#oddity fair

[niqhtlord01]

Humans are weird: Renaissance Faire

Alien: Where are we going and why is there a sack over my head?

Human: I told you. Human: Our time traveling technology is top secret and we just can’t let anyone see it. Alien: I still call Hush-dush on your claim of time traveling- Human: *Removes sack* Human: Welcome, to the 1300’s of human society! Alien: *Sees surroundings and gawks* ---------------------------

Human: Mace or morning star? Alien: BOTH! ------------------------

Alien: Why do your people dress in metal clothing? Human: It’s called armor and meant to protect us. Alien: Protect you from what? Human: *Points* From that. Alien: *Turns to see another armored human approaching someone from behind and then wailing on them with mace* Alien: Does that happen often? Human: Often enough my friend. ----------------------------

*Pair sit down at table* Human: *shouts at bar keep* Two muttons and ales for us. Alien: What the florp is “Mutton”? Human: *Whispers* I have no idea. --------------------------

Alien: I think I see other human time travelers. Human: What? Alien: Yes. Alien: They carried scanning equipment and were talking into communicators. Human: Oh god damnit. Alien: You know them? Human: Yeah; they’re a bunch of nerds following a prime directive to kill fun. ---------------------------

Alien: So the purpose of the sport is to ride atop beasts and try to knock your opponent off with a wooden toothpick? Human: Pretty much. Alien: That must be the stupidest sport I have ever seen. *silence* *Silence* *silence* Human: You want to join in don’t you? Alien: Yes please, very much. --------------------------

Alien: Where are the fire breathing flying lizard creatures? Human: You mean dragons? Alien: Yes, those things. Human: *Thinking fast* Human: We wiped them all out in 1100, so you won’t see any here. Alien: Darn. *Giant mechanical dragon slowly passes by breathing fire* Human: Oh no…. a survivor! -----------------------------

Alien: Who are these brightly dressed creatures? Human: Fairies, faye, goblins, trolls, etc. Alien: Why didn’t I see any of them in the future? Human: Yeah, after the Disney hunts of 83 nearly all mythical creatures were driven to extinction. -----------------------------

Human: Crossbow or regular bow? Alien with four arms: BOTH! -----------------------------

Human: Here, I bought you some clothes to disguise yourself in. Human: *Hands over clothes* Alien: Why are my clothes for a female? Human: Aren’t you one? Alien: No. Alien: Can you not tell? Human: No but that’s a good thing. Human: Most people in this time period can’t either. ------------------------------

Alien: Why do your people of this time speak so poetically? Human: Our language was more wordy back then. Alien: Think you mean more eloquent. Human: Shut up you scrub. -------------------

Human: Sword or dagger? Alien: Bo- Human: You can’t have both! Human: It doesn’t work that way, just pick! Alien: *Pauses* Alien: I pick dog armor. Human: ……….. Human: Why? Alien: It is covered in spikes and more dangerous than half the weapons I have seen today.

[atomic-chronoscaph]

Circus sideshow art

[ecrivainsolitaire]

Open Art Guild – Testing the boundaries of collective IP ownership

Experimental release: Dr. T’chem’s Office (authorised for personal and commercial use)

I’ll try to keep this brief (you can read the full thesis statement here) but as we all know, intellectual property law is broken. It’s being exploited from every side and art workers are more vulnerable than ever to automation, copyright theft and myriad other unforeseeable forms of theft from the proletariat. We as a collective need to come together and work towards the creation of a better future.

The Open Art Guild is my proposal for the first of many steps towards a far away but necessary goal: the eradication of intellectual property as it pertains to the arts. It’s based on the open source standard and the creative commons, and the goal is for us to start creating a future where we stop thinking of artworks as private property to hoard, and start sharing the responsibilities and the benefits of their creation with the collective. And as I am proposing the idea, I should give the first step.

Which is why I am announcing the release of my short story series, Dr. T’chem’s Office, into the Open Art Guild license. This is an episodic HFY comedy series about the office hours of a sleazy yet well intentioned xenoanthropologist in charge of human integration into the crew of a spaceship, who happens to find them fascinating. You can read the first few instalments here:

| Part 1 | Part 2 | Part 3 | Part 4 |

The basics of the license go as follows: I’m giving any artist permission to use the assets of my artwork (in this case, settings, characters, plot lines and other unique concepts) both for personal use and for commercial use, provided they commit to crediting the original artist, giving away 30% of any profit back to the hands of the collective in the breakdown the guidelines specify, and giving the same license to any works they create derivative from this series. Any artist can join the Guild by remixing existing artworks in its database or voluntarily submitting their own works. For the time being this prototype model will have to rely on the honour system, but I have outlined the basic guidelines for a platform dedicated to facilitating the Guild’s business and income redistribution.

The purpose of this experiment is to test whether this system is financially viable, what modifications it needs, and how to enforce it. It’s also a way to study what the community thinks of this model. To summarise the implications, here are the pros and cons as I see them.

Pros:

- All fan art, spin-offs, third-party merchandise and other forms of adaptation become automatically authorised and monetisable, provided both the original artist and the remixer are active members of the Guild.

- All adaptations are automatically non-exclusive and must give away the same rights as the original, diminishing the incentive for massive corporations to try and scam an artist out of their intellectual property.

- It effectively unionises freelance artists of all fields to balance out negotiations with non Guild entities.

- It encourages artists to continue their output in order to reap the benefits of the Guild, by using the redistribution system as an incentive, instead of the current status quo where artists are actively fighting market forces all by themselves in order to make enough time and resources to work on their craft.

- It provides a safety net where everyone is invested in the continuous welfare of everyone else, giving a sense of class solidarity and facilitating donations and shared resources.

- It motivates artists to invest in each other, as the growth of one means the growth of the whole Guild.

- Eventually, if the project succeeds and the proposed platform comes to exist, it would effectively create a universal basic income for all Guild members, as well as a self sustained legal fund to protect their assets from IP theft by non Guild entities.

- It will give you complete control over whether your art can be used for AI dataset training, on an opt-in, post-by-post basis, so you don’t have to wonder who might be stealing it. If the platform is created, all works whose creators have not authorised to be used for this will have data scrambling features to make sure thieves can’t use them.

Cons:

- It will require all Guild members to permanently renounce to 30% of their profit, in order to build up the funds and distribution system.

- It will have to be built entirely on trust of the collective, at least until a platform can be established, which may take weeks or may take decades depending on lots of unpredictable factors.

- Leaving the Guild will require all artworks shared with the collective to become Creative Commons; once you renounce your right to monopoly of your IP, it’s permanent, no way to go back. This is necessary in order to prevent asset flippers and other forms of IP scabs to join the Guild, extract other people’s assets and then scram.

- Due to banking regulations entirely out of our hands, some artists will have participating in the redistribution. If the platform ever becomes a reality, one of its main goals will be to remedy this immediately.

This proposal requires a high cost, but it provides an invaluable reward. If the system works, it will empower all artists to profit from their work and protect it as a collective. If it doesn’t, all that will have happened is that you will have created a lot of Creative Commons art, which financially isn’t ideal, but artistically is extremely commendable. Even in the worst case scenario, corporations will not be able to hold your art hostage with exclusivity deals. To me, the benefits vastly outweigh the costs, but I do want to emphasise: there will be costs. This is an effort to subvert the entire way art has been monetised since the 1700s. It will require a lot of work, a lot of people, and a lot of time, to make it work. But I believe it can work. If you believe it too, you are welcome to join the Open Art Guild.

Please do read the guidelines for the Guild and the guidelines for the platform before you start creating, and give me whatever feedback you have. If it’s good, if it’s lacking, if I’m overstepping legal boundaries, if you can find loopholes, anything. I tried to make it airtight but I’m not a legal expert. This is not my project, it is a project for the proletariat. Everyone should have a say on what they’re signing on for. And regardless of what you think, share it with all artists you can. This will only work if as many people as possible participate.

Doctor T’chem’s Office’s license

This work has been released under the Open Art Guild license, and has been approved for reuse and adaptation under the following conditions:

For personal, educational and archival use, provided any derivative works also fall under a publicly open license, to all Guild members and non members.

For commercial use, provided redistribution guidelines of the Guild be followed, to all active Guild members.

For commercial use to non Guild members, provided any derivative works also fall under a publicly open license, with the explicit approval of the artist and proper redistribution of profit following the guidelines of the Guild.

For non commercial dataset training of open source generative art technologies, provided the explicit consent of the artist, proper credit and redistribution of profit in its entirety to the Guild.

Shall this work be appropriated by non Guild members without proper authorisation, credit and redistribution of profit, the non Guild entity waives their right to intellectual property over any derivative works, copyrights, trademarks or patents of any sort and cedes it to the Creative Commons, under the 4.0 license, irrevocably and unconditionally, in perpetuity, throughout time and space in the known multiverse. The Guild reserves the right to withhold trade relations with any known infractors for the duration its members deem appropriate, including the reversal of any currently standing contracts and agreements.

[circus-macabre]

[spidvrbatz]

Being small is so good! It amplifies so many emotions n makes me soooo happy and excited!! But it also makes bad emotions super duper big. Every baby responds differently when things like anger or being sad and crying get in the way of play-time, but from one kiddo to another, bear is here to tell you that it’s okay. That, even though we’re feeling big emotions, this headspace is meant for us to get them out safely, without harming ourselves or others. It’s okay to cry about what we missed out on, or what we experienced or are experiencing. This is our time to feel emotions that being big would usually stop us from feeling.

[nickdewolfarchive]

Dallas, Texas State Fair, 1977

Princess Uraana and Little Pete (Norbert Pete "Poobah" Terhune) Sideshow performers

Photograph by Nick DeWolf https://www.flickr.com/photos/dboo/4707161962

[rexscanonwife]

You ever dress in a style you don't normally (ie goth, cottagecore, what have you) and wonder how ur f/os would react to seeing you that way?

[nordic-language-love]

it’s so funny when the locals here tell me “ohh the dialect around here is sooo hard to understand” and i’m like look i'm a beginner in japanese and i can sometimes get full sentences from the kids or at least occasional words from adults, this is nothing on norwegian dialects

[ticklishcicada]

Zack becomes aware of the fact that not all shops have feeding tube formula in stock

context is in my zack lives au tag

[pansypr3p]

not Mikey way though he's so gross. he looks like his favorite dessert is ketchup

tbh valid

[weirdwisconsin]

Kick off the spooky season with some witchy shopping and activities at the Bitchcraft Fair in Milwaukee, Oct. 2nd, 2022.

More: Wisconsin Halloween Guide 2022

[becausegoodbye]

I'm obsessed with this piece. As absurd as it feels to say, it really feels like ... they've found the guy? They found out who the Zodiac Killer was. And he's dead, so there's no possibility of justice and it's all a little academic, but still.

To me the most important dimension of this is unmasking that sense of sneering senselessness that Zodiac pioneered: the figure of the terrifying serial killer who kills for no reason and cannot be understood. But behind most masks of 'incomprehensible evil', there's usually just misogyny and power and domestic violence, and Paul Doerr was no different. His daughter's recollections make such perfect, awful, patriarchal sense of the seemingly 'senseless' killings. Furious with his daughter for defying him and running away, he drives out to the local teen drug/sex spots – either to find and punish her, or else to punish the abstract shape of her: to exact revenge on the milieu that he blamed for having corrupted her.

The Zodiac Killer presented himself as a new and unique kind of evil, but he never actually was. He was the same kind of evil it always is. If the sad, odd revelation of his identity – so many years after it would have actually been a big deal – can mean anything, let it at least mean that.

[tiny-feisty-gay]

it’s 5am, i’ve been up for an hour because body decided it’s time for Awake and now i’m just sad about my lack of sleep

[sad rambling in tags, feel free to ignore]

[tinakibed]

romance is dead my boyfriend doesnt want to get his blood drawn so i can get a ring with it inside 😞

[inspectorspacetimerevisited]

Mona Virtue compared the BOOTH to an Austin Princess in ‘Moon of the Oddities’,

while the glitzy ship flown by another man was ‘a glossy, high-performance rocket’. Not a fair comparison!

[agayconcept]

𓍊𓋼𓍊 best purchase i've made in a while 𓍊𓋼𓍊

@curiousodditiesshop