#of course I'm talking about the arc in the manga

[franeridan]

this is probably my humor of a twelve years old speaking but I really don't get why some people hate the foxy pirates arc so much, it's straight up hilarious

[thyandrawrites]

I love that "going crazy" is unironically framed as a necessary step towards character development and empowerment

This series is something else

[skygemspeaks]

okay let's do this again, for the last time this season, and what a way to end it!

i like that nami got to be included in the walk to arlong park, it was really nice!

the banter between zoro and sanji is already quite funny. i like that sanji is just earnestly trying to be part of the crew, but zoro's being a little bit bitchy because he feels like his place as the first mate is being threatened. later on in the episode when sanji starts calling out his move names, and zoro makes fun of him for it...how much do you wanna bet that the reason zoro starts calling out his attack names because his thought process is like "oh no, the shitty cook is also calling out his attack names what if luffy starts liking him better than me because i don't do it?"

as someone with dental trauma, seeing arlong's teeth fall out one by one was horrifying, thank you very much. it was well done

the fights in this arc were well choreographed, and i'm actually really happy that they all finished by around halfway through the episode because then we got a good amount of time to wrap everything up

it was really sweet when nami went running up to tackle usopp and zoro in a hug. i did feel a bit bad for sanji, but ehh it's understandable. she's been sailing with usopp and zoro for a while now! those are her boys!!!! and she didn't think she'd ever be able to sail with them again! she barely even knows sanji at this point

the scene after the tower comes crashing down and the straw hats are all waiting to see if luffy made it is great. nami looks like her whole world is ending again, because first she lost her mother, and now she might have lost her captain. and then everyone's relief when they see luffy come out is palpable! sanji doesn't even try to hide his relief! he's become so emotionally invested in this crew already and he's known them for just a few days

sanji's smugness when zoro comes back for seconds was cute, and i love their banter afterwards!

koby and helmeppo standing up to garp when they disagree with his orders was a good scene, and i liked their conversation about it afterwards at the end of the episode. each marine's personal code of justice is a big theme in the anime, and i like that they establish it here, and that it's what impresses garp enough to make him want to train them personally

we finally got the luffy vs garp confrontation! it was a good way to see just how small luffy is in the grand scheme of things, that he wasn't able to hurt garp at all. when luffy starts laughing and garp drops him and starts laughing as well, it was a good tension break. i really really wish that we got at least one grandpa hug before garp left...i know it never happened in the manga, but i crave that grandfatherly affection for luffy. but i know neither of these two idiots are like that. ace better fucking hug luffy at least once next season i s2g.

when nami is talking to bellemere's grave, and nojiko shows up wearing bellemere's shirt.....🥺🥺🥺🥺🥺

the final conversation with luffy and koby was adorable! i loved the hug! also, i really like that koby was the first one to show luffy his bounty. a great way of coming full circle to the beginning of the season when he's standing next to luffy, looking at the notice board in shells town and luffy asks where his face is

the scenes where people see luffy's bounty!!!! makino grinning in pride!! kaya already looking healthier without kuro's poison! Zeff posting luffy's poster on the employee of the month board!!!!!!!! alvida and buggy meeting!!!! (if they make alvida lose weight or recast her next season i'm gonna kill someone)

helmeppo finally admitted that koby was his friend!!!! their little fistbump!! i've really come to like koby over the course of this season, and it's been great seeing his character arc

the mihawk and shanks conversation was great! shanks making jokes about his missing arm was hilarious, i love how irreverent he is

the redhair pirates are all SO proud when they see luffy's poster!!! and shanks' big, goofy, proud grin when as he stares at the poster just made my heart melt.

merry finally gets to fly the straw hat jolly roger again, i'm so happy for her!! luffy's absolute uncontainable joy at the sight of it, like he can't believe his eyes, was absolutely perfect!

the cast-off ceremony was fantastic! i really like the effect they did where their younger selves spoke in the voices of their older selves.

i could be wrong, but i think i heard we are in that last scene as they sailed off? which, amazing!

FUCK YEAH THAT LAST SHOT OF SMOKER!!! i can't wait to see more of him next season!!!

[pikahlua]

"A deuteragonist has a very different role in the MHA and that is a whole other post ."Can you please write this article? I am tired of Bakugo being constantly downplayed. There are very few people who understand his character and role in the story as well as you do.

Haha I mean hehe it's just hoho I never said fufu that Katsuki is the deuteragonist guffaw shucks haha I mean come on snort why are you putting words in my-

Katsuki Bakugou is the deuteragonist.

Katsuki Bakugou is the deuteragonist

Katsuki Bakugou is the deuteragonist

"Of course you would say that. You're a Katsuki Bakugou stan! You are invested in inflating his importance in the story because you love him." - some people, probably

No. If that were true, I would be arguing Katsuki Bakugou is the protagonist. But I'm not.

Because Katsuki Bakugou is the deuteragonist.

It's not that I love him and therefore assert that he's the deuteragonist. I love him because he's the deuteragonist (plus many other reasons). He is an archetypal familiar shounen hero made interesting in part by the fact that he is NOT the protagonist and deliberately written in the deuteragonist role/function, and I will go into visceral detail about this momentarily.

I promise you I don't go around in other fandoms arguing my favorite non-main character is the deuteragonist. I fully embrace whatever role it is they play in the story. YOU WILL SEE THE EVIDENCE OF THIS VERY SOON, FOR EVERY CHARACTER IN MHA.

What is a deuteragonist?

A deuteragonist is a story archetype. They are the second-most important character in a story (which is a vague as hell definition). They are often known as the "secondary main character."

That's it. Everything else one might say about a deuteragonist is just a sub-archetype.

A deuteragonist can be a sidekick, a love interest, a rival, an antagonist, or even a neutral party. They are often, not always, written as foil characters to the protagonist. They often, not always, provide a different and yet similar outlook to the protagonist's. Their utility in a story can be quite varied. Sometimes they support the protagonist, and sometimes they oppose the protagonist. Often, they are used to help the protagonist complete their character arc.

Sometimes, there can be more than one deuteragonist.

What the hell is a deuteragonist?

The problem is, the function of a deuteragonist can change just depending on the type of story we're talking about. A deuteragonist in an ancient Greek tragedy (theatre), where the term originally came from, won't necessarily function the same way as a deuteragonist in a 2-hour contemporary movie. Things get even more complicated when we're talking about a TV series, a book series, or a comic book series in which the cast becomes so large we're likely to see MULTIPLE deuteragonists.

My Hero Academia, like many long-running shounen manga, has an ensemble cast. Would you be surprised if I told you My Hero Academia not only has multiple deuteragonists, not only has multiple antagonists, but also has multiple protagonists? Because it does!

Sometimes people wanna divide MHA into three or four acts and make the claim that the deuteragonist changes from act to act. I say they aren't going far enough. MHA is divided into arcs, and each arc has its own protagonist and antagonist and sometimes even deuteragonist. This is a STAPLE of ensemble cast shounen manga, where often there will be so many characters they get grouped off into trios (or more) and one among them will be the group's designated protagonist.

Sure, in most MHA arcs, Izuku is the protagonist. But he's not always. Who is the protagonist of the Pro Hero (Endeavor vs Hood) arc? Who is the deuteragonist? It's not Izuku and Katsuki; it's Endeavor and Hawks! What about the protagonist in the My Villain Academia arc? Tomura. The Hero License Supplementary Course arc? Katsuki and Shouto (who can't seem to decide if they're co-protagonists or protagonist and deuteragonist and who is which). The Overhaul arc? Izuku is the protagonist and Mirio is the deuteragonist. Some arcs really play with these roles or make it unclear who is playing which role or if the role even exists.

What is a deuteragonist in My Hero Academia?

So if we have a bunch of protagonists, does that mean the most important one is the series' overarching protagonist and the one second in importance is the deuteragonist? It COULD be, but it's not necessarily true.

There aren't that many arcs where Izuku is not the protagonist. If we look at the number of arcs where someone else is the protagonist, following the above logic, we could end up with All Might or Endeavor as the deuteragonist. Maybe some people would earnestly make the argument Endeavor is the deuteragonist--I don't know, I haven't met those people I guess. The problem with this approach in my eyes is that it entirely discounts the deuteragonists of each arc. Would it not follow that the overarching deuteragonist is the character who has played the deuteragonist in the largest number of arcs? What if that character is different from the character who has played protagonist the second-most number of times? And this is to say nothing about if the protagonist or deuteragonist are the same as the antagonist in a given arc! It's difficult to weight any one character in this fashion particularly when you have an ensemble cast.

This is getting into the question of focus and screentime. How much should we weight this metric? Admittedly this one can also be complicated, especially when it comes to long stories with ensemble casts. The question is how much does screentime actually convey how much a character is the focus of a story, and does that necessarily translate to protagonist and deuteragonist? Because for many the question is: could the deuteragonist be an antagonist in MHA?

It just gets a little harder to argue someone besides Katuski Bakugou is the main deuteragonist the more Katsuki's screentime allocation looks something like this:

Okay, perhaps that exact size of gap is hyperbole. But there is a clear, measurable gap between Katsuki Bakugou and everyone else and I don't think anyone has ever disputed that. Please check out this post by @dekusheroacademia that has compiled some of these statistics (they also make some excellent points about evaluating the elements of a deuteragonist and how various characters fit or don't fit those characteristics).

Still, this is merely supporting evidence, not conclusive. I am well aware of the concept of a false protagonist, where someone appears to be the protagonist until later someone else is revealed to be the story's true protagonist. And while I've never seen a false deuteragonist where someone SEEMS to be the deuteragonist and is later revealed in a twist not to be (as opposed to the deuteragonist just merely changing NOT as a deliberate twist where expectations were set to be otherwise), that doesn't mean it can't happen.

Tangentially related, we could also potentially look at marketing as another piece of supporting evidence. It's not conclusive that just because Katsuki Bakugou is one of the most merchandised characters in the franchise that he is more important to the story than those who aren't, but it's still notable supporting evidence. After all, based on Horikoshi's marketing of his own story i.e. who he draws in which orientations on chapter and tankoban covers, or how he lists characters on character intro pages, we could easily come to the conclusion as casual readers that Izuku is the protagonist. There are many cases where one could conclude Katsuki is the deuteragonist based on such presentations alone. But again, I concede this is not conclusive.

So, if we set aside individual story arc roles, screentime, and marketing, what does that leave us with?

What is THE deuteragonist in My Hero Academia?

Even if we can determine Izuku Midoriya is THE protagonist of MHA based on things like the number of times he's protagonist in story arcs, his screentime, and marketing, I'll set those aside for the deuteragonist and see if there's something else that can help us here.

What element are we missing? The overall story.

Sure, we can break down the story into arcs and assign deuteragonists that way, but that's not getting us to THE deuteragonist. So let's start with the protagonist. How do we know Izuku Midoriya is the protagonist of MHA without considering the previous metrics? The way the story focuses on him. It is easy enough for anyone to recognize the characteristics of a protagonist in him from a functional perspective. He is a POV character. We hear his thoughts. He narrates the story. We see the story over the timeline of his character growth. His character arc coincides with the overall story themes.

I've talked many times about how My Hero Academia at its core is a story that explores the question: what is a hero? MANY characters explore this question, but the character who compiles these answers together and rounds them all out and grows and has his perspective change and exemplifies the moral is: Izuku Midoriya.

So let's go back to the functional elements of a deuteragonist. Remember those sub-archetypes? Well, in a shorter story with no ensemble cast, what do a sidekick, a love interest, a rival, an antagonist, and even a neutral party all have in common? They are defined by their relationship to the protagonist.

You see, in a story where all the characters interact with each other and converge on the major theme of the story, ALL characters are defined by their relationship to the protagonist. But in particular, the function of a deuteragonist is to supplement the story with what the protagonist needs FUNCTIONALLY. When is a sidekick the deuteragonist of a story? When the story focuses on the adventures of the protagonist and their sidekick. When is a love interest the deuteragonist of the story? When the story focuses on the developing relationship between the protagonist and the love interest (i.e. the romance genre). CAN a story with a love interest deuteragonist focus on their adventures and individual character development too? Yes, but sometimes the result is that the love interest is ALSO the sidekick...or the rival. When is the rival the deuteragonist? When the story focuses on the clash and growth between the rivals. When is the antagonist the deuteragonist? When the story focuses on the battle between them. NOTE that when I write this, I don't mean it focuses on the protagonist's adventure that culminates in them meeting the antagonist at the end for a battle. I am talking about when the BATTLE ITSELF is the main focus of the story. See stories like Silence of the Lambs or Death Note for a clearer example of what I mean, where the focus of each is on the psychological games the protagonist and antagonist play with each other. The point is, the story on a structural level, on a meta level, has to focus on these sorts of interactions to determine its deuteragonist.

Obviously this gets more complicated with a large story and an ensemble cast because you could have bits of the story where the structure changes and seems to focus on new things. That's why I pointed out that the more immediate protagonist and deuteragonist and antagonist often change in MHA depending on the story arc.

When I try to determine who is THE deuteragonist of the entire story, I have to look at the entire story. I have to ask myself what the story is about. So what is the story about? What is MHA about?

If you said MHA is about Izuku falling in love with Ochako, I'm sorry but you're wrong.

If you said MHA is about Izuku taking on All Might's mantle, I'm sorry but you're wrong.

If you said MHA is about Izuku defeating/saving Tomura, I'm sorry but you're wrong.

If you said MHA is about Izuku rekindling his friendship with Katsuki, I'm sorry but you're wrong.

MHA is about Izuku Midoriya (and most everyone else) learning what it means to be a hero.

It's in the fucking title. MY HERO ACADEMIA. The story is about Izuku's education (as it takes many forms) to learn what it means to be a hero.

So who is the deuteragonist in the story about Izuku Midoriya learning what it means to be a hero? The character who is second-most important in how Izuku Midoriya learns what it means to be a hero.

A lot of characters do teach Izuku Midoriya what it means to be a hero or at least some piece. But who is MOST IMPORTANT?

See, My Hero Academia is LONG. If we just focus on the parts of the story in which Izuku tries to learn from All Might or take on his mantle, we lose ARCS of the story. The same is true if we focus on his love life, or his rivalry with Katsuki, OR EVEN HIS BATTLE WITH TOMURA AND ALL FOR ONE. In the case of the latter, we're basically excluding HALF the story: the school arcs!

MHA is structured such that it alternates between what we colloquially refer to as "school arcs" and "villain arcs." And while exploring the question of "what is a villain?" is an important subset of the main theme, it is not the entire story. You can't just label all the school arcs as "filler" (because they're not) and chuck them out. Each story arc contributes to the lessons Izuku learns and the theme of the main story.

I can think of something every character teaches Izuku with respect to this theme. I can think of a lesson Izuku has taken away from every encounter and every story arc. But who ELSE is present in nearly every story arc? Who represents the foil to Izuku who allows us, the audience, to learn alongside them what it means to be a hero? Who learns the bits Izuku does not need to learn because he already exemplifies those answers in spades? Who represents the other half of the hero equation that Izuku is missing? Who has his own blanks filled in by Izuku himself? Who has played all the sub-archetypes of a deuteragonist for Izuku Midoriya, including antagonist, rival, sidekick, and even arguably love interest (replace with platonic interest for the rekindling friendship angle if you want so we don't have to go into that whole thing here please, I'm talking about the generic structural elements within a story more than anything)?

Izuku Midoriya cannot possibly have learned the fundamental lessons of what it means to be a hero without Katsuki Bakugou's character arc to supplement him. Katsuki Bakugou is an irremovable, integral player in demonstrating the theme of collectivism that informs the main story, not just for Izuku to learn it but for THE AUDIENCE to see it too. He is one half of "win to save, save to win." He is the standard shounen manga archetype who has to learn the value of teamwork/collectivism so that he can teach it to Izuku Midoriya and save him from himself. The story is structured in such a way that it resembles LESSONS for the characters to learn, and Katsuki's "education" in this respect is VITAL to the story, second in importance only to Izuku Midoriya's.

P.S. Is it actually taking away from Katsuki to call someone else THE deuteragonist?

Yes. I know some people don't want to have to say it that way, but it is. Based on a number of metrics, Katsuki Bakugou is most widely recognized as the deuteragonist. If there's a default answer to the question of who is the deuteragonist but you think the deuteragonist is someone else, then in order to be persuasive you must not only argue why you think your chosen character is the deuteragonist but why Katsuki Bakugou is NOT the deuteragonist. If you want to argue someone else is the deuteragonist, you are taking on that onus, that burden of proof. You have to disprove Katsuki Bakugou is the deuteragonist.

Are there other characters who fit the deuteragonist function at times? Yes! There are multiple deuteragonists! But if in spite of the multiple protagonists we're still able to call Izuku Midoriya THE protagonist of My Hero Academia, then we are absolutely able to call Katsuki Bakugou THE deuteragonist as well.

tl;dr MHA is about learning what it means to be a hero and Katsuki Bakugou's story is second-most important to that theme, which makes him the deuteragonist

[symbologic]

Soul-Bound in Wano: The Spooky Simpatico of Luffy and Zoro

Just finished Wano, and wow. I'm surprised there isn't more talk about the crazy parallels between Luffy and Zoro throughout the arc, but especially the raid. It's like Oda was trolling us with how perfectly they mirror each other in places.

Of course, there's the whole shared "wandering samurai" theme in Acts I and II, and then there's the heartwarming scene with them both freaking out over spilled soup. (Side note: I wouldn't be shocked if Zoro's anime-only sake scene was stuff Oda had to cut from the manga – it totally fits Oda's style with Zoro.)

But that's just the tip of the iceberg. We've got a ton of other stuff too:

Zoro uses Conqueror's Haki to injure Kaido because they're all desperate? Boom, Luffy digs deep and starts doing it too.

Zoro gets bandaged up like a mummy? Well, guess who can't move because he fell in the ocean?

Both of them get their own team of doctors? How lucky!

Zoro gets revived with an injection? Here comes Luffy, fueled by some meat!

Zoro declares he'll become a GOD if that's what it takes? 🤔 Makes you wonder what that means for Luffy...

Death himself shows up for Zoro? Not good! Now Luffy's literally in cardiac arrest! Speaking of, Zoro's looking rough. Those sunken eyes, man...

Thank god they're both too stubborn to die. And guess what? They get put right next to each other, while people pray for them to wake up

And wouldn't you know it, they wake up at the EXACT SAME TIME

This can't just be a coincidence, right? It feels like they're on some spooky, soul-bound level where Zoro's fate weirdly determines Luffy's. Which actually slots so, so neatly into Wano and its recurring themes of fate! Hell, Oda himself even said in an SBS (the one about Zoro's family tree) that Zoro's story is that of a strange, twisted fate he's completely clueless about.

Honestly, I love that for them.

Zoro might not get a whole arc dedicated to his backstory like Nami, Robin, or Sanji. But the choices he makes carry a surprising amount of weight in the grand scheme of things.

[candyskiez]

Thinking about ???%/Shigeo as a character today and losing my mind. Like he's so funny to joke about but also he's SUCH an interesting character (especially from a plural angle, ESPECIALLY when you're a system yourself) and he makes me want to explode. Imagine forming to protect a little kid and deciding you love him so so much and you'll always be there for him, and you love his little brother, and you love his best friend, even though the world doesn't love you very much. But you take it anyway because you have those three and your little family so you're happy. And you have powers and they're a part of you and the other kid and it's fine until it very suddenly Isn't, and nobody's explaining why, just that you need to Stop Having Them. And the kid just decides, okay, I'm sorry, I'll be normal. And you get no explanation. You just have to be suppressed that little bit more. You form because he can't handle being suppressed yet he suppresses you. And then one day it all blows up and you make a mistake trying to protect your little brother and suddenly everyone hates you. Everyone thinks every little thing you've ever done is proof you're a monster and you always would've turned out like this, and you have no idea what they're talking about. You made a mistake trying to save your brother. But because you look scary and act different, even though you've always been there suddenly you existing is dangerous. Because you made a mistake, you are now Irredeemable.

That would fuck ANY kid up. But like, think about it. Shigeo had no one except Tsumobi and Mob and Mob's family. And suddenly he has no one. Mob represses him so deeply. He makes one mistake and suddenly he's not allowed to talk to anyone, suddenly he's completely alone and isolated. He has to share a brain with someone who despises him. He has the trauma of the accident AND the trauma of suddenly losing everyone he loves on top of it. He literally had no one for years. No wonder he's so fucking cynical. All of the shit about "I don't trust anyone" in the manga? Yeah, of course he doesn't. The rug was pulled out from under him so fast. In his eyes everyone just hated him for no reason, because he existed, and everyone would hurt him for existing, so he could only trust himself. Yeah, no wonder he's so selfish, he has no one else there at ALL. It's just...holyyyy hell.

And the thing is if you actually look the little things point to him yearning for connection so desperately. He's still so aggressively protective of his family (even though he lost them a long time ago, they're Mob's now, they don't even know he's there. Don't get me started on that from a plural view. I won't shut up and will probably pour my heart out.), and just ...world domination arc. When he's so upset about losing his family. We know he doesn't trust Reigen. Yet he's running to Reigen for some sort of comfort because he's scared and doesn't want his family to die and wants someone to tell him everything's fine. And Reigen DOES and he believes him. He believes him and immediately passes out. The guy who doesn't trust anyone wants to be loved so so bad and wants to believe Reigen more than anything. He really clearly WANTS to be able to trust Reigen. But he can't. More on this later.

And also thinking about why the build up in confession arc broke him like that is just fucking sad, man. Everyone was telling them to change. Shigeo's been told to change and it meant "be normal". Mob isn't even the one who actually likes Tsumobi like that. Shigeo's being completely repressed and Mob wants to live without him completely. Everyone wants to live without him now that they've used his powers to get this nice perfect life (in his eyes, at least.) Everyone's just trying to forget he ever existed so they can be happy without him, when Shigeo never GOT to heal. He never got to move on. He never got to process any of the god awful shit that happened to him. Everyone's telling him, change. Be normal. Be normal so Tsumobi will like you. And Shigeo's so fucking stressed out of his mind because lying about who he is didn't even help Mob make friends, it didn't make him popular, it didn't make anyone like him, it just made them both miserable. He doesn't want to be stuck like this. Of course he's freaking out. We see in his encounter with the body improvement club that being told to go back to normal sets him off HARD. It's clearly a sensitive subject. "Normal" means "Don't exist" to Shigeo. Do you see why this fucked me up as a system yet. Oh my god.

And his breakdown is just...painfully understandable. Like, actually think about it for a second. Shigeo has never been shown forgiveness or compassion or any amount of understanding for his mistakes. He never was taught to mature or see any nuance. He fucked up, so he doesn't deserve any second chance. Nobody ever taught him compassion. He has such a completely black and white view of the world. If someone did something bad once, they are forever The Bad Thing. If someone was kind to him once, they are forever Good and Perfect. Teru was a threat once, so he is now Always A Threat. Reigen was a liar before so he is Always A Liar. Ritsu was sweet and kind as a kid so he is always His Innocent Little Brother. And Tsumobi accepted him as a kid, so now she's the only person who could ever possibly accept him. Teru sees Shigeo at his most terrifying, when he's actively hunting him down, and in the manga looks at him with fucking hearts in his eyes. Ritsu might not be all perfect, but he's trying so hard and understanding no, Shigeo isn't just a scary part of Mob. Shigeo isn't Evil. But because neither of their acceptance is perfect, and because they aren't from Tsumobi, he can't see it's even there. And also, another thing, his response to people acting outside of his perception of him is to get them away. It scares him. Teru isn't acting how he expected? Attack maim. Ritsu isn't afraid of him anymore? Teleport him away so he doesn't have to confront the change. Reigen acts different? Throw shit at him until he hates him.

It's just so...fuck man. Of course he's like that. He's immature and selfish because nobody taught him not to be. Nobody helped this kid when he needed it and this is the result. He thinks he's an irredeemable monster so he acts like one when he's told to just be himself. He doesn't see change as being realistic. He's been treated the same no matter what he does so he assumes this is how the world naturally is. He's just a bitter mentally ill kid who nobody gave any reason to believe that maybe the world is nice sometimes.

Another thing: I think he really really wants Reigen to care about him. Him going "I can't listen to him" is so intense with the context of the fact he immediately passes out to rest and let Mob take care of it once Reigen says his parents are safe. Reigen can convince him like nobody else can. He cares about him and wants to believe him and that's terrifying! He hates him and resents him and wants him to be proud of him and wants nothing to do with him and it's confusing and he just wants something that is (supposedly) guaranteed. He wants Reigen to care so badly and it feels impossible. Why would he ever care? He just wants to use him. The only way to bring Shigeo back from his breakdown was to show him that people can be kind without wanting something back in return. Reigen saying "you don't need me anymore" was the only real way to help him, to show him that he's not doing this for himself, but because he cares about his student(s). Because he cares about BOTH of them. He cares about every version he's seen and interacted with, not because of his powers but because they were them. He had to let go of them to truly help them here, so Shigeo wouldn't have any lingering fear. What helps Shigeo is the display of kindness with nothing to be gained and Mob finally realizing that Shigeo's just...flawed. They both realize that sometimes people are just flawed and fucked up and make bad decisions and just straight up hurt people. And they'll still love you. They'll still be worth saving. But you can't deny their flaws, for Mob, and you don't need to seek the perfect relationship to have someone there, for Shigeo. It just. Agh! God! I am always losing my mind over this story. Fuck. This SHOW .

[kimbap-r0ll]

Adult trio (seperately )and their reaction to female reader accepting their love confession ?

Fluff

Thank you for the ask! This one's gonna be a bit interesting, considering how these characters are not the type to confess their love in my opinion. It's not that fluffy, but I hope you enjoy!

Adult Trio react to their fem!s/o accepting their love confession

Hisoka

His version of a love confession is likely a death match, so I wouldn't really say that accepting it would be the best option?

This is unless he just wants to spend time with you as a more common form of a relationship. In that case, he may be a bit more solemn about the whole thing and say something along the lines of "I think I'm in love, whatever that is."

If you accept to his death match, expect it to happen either a) right away or b) as soon as possible. But, if you accept his more chill love confession, you might see him smile a bit to himself before muttering a quick "how delightful."

It's shockingly calm if it's normal. He's sort of like how he was when he was talking to Illumi on the blimp in the 13th Chairman Election Arc. It's probably the softest you'll see him

Illumi

He doesn't confess, honestly if he were to say he loves you he expects you to say you do as well

But, if you two weren't arranged by his parents and somehow got close to each other, he might just be upfront and tell you that you shouldn't exist because it's making him not be the perfect assassin. You're making his heart skip, making him less focused, etc.

If you accept his love confession and tell him that it's okay to feel that way, it might take him a while to get used to it. Know that it does feel nice to have someone love him though

But if you two were arranged, I'm not sure how he would feel. He would say "Of course you accepted, there wouldn't be any other possibility." It's a bit mechanic

Chrollo

Probably the only one who can make a genuine love confession without it endangering your life. HOWEVER! He could pretend to give you a genuine confession just to get something from you.

In that case, if you accept, he'll be polite and kiss you lightly on the cheek, thanking you for accepting his feelings. Not sure what would happen afterwards. If it works better to kill you off, then he may do so.

If Chrollo gives you a genuine love confession though, it's a lot more somber. He might almost tear up with how he acts, but you can tell it's genuine with how much of his usual calm demeanor sort of...disappears. He'll tell you he feels as though he can't live without you, etc.

If you accept his confession here, he will try to compose himself, but his younger, more bright self might show a bit and you may get a surprise hug from the boss (manga readers you know what I mean haha)

[demonslayedher]

Did my rewatch with a friend, some observations either from me or both of us:

--Gotouge was deep in the "bean" period at this point in the manga, drawing especially Tanjiro's face in lumpy simple shapes on a regular basis. We suspect that in this season so far, Tanjiro's face has spent most of its screen time in silly mode as opposed to normal mode.

--Before we watched, I had her guess what she thought the vibe might be for the ending theme. "I don't know, foreshadowing all their deaths or something?" GIRL, HOW DARE YOU GUESS THAT RIGHT. Also, I'm so glad the full version of "Tokoshie" is already out because it's going to be super difficult but I can't wait to give it a shot at karaoke.

--We chatted afterward about Ufotable's choices. I feel like they've upped their show-offy game in this season (thicker lines, extended scenes, varied BGM and careful sound design, slow and deliberate filler, and lighting, lighting, lighting, lighting!), which might be somewhat to compensate for the slower story pace. It's simply reality that a lot of the hype for KnY has slowed (the Mugen Ressha era levels were unsustainable, of course, that was a phenomenon), and I know many people have gotten tired of it. But frankly, those people are not Ufotable's audience now; we the captives who love spending time with these characters are the target audience, and when things pick up again, those who took a break will come back and binge these seasons. I'm sad to see some hype die away, but I have no worries about the hype train totally dying down.

--And the love and care thrown into this production shows that they have every intention of giving the final arcs the care they'll require <3

--but also AOI!!! I loved the subtle restraint of that filler. It wasn't overdone, and it's so rare to see Tanjiro and Aoi have a moment together, and to see both how Aoi has relaxed in his presence and how she remains formal. That irony and layered way of Tanjiro having no idea how he's helped her, and Aoi talking about herself in wanting to be left alone, but still finding a way to show that she cares about this person Tanjiro is talking about even though she has no idea who it is? Wonderfuuuullllll

--How softly Shinobu speaks to Kanao!!!!! The way Shinobu sits in shadow but Kanao is within reach of the sunlight!!!! (They put Kanao's hair on the same side as usual instead of matching the way the manga did this scene!)

--The glimpse in Tamayo's memories of Yoriichi encountering Muzan, the sound of his earrings tied with the sound of Tanjiro's earrings!!

--The same sort of layering in the ending theme!!

--YUSHIRO SCREAMING DESCENT

--Giyuu's face being cut out of view when he says he's not the Water Pillar

--EVERY BIT OF GIYUU AND TANJIRO INTERACTION, I'm sure Hanae Natsuki had so much fun being thoroughly obnoxious

--EVERY BIT OF GIYUU AND SABITO INTERACTION

--There is no mistaking Murata and I love that

--LITTLE GIYUU'S EEEEEEYYYYYYYYEEEEESSSS

--The height difference between Tanjiro and Giyuu in the Taisho Secrets

--Tanjiro was the one being overbearing and clingy in the episode and now in the Taisho Secrets we've got Giyuu thoroughly in "Kamado Tanjiro is my friend" mode, like "...Come eat more soba with me. Oh. Then. Come eat shake daikon with me. Are you coming? You're coming! Are you done yet? I'm staring at you from the side of the screen. I'm waiting. Come on. Hang out with me."

--I was gonna say the Taisho Secrets were obvious this time, but my friend (who has read the manga and just watched this episode with me) said, "oh, I didn't know that side was from his sister!" So... alright, good call, then, Ufotable.

--Ok but as Tanjiro is first showering Giyuu with kindness (and indeed, sitting so much in Giyuu's personal space), I was thinking about Giyuu's smile in the Taisho Secrets (shake daikon, yay~), and my friend said, "You know what this is making me think of? That panel at the end of the manga when..." --when he's smiling, I thought-- "...he thinks Tanjiro is dead." NO STOP WHY DID YOU DO THAT ME

--Love that little addition of Tanjiro cheerfully pointing out how quiet it's been, and "no! No demons here!" TANJIRO, YOU SHOULD BE VERY, VERY WORRIED ABOUT WHAT THIS MEANS

--"Now want about Tomioka-san" "What's Kocho doing?" UFOTABLE STOP THE DOOMED GIYUSHINO HURTS

--WHAT A CLIP TO END ON AND PLUNGE US INTO THAT ENDING THEME

--rude

[tolkienbrained]

when i first heard about yoshiden i was like ok cool ship but it doesn't make much sense but THEN i started thinking about it and found and absolute goldmine.

first off, we all know or at least can tell that one of the main overarching themes in chainsaw man is the subversion of common shonen tropes (which fujimoto does wonderfully, mind you) such as "the perverted main character". denji is a subversion of this trope for many reasons which should be discussed in a different post but how wonderful would it be for the sex-crazed women-obsessed character to realize that, oh, maybe women aren't the only option and end up with a guy? i say bisexual denji rights. although to be fair it's true that so far there hasn't been any indication for this in the manga, i don't think denji is at the point where he has realized exactly WHY he's so obsessed with women (cough mommy issues and touch-deprivation).

linking that last point a bit with the Yoshiden Thesis™ we have the fact that a lot of his affection for makima in the first part was most likely linked to this deprivation of love as he grew up and possibly to his lack of a mother figure while he was growing up. and of course makima herself instigated this affection and knowingly manipulated denji. most women denji has known until now have used him, and hurt him in different ways (or just have been older women that shouldn't be messing with a sixteen-year-old anyway). in fact, the ONLY genuinely positive relationship with a woman denji has in part 1 is with power, and it's completely platonic. and it's not only women who have hurt denji, most people in part 1 (with some notable exceptions (aki and power my beloveds)) were not interested in denji, didn't want denji, just cared about chainsaw man and the chainsaw devil. yoshida is someone tasked with protecting DENJI and making sure DENJI gets to live a peaceful, happy life. he has shown a willingness to put up with denji's ridiculousness and has even seemed amused by it. it's too early in part 2 to honestly tell, but we could even say he cares about denji (or possibly will soon since fujimoto needs more characters to break denji's heart even more, fucker).

once again coming back to the "women-obsessed, sex-crazed" part, denji being deprived of affection made him grow up thinking that was the only way to show affection and love, possibly because of how media and society, in general, are very sexualised. a lot of his arc in part 1 was him realizing this isn't true, as shown in his relationship with power and aki. it would be a nice finishing touch to that arc for him to realize that not only are platonic affective relationships possible and just as important/fulfilling as romantic ones, but how romantic relationships also aren't just limited to women and sex by falling in love with yoshida.

of course all of this is talking from a fandom/fanfic standpoint. these are just the reasons why i personally love the ship and consume content on it, and i'm in no way saying "this is definitely going to be canon!!" lol. i went a bit off the rails here but i'm just obsessed with yoshiden rn.

TL;DR yoshiden FUCKS and would go greatly along denji's arc and the themes in chainsaw man.

EDIT: oh my god i just reread this and i mean fucks as in it's very cool not as in they're fucking each other i'm crying LMAO

EDIT2: seeing the recent chapters all of this is most likely going down the drain but i'm still shipping yoshiden idc

[general-cyno]

y'know, one zolu moment I don't talk about nearly as much as I should but that I love and find super interesting is the bar fight on jaya. and though I know there's mixed opinions on the latter, I also like the contrast between jaya AND whiskey peak.

when it comes to whiskey peak... I'm somewhere in the middle. as a concept I find it interesting too, since it involves zoro doing things on his own for the sake of the crew for the first time (iirc) and luffy being faced with the possibility of zoro not acting as honorably as he believes or trusts zoro to be at that point. thing is, luffy is someone who places great value in the kindness he receives and returns it tenfold. it's something we see throughout the story and in jaya as well actually, with cricket and his crew! this is also what's attracted him to most of the straw hats (if not every) and his allies also. so in theory, I don't think luffy reacting negatively to zoro attacking the ppl who'd been kind to him and the crew for seemingly no reason is entirely out of character, especially after waking up so disorientedly, and at least not that early on in the manga. he emphasizes it too, when he shows up to fight zoro,

the problem for me lies more on the actual execution of it rather than the idea as a whole. kinda goofy for luffy and zoro to drop lines like "now we'll find out who's superior" during it as if they'd had some sort of fighting style rivalry beforehand and it's kinda removed from the og point of the fight but they're dumb kids and the story can take some goofy turns at times so. shrugs.

I can't tell if whiskey peak was originally meant to have an impact or effect on their relationship afterwards (some opinions I've read insist oda was forced to include it) but if anything, it ended up demonstrating zoro and luffy are better off fighting together than against each other, even as they're going on about killing and beating the other up over a misunderstanding. it reminds me of one comment I read on a r/ddit post a while ago (about another topic though) that pointed out how in terms of fighting styles, zoro and luffy kind of complement and make up for each other's weaknesses, which is such a nice detail and layer to their relationship imo.

and assuming there was a genuine point to it all (it's more fun that way heh), I'd say that it really highlights the importance of moments like those in jaya and luffy choosing to trust zoro not to fight back against bellamy's crew.

as luffy has learned this far, zoro would never hurt anyone for no reason and if there's a "reason" it's usually, if not always, rooted in his wish and duty to keep everyone safe (in whiskey peak, the townsfolk were actually baroque works agents, bounty hunters, who had a tendency to trick pirates like them at the start of the grand line). plus, zoro may enjoy battle but he doesn't fight for revenge or feelings/motives of the sort, as he admits later in skypiea. he does, however, react when the people he cares about are in danger (*waves hand and points at anything involving luffy*), hurt (chopper in skypiea as an example, but there's plenty more) or he witnesses great injustice (like yasuie's execution in wano). he's also not the type to enjoy beating up someone weaker, much less for shits and giggles. he will even save enemies if luffy asks him to, as long as it doesn't pose a bigger or immediate (real) threat to the crew.

compare zoro saving smoker in alabasta vs him refusing to accept x drake as an ally at first due to his known status as a traitor in the wano arc, for example.

and of course jaya isn't an exception. when bellamy attacks luffy, zoro responds as usual:

luffy himself stands up ready to fight too, at first. but as nami brings up the sky island and everyone mocks them for it, then bellamy specifically takes it upon himself to ridicule them - insisting on how foolish it is for ppl to "waste time" chasing their dreams, especially pirates, luffy decides not to fight back and tells zoro to do the same.

this is one of those instances in which the "lu" of zolu really shines through, if you ask me. zoro's got a handful of grand gestures toward luffy on his belt, but this is one in which luffy does the heavy lifting for me. this is acknowledgedment and an insane amount of trust, a moment in which luffy's relying on zoro to understand his motives and to push back his usual protectiveness when faced with an enemy displaying a lot of hostility. and zoro gets it, stays true to the trust luffy's placing on him. he doesn't fight back, not even as nami watches and wonders why.

I sound like a broken record at this point, but OP's brought up in several and different circumstances the fact that luffy and zoro are actually pretty similar. they tend to behave the same way or echo each other's words even when they're apart, share similar views on death, on growing stronger for the sake of the ppl they care about, and more so when it comes to chasing and fighting for their dreams.

in the aftermath of the bar encounter, blackbeard tells nami that luffy and zoro actually won that fight. this includes a curious panel in which luffy reminisces both shanks and ace.

it makes sense why luffy shared this particular moment with zoro, when you think about it. those two are dreamers through and through, and if there's characters who can understand the importance of not only chasing those dreams but also keeping a promise, it's them - whose dreams they initially shared with ppl they cherished as kids and made promises to. for luffy there's ace and sabo, and shanks. for zoro it was kuina, then as an adult there was luffy himself. in a lot of ways, the straw hat is to luffy what wado ichimonji is to zoro. during that fight, bellamy represented everything luffy and zoro stand against both as characters and thematically speaking. and that, along with everything luffy's learned/come to know so far about zoro, is what he relied on. it's so good.

later, there's this scene with zoro and the rest, where nami wonders why zoro didn't go with luffy to face bellamy again:

(fun bit here is that zoro actually asked luffy before if he needed his help. it's a small panel but cute! he trusts that luffy can handle himself, as luffy told him he could, and knows there's no stopping him when he's made up his mind lol.)

whether zoro was referring to bellamy's strength or his lack of belief in/mockery of dreams, or both, it's clear he understood why luffy chose to do what he did and asked him to stay put back in the bar, and he could relate to luffy's motives as well. as I mentioned above, it makes sense why zoro in specific would, without luffy voicing them out loud.

the nicest part is how all of these moments are a product of the writing that's gone into luffy and zoro's relationship/dynamic. when luffy chooses to trust zoro with stuff like this, there's a chunk of context that precedes it (like whiskey peak). and when zoro decides to follow him, too, it's because his loyalty for and understanding of luffy has been continually built as the story progresses which is super compelling, and also wonderful to see.

[prismatoxic]

cause I need to hear more of your sweet thoughts bout those two freaks, favorite laichil moments that have been stewing in the back of the mind?

oh gosh ummmmm

well now that episode 11 is out i am so very deeply fond of laios's visual pan from kensuke to chilchuck's dawning, rage-filled horror at what's happened

i think the swearing was better in the manga--not because the anime let him say actual words (bc i think that's awesome) but bc in the manga i thought they were still running while chilchuck was doing this. good visual

OF COURSE THE BEST EPISODE 11 CHILAIOS MOMENT... TO ME... is when chilchuck tells laios they're going to have a Talk later

the dub delivery kind of disappointed me (as it always does) BUT IN THE SUB the way laios immediately agrees is so very much, to me, a "yes sir" moment. and if you read my fic you know i'm very into this

i have a lot of little canon moments that i'm super fond of and am very excited to see in the anime... my faves are often when chilchuck is being a hostile little goblin but i'm so fucking excited about what i assume will be episode 13. you know. because

um

okay i have a lot of thoughts actually (MANGA SPOILERS I'M SERIOUS)

so. chapter 30.

chilchuck goes to get the party's supplies from where they were abandoned in the house they had dinner with falin at, having his own character arc along the way. we have seen him try to convince both leed and senshi that the smartest thing to do will be to lie to laios and marcille so they can return to the surface. trying to continue in this state will kill them, but neither of them will rest if they think they can still find falin. neither senshi nor leed agree with chilchuck's plan, and leed insinuates he's a coward. chilchuck stays firm. even after he's clearly pushed off kilter by leed saying he should just tell the truth, we don't have any concrete reason to think he will.

then they return and senshi is struggling to keep a now-awake laios down. laios is wounded and weak and senshi is a dwarf but laios is so deeply, fervently determined to get falin back that he's very hard to stop.

chilchuck, by contrast, is not strong at all, but somehow his added presence gets laios to sit back down. chilchuck rests a hand on laios's shoulder and even before he says anything, laios is looking at him. he knows something is coming. i think he resents chilchuck for it, too--the implication that there's anything to be said here.

we don't know at this point what chilchuck intends to say. senshi still thinks he wants to lie and intends to stop him, but i think it's clear in this moment that chilchuck has changed his mind.

he kneels--proud, all-too-aware of "how his people are treated for their size" chilchuck kneels between laios's legs. and i'm not pointing this out for horny reasons, for once.

he's bringing himself closer to laios--assuming a position associated with pleading and willingly making himself not the authority in this interaction. he believes, wholeheartedly, in what he wants to do and what needs to be said, but...

he also knows laios is hurting.

laios is... devastated. he's terrified. he's angry. but he's also still laios, and he knows chilchuck, insofar as chilchuck has allowed him to. he also respects chilchuck. so this--a teary-eyed plea to do what goes against everything he feels--gives him pause. chilchuck does not beg, and he does not cry.

...and he never talks about how he feels.

but he does, here: he doesn't want to lose his friends. and he does mean all of them, senshi included. he has three people to think of--three people whose lives he cannot in good conscience allow to be put at risk any more than they already have been. even so, he acknowledges that however laios feels about falin is probably incomparable.

but he tries to give laios hope--he gives him a plan of action. he says we will come back. he tries to impress upon laios that this isn't defeat and it isn't surrender, it's being safe. it's giving themselves an actual fighting chance at getting falin back.

laios doesn't want to... but he also doesn't say that. all the things he's feeling haven't gone away, but he's also aware of just how big this situation is if chilchuck opened himself up this way. chilchuck does not and never has done this. up until the fight with the red dragon, you could be forgiven for assuming chilchuck is just a contracted coworker who's a little fond of the party and nothing more.

senshi and leed, the only people who knew chilchuck's plan to lie to the others, don't openly acknowledge his change of heart... but they back him up. they pitch in to push laios just a little further, to get him to agree.

and it works.

so. um. episode 13 will be good i think

[skygemspeaks]

I finally got to sit down and finish episode one, and i've got some thoughts!!

I think that introducing garp as a big player right from the get go is a really great idea. His presence at the execution made sense, and his dynamic with roger did well to help establish both of their characterisations

Roger's actor did a phenomenal job with the eerie laugh and his complete irreverance in the face of his own death. I love how he delivered the wealth fame power speech!

It was a bit surprising to me that they showed roger actually getting killed, but honestly i'm in total approval of this direction they're taking with the live action. I really like the more brutal approach, especially because oda's refusal to kill anyone outside of flashbacks pre-marineford is one of the biggest complaints i tend to hear from people. Seeing zoro dragging around the top half mr 7's corpse was so jarring, but it was a good choice

Ilia's perfrmance as alvida was absolutely amazing. I like that they changed her catchphrase from the most beautiful woman on the seas to the most powerful

Overall, i really like the different transitions between plot points, and how this episode set things up in future arcs. All the different things that go on in shells town feel so much more better interconnected than they did in the manga. I'll go into this more in another post, but like one example of what i'm talking about is how the reason zoro allowed himself to be tied to the post was because morgan threatened that if he didn't agree to it, he wouldn't be able to collect any more bounties from any marine bases. It also gives zoro mire of a reason to join luffy - he knows that at this point there's no eay he can continue being a bounty hunter now that morgan has it out for him. So how else is he going to meet other strong swordsmen? By joining a pirate crew of course.

The shanks flashback was awesome! His dynamic with luffy was really endearing, and again i do like that they didn't have higuma attack shanks. That's one thing that never really made sense to me in the manga - i get thst yoy don't have to solve everything with violence, but there's no reason for shanks not to have fought back against someone who was attacking him, even if he did know they couldn't possibly hurt him

Also on shanks' flashback - the scene where he found out luffy had eaten the devil fruit was AMAZING. What a fantastic idea to have little luffy framed in sunlight! And the utter heartbreak on shanks' face as he realizes that there's no way luffy will ever be able to have a normal life now...

Of course, we gotta mention the snippet of Binks' Sake we heard in the scene where shanks is stitching up luffy's cut. I recognized it instantly and it made me really emotional. Love all these little easter eggs they have for long time fans of the series. In addition to this there was alsp the cavendish, foxy, and bellamy wanted posters which we knew about from the trailer

Speaking of wanted posters - what a COOL way to introduce the other pirates!

Morgan going on his monologue about capturing kuro is SO funny know what's gonna happen on a few episodes. Oda played it a lot more subtle in the manga but i like that they came right out and said it here.

And while we're talking about foreshadowing, it was a fantastic idea to include the mr 7 fight in this season! I really hope we get a season 2, just sp we can get the payoff for this great setup.

I'm a little sad that we didn't get to see the luffy and koby hug that was shown in the behind the scenes video (i think that was the one?). I really hope that wasn't cut because i loved that little scene. Maybe it'll happen later in the season?

Buggy's introduction at the end of the episode was SO good. I loved his whole vibe, with him lounging so confidently in his chair, his creepy laugh, everything. I'm excited to see the next episode! They better not have cut chouchou out 😭

[alexiethymia]

Hi, love your blog ❤️ especially your analysis on Jinshi and MaoMao. I have read LN till around volume 9 plus manga and I don't have any problem with spoilers.

Can you list all Jinshi X MaoMao moments? Like from volume 10 to whichever volumes you have finished...?

You see, as much as I love other characters, I'm mainly reading it to see my favourite ship sail, i.e. JinshiXMaoMao ✨ so if there are any great shipping moments in future chapters please list them, I'll give it a go. Thank you so much, really loved your char analysis ✨. This gem of a story is not discussed enough!

I can’t recall everything entirely, and the web novel I’m sure will differ from the light novel. But here are a few.

Some of the moments which I loved where when Jinshi asked to hold Maomao’s hands interlacing like in a lover’s hold. From what I read, he sort of marked her middle finger. Maomao later gets embarrassed after the fact. I’m not sure if it’s because she thinks everyone else saw them or because of the mark.

The moment I mentioned in my post was I think the end of LN 12? And also the end of WN 10 if I’m not mistaken. Maomao goes to Jinshi on her own. They end up hugging on the floor and she ends up falling asleep on him. He brings her to his bed (like the time she saved him during the ritual), and kisses her forehead for replenishment.

The recent WN arcs are quite interesting since Maomao has accepted his feelings and in her words, they’re now in a relationship (though of course as characteristic of Maomao she’s still cool towards him). There’s one interesting chapter about a night visit (haha) though nothing happens. In other words Jinshi is restraining himself. But surprisingly! It’s Maomao who’s being a bit forward now. At the end of the recent chapter in the recent arc, Jinshi is stopping himself from touching Maomao because he’ll want to hug her tight (and bite and lick her too, gosh does this man not get embarrassed at all??) and Maomao ends up tracing her finger down the back of his wrist up until his middle finger (maybe as payback to what he did in the Western Capital?) and I don’t know about you but it reads to me as her teasing him, though I might warn her from provoking him too much haha. (But then again maybe Maomao does want something to happen).

It’s also sweet to hear her inner thoughts after the night visit that she was both relieved and disappointed nothing happened and that she wants to both see him and not see him. It’s interesting to see her maybe unsure, and perhaps also a bit restless when Jinshi doesn’t call on her. Because this time she’s the one who asks Chue to call Jinshi to contact her. And finally the piece de resistance, when she wants help with something involving her Joka nee-chan, she thinks about someone she can trust, and the only face that comes to her mind is Jinshi. Arghh my heart. For this wary cat to realize how much she really trusts Jinshi. And perhaps her taking this step in accepting his feelings is her way of showing belief in his words that he will make it so she doesn’t regret them being together.

And oh! I loved the mother and daughter-in-law talk. For Aduo to finally reveal the truth to Maomao since she sees how serious the both of them are getting, for Aduo to compare herself to Maomao, for Aduo to offer her a chance to escape even if it would make her son unhappy (Chue actually interjects here! Because Aduo ordered her to make his son happy and Chue can’t accomplish that mission with Maomao gone, gah my heart. Chue the captain of the Jinshi x Maomao ship), and despite that chance and learning the truth, for Maomao to gain the resolve to stay (with Jinshi) anyway. They really have come so far.

[noa-ciharu]

I'm not sure if I'm onto something here but this page/explanation plus everything that follows has always been suspicious to me

First and foremost: blood poisoning isn't most peaceful way to die, far from that. If poison is so lethal Dazai and Fyodor are supposed to die in 30 mins symptoms would have started showing right away - and yet throught whole Meursalut escape arc we see none. Not a single 'I'm feeling weak'. It's stated that Fyodor spent 5 mins just waiting for Chuuya to arrive so I'm really doubtful whole sequence of him and Chuuya nearly drowning, then killing time halting ability user, trying to drown Sigma and Dazai, Fyodor's and Sigma's confrontation and Fyodor's escape could have happened under 25 mins. Of course, it could be that whatever Nikolai gave them takes more than half an hour to kill a human but that still doesn't explain 1) why no symptoms 2) why neither Dazai nor Fyodor seem to be in the hurry to leave

Therefore my assumption is that whatever Nikolai gave them wasn't lethal in the first place.

But why lie then? Why organize the whole game to begin with?

Well, it's certainly challenging to determine motives of character as unpredictable as Nikolai. His absurdist life philosophy of seeking freedom by trying to escape himself and what makes him human certainly doesn't help the case. One of guesses can be pure entertainment, just for sake of it. For an entertainer it fits the bill. But I think there's more to it.

Except he doesn't really. By now we know whatever Fyodor's ability is that it isn't combat one - if Nikolai wanted to kill him he wouldn't necessarily need to know what it is. Not to mention Sigma can extract info from corpses, meaning they can kill Fyodor and then find out about his ability. While I'm certain Nikolai doesn't really want Fyodor dead, I can't claim with absolutely certain at that point in manga he's aware of that himself (of course he is after Fyodor 'dies' later on).

Much rather than that I think Nikolai is trying to kill what Fyodor evoke in him - feeling of being understood and wanting to understand other in return. That'll explain the game, trying to break Fyodor out of the prison without being too straightforward about it because he himself cannot decide what he really wants and stick by one decision, putting trust on test, wanting to know about Fyodor's ability and generally about Fyodor and so on.

While it's definitely arguable if Dazai would receive an antidote if he just killed Fyodor without actually escaping, it's also worth noting he was leisure with time (aka had time of his life soft bulling Sigma). Of course, chapter where Dazai talks with Nikolai post all the mess is yet to come out so it's impossible to tell in advance, but I have a hunch Dazai knew right from the start there's no danger of blood poisoning. Or at very least took gamble on that. Nikolai said something among "my apologies I have to poison you too but he (fyodor) wouldn't take the syringe otherwise" so it's clear right off the bat Dazai doesn't really hold his interest in that whole game. He's there for Fyodor and brought Sigma with him to extract information out of him.

As for Fyodor, did he knew blood poisoning wasn't a thing? Before chapter 111 I would have said yes given he too didn't seem to he in the hurry to escape, had no symptoms and didn't take the antidote right off the bat when Nikolai gave it to him. But then we have this:

Does Fyodor mean poison or game itself? My guess is poison because if latter that'd imply Fyodor expected Nikolai to help him break out of Mesaurlet which would imply broken trust. And we all know Fyodor and placing trust in others is like oil and water

To me Nikolai looks straightout dejected here. He's a performer that revels in these types of high stakes game, he should be grinning like a madman - but he's not. So in my opinion he was searching something from Fyodor here that he didn't quite get. It could be just in this scene/exchange or in whole game. But if my hunch that Nikolai was trying to get Fyodor out of Meursalut just needed Fyodor to place iota trust in him is correct, then Fyodor stamping over that hope and failing to see Nikolai's intention wasn't to kill him despite his theatrical proclaims it is would be reason for dejection. Whatever bids for connection he was looking in Fyodor likely won't be returned because of Fyodor's mistrust in people and abiding by cold rationale rather than intuition/emotions.

Therefore my conclusion is that whole Gogol game was a test:

- for Fyodor to put trust in others when he has no rational basis to (his major character flaw) - and that's precisely why he lost in the end. I could go miles here how Dazai put trust in Chuuya (and even Sigma) and how those bonds are very reason he managed to win but that's for some other time gives there's a lot to be talked about soukoku, I'd like to focus on doa trio here.

- for Sigma to realize the difference between being used and being of use, aka realize difference between transaction and a bond. I'd say he did well by placing trust in Dazai but it's yet to be seen if his decision to take Fyodor's hand was the 'right' one. His character arc ain't over, it heavily depends on what info he extracted from Fyodor so it's too early to tell how it'll go. Also this depends on Dazai's actions anime hasn't shown, like will he stick to his promise to save Sigma or not. Given promise he made to Oda 4 years before, I think it's definitely in character for Dazai to come back for him, fetch comatose Sigma and bring him to Yokohama.

- for Nikolai himself to realize what he wants to do with feeling of emotional/intellectual connection he deemed as 'imprisoning'. He's at conundrum himself what he wants to do with Fyodor: help him or kill him - accept the instinct or fight against it for no other reason than to oppose very self - lose sight of himself in the end just like Fyodor said. If we go by anime ending (I doubt manga one will be much diffrent), he came to realization how Fyodor changed his life and how he actually never wanted him dead but it was too late by then. Now haunted by realization only one who ever understood him and only person he ever felt connected to is dead, Nikolai will come to realize true hell of being imprisoned by own mind without means of escaping.

All three of them had some sort of downfall induced by their 'cardinal sins'; their own 'decays' as downfalls source from inner character flaws, so to speak.

[mono-blogs-art]

So, the first week of Tsukutabe season 2 is behind us!! 4 new episodes out, and I'm just so delighted to have them on screen again, both with the old charm and warmth, and a fresh feeling of novelty. Not just with the new characters - it really feels as if the whole series has gotten an upgrade. New locations, more fluid and fancy editing with the new opening sequence. Plus, Sayama got a haircut! I also really loved the throwback to the very first episode of Nomoto speaking to the wall in a dramatic fashion. It really gives the impression of "We're back!!"!

Speaking of Sayama, I love that she was kept around as a character, despite her not being in the original manga. It's nice to have her carry over from season 1 and be a buddy to Nomoto after she's already made such a big impact on her and been so supportive of her journey before. And also, she's just a fun character :D I am curious however how much she and Yako will both help Nomoto with her self-discovery - in the manga, Nomoto has no friends except for Kasuga and then Yako (& Sena), so all of her talking about her sexuality is with Yako, who is a lesbian herself, versus now all these talks about love and dating have been with Sayama, who is straight. I'm curious to see what they do with all of that.

The biggest new thing so far has been the introduction of new character Nagumo Sena, the middle neighbor! And I'm seriously so happy with what they've done with her in these 3 episodes she's been in now. She's exactly as quiet, awkward, and nervous as I imagined her to be, without it feeling over the top or cringey. She's just an anxious kid, but I feel that she's really gonna open up. Her 1on1 interactions with Kasuga are cute, and awkward too, the two of them are just both so alike and quiet that it made me chuckle a bit. Still, Kasuga immediately gives off the feeling of wanting to take care of her too, and it's gonna be really nice watching them become friends.

On a smaller scale, obviously we're gonna be putting our two mains through the ringer again. Nomoto is already going through it, giving her personal journey more and more thought as she delves deeper into lesbian culture (I guess?). Watching movies (and crying about it, she is so me), connecting with others on social media, and seriously thinking about her feelings for Kasuga and how far they go. Similarily, Kasuga is (probably? hopefully?) gonna have her own big story arc this season, some of which has already been teased for next week. I'm so excited for that to play out and see how they adapt it.

It's also nice to see the two of them in slightly new formations. With new characters joining the gang and with their relationship becoming tighter and tighter, now they speak in unison more often, spur each other on, talk honestly to each other... and stand shoulder to shoulder, a shot that we haven't seen much yet but that I just love!! (height difference...)

I'm so glad the show is back and better than ever. The girls are cooking. Literally. And also falling in love of course.

[vendettasfanfictioning]

The Nightmare of Zoldyck (Musical) was gay as fuck and here's why you should watch it.

Bingeing The Nightmare of Zoldyck reminds me just. Just how fucking gay it was??????? And this was made almost 11 years ago???? And it's just so insane and surreal to me?????? They could've added any sort of twist to the Zoldyck Arc and yet the twist they chose was 🌈🏳️‍🌈??? In all fairness, they did also add Hisoka so maybe that's just how it is lmao

Now you may think I'm joking or being delusional—but no I swear THEY MADE IT GAY AS FUCK OK. IT'S ACTUALLY AMAZING

First, we have the obvious; the adorable, blossoming friendship between Gon and Killua. The very reason this arc exists is because Gon refused to let Illumi's teachings corrupt Killua's self-esteem. It's so, so, so touching in the manga and both anime adaptations, but in the musical they just... The songs just made it come off more romantic?

I'm biased, I love the friends-to-lovers development these two undergo, but I swear, take the shipping goggles off and it's still has a subtle if not in-your-face obvious, romantic tone.

Why? First, the presentation. The Zoldycks are introduced by Milluki through song. They each get lines which are backed up by epic music and stage effects, come together for the iconic chant of, "Zoldyck," before ultimately gathering around and sitting down.

Kalluto, Kikyo, Illumi, Silva, Milluki, and Zeno have a family meeting while Killua's hung above them, representing where he is in the dungeon, and right off the bat, you get hit with "forbidden romance" vibes.

The family talks about what Killua did, what he said, while Killua sings about how he doesn't want to inherit his dad's position. HE ALSO SINGS THIS LINE WHICH IS SO?????

And he sings a little after Illumi visits him in the dungeon and, y'know, messes with his head even more. He writes a letter of sorts to Gon, Kurapika, and Leorio, telling them they should go to protect them from Illumi and he just sounds SO heartbroken...

Then we skip forward, this is after the gang has won Gotou's approval. Gon writes a letter, and it's so fucking sweet because it's basically him saying look. Look at Zebro, Gotou, Canary, these people who care for you, who love you. You're not alone, we understand your feelings, ok? AND THIS PANEL IN PARTICULAR IS SO RAPUNZEL SO ROMEO AND JULIET IDK

And that super serious discussion between Killua and Silva? He gushes about Gon a lot, and they really took some liberties with Silva because this man keeps grinning like he knows his son's got a crush.

And of course Gon's not gonna back down. Canary asks how their Young Master Killua was like, outside Kukuroo Mountain, and... just look.

I'm not gonna include every damn time they sing together but when they finally meet? They're so. so happy. I can't.

And there's this scene after the party (yes they have a goodbye party of sorts for Killua) where Killua thanks Gon for coming to get him and Gon says ofc we're friends and they play around and they're so happy together...

Look at them they ded

There's also this moment when it all goes to shit and THIS SONG SLAPS Gon metaphorically slaps Killua out of it too but just. Just listen to it, it made me cry

And since this happens right after the Hunter's Exam, Kurapika and Leorio are still a bit wary of Killua, so while Gon's ecstatic and unwavering about being Killua's friend, the other two sort of bond in the sidelines as well?

Take this shot of leopika dancing. It's short and sweet and they're so stupid but they're at least getting along!!!

I forgot they bickered a lot, especially during the Hunter's Exam, but now look at them. This isn't the gayest part though, because Leorio finds out there's a hot spring in the Zoldyck mansion... and... yeah... I'll let y'all watch this scene for yourselves but uh, stuff happens and I fucking screamed is all

LIKE LOOK THESE MFS END UP STAR GAZING TOO COME ON

They also share a bit in the end where Gon sniffs Zebro??? And he says that Zebro has a similar scent to Leorio??? And leopika turn to each other and go:

LIKE HELLO?? HELLOOOOO???

And of course, I saved the murder husbands for last. While the gang have their fun, we would sometimes cut to black and these two would be shown, scheming in the dark and talking about their own plans.

They be dropping some bomb ass dialogues tho

AND APPARENTLY ILLUMI GAVE HISOKA A TOUR LMAO

Mind you, there is no fucking explanation as to why Hisoka's there. His narrative purpose is ofc to sow chaos and stir trouble, look out for Gon or whatever, but why is he here specifically in the Zoldyck Estate is never stated. BUT he does refer to it as a vacation. Twice.

Like sure this is just him being a little shit but COME ON. If Illumi really didn't want him there, he'd have chased Hisoka out, swatting him with a broom while at it. But no. They scheme in the dark and Illumi shows him around and Hisoka says it's a vacation. Wonder who could've invited him.......

This interaction also happens. And I will only be thinking about this for the foreseeable future.

HISOKA CHASES AFTER HIM OFFSCREEN IT'S KINDA CUTE AND ALSO RUINING MY LIFE????

Insane that the killugon heart-to-heart, leopika hot spring moment, and hisoillu bickering happen back to back to back. They're all paired off. The way they switch the audience's perspective actually really satisfying. Each couple gets their alone time and it's like seeing the different stages of a relationship. INSANE and HELLA GAY

And, of course, the heart of the cards—easily one of the most iconic lines Hisoka's said, which is, coincidentally, the point of conflict of the entire musical

While Killua's fighting for his life, here's the magician who's basically getting everything he's ever wanted served on a silver platter. This mf is so happy he got to fight Illumi's family lmaoooo

AND HE SAYS IT TWICE!!!!

ONLY FOR MAMA ZOLDYCK TO MIC DROP WITH THIS IN THE END

I just. I love this musical so much. It used to be my comfort watch when I first got into HxH, and while I joke about how fucking gay it turned out to feel (I'm being serious about it though) I do think it's a great production.

The actors did amazing, the dance/fight sequences and the dialogue were so well done, and it just added so much depth to the Zoldycks, y'know? I do wish Alluka was here, but we all know why she's not... That would've been so fun though.

Anyways, if I've convinced you, then you can watch it here!!!