#okay I'm out of ideas

[poorly-drawn-mdzs]

Welcome to the Dungeons of Fear and Hunger.

[solarmorrigan]

omg I'm obsessed with your latest "don't fucking touch me" prompt. Would you continue it?

Hello! I know this is actually from earlier in the week than the one I answered a couple of days ago, but I was saving it because, while I don't exactly have a continuation, I do have a little stobin interlude I wanted to share

I'm still working on the "fix it" part of this idea, but at least in the meantime Steve gets a hug?

[Part 1]

It isn’t unusual for Steve to show up at Robin’s house well after any reasonable guest would come knocking. It isn’t unusual for him to do it by climbing the side of the house and knocking on her window (she hasn’t told him that her parents don’t really care anymore if he’s there in the middle of the night; she figures the physical activity counts as some kind of jock enrichment). Unfortunately, it isn’t even unusual for him to appear out of the dark because he’s upset.

What’s more unusual is the way he sits silently on her bed after she’s let him in, the way he’s almost folded in on himself, the way he won’t quite meet her eyes – as if there’s anything he can or even needs to hide from her.

What’s fucking unheard of is the way he starts crying when she pulls him into a hug, his face pressed to her shoulder and his arms wrapped around her waist like she might disappear if he doesn’t hold on.

Robin doesn’t even understand what’s happening at first; she can feel Steve shaking against her as she rubs a hand up and down his back, but when his shoulders start to heave like he’s having trouble drawing in breath, a cold bolt of uncertainty lances through her gut. She tries to pull him back to look at him, to see what’s wrong, but she only gets him far enough away to hear one very quiet sob before he’s hiding his face again and she realizes–

“Oh. Oh, shit– okay, this is happening. Okay.” Robin resolutely does not panic as Steve sobs into her shoulder, even though crying isn’t something Steve does (not that Robin’s ever seen, and she’s seen Steve through a lot); instead, she goes back to rubbing a hand up and down his back, bringing her other up to pet his hair, and tries her best to project literally any kind of comfort. “Okay, you’re okay – well, you’re obviously not okay, but I’ve got you. You can just let all this out and when you feel up to it you can tell me what’s wrong because you’re kind of freaking me out, but not until you’re ready, okay? I’ve got you.”

She feels maybe her success is mixed, but Steve doesn’t complain and he doesn’t seem to be made more upset, so she can’t be doing too badly.

All told, Steve’s breakdown is unsettlingly quiet. Robin tries not to think about why he can cry so silently, and instead focuses on finding the transition from actively sobbing to sniffling and trying to catch his breath. The next time she tries to pull him back, he lets her, still not quite meeting her eyes and automatically bringing a hand up to wipe at the tear tracks on his face.

Robin has seen Steve all manner of beaten and bloodied and bruised, but somehow, sitting here in her room, still half-curled into her space with his face blotchy and wet from crying, she thinks this might be the most upset she’s ever seen him. She can only imagine what’s happened to cause it – at least until she can get him to tell her.

“Get it all out?” Robin asks, as gently as she’s able (she’s never been great at gentle, but Steve’s used to her by now, she thinks he’ll get it).

Steve shrugs, but then gives a little nod.

“Okay, so here’s what we’re going to do: I’m going to give you some tissues so you can clean yourself up, because I love you, but I’m not going to wipe your nose.” This gets a congested laugh from Steve, and Robin allows herself an answering smile. “Then I’m going to go downstairs and get you something to drink, and then you’re going to tell me what’s wrong, because I am this close to being seriously alarmed.”

“Sorry,” Steve says gruffly, ducking his head, moving to pull away.

“Nope, we don’t do sorry here, nothing to be sorry for,” Robin insists, grabbing Steve by the shoulders and keeping him close. “I just want to know what’s wrong, okay? I want to help. So here.” She shoves the box of tissues from her bedside table into Steve’s lap and gets up with one last squeeze to his shoulders. “I’ll be right back.”

Robin slips out of her room and sneaks down to the kitchen (her parents don’t really care about Steve’s late night visits, but they will be grumpy if she wakes them up), poking around quietly for some kind of suitable post-breakdown sustenance. She ends up with a bottle of Gatorade from the fridge and a half-eaten package of Oreos from the pantry – the late night snack of champions, she decides.

Back up in her room, Steve has shucked his sneakers (no shoes on Robin’s bed, it’s a cardinal rule) and settled himself up against the pillows; his face is dry and his eyes aren’t as red, but the tiny smile he gives her when she passes over her spoils still makes him look just as sad as before. Still, Robin valiantly lets him get through half the bottle of Gatorade before she elbows him gently in the side, demanding answers.

“Right.” Steve caps the bottle and rolls it nervously between his hands, watching the highlighter fluid yellow slosh around inside. “So, uh. You know how I’ve been seeing Eddie?”

Robin’s heart sinks. “Oh, shit, did you two break up?”

“Actually, it turns out…” Steve clears his throat. “It turns out that there wasn’t anything to break up. Apparently, we’ve been friends with benefits this entire time and I’m just a delusional idiot who made up an entire relationship in my head. So there’s that.”

There is nothing Robin can think to say to that. There’s entirely too much to unpack, and none of it makes sense.

“What,” she finally manages, a little flat.

“Yeah, he said that, uh. I’m not the type of guy you have a relationship with, and that I’m hot, but I’m just a good friend, and we’re just having fun.” If Steve’s voice cracks on the last word, Robin doesn’t mention it.

In fact, she’s too busy being consumed by rage to really notice. “He said that to your face?” she demands.

Steve clears his throat. He won’t meet her eyes. “Not– not exactly.”

“Steve.”

“The guys were over, and I went out to get some air, and that’s… what I heard Eddie saying to them when I came back in,” Steve says. “So now they know how pathetic I am, too, which is. Great. That’s fucking great.”

The world goes still. Suddenly, everything makes perfect sense. Robin reaches out and squeezes Steve’s wrist. “I’m going to have to leave for a few hours, okay?” she says. “I have to bike down to the trailer park and fucking kill Eddie.”

In a flash, Steve twists in Robin’s grip and grabs her by the wrist in turn. “Don’t leave,” he says quickly.

“No, he doesn’t– he doesn’t get away with this,” Robin hisses. “He doesn’t get to do this to you and not face consequences!”

“He wasn’t trying to– I mean– I was the one who–”

“Are you defending him right now?”

“No, I just– fuck.” Steve lets go of Robin and shoves both hands up into his hair, grabbing and pulling. “I already feel enough like some fucking – loser reject, okay? I don’t want to be alone right now. Please just… stay.”

The rage doesn’t abate (if anything, there’s probably more of it), but Robin’s priorities do rearrange, and she settles back on the bed next to Steve. “Fine,” she huffs. “Munson gets a stay of execution.”

She pushes the package of Oreos into Steve’s lap and orders him to finish the Gatorade. She doubts if he’s going to escape tonight without a migraine, but dehydration on top of stress will only make it worse.

They sit quietly for a while, munching on cookies, shoulder to shoulder on Robin’s bed, before Robin breaks into the silence.

“You’re not a loser, Steve. You’re my best friend, and you deserve to be loved, okay?” she says softly, reaching over to wrap her hand around his wrist again. “And one day it’s going to happen. I’m choosing to believe in love, too.”

For a long moment, Steve says nothing. When he finally does speak, his voice has gone a bit rough. “If you make me cry again, I’m dumping what’s left of the Gatorade over your head.”

Robin snorts, squeezing Steve’s wrist. “There’s that mean girl I know and love.”

Steve laughs, too, small but sincere, and Robin takes it as a win.

Part 3

[felsicveins]

His heart belongs to another

And no other heart will do

[humming-fly]

Happy to report I have finally started listening to Malevolent and to no one's surprise I am already obsessed (I'm almost done with s2 atm please don't send me spoilers yet sdlkfj)

I'll skip over my usual formality of having one normal art post before diving into shitposts let's not waste anyone's time here

[baldursghaik]

Reading the reaction to Larian's decision to fully step back from wotc/d&d/etc has been interesting

a lot of mourning of the loss of "content"

"we could have had years and years of content" "this is heart breaking to never see these characters again" etc etc

is that what you really want? content? is this what modern media production has come to, that people aren't sated with anything less than milking a property until it's a barren husk of anything it once was?

Why can't we be happy with what we have? I don't think it's unfair to be sad about this news, especially given that it felt like some things were being teased or hinted at, and now they most likely will not come to fruition (at least at larian's hands), but is that really so bad? If you're so dissatisfied with a character's ending or arc, write a fanfiction, draw fanart, boot up the game again and just imagine your way into what you DO want

is that not the fundamental nature of d&d?

[0xeyedaisy]

Random stuff

[cosmarrrs]

Ignore the arm ignore the left arm ignore it ignore it ignore it I spent an entire day on it and now I am deciding to leave it in my dark twisted past DONT LOOK AT IT

jon kind of closeup + Martin unclouded yay

[lustrecannon]

fuck it. formal time

[ganonfan1995]

more doodles ft. Queen of the Zonai Hylia and the young prince Rauru!!!

[trensu]

Heyyy, long time no post, huh? I'm dropping another chunk of stasis in darkness for you guys! And I wanted to remind people that these posts are basically rough drafts. The final product will hopefully be more polished but in the meantime please enjoy!

--

After Steve convinced the old man he meant no harm, he’d been allowed into the home. The Lord of Night hadn’t been super specific about the purpose of his quest, only that Steve had to bring him to Wayne Munson. Steve discreetly looked around the home as he entered it. The old man was obviously unwell and had been for a while, given the state of the house. Steve had the creeping suspicion that the time limit the Lord of Night mentioned was linked to the man’s health.

“What are you doing?” Wayne Munson asked suspiciously once he had returned to the kitchen with Steve in tow. He had sat heavily in one of the old worn chairs at the table but Steve, instead of joining him, began to clear the table on impulse. Steve halted awkwardly.

“This ain’t your house, boy,” Wayne said with a scowl. “I can take care of myself.”

Steve did his very best not to look at the scattered mess in the kitchen or living room. It was not the mess of a dirty, careless person. It was the mess of someone tired and overwhelmed. It was the mess of someone in pain who was too proud to ask for help. Steve took in Wayne Munson’s watery eyes, wan skin, and the clothes that were plain things, tattered from use, but mostly stain-free. Steve quickly added all these details and came up with a plan of attack. He set the plate back down.

“Yes, sir,” Steve agreed easily. “I’m aware, but I serve the Lord of Night and he sent me to you specifically. In our god’s name, I must assist you in any way I can.” 

Wayne’s expression wavered. Steve pushed again. He lowered his gaze in a slightly embarrassed manner, letting a note of uncertainty color his words.

“I don’t know what else to do until nightfall,” Steve said. He rubbed the back of his neck bashfully. “I don’t want him to think I’ve neglected you.”

“What happens at nightfall?” Wayne asked.

“It’s when the Lord of Night wants to see you,” Steve said. Wayne blinked.

“Me? He wants to see me?”

“Yeah! So, if you could please let me,” Steve said, putting on his most endearing smile, “I’d like to take care of you until then. You know, make sure you’re comfortable and get the place ready for a divine visit. If it’s not too much trouble, sir?”

“Uh, no, that should be fine. Is…is there anything I should do?” Wayne asked dazedly.

“Not really. All I know is he really wants to see you tonight. Oh, maybe you’d like to rest until then? A nap, so you’re not drowsy when he arrives.”

Wayne nods, still in shock at the news. He didn’t protest when Steve helped him out of the chair and let him lean his weight on him as they navigated to the bedroom. Wayne sat on the bed as Steve drew curtains closed over the room’s single window. The curtains were thick enough to dim the sun to a pale yellow glow.

“I didn’t know there was anyone else who followed him,” Wayne said as he lay himself down over the covers.

"He told me you’re the only one left, besides me,” Steve told him. “And I only discovered him a month ago by accident.”

“By accident?” Wayne asked with a wry grin.

“My friends found a holy text when we were researching other gods. It was the only one of his in the city's whole library. Then we had a hell of a time trying to find his last shrine. When I finally found it, it was falling apart. He’s been forgotten,” Steve said. At Wayne’s troubled expression, he hurriedly added, “But now that I’ve pledged myself to him, I’m going to make sure people know him again.”

Wayne did not appear convinced, but he finally settled to rest after Steve promised to wake him before sunset. Steve took the opportunity to clean. He hadn’t been lying to Wayne when he said he wasn’t sure what to do until nightfall. It didn’t help that Steve also liked to keep himself busy. Being idle made him itch.

The house was small. Aside from Wayne's bedroom, there was only a cramped kitchen and a modest living room. From the small window of the backdoor, Steve could see a short, worn path to an outhouse. 

Given the size of the house, though there was a mess everywhere, it didn’t take Steve very long to clean it all. When it was done to his satisfaction, there were still a few hours left until sunset so he wandered outside. The porch railing was covered with broad green leaves from intertwining vines but Steve left that alone when he saw the small garden nearby. It was full of ripe vegetables that Steve assumed Wayne had been unable to pick himself given his condition. 

By the time Steve had picked the vegetables, pulled the weeds, and watered the garden, the sun hung low in the horizon. He cleaned himself up the best he could in the kitchen sink and took one of the chairs from the table to the bedroom before waking Wayne.

He told Wayne what he accomplished during Wayne’s repose. While Wayne expressed his gratitude politely enough, it was still apparent to Steve that the old man was irritated at having needed the assistance at all. To keep Wayne from dwelling on that, as well as to satisfy his own curiosity, he coaxed Wayne into conversation.

“Can I ask, uh, how you–I mean, how did you know? How did you know the Lord of Night existed?"

Wayne laughed at Steve’s befuddled tone. The laugh turned into a coughing fit. Steve quickly fetched him a glass of water and put it on the bedside table after Wayne had a drink.

“My family’s a bunch of no-good criminals,” Wayne croaked. “Were. It’s only me now. But before, each generation of Munsons took it up. Like a family tradition.”

“Criminals?” asked Steve cautiously. 

“Thieves and con men. Some ladies of the night, if you catch my meaning. They knew of our Lord of Night and passed the knowledge down,” Wayne sighed sadly. “The life of a criminal ain’t what you call stable. We lost bits and pieces of him with every generation. Like his name. No one’s known his name for a very long time. Is that why he wants to see me? Did I fail him?”

There was genuine distress in Wayne’s question so Steve hid his disappointment. He had hoped the Lord of Night’s last worshiper would at least have a clue about where to start the search for the lost name. He focused, instead, on reassuring the old man.

“I don’t know why he wants to see you, but he wasn’t angry when he sent me. He sounded excited.”

“I suppose that’s a good thing,” Wayne said uncertainly.

“Definitely,” Steve assured. Before Wayne could sink into his gloom again, Steve said, “I know you said you’ve lost some knowledge, but do you know if the Lord of Night has any prayers? I haven’t…I mean, I’ve tried to worship him but I don’t think I can do it right without a prayer. I’m kind of new at all this.”

“My ma used to say our Lord didn’t have patience for formalities,” Wayne said, brow furrowed. “They bored him so he only had a few official prayers. There was one where we’d thank him for any dreams he gave us. I think there was another one that asked for dreams to bring inspiration or something of that sort. I don’t really remember those–ma would be boxing my ears for that if she was still around. I remember the one for protection, since we used that one a lot. It goes: 

Lord of Night,  Guide us through all phases Of the moon; May the dark be free of All dangers, While your many stars burn.

Wayne’s voice cracked into a coughing fit near the end. Steve hurriedly offered him water again once Wayne had caught it again. Wayne took a few mouthfuls and repeated the prayer again so Steve could learn it. It took a few tries, but Wayne was patient and by the end of it, Steve had it memorized.

“Is that the only one?” Steve asked, hoping to learn more. Wayne grimaced.

“It’s the only one I really remember. The Lord of Night prefers stories. My ma would tell us the best bedtime stories. Said they were for our god as much as for me and my brother. I was never good at coming up with new stories, so I retell my favorites or tell our Lord about my days and give him a little offering.”

Steve wasn't much of a story teller. He supposed he could do as Wayne did until he met up with Robin and Dustin again. They constantly chatted about books they’d read. Steve couldn’t help but notice how, once again, his friends seemed a better fit for his god than he was; all Steve could give his god was his shield and sword. It was discouraging. He had to figure out a way to make up for it somehow.

“What kind of offerings?” Steve asked. 

He wanted to give his god more; he wanted to give the Lord of Night something he’d actually like. It wasn’t lost on him that the Lord of Night took him under duress. Who else would’ve been able to complete this quest? 

“When I was young, it was horse shoes,” Wayne chuckled at Steve’s confusion. “Thieves are supposed to give him a part of their loot but my ma and pa were horse thieves. They got horseshoes and would leave one for each horse they stole, tied with a braid made of the stolen horse’s mane.”

“You stole horses?” Steve said, unable to fight off a grin as he remembered the conversation he had with the Lord of Night about it.

“Me and my brother, before he passed,” Wayne said with a weak nod. 

The sky had darkened by now. Steve pulled the stone out of his satchel. He carefully unwrapped it from the cloth and set it gently on the bedside table next to the glass of water. Wayne eyed it quizzically.

“It’s from his shrine,” Steve explained. Without any further fussing, Steve stood up and went to the door.

“Don’t leave,” the Lord of Night said. 

Steve turned to see the god, hooded in his cloak of constellations, sitting in the chair Steve had vacated. The Lord of Night had not even glanced Steve's way when he spoke to him. The god’s attention rested solely on Wayne.

Steve hadn’t seen or spoken to the Lord of Night since he’d been accepted as his holy warrior. The god had needed to conserve his energy, he explained to Steve, so that Steve could complete his quest. The god’s cloak was as mesmerizing as the first time. However, this far from the shrine, the god did not look as solid as he had during the nights he spent with Steve. 

“I wanted to give you two some privacy,” Steve said softly. 

“I think Wayne would appreciate not being alone,” the Lord of Night said. 

The old man stared at the god unblinkingly. Wayne’s expression was one of awe and fear, so Steve did as he was told and stayed in the room though he chose to lean on the wall furthest from the pair. He was still close to them in the tiny bedroom, but it provided the pretense of privacy.

“My Lord?” Wayne’s voice was barely audible.

“Hello. I’ve wanted to meet you for years,” the god said.

[chirpsythismorning]

Fun fact: In the original pitch for Stranger Things, El had a little brother.

After being rejected by almost 20 studios for the Montauk pilot, the Duffers were finally green-lit by Netflix. It was at this time that they began casting and then writing the first season officially, which included reworking a lot of that first episode.

This led to the removal of the brother reference, and with it, removing any sort of arc El could have had about her apparent brother.

But the thing about this moment, is that it might not have been scrapped entirely...

Going into the final season, no one can explain why or how El recognized Will back in 1x02. And while there are plenty of things on the show that are left unexplained, with a small portion likely left that way with the intention to uncover it later, what sets this moment apart from the rest is that there are very few possibilities here.

Because for starters, the story presents El's ability to see people in the void in s1 as requiring either a picture of that person for reference, or having met that person before.

But when El see's this picture of Will, she's never met him before. Or maybe she has, but we wouldn't know because they never showed us. They could have just not done this scene at all, given that it's clearly a copy/paste/edit of something scrapped from the pitch. Or they could have even still included it, but explained it.

One explanation could be that the lab had shown El a picture of Will before, similar to what they did with the Russian agent they wanted to spy on. But then that begs to question, why would the lab show El a picture of Will? Why would they want to see what he was doing? That alone is incriminating in and of itself, implying that Will is more connected to the lab than we realize.

The only other, and frankly most likely explanation, would be that El stumbled across Will at some point on her journey between escaping the lab and Will going missing. This is actually something that happens in The Other Side comic, which explores all the things Will may have experienced during his time in the Upside Down.

Though it’s worth noting the comics aren’t technically canon, and I highly doubt they would outright spoil everything in relation to Will’s time there, years before it was intended to be revealed. But still, let's humor this for a moment given that I do think Will's time in the UD is going to be very relevant in s5, which means it's highly likely they will finally address how exactly El saw him.

Basically, in the comic, Will see’s El walking through the woods, almost apparition like, glowing as she passes by, while also sporting the Benny’s burgers shirt. This means they would have crossed passed within a short span of time, between when El escaped Benny’s when the agents arrived, but before she was found by the boys.

Though it’s worth noting that we’re seeing this all from Will’s perspective. This means from the UD, Will was capable of seeing El on the other side, despite them being on different sides. And not only that, but she also looks back at him.

What confuses me about this, is that it doesn’t make sense for El to be in the woods, only to randomly decide to pop in to the void for a moment. She was trying to escape the lab and everything that came with it. I doubt she had any desire to lurk back there for some reason, not until someone encouraged her to. Not to mention, it would make no sense for her to go there and see Will if she wasn't even looking for him in the first place. And so this would mean Will and El could see each other, with Will being in the UD, and El being on the other side.

While it does seem pretty far off, given that you would think Will and El wouldn't be able to see each other from different sides, it is true in the story that El not only recognizes Will, but knows that he is in danger. She mentions that he is hiding specifically.

Which means she has likely seen him within the last 24 hours regardless.

This, in combination with Will being able to respond to El in the void at the end of the season in Castle Byers, when no one else outside of Terry and flayed-Billy have been able to, seems to imply that there is indeed something special about Will that makes him capable of communicating with El from the UD. Not only that, but El also seems to have an ability to be in this constant knowing state of how Will is doing, without even checking again to confirm. She's just certain of it. And she seems terrified about it.

Going forward, El never uses a picture of Will to find him. She never did. And more often than not, they don’t show us what she see’s either, not until the very end. And that’s the moment they reveal that he was able to communicate with her.

Again, there was really no reason to have El recognize Will. If anything it complicates things. But the fact that they chose to introduce this concept, with a scene from the original pitch that was related to El’s younger brother, with her pointing at his name cryptically, startling Benny, only to revamp it and have El not say anything at all while pointing at the picture of Will, startling Mike… It just really makes you stop and think.

Which brings me to the other aspect of this that might have people doubting, which is that El’s brother was originally younger than her.

We know Will is not younger than El, so how could this apply to him?

Well, it might be helpful to consider that in the original script, El was actually 10 years old, while the boys were always 12. Meaning that for some reason, they decided to age her up to the age of the boys, aka the same age as Will…

Ever since @erikiara80 shared this brother discovery with me, I have been sort of reeling. It then led to other little discoveries of changes they made between Montauk and Stranger Things.

It’s important to understand that the Montauk bible and the original script precedes what we ended up with in the final product, with it finally changing and evolving months, maybe even a year since that original vision. Even casting occurred before writing started for the first season. We know this because casting announcements were made in June and August of 2015, with writing not starting until August going into early 2016, simultaneously while they were filming.

And believe it or not, what I've discovered is that a lot of the changes they made between their original plans and what we see in the final product, have to do with not only Willel, but also Byler.

If you've read the original script for Montauk, you'll know that Mike's crush on Jennifer Hayes was focused on right from the jump, along with the birthmark on his face being focused on, which was the main cause of the bullying he experienced.

This has actually been talked about recently, and some of the claims people make do fit with what I am genuinely starting to consider here, which is that the initial plan for what makes Mike an outcast shifted.

I think when they completed casting, and started actually deep diving into what they wanted this world to look like, both from a short-term and long-term standpoint, they were presented with some pretty interesting discoveries, arguably already hiding in their initial plans without realizing it.

And this is where it sort of becomes a 'chicken or the egg' situation. Because which one came first? Byler or Willel?

I can't say for certain, because obviously this is all just speculation. But in the case that Willel came first, I think Byler would come very naturally after that.

The Duffers themselves are twins. Then they hire Noah, who is a twin. Then they're thinking and planning for El's past and how her family all fits into this, and they're thinking... wait a damn minute... We could totally Star Wars this bitch!

And then when they think it couldn't get any better, they uncover another layer that they hadn't planned or really considered in their initial plans.

While Will was always going to have sexual identity issues according to the Montauk bible, meaning that the writing process for him likely involved sitting down imagining scenarios that encapsulated this arc for Will from the beginning, they were simultaneously now finding very interesting aspects of Mike's character that made it hard not to at least consider the possiblity that Mike is not exactly straight.

Just think about it. The Byers and Wheelers are basically polar opposites on the spectrum of what a family looks like. While Will's discovery and acceptance of his queerness is interesting to explore because he comes from a low-income, single-mom household, all while having been bullied for years based on his perceived queerness, he also has a mother and brother constantly reinforcing that they will accept him no matter what. They've been sort of hitting us over the head with it for years, and so it wouldn't be very satisfying for his entire arc to merely lead up to something we've known all along. It's pretty much a given at this point.

On the other side of the spectrum, Mike comes from a more upper-middle class family at the end of a cul-de-sac, more aligned with what a nuclear family looks like. Mike's family is also presented as being more conservative, and while Karen does give that very queer-coded speech to Mike in s1 (I'm convinced they only wrote this after deciding to explore queer-coding more heavily with Mike), it also comes with comments from Ted and even still Karen that hint that they are probably not as open-minded and accepting as Will's family is to him. Which means Mike's arc would be a lot more about acceptance around him from his loved ones who we have been led to believe might not be as accepting of his queerness in contrast to Will.

And so as they're putting this story together, and they're being presented with something very interesting. Two similar experiences that play out in different ways because of the characters circumstances.

Will goes missing, and his twin sister with a buzzcut pops up and has the ability to help them find Will.

This leads to several moments where El is being compared to as not only a boy, but Will as well.

Now suddenly, their initial plans to have Mike's arc be about having a girl be interested in him and to hopefully have his first kiss and feel like less of a loser, starts to look a lot like what the experience a queer kid in his position might encounter growing up in the environment that he did.

And if you don't want to take my word for it, just hear the Duffer's themselves hinting at what they initially planned for Mike and the fact that it changed.

The changes don't stop there.

Believe it or not, 'It was a seven', did not exist in the initial pitch. When the boys went outside bickering over Nancy, they leave right after that.

Another thing that changed from the first script, was Scott Clarke's introduction:

And so you might be thinking, who cares? What does that have to do with anything?

Well, it's interesting because the line we end up with on the show is arguably one of the most on the nose Twelvegate proofs to date. Mind you, this is from the first episode:

Why chuck the original version, which was arguably more interesting and fascinating in terms of it hinting at the mysteriousness surrounding this story, only to replace it with him listing off tips about their upcoming test?

Well, I think it's the irony of it all. Here Mr. Clarke is practically telling us where to look to figure stuff out for ourselves what is going on, with all the kids filing out and ignoring him...

I relate to Scott a litttle too much in this shot here, any time I try to drop Willel evidence.

And the changes go on, as they obviously would.

Things like Terry Ives not even being El's mom, but actually a man who more so aligns with the characterization of Murray.

And one very interesting one I almost overlooked was in Hopper's introduction, where instead of a kids drawing done by who we assume to be Sarah, we actually see a picture on the wall of him and his wife and daughter... Interesting that they decided to switch it something that is a lot less definitive in presenting what Hopper's past looked like...

If you've made it this far, congratulations.

If you still think I'm out of my mind, just remember that El was going to have a brother in the original script, but they scrapped the scene and gave a near identical one to introduce her connection to Will instead 😘

[justsomeimbicel]

Porter seems awfully kind to the Shaw pack. (especially Darlin)

Like at Sam's and Darlin's place the first thing he did was compliment Darlin's appearance.

And when Darlin told him to watch his tone when talking to Sam he listened and apologized.

And then he gave Sweetheart information about the Bennett clan's ties to closeknit. It could have been him just wanting to see closeknit burn but he was still very polite to the pack.

Should I be curious or scared?

[klavierpanda]

"Soulmates can't be an arophobic concept because they can be platonic" is not a take I thought I'd see but honestly I'm not surprised. Yes, a huge issue is that the way society views soulmates is a largely a romantic thing and the idea that "everyone has (a romantic) someone out there" is amatonormative bs and is arophobic. But extending it to "platonic soulmates exist too" doesn't fix or even address the actual problem. The fundamental assumption here is that there's someone for everyone regardless of whether it's romantic or platonic and that everyone must be connected to someone. How does making it platonic actually challenge amatonormativity? It honestly has the same feeling as "aro people aren't sad and lonely because they can have platonic partners!"

I'd like to be clear, people self-describing them and their partner(s) as soulmates isn't the issue here. That's on a personal level and that's fine. It's the assertion that everyone has a soulmate that is amatonormative.

That's the other major issue, there's usually the assertion that there is one soulmate per person which just completely throws polyam people under the bus. How is that challenging amatonormativity?

[top-chicken]

NASA's #1 Fan

[veinsfullofstars]

🪞 Fallen angel... who do you see staring back from the Mirror? 🪞

(ID: Kirby series fanart of Galacta Knight and my personal interpretation of his Mirror World counterpart. GK hovers above facing slightly to our left, his feathery wings spread wide, shaded in lilac and tipped with gilded wing talons, a swallow-like tail visible. He holds his shield forward in his left hand (our right) and his lance to the side in his right (our left), a single magenta eye leering at the viewer through the visor of his mask. A halo of heart spears floats and shines angelically behind his horns. Below him, M!GK hovers in the same pose but flipped horizontally and without the halo. Visually, M!GK has mostly the same features as GK, with his color palette being darker and less saturated (dusty purple body, dark gray armor, gray mask, maroon lance, rose-gold horns and weapons accents). His eyes are not visible in the shadow of his mask, but there are signs of erosion running down the metal surface in rusty orange lines, almost like tear tracks. Instead of feathery wings, M!GK has wings composed of jagged shards of pink crystal, glittering and lit from within by a luminous glow. A few pale feathers can still be seen peeking out from his back. END ID.)

Hey, so... what if... I went a little insane for a minute? What if I just... concepted a character... for the sequel... to an AU... I've told no one about... and haven't even finished writing yet? What if I then... pulled the salt shaker labeled "ANGST" out of the pantry and just... unscrewed the cap all over this poor lad? Oh, and Galacta Knight's here, too, I guess.

Sketch started 02/21/24, render started 03/01/24, finished 03/06/24.

[almostsweetangel]

colin hurriedly @'ing everyone to join the chat: WORLDSTAR

PRINTS | KO-FI