or lose their waterbenders because they (supposedly) didn't let women fight. this lack of narrative punishment means that - outside of a few girlboss moments for katara - the sexism of the nwt isn't significant to the overall story whatsoever.

furthermore, while the ba sing se arc last almosts half a season, and the fire nation's actions drive the entire show, this supposed systemic oppression of women shows up for one episode in the first season before disappearing entirely. pakku is reminded of his lost love, magically turns into a feminist, and somehow the entire tribe follows suit? no one else protests, not even the other students or the chief?

and yet, though there are still no female waterbenders other than katara, or agency for kanna in her relationship, or any indication that women stopped being forcibly betrothed - the entire issue is simply swept under the rug and never brought up ever again in the show. i understand this was a children's cartoon made in 2005, and that even having female characters openly speak about and challenge misogyny was a radical feat for the time and genre, but the reality of patriarchy is that it's structural, sustained and immensely difficult to resist - if the show was going to depict that resistance, it should have done so with greater depth and nuance, as it did for many of the other difficult topics it tackled.

ultimately, handwaving misogyny away like it never existed is far more disrespectful to katara's character, her fight against injustice, and the girls who saw themselves in her, than simply toning it down or removing it could ever be.

[robinthisbank]

Y’know what gets my fucking goat? What pisses me off? When people say “well if Aang is a pacifist, why did he do [names something he did in the Avatar State]?”

Aang loses control over himself when he is in that state. In fact, Aang is TERRIFIED of the Avatar State. He has active nightmares about it OFTEN. Part of his character is learning to embrace the sides of himself that he fears make him evil or a bad monk. He hates the fact he wants to hurt and destroy things, he more so hates the fact he can.

When he looks back at what he did during the Northern Siege, he feels fear, and hurt, and regret. He is a pacifist, he’s terrified of himself. He hates the Avatar State, he hates firebending. He has to learn to embrace these sides of himself, to love them, so that they can be harnessed for good.

He learns the Avatar State is a beautiful part of himself that connects him to the universe, to his past. He learns that fire isn’t just destruction but life and warmth. Only then is he a realized Avatar.

So yes, Aang is capable of killing, and hurting, but those are the times he despises himself the most. But he’s disgusted by what he can do, what he finds himself wanting to do while in that state.

Aang is a pacifist, but he was also a child who’d lost everything in a war he missed 100 years of. He has to learn to understand his pain, to love it. And when he knows he doesn’t have to kill or injure, he doesn’t. Because he’s a pacifist, he believes in the sanctity of all life

[comradekatara]

ok smth that's always bothered me abt this scene is that if zuko had the time to do all that katara had the time to run out of the way. he simply had to take the most impulsive, dramatic route as per usual

[aangarchy]

Incredibly specific moments in atla i think about ALL the time (i am Not normal)

Zuko's eyes slightly widening when witnessing Katara's bloodbending for the first time

Aang and Katara just missing each other looking back at the other after their argument in The Warriors of Kyoshi

Toph holding onto Sokka's arm once on Appa when he didn't have a saddle and once on the boat bringing them to the lake town

The moon being in full view as Suki tries to kiss Sokka in the Serpent's Pass, and the shadow returning as Sokka leaves

The "four seasons for love" motif coming back throughout the episodes of the Northern Watertribe and specifically as Sokka gives himself up to serve in the battle against Zhao's seige and Yue turns away and quietly cries as she watches him walk off

Longshot talking for the first time ever as Jet lay dying

In that same breath, the way Toph says "he's lying" as they walk away from Jet knowing that he's going to die

Aang looking back at the Southern Airtemple ruins along with Momo as they fly away from it, seeing it disappear behind the clouds (this one specifically makes me cry so much)

The chants as Aang gets summoned by the Lion Turtle in book 3 being the SAME as the chants when Aang fuses with the ocean spirit in book 1 (there's other moments with these chants i think but i can't remember them off the top of my head)

Aang taking down Ozai's airship in the finale as his first attack and Sokka cheering him on like a proud older brother

Katara immediately without a shadow of a doubt responding "Aang won't lose" when Zuko questions if he'll be able to take on Ozai

Aang knowing Zuko was gonna fire at him in the crystal catacombs as soon as Zuko laid eyes on him (he gasped before Zuko even made a move) when even Azula wasn't sure what Zuko was gonna do in that scenario

[johnskleats]

hey so do you guys remember how zuko was deemed worthy and blessed with the true nature of fire by the guardians of light themselves and became 100x the firebender he was after, with a newfound understanding and oneness with his element

kind of like how katara handled the moon and ocean spirit with her own hands and was blessed with unmatched waterbending power and oneness with her element and also spirit water but get this, also the healing ability to bring someone back from certain death

y'all remember that

[zvtara-was-never-canon]

Can you give examples of Aang showing Empathy? Oh wait, you can't.

Actually, I can - because unlike you, I base my opinion of the characters on the actual stuff that happened in the story, not the bad faith takes dumb people on the internet come up with.

Zuko literally only survived past book 1 because Aang was the ONLY person amongst the heroes that gave a single fuck about his well-being. Aang offered to be FRIENDS with him as early as episode 13, even though this dude is trying to kidnap him.

In the first damn episode we see him realize and try to remedy Katara's struggle with no longer being able to act like a kid and have fun. He wants to travel with her so SHE gets to learn waterbending. He willingly lets Zuko take him into his ship because he understood that a conflict could lead to the people of the water tribe getting hurt or killed.

In Warriors of Kyoshi he apologizes to Katara for letting all the praise and admiration go to this head. He makes sure to put out the fires Zuko and his crew started in Suki's village.

He tries to help remedy the Hei-Bai situation, even though he is unsure of himself and even scared, because he knows he is the only one that has any chance of helping - and the thing that allows him to connect with Hei-Bai is the fact that he is ALSO upset about the destruction the Fire Nation has caused AND hopeful that the world would eventually heal.

He thinks Jet is awesome because he wants to help people that are being oppressed by the Fire Nation - and then is horrified when he finds out his intension is to "free" them by killing everyone

He wants to help the two rival groups not only safely cross the Great Divide, but also stop hating each other.

He confesses that he hid the map to Hakoda because Bato, Katara and Sokka are showing how much they appreciate and trust him and he feels unworthy of it after what he did because he knows it'd hurt him if the roles were reversed.

He is so devastated by the fact that he ACCIDENTALLY hurt Katara that he swears to never firebend again. He is also able to recognize the same principle behind his mistake in Zhao's fighting style, allowing him to win the battle against the bastard.

He accepts the fact that the Northern Air Temple is now occupied by people who not only don't belong to his culture but also don't understand it and unknowingly destroyed something sacred to him (and that one of them had been forced to make weapons for the Fire Nation) because these people have nowhere else to go and he doesn't want them to suffer.

He is furious at Pakku for refusing to teach Katara waterbending, because he knows how much it'd mean to her and how unfair it is that she can't learn it just because of her gender.

He is so devastated by the death of the Moon Spirit that the Ocean Spirit latches onto him to avenge it and save the day - and the leve of destruction it causes haunts Aang, even though the violence was against his enemies. And still, he tries to go into the Avatar state again because people are dying and he can't accept that.

After the fall of Omashu, he wants to rescue Bumi, not because he needs a teacher, but because they're friends.

He felt empathy for Toph when she was explaining to her parents how lonely and unappriacted their over-protection made her feel.

He and Katara both feel bad for snapping at Toph during "The Chase" and wanted to apologize for not understanding that being part of a group was a radical change to her, even though she had refused to even try. He also didn't have a problem with fighting alongside Zuko and Iroh against Azula, AND he looked concerned when Iroh was injured.

After Katara comments on the fact he called Toph Sifu but not her, he calls her Sifu while bowing, to show that he respects her both as his master and friend.

The hopelessness and downright depression he was feeling after Appa was stolen only starts healing because he saw a couple being happy with their newborn baby - the same couple he decided to help cross the Serpent's Pass, even though he and his friends had just been allowed to take a much safer route to Ba Sing Se.

His understanding and sympathy towards Jet, even after everything the guy did, was so strong that it freed him from literal brainwashing.

He doesn't want to push his love for Katara aside to gain power because he cares about her too much - and then does it anyway because, even though not making her his main focus 24/7 offers the risk of her being hurt, him neglecting his mission guarantees she'll get hurt.

He is devastated to learn that the world thinks he is dead because he knows he was everyone's last hope - and yet in the end he still accepts the burden of failure because he understood that, at that moment, everyone would be safer if no one else knew he was still alive.

He goes to a Fire Nation school and bonds with the kids, wanting to give them a taste of freedom and joy, as well as trying to understand what the war is like from their perspective. The same episode also has him pull Katara for a dance because he noticed she was feeling left out.

The boy felt empathy for, and understood the mistakes of, both Ruko and Sozin. SOZIN. Aang could see the humanity in the monster that is responsible for him losing his entire culture and everyone he loved.

When Zuko spoke about wanting to control his impulses so he wouldn't accidentally hurt anyone, Aang explicitly connected with that struggle and saw them being teacher and student as fate, and Zuko agreed because that's how deep their connection was.

Aang is not happy about Katara wanting to murder a man, but he still lets her take Appa on her mission and is not disapproving when she ultimately spares the guy but does not forgive him and makes it clear she never will.

He feels empathy for freaking Ozai, to the point that refuses to kill the guy - even as he has the balls to say that Aang's family, his people, deserved to die. He spared that guy - but only after he had a way to do that without it meaning the death of more innocents. Aang, the pacifist, was going to turn his back on everything he believed in just to avoid more human suffering.

So yeah, miss me with your bullshit and don't come back until your brain is developed enough to understand a cartoon aimed at kindergarterners.

[flilisskywalker]

My favorite thing about Netflix's ATLA was how they explicitly paralleled Katara and Aang with the moon and ocean spirits.

Now, having rewatched the original Book 1 after the live-action, I can't help but associate "Tui and La have always circled each other in an eternal dance." with this scene.

[thethiefandtheairbender]

will say one of the only things the live action did that i enjoyed was how they made zukaang even gayer. aang stealing and reading zuko's diary. their extended talk post blue spirit (even if it was too soon). zuko and katara's reactions to losing aang in the ocean spirit being paralleled one after the other. the ribbon fight scene entangling them like a thread of fate in omashu, who are also gay enemies turned lovers. so many sentences out of zuko's mouth "you ruined everything. the avatar was mine!" "this isn't about zhao. this is about us." but also aang's, i.e. "that's why zuko's so hot to catch me?" and treating him already as an ally he wants to help (even if again, it's Too Soon). gay as hell. thank you goodnight

[lovegrowsart]

tui & la, yin & yang, and zuko & katara (+aang)

okay. i'm not interested in shipping slapfights, but i came across a specific pro-k/a argument and my mind simply won't let me rest until i write these thoughts down, so here's some meta about zutara symbolism and how, even if it was bryke's intention or retcon or whatever tf, symbolism related to complementary and interconnected opposites and balance, simply doesn't work with k/a's canon relationship dynamic.

first of all, the argument i saw that tui and la in the show are somehow not meant to be taken as yin and yang (or at the very least a representation of it) is... a very interesting one, considering they're designed to look exactly like the yin yang symbol, and koh literally describes them as such. he isn't just bringing up yin & yang because tui and la are, like, similar to them? but because that's what they are.

koh says tui and la are push and pull (the literal translation of tui and la from chinese) to describe what they are, and then says they are good and evil, life and death, yin and yang, to furthur describe the inherent nature of their relationship. this is a kid's show. the symbolism is meant to be this easy to parse. who is watching the koi fish merge into the literal yin yang symbol, quite possibly one of the most recognisable symbols in the entire world, and thinking "oh, but they're not really meant to be yin & yang!"? some k/a shippers, apparently.

now, you might say, but yin & yang aren't good and evil? isn't that a simplification or misconception of the concept? and yes, actually, i would agree with you, good and evil isn't exactly how i would describe yin & yang to someone (though there are schools of thought that do assign a moral dimension to yin & yang!), but if i was writing, again, a kid's show and wanted to get my point across with simple yet evocative language about the relationship between these two spirits symbolised by an complex and abstract real life spiritual and philosophical concept, i can see how "good and evil" works to explain yin (la) as negative and yang (tui) as positive. the text and visual language of the show intentionally links the ideas inherent to yin & yang to tui and la. you can't just retroactively separate them because you want tui & la to represent k/a, but you know that doesn't work if they're yin & yang because canon k/a just doesn't fit with that kind of symbolism.

the k/a argument that tui & la represent katara and aang just fundamentally doesn't work with how both are presented in the show. tui (the moon) is the white koi fish - the light side, representing yang, which is active, masculine, postive, fire etc. la is the black koi fish (the ocean) - the dark side, representing passivity, feminine, negative, water etc.

katara as the moon and aang as the ocean just doesn't map onto the specific symbolism evoked by how tui & la are presented visually and thematically in the show. tui & la are specifically described to balance each other, which just... isn't how k/a's canon dynamic is written. "aang gets angry like the ocean spirit and katara as the moon spirit pulls him back and calms him down" isn't how i would write or describe a balanced relationship, it's what i would call katara being aang's emotional crutch for three seasons with little support in return to "balance" them. k/a's canon dynamic is notably imbalanced, so if even symbolism pertaining to balance was meant to represent their relationship, bryke and the writers did a pretty piss poor job of making that symbolism present in their actual relationship. it's also a complete mischaracterisation of the yin & yang symbolism that is, again, explicitly tied into tui & la per the text and visual language of the show. not only is "katara and aang balance each other and when they're apart, they act recklessly and have to pull each other back from the brink" a reading of their relationship not particularly supported by the text of the show, that's also just... not how tui & la/yin & yang are actually characterised in the show or in real life.

furthermore, the argument that "good and evil" as it relates to tui & la and yin & yang doesn't work for z/k because "zuko isn't evil in the end" or "katara isn't evil at all" completely misses the forest for the trees in how the symbolism ties into the show's overarching themes and z/k's relationship specifically. the storytelling here is much more metaphorical and psychological than it is literal.

the whole point of yin & yang is that they are interconnected opposites, simultaneous unity and duality - zuko is as capable of bad as he is of good, and in turn, so is katara. this is true of every other person and character, of course, but zuko and katara specifically have important story beats in their respective arcs where they are shown the "light side" (zuko learning from the dragons) and "dark side" (katara learning bloodbending) of their respective elements (and their elements only compound their yin & yang symbolism, since fire and water are regarded as physical/natural manifestions of the yin & yang cosmological cycle). one of the most notable story beats of katara's arc is when she explores her "dark side" by going after yon rha (ymmv on how "dark" that really is, but i'm going with how the show presents this part of katara's journey), which is something the other members of the gaang (besides zuko ofc) don't really go through in their arcs - aang, sokka, and toph aren't written to confront the duality of their nature, their worldview, their moral character, their bending, the way that zuko and katara are.

part of me is struggling to even explain this because it's just, idk, really obvious to me. zuko and katara are fire and water, "evil" and "good" (they literally face off in the b1 and b2 finales! either of their literal and actual morality isn't actually all that relevant to how the symbolism works), of course they're yin & yang? and since tui & la are how yin & yang in the atla universe is presented to the audience, then that means they are tui & la too (symbolically, obviously, not literally).

yin & yang fundamentally transform each other the way zuko and katara do. for every advance, there's a retreat; for every rise, there's a fall. book 1; zuko falls, katara rises. book 2; katara falls, zuko rises. book 3; zuko falls, katara rises. you rise with the moon, i rise with the sun. an eternal dance as the both of them learn and grow and confront their own false dichotimies, learning how a world of seemingly opposing and contrary forces is, in fact, interconnected and interdependent.

like. c'mon.

[akiizayoi4869]

The Southern Raiders

Been meaning to make my own post about this episode for a while now, so here it is. The main thing I hear about this episode is that Aang didn't understand Katara's pain at all but Zuko did. The notion that a genocide survivor doesn't understand another genocide survivor is certainly one hell of a take, and it's very stupid. Are we really going to forget the air nomad genocide?

Aang lost EVERYTHING because of the war. And to make it worse? He feels guilty because he wasn't there to stop it from happening (even though he wouldn't be able to do much since he hadn't mastered the four elements yet) because he ran away from his duties as the avatar. When Aang finds Monk Gyatso's body in the Southern Air Temple episode, he's overcome with so much grief and anger that he triggers the avatar state:

Katara herself even compares what she's been through to what Aang was feeling in this moment by saying "I know how hard it is to lose the people you love! I went through the same thing when I lost my mom." Certainly sounds like two people who understand each other perfectly if you ask me. Also, in the Lost Adventures comics, we're shown that the Fire Nation used a dirty tactic to smoke out any other airbenders that might have escaped from the genocide.

We see how happy Aang was to learn that some airbenders may have survived, only to find out that it was all a lie to capture any remaining survivors. At the end of the comic he looks disappointed and crushed knowing that the possibility that air nomads fell for this trick and were killed as a result.

A lot of people take Katara saying "I knew you wouldn't understand" to Aang as her saying that he doesn't understand her pain, but if you actually look at the context? That's not what she's saying at all. What she means is that she knew that Aang wouldn't understand her need for VENGEANCE. For her desire to kill her mother's killer. Because Aang was taught that revenge isn't the answer. Even though Aang absolutely understands how she felt, something that he says himself:

In both of those moments he felt extreme anger and hatred, both strong negative feelings that would have caused him to lash out and do something that he would regret later on. Who stops him in both cases? Katara. She calms him down (and can I just say that I think it's really poetic that in this specific episode, Aang's words are what calms Katara down in the end, and is why she decided to spare Yohn Rha?) in his moments of rage, something that he's grateful for.

Another argument that I've seen is that Zuko understands her pain more than Aang because he also lost his mother. While I can see why people make this comparison, those are two entirely different situations. Ursa was banished because she protected Zuko from being killed when he was a child. Which means that she's still alive (as we later find out from those horrible comics). Kya, on the other hand, was KILLED because she protected Katara by saying that she was the waterbender that they were looking for. This happened in a genocidal raid by the Fire Nation. Safe to say that Zuko can never understand what that feels like.

Also, it's pretty crazy to me how people can say that Aang was wrong in this episode, when Zuko HIMSELF says that Aang was actually right, and that what Katara needed in the end was revenge. Aang knows Katara a lot better than Zuko does, and he knows that killing the man who killed her mom would have absolutely destroyed Katara because of the kind of person she is. Just like Aang remembering how he killed all of those Fire Nation soldiers in the North Pole while he was in the avatar state and being controlled by his past lives and the ocean spirit caused him to have nightmares and be terrified of what the avatar state can do. Both of them are alike in that regard. The closest thing I can say that Zuko understands about Katara is her anger. Boy spent 3 seasons being angry so he definitely understands that. But other than that? He doesn't understand her, which is to be expected since he just joined them a few episodes ago, and spent a whole year chasing them and trying to capture Aang. So he's just started getting to really know everyone on a personal level. In conclusion, Aang did indeed understand Katara, and his words were exactly what she needed to hear.

[kataraslove]

more fanon content of katara and aang as moon and ocean/tui and la since the one thing the netflix show did right was compare their bond to that of the moon and ocean spirits.

if the subtext is this obvious is it subtext anymore?

[survivalove]

I was thinking about how much yue’s death must have meant to katara (and I honestly believe her death had the most impact on her after her mom’s, yes even more than jet) in the narrative sense.

imagine katara finally reaching the north in all its grandeur, meeting her northern equivalent and she’s probably thinking how much better off yue had it than her. but then yue goes on to make the ultimate sacrifice, not just for the world but specifically for the water tribe and waterbending. and then how much waterbending has always been such an integral part of katara’s character and how like her mom, yue gave her life so katara (and the entire tribe) could not only survive but live on waterbending.

and then just how much yue’s narrative is a foil to katara’s arc just as much as azula’s is:

these two princesses trying to meet their father’s expectations and both meeting their tragic end (re: defeat for azula) as they do just that.

especially yue, being a girl i don’t believe she was going to be a chief hence her arranged marriage to hahn. her life has always been carved out for her and the only way she breaks free from this is by literally dying, but of course, she dies for her people. she makes her father proud while freeing herself from the life he sets out for her by simultaneously losing the ability to live at all.

i also think it’s fascinating how yue a nonbender growing up in the north where she never would have learnt how to fight anyway becomes the most powerful waterbender ever in death.

and then you have katara, who is if nothing else, a survivor. katara is a female character that gets to choose where she lives, who she loves, when she fights, heals etc. without any pushback from her father or anyone in her tribe. her legacy extends past her home and goes beyond the men in her family but it’s because of women like yue and her mom that she has the chance to do so.

so i think katara would hold yue in high regard and her death would definitely have impacted her (at least symbolically) more than the canon lets on.

i also like to think katara spent some time with yue realizing they have more in common than just daughters of the chief. idk maybe she thought yue would have been too naive and pampered in the beginning but that’s just me projecting atp.

i think they would have bonded due to yue’s spirituality and her storytelling, possibly filling little gaps in katara’s cultural knowledge like the story of the moon and ocean spirits. i think katara would have appreciated it and in return yue probably relished having a female friend that wasn’t trying to compete with her or kiss up to her for brownie points, which i imagine happens in societies with nobility if jane austen adaptations have taught me anything.

[theskysungqueen]

to make things brief cause I suck at organizing what I have to say, the live action was definitely Something™.

Cast: 10/10 kinda biased personally but yall can't take this from me

Gordon as Aang and Dallas as Zuko were the standouts imo. Gordon needs some direction on line delivery and the angstier scenes but overall he's very charming and I'm so proud of him for getting so much exposure!

Ian as Sokka was great, I just wish he was allowed to be more...messy? like Sokka pretends to be chill and all that but he's actually dramatic so I hope that gets improved in the next season if there is one

speaking of improvement, Kiawentiio as Katara brought out a softer side to the character but sadly diminished her spark and passion. I like that Katara now actually feels like a younger sister, it makes sense within the context of the story that Sokka and Gran Gran would shelter her after what happened, but as someone said, her anger is so central to her character and I just wish that got shown more. It's more of a script and direction problem tbh, if you look at Kia's interviews she has the sass and feistiness Katara needs

Lizzy as Azula is great, the writing is a bit clunky though so she did the best she could with it. Can't really comment on Mai and Ty Lee yet because they're kinda just there but it's a nice setup

Maria as Suki? perfection show stopping never the same she is a queen and I love the tidbit of Suki backstory which she never really had in the og show. I love her being such a loser around her crush we love to see girlfailures girlfailing. I wish the writers didn't make them KISS though 😭 slowburn ftw

the adults were great

Writing: 6.5/10

There were genuinely good moments and I love the concept of mixing up certain plot points to condense the story

But they just suffered from too much Telling instead of Showing WRITERS PLEASE LISTEN TO THE CRITICISM YOU HAVE TIME TO IMPROVE PLEASE

Omashu, mechanist, and Jet plot mixing as a concept was fine, but it dragged on and my friends and I got bored of it. I like it in theory but if it was going to take THAT long couldn't they have just separated one of those storylines for a different episode?

I appreciate that they tried to develop the water siblings' relationship by making them the stars of the Secret Tunnels, but I would've changed the way they "conquered" the problem (really? badgermoles respond to love? cute in theory but like why). If anyone's watched Barbie: A Fairy Secret there's a part where Barbie and her frenemy accuse each other of why their friendship failed, and it helps them make up and breaks the curse put on them. So that's what I would've done, force them in a life or death situation in which they have to say the unsaid things, maybe hug it out and boom

The way they handled Koh and the Spirit World was a Mess™ but the effects were decent

Zhao meeting horrible ends in every incarnation is so deserved

Yue having more agency was a welcome change AND I LOVE THAT SHE WATERBENDS. Then waterbends even when the moon is gone. It's such a nice visual nod to the fact that she has the moon spirit within her

That said, the show could definitely use more visual storytelling, less weird dialogue. Like it's so strangely common for shows or adaptations these days to exposition dump. Like they did not have to make Yue say that the ocean spirit was angry, literally just show me the dead moon fish and I'll get the idea. Then Iroh says "That's Wrath" that's just redundant now isn't it

I like that they saved Katara bringing Aang out of the Avatar State until last even if it could've been done better

HOW DARE THEY MAKE ME LIKE HAHN HE WAS A JERK IN THE SHOW BUT THEY MADE HIM A GENUINELY GOOD CHARACTER. Yes to brown men not being portrayed as jerks but also in the original it was a nice contrast to how far Sokka had come because Hahn reflected who he used to be. But live action Hahn </3

I like that they showed the deaths and blood. I wanted a live action that was both lighthearted but more realistic when it came to the injuries and death, and that'd kind of what I got

Other thoughts + overall

You can tell they put so much heart into this show, watching the bts, the bending boot camp with the correct martial arts, the easter eggs, the nods to the comics, the beautiful adaptations of Cabbage Merchant and Secret Tunnel nomads, there's so much passion behind the show it's a shame it suffered in its writing

which is why if they read reviews and criticism from the bigger name fans (TheAvatarist, HelloFutureMe, etc.) it would really help them improve for future seasons! The cast is stunning already and they have great chemistry (hopefully gets improved too!)

The live action is just a different angle to the show. And I'm saying this as an Avatar fan–the original wasn't perfect, either. I had some problems w it but the overall show was genuinely so good and heartfelt, those problems weren't glaring enough to put me off (unlike The Dragon Prince, sorry). The live action definitely wasn't perfect, but it tried to give us a new look into Avatar. Again, no adaptation will ever be a 1:1 remake and none should be. Where's the fun in that? But while the show is so full of heart and with actual fans working behind the scenes, I doubt if they listen to any criticism that they can't pull this off better next season.

[lily-s-world]

Details I would like to see in the Netflix Live Action that the original ATLA didn’t have and/or explored

1) More of Iroh’s dealing with his actions as a general. One of my favorite scenes in the live action was Iroh being confronted about his actions in Ba Sing Se, and I think that was a great way of showing that beloved characters can also be villains in someone else’s stories. It is obvious that that battle caused a major change in the way Iroh lived, and for the better, but it also caused a lot of pain and tragedy for the people on the other side of the wall. You don’t get that wise without having dealt with the consequences of your actions, so I want to see that.

2) Azula’s redemption. I’m not talking about Zuko redemption arc style, but I do want more for her than just ending as a lost and broken person. Like Zuko, Azula had been manipulated non-stop since she was a child, but unlike Zuko, she chose to stay there instead of looking for a way out. So, I want her to understand what happened to her life, what was the real reason behind her suffering, and I want her to have hope of getting better. The whole “my own mother thought I was a monster” plus the way Ozai played with her this first season, has potential to become a way for her to face and understand her actions. After all, she is just a kid.

3) Focus on platonic relationships. No matter what version of Avatar you see, the trope of found family will always be present, the Gaang is basically the definition of this trope. In NATLA when they changed the storyline of the lover’s cave, and replaced Aang with Sokka, I was left wondering why the change? But when you think about it, Katara and Sokka’s main source of love their entire lives has been their family and their community. They value family above everything else, and that is what saves them. Even in the season finally when Aang is lost with the Ocean Spirit, Katara yells him that he needs to comeback because he is her family. And no, this is not a “he loves him as a brother” type of thing, this is Katara realizing that Aang is his community now, that he has become family and he doesn’t want to lose him, like he lost her parents.

I wouldn’t mind having the focus change to more platonic relationships instead of romantic ones; I’m not saying the romantic ones are bad, it is just that with the age of the characters and the way the story develops, family and friends bonds can be as important as romantic ones. A great example will be that if they include the Guru scene, Aang thinks about his entire family (the Gaang) when he doesn’t want to leave behind his connections – which will match what all the other Avatars repeated to him this season: “you need to leave your friends behind”.

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I’ll probably add more later, but this is my top three for now.

[marymary-diva17]

My little water bender

kataran and reader

The moon and ocean spirits had not only blessed you with a wonderful life in the southern water tribe. They had also given you a wonderful husband and two children as well. It seems like all your wishing to the spirts had finally been answered, and you love the life you have. Your daughter had become the third blessing in your life and blessing you love so dearly.

Y/n " should I make seaweed noddles, smoked arctic hen legs, or salmon jerky ... there many thing I could make"

????? " mom " you had heard your name getting called you soon saw katara running into the room.

y/n " hey sweetie now what you got in rush"

katara " mom I have you show you the cool new trick I have done"

y/n " sure honey show me"

katara " no mom I can't show you in here we have to go outside"

y/n " okay" katara soon grabbed your hands and soon walked you towards some water.

katara " you have to see what I can do mama it will be amazing"

y/n " okay" you had smiled as katara started moving her hands and arms around, as the water started moving. You had looked at her as she was water bending your daughter is a water bender, he had been able to make a small bubble of water.

katara " see mom I can do this I have never seen anyone do this before"

y/n " sweetie you are a water bender"

katara " waterbender"

y/n " yes sweetie water benders are people who can bend water into anyone, our sister nation has many of them you are water bender"

katara " yeah" katara had become very happy as she soon dropped the water, as she ran towards you making you smile.

hakoda " hey" you and katara soon saw hakoda and sokka coming home after a hunting trip.

katara " dad you need to see what I can do" katara had ran to her father with a bright smile on her face, she soon stood near a pile of snow and had waved her hands over it forming a snowball.

Hakoda “ wow sweetie this is amazing”

Sokka “ wait you can do magic now no fair”

katara “ it not magic mom calls it water bending”

????? “ your mother is right” the family of four soon looked and saw kanna standing there, she was smiling as well.

Kanna “ there haven���t been many water benders bender here for many years, you have a special gift my daughter”

katara “ really gran gran”

hakoda “ your gran gran never lies sweetie”

y/n “ hakoda it seems like both of our kids are special Sokka with his boomerang and Katara, with her waterbending”

hakoda “ yes the spirts have blessed us well haven’t they”

y/n “ yes they have”

Katara “ can I work more on my water bending o please pretty please”

hakoda “ yes you can honey but you will have to be careful, you are still very young” katara had nodded her head she was very happy. Over time katara will start mastering more of her water bending, but it felt like she wanted more from her life.

Many years later

Katara “ mom are you sure you want me and Sokka to leave with aang”

y/n “ sweetie you should go help aang master water bending and learn as well”

katara “ you will be all alone here”

y/n “ i will have gran gran and the rest of the trio be here to keep my company, yes your father has left for the war but now it time for you and Sokka to go and explore the world … along woth saving it as well”

katara “ yes mom “

y/n “ I will miss you my little waterbender … you are no longer little but you will still be my water bender”

katara “ i will miss you to mom” but we will come home I promise that”

y/n “ i know now go my dear daughter” Katara had hugged you one last time, before she took off on appa with her brother and aang. You are happy for your daughter and you know she will do well, and one day will be an amazing water bender as well.