40&48 with hotch and bau reader!! age gap 😏 lil teasing 😏
help me get these two specific blorbos out of my head, the prompt list"I think we're on a first name basis by now." + "there's no way that was just a one-night thing."
you groaned louder than you should've been, honestly, your forehead hitting the pile of papers on your table as your boss called you into his office at the end of the day. you had spent the whole day feeling victorious that you were able to avoid being alone with him, attaching either spencer or emily to your hip whenever you had to even get close to his office.
it would be so much better if he just ghosted you, the whole conversation where he tells you you're too young, that you should be with someone spencer's age, about hierarchy and power imbalances... you had everything he probably wanted to say to you already ingrained in your mind.
from the moment you woke up to your bed half empty, your clothes folded and no suv to be seen down the street, you knew to him it had been a mistake to lean into your advances, to accept your hands pulling his tie, to get into the elevator of your building with his hand on the small of your back.
you could deal with that, you were a professional, mostly. but having to hear him say it would be too humiliating and you couldn't even avoid it, he was your boss, you couldn't be insubordinate and you couldn't let anyone suspect something was happening.
the paperwork in your hands seem more interesting to you for a second after you put it on his table, trying not to look at him. the door closed behind and the blinds shut. you felt your cheeks warm up in embarrassment, last time you were so openly rejected was during your freshman college year and it broke you for weeks.
and the boy was nothing compared to the man getting up and leaning on his table to be closer to you. aaron even reaches for your hands, as a reflex you flinch, putting both in your pockets. "what's on your mind? you've avoided me all day." he doesn't force you to accept his touch, crossing his arms in front of his chest as the question filled the air.
"listen, hotch—sir—" his hands shake along with his head in denial, confusion.
"i think we're on a first name basis by now." after the countless times you whispered and moaned his name the night before it was only fair that between the two of you, you called him aaron, it made the most sense to him.
"aaron." you nod, teeth to your bottom lip for a second trying to find the less awkward way to tell him he was off the hook, no need to explain anything. "i was trying to make this whole one night stand thing easier." the admission feels silly on the tip of your tongue, especially when his known furrowed brows soften and his lips turn into a smirk.
his hands tentatively go to your hips, pulling you to him when you didn't flinch, touching your forehead with his so that you're so close both your breaths are the same as he speaks, "there's no way that was just a one-night thing."
and who are you to deny your boss of anything?
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man i have really been thinking about worldbuilding and exposition in books recently
when i was like, i don’t know, twelve-ish, I picked up this book about a teenage girl in a spy school. and i absolutely fell in love with it - I thought it was incredibly neat how the book just seemed to drop me into the middle of the story, even starting in the girl’s second year. in fact, the main character frequently referenced events from her first year (falling in love with a civilian, things ending badly, finding secret passageways, losing her mother’s trust etc.)
and I actually really enjoyed the fact that the character had a rich and vibrant life outside of what i had read and that the book didn’t go out of its way to explain her past in flashbacks or anything. i understood the main takeaways and why she was reacting to things based on what i gleaned, and more than that i understood the growth of the character, why she was cautious in certain places but reckless in others, etc and i felt smarter for not being handed the answer on a silver platter
anyway it wasn’t until i finished the book and realized there was a sequel that i looked it up and found out that. in fact. i had started with the second book in the series.
oops.
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I made this blog mainly as a place to store art + memes for my fandoms and doodles of my original stories. I’ve posted a lot of the former, but none of the latter, so… Here you go? Have some goofy “incorrect quotes” inspired jokes of a project of mine called The Name-Oath.
Context is indented and italicized, but you can probably read through the doodles below without getting too confused if you skip it:
The first half of the actual plot is your standard fae romance starring a human woman who doesn’t realize the male lead is a supernatural creature, and just thinks he’s really into cosplaying alone in a mansion in some freaky forest. The second half is rom-com shenanigans between the divorced human woman and male lead after the world's ugliest breakup. He desperately tries to get back together at every waking moment and she just wants to hang out with her bestie Summer and raise her half-fae daughter in peace.
The human woman is named Eglantine, but goes by Egg. She got stuck with the nickname during high school and decided to start going by it in an effort to have a more "average" sounding name. This did not work as intended, but it certainly helped her avoid getting her name stolen when she first met the male lead. She's something called a skipwitch. This is a whole worldbuilding thing I'm not going to get into here.
The male lead is named Kieran. He is a drama king. He spent several centuries under magical house arrest. He can talk to rats. He has pretty hair. This is all you need to know about him, except maybe the fact that he's royalty.
Summer is Egg's best friend, and she is the resident fae expert in her and Egg's coven. Competitive and protective of Egg. She hates Kieran's guts, and the feeling is mutual.
Egg and Kieran's daughter is named Violet, but she goes by Froggy. She is a terrifying force of nature by virtue of being the offspring of a skipwitch and Unseelie prince. Enjoys microwave pizzas, her pet beta fish, video games, and getting her way.
Alois is Kieran's invisible butler. He's a surprisingly talented singer.
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Tubbo always prepares for the worst.
He builds walls, carves bunkers from the ground, digs tunnels, forges weapons, makes and fills a vault with potions and armour and weapons, just in case.
'Trauma response' They say. That he's grown to be that way due to the events that happened to him. Paranoid and over-prepared.
They say that because They only started looking after. After everything that went wrong. Thats when They looked and saw and processed and assumed.
But he's been like this all along.
He was the one who farmed for hours in preparation for L'manburg's revolution. Potions, armour, weapons and emeralds all stored, just in case.
Its was all for naught when Dream destroyed it all and Eret betrayed them.
He was the one who built secret bunkers even before the election. He was the one who showed it to Wilbur and Tommy before the results were announced. He was the one who gave them potions of invisibility and swiftness, just in case.
It was all for naught when Wilbur was shot and killed during his getaway.
During Schlatt's presidency, he kept making things, preparing. Bunkers, tunnels, places to hide, excuses to tell. Just in case.
It was all for naught when he was executed.
Tubbo has always prepared and expected the worst, even when everyone else didn't. Its part of his nature. Yet, despite everything he's done to prepare, all the effort and time and thought he's put into it, its all for naught. He's never prepared enough.
He stopped at one point. Well, not exactly. Its hard to break habits and he's still builds, tunnels, stocks up, just in case, but he came to rely on someone else.
Soon his husband was along side him in his preparedness. Always had a spare set of armour, or tools, or money, or food for Tubbo. Always the small stuff, the stuff to take care of him, of them.
Tubbo was the one who prepared for the worst, the walls, the tunnels, bunkers, the vaults, the nukes. Always the big stuff, the worst case scenario, the just in case.
They relied on each other and maybe it wasn't completely healthy. There was plenty of stuff they didn't tell each other, secrets kept and never mentioned. But they understood the other cared, with each tool passed along and every wall built and every thing gifted 'just in case'.
They loved and cared and prepared. Tubbo felt truly understood. It was nice. Lovely, even.
Tubbo doesn't have a husband anymore.
He wasn't prepared for that.
(It was all for naught)
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