katalinha thorne ———-«« the dark urge
»»———- a female barbarian trudges through a forest at night, an axe swung over her shoulder, a wild look in her eyes. wood elves know the forest inside out—it's her second home, yet tonight she breaks into a cold sweat. her hands are clenched into fists so tight, red fingernail marks bloom on the surface of her palms as she searches the shadows in the underbrush to her left and her right, watching small animals skitter away as her footfalls strike the damp earth. her stomach rumbles, she wills it silent. the voices in her head are far more cacophonous; she can't outpace them no matter how hard she tries. the bloodsoaked pitch of repetitive whispers echo in her mind. a crow calls, and in a flurry of wings several shadows take flight, skimming the treeline and disappearing into the moonless sky. it is the nature of the strong to prey on the weak. she shakes her head—no, that's not right. blood drips from the ends of her locs and snakes down her back, charting rivulets of stains along the surface of her shirt. she doesn't remember from whose veins the blood had flowed. her stomach grumbles. a group of crows is called a murder. she stumbles over a smooth-faced stone worn flat by ages of rain, her heart skipping a beat. suddenly, a soft grey rabbit darts out of the leaves in front of her, trembling as it looks up for a brief moment before fleeing across the path into the darkness beyond. her short-term memory arrives through the fog of her clouded mind in short bursts: the bard's name was alfira. murder sounds a little bit like hunger, if you think about it too much. she shakes her head again, a throbbing sensation tugging at the corners of her field of vision. tears prick her eyes as she realizes—she's hungry. she was only so, so hungry. it is a predator's nature to sink into the rabbit's tender jugular. she grits her teeth, blinking the tears away, walking faster. the voices chase after her, whispering; it is only your nature. more crows swoop past her, their calls echoing through the trees. the pang in her gut twists into a lurching pain, and she resists the urge to double over, to submit, to let the hunger win. a strangled cry dislodges from her throat, raw and piercing, cutting through the chilly forest air. in the distance, far beyond her now—behind the tangle of branches and thorns, over grassy hills, and far, far past the quiet clearing of trees where her unsuspecting companions sleep through fitful dreams—a low, booming laugh rises from deep beneath the earth in response; a celebration, a mockery of mirthfulness that makes the hairs on the back of her neck stand on end.
note: umm hehe i wanted to make a durge character who's close to nature and tries to defy her fate and suddenly i ended up getting way too attached to her >< here's kat, my first playthru of baldur's gate 3 (i have made other tavs but i'd like to finish the game first b4 i get too invested in them sdkfkdfk)
she is dating halsin just bc i thought he was cool at first and now i guess i'm way more insane about them both than i initially intended oops,, i feel like because of her background kat comes off as a frightening force of nature, hard to read and unpredictable (at least until she starts reigning in the Urge), intimidating due to her size and strength, but halsin finding that beautiful kind of in a similar way that you'd admire a lioness or the beauty and strength of a forest's top predator.
i'm not great at games tbh but i do love fantasy and writing and drawing oc stuff so i hope to eventually do that in the future yahhh!!!
1 note
·
View note
Danny raises Superman au
So we all know that Superman touched down in Kansas and was adopted by the Kents and bla bla bla. But you know what state also has farms and is only like 600 miles away? Illinois.
So Danny is chilling in the countryside, enjoying his sweet, peaceful early retirement when an alien pod, that's a little a lot off course, suddenly crashes near his house. When he checks it out, there's a baby inside. Welp looks like he's a father now. No way is he risking the government getting their greedy little mits on this precious ray of sunshine.
Clark grows up with a father who teaches him early on how to control his powers and use them for good (They may or may not stop a robbery or two occasionally). He also gets two cool aunts. One is free spirited and always bringing him souvenirs from her travels. The other is very grounded and teaches him many techniques to deal with his conflicting emotions (his father is not happy when he uses said techniques on him).
Danny for his part is happy we his son develops a support system like he did. They can even actively help him beat up the villains! He's overjoyed at the man Clark becomes and even happier when he brings home an ace reporter who knows how shifty the government can be. He might be already saving up for their wedding but who can say?
2K notes
·
View notes
Damn does this guy have to do everything in this goddamn house
He gotta house Gwen he gotta build a watch he gotta teach Miles about his powers he gotta leave the watch for Gwen he gotta make some more for the squad he gotta save they relationship
What's next?? He gotta pick up your groceries too? 😭😭 clean your doors and polish your floors? Kill Miguel with his bare hands?
Can my mans relax 😩😩😩 how about we let the girl grow and repair her relationships herself huh?
How about we give Hobie a movie of his own where he can do shit for himself without having to fix other people's nonsense first how's about that is that okay
817 notes
·
View notes
When you realize that Jude hadn't pardoned herself, not because she hadn't figured out the loophole in the exile (meant specifically for her) but because she had loved Cardan (even if she wouldn't admit it to herself), and was hurt.
Jude had loved him since before she became a prisoner of the Undersea. She loved him when she agreed to marry him. She had hoped her feelings were returned but the exile didn't just mean she couldn't go back, it made her think (and believe) that Cardan hadn't loved her. She wanted to go back because Elfhame was home, she wanted to go back because she missed magic, but how could she go back to where the boy she loves—the King—was probably enjoying himself with his ex or a new lover, mocking her with his friends and laughing over her with her sister, being free at last of any commands, all while knowing (assuming) how much of a fool she was made?
Jude was hurt, not incapable of understanding the faerie wordplay she'd grown up listening to most of her mortal life. The slap she gave Cardan only showed a little of how deep that hurt went.
176 notes
·
View notes
"What if Kotoko got worse?" Well, what if she got better? What if she could learn to see the humanity in others and actually protect people without hurting others? What if instead of committing herself so much to her ideals of justice that she doesn't know who she is without them, she allowed herself to be a person that doesn't have to constantly be saving people in order to be worth something? What if Kotoko could make friends with the other prisoners instead of looking down on them and pushing them away at every turn? What if she went back to law school and stopped being a vigilante?
What if Kotoko could get better?
29 notes
·
View notes
"[Elizabeth Woodville] was the only member of [Crown Prince Edward of Westminster's] original 1471 council not already on the king’s council and her name headed the list of those appointed as administrators in Wales during Edward’s minority. [She remained on the council after it was expanded in 1473 and granted significant new governing and judicial powers]."
"In 1478 Prince Richard [of Shrewsbury] married the Mowbray heiress. Like his elder brother he had a chancellor, seal, household and council to manage his estates. His council, like that of Prince Edward, comprised the queen [Elizabeth Woodville] and a group of magnates and bishops, few of whom were Woodville supporters [...] It was Elizabeth who mattered, for Richard resided with her and Rivers treated his affairs as their own."
-J.L. Laynesmith, The Last Medieval Queens: English Queenship 1445-1503 / Michael Hicks, Richard III and his Rivals: Magnates and their Motives in the Wars of the Roses
24 notes
·
View notes
She heard me doing things so she came up to the side of her baby bin and blelelelele'd at me until I noticed her. She greets me every morning where we spend the first hour of every day together, her just resting in my hand and me holding her, often gently petting her head and tiny scales. If there is a heaven, that first hour we spend together is it.
She is getting a larger enclosure for her birthday in a month and a half. :D Hopefully I can get it done in time, as I haven't sculpted a custom enclosure before and will be trying some new artistic critiques. I do have experience sculpting though. My biggest worry is the paints and sealing them properly! Art I can do- but food safe art that will be in a moist bioactive enclosure is new for me.
37 notes
·
View notes
AHA thank u i was mostly just. frantically pulling the "no hetero" card bc farcille is super super always endgame for me and the "marcille has two hands" thing is absolutely not for me and my personal characterization of marcille
i like. can't find it anymore for some reason but there was a farcille fic set just after the shuro confrontation where laios reaches over to hold marcille's hand and ask her if she likes him or if she's just tolerating him too and it was so. the vulnerability. the puppyness.
that safety and security he must feel in knowing that she wears her heart on her sleeve and he will always know when she's unhappy with him because she will absolutely let it be known. the way that falin's first revival was the turning point for the way he felt about her because, for the first time in his life, protecting falin wasn't something he had to shoulder alone. there was finally someone else who cared about her as much as he did (in his eyes, resenting his parents for failing to protect her) and would stop at nothing to save her. the way it must have been proof for him that, not only was falin not alone anymore, he wasn't alone anymore.
idk why i like rather than dislike the fact that his only framework for parsing how he feels about "the first girl other than his sister that he's ever cared this much about" is a comphet romantic lens. like he would have the autism moment of fully assuming that he's in love with her for a while and just like. not? doing anything about it? because he doesn't feel the urge to, nor is he sad that he knows marcille would mostly likely never "feel the same way" about him?
like. he "figures out" that he's "in love with marcille" with all the passion of printing out a label and sticking it onto a favourite scrapbook for organizational purposes. he's equally happy to be her husband or brother-in-law so long as it means she stays close and is part of his family.
i know logically i should hate it but it's sooo crunchy to me. my comphet besties ever. designated plus one and dance partner to all fancy and formal occasions. having actual real chemistry but the "romantic" part of it is some weird shapeshifter smokescreen. augh
35 notes
·
View notes
God every day I think about Akane’s breakdown in door 3 because there really is no correct way to interpret that and every possibility makes me crazy. Like she sees this fucked up corpse whom Junpei (and the player, depending on how they play) believes is their friend Snake, but she knows that it’s Guy X. It’s a man she very intentionally put in the game for this very purpose, so that he could die horrifically and be displayed for everyone to see. And she has a full mental breakdown over being trapped in this room with the corpse, being trapped by Junpei, to the point where she rips out her hair and starts bleeding from how much she bangs on the door screaming to get out. And fuck, there’s so many possibilities like
Akane could be feeling genuine terror over the sight of the body, and with that remorse. She made this happen, she wanted this to happen, and now she’s forced to quite literally watch the damage she’s caused unfold. She can detach herself from his murder easily in other timelines where she doesn’t have to look at it, and she can sleep easy knowing that her hands are technically clean because she didn’t do the literal killing. But she can’t do that here, and she has to face the fact that not only did she happily cause this death, she failed her mission. She isn’t going to survive, and now this man is dead for nothing and everything is her fault
On the other hand, her entire breakdown could be completely fabricated in order to keep playing the role of the damsel in distress who is so innocent that the very sight of blood drives her to insanity. The interesting part about this is that if she could fake such a horrific breakdown, just how much of her personality a facade? We know she wants revenge, for everyone from Cradle to feel even an ounce of the pain she and so many others went through, but we don’t get to see the extent of how much she feels this way. We never hear directly from Akane about her feelings on any of the original organizers, just her note about her desire to punish them. She hates them, but does she see their deaths as a necessary evil, or does she feel joy and satisfaction at watching them go? It’s absolutely horrifying not knowing, not being able to see her true feelings, not knowing just how real or fake she is, the extent of her madness. Perhaps she doesn’t even know that herself
IN OTHER WORDS, it’s fucked
128 notes
·
View notes