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mochikeiji · 3 years

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Looking Like U Got Me

Request: "Prompt no. 56 and 55 for Gojo ＼(^o^)／"

55. "You look like my husband/wife"

56. "Keep doing that and I'll marry you faster"

↠ Pairing: Gojou Satoru x Reader

↠ Warning: none! Simply fluff

↬ Word Count: 1.7k

↠ a/n: i accidentally mixed up prompts 55 and 57 ;-; but still hoping this turns out good!!

↳ from Go! Go! Gogatsu Event!

All he wanted was to wake up in bed, next to you— who would cuddle deeper in his arms even in slumber so he'd smother you with his kisses and tighten his hold around you and drift back to sleep longer, finally free of responsibilities for once and enjoy quality time with his only favorite person. But instead he wakes up with a groan passing through his lips, supporting his back side with his hand while shuffling to his side in a different position as the light sun rays shun through the window blinds, softly fanning his eye and forehead.

Gojo chuckles a bit before wincing. His lower back so tensed that he feels himself get older by the day. Pouting at the empty space next to him, he palms the cold sheet in wonder of where you are. Up so early in the morning when you could've just stayed in for him. How annoying. His eyes shut for moment when the scent coming from outside the room intruded his senses. Ah, you must be cooking breakfast. How sweet of you.

Thank goodness it wasn't another batch of dried crackers or cup of noodles that'll enter his mouth. He was never one to cook meals when he was on solo or when you weren't around. The very thought of not only the meal was awaiting for him outside, but also you excites him that it made him feel tingly inside. Call it dramatic, yeah, but it's not every day someone gets to wake up and immediately feel this full of love in the morning. You were the only and last love he's ever wanted to have in this world. It was so surreal even to him.

Sighing before pushing himself up, Gojo yawns out the remains of drowsiness in his system and stands. He didn't bother wearing a shirt since last night, claiming that he misses how his body rubs off yours in both comforting and suggestive ways. Plus it was just you and him home, he'd rather walk naked than wear the usual long sleeved uniform on a warm day.

The scent of coffee got stronger as he closes in his journey towards the kitchen. There was faint sizzling coming from the pan as you stood there in attendance. Stuck in your own little world, swaying to the sound of the radio playing, U got Me by Yung Heazy. It was one of the few songs that reminded you of Gojo back when you were both high schoolers. The exact song you remembered playing when you both hung out on a small cafe in Tokyo. Where he was so flustered, attempted to hide his blushes with his round glasses. The little things that reminded you of that memory never fails to make your heart race.

Of course Gojo knows this one as well. Because it was on that date as well he had call you, "his" after masking his embarrassment and from obviously checking you out every minute. How could he contain himself? He was a young man who was having trouble in the arts of love. Nevertheless he was glad to have grown up from those years. If his younger self could see him now, he'd be gagging at the sight of a softer version of his older self.

Snaking his arms around your torso carefully to avoid surprising you, he places his chin above your shoulder. Salivating at the sight of thick bacon in deep frying, shamelessly letting you know he was hungry from the sound of his stomach growling. "This is a nice way to greet me." you smile at the man behind you, who had his eyes closed in delight while rubbing his cheek against yours like a cat in need of attention. "Good morning to you as well, sweet cheeks." he says after pressing a kiss on your skin.

"You got up early." whining softly, his hair and nose tickling the side of your neck and shoulder, "I was hoping to stay longer y'know?" trailing his hands underneath the his shirt you were wearing, mapping out on all the skin he could squish and hold with his large palms. Noticeably pressing himself closer to your body, the much needed space gone but you weren't complaining. After all, this was Gojo, a man who knows no boundaries.

"I wanted to make breakfast for you. We haven't had one together since we're both busy." you say as you grabbed the nearby plate, turning off the stove as the now cooked meal sizzles softly from the pan before sliding down to the porcelain surface. In attempt to lick his lips at the now prepared food, his tongue grazes upon your skin, sending you to jolt a bit, hearing the joyous laughter from him as he places a kiss on the spot as an apology.

"W-why don't you go sit down, there's rice bowls and cooked eggs prepared already." stammering, you quickly excused yourself away from his embrace to clean out the mess from the counter. Gojo sighs out the adoration but obliges to your command. Not long after you had finally settled down in front of him. Seeing him in all smiles as he scarfs down on his food made you smile as well. Thank goodness his blindfold was off, they looked adorable twinkling in happiness.

This felt nice. To have an opportunity to be a normal couple once again. So many times you could only daydream of scenarios like this. He could say the same as now that you were present on the usual spot he'd come home to empty. Often dozing off during meetings thinking of where you were or how you were, the multiple times Megumi has fed up with his whining about how he never gets to see or have more time with you. Nobara even pointed out a fact saying, "You act as if you're both married." and Yuuji, being the happy child of the three had said something that always ponder in his mind, "Why don't you marry each other yet, sensei?"

It was a statement he's been considering for a long time. Marriage. Of course Gojo wanted to marry you after years of torment love. To have his precious students say that you both already looked as if you were married got him all heart racing, and very very happy. He's had vivid images of a life with you. Not far from what it is today, but imagine. Unlimited happiness after so long of fearing it. Perhaps maybe even tiny legs running around, giving him such big love as his grows for the family he's craved, watching you smile beside the doorway and calling them in for a meal.

If marrying you means he can have that every day, then the hell with it.

"You look like my wife."

The spoon drop echoes. Slowly his face erupted into a faint blush while staring back at your widened eyes and opened mouth. "What?" gulping down the stuck food in your throat, Gojo bites his lips watching you maintain your composure. So cute. "Y-you know you say funny stuff when you're out of it. Maybe some daifuku would help? Yeah! Wait a sec." quickly getting up from your seat and rummaging in your fridge, you breathed out the heavy puff of air from your lungs.

He did not just say that so directly towards you. Maybe you were dreaming? You wouldn't be if your heart wasn't practically being forced out. Gojo is always fun and games, right? He doesn't mean that.

Sad to think of it that way.

"Ow!" thumping your head above the fridge as you grabbed some of the take outs of Daifuku you got yesterday, closing the fridge back before returning shortly to Gojo, who seemed as out of it as you were. "You did say your brain functions best when you eat sweets. Luckily for you I bought these yesterday. That's why I cooked earlier now because I wanted to try it out with you!"

Gojo can't tell if he wants to be offended at the fact that you think he was joking or just now, cover his half of his face to hide his laughter and igniting squeals. God he wished he had his phone right now, the moment was just so priceless and precious as you were.

"...ter"

Muffles from behind his hand was heard. Tilting your head to the side, trying to process what he said but no avail. "What was that?" you moved a little closer next to him, tapping his hand away almost eagerly. When he does, you spot that knowing smile present on his lips and the uncharacteristic blush still painted on his cheeks.

"Keep doing that and I'll marry you faster, honey."

You've gotten more shy when his hand held yours in the most loving way while drawing patterns. Searching through his eyes if he was playing around, but you were met with ones you know of when they were full of sincerity. "I-i. You know, they were so cheap anyways and I figured you'd want them." he snorts before leaning his head on your arm and laughs hysterically. It was painfully obvious that you were in state of shock that you couldn't even process his words.

Up until now the effect he has on you was still there like before.

"Sweetie." he turns his body away from the table to face you, pulling you so that you were standing in between his legs looking down shyly on the floor. "I'm serious." his fingers reached for your chin to pull your head up to meet his features. His other hand still holding your smaller one; index finger tracing your ring finger in circular motions as if he was creating a make believe ring.

He should thank himself for falling in love and be trusting once again.

Because now, staring back at your eyes filled with the same amount of emotions as his. Reciprocating the exact thing he was feeling. Waking up just to start the day already wanting him to be there. Knowing all the littlest things he's shared. Hearing the erratic sound of both of your heart beats.

He knew he's made the right choice.

"You really do look like my wife. My future."

#gojo satoru #jjk gojo #jujutsu kaisen #jujutsu kaisen gojo #gojo satoru x reader #gojo scenarios #gojo x reader #gojo fluff #gojo imagine #gojou satoru #gojou satoru x reader #gojou x reader #jjk x reader #jujutsu kaisen x reader #jujutsu kaisen fluff #raines: gogatsu event

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maxwell-grant · 3 years

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Having asked your thoughts on designing Frankenstein's daemon, might I now ask your thoughts on bringing Count Dracula from the written word into illustration? (I'm definitely in favour of the 'Hairy Old Mountain Man of Horror pretending he's people' look from the original novel; one of the small tests too many Draculas fail to pass is an absolutely tragic lack of the Evil Beard and/or Wicked Moustache explicitly described by Mr Stoker).

Unlike with Frankenstein, where I think the design needs to be painstakingly thought out in order to achieve the best balance of the creature's traits for horror and tragedy alike, I think with Dracula you can actually just take an approach of "whatever works". Because as I mentioned before, I think much of the appeal and longevity of Dracula is how the character's both a layered villain as well as a shapeshifting narrative force that can be tailored to whatever you want to do with. Granted, there are bad or dissappointing Dracula designs, of course there are, but in regards to the leeway you get for reinterpretation, you get a lot more of it with Dracula than with other literary icons.

Like with Frankenstein, I'm gonna bring up how I'd tackle a less grim, more comedy-centric Dracula first, one that's less a force of horror and more of a charismatic villain, and I think to that end I definitely agree that people are sleeping a lot on the hairy old man barely-passing-off-as-humanoid of the original story. Despite very much loving these performers, I'm actually not a fan of takes that mold Dracula too closely to people who've portrayed him, like Bela Lugosi and Christopher Lee, partially because I think it's a waste of an opportunity to create your own Dracula design. Since I can't draw (yet), I'll do what I usually do and make a board of images to try and convey some of my thoughts on one way I'd design Dracula.

(Pictured: Kiwi's design for Dracula, Hotel Transylvania concept art, Nandor, Castlevania Dracula, Charles Dance in Dracula Untold, Vladislav, a Transylvanian rug)

I used the images in my other Dracula post and I’ll post it here again because I absolutely adore @kiwibyrd's designs for Dracula and it's main heroes, in particular I love the way it strikes a good balance at making sure Dracula looks distinctly separate from the humans, but not too much that he couldn't conceivably operate in society as just a harmless old man. I also adore the mustache and bushy eyebrows and pointy ears and I think these three are wonderful features to keep on any Dracula design. I'm also very partial to the Hotel Transylvania concept art, even if it makes me incredibly depressed to look at all the great designs they had for Dracula that they threw in the trash because they somehow decided making him look like Adam Sandler was the idea to go with.

I deeply adore What We Do In The Shadows, both the movie and the show, and Jemaine Clement's Vladislav is one of my favorite (maybe even my actual favorite) on-screen Draculas. But I also enjoy Nandor just as much, and I think it's really great that as a character he's completely different from Vlad while also being ostensibly a take on Dracula, and in particular I bring up his Jersey look because "Dracula in common clothing" is a criminally underrated concept for a joke.

As a character, I'm very partial to comedy takes on Dracula that play him up as a decadent aristocratic supervillain, the kind that can get away with talking in third person. I also have this idea for a version of Dracula who dresses ostentatiously in finely-broidered Romanian or Transylvanian patterns, maybe even wearing a rug as a cape, claiming that he's carrying the legacy of his people on his back. And of course he's lying, he's not Vlad Tepes and he's not even Romanian, he is just a parasite pretending to have a history to be proud of, but good luck getting him to admit that. And finally, I'd like this version to be played by Charles Dance, and I consider it a tremendous crime against humanity that he has yet to play Dracula proper even despite being in a film with the character's name on the title.

So that's kinda how I would design a take on Dracula for something more comedic or more based around him as this guest character and personality on-set. Now, if we're talking a more serious version, I think the possibilities increase, and I won't be getting into all of them because I may prefer to keep them to myself, but I'll elaborate a few ideas.

For example, the edition of Dracula I personally own comes with these really scratchy, really creepy B&W illustrations related to the story, that I can't find scanned online so I'm uploading them here so you can look at. They don't necessarily depict the scenes but rather some of the story's moments, like Van Helsing staking Lucy, Renfield in a straightjacket, Dracula as a coachman, and they are more focused on conveying the horror of the concepts at play.

Dracula never looks the same way in any of the illustrations, in fact you kinda have to piece him out of them by trying to find teeth or capes or eyes or bat-features to see where he's hiding this time. In the first, it's the half-man half-bat, in the 2nd, he's the shrieking bat silhouette next to Renfield, and in the latter, he's the gaping jaws and eerily humanoid eyes in the wolf. The effect to me almost feels like if you were to look at a bunch of tv static and then see a humanoid shape form for a split second before everything went back to normal, something like you'd get from Slender Man or other modern creepypastas, and I’ve argued before that Dracula’s form of horror is a very modern one.

In terms of illustrations of Dracula that keep up the original traits while still pulling off horror, I definitely have to hand it to the one at the left of the image above, drawn by regourso on Deviantart (account deleted at present). Going back to Castlevania’s many takes on Dracula, two in particular that stick out to me would be Castlevania: Judgment’s armored dress Dracula, who’s got this great twisted heart/rose motif going on in his outfit, and Dracula’s final form in SOTN where he just sits in his throne and his cape twists into all these monsters, particularly how it’s depicted by witnesstheabsurd’s depiction.

I’m not particularly a fan of how Dracula’s “final form” in these games is usually just some big demon, and part of what I like about his final form in SOTN instead is that, while it’s not a particularly challenging final boss, I do find it interesting the idea of us never actually getting to see what Dracula’s true final form looks like, only an ever-shifting pitch-black torrent of teeth and claws and bloody veins pouring out because that’s ultimately what Dracula is and brings to the world.

On the flip-side of the rotten old monster, we have the charming seductor Dracula, and while I’m really not a fan of how various adaptations have convinced people that “the point” of Dracula is that he’s a seductive force and an allegory for Victorian xenophobia and I’m reeeally even less of a fan of adaptations that make Dracula some misunderstood tragic hero (and I think I’ve made rather violently clear my feelings on interpretations that play up a romance between him and Mina), that the seductive force part exists is impossible to deny, so conversely, while on one hand we can have Dracula as the gargantuan whirlwind of predatory violence, we can also go for Dracula as the tantalizing lover.

I’ve seen a lot of opinions proclaiming Frank Langella as the best Dracula because he was the best at actually being seductive while still playing Dracula, although I haven’t yet seen his performances. If I had to point at one picture I look at and do buy for a second the idea of Dracula as a romantic character, it would be that particular still of Raul Julia in the left of the above image. And it’s strange for me to think of Raul Julia as attractive because I mainly associate him with his brilliant comedy performance of M.Bison (I know it’s far from the highlight of his career but, look, I grew up with Street Fighter, I can’t help it) but those eyes are definitely looking pretty convincing to me, if nothing else.

And I’ve included this still of Sebastian Stan in the right because, during a conversation between me, @krinsbez and @jcogginsa about who could be a good fit for Dracula, jcog suggested Sebastian Stan, partially because he’s Romanian, and I’ve learned recently that Stan was actually interested in playing the character in Blumhouse’s upcoming remake. And you’d think I’d hate this idea considering how much I don’t care for tragic anti-hero Draculas, but who says that’s what he’d have to play?

Do you have any idea how much actors, who are traditionally known for heroic or supporting roles, usually LOVE it when you give them a chance to cut loose as the main villain?

I’d want Sebastian Stan to put all of his charm, all of his talent, all of his good looks and etc, into playing the absolute most vicious, bloodthirsty and irredeemable Dracula put on screen. Someone who is exceedingly, eerily good at being a lovable protagonist, who’s all smiles and charming eyes and politeness mannerisms and maybe even a funny accent, and then it isn't as funny when he's flying through your window intent on kidnapping babies to feed to his brides, except he may take a moment or two to do so because he's feeling pretty hungry himself right now.

Now, admittedly this is kind of a lot to juggle in regards to a single character, which is why my answer for questions like these inevitably has to be “depends on what I’m going for”. That being said, if I was going to try and cast someone who I think could both look the part of Dracula, as well as respectively, play “cartoon aristocrat” Dracula, “mercurial embodiment of evil” Dracula, as well as realistically be an attractive, even seductive performer who can charm viewers even as the character descends into horrible villainy, and juggle these performances even?

I think I’d have to go with Mads Mikkelsen. Not specifically because of Hannibal (I actually haven’t watched it yet), although it’s definitely a factor, the thing that actually made me pick him specifically is, other than his looks, his voice, his reputation for playing sinister characters, the fact that he loves the role and wants to play it, or how many people are deeply in love with this man, or that people already joke that he looks like a vampire, was watching him in Another Round, and specifically that glorious final scene where he’s just dancing to his heart’s content and just, moving with such spring in his step and such joyful vitality even though he’s past his mid-fifties, and that was the moment where, in regards to how much you all love this man, I went

And now I am going to add “casting Mads Mikkelsen as a dancing Dracula” to The List of Reasons Why I Became a Filmmaker.

#replies tag #dracula #horror tag #bram stoker #charles dance #sebastian stan #mads mikkelsen #castlevania #raul julia #wwdits #what we do in the shadows #vladislav #nandor

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sunscreenstudies · 3 years

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How to Read a Novel in Your Target Language

Watch the video here!

Or click the ‘keep reading’ button to read a transcript!

Choose Your Book. A lot of people swear by children's books, but honestly, as long as you know you'll enjoy the story, then any book is fine! Preferably it should be a book that you've read before, just so you'll know the context and general story, cause this is super helpful when it comes to learning new words. Choose whatever book you like, whether that is children's books or classics or thrillers. Personally, I like to start with "The Little Prince" by Antoine de Saint-Exupéry, and then move onto the Harry Potter series! If you don't want to buy books or prefer to learn things online, then you can throw a book name followed by 'PDF' into Google, and chances are you'll find it! Websites like Gutenberg are also good places to start!

Find Your Translator. This can be a second version of the book in your native language, a bilingual book, a dictionary, a theasurus, or even Google Translate! For complete beginners, I suggest finding a bilingual book on Amazon or The Book Depository. For upper beginners, having two copies (one in your native, one in your target) is good translation practice. For intermediate/advanced/risk-takers, then getting a book entirely in a foreign language and using an online dictionary is the best option!

Gathering Your Supplies. There are three things that I always have no matter what I'm reading. The book (obv.), a pencil with an eraser, and sticky notes. If you don't want to use pencil, then a pen works just as well, but personally I find pencil a lot cleaner and easier to use (and also cause i make a lot of mistakes and pencil is the quickest to correct). If you don't want to use sticky notes, then you can use paper, your phone, or even just put the new vocab straight into Quizlet if that's what you prefer!

Reading: Part One: Read the entire page first. Do not stop to look up words, do not stop to underline anything, just open the book and read the first page (or chapter, depending on your language level!). From that you should understand a few words, get the general context, etc. If you don't or you're a beginner, that's perfectly okay too, we're all learning here! Once you've read the page/chapter, try to explain what you just read to yourself. If you're upper beginner and onwards, try to explain what you read in your target language. For example, if you read a complicated sentence in German, try to explain that sentence in simple German. This will quickly let you know what areas of a language/vocab that you are missing. If you're a beginner, then don't stress, just explain it in your native language!

Reading: Part Two: After you've read the entire page, it's time to go through it paragraph by paragraph. Read the first paragraph, again try to explain to yourself what's happening, and then (and only then) do you pick up your pencil/pen/phone and underline the words that you do not know. Read the paragraph a second time. Now it's time to translate.

Reading: Part Three: If you have a bilingual book, try and figure out which target-language-words correspond to which native-language-words. If you have a second copy of the novel, then do the same (but remember that font/page size/etc. are going to be different so the paragraph's might be one different pages!). If you don't have the book in your native language, then get the dictionary/theasurus/translating app that you use and look up what the words mean. Once you translate a word, write it's translation down on the side margin of your book. You can write the translation directly above the word if you like, but personally I think this is bad for learning in the long run. The best way to learn is to reread the same book over and over again, and over time you should (hopefully) improve. Unfortunately, however, your brain will still want to take the easy way out, so if you have the translation written above a word, you're automatically going to read it, even if you eventually learn what the word means. Writing the translations in the side margin allows you to read a paragraph entirely in your target language, and if you still don't know what a particular word means, then you can always jump across to the side and see it's translation.

Reading: Part Four: Once you've written the translations of words you don't know on the margin (or wherever you choose), then it's time to write them out again on a sticky note (or paper, or notes app, or Quizlet, etc.). Write a list of words in your target language on the left side of the sticky note, and write the translations on the right side. I prefer using sticky notes, because once a sticky note is full, I can stick it on a blank page at the back of the book, fold it in half, and label what page the vocab came from. It's super helpful to have all the new words in one place! From here, I can all the vocab into Quizlet which is tens times easier than having to reread every single page trying to find all the underlined words and their translations.

Reading: Part Five: (Last step I swear) Once everything's roughly understandable, you're going to read the paragraph one final time. Try to remember the words translations (or if you can't that's fine too!) and glance across at the translations if you don't know! It's super super super important that you don't translate every. single. word. You should understand the general context of the piece before translating anything, and when you do find a word that you have to translate, try to figure out what it means first. For some languages, I know that this isn't possible, but for others, such as German, it's very possible. (e.g. Riesenschlange: Riesen = Large, Schlange = Snake, Riesenschlange = Big Snake (or, a Boa Constrictor)). If you're not learning a logical language, try to guess based on context, based on images/drawings/anything you can use, and only translate as a last resort.

Moving On: Once you've that done, move onto the second paragraph, then the third, fourth, etc. At the end of every chapter I like to quiz myself on vocab, on context, etc. to make sure that I did understand what I just read. But like I said, you don't need to understand every single little word, just as long as you get the general idea, you're doing pretty great! If there are words that you're never going to use (e.g. Riesenschlange) then of course you don't have to learn it; only learn what you feel you need to know! Also, congratulate yourself! You did it! This method might seem time consuming, but it's surprisingly quick once you get into it (and also I've completely overexplained it here) and hopefully it will help you the way that it's helped me!

#studyblr #langblr #how to read a book in your target language #foreign language reading #reading in target language #this took super long to do #and is a lot longer than expected #study tips

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not-xpr-art · 3 years

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Art Advice #7 - How to draw a face (the basics)

Hi all!

This week, as part of my Art Advice Tag, I’ll be giving some advice on how to draw faces!

A note is that this is not going to be a tutorial, but instead a guide on how to learn how to draw a face! I personally find that tutorials aren’t super useful, not to mention that there are thousands of tutorials on drawing already out there. So whether you want to be able to design your own characters, ... or just want to give your stick figures faces, I’m hoping this blog post can help you get on your way to drawing faces!

How to draw a face (the basics) ~

Part 1 - Dreaded Proportions

I think most artists will tell you that proportions are the banes of their existence.

And although I don’t think you necessarily need to stick to them religiously (and it’s important to note that real faces rarely stick to proportions religiously either), I think it is important to have an understanding of them if you want to start drawing faces!

(this is a very basic sketch I did by the way, a quick google will give you versions of this diagram that are a lot more detailed & accurate lol!)

This image shows the general places on a face where features normally sit. So, eyes halfway down the head, corners of the mouth match up with the pupils when staring straight ahead, five eyes can fit between each side of the head, bottom of the nose lies halfway between the eyes and chin, etc.

Top tip! Try not to confuse the top of the head to the hairline, as this can often make a face look too long!

Of course, this becomes more complicated when you want to draw a face from another angle (which I won’t go into for this post).

Face shape, eye size, nose size, etc, can also affect how you approach these rules. So use these proportions more as a guide than anything to follow religiously!

Part 2 - Face Shape

A lot of artists, myself included, gets caught in the ‘same face’ syndrome. Which is basically when all your characters and people you draw end up looking suspiciously alike. (Don’t feel too bad about this, by the way, since even big companies like Disney suffer from this lol!)

A way to prevent this is to diversify your face shapes.

These are a few quick examples, and my biggest piece of advice for this is to practise drawing as wide a range of faces as you can! Pick people of various races, sizes, genders, etc!

This can be as simple as drawing people around you too, friends, family, colleagues, even yourself!

Part 3 - Eyes

Similar to the last point, practising drawing a wide variety of eyes (differing in shape, colour, size, etc) will help you get a better grasp on how to draw them.

Some more specific advise for this would be to map out where the actual eyeball is. This way, you’ll be able to figure out more effectively where to put things like the tear duct!

Another thing to remember is the position of the pupil and iris, which can greatly impact the expression you’re going for. So, exposing more of the whites of the eye will make someone look scared/shocked, whereas less of the iris & pupil visible will look suspicious/shifty.

The image above is a few examples of how to sketch eyes & what to look out for when you’re doing your own drawings!

A final few things I want to comment on here is the position of eyelids, which can also greatly change the overall expression of a character. Eyelids differ from person to person, and can range from double, mono, hooded, deepset, etc. And as with all I’m talking about here, how the eyelid crease looks will change depending on the angle of the face.

Part 4 - Nose

Noses are pretty confusing, if I’m being honest.

One thing I remember learning from school was to use three circles to make up a forward facing nose. A bigger circle for the tip of the nose, and the a smaller one either side for the nostrils. This can help you to get an idea of how big you want your nose to be (and to check it fits with the proportions of the rest of the face).

This method can also help to figure out the specific shape of the nose you want to draw. Placing the central circle lower than the other 2 will give the illusion of a bigger nose, whereas if it’s higher then it would look more like an upturned nose. Just have fun and play around with giving your noses interesting bridges and various sized nostrils, etc!

These are a few examples, but there are honestly endless combinations of noses you can experiment with!

Part 5 - Mouth

The first piece of advice I’d give you for drawing mouths, is to draw them in conjunction with the nose. Use the bit between the nose and mouth (which I just found out is called the philtrum lol) as a guide on how big or what shape to do the cupids bow as.

I’d also recommend starting with the corners of the mouth, and then connecting them to for the middle of the mouth. This can help you get an understanding of what kind of expression you want (it often only takes a slight curl of the corner of the mouth in order to create some subtle change in feeling of the character).

And something that I often do, is creating a subtle almost M shape for the centre of the mouth (think almost of a turtles mouth, but less extreme). This can give the lips more of a sense of 3 dimensionality than a simple line.

These are just some examples of how I draw lips with no references as a guide. Another point I would suggest is to include the shadow of the lips on the chin, which can also help you to map out the size and shape of the chin itself.

I feel it’s important to note that I’ve only including hints for closed, mostly neutral, expressions. So if you want me to do another blog post talking about expressions (like how to draw smiles, or other open-mouthed expressions) then let me know!

Part 6 - Ears

I’ll admit that ears are not my strong suit, so there isn’t a tonne of advice I can offer here. (I once had an hour long breakdown over how bad my paintings and drawings of ears are lol... I wish I was kidding but I’m not pfft)...

This is a very... unhelpful image lol...

My main advice is to just... look at ears lol... Hopefully you’ll have better luck with them then me!

These were all very basic tips for drawing faces, and there were a lot of things that I wasn’t able to go into here, so if anyone wants me to do a more in-depth look into certain aspects (for example, specific features) then just let me know!

As always, I really appreciate everyone who reblogs/likes these posts! <3

#art advice #how to draw a face #art tips #art advice for beginners #artist advice #drawing guide #drawing faces #faces #tutorial #(it's not a tutorial but... shh)#btw to anyone who's ever replied or left nice tags in these posts i wanna say a massive thank you!!!#it's rly heartwarming to know that people have actually found my advice useful lol!!!!!!

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sanktnikolais · 3 years

Text

Invisible String

The three major events of Zoya's life that Nikolai has had glimpses of, and he feels her emotions all the way to his side of the invisible string connecting them.

or that zoyalai psychic/emotional connection au

@grishaverseonline mission 12: favourite character - nikolai lantsov

A/N: guess who’s posting a new content after months of hiding? HAHAHA. This was supposed to be posted yesterday for my birthday but I wasn’t able to finish early. So have this late birthday treat from me. ;-;

Warning tho, contains some RoW spoilers, and contains the alternate version (Am’s version LMAO) of the garden scene.

Word count: 5174

They said that it would take a lot for one to get accustomed to the pain that came with losses.

Nikolai never realized he had lost so much until he had everything within his reach.

He didn’t know it was already a loss when his mother had decided to be unfaithful to the King of Ravka and bore an illegitimate child with a Fjerdan merchant. He didn’t know it was already a loss when he had met a certain brown-haired boy in one of his private classes, not knowing that he would be the reason why that same boy would be drafted early for the war that would take his life later on. He didn’t know it was already a loss when he still tried to seek the approval of the older brother that never wanted him, and that would end up in him developing a cunning personality to gain acceptance from everyone around him. He didn’t know it was already a loss when he dropped the guillotine that would imply that his father was guilty of such a heinous crime, exiling both him and his queen to a faraway place, never to set foot on the country they had sworn to protect yet failed in every possible way.

It only came to him, when he was finally sitting on the throne and overseeing a broken country, that he hadn’t really gained anything along the way. Only nightmares that weighed on his shoulders and kept him awake at night, and the black scars that were just as dark as the blood of every life lost in the war coating his hands.

And pain.

Both the ones he had known and acknowledged, and the sudden, unexplainable bursts of physical or emotional pain that came to him in the most random times throughout his life.

Nikolai didn’t know when it started. Being a young royalty that grew up doing everything in his own cunning way had taught him to mask the pain into something less hurting. Whether it was telling horrible jokes or making something more complicated by talking too much—it was his way to beat around the bush and away from the impending truth, thinking that if he ignored it long enough, he would forget it.

It worked, somehow, but it only pent up the emotions in his heart that were bound to explode later on.

Even though that fact was clear to him, it still wasn't enough to justify his first, sudden outburst when he was twelve.

It was quite a normal day—he had another hour with the extra reading on chemistry and Kaelish history he had requested from his tutors, and he was stuck in the library until the late hours of the afternoon. But the truth behind it, however, was to have time to sneak in and out of the palace to visit Dominik and his family in the countryside.

The whole day of learning to braid Dominik's sisters' hair had ended happily, with Nikolai able to finish tying all of them, albeit resulting in tangles that would need more attention to fix later.

You'll get used to it, Dominik had mused with a light laugh. I didn't learn this in just one day.

Nikolai thought of them on his way home, seeing how their smiles seemed to reach their eyes when they laughed around each other, something he never saw or felt in the Grand Palace. An unwanted pricking stung his eyes, and he immediately reached up to wipe the tears away. It was foolish to be longing for something insignificant when he already had everything he needed. He could just ask anything from his servants and tutors, and they would appease his request without question. So why was he suddenly—

His throat clogged up with muffled sobs, the sickening feeling of both anger and sadness constricting his heart as if there was a fist was trying to crush it. The next thing he knew, he was collapsing on the palace gardens, and the tears were endless.

The wind picked up around him, followed by the sound of thunder. But they fell deaf in his ears as the wails tore from his throat.

Then it happened. The dreadful images of a ruined church and a horrified expression from the face of an old man flashed before his eyes, along with the searing feeling of anger directed to him.

But then the images faded as fast as they had come, and there was the sudden hollow feeling in his chest.

Palace guards found him in the same spot a few hours later, curled into a fetal position as if to shield his body from harm. The King had demanded he explain what had happened, and knowing their judgment to anything Nikolai had ever done and said made him lie. He told them he had hurt himself when he tripped and fell in the gardens, and they easily believed it as it was his own foolishness. There was no way they would believe him even if he tried to tell the truth.

He had been sent to a Healer right after that to check for other injuries, even when he knew to himself there wasn't any.

Except for the sudden hollowness in his heart that could never be filled.

***

The next one didn't happen until three years later, when Nikolai was fifteen.

He would never know what had given him away, but years of sneaking back and forth in the palace made him careless, and it was only a matter of time before Vasily, his ever cruel brother, knew about it.

"You're just turning sixteen," Vasily said with a sneer. "But you're already tumbling peasant girls. You're no better than father."

Fear gripped at his mind almost instantly when he realized that this mistake would befall on Dominik. Nikolai knew too well how commoners who had done something wrong would be punished by being barred from the palace in disgrace, sending them back to their families with nothing else but their clothes and themselves.

Nikolai had begged Vasily to hold his tongue, to keep a secret for him. But if there was one thing he knew about his older brother, it was that Vasily never cared about him.

So why would Vasily care about some boy with no name?

"Do you understand what you have done?" Nikolai asked furiously the next morning when he had cornered Vasily in the lapis drawing room.

Vasily merely shrugged. “Your friend won’t get to study with his betters, and you won’t get to keep rambling in the fields like a commoner. I’ve done you both a favor.”

“His family will lose their stipend. They may not be able to feed themselves without it.” His rage was boiling into something much worse, and he could feel it coursing through his veins. But he still held back. It was his weakness, he realized, that he didn’t have the heart to lash out his anger on someone close to him, no matter how cruel they had treated him. “Dominik won’t be exempt from the draft next year.”

“Good. The crown needs soldiers,” said Vasily. Then he scoffed, giving Nikolai a once-over. “Maybe he’ll learn his place.”

Nikolai had expected his anger to explode, all the pent-up emotions to finally be let go. But he felt disappointed instead, as if he had lost something important. It took him a second to realize that he had lost his respect and admiration for his older brother.

For years, he thought that Vasily was better than their father. Whereas their father sat slouched on the throne and shoulders hunched when he stood, Vasily was the exact opposite of him. He always stood tall, chin held up high. He was the spitting image of what Nikolai had imagined a royal should be.

But Nikolai had never been ashamed to admit that he was so wrong.

"You should be ashamed," said Nikolai quietly.

But Vasily only jabbed a finger to Nikolai’s chest. “You do not tell me what I should or shouldn’t do, Sobachka," he snarled, his voice laced with poison, the same one that Nikolai almost drank when Vasily had mixed a droplet of it into Nikolai's cup. "I will be a king, and you will always be Nikolai Nothing.”

Then it happened again, the strange images appearing before his eyes. Where Nikolai expected it to be the same ones he saw four years ago, they were different this time.

The drawing room morphed into a rough terrain full of snow, and an enormous white tiger had replaced the spot where his brother was in front of him, its teeth bared and hind legs laid back to pounce.

It was then he felt the sudden feeling to protect himself, his survival instincts kicking in, and he did just that. The images faded, his surroundings fading back to the drawing room.

With a strength that came from nights spent roughhousing with peasants and workers alike in some shady fight club in Os Alta's outskirts, Nikolai snatched his brother's finger that was on his chest and twisted hard.

Vasily fell to the ground with a yelp. He looked impossibly small. A satisfying feeling settled itself in Nikolai's chest. It was most likely the worst he had seen his brother, and if Nikolai had only known that his older brother was nothing more than a facade to hide such a vile and weak face underneath, he wouldn't have wasted his whole life trying to be like Vasily.

"A king never kneels, brother," Nikolai hissed before he left his brother's prone form on the ground.

He was sure that Vasily wouldn't let him forget what he had done to him.

But the next time his brother would try to come for him, Nikolai would be ready.

***

The worst one happened almost five years later.

He was finally fulfilling his dream as a privateer in the seas, and the name Sturmhond was born right in the middle of the True Sea, never to be forgotten by all sailors and pirates as the years would go on.

It was supposed to be a diplomatic meeting with the Fjerdan traders that came from Djerholm. They were set to talk about the territories, with Fjerda claiming that they didn’t allow enemy ships to sail freely at the northern True Sea without permits unless they wanted their ships obliterated by Fjerda. Nikolai had wanted to laugh when he saw the ship; it was too enormous and too sturdy-looking to be of trading purposes only. He assumed that it had to be a warship since its captain and crew were too confident to stop the Volkvolny. No one ever dared to go against the Volkvolny —the black sails that had guided them for years were already a familiar sight to all the sailors and pirates. Though it was smaller than any warships in the seas, it could still go on par with ships twice as big as it, and it had sunk numerous vessels and gotten away unscathed.

These Fjerdan ‘traders’ should have known better than to get in the Volkvolny’s way.

True enough, when Nikolai had stepped into the enemy ship to negotiate the terms, he immediately noticed the heavy artillery carelessly covered by a rag on the main deck. They had even attempted to blend it in among the cargo crates scattered on the floor, but the canons were obvious underneath the thin material covering them. He let out a breath. He suddenly wasn’t sure if going here with only his two Shu mercenary turned personal guards was ideal. At least twenty rough-looking men were surrounding them, and their captain, Captain Hjar, was only a bit shorter than Tolya, and yet he still looked impossibly tall than all of them. His hair had been cropped close to his skin, exposing the lined scar that ran from his temple to the spot behind his ear.

Tamar had voiced out her concerns then, telling him that something was not right, and Nikolai acknowledged it greatly. The Shu mercenary’s gut instincts already saved their lives countless times before, and he wasn’t going to ignore that. But he knew the Fjerdan crew’s taste for dominance. He wasn’t just going to let these men do as they please to the travelers that would pass their private routes.

He could only hope that this risky meeting they were doing would turn in their favor.

And yet as soon as they stood in front of Captain Hjar and his men, the wooden bridge that connected the two ships was cut off, causing shouts of protest from his crew back in his ship.

“Oh, wow," said Nikolai with mocking surprise. Tolya and Tamar tensed behind him, their hands already poised on the weapons strapped to their belts. He turned back to Hjar. "We haven't even started the meeting yet."

Captain Hjar only smirked. "Better not waste your time, little wolf," he said, his voice scratchy as if he had been shouting his whole life. "Why try to prolong this when it would still end in the same result?"

"Lay down your sword, Hjar."

"These men would be making bread from the bone and skin of skinny Ravkan boys tonight, little wolf. And I can assume your ship has plenty of valuables, aye? I cannot promise not to hurt your men," he said, and his men laughed together with him. When he stopped, his cold eyes held a dangerous glint as he stared at the twins behind Nikolai. "And it'd be fun to have some nice, warm campfire with those two Grisha of yours."

Something in Nikolai's mind had quieted, shutting out anything logical from coming into his head. The thoughts halted. His rage slowly took over like a monster finally overwhelming its prey. He felt numb and empty, and he realized that the rage was focused on the Fjerdan captain.

Then for the third time in his life, it happened again. Everything else faded around him and threw him under the landscape of complete darkness. It was like he had been thrown into the Fold. After a moment, it blurred and shifted to another—a small, empty shop in some town he couldn't recognize where. Then it shifted again, and this time, it showed him a man who was on his knees, clawing at his throat as if he were struggling to breathe.

Nikolai held onto those images in vain, so he could make sense of them earlier on. But the rage inside him had him forgetting them in a snap, and all he could feel was anger. Anger towards everything.

With that, his body relaxed, and he regarded Hjar with a calm tone. These men needed to know their places. "Maybe you're right about that, Hjar," he asked, and he saw the Fjerdan captain acknowledge him with mocking curiosity. "But it wouldn't be my men who would be butchered today."

He saw the shift of expression from the Fjerdan captain's face, and Nikolai pounced with his own sword.

The fight hadn't even lasted for a minute. Hjar's men had completely underestimated the mercenary twins by just being Grisha, but they were just as deadly as any well-trained assassins. Soon enough, Nikolai’s crew had the Fjerdans tied up and shoved them down their knees, with Hjar at Nikolai’s mercy. But he felt nothing at all.

"You want to know something, captain?" asked Nikolai mildly as he went behind the burly man and held up his tied hands on his back. Hjar gave a pained grunt. Then Nikolai leaned down near the man's ear. "Foolish old captains aren't fit meat for Ravkan men."

Then he took out his knife and cut the Fjerdan captain's fingers.

Nikolai barely heard the man's screams or even felt the blood gushing out from the wounds. He just felt numb all over. If his crew noticed the sudden change in his behavior, they didn't voice it out. Only the twins were the ones who showed a bewildered reaction as Nikolai held the decapitated fingers in his bloodied hands.

He threw them over his crew's guard hound dog at the side. "Eat up, Razjen," he said. "I'm pretty sure the dogs would appreciate that kind of meat given to them."

That same night, he and his Volkvolny crew had drunk and eaten to their guts' limits from the spoils they had divvied up from the Fjerdan trader ship. From the night until the earliest hours of dawn, they had laughed, celebrated, and sung until their throats were raw and their bellies full.

But when the night ended and Nikolai had retreated into the confines of the captain's quarters, he had thrown up everything he had eaten until tears stung his eyes. He had expected them to stop when he was done, but it only worsened as sobs and wails tore from his lips again, just like it had almost a decade ago, when he had collapsed in the palace gardens and cried himself out for a reason he had never known.

And as the hours passed and night broke into dawn, the tears had finally stopped. Nikolai fell asleep, but the hole that had made its way to his heart from the first time he felt the sudden shift in his emotions now only felt deeper than before.

***

Nikolai blinked as he felt the heavy tug in his heart again. It was much more painful than before as if whatever at the other end of the string wanted him to hurt on purpose, and he was left to choose whether to still follow her in or not.

The funeral had ended hours ago but he could still feel the heaviness and gloom lingering in the air. He wanted to visit Genya in her quarters for the night, just to extend whatever he could offer her for the meantime. But he decided against it when he rounded the corner leading to the Tailor’s chambers, and that’s when he saw Zoya coming out from the door. She had lingered outside for a moment, her hand clutching at the handle as if to hold herself upright. If he looked harder, he was sure it really was the reason as he saw her shoulders shaking and her head was bowed down, something his general never did.

A searing pain in his chest made him wince, the hurting so painful it felt like he had just been burned by a branding iron. The want—the need—to reach out for her was the only thing he had wanted to do at that moment. But he willed the thought away, remembering how the things were between them.

They did not look to each other for comfort, and he knew the last thing Zoya would want was for him to give her his sympathies. It had been their unspoken agreement ever since Ravka was put on their shoulders. There was no time for sentiments, they would only spiral them down much worse.

After another minute of silence, Zoya had quietly left, her form completely blending in with the gloominess that surrounded the palace walls. Nikolai decided to follow her out then, and it led him to now, following her through the dark, narrow walkway that led into someplace he wasn’t sure of. Tangles of vines pricked at his skin as he walked further. Eventually, he reached the other end of the path, and the sight of the place astonished him.

Flowers and shrubs of every variety were lined up in the soil beds, overwhelming the ground in different colors. The open ceiling of the area had allowed frost and snow to fall over the plants, and it coated the leaves and petals alike. It looked almost like a small world of only peace and serenity, and yet it felt like a garden of sadness, with grief dripping on every plant and bleeding through the four walls that surrounded it.

Nikolai spotted Zoya in the middle of the dim garden, her back turned to him as she looked around. Snow was starting to fall, and it caught in the dark waves of her hair. Under the moonlight, she was glowing, a saint watching over the people. But behind the light that masked her real face, something was wrong. What once was her perfect stance and chin held high, she was now hunched, bent down, as if she were hiding from the world.

Then he felt it again, the sharp and painful tug in his chest. But this time, it felt different. This time, it was leading in a direction.

And it was leading towards her.

Nikolai blinked, his eyes widening a fraction. Could it be—

"I'm running out of room," she said, her voice barely a quivering whisper.

Had she known he was following her all along?

"Do you—" Nikolai shook his head, unsure of what to say. He tried again. "You tend to this place?"

Zoya was silent for a moment. Her shoulders had gone stiff the same way she was poised for battle. But Nikolai had merely asked a question, and he wondered if it was prying enough to cause that reaction from her.

"I needed somewhere to go to distract myself, and this has always been the place my feet would lead me to," she said quietly. "It was an old vegetable garden. I found it years ago, back when—" Her voice broke into a muffled cry, and yet there were no tears, like she refused to let them fall. She shook her head, her hands lifting as if to brag about the wonderful bunch of plants around her. But the gesture looked so helpless, so lost, and she let her arms fall back limply to her sides. Then in a broken whisper, she repeated, "I'm running out of room."

Nikolai's eyebrows drew tight in concern. He took a step towards her, and stopped almost immediately. It felt like he was treading across a dangerous line that neither of them ever had the guts to cross. Things were already too complicated, whether it’s about Ravka or about them, and he didn’t want to make things worse. But he refused to leave her on her own. Not like this.

Slowly, he made his way towards her, feeling the tug become stronger and stronger until he stopped at her side. He felt the cold seep through his clothes, harsh and biting like Zoya’s daily demeanor. But tonight, there was only grief and sadness, and it made everything even colder.

There was a long silence between them as he waited for Zoya to speak. Or if she wanted to speak. He wasn’t going to force anything from her. It was already a painful day for them to get through, and he wouldn’t add to the burden they were all carrying on their shoulders. He was grateful for the silence either way.

But when Zoya spoke later, her voice was quiet, lacking the usual sharpness it always had. “I plant something new for every Grisha lost,” she started. And there it was again, the heavy feeling in Nikolai’s chest that weighed down on him and made him struggle to breathe. It took all of Nikolai not to reach out for her. Then she lifted her hand and started pointing to the plants. “Heartleaf for Marie. Yew for Sergei. Red Sentinel for Fedyor. Even Ivan has a place. He was once a soldier like us too, before the Darkling corrupted him.” She touched her fingers to a frozen stalk near the edge of the soil bed. “This was for Harshaw, and they will blossom bright orange in the summer, just as bright as his ridiculous hair.”

Nikolai felt a small smile twitch on his lips. There was an obvious jest in her tone, but her words were sad, still haunted by the past war they could never be free of. He reached for the plant, letting his fingers touch its leaves delicately. He dusted off the frost from the leaves’ surface, and it almost looked as new as ever. The Inferni had once fought beside him in the mountains and with Alina and the others in the Fold, proving his loyalty up until the very end. It was unfortunate that he didn’t get to see past the war as it had already taken his life.

“These Dahlias were for Nina when I thought she’d been captured and killed by the Fjerdans,” Zoya continued, her hands reaching out to the flowers next to Harshaw’s. “They bloom with the most ridiculous red flowers in the summer. They’re the size of dinner plates.” Then as steady as her hands were when she first reached out to touch them, they began to tremble badly. “This was the last one I vowed that I would plant. I kept promising myself over and over and over. But they only kept increasing. There was no end. And now David—” She stopped abruptly, her throat clogging up with a quiet sob. “I’m running out of room, Nikolai.”

A tear escaped Nikolai’s eye, and he quickly wiped it away. He didn’t know why he did that. Earlier in the funeral, he didn't shed a single tear when he gave the eulogy, only the prickling pain that gave the first signs of tears. But they didn’t fall. Guilt had been clawing at him ever since, thinking that he hadn’t cared enough to show that he was mourning the loss of an old friend. It was only reasonable to cry; they were all grieving, after all. So why still hide, when there was no one else to see him?

Then he realized it was what he had been used to. This was what they were taught. You don’t let yourself wallow in sadness—you get back up and continue on. No matter how heavy the weight on your shoulders was.

Soldiers did not cry. Princes did not weep. And kings should never get fazed by such sentiments and emotions.

But what if it was the only thing left to do?

Nikolai glanced at Zoya, seeing tears staining her cheeks as well. She wiped at them hastily and tried her best to blink them away. He heard her draw in a shuddering breath.

“They will continue to thrive and bloom as long as they get taken care of,” said Zoya, her fingers curling around a stalk from the dahlias. “But what if they don’t? What if they stopped even as I tend to them everyday?”

He immediately understood the deeper meaning behind her words. Every life lost under her watch; every Grisha blood staining her hands. It was the weight on her shoulders she had always carried, a weight that existed ever since she had been a soldier, up until now that she was their general.

If he could only take all the burden from her chest and carry it along with his own, he would have done it. But that wasn’t how it worked. They were all bound to have their own burdens—it would only be a matter of difference with the people around them that would help them get back up on their feet whenever they get too tired from carrying it all.

Nikolai let out a long breath, his gaze landing on the twisting gray branches that ran along the perimeter of the garden. He recognized it right away. “Thorn wood,” he murmured. He felt Zoya’s confusion even before she could voice it out, so he continued speaking. “It grows around, protecting everything within these walls, stronger than anything else in the garden, weathering every season. No matter the winter it endures, it still persists, all prickles and thorns and spines anger just to keep protecting everything here.” Then he turned to her, looking down at the bright and never-ending flames behind her eyes. He gave her a lopsided smile. “Those thorns, they remind me of you. Prickly and sharp, just like you are. But its purpose was to protect all these flowers and plants, like the way you protect our people.”

Zoya almost looked like she was on the brink of breaking, but her questions persisted. “And what if the winter is just too long and hard? What if it can’t continue protecting them all?”

He was afraid to reach for her, but he did it anyway. He took her gloved hand in his, and when he expected her to pull away, she didn’t. Instead she folded into him like a flower closing its petals at nightfall. “Then it would still be there, watching over all the flowers and plants, giving them the sense of protection, keeping them strong until the summer comes, even as its life withers away.” He gave her hand a gentle squeeze, a laugh escaping his lips. “I do hope I made sense with all that blabbering.”

This earned a huff from his general. “Who says you ever did?” she said, but he felt her hand squeeze his back, gratitude evident even from that smallest of gestures. That was when tears fell from her eyes again, and Nikolai felt some of his own as well.

Trusting what his gut told him to do, he wrapped his arm around her.

And in the same exact moment, Nikolai didn’t feel the painful tug in his chest anymore. It was as if he had undone all the tangles and knots between, and he could finally pass through the thread without difficulties.

Zoya seemed to hesitate for a moment, and then with a soft breath, she let herself lean against him. Zoya the deadly. Zoya the ferocious. The weight of her against him felt like benediction, the long lost piece from the puzzle that he had been trying to figure out for years. For the first time in his short life, he felt at peace. He had been strong for his country, his soldiers, his friends. It meant something entirely different to be strong for her.

When he thought that they did not look at each other for comfort, he had just been understanding it quite differently. No, they gave each other comfort in their own way—whether it was through sharp wits and harsh words that kept their will stronger, or even just through knowing looks and long silences. It was their way to tell each other that they were always there to keep each other marching on their feet, and pull each other from the darkness they were both continuously fighting their way out of.

There would still be a lot of problems to face, obstacles to get past with, lives to be lost. But they would be alright. They still had each other to get through everything, and it was enough.

Together.

And that’s how it would be from then on until the very end.

***

He used to believe that the other end of the string was just like any other end, blunt and empty. Not once did he ever think that he could be wrong.

Now, Nikolai knew one thing. It would always lead towards her.

#zoyalai #zoya nazyalensky #nikolai lantsov #king of scars #my writing #hHNNNNGGGG #guess who came back to post some shitty mess #HALJKHASDFLJAS #the canon events in their childhood are so close to their ages so it's quite fun to make these parallels #and it's sad sad #;-;#i hope i did justice with the garden scene rewrite/alternate version #tiff came up with this idea some time ago and i only finished it today T-T #everyone go support tiff and her galaxy brain plz #no that is not a request #it's now time to disappear again for another few months HAHAH

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bonjour-rainycity · 3 years

Text

Double Heart | Chapter Sixteen ~ Cosima

|previous part|

Pairing: Haldir x OFC

Rating: PG-13

Word count: 3021

Warnings: None

A/n Every chapter, you all make me smile so much <3 Thank you!

Haldir leaves and I let out something halfway between an exhale and a groan.

What. Was. That.

My room, which is a very respectable size, felt like a matchbox as the space between Haldir and I minimized. He went from weeks of keeping a consistent physical barrier between us to ghosting his hands over my arms, my hips, my waist…It’s…new.

And when he held me close, his chest so nearly brushing against my back—

I shake my head against the onslaught of scenarios that run through my mind.

I should not be thinking of him this way.

Haldir is a friend, a guide, an instructor, nothing more.

I let out a deep breath and begin to pace, trying to work off this newfound energy. Haldir and I trained for nearly two hours, I should be exhausted. Instead, I feel wide awake, invigorated, jittery, like I couldn’t possibly go to sleep. I groan, taking my hair out of its bun and letting it fall around me. I stop in my tracks, glancing at the spot where Haldir and I stood so close together just moments ago.

I cannot stay here.

I tear through the open door, turning right and taking the staircase that leads to the first floor. I turn left and, before I know it, I’m standing in front of Alex’s closed door.

I knock.

The door creaks open. “Hey,” he greets, opening it wider to allow me in. “What’s up?”

“I uh,” I purse my lips, having not really thought through my plan. I do need a distraction though, and being out of my room is already helping clear the fog from my brain. My eyes catch a pile of books on his nightstand. “I came to help you research, if that’s okay.”

His face lights up. “Yeah! Yeah, of course. I’ve read those three so far,” he gestures to a small stack by the window, “and there’s nothing helpful in them. Everything else in English is fair game. Is there anything specific you want to look into?”

“Fæs.” I’m surprised that the answer comes to me so easily, but as soon I speak the word, I know it’s true — I do want to learn more.

Alex nods slowly. “Yeah, okay, I think I’ve got a couple books on that here. Let me….” He trails off, spinning in a circle as he searches for a specific volume. “Ah.” He squats down and grabs a book near the foot of his bed, reaching it up to me.

An image of Haldir, crouched on the ground, hand warm against my ankle, staring up at me with such intensity, so much confidence—

Alex stands and I look to the ceiling, trying to will away the image and the feelings that come rushing along with it.

“What makes you want to learn about fæs? Isn’t that an elf thing?”

I purse my lips, stalling until the embarrassment fades enough to look Alex in the eye. “Haldir mentioned that humans have their own version of a fæ — a little weaker, a little different, but generally the same concept.” An idea begins to take form, and I roll with it. “I was wondering if—assuming that our fæs remained unchanged between our homeworld and Arda—well, if we could use it somehow, tap into it and reclaim our memories. If anything were to remember, wouldn’t it be our spirits?”

Alex nods slowly, a grin tugging at the edges of his lips. “That’s actually not a bad idea. Great thinking! Let me know if you find anything.”

He settles into the couch, leaving the bed for me. Gratefully, I cozy up against the pillows. I open the book, skimming the introductory chapter, which is basically just a summary of the core concepts Haldir has already explained to me. When I’m on chapter three, the sky passes firmly into night, and even the plethora of candles Alex has lit aren’t enough to keep my eyes from straining.

I pull my knees to my chest and lean forward, glancing over at my friend. His cheeks — which had been gaunt when we first reunited, now take a healthy shape. His shoulders no longer hold vestiges of tension — they lean relaxed, leisurely, against the back of the couch. Even in the limited light, he squints his eyes and continues to read, seeming intent on soaking up as much knowledge as he can.

I rest my chin on my knees. “I need to ask you something.”

He looks up, his eyebrows drawing together in concern. “Okay?”

“Are you alright?”

He sighs, shifting in his seat. “Cosima…”

“No,” I protest. I don’t care if it’s uncomfortable, he needs to talk about things. He’s been bottling it up since he arrived in this world and it hasn’t done anyone any good. “I mean it.”

Alex groans, shaking his head. “Fine, okay. It’s…strange.” He pauses, but I wait, holding out hope that he’ll continue. He does so, slowly. “I’ve…gotten myself to accept that I’m in a different world, but I can’t wrap my mind around the how. That’s stressful. We don’t have a solid plan to return home, nor do we know if we’ll find one. That’s depressing. And, I have flashes and snippets of memories, but otherwise, I feel like I don’t know who I am.”

My heart breaks. Here my friend is, hurting, lost…

And I’ve left him completely alone.

Alex tilts his head to the side, contemplating. “But I do feel better than when we arrived, or even just from a few days ago. Having things to do, feeling useful and like I have agency for the first time…it’s really good for me. And, well,” he dips his head then raises it again, leveling his eyes on me. “It’s helped me realize something else — that I owe you an apology.”

I blink in surprise. I’ve been the one that has pretty much abandoned and ignored him. I should be apologizing.

“On the road, I said some pretty mean things, and I isolated you from your friends and tried to take control. I didn’t mean for it to be like that. I was…” he sighs, shaking his head, “scared out of my mind. I already felt like I couldn’t do anything to fix the problem, and then on top of that I felt like you had completely given up and it was my job to save us both. And I know now that’s not the case, but for a while…” He trails off, shrugging his shoulders. “You’re just more adaptable than I am, I guess.”

I push myself off the bed, cross the room, and sit next to him on the small couch. Automatically, he throws an arm over my shoulder, the movement so familiar and easy that he must have done it a thousand times before. I lay my head on his shoulder, the bone there pressing against my ear.

I take a deep breath. “If we had really been kidnapped, or injured, or anything more realistic than what actually happened,” he gives a small, tired laugh, the movement shaking his shoulder, “you would’ve been the one to get us out. I know it. Even now, you’re the one putting in all the hard work to get us home. I’m sorry I’ve pretty much left you to handle it alone.”

He squeezes my upper arm gently. “I appreciate it, but I don’t blame you. I get it.” He shrugs again, a measure of sadness creeping into his voice. “It’s not like you remember anyone enough to miss them. If you have people you like here, of course you’d focus on them.”

I feel my lips pull into a guilty frown. “They like you too, you know. You all just need to spend some more time together—”

“Nah,” he shakes his head, pushing a smile onto his face. “It’s okay, honestly — we just don’t click. But I have you, and Baranor and I get along well, and I have this project to work on. It’s enough for me.”

I sigh, resting my head against his chest. I hope that’s true.

{***}

At breakfast, Lavandil and I make plans to meet at her shop. She gives me directions and I hurry up the stairs to my room, changing out of my tunic and leggings and into something a little more fun for my first day of work. I settle on a dark purple gown, one that billows down my arm in puffy gossamer sleeves and has a slight, sparkly train. I’m probably a bit overdressed, but knowing Lavandil’s extravagant wardrobe, I’ll fit in just fine. I bound down the staircase, eager to discover the market and the shop. I turn left, intent on exiting the building.

And crash into the middle of someone’s chest.

Hands grip my upper arms, steadying me as I stumble back. Once I’m righted, I look up, and my mouth falls open.

“Cosima—”

“Haldir—”

Both of us freeze, having spoken at the same time. I purse my lips, waiting for him to go first. He raises an eyebrow, evidently expecting the same of me.

But I can’t make the words happen. His hands on my arms send my mind right back to the tension of last night, to the room that started light and open and turned more intimate than it should as the night went on.

Haldir’s arms fall to his sides. “I’m sorry, I didn’t see you turning the corner. Are you alright?”

I nod, my eyes darting from his chest clothed in a cobalt blue tunic up to his eyes. The intensity from last night is gone, now replaced with a noticeable degree of hesitance.

Interesting.

Did he feel something last night, too? Or does he know I did, and now feels awkward around me?

That last thought sends a wave of stress through me. Was I horribly obvious? Have I messed everything up?

“Are you off to Lavandil’s shop,” he inquires, pulling my mind away from these anxiety-inducing thoughts.

“Yes.”

He quirks a smile. “Then I imagine you will be seeing a lot of my brother today. He has a tendency to hang around there.”

“Probably a result of him being in love with the shop-owner,” I quip, voice going high with nerves.

He raises an eyebrow. “Yes, I suppose that would do it.”

We fall into awkward silence.

Haldir clears his throat. “Well, enjoy your day.”

“You too,” I nod, crossing paths with him to exit the building.

Once outside, I take in a gulping breath.

Did I create all that weirdness? Or is he struggling to figure out how to act around me, too? And why?

Things have never been strained or awkward between myself and Haldir. Once he got over his initial suspicion of me, we got along easily. I feel like he understands me better than the others and, if I had to pick a favorite, as Rumil prompted me not so long ago, it would be, without question, the supposedly-stern Marchwarden leading our company. And, based on the amount of time he spends with me of his own accord, I would say he enjoys my presence, too.

So, that begs the question, what could have happened to turn all that ease on its head and replace it with stilted, awkward, unsure interactions? We were fine until last night—

I suck in a breath.

My brain, apparently useless until I looked the issue straight in the eye, starts piecing together instances of my time with Haldir, forming a terrifying and exhilarating picture.

Sleeping between me and the entrance to our camp so I wouldn’t be frightened. Spending hours alone with me lying on a blanket staring up at the stars. The way he panicked and looked after me when I had my migraine. Big things like that and smaller ones, too — the way he teases me, the way he always makes sure I’m cared for, whether that means sharing from his canteen or sending me with food when I’m likely to miss dinner. The way he’s conscious of my fears—heights, orcs, you name it—and provides support without coddling me, enabling me to handle and face them on my own. The way his arms, so gentle yet so secure, held me close, even for just the smallest of moments.

Could we…have feelings for each other?

Could this rapid and strong attachment to an ellon I met mere weeks ago be something other than friendship?

With a sinking feeling in my gut, the momentary rush of excitement falls into something much more sinister. Something that, in any other world would be a wonderful, thrilling feeling—the one I am developing feelings for maybe, potentially, might see me the same way—is here, horrifying.

Because elves live forever and love only once.

And a human lifespan is dismally short.

Rumil’s face after our conversation yesterday, crestfallen and saddened, comes to my mind.

If my mere friendship with these ellyn will cause them grief when I’m gone, then even entertaining these thoughts about Haldir….

It’s deplorable.

From the heart of the city, the bell chimes. I’m late to meet Lavandil.

I shove down the ache that makes my lips quiver and hurry down the path that will lead me to the market.

The distraction of working with Lavandil will be my lifeline.

I cannot allow my feelings for Haldir progress any further. So, though I’m not sure how effective I’ll be, I swear not to think about him for the rest of the day.

{***}

“What happened last night between you and Haldir?”

Damn.

I made it two hours.

I swallow, trying to seem busy as I hang a tapestry on a display. “What?”

Lavandil comes up beside me, using her height to hang the art properly. “Rumil told Orophin who told me that Haldir came back from training with you and seemed quite flustered.”

My body runs hot. “Did he?”

“Mhm,” she nods decisively. “Apparently he returned to the room in a rush, wouldn’t say a thing, and then spent over three hours at the training grounds, sparring quite harshly with some of the guard.”

Even though the tapestry is hung, I pretend to fuss with it, not brave enough to meet Lavandil’s eyes. “Nothing happened. Maybe he just wanted a better workout — I can’t imagine I was much of a challenge.” I try for a joke, and mercifully, she gives me a pity laugh.

Her demeanor softens. “Cosima, you know there’s nothing wrong with having an attraction, or even feelings.”

“Of course there’s something wrong with it,” I shriek, much louder than I meant to. I look at her with wide eyes, surprised by my outburst.

Thankfully, no one is in the shop, and Lavandil only regards me with calm eyes, no judgement in them.

“I’m sorry,” I hurry to apologize, sitting myself in a chair at a nearby table. On top of it sits a beautiful garnet tablecloth — Lavandil’s work. She sits across from me.

“It’s alright,” she smiles kindly, resting her elbows on the table to mirror me. “I had a similar disposition when I realized I loved Orophin.”

“I don’t love him,” I correct quickly.

She puts her hands up in the sign for surrender, though her bottom lip pulls like she’s trying not to make a face.

“I don’t,” I insist, putting effort into keeping my tone non-angry. I lower my voice, worried, perhaps irrationally, that Haldir himself will go waltzing by and hear my dreadful confession. “It’s, at most, an interest, and probably not even that. Likely more of a curiosity.”

“Well, interests are nothing to be ashamed of.” Her tone matches my low volume and carries in it a gentleness I could never hope to emulate.

“Yes, they do!” My voice drops to nearly a whisper. “Lavandil, he is an elf. You know I’m human. The two don’t mix well.”

She huffs. “There’s nothing to say that. An elleth here, Arwen—”

“Is walking into a tragedy,” I cut her off.

Lavandil’s eyes narrow. “Too many people see it that way, and it is getting quite old. Do you know what I see? Two souls in love. Though their futures are bleak and incompatible, their presents are filled with joy and love and the connection that can only come from two fæs who want each other so badly finally bonded. They would still face pain if they ignored their love for each other — so why not give themselves what joy they can?”

“But she will die—”

Now it’s Lavandil’s turn to interrupt. “Arwen is fully grown. She is wise, and I trust that she knows herself well enough to make the choices she has. Her life is ultimately her own. She can spend it how she pleases.”

I press my lips together, head falling to stare at the deep red tablecloth. Despite Lavandil’s conviction, her words do nothing to allay my fears.

The only thing that awaits an elf bonded with a human is grief and death.

Arwen may have made her choice, but so have I made mine.

“Rumil said elves can take centuries to fall in love. Is that true?”

Lavandil pauses, caught off guard with my change in topic. “I-in some cases, yes. More that it could potentially take that long for an elf to admit they are in love. Often, even if they are not ready to accept it, their fæs know. And even then, that is the timeline in the most rare of cases. You know, for Orophin and I it only took a matter of—”

I raise my eyes to her, pleading. “Lavandil.”

She sighs, staring at me like she wishes I had asked her something else. “Fine, yes. Elves fall slower than humans.”

I take in a deep breath, nodding.

Good.

Because if I have only just noticed these feelings, chances are, if Haldir were to follow suit, he is way behind. The instance Lavandil described from last night, the other hints that show he might be feeling something…I can end them now.

I have time to stop this.

I have time to save him.

A/n So, funny thing, @errruvande got pretty close to guessing Cosima’s reaction to realizing her feelings for Haldir, so shout out to Liza!!! Seriously though, love her, love her blog, I’d definitely recommend checking her account out! Thank you all for reading!

|next part|

|masterlist|

Tolkien tag list: @anangelwhodidntfall @eru-vande

Haldir tag list: @tolkien-apologist

Double Heart tag list: @lainphotography @themerriweathermage @thophil2941btw @kenobiguacamole @wishingtobeinadifferentuniverse @from-patroclus-with-love @boywivlove @ordinarymom1 @my-darling-haldir @sweet-bea-blossom @moony-artnstuff

#haldir #haldir x ofc #haldir x oc #haldir fanfic #haldir fanfiction

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galacticlamps · 3 years

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im sorry im sorry im sorry i know it’s been well over a year but i accidentally thought about Short Trips: Deleted Scenes (again) and it’s killing me (again) so i think im just gonna go ahead and post all these stupid thoughts that have been plaguing me about it since i first heard it & maybe that’ll help clear up some space in my head for like, real life things.

Spoilers I guess? It’s like a year and a half old but also high key the most recent 2nd doctor content i believe we’ve gotten which is like, the only negative thing I can say about it

The TLDR version is this:

I literally cant believe how sweet it is? Painful, but sweet. Like. I don’t honestly know what’s more likely - did they set out to write Jamie a nice little straight love interest and just fail miserably at it by constantly likening her to the Doctor AND paralleling the Doctor’s perspective with her ex’s AND putting Jamie’s relationships with both of them in direct tension with each other while constantly letting his with the Doctor win out?

OR - did they do a very 1960s thing and say hey we’re gonna write what’s essentially a story about how much Jamie and the Doctor love each other and release it on Valentine’s Day thinly disguised as a one-off romance with a french lady?

Now, as a general rule, my attitude toward questions like that is usually “don’t know, don’t care, doesn’t matter” - and while I 100% stand by that, I also have to admit that this particular audio seems to pay enough attention to detail that I’d kind of think I was selling it short if I assumed too many of these things were just meaningless coincidences, you know?

Anyway, that’s the most coherent/overarching thought. And here’s a disorganized list of things I absolutely cannot get over about it (they don’t form any kind of argument, mind, they just all happen to live rent free in my head):

- Celine is first taken in by Jamie being an idiot (specifically him claiming not to speak French, in perfect French); likewise, her entrance in the scene where they actually kiss is marked with a little anecdote about her hat getting stuck on a doornail and her scolding it as she attempts to fix her un-tameable appearance, and the narration says Celine “would often clown for Jamie like this” - all of which, while undeniably adorable, don’t exactly strike me as entirely original traits to have been assigned to Jamie’s love-interest (but also Celine is so cool and her perspective on film/media/time is an excellent addition to the long list of dr who characters)

- When they’re in the present, describing Jamie’s relationship with Celine in 1908, they call him her “companion” and highlight his going nearly everywhere with her, which earns a laugh from the 4th doctor (and me as well, though probably for slightly different reasons - but like, is that really all it takes to have a fling with someone in 60′s era who? bc if so...)

- Celine’s ex-fiance is still in love with her and is jealously watching when she kisses Jamie ... and then the Doctor appears beside him, evidently doing the exact. same. thing. They have the following conversation:

“You know, it’s not prudent to spy on people. But then, people in pain can’t be expected to act prudently.”

“Pain, monsieur? You mistake me.”

“Ah, do I? Good, because I rather thought you’d lost something.”

“What would you know about loss monsieur?”

- I’m sorry doc but who do you think you are, saying stuff like that and smiling sadly at the floor to boot? I 100% had to pause it here the first time I listened, just to not throw my laptop across the room.

- Then when I recovered continued, the Doctor closes the door so they can’t watch anymore and explains “Possessing things comes so terribly easily to some men that losing them can feel cruel, intolerably cruel. In my experience, only the very best of men cannot be tempted to answer that cruelty with more - I do sincerely hope that you are the best of men.” (guess who gets described as the best of men by the end of the audio?)

- Jamie and the Doctor apparently develop a habit of walking along the river in Paris in silence

- During one such walk, Jamie suggests Celine come with them since she already figured out about the Tardis - and when the Doctor’s worried by this, he says he only allowed Jamie & Celine to grow closer “because of Victoria.” Jamie takes offense at the ‘allowing it’ comment and also refuses to admit he knows what the Doctor means about Victoria, which leads the Doctor to say that he knows how fond Jamie was of her - he was too, of course, but with him, “it was different, wasn’t it?” Jamie only says maybe that’s true and maybe that’s not, but his voice catches until he changes the subject

- Jamie doesn’t see Celine for days both times that she’s recovering from the shock and depression of her work being destroyed. In contrast, when the Doctor’s not well, Jamie’s "afraid” and “guilty” and hardly seems to leave his side at all, if his being there “rushing to embrace him” the second he wakes up - after a period Jamie describes as “at least a week” - is anything to go by, anyway. so either bf writers need to learn how to write a committed straight relationship or admit that’s not what they ever intended in the first place

- Oh yeah, and the Doctor spends that week "asleep” in Jamie’s bedroom - no, there’s no explanation as to if that’s where he was when he first collapsed or if it’s where Jamie decided to take him bc why would they feel the need to explain him being there? why was it even relevant to tell us it was Jamie’s room in the first place?

- The Doctor somehow manages to control the Tardis enough to take Celine on one trip to an alien planet and then return to the correct time & place for her to use the footage she recorded there in her new film - and while the audio doesn’t do very much to explain how that was possible, it does treat this as A Pretty Big Deal, and immediately afterward the Doctor has to spend a week communing with his past self (and/or the Tardis?) debating how likely it is that the Time Lords could use this to trace him. When he decides it’s not worth the risk and they have to stop the film from ever being shown to the public, Jamie asks why he agreed to it in the first place, and all he can say is “Because, Jamie, you asked me to!” earning awkward stares from the crowd.

- Oh, but, lest we forget, that little outburst is also immediately followed by him putting his arm around Jamie’s shoulders, and, shockingly, apparently beginning to actually explain the truth about the danger from the Time Lords - until they’re interrupted, of course idk why exactly but the idea of a 60s dr wanting to come clean with a companion but not being allowed to bc the show demands the war games be something of a reveal hurts me in a very good way

- The mental image of “the Doctor and Jamie, resplendent in borrowed evening wear”

- The audio admitting that Jamie’s not very good at subterfuge, and the Doctor asking if he’s going to be alright with them having to steal the film back from Celine - and Jamie’s little “Aye, Doctor” as he feels a ‘glass arrow piercing his chest’ glad to see bf is reading all my letters about exactly how i feel any time something sad happens to james robert mccrimmon

- The Doctor’s anxious to get out of there for obvious reasons, but he hangs around bc Jamie wants to see Celine again - which doesn’t happen, because of her aforementioned shock & depression, but she does leave Jamie a note that ends “you and that Doctor of yours - look after him Jamie, he loves you dearly, as do I.” yeah, if you didn’t want people to draw a parallel there, you could’ve picked, like, any other wording in the world.

- In case you weren’t fully convinced I’ve been reading too much into this whole audio already, consider this: Celine dies in Long Island in 1968, three days before her birthday - 1968 is when this story would’ve taken place in the show’s history (between Fury & Wheel), and dying three days before/after a birthday in America seems a bit... well I had some deja vu from it, anyway

- Four of all people being the one to bring back the film - I know he does it bc Sarah Jane makes him, but personally, I often feel like despite the length of his run, 4 is the Doctor with which we might’ve gotten the fewest glimpses into his interiority, so the fact that it’s him and not one of the more overtly sentimental Doctors makes it feel like it carries even more weight somehow, to me anyway. I think I wrote a post saying roughly the same thing about 4 & Fate of Krelos/Return to Telos but maybe I only did that inside my own head lol. Still, I’m all for any opportunities for Jamie to be one of the few characters to draw some noticeable emotion out of Four, but in fairness I haven’t touched too much of his EU stuff to really be able to compare the frequency with which this happens with other past companions

- Is Four referring to Two or Jamie when he says he got the film from “an old family friend”? Two did the actual stealing, but he probably means Jamie’s involvement - either way, it’s an interesting way of describing old companions - or selves?

- When Jemima goes to call Jamie a thief, Four is “roused” to defend him: “he really was the very best of men” again, any time four freely shows he cares about someone, im over the moon about it

- Oh ha ha, there’s an audio called “Deleted Scenes” featuring the Doctor who’s most affected by junked episodes. And at the end of it, a character who’s spent her life researching and lecturing about a lost film gets to watch it be ‘rediscovered’ after it’s gone unseen for decades. I feel marginally less stupid for reading into the other details of a story like this when it ends up deciding to be to be clever & slightly meta like that

But yeah

all in all, it’s kind of amazing to me that this genuinely reads like they sat down and said okay boys it’s valentines day, let’s write an audio where jamie kisses a girl, since that hasn’t happened except as a plot device in one story in 1967 - but then when they got down to business they accidentally(?) wrote a story all about how important his bond with the Doctor is and how easily that can be compared to a legitimate love interest (even if the love interest in question is a one off character & the extent of the relationship appears to be like one kiss & then having Jamie spend most of his time around the Doctor instead)

I realize there’s something slightly illogical about writing the words “shipping aside” after a post like this but seriously - no matter how many categories you’re able to see two & jamie’s relationship fitting into, this is 40 minutes of big finish just hitting you over the head with how powerful/special/important that relationship is, and with them being two of my favorite characters, i really haven’t been able to stop thinking about it since

#jamie mccrimmon #second doctor #big finish #Short Trips: Deleted Scenes #yes i am gonna tag this #two/jamie #i think it earned it with the line from celine's letter if nothing else #and quite possibly the doctor's so-called imprudent & pain-driven spying #but i'll leave it at that #in case anyone's looking at the tags to decide if they should actually read this rambling monster of a post #also if you for some reason read this but haven't listened to the audio -#a) that's kind of you to care what i have to say but #b) you could probably have listened to half of it by now lol #did i mention it's a stand-alone audio that only costs $3?#and it's more of a traditional audio book format with one narrator who voices all the characters?#sorry i wasn't ready to do a bf pitch in the tags here #i genuinely dont know why someone who hasn't already heard it would bother to read all this #but if anyone has - thanks?#i'll shut up now so you can get on w ur day :)

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killjoyhistoryarchive · 3 years

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Mike Milligram: The Lost Killjoy

Edit: On July 21st 2020, a Mike Milligram comic by Gerard Way and Shaun Simon was officially announced. However, I’ll leave this post as it is for future reference.

—

In 2009, while My Chemical Romance fans were eagerly awaiting news on their upcoming album, Gerard Way had another surprise in store: the announcement of a new comic series called “Killjoys.”

Co-written by Shaun Simon and illustrated by Becky Cloonan, Gerard told CBR that the series would “deal with much more mature and controversial themes, such as hate crimes and homophobia, the homogenization of American culture and American life.” Unlike “The Umbrella Academy,” which was set in a fantasy world, “Killjoys” was set in modern-day America.

But what nobody realized was that even after an album, two music videos, and a six-issue comic series, Gerard’s original conception would never see the light of day.

In 2008, Gerard Way and Shaun Simon developed the Killjoys universe in a frenzy of inspiration. Gerard’s original sketch features Mike Milligram on the left–named after Gerard’s brother Mikey Way–with a host of other characters that accompanied Mike on his journey. The comic was announced a year later at San Diego Comic Con, with a release planned in 2010.

With My Chemical Romance wrapping up their fourth album, Gerard and Shaun were ready to start writing. Becky Cloonan drew concept art for Mike Milligram, as well as promotional artwork that they planned to use at the Comic Con announcement. However, the Mike Milligram art was scrapped and replaced with a simple image of the Killjoy spider–a move that could later be seen as prophetic.

In 2009, “Killjoys” was an entirely different concept. There was no Party Poison, no Dr. Death Defying, no Battery City, no girl with special powers. The original comic involved a surreal road trip through America that reunited offbeat characters and confronted harsh realities along the way. In 2013, Shaun Simon offered this description in the introduction to the special hardcover edition of the comics:

The old version of the story focused on Mike Milligram, a late-twenty-something living in a desert trailer park and working a crappy job at a supermarket. Mike’s teenage years were a blur. He couldn’t tell if the things he remembered had actually happened or not. Part of him believed he was part of a gang called the Killjoys who fought fictional things in the real world. The other part of him believed it was all just a dream. Music was the only thing that kept Mike going, so when the music was erased from his Ramones tape, it sent him over the edge. He went out and got his old teenage gang, who were now living normal lives, back together because, yes, it was all real. Other members of his gang included Ani-Max, now a high school history teacher; Code Blue, a rabble-rouser who was a working girl in Vegas; Monster, a new young member they met on the road; and Kyle 100%, who was a B-list actor now. They all had strange powers based on objects. Halloween masks and costume accessories, puffy jackets, toy ray guns. It was a story about a group of old friends getting together and discovering what America really was. Reaching deep inside its pretty facade and pulling out the ugly guts. (It was semiautobiographical. I toured with Gerard and his band for a couple of years before realizing I needed to find my own path.) The gang would have found out that another former gang had now become the largest health care corporation in the country and were hell bent on making the world a safe and clean place by removing all that was dirty, like the Ramones. It would have been a great story, and I’m sure parts will end up in Gerard’s and my’s future work.

Of course, we all know what happened after that announcement. After Gerard took a fateful week-long trip to the desert, MCR decided to scrap “Conventional Weapons” and fueled their energy into writing “Danger Days: The True Lives of the Fabulous Killjoys.” But even as Gerard delved into this new post-apocalyptic version of the Killjoy universe, the comics remained the same. As late as 2011, Gerard claimed in an interview with Artrocker that the comics hadn’t changed at all:

No, none of the characters, even our characters, are in it. It is a completely separate thing, even almost a separate setting. It shares all the ideals behind the record and the theories and the commentary but it is nothing like the videos you have seen. I think the car is probably the only thing that’s the same!

But as the band took on more responsibilities–filming music videos, promoting the album, going on tour–the comics kept getting pushed back. First the release planned for 2010; then it was pushed back to 2011. And while the era had kicked off without a hitch, MCR eventually hit one of the first of many roadblocks: they didn’t have enough money to film the third video. So as Shaun Simon told CBR, the original story featuring Mike Milligram was scrapped, and replaced with the story of the girl and the Ultra Vs:

[A]fter the record, Gerard had built this whole world around the Killjoys. When it came time for the comic, Gerard called me up and said, “We ran out of money. We wanted to make the third video, but we don’t have the money. So do you want to make the idea for that video into a comic?” We started talking about ideas, and we had so many that it turned into this whole series.

In an interview with Paste (2013), Gerard went into more detail about the process:

The deal is that I had written three videos (“Na Na Na,” “Sing,” and “The Only Hope For Me Is You”), and the third video had never gotten made. By the time we had completed the second video, we just ran out of budget money. At the time, somebody was managing us and not keeping an eye on this stuff. Long story short, there was no budget. So I wrote a video, and of course it ends up being the most expensive one, as the last part would usually be. But we couldn’t make it! Killjoys started its life as a very different comic. It was heavily-rooted in nineties Vertigo post-modernism. There’s a lot of very cool, abstract ideas in it; I wouldn’t even call it a superhero book. That (comic) was a visual and thematic inspiration on what would become the album Danger Days. It was pretty loose, though. This was going to be my interpretation of the story, so there’s way more science fiction involved. And what I need to say to the world needed to be a little more direct, so I boiled it down to something that’s still very smart and challenging, but I thought was definitely easier to understand through song or visual. Then (Killjoys artist) Becky Cloonan drew a 7-inch for “The Only Hope For Me Is You,” which was going to be the last video single. I realized I was out of budget, so I said ‘just make this the girl from the first and second video at 15. And have her shave her head or chop her hair off like in The Legend of Billie Jean, because that’s how the video was supposed to start.’ So (Cloonan) sends this drawing over and I’m on tour with Blink 182 in a hotel on an off day. I get this drawing and I’m so immediately blown away by it. I call Shaun, my co-writer and co-creator, and I say ‘open your email, I’m going to send you something.’ I ask him ‘how does this image make you feel?’ We talked for two hours. By the end of the conversation we both realized that that image was the comic, and the third video was basically the comic. So we figured how we were going to make this interesting and exciting for six issues and complete the story. And that was the final direction. It was pretty obvious to us.

In a way, Mike Milligram’s spirit lived on, as fans noticed the similarities between Mike Milligram and Party Poison. But it’s inaccurate to say that Mike Milligram became Party Poison, though “Party Poison’s real name is Mike Milligram” became a persistent rumor in the fandom. Mike’s story was not Poison’s; he wasn’t a post-apocalyptic rebel, but a teenager searching for his identity in modern America.

Will Mike Milligram’s story ever be told? At this point, it’s not likely. But his tale offers a glimpse into the creative minds of Gerard Way and Shaun Simon, and makes us ponder the fact that with a few changes–the comics being released earlier, for instance, or MCR having the money to fund the third video–the comics could have been entirely different.

#my chemical romance #mcr #killjoys #gerard way #shaun simon #becky cloonan #articles #mike milligram #reuploads

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kintatsujo · 3 years

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LoZ AU- The Courage of Running Away PART FIVE

#AU August

#LoZ AU: The Courage of Running Away

The next few legs of Link's journey (with Marla and Tonbo in tow) I'm gonna summarize a little more broadly, less because this AU is already taking up half of AU August and more because my ideas for this next bit are slightly less nailed down.

One of the major ideas I have for the countries on the western part of the continent is that they don't fully recognize Hylia as a goddess per se, and in Labrynna and Holodrum in particular they talk about the Old Goddesses (Nayru, Din and Farore) pretty much interchangeably with figures resembling the Oracles of the same names, even calling them the Oracles instead of the Three Goddesses.

Termina recognizes the Goddesses but also more prominently talks about the Four Giants and the Moon and the shape-shifting Furious God (kind of treating the events of Majora's Mask loosely like mythology)

(I don’t have art for that yet lol)

And of course, everyone respects the Great Fairies, but HOW varies a bit even from town to town.

[Image description: A painted statue of a blonde fairy in a purple and white dress, with blue, red and green along the hem of the skirt. Her hands are held in greeting. End ID.]

And so Link and company are traveling from town to town and kind of keep... Helping people. It's a little bit of a series of accidents at first, being in the right places at the right time, rescuing a lost kid here and fighting a monster there, doing a favor for the Maku Tree (who here lives sort of on the border between Holodrum and Labrynna) which would be a greater magnitude of video game quest than some of the others lol

[Image description: A collection of sketches. One is of a young woman with long hair and a flowing dress seated atop an hourglass, with a small lyre in her lap. She is labeled “The Statue of Nayru in Lynna City Square.” Another two are of Zora with very long head tails and thin fins; one has barbels similar to a catfish. A note nearby reads “Labrynna Zora draw from river fish and ‘longe’, lol” Another is of a rounded reptilian creature with a large eye and a big toothy grin which is labeled ‘A Tokay.’ The last is of a human with long hair and is labeled “Round eared humans are more common on the Western half of the continent. End ID.]

[Image Description: Another series of sketches. One is of a Goron with curly shoulder hair and a curly topknot, beard and mustache. Even his eyebrows curl at the edges. He is labeled “Rolling Ridge ‘Wooly’ Gorons. Another is of a Gerudo woman with a slightly pointed ear smiling and talking to an owlike Rito. Next to the Gerudo is the note that “Holodrum features some of the largest Gerudo communities outside of Gerudo City” and next to the Rito is the note that “Rito are just everywhere.” The last is of two Zora with nearly nonexistent headtails and thin fins. It is noted, “Holodrum and Labrynna’s ‘river’ Zora pull from river fish and ‘short,’ lol- basically the goal is to make them ‘feel’ the most like the OG enemy Zora.” End ID.]

(Note: I haven’t drawn a map but I’m kind of thinking that Rolling Ridge is enough on the border of Labrynna and Holodrum that there’s some confusion about the actual borders and the Gorons probably ignore them to some degree. The Gerudo having a notable presence in Holodrum kind of just makes sense. I’ll talk more about the AU version of the Gerudo in a different post.)

But it feels good, getting praised and thanked for handling it your own way, and sometimes Link doesn't even HAVE to use his sword to do it.

The problem is that when people are telling stories about a young blonde Hylian with a sword that swept in and saved your village or talked down an angry herd of lynels (the lynels in this AU are their own post but think of like how lions and horses have their own social structures)

Well, if there's a wrong person to get wind of you, he will.

It's in Holodrum's capitol city of Horon that Link sees the shadow along the ground and looks up to see Hera, Astramorus's loftwing, soaring over the city's streets. And he pulls his hood over his eyes and says "don't look but that's my father's bird up there."

Marla, obviously, looks.

[image Identification: Tonbo, Marla and Link stand in the middle of a diverse crowd. Marla and Tonbo are looking up but Marla is tilting her head at Tonbo. She has one arm around Link protectively, while Link has pulled a hood mostly over his face and is looking back at her. Marla says, “Say Tonbo you were talking about maybe visiting that UNDERGROUND CITY, right?” End ID.]

So they travel down to Subrosia (I know that in the game you needed portals but we're ignoring that because part of the point of this AU is that you don't NECESSARILY need magic to get most places)

Because if you're hiding from a man on a loftwing going underground isn't the least logical thing you could be doing, right?

Subrosia is populated by the mogmas from Skyward Sword as well as the little jawa-like people from Oracle of Seasons because it seems like as good a place for them to show up as any, don’t you think?

[Image Description: an elderly mogma with glasses and a moustache- a mole or rodentlike creature with long arms and a fat tail that it rests its weight on- is discussing something with two small figures in concealing robes, pointing into a bag one of them is holding up for inspection. End ID.]

Also if Link fights a classic lava boss in this AU he does it here, lol

Link is actually pretty torn up in himself through the whole stay, though; it's hard to appreciate a tour through even the most amazing of underground vistas when you've realized that your abuser is still after you, and is probably never going to give up, and he says as much to his companions once they've calmed things down.

[Image Description: Link, Tonbo, and Marla are sitting by a fireplace across an old mogma lady holding a mug of something hot. The mogma asks Link "... Well, he was going to take you to meet the Hyrulean royal family before you left, correct?" Link says "yeah." She reasons, "maybe you should beat him there and tell them all the reasons why you don't want anything to do with him. It seems like your best chance." Link looks into the fire, his mouth tense.)

And that's why they go back topside to figure out how to get across Gerudo Desert and to Hyrule.

Bonus: Grammamogma’s initial concept sketch

[Image description: the old mogma lady from the previous image. She is wearing a shawl, tiny glasses and a shirt with poofy sleeves. She has an enormous bun in her hair and long ratlike ears. She is sitting on her tail like a pillow.]

#my art #loz #loz au #Loz au: the courage of running away #au august

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chicoriii · 3 years

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Season 4, Episode 2 - Mensonge (Lies)

Welcome again. I had been logged out from Tumblr for the whole weekend, because I was afraid of untagged spoilers, as I've seen one screenshot here accidentally, fortunately it wasn't spoilerish. And I've watched the Lies today. Again without reading other's people opinion about the episode, so I probably write things that have been said before.

I enjoyed it more than Truth. But not because it's better written, I think the overall quality of both is similar. Lies is about characters I care about more, so it's natural that the episode is automatically more interesting to me. I dislike both Luka and Jagged (to be fair the only member of the Couffaine family I like is Juleka) and that would be hard to make me caring about them, the best thing I could say about any of those characters is that I tolerate them on screen. Sometimes. Don't get me wrong, Truth was the best episode for Luka and Jagged, but they are still dull and/or annoying to me. Creators need to develop son-father relationship more to make me interested in it, that arc was too shallow in Truth.

But the post is about Adrigami episode, not Lukanette one.

I'm surprised that we got only one not very long scene with civilian Marinette. But not surprised that she's still pining over Adrien. Just like Chat is pining over Ladybug. As I'm keeping saying, it's not gonna change. But really, Marinette thinks that Adrien's life is perfect? She should know that tight schedule could be a big problem and has she forgotten what terrible father is Gabriel? Of course she doesn't know details we know, but she should be aware that he isn't as good parent like her own. So probably her enamored brain can't see bad sides of life of her loved one. She still can't think rational when it comes to him. Another reason why she should stop putting him on a pedestal. We need some friendly Adrienette so badly, we need to see Adrien telling her more bad things in his life. He isn't used to complain, but I think he needs to tell someone the truth about his family life. I hope Marinette will be that person.

I had been tired of clown Chat in Truth, but this episode lets us to see the situation from his point of view and now I understand more why he behaves like that. I think that he tries to hide from Ladybug how much he miss spending time with her that way. He is aware that's because of her new responsibility and he doesn't want to make her feel bad for it. Those scenes were so sweet. How much Chat wants an Akuma to appear just to see his lady. Not very noble, but I can't blame him. It only shows that Adrien is a normal human being. We all are selfish from time to time and it's healthy (you only have to find a good balance, being as selfish as Chloé and as selfless as Luka is not good).

Geez, why they can't put the right title of the piece? That's a different composition than that one used back in season 2, but the smartphone's screen says the same. And none of them is actually Raindrop Prelude. This is Raindrop Prelude. They are not even any of Chopin's preludes. I won't be surprised if both are not Fryderyk Chopin's compositions either (although I haven't heard all the solo piano pieces composed by him, so I can't be sure). I love classical music, so I'd love to know what pieces Adrien's playing! By the way, I recommend to listen to all of the 24 preludes, they are usually very short but interesting compositions. If you're too lazy to listen to all, check out number 20 at least, that's a pure, very atmospheric, beauty. One of my favourites melodies ever created.

I have always thought that Adrigami has more chemistry and it's generally more entertaining to watch than Lukanette (sorry stans, but you probably don't even follow me and read my posts, there's a reason why I'm warning that my blog is not Luka and Lukanette friendly in its description). I feel that in this episode as well. Absolutely it's not a perfect relationship and it can't be, as Adrien is still into Ladybug. It's clear that Kagami is the one who really cares, Adrien is more distant. It seems that he's abashed of Kagami's physical intimacy, like he can't be open to her when he's still in love with Ladybug. That was really sad to hear Kagami's words that she's lying to be more often with him and he lies to not spend time with her. But relationship can't work if only one side is invested in it and they both need to learn it. They have some things in common, I like how they spending time together, so I'm sure they would work much better as friends. I'm sorry for Kagami and I wish her a better boyfriend who would love her truly. In some way it was a repeat of Truth, as we've seen Adrien leaving Kagami all of sudden, because of Akuma's attacks, but this time it's not as heavily portrayed like it's not working only because of superhero responsibility, that I didn't like in the previous episode. Another reason why I liked how Adrigami is shown more.

I really, really loved that we've learnt something new about Kagami and that's amazing it's something I have in common with her. I'm really surprised, since she didn't seem to have an artistic soul before. I also love seeing she likes draw animals, it's like me, I'm trying practise it. I enjoy drawing animals (and creatures like Kwamis or Pokémon) more than humans. But at the same time I feel angry at her mother. How could she dare to say that Kagami isn't good enough? Trying to kill a child's hobby is always unforgivable. She's much better than me (I'm a little jealous, but that's not the first time when a teen has much better skill than me), but my family and some others I know in real life often say that I'm talented and some people try to convince me to take pay commissions. That’s me who knows the best than I'm not skilled enough to take money for my art (they don't know really good artists in person and they don’t draw themselves, so no wonder they are not aware that my works aren't that good they think). Maybe some day, but not now, so I only enjoy drawing gifts for others. I'm also got interested in a real French artist she mentioned - Henri de Toulouse-Lautrec and I've seen some of his works. Very good for Miraculous for mentioning artist like him, I have never heard about him before, but maybe French students learn about him in school.

Seeing Adrien making Chat's pose was hilarious. I'm sure it's food for true selves trope supporters, but I also agree with Kagami that both model poses and Chat's poses are not ALL Adrien poses. He's more than that. That seemed like he has problems with being natural when he's on the pressure. He's learned how to make model poses, but I also think that when he is in full clown mode is also an act. But that's a mask which he has putted all by himself. In which he tries to be as much different than his public image as he can. Of course being dorky is also a true Adrien side, but not all the time. Being just a cute and polite boy is also true him. It seems that Adrien is not aware of it.

Marinette's lucky charm bracelet is an akumatised object once more. That and the fact she was asking him what he was doing on the boat tell us that Kagami probably think that Adrien is in love with Marinette (it could make also her wonder what stop them from being together if she knows that Marinette likes him as well).

I also liked her reaction to imminent breaking up more. It's more human reaction in my opinion. Some anger, but not too much. She says she doesn't want to see him for a while and that's completely understandable. Adrien has broken her heart, so she need some time to take care of herself without being interrupted by him. I'm going to say something that could be seen controversial, but in my opinion her attitude is way more healthy than Luka's. He still waits for a girl who clearly likes another boy much, but she's trying to really give up on him. And I would like to see a scene in which she says him that Marinette is not worth his waiting, he should be open for another love instead. Uff, I was really worried that they might kill Adrien and Kagami characters. But nothing really bad happened in the episode between them, everything was in-character. Of course salters will still find reasons to hate Kagami, they can say she's possessive towards him (that's true to some extent, but I think it's not really toxic, as she's still cares about his true feelings).

I need to say that Lies is the worst S4 Akuma design we've seen till now. Riposte and Oni-chan were much better. Also the battle was the worst part of this episode in my opinion. It wasn't completely bad, but it felt somewhat boring to me. I definitely enjoyed fights against Truth and Furious Fu more. The thing about that I liked the most what how they made use of Fang.

So the season 4 version of Chat Noir's transformation theme is exactly the same they used in the Shanghai special. It wasn't obvious, since Ladybug's one is a different one than that in the show. I noticed that that Ladybug's theme feels more like a new composition which only uses parts of an original version, while Chat's is clearly "just" an arrangement of the theme we know since season 1. Maybe that's because it's supposed to symbolise that she has even more responsibility now, as she's the Guardian as well. Chat's role hasn't changed that much as hers. I also think the new arrangement sounds cooler, it's more electric guitar-driven. I can't wait to get any of the episodes in which there's his transformation sequence with 5.1 audio to rip it.

All three released episodes are nice for Ladynoir a lot, their scenes are all sweet and wholesome. It almost feel like Ladynoir is close to happen. But I feel that's just calm before the storm. Marinette hasn't reached to her worst moment yet. I'm sure Ladybug will have more breakdowns like that in the season 3 finale.

Three episodes aired and I'm not amazed by any of them. But I don't want to be salty, I'm not worried about that. That's true for season 3 as well, I enjoy the second part of the season more as well. It's important to save the best episodes for later. And I have never expected that I would love all the S4 episodes, despite of pre-release statements, it's impossible. I'm not disappointed. Yet. Just give me some Adrienette food. Please.

#miraculous ladybug #ml lies #ml season 4 #ml season 4 spoilers #ml spoilers #ml spoiler #chicoriii about S4 episodes #chicoriii #original post

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destiniesfic · 4 years

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132 Hours, Chapter 8:

“Are you scared of me?”

He lets out a nervous little laugh. “Are you decent?”

Note: There’s a bit of mature 🔞 content in this chapter. This fic is rated E on AO3 for a reason, so please keep that in mind. Thank you!

Read chapter 8 on AO3, or read below:

Heat steals over me slowly, like fog rolling in from the ocean overnight. I have a hard time falling asleep because it hovers at the edge of my senses; a tension headache pressing at the front of my skull, the flipping of my stomach, all compounded by the aching of my injured leg. I toss and turn a little, but not much, because with Cardan next to me there isn’t much room, and I don’t really want to kick him and alert his attention.

His sleep is also restless. I’ll hear his breathing even out, and then he’ll jerk awake, suddenly, with a little startled sound, his elbow brushing my arm, the mattress shifting under him. I didn’t think someone like him would be prone to nightmares, but I guess our situation would test anyone’s psyche. A couple of days ago I would have asked, resentfully, what Cardan would even have nightmares about, but I am learning that his life is not nearly as charmed as it seems.

We must manage to sleep sometime in the early morning hours, and it is then that my heat breaks. I know it’s begun when I wake up. The room is pregnant with it, in the same way the air grows heavy and humid just before a lightning strike. I am aware of every part of my body in a way I usually try not to be: the muscles of my thighs tensing; the prickly three-day hair growth under my armpits; sweat collecting between my breasts; an urgent cramping in my lower belly that I know—with dismay—is ovarian, not uterine; a desperate, disastrous need layered in with it all.

And I am aware of Cardan.

He is fast asleep. I know that for certain, even without listening to the rhythm of his breathing, because he would never be doing this if he weren’t. He’s wrapped himself around me like a boa constrictor, an arm clamped over my waist, a leg slung over my thigh. His hand rests on the sliver of exposed skin where my tank top has hiked up, and his palm seems to burn cold. His lips press against the crown of my head in the mockery of a kiss, his sleep-breath ruffling my hair.

Part of him, however, is very much awake, unmistakably pressed up against my ass, and although I have never handled one of those on purpose I am not so ignorant or inexperienced as to not know what’s going on.

For a moment I feel as though I have left my body entirely, suspended in a weightless space between desire and panic. After that, his hand slides a little further up under the fabric of my shirt and there is nothing I want more than for him to touch me, to cup my breast, to let his fingers slide under the waistband of my shorts. And I think, Maybe it wouldn’t be so bad.

And I think, What if we get it over with?

But there is no “getting it over with,” because if we start we won’t stop, not for days, not until my heat runs its course and his rut burns away. And, with a flash of shame, with a clench in my stomach, I remember Valerian trying to pin my arms and his sour breath against my cheek as he asked me the same question. Why not get it over with? “Omegas are good for one thing,” he said. “You don’t seem to have figured that out yet.” My heartbeat rabbiting in my chest as for one terrible second I wondered if he was right.

“Cardan,” I whisper. Yesterday I had kicked him awake, but I am too frozen now even for that.

Cardan groans sleepily into my hair. His grip around my waist tightens and his hips press harder against mine and my mind completely whites out at the deep throb of dreadful want that responds. I take a deep breath, count to three, and force myself to reach back and pinch him.

I feel the moment he wakes, because every part of him stiffens. Well, every part that wasn’t already stiff.

“Shit,” he breathes, and he scrambles off of me and across the room so quickly that I am forced to wonder whether he was even there, even as I feel his invisible handprint on my waist.

I roll onto my back. Cardan is now once again in what I’ve come to think of as “his corner.” Although I try not to look at his groin, my eyes seem drawn there, and his jeans are very tight, but out of embarrassment or shame or something else he has arranged his legs so that I can’t see and tugs his loose shirt down.

“So,” he says. “Uh. Morning.”

I don’t know what to say. My mouth feels like a desert. Images of—of all things—prairies at the height of the Dust Bowl that had been printed in one of my middle school history textbooks flash across my mind. Maybe I am delirious.

“It’s started,” I manage.

“Yeah, I got that.” Cardan gestures vaguely, at himself, at the room. He is in sharp focus for me in a way that nothing else is. A rivulet of sweat trickles down his neck. I want to lick it.

I am astonished that he can just sit there in his corner, although he seems more closed-off than usual. I can vaguely recall my first heat and the urge to act, even if I was too miserable to do much and I didn’t know what I wanted to do. Now I know exactly what it is that I want to do. And the pheromones rolling off of me should be sending him into a rut, and alpha ruts are supposed to be a basically unstoppable force. Before suppressants, terrible things would happen if an omega was caught out in an unexpected heat with alphas around. When we woke up I thought his had been triggered, based on the erection and now the sweat. But he’s in his corner, and he isn’t coming closer.

I must really repulse him if he can resist it like that. Normally, this would just irritate me. Now, I want to yell. I want to cry.

“I...” I begin, but then I am hit with another cramp and a chill settles under my skin. Evolutionarily speaking, the purpose of heat is to mate, and there’s logic to making my life unpleasant if I don’t do that, to ensure survival of the species. Everything goes slightly sideways and makes me a little cold-blooded; if an alpha were here to help me regulate my temperature, I would be fine. But my body has caught onto the fact that Cardan is across the room instead of pressed up against me and it says Hey, no, that’s what we want, as if it can decide those things unilaterally. And its main method of protest is to set everything on fire.

I can relate.

As the fever blooms, so does the sensitivity in my every nerve. I feel the underwire of my bra digging into my ribs, the stiffness of my denim shorts and the tickling of stray threads where they have been intentionally distressed. With an urgent gasp, I unzip my sweatshirt and pull it off before reaching up under the back of my tank.

“What are you doing?” Cardan asks, panicked.

I struggle with the clasp of my bra for another second before unhooking it and slipping my arms out of the straps. I pull it out from under my tank top and fling it across the room like it might bite me. “It fucking hurts,” I say between clenched teeth. I start on the button of my shorts.

Cardan covers his face with one large hand. “These are really mixed signals you’re giving off, um, right now. Are you getting naked? Please don’t be naked. I don’t know what’ll happen.”

There’s a waver in his voice that keeps him from sounding aloof and sarcastic. I sit up to slide my shorts down my legs and toss them beside my bra, then put my sweatshirt back on and pull the blanket back up. It’s scratchy, but I have to get warm. “Not naked.” I pause. “Are you scared of me?”

He lets out a nervous little laugh. “Are you decent?”

“Yeah.”

But I am watching his fingers closely as he lowers them from his face. My tongue wets my dry lips, and I wish they were his. Then there’s another cramp, and I feel—oh no. I feel the worst thing of all, because it feels like I’ve wet myself, when really it’s an entirely different category of bodily fluid. My underwear is soaked.

I’m glad I took off my shorts, I think deliriously. It would be such a pain to get this out of denim.

In this terrible moment, I am unable to believe that I have ever hated Cardan. Just looking at him is an experience as visceral as being punched in the gut. I look at his mouth and my lips tingle with the thrill of imagining how a kiss would feel. I look at his long fingers and press my thighs together to stop phantom versions of them from slipping inside of me. I am incoherent with want, absolutely stupid with it, and the last remaining shred of my sanity is the only thing keeping me from crawling over to him and stripping off his shirt.

That and the absolute mortification, because it feels like my entire body clenches again and another rush of fluid follows. I let out an involuntary whimper; my face burns hot with shame. At least he can’t see what’s going on down there with my legs under the blanket. I don’t know what he can smell.

“I’m gonna—” Cardan begins, his eyes darting around the room for some kind of solution to our problem. “I’m— I can’t stay in here.”

I make myself nod. Of course he can’t. As much as I am slowly being consumed by base instincts, I am still here, and the part of me that is me understands that. He can’t stay in here, because something will happen, and he doesn’t want—neither of us want—anything to happen. Of course.

“But we can’t let them in here,” he says, under his breath. “I can’t let them get you. So. Okay.” He nods. “Right. Okay. I’m gonna come over there for like two seconds. Don’t move or do anything or— okay?”

“Okay,” I say. I don’t even think about what it means that I’m going along with what he says. I’m just glad one of us has a plan.

Cardan draws a breath, steeling himself, and crawls over to me. It isn’t very far. I make myself look up at the ceiling so I can’t check whether he’s still hard and pretend to ignore him, even though I can’t not be hyper aware of his presence. He pauses at the side of the mattress and takes another breath.

“Right,” he says. “Sit up for a second.”

I do. To my surprise, he adjusts my pillow, then reaches beyond it to get the one he’d slept on. He moves to put it under my head, then says, “Oh, shit, wait, your leg,” and changes his mind, moving down the mattress to prop my left foot up on it. Then he asks me to lie back down and begins tucking both blankets around me, fitting them tightly to my body.

“We have to like, smother it, right?” he says. There’s a manic quality to his voice, like he’s on the verge of babbling. “We can’t let them smell you. So if we trap the smell in the blankets, maybe…”

“That’s smart,” I say.

“Yeah?”

“Yeah.” Although I’m afraid it’s also useless at this point. The stale air in here is already saturated with both of our scents. Cardan’s is muskier than usual today, cocoa and earth and… I break out in a fresh round of sweat, but my body also calms down a little at having him nearer, at the possibility that something might happen.

He pauses when he tucks the blankets around my shoulders, his eyes, dark as black coffee, finding mine. If I look closely enough, I can tell where his irises end and his pupils begin. They’re blown wide, although that could just be because it’s so dark in here. Still, I am captivated by the arc of his eyelashes when his eyes flick toward my lips.

“Jude,” he says quietly. The sweat is making his hair curl even more than usual. I want to mess it up so badly. I want to be kissed. I have never wanted anything more. Valedictorian, college acceptances, acknowledgment of my accomplishments, all of those wants vanish in the face of Cardan and his perfect Cupid’s bow, his full lower lips.

For one long, tense minute, we are not moving, breathing the same air. Then there is a quiet knock at the door, an almost fluttery beat, like that of a hummingbird’s wings. It’s the Bomb’s knock.

Cardan jerks back from me like he’s been hit with a sudden electric shock. “Okay,” he says, reassuring himself. “You’re as far away from the door as you can be. It’ll have to be enough. I just— won’t let them in. Yeah.”

He stands, looking down at me one more time, and then turns away. I see him subtly adjust himself before moving to stand in front of the door, blocking the entrance.

“Jude’s sick,” he calls.

The door swings open immediately.

Cardan doesn’t move. I peer at the doorway. Behind the Bomb’s slight form, I can make out the Roach, halfway to standing from his chair at the table.

“What’s wrong with her?” he asks.

“Fever,” Cardan lies.

“I should get the Ghost,” the Bomb says. I guess it’s a credit to how scared they are of Madoc that she sounds properly worried. “If her wound’s infected—”

“Then he fucked up. That’s exactly why you shouldn’t get him.” Cardan sounds properly commanding and haughty, an alpha born. You would never know he is actually nervous. I’m not sure whether I should be impressed or afraid that he’s such a good liar.

Because, of course, the reason not to get the Ghost is that he’s a likelier alpha than the Bomb. Because Cardan has made the same calculation I have: that the Bomb, a petite woman, is probably not a threat to me.

The Bomb frowns. “Did you check her leg?”

“Well, no…”

“Might as well, before we bother him,” says the Roach. “You know how he likes it up there in his perch.”

I send up a silent thank you to whoever might be listening. Cardan moves aside to let the Bomb enter, turning to watch her approach. When the Roach comes to the doorway, Cardan subtly shifts his weight to block half the entrance with his shoulder. If the Roach notices, he doesn’t remark on it.

“Jude,” says the Bomb, crouching down at my side in the space that Cardan had just occupied. “You okay?”

I blink and wrench my gaze over to her. I try to think of what I would normally say. After all, one time I went to school with a one hundred and two degree fever so as not to miss a history test. I only got sent home because I nearly fainted in gym. Our kidnappers wouldn’t know that, but they do know I downplayed being shot. That’s enough.

“I’m fine,” I grit out. “He’s exaggerating.”

Cardan rolls his eyes. The Bomb frowns. I am relieved that even this close, her scent does absolutely nothing for me, but maybe that’s because Cardan’s still lingers in the air. “Well, you don’t look fine.” She puts a hand to my forehead and the frown deepens. “Yeah, definitely warm. I’m going to take a look at your leg.”

I nod, although I don’t particularly want anyone crawling around anywhere near my lower body. Luckily, when she pulls the blankets aside, it’s only to my knee. “Hmm,” she says. “Nothing’s bleeding through. I don’t see anything weird.” She glances back at the door, and a look passes between her and the Roach that I don’t understand. “I’m going to unwrap it for a sec.”

“Fine,” I repeat.

Even though I do try to keep still while she does it, I can’t help but glance down. The wound looks okay. It’s scabbed over, and the skin is raw and pink at the borders, but it’s clearly healing normally. The Bomb rewraps my leg with steady hands, although not as well as the Ghost had.

“Well?” Cardan asks. Impatient, irritated. He wants everyone out of the room. “How is she?”

“Her leg’s okay,” the Bomb reports. Does anybody else realize the way they’re responding to him? Answering his questions, responding to physical cues? The chemical signals he’s sending out might not be driving anybody else here crazy, but they’re certainly having some effect, and nobody seems to know but me.

“Maybe a virus,” the Roach suggests. “Something you guys brought in with you.”

Cardan forces his face into a grimace. “I probably shouldn’t be locked in a tiny cell with her, then.”

“You might already have it, kid.”

“I feel fine.”

The Bomb and the Roach exchange another glance.

“C’mon,” Cardan presses. “I’ll be good. Plus, I kind of want to learn how to shuffle cards like you do. I’ve never seen anybody’s hands move that fast.”

I am forced to give Cardan a little credit here. I had noticed the Roach playing Solitaire, but I hadn’t really paid attention to anything else he did with the cards. And flattery is definitely a tool I haven’t mastered.

The Roach considers this, pressing his lips together. “All right,” he says at last. “You can sit across from me while the Bomb picks up some medicine for her. But so much as one sneeze and you’re back in the room.”

“Deal,” says Cardan, who glances at me. I try to force my face to remain neutral, even though, now that he’s on the verge of leaving, everything in me is screaming for him to stay. But it’s the right thing for him to go. He doesn’t want me, I don’t know what I want, and if he stays the decision will be made for us. I still ache at the idea of him leaving. Or maybe that’s just the fever.

So Cardan, and the Roach, and the Bomb all go, and I am alone. I don’t even hear anyone secure the deadbolt. I must look really wretched if they think I won’t try to escape again.

They’re right.

I turn back onto my side, wrapping the blankets tighter around me. I don’t know how much time I have before the Bomb returns, but it has to be more time than I need for this. I shove my right hand into my underwear, which is already soaked, as I know the blankets probably are and the mattress is. I should probably treat my own body with a little more care, but I can’t exactly light candles or run a warm bath, and it’s not like I ever go easy on myself.

At first I just try to look at the wall as I work, try to concentrate on the building of sensation between my thighs, but my mind keeps skipping like an old record, and every skip reminds me of the way Cardan’s dick felt against my ass. Which does arouse me more, but also makes me nervous. Alphas are supposed to be well-endowed, but I can’t imagine it fitting. I know there is a hole in me, but it’s metaphorical—the gaping maw that feeds on my accumulated trauma so I don’t have to deal with it—and while I also know biology facts like “the vaginal canal lengthens during arousal” it just doesn’t seem plausible. And anyway, none of this is sexy.

So I end up thinking about his fingers instead, even though I don’t want to think about any part of him at all. His long fingers, which are always moving, drumming on his knee, scratching at the wall, running through his hair. I think about how he said he knew his way around sex things and wonder if he could do a better job than I am doing right now. Would he be rough with me, like alphas are known to be? Or would he be gentle, with the same odd tenderness he’d shown when he tucked my hair behind my ear?

I don’t know why I break on that thought—I will never have that, he doesn’t want to give it to me, I will never know—but I do. Climax feels like shattering into a million tiny pieces. I muffle myself with the pillow, tasting dry cotton.

My face is wet, but not with sweat. I am crying. And because no one is here, I let myself cry, pretending that it’s just another symptom. That it can’t be helped. I let the tears come until they’re out of my system and my well of despair has run dry.

Then I settle in for a long and terrible day.

#jurdan #judecardan #jude x cardan #jurdan fanfic #jude duarte #cardan greenbriar #the folk of the air #the cruel prince #the wicked king #the queen of nothing #tfota #mine: fic #fic: 132 hours

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votederpycausemufins · 3 years

Text

I finally know how this thing is going to end, but it might go over 30 chapters. Whoops! This chapter could also be longer, but I wanted a bit of a cliffhanger.

@petrichormeraki @helleborusangel

“That isn’t fair! I found him so you have to keep up your end of the deal!” Grifter yelled at Death, but he barely reacted.

“That wasn’t the agreement.”

“The agreement was I was supposed to find out what happened to Theseus, and I did that! He kidnapped the wels version of his admin and revived Nightmare and it backfired. He screwed up and you wanted to know how he was doing, so I brought him here so he wouldn’t fucking die without you around. So, now you know what happened, how he’s doing, and I kept him safe. That’s like, three times what you wanted. Now uncurse my husband or you won’t be death anymore.”

Death glared at Grifter. “I thought you said you weren’t after that.”

“I said I wasn’t going to try and kill you for your power because now I have Sense, but if you cursed him so I can’t easily be around him, that’s gone. If you’re not planning to reverse the curse, then I’m going to get something out of it.” Grifter smiled at then pulled out a crossbow. “Now, you’re going to uncurse Sense, or you won’t be around much longer.”

“You still need to finish your end of the bargain.”

Grifter froze, his brain trying to comprehend what had been said before he growled in anger. “We just fucking covered I already did and more! I don’t need to do anything more!”

“Part of it was making sure Theseus was safe. You haven’t done that. He may have moved to a new dimension, but he refuses to officially unlink himself from Nightmare’s world. Nightmare, in his hubris, has decided to try and claim his wels dimension world in his current revived state. I don’t think I need to tell you what will happen if he fails, and at this point, he will.”

“So I need to keep the bastards alive, sure. Is that all?” Grifter sneered, crossing his arms.

“Not quite.I would prefer Nightmare dead, but no one will take his title, so Theseus will just try again with no one stopping him.” Death explained. “Listeners are quite powerful on their own and can link worlds, so you wouldn’t lose Sense, but I’m sure your kids would love to meet their family.”

Grifter rolled his eyes. “Like they would want to meet Wile and Euro. They’re only still alive since you keep them from dying. They’re too cowardly to do anything right.” Death glared at Grifter, who scoffed. “Fine, whatever. I guess they might like Fleur and Sadie. At the very least trying setting it up for me while I’m gone. I’m gonna be busy backing up the wels world before I do anything.”

“I can agree to that.”

“Oh, and can you pause the curse while I deal with Nightmare? It might be the only chance for us to do something so fun and I don’t want to miss out on that opportunity.”

Death glared before answering. “If you stop on your job, it’ll kill him, but sure, I can do that.”

“That’s great!” Grifter smiled, bouncing a little. “I’ll just make a little stop and then I’ll start! See you soon enough!” He started to walk off, but then paused to turn back to death slightly. “Oh, and remember to warn Euro. We don’t want him exploding again!”

The moment Grian was in the SMP, he started using his Watcher magic to look around. At the very least, it didn’t look like Grifter was around. It should have been obvious with his name not on the comms list, but if he had messed with the list before, he could have done it again. Fortunately that wasn’t the case.

Next he did what he could to find Grum, which was pretty easy. Grian already had a bit of tracking for Grum on his comm, and while before it wouldn’t have been enough to really help in another world, the fact that he could also track Watcher energy made it work. He was a little concerned that it felt weak, but he hadn’t really noticed it in the past, so likely Grum didn’t have much in the first place.

Either way, he knew where Grum was now, so he started flying that way. Grian wasn’t sure exactly what he would find there, so he got his sword ready for the worst case scenario. When he landed at the quartz mansion, he tried to be as quiet as possible. Peeking through a window, he couldn’t see anyone around, which was concerning. At least the demon should have still been there. This was his home, wasn’t it?

“Hey, what are we doing at the window?” someone spoke as they stood behind Grian, making the avian’s wings puff up before he whirled around and pointed the sword at.

“Wil? Is that you?”

“Hi Xel! I haven’t seen you in ages. Though other than Phil and Techno, I haven’t really seen anyone for a while. I was sort of trapped in Te-” Wilbur started rambling before Grian clamped a hand over his mouth.

“I don’t need to hear all of that. Where is everyone?” Grian asked before slowly pulling his hand away.

“Right! Well Dream showed up again, though he’s a bit different. Dad went after him along with the others and they haven’t shown back up yet. Well, I mean, Tommy and Techno are still here.”

Grian looked at the building. “Techno’s here?! But Grum’s supposed to be here!”

“You mean the robot kid? He’s okay. I’ve barely seen him, even as a ghost.”

Grian didn’t bother to keep listening, moving into the house. Techno was supposed to be a great fighter, so the only upperhand Grian might get is taking him by surprise, which was pretty much all he had the last two times. But those two times might have been enough for the warrior to get his tells. That would make it risky and-

“I’m not his unc- did you just take a picture.”

“Yeah, say that again when I don’t have this photo.”

“Delete it before I make you delete it.”

“Whoops, too late. I already sent it to Tubbo! Maybe now you’ll be able to watch Michael.”

“Why would I want that?”

“Cause he’s a piglin too? And not like it’ll ruin your image now Technosoft.”

“Tommy…”

“Ah ah ah, you might wake Grum up!”

Grian slowly opened the door to find Tommy awake and chilling on his bed, just messing around with his comm. Techno was standing nearby with Grum asleep in his arms, plugged into the charger. Grian wanted to rush in, but his first thought was that if he did anything, it would be easy for Techno to do something to Grum.

“You think I would care about that?” Techno asked after rolling his eyes.

“Bitch, this kid might affectionately beat the anarchy out of you. You’re gonna be the favorite uncle whether you like it or not.”

Techno grumbled, but didn’t actively try to refute it, especially when Grum stirred slightly, snuggling up closer to the piglin. It made Grian hesitate. They had gone through a lot these past few days. And for Grum it had been around a month. While he wasn’t a fan of Grum being near Techno right now, he didn’t really want to disturb him while he looked so peaceful.

Tommy and Techno both looked up when Grian lightly knocked on the door. “Hey Tommy. How’d you get here before me?”

“Heeey Big G. Pretty sure Grum fixed whatever was wrong with me and that brought me here. He did the same for Wilbur and he’s outside.”

“He acts a bit more like Ghostbur did if you ask me.” Techno huffed, adjusting Grum in his arms.

Grian shrugged. “I wouldn’t know. I haven’t seen him in ages. Did see him outside though.” He then sighed and looked to Techno. “You haven’t done anything to Grum, have you?”

Techno managed not to flinch when the eyes glaring at him glinted a dangerous purple color. “Of course not. I even helped him out earlier.” He answered, kicking Tommy when he whispered another ‘Technosoft’ at that.

Grum whined a little when the piglin moved, and Grian took that as an opportunity to take Grum into his own arms. The bot stirred a little, but still stayed asleep, making Grian furrow his brows. “He’s asleep…”

“Yeah, and?” Techno asked, crossing his arms. He didn’t know what was so surprising about that, but next to him, Tommy did.

“Grum doesn’t sleep. Neither of the boys do. I mean not really. They have a sleep mode, but that’s not really like actual sleeping.” Grian explained. “Here… let me test something.” He checked Grum’s power reading before unplugging the bot. They all waited a few minutes in silence before Grian checked again, eyes widening. “He’s charging himself.”

“What the fuck?! Really?!” Tommy shouted, though not loud enough to wake Grum. “How did that happen?!”

Grian shrugged, almost at a loss for words. “I… I don’t know. I didn’t think something like this was possible. I mean… I’ll look into it more later… but now really isn’t the best time.”

“You know, I wonder if it’s got something to do with their hels versions. When I was still stuck over there with Grifter, he said their versions of the bots weren’t built.”

“How does-” “Fundy.” “Right, nevermind.” Techno huffed, finally pulling a chair over and sitting down. “Well I have no clue how that place works, so for all we know, that’s what did it.”

Grian shook his head. “No, I doubt it. Normally hels is affected by us, not the other way around. The Listeners developed after the Watchers, Helscraft has fewer seasons than us. Theseus wasn’t in Helscraft until a while after Tommy joined us.”

“Yeah, but they had their kids back when they were in their previous season.” Tommy piped up. “There was no way for them to make them after you build Grum and Jrum since Grifter was stuck in their season four. For all we know, it works both ways.” Grian rubbed his chin, thinking about it, but then he suddenly started looking around, wings flared out.

“What’s wrong?” Techno piped up, but the most he got in terms of an answer was Grum being handed to him again. The bot stirred a bit more, actually waking up this time. Before anyone could say something more, the world shuddered and a wave of green light suddenly passed through them. “What was that?”

“World backup. Watchers will do that sometimes, but it’s never noticeable.” Grian quickly explained, drawing his weapon.

“Then why the fuck did we notice that?” Tommy asked, a bit concerned.

“Because.” Grian turned around, wings shifting colors. “Green magic is what Listeners use.”

The_Grifter joined the world

PerfectSense joined the world

Grifter pulled Sense in close to him before sending out a ring of lit tnt that exploded around them. It was powerful enough it made the ground shake and rumble which just made the Listener smile more. “Oh Seesee! Look over there! A castle! Let’s go over there!”

“That sounds good to me.” Sense replied, picking Grifter up bridal style and walking towards Pride Palace. He had a little trouble getting through the newly formed rubble, but before long they were at the gates. Someone in a crown and sunglasses tried to approach them, but Sense quickly pulled out a death ray and shot them with it.

They reached the throne room and Sense set Grifter down. The Listener ran over to the throne and stood on it, a giant smile on his face. “I’m king of the castle! I’m king of the castle! Oh! Do you think there’s one just like this in the hels world?”

Sense chuckled. “Probably not exactly like this. And that’s if it isn’t rubble.”

Grifter pouted and fell down onto the throne to sit. “I guess that’s true. Well, when we leave I can throw some puzzle blocks together for this place to bring it over. Then we can make some improvements.”

“Why not start with them now?” Sense asked, shrugging with a little smile, which Grifter matched with his own grin. Sense tossed an axe to Grifter, who turned the pink metal more of a viridian. “Now, I suppose I’ll have to find someplace to sit.”

“While I would love to offer you a lovely seat up here, the throne will unfortunately have to do. I need to make sure Nightmare comes here.” And Grifter got up, summoning a communicator made entirely out of magic. “But I’m sure he won’t want to waste time, so you won’t need to wait too long.”

Sense moved to stand behind Grifter, putting his head on the Listener’s shoulder and looking at the comm. “Hmm, looks like Tommy’s here. He was the other version of Theseus, right?”

“Oh yes he was. I’m sure Nightmare would be much more convinced if we had him with us. He wouldn’t want Theseus dying by proxy, now would he? And it’s not like he knows I need bitch boy alive.”

“Have I ever told you how hot you are when you scheme like this?”

“Mmm, tell me again.” Grifter leaned back before a noise from his comm made him look back. “Hmm, seems we have a slight change of plans. Looks like Grian’s trying to interfere. Can you hold down the fort while I make a mess of things?”

“Of course. Have fun my darling.” Sense replied before letting Grifter go, the Listener using magic to quickly shift back to looking exactly like Grian, even changing the appearance of his wings. Sense held out a bucket filled with water and lined with soul sand which Grifter tossed an enderpearl into. The scientist put the bucket next to the throne before sitting down on it, watching as Grifter created an exit for himself and flew off.

#hermit!tommy au #hermit!tommy #helsmits #helscraft #hels!grian #hels!Philza #grian #watcher!grian #grian xelqua #avian!Grian #tommyinnit #technoblade #wilbur soot #ghostbur #grumbot #hels!Mumbo

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