#on his b-day... really alan ;-;

[hiimtheproblem87times]

Wait.. Oh..?

[romeolucci]

What the ghouls from the same house think about each other

It’s one of the questions that appeared in the latest B’s-log magazine issue. I decided to share this one because it’s fun.

DISCLAIMER: I’m not a translator, so please take this with a huge grain of salt because I don’t speak let alone read Japanese very well. I mostly used machine translation and some of the little knowledge I have to get through this. I added the original Japanese script if you wanna read that on your own.

Jin, Tohma, Ren and Subaru didn’t receive the question unfortunately

Frostheim

Lucas: “Ever since I transferred to this school, Kaito has been my first friend and has always been very kind to me. I'm also grateful to Ishibashi-san for all his help. As for Kamurai-san, I hope he'll just fulfill his duties...”

「この学園へ転校してきた日から、魁斗は俺の初め ての友人として、ずっと仲良くしてくれている。そ れに磴さんにも、とてもお世話になっているよ。あ とは、冠氷さんが責務さえ果たしてくれれば良いん だけど･･････」

Kaito: “Hmm... To be honest, the captain and vice-captain seem like people way above the clouds... Rumor has it that the two of them are in collusion with the school and are doing terrible things. What? Luca? ...I've never heard of such a faceless bastard.”

「ん~………………寮長と副寮長は、正直雲の上の人って感 じだしな〜………………噂では、ふたりとも学園と癒着して、 えげつないことやってるって聞いたことあるけど。え? ルカ? ………………あんな顔面無双野郎なんか知らね」

*I’m really not sure what あんな顔面無双野郎 means.

Vagastorm

Alan: “We're just half-baked people who happened to have powers. But they're willing to die and crawl back up... they have the potential.”

「俺たちは、たまたま力を持っただけの半端もんだ。 だが、死ぬ気で這い上がる･･････あいつらには、その 素質がある」

Leo: “No matter how you look at it, our captain is a complete loser. As for Sho-chan... I guess he's my slave♡”

「誰がどう見ても、うちの寮長サマはポンコツでし ○よ。え~、翔ちゃんはね･･････オレの奴隷、かな♡」

Sho: “Ahh... Leo and I are just old friends. We've been hanging out since middle school. Mido-senpai... I don't really know what he's thinking. He's a man of few words, right?”

「あー…………………玲音とはただの腐れ縁な。中坊の頃か ら、なんとなくつるんでるっつうか。御堂センパイ は･･････何考えてっかよくわかんねぇわ。あいつ、言 葉が足りねぇタイプじゃん?」

Jabberwock

Haru: “Both Ren and Towa have good bodies, so if they could put that into use and work, they'd be a lot more reliable than they are now...huh? What's that sound...Hey Towa! Wait a sec!!”

「蓮も叶空も、せっかくええガタイ持っとるけぇ、 そいつ活かして働いてくれりゃ、今よりずっと頼も しいんじゃがのう･･････ん?この音は･･････おい叶空! ちょ~~~待て~~~~~~~!!」

Towa: ~~~~♪~~~~!!

Sinostra

Taiga: “That Lulu gets so angry every day, I don't know how he never gets tired of it... Ah? Shinjo? Who’s that?”

「ルルのやつ、毎日あんなキレまくって、よく飽き ねぇよな~･･･････あ〜? シンジョ? 誰だそれ」

Romeo: “I’m disgusted by my boss. No matter how many times I say the same thing, it's WEFCP. What? It's "waste of effort", "fist-clenching" and "pressing". As for Shinjo, I'm going to give him a thorough training from now on, and we'll see how he turns out.”

「うちのボスには呆れる。なんべん同じこと言った って、N・U・Oだからさぁ。は?「暖簾に」「腕」「押し」 だよ。まぁ針条に関しては、これからみっちり教育して、 どう化けるかってとこだねぇ」

*I tried my best to translate Romeo’s abbreviation but it’s still bad I’m sorry…

Ritsu: "I have concluded that it is futile to try to change the tyrannical behavior of our Sinostra’s captain, Taiga Hoshibami, and vice-captain, Romeo Scorpius Lucci. From now on, I will defend them and definitely obtain the 'Laurel Crown'."

「我がシノストラ寮長の星喰大我、および副寮長 のロミオ・スコーピウス・ルッチについて、その横暴 な素行を改めることは不毛という結論です。今後は、 私が彼らを弁護することで、必ず『栄冠賞』を手に入 れてみせます」

Hotarubi

Haku: “Another difficult question. Hmm... Subaru-san is simply great. However, his tendency to take on too much is his only flaw. Zenji-san... Well, you see, being with him makes me feel energized. I'm grateful for that.”

「また難しい質問ですこと。うーん･･････昴流さんは とにかく出来が良い。ただ、何かと抱え込みすぎる のが玉に瑕だな。善治さんは･･････まあ、あれだ、一 緒にいると元気になる。ありがたいことですよ」

Zenji: “If I had to describe Subaru-kun in one word, it would be...heart of glass...but in contrast, I can't help but worry about Haku-kun's lack of enthusiasm. As my manager, I would say he should be a bit more considerate.”

「昴流クンを一言で表すならば･･････ハート・オブ・グ ラス･･････それに引き替え、伯玖クンのスコドンぶり には気を揉まずにはいられないよ。ボクのマネージ ャーならば、もう少し気が利くべきだと言っている のだがねえ」

*Zenji says “hāto obu gurasu”, I’m not sure, but I think he means to say heart of gold? lmao

Obscuary

Edward: These two are young and strong, I'm so envious of them. When I was their age... Oops, it was so long ago that I’ve completely forgotten."

「ふたりとも、若くて体力もあって羨ましい限りだよ。 俺があの子たちと同じ年頃の時は･･････おっと。もう 随分昔のことだから、すっかり忘れてしまったな」

Rui: “Ed-san has no ability to live on his own, so he's really a pain to look after. At this point, I’m in charge of nursing care... and then what about Lyca-kun... Huh? I'm taking care of the kids... What do those two think of me!?”

「エドさんは生活力なさすぎて、ほんと世話が焼け るんよね。もはや介護っしょあれ･･････そんでライカ くんは~･･･････あれ? こっちは子供の世話だ･･････あ のふたり、俺ちゃんをなんだと思ってんの!?」

Lyca: “They're that moth-eaten Casanova and that blond gigolo. I'm human, so why am I not in the same place as Suba-kun and the others!!”

「色魔ジジイと金��ジゴロだろ。おれは人間なのに、 なんでスバくんたちと同じとこじゃねーんだよ!!」

Mortkranken

Yuri: “You're talking about Jiro-kun, who is both Yuri Isami's assistant and patient? He's still in training. He still lacks knowledge, skills, experience, and culture. It'll probably take another 100 years for him to become a doctor at my level.”

「この衣佐美佑理の助手であり、患者でもある次郎 くんのことです? 彼は研修中の身ですからね。ま だまだ、知識も技術も経験も教養も足りていません。 僕レベルの医師になるまで、あと100年は必要でしょう」

Jiro: “Oh, the only ghoul in my house is Yuri. He's my doctor. If it weren't for Yuri, I'd probably be dead by now. Well, I'm grateful.”

「はあ、同じ寮のグールは、佑理しかいませんけど。 俺の主治医ですね。佑理がいなければ、俺、今頃死 んでるらしいんで。まあ、感謝してます」

If a professional sees this, feel free to translate it yourself

[inkdemonapologist]

FINALLY got these scribbles from last session of the Cthulhu game scanned in lmao, THINGS HAVE BEEN SO BUSY but cthulhu has been very exciting!!

While looking for some Alan Leroy guy to figure out why the Phantom is following(?) him(?), we asked around with (a) his book club friends and (b) the mob, as one does. Sammy managed to avoid seeing the yellow sign when he realised very quickly what Cool Obscure Book this book club pal might be describing (unlike Jack, a polite boy who does not RAPIDLY AVERT HIS EYES FROM HIS CONVERSATIONAL PARTNER), but did not manage to avoid being hustled off by the mob to talk to The Boss when Henry asked just a few too many questions. it went fine but Sammy was SO STRESSED, HES ALREADY BEEN KIDNAPPED BY GANGSTERS ONCE HE DOESNT WANT TO DO IT AGAIN

also hes still cute in this hat. you should wear hats more often sammy. ANYWAY if you're here for Out of Context quotes from this session, I GOT EM RIGHT HERE UNDER THE CUT:

[Sammy is played by me, Joey is played by Boo (inkyvendingmachine), Henry is played by Maf (inkcryptid), Jack is played by Mochi (whatyouwantedmetosee) and Thren (haunted-hijinxer) is our GM!]

[Sammy] He will mention to Henry, something about "Oh boy, dreams are starting up again" kind of thing. [Henry] Yyyyup. [Henry] Don't get possessed again. [Sammy] [Sammy] i dON'T THINK SAMMY KNOWS WHAT TO DO WITH THAT!! The last time he got possessed was BY PROPHET, whom he still shares a body with!! [Henry] Prophet doesn't count! Don't get possessed by anyone else. [Sammy] .... I'LL DO MY BEST, [Sammy] I just like the idea of Henry being like 'don't get possessed' and Sammy just LOOKS at him, like............ I'm already possessed, what are you talking about

[Sammy] Given how these things like to happen on auspicious days, I'm a little worried about New Years,

[Joey] That's exactly the spin he's going to put on it -- Some time off for New Years, and a bonus day off to recover from the celebrations! [Jack] Gotta account for those, now that drinking's back!

[Henry] Oh good, I was really worried Joey would call Norman and get a "who are you?" [Jack] Norman DOES do that, but just because he thinks it's funny. [GM] That's possible, yeah, [Sammy] Oh my gosh. I believe it, is the thing. [GM] I do too, honestly... this might just be a thing that happens.

[GM] And the studio seems normal, and nobody got kidnapped in the night, not even Norman, and Henry's family is safe -- things are doing so good! [Jack] Nobody that we're currently in contact with got kidnapped in the night! [GM] That's true. [Jack] I'm not ruling out Bertrum getting kidnapped. [Jack] ...unrelated to the Carcosa nonsense, he just got kidnapped. [GM] That's what he gets for hanging out with the mob. [Jack] Sorry, I mean, "The Great Bertrum Piedmont." Have to use his full and official title. [GM] That's how you get him un-kidnapped, he just breaks through a wall to correct you. [Jack] *laughing* The Kool-Aid Bert................ [GM] The Great Kool-Aid Piedmont, [Jack] Now that's fanart I don't want to see.

[GM] Welcome back! We've been talking about the Great Bertrum Piedmont Kool-Aid-ing through a wall to correct you about his name. [Sammy] *startled wheezing* Okay, well it sounds like I've missed some really important developments!

[Jack] I think Jack would lean in the direction of like, they wanted to get in touch with him at the charity thing-- aaagh, that's technically not true. He's not the fast talk boy, he's not allowed to, [Sammy] I mean, he CAN fast talk, Henry does it all the time! [Jack] But does he succeed-- [Sammy] Henry's not the Fast Talk Boy but he keeps LYING anyway!!!

[Sammy] I feel like Jack is good at looking worried, and, caring about his fellow man, [Jack] I don't think he has to TRY to look worried??? [Sammy] I don't think Sammy contains these qualities. Sammy looks like he's here to arrest you. [GM] She's actually giving Sammy a concerned look, [Sammy] Sammy is HERE FOR THE PROTECTION MONEY.

[Jack] Well, this was lovely! Time to leave, because Sammy's already... vibrating against the door trying to clip through it.

[Sammy] Sammy's IMMEDIATELY going to tell him about this clarinet with the missing E flat extension. [Sammy] ....and then ALSO mention that he thinks maybe he's seen this guy before.

[Joey] Joey slightly fixes Henry's hair before they head in. [Sammy] (That's a little bit gay, but alright,) [Jack] (I think it's more than a little bit) [Joey] LISTEN, listen, Joey recognises-- [Jack] Linda's out of town! [Joey] --Joey recognises the neighbourhood,

[GM] The door gets opened pretty quickly, but the guy inside actually looks a little like he's suddenly out of his depth, because whatever he was expecting to happen is not what is happening. [Sammy] That's a common reaction to Joey Drew.

[Joey] I feel like it's not going to be a fast talk roll, actually, to make this guy feel like this is NOT a dangerous ask? So I'm gonna go with persuade instead. [GM] Are you going with the tack that you were concerned parties from the event? [Joey] I think, concerned party, perhaps leaning towards the notion that they hit it off well at the party, and -- I'm just turning it into a fast talk, [Joey] *trying again* I think Joey is leaning more into an idea that they are freshly met, but have similar interests? Or... possibly leaning into he's ...a friend of a friend and we're looking into it for that friend? [Sammy] Joey trying NOT to lie is really funny. "Oh well obviously I'll just say -- oh, I guess that's not true; I'll just -- WELL, that's not technically true either," [Joey] ADMITTEDLY, if this does turn into a fast talk roll, using the same roll it's now a BETTER SUCCESS, so, [Sammy] Just really funny how hard it is for Joey to just, HONESTLY REASSURE someone without inventing a whole narrative [Joey] I'M GOOD AT COMING UP WITH STORIES!! I'm not good at... fact-checking them first...

[Joey] Please, if you hear from him, or get any more information, please reach out to us as soon as possible, because the sooner we can prevent this, the better off he'll be -- y'know, that whole thing! [Joey] Do the most heartfelt, emotional connection he can... it's a little gay, but... [Sammy] I fully believe in Joey's ability to extoll the virtues of this man he's never met.

[Sammy] We can just check with Norman, have him peek out the window and see if it looks weird, [Joey] "Hey Norman, is your house in the right location?" [Jack] "Dunno why you called me outside just to tell me that you moved my house!"

[GM] Norman answers the door, and gives you guys a quizzical look. [Henry, out of character] :D Hey, did your house move? [Sammy, in-character] >:/ Did your house move?

[Sammy] Sammy will point out things Jack noticed as being different, as if he also noticed them. [GM] He'll turn back to you, and just kind of observe in a blase sort of way that he's apparently moved. [Jack] I love Norman,,,, [Joey] I love Norman's 89% Sanity score that never gets hit, apparently! [Jack] His sense of humour is actually an indefinite insanity. [Sammy] A constant coping mechanism, [Jack] Can't go insane when you already are!!

[Jack] Jack is, not happy about this, [GM, as Norman] He wonders if you'd like to come in for a housewarming, then.

[Sammy] Sammy's going to just catch her up on, the guy we're looking for read the play, [Sammy] Also, might be a guy that Sammy saw in New Orleans, and that might be why he knew the music?? [Sammy] ALSO, WEIRD THING with his clarinet, he doesn't have the E flat extension that you'd EXPECT HIM TO HAVE? [GM] I think Susie knows enough that she would say that's weird if he's playing seriously. [Jack] I was about to ask if this meant anything to these two-- [Joey] Norman is regaining sanity by watching Sammy rattle on about all this. [GM] He's probably chiming in opinions, too, that are completely not based in any actual musical knowledge -- [Henry] Norman just like "He's missing the E extension? Next he's gonna lose the, the F Shortener!" [GM] "What's the world coming to!" [Sammy] Sammy's giving him the most unamused look, and this is all Norman wanted. [GM] Yeah, yeah, this is how he keeps his sanity high. [Sammy] Just annoy Sammy Lawrence. That's the secret.

[Jack] Good to make sure things aren't going weirder over here-- which, uhhh, [Sammy] Which they are!!

[Sammy] That's smart, but that's also really spooky. Like okay, cool! The whole world has re-written this! Cool cool cool cool cool. [GM] He doesn't seem PLEASED about it, but he seems about normal. [Henry] He seems Norman about it. [Jack] Yeah, Normal Polk. [Jack] *cracking up* He shows up at work the next day and he's called "Normal Ponk." That's his name now.

[Jack] Reality's rewriting itself, wanna kiss about it? [Henry] Ah, Jack's okay again.

[Jack] If this was Fowler, then WHO WAS PHONE????

[GM] Well, okay, first things first, does Joey have Peter's number memorised? [Joey] HM. [Joey] ...I feel like he wouldn't admit it, but yes.

[Joey] Joey says he's going to call Peter back in a minute. And hangs up. [GM] You cut him off in the middle of some sort of response-- [Joey] Cool.

[Joey] He managed to break into a safe once by doing this! [Henry] "Break into" is... a bit of a strong phrasing. [GM] *mumbling* "Get locked inside of,"

[Joey] The main thing is, Do Not Go Alone, because if something happens to Peter... we have no way of tracking down the information that he has! We, we lose, all of his evidence! [Jack] .....and that's the ONLY thing, [Joey] Yup! [Henry] We ALSO lose his, HIM, [Joey] *mumbling* No, no that doesn't matter as much, as evidence, [Joey] It's clearly just, the fact that they lose all the benefits of having a reporter with ghost powers on their side, and NOT Peter himself, that is the issue! [Jack] iTS NOT LIKE HE CARES ABOUT YOU OR ANYTHING!!!

[Jack] *spongebob meme* You like Peter Sunstram, don't you, Joey?

[Joey] Both Henry and Sammy are the best able to get themselves out of a tough, fight-y situation, [Sammy] We can both punch, and Henry has magical power if something supernatural happens... [Joey] Also! Also, neither Joey nor Jack are there to be taken hostage and used against them! [Sammy] ... I think you're actually right. I hate to admit it, but I think you're right. [Jack] I can't wait for Jack to be kidnapped at the magic shop, you guys!

[Henry] I can't believe we're sending the two least talky boys off together to talk to the mob, [Joey] LISTEN. Henry and Sammy can go to the restaurant! Henry likes food! There we go! [GM] I can't believe Joey's just making sure Henry gets a nice meal after his shake-up earlier... [Sammy] I dunno, maybe Peter should come with us, just in ghost form. Henry can see him, potentially, [Jack] So Pete's body can... Not be where he left it when he gets back to it! [Sammy] ....hm, [Joey] *startled laughter* [Sammy] ....okay, nevermind,... [Jack] Just leave him in the car, what could go wrong! That's not disappeared MULITPLE TIMES!

[GM] Johnny Nero is of average height and build, with dark, slicked back hair, and a neatly trimmed moustache -- so not like any of the other people that you know! [GM] Wears expensive tailored suits, though. [Jack & Joey] *snickering* So, not like, any of the people you know-- [GM] It narrows it down a bit!! [Sammy] Alright, alright; bargain bin Joey Drew, got it.

[GM] You guys do get an offer to have food, while you're waiting. [Sammy] Yeah.... why not..... [Henry] Henry will, not,,, [Joey] *shocked* NO????? [Joey] *absolutely flabbergasted* FOOD!!!!! [Sammy] Gangsters don't usually poison you, they usually give you nice food and then they knock you out and throw you in the river. [Henry] WELL HENRY DOESNT KNOW THAT! [GM] He hasn't done speakeasies like Sammy has!!

[Sammy] I'm noticing that this guy actually looks really nervous, and isn't taking charge of the situation, [GM] He DOES have something that's probably a firearm in his pocket. [Sammy] Yeah, yeah, but, [Jack] It's his emotional support firearm!

[Sammy] Actually... Sammy WILL ask him if he saw it. [GM] Uh, [Sammy] Because he was RIGHT THERE looking at him. And I feel like, once you've seen it, and it does the weird thing where it gets in your head, you're not going to be confused what somebody's talking about if they ask you if you saw the yellow sign. You're going to know what that means. [GM] [GM] Are you going to say the thing...? [Sammy] Have You Seen The Yellow Sign?

[Henry] Henry is half-considering... [Sammy] *manically excited* DO YOU WANT TO TAKE THE THORN OUT OF THIS LION'S PAW, HENRY???

[Henry] You haven't been able to think straight since, have you? [GM] He kind of squints at you, because he's a gangster and he doesn't want to be like "D: YEAH, ITS BEEN REALLY ROUGH :(" [Joey] *laughs* Henry IMMEDIATELY knows this look, because Joey does this as well!

[Sammy] Push the roll!! Push push push! [Henry] *nervous* I DON'T KNOW IF I WANT TO PUSH IT,,, [Sammy] WE'RE ALREADY KIDNAPPED! WHAT ELSE CAN GO WRONG!

[Henry] We didn't get kidnapped, so it's you guys' turn! [Joey] We have the kidnapping charm with us, also known as "Jack Fain"! [Sammy] Oh I thought it was Peter Sunstram. [Sammy] [Sammy] DO THEY STACK?

[Jack] I can't wait for us to get to these spooky occult magic shops, and it's just like, "here's a bunch of overpriced tumbled gemstones and some incense!" [GM] The first one you go to is kind of that style. [Jack] Ideal! I hope they have a really tacky fake skull. [Joey] Joey is judging the whole place.

[Joey] WAIT, wait, they took you from the bar to the restaurant, and then you got the heckin' sign out of Nero's head, and he's not even gonna offer you a ride back to the bar?!? [Henry] I think what we got out of it is "not being kidnapped". [GM] JOEY is the one with the history of talking kidnappers into giving him rides, [Sammy] I do think it would be classier if he gave us a ride. I'm with Boo on this, it would be a classy gangster move. [Sammy] With that guy they kidnapped to do music for whoever's birthday party, they dropped him back off later, but, you know, it's fine, [Joey] Show your heckin' appreciation! *exasperated* THIS IS HOW WE CAN TELL HE'S AVERAGE!! [GM] Uh, lemme roll a quick like............. etiquette roll, [Sammy] Gangster Classiness, [GM] *rolls terribly* Yeah, I think he's frazzled enough -- this is gonna reflect poorly on him later. [Joey] Wow.

[Jack] Normal success for Jack! How many terrible tacky skulls do I see? [GM] Just SO many. [Sammy] This place won't help you, buddy. [Jack] I dunno, if you buy enough tacky skulls, maybe the guy won't wanna get near you. [Henry] Just throw tacky skulls at him! [Jack] A tacky skull a day keeps the pallid mask away!!

[GM] A more discerning occult collection than the other one. [Jack] The kind of place that has the more occult things like, in a locked cabinet instead of in a heap on the counter. [Sammy] In the bargain bin, [Jack] "Box of assorted random magic junk"? Yeah, I wanna rummage my hand in that, I'm not gonna get five curses, [Jack] *laughs* I'm not even AT the other place anymore and I'm still dunking on it! [Sammy] Jack's just saying these things to Joey to like, keep his spirits up. [Joey] It would be working,

[Sammy] I am curious if the restaurant is at the same address that we remember it being on. [GM] It is the same address! The name is different. [Jack] What's the new name? [GM] Lombardi's! It was Leon's. [Henry] ... some dude got his whole name changed, [Jack] Oh man, when do they do that to me, I want a legal name change! [Jack] Bringing the Yellow King into the world to get a free transition, [Sammy] No! Don't do it! He won't transition you into a human, it'll be..... something else,

[Henry] We're gonna run over the Pallid Mask. Vroom vroom motherfucker.

[GM] You do bump into something that is unyielding. [Jack] Oh no, Jack's car! [Jack] ... and also, whatever he hit, I guess!

[Joey] Joey is immediately flipping around to grab his cane; if the guy tries to get in the car, he's going to bash him in the face! and say GET OUT!! [Sammy] Well, it worked really well for Nero, so [Henry] The guy just got hit by a car and didn't move! I don't think the cane's gonna do much! [Jack] Especially not with Joey's weak noodle arms! [Joey] Yeah but he's upset!! That this guy is trying to get in the car! He was not invited in! [GM] ...make a CON roll. [Joey] [Joey] oKEY DOKEY,,,

[Sammy] Peter now is NOT the time to astral project [GM] Luckily he doesn't have that insanity currently, or he'd already be gone! [Jack] The car stops and Pete's ghost just flies through the windshield,

[Jack] I'm losing my mind... [GM] You are! 1d6 of it!

[GM] This is kind of wild magic zone, so you get some creative license. [Joey] Hmm. Hmm! Hmmmmmm... [Sammy] Oh no, you've given Joey Drew creative license,

[Joey] But when I picked out Jack's car, it's the first car that has full safety glass in it!! [Jack] [Jack] SO EVEN MORE EXPENSIVE TO REPLACE!!!

[proxylynn]

Every birthday I could find for every visual novel character I play on this blog (and the other game characters too)

[Okay, so this is every character's B-Day that pops up here. If I couldn't find it, it's hidden really deep. To make this clear, I'll post them in by series. If there's any I missed, please, tell me about it so I can add them.]

YourBoyfriend/YourGirlfriend:

Something's Wrong With Sunny Day Jack:

Sunny Day Jack - June 15th, 1958 (Gemini) Ian Duff - March 3rd, 1997 (Pisces) Nicholas “Nick” Herrera - January 18th, 1997 (Capricorn) Shaun Durand-Cofer - October 7th, 1997 (Libra) Barry - ???? ("That’s it. He’s just your manager!")

The Groom of Gallagher Mansion:

Elias Declan Gallagher - April 19th (Aries-Taurus (cusp)) Taylor Anthony Potts - August 24th (Virgo)

DachBo:

Bo - ???? Simoun - ????

Br<3ken Colors:

Ace - ???? Angel - ???? Catherine - ???? Delivery Guy/DG - October 31, Scorpio, Chinese zodiac: Rabbit Diana - ???? Gunther - ???? Janne - ???? Jester - ???? Leevi - ???? (Cancer) Mike - ???? Milla - ???? Mimic/Mic - ???? Pearl - ???? Rasmus - August 13, Leo, Chinese zodiac: Ox Richie - ???? Salvador/Sal - ???? Shadowman - ???? Skye - ???? Stalker (Damon) - January 6, Capricorn, chinese zodiac: Rooster Venni - ????

MalcontentGame:

Malachy Doe/Mal - January 1st "Antichrist" - ???? [There are two more characters but they left the project when things went south, so I won't be including them despite having the info]

JohnDoe:

John Doe - November 35th

FrostBite:

Tate Frost - April 28th Vic - ????

House Hunted:

Maison: ???? (planted in the 60s) Heim: ???? Mayor's Assistant (Ivy) - ????

14 Days With You:

[REDACTED]/Ren - February 14th (Aquarius) Moth - January 2 (Capricorn) Violet Gacia - June 10 (Gemini) Elanor Creston - July 5 (Cancer) Conan O'Rourke - August 27 (Virgo) Jae-Hyun Kim: September 28 (Libra) Leon Davis - November 30 (Sagittarius) Teodore Alvarado - July 29 (Leo) Olivia Dhawan - ????

Angry Boy Pedro and His Friend:

Pedro - ???? (He does not like to remember his birthday or his childhood in general but they plan to tell his birthday in the game)

My Dear Hatchet Man:

Alan Orion - January 14 Stuart Cassidy/Stu - February 6 Erika Vivián Ramos - May 5 James - August 7 Jules - June 22 Claude - November 11 Carver - ???? (doesn't remember his birthday, so he made his birthday December 15) Stitches - April 4th

Lurking for Love:

Jacob Alden: October 26 Austin Lepley - ????

Apples to Ashes:

Douglas Owens - September 20th Xamira Othman - ????

Your Dearest Boyfriend:

Victor A. Anderson - ???? Lizzy - ???? TK - ????

See Thru: Need a Friend?:

[unkown]/Friend - May 10th Z - ???? Carter - ???? Diane - ????

GLASS MIND:

Liu - ???? Dr. Fischer - ???? Nurse Sara Evans - ????

A Double Sided Mirror:

Charlie - April 8th Charles - ???? (possibly Mother's Day) Cameron - ???? Lein - ???? Jeremy - ???? Stella - ???? Jacob - ???? Lucy - ????

[paquerettexx]

sho haizono — morning warmth (one-shot)

you, who can not cook, attempts to prepare breakfast for sho. what could go wrong?

pairing: sho haizono / reader

tags: fluff, teasing sho to death lmfao

words: 811

[cross posted from ao3]

it was a perfect day albeit a little strange. sho was still sleeping when you woke up, and oddly enough, leo and alan were nowhere in sight. you turned to your right where sho laid sleeping and felt a smile creep up on your lips. he really wasn't one to sleep while it's dark out; he prefers to go to sleep when it's nearly dawn, when the sky is gradually turning blue from the pitch black darkness.

'he looks so peaceful.' you thought, eyes gazing over at his relaxed expression. he looks beautiful drowned by the blankets you cuddled under just last night. he looked so cozy that you couldn't dare wake him up. instead, you opted to lean in and place a chaste yet sincere kiss on his forehead before picking up after yourself to prepare for the morning.

a yawn and a stretch– with an invigorated burst, you started to wake yourself up and collect the ingredients to make breakfast in bed for sho. you weren't the very best at cooking yet with how much sho cooks for you, you thought it'd be best to give back to him somehow.

after weighing down your choices on what to prepare, you decided to settle with omelets. it's just an egg, right? how hard can it be?

alas, you're now on your fourth failed attempt of trying to shape the stubborn egg. who knew there were so many things to take into consideration? the heat of the pan, amount of oil, and even the egg mixture!

"oi, what're you doin' there?" sho's gruff voice snaps you back into reality as he stands by the door frame of the kitchen, scratching his head, and his expression in a deadpan. "you tryna cook for everyone in the dorm or what?"

though to others, he'd sound annoyed, you knew he was just confused. after all, you were looking panicked in the kitchen with four plates of failed omelet.

"i thought of cooking breakfast for you." you confessed since the cat's out of the bag anyway.

sho sighs and takes a step closer to you until you can feel him directly behind you, "what did i tell you? i said you don't ever have to cook with me around."

you'd laugh at sho's apprehension, finding his sleepy yet troubled mutterings adorable- though he'd never forgive you if you called him that!

"aww, i just wanted to cook for you." you replied, forming a little pout on your lips as you glanced back at him.

"fine, fine. if that's what you want." he nonchalantly caves in, maintaining his cool demeanor as he takes his place behind you.

he was close, too close though you'd never point it out knowing he'd be flustered and immediately back away. he was close enough for you to feel his breath by your hair and the warmth of his chest on your back. though sho, seemingly still sleepy, had other plans.

his hand held yours from behind; one guiding your grip on the pan, the other on the spatula as the egg on the pan started to form. his skilled hands holding yours guided you to shape the egg, telling you to manage the temperature of the stove as you basked in his warmth.

"woah, it didn't turn out shabby!" you exclaimed upon seeing him place the omelet on top of the rice you had prepared. "you're really good with your hands, huh?" you teased him all to see his flustered expression.

"you..." he grumbled under his breath, rolling his eyes. instead of continuing, he adeptly changes the topic, "sorry for sleeping in, you must've been looking for breakfast." he mutters a quick apology.

he's always so nice and it never fails to make your heart flutter or make your stomach do flips. you shook your head, clarifying the misunderstanding, "i wanted to cook for you since you're always cooking for me."

for once, sho was taken aback; he froze in his spot and his cheeks became dusted with red.

"you don't have to do that for me." he muttered under his breath, trying to deflect the affection he was feeling.

"but i still want to try since sho-kun is such an inspiration when cooking~" you decided to tease him a little more to coax out more of his flustered habits like averting his eyes or picking up his utensils before setting it down and picking it up again. every single detail was charming and so, so endearing to you.

"thanks, i guess..." he grumbles, looking away as if extremely aware of the reddening tips of his ears which makes you chuckle.

"i miss the times you called me senpai." you decided to throw in another jab to tease him which makes him grumble under his breath even more, forcing another hearty chuckle from you.

"hmph- fine," sho huffs, "arigato, senpai.”

[lucky-lucky-duck]

Forget You, Forget-Me-Not

A continuation based on a reply to my Vaga Snapshot post that i'm writing between cram sessions. The semester ends in 2 days and I'm dying, but it's fine. c: Everything is fine. c: I'm gonna start on the matchup in a couple days when my load lightens, this is just a late night creative outlet for stress c':

Leo Kurosagi x Vagastrom Ghoul Reader (2nd person pov and gender neutral)

Leo goes too far in an argument, and I'll fill this out tomorrow. For now, it's sad. Reader nearly gives up on braking the curse causing the people around them to slowly forget they exist. Fuck I'm tired

Morning edit - I fixed a couple of spelling mistakes, but the description made me laugh so it stays. I'm still fucking tired.

"I'm passing the phone to a No-Name NPC who is so unremarkable that the faculty evaluators actually forgot they existed."

You're ignoring him. It's been four days, and you've barely said a word to anyone, but everyone knows that Leo is somehow the culprit.

It doesn't really matter, you think with dull amusement. Sho and Alan had both been out at the time; the only witnesses to your humiliation were you, Leo, and the general students. Leo's too busy trying to bait you into argument to gloat about his win to the others, and you aren't about to tell them yourself.

The general students are a non-issue, too. Most of them struggle to remember your name most days, they're not about to suddenly start remembering gossip about you.

The thing is, you've had fights with Leo before. Hell, fighting with Leo has something of a hobby to you once you started sharing a living space with him. There's just something about him that brings out the worst in you. The vicious snake-like part, that coils up with anticipation and prepares to strike when you see Leo enter the room. You used to think of it as something that you both secretly look forward to, once the vitriol died down and your metaphorical fight-to-the-death turned into elementary-school bullying.

He's never brought up your curse like that before. It's been tit-for-tat, both of you giving just as good as you get. It's supposed to be fun.

You squash the pang of longing in your chest with snarled anger, only to be drenched in an icy kind of apathy. There are lines both of you choose not to cross these days (you were under that impression at the time, at least.), and the waning acknowledgment of your existence had definitely been one of them. Christ, you didn't exactly pour salt onto Leo's obvious abandonment wounds during these fights, did you?

"What did Leo do to you?" Sho's voice snaps you out of your thoughts.

"Nothing, why do you ask?" Your voice scrapes lifelessly as you meet his eyes with a small, strained grin.

"Really? Then what, you've been moping around the dorms the past few days because you enjoy the smell of sweat and motor oil?"

"You know me, can't get enough of the ol' sugar and spice." The attempted banner falls flat as you make to slip around him and head for your dorm at the end of the hall, only to be held in place with a single strong hand on your wrist. "You ever tried shake weights?"

"Stop," he shuts down your distraction. "You know he's a rat bastard, right? You can't take what he says personally. We're going to find a way to break the curse."

So, Leo told Sho what happened after all, has he?

Sho's words slow to a stop when he notices the dead-eyes and scowl that have overtaken your forceful nonchalance from earlier.

"I wasn't lying, I'm not angry at Leo for what he said to me," Apart from the fact that you kind of are. "He wasn't exactly wrong."

"Shut up already!" You don't turn your head to look at Leo as he appears in the corridor. Figures he would listen in on a private conversation. It's probably him who sent Sho to find you in the first place. Bastards.

In the end, the choice is made for you, and a new set of hands grip your shoulders, yanking you face-to-face with the person you wanted to see least.

"Are you telling me I've been wasting my time on someone this fucking pathetic?" The words would hurt more if the expression on Leo's face were less desperate. If anyone looks pathetic here, it's him. "Of course. You would be willing to sit back and watch as you sink into irrelevance, wouldn't you? If that's what you want, fine." It's funny how adept you've become at interpreting Leo's mannerisms after all of the fighting.

For all of the accusations and insults, the only thing you see in front of you is a hissing kitty cat desperately trying to make amends in the only way it knows how. It's a shit apology, but... Leo isn't the type to put on this type of fit unless he feels threatened and cornered, and, as far as you are aware, the only threat being posed at the moment is you walking away from him.

Your bar sure has sunk low these days, yikes.

"That would probably hurt more if you weren't still gripping my shoulders like we're in a steamy novel. Do you have fantasies of pinning me down often?" You're promptly shoved away and insulted once more, free to turn back and walk back toward your dorm without sparing either boy behind you a glance.

As you prepare yourself for bed, you notice the ache in your chest loosening just enough to let you breath deeply. If just for tonight, you'll fall asleep free from the fear that tomorrow will be the day you finally wake up as a stranger.

[what-we-do-in-santa-carla]

A Lost Boys Incorrect Quotes Post

David: Listen up fives, a ten is speaking.

David: Star, can we talk, one ten to another?

Star: I'm an eleven, but continue.

-

Michael: Now that I'm officially a part of the coven, I get to go on my first hunt! This day is bananas, B-A-N-A-N-A-S!

Marko, swallowing a whole bottle of Advil: I'm just preparing.

-

Star: One day, that man's gonna run out of ways to shock people.

David walks in, Laddie riding his shoulders.

Star: But not today.

-

Alan: Haven't they discovered a cure for your kind yet?

Marko: You got a problem with vampires?

Alan: I meant blondes.

-

David, brooding on the roof: Darkness is the hearts true nature.

Max, standing on the ground, hands on his hips: Whatever you're talking about, I don't care

-

Star: You kidnapped a child? David, that's illegal!

David: But Star, what's more illegal, briefly inconveniencing this boy's guardians, or destroying our delicate family balance?

Star: KIDNAPPING A CHILD.

Marko: Star, listen, whatever I may think of you right now, you're a part of our family-

Star: A family who kidnaps children?

Marko: A family that works together.

Star: To kidnap children?

Dwayne, holding up his arm, where Laddie is biting him: Star, we've all agreed this thing is not a child.

-

Sam: Sometimes, when I need to clear my head, I just get into grandpa's car and floor it around town.

Sam: Speed limit's 35 miles per hour, but sometimes I'll go 36 or 37. I don't care.

-

Star: What are you worried about?

Sam: I'm worried about enclosed spaces and death and pain and spiders and death and words with R and... Did you want the whole list or just the general overview?

-

Star: Man, your boyfriend's really hot.

David: Shut up, Star

Star: Remember when I fucked him in THIS HOTEL?

David: Shut UP Star!

-

Marko, lying on the floor, literally dying: But if they ever ask about me, tell them I was more than just a great set of abs.

Marko: I was also an incredible head of hair.

-

Marko: I like my conversations like I like my clothes. Short and easy to get out of.

-

David: You are so jealous of me. I'm everything you've ever wanted to be.

Star: A cunt?

David: Exactly.

-

Dwayne, looking at Michael: Well I don't like men with a lot of muscle-

David: WELL I DIDN'T TURN HIM FOR YOU-

[tjlnn22]

An Analyis of the Ending of "The Killing Joke"

This scene is one I've wanted to get my thoughts written out on for a while and one of the most interesting in all of DC comics from how important it is to understanding both the characters of Batman and the Joker.

So, this scene is the finale of the oneshot comic "The Killing Joke" By Alan Moore, and is directly preceeded by Batman once again foiling the Joker's evil plan, beating him both verbally and physically before then kicking him to the ground to seemingly knock him out.

For what then follows, I will post the full comic pages so you can absorb the scene first.

Ah, the infamous cutaway that leaves the ending so open to interpretation. But what exactly does all of this mean? Well, I'll give my interpretation:

The scene starts in the same way as many other fights between Batman and Joker have concluded. Joker gets defeated, Batman saves the day, the clown prince of crime will get chucked back into Arkham until he inevitably breaks out once again, and then they'll do the whole thing over. "You know, I think you and I are destined to do this forever", that's how their story always goes. However, this time things are different.

This time, Batman doesn't beat Joker senseless, even though cosnidering what Joker spent that evening doing to his friends and family, he would richly deserve a good beating by anyone's estimation. Joker expects that of Batman as well, and he accepts the beating and re-imprisonment that he's sure is coming his way, because that's how it's always been. And yet instead, this time Batman chooses to talk with him. He tells Joker the facts of the situation, that despite everything, he actually doesn't WANT to hurt him, and knows that if they keep going down their current path, one of them will eventually kill the other. Batman knows it, and he knows that Joker knows it too, and he doesn't want that to be the case, because above everything else Batman values preserving human life as a goal equal to and often greater than stopping crime. He doesn't want to kill Joker, it would go against everything he stands for, but he knows with every encounter they share that possibiltiy grows more and more likely.

In a similar fashion, the Joker doesn't actually want to kill Batman either. Despite how he may play the part of wanting otherwise, the entire story of the comic up until this point has been about Joker trying to prove a point to Batman. That deep down, everyone can become him, that all it takes is one bad day to turn even the most moral man alive into the Joker. whether this is because Joker genuinely believes this, or it is meant to simply justify and excuse who he himself became from his own tragedy, is never really confirmed, though it is most likely a bit of both.

Either way, we see that Joker is not happy at all by Batman attempting to talk to him instead of beating him. In fact, he's practically sulking. Now, is this due to the fact that his big plan just failed, sure, at least partly. However, there is something else going on as well. All of Joker's plans fail sooner or later, this is no exception. It's something he expects despite coming up with a new one every week. This time though, he genuinely looks depressed, and this is in part due to Batman breaking the magic of their routine. By speaking to him like anyone else, by reaching out to Joker, Batman is attempting to fundamentally change their relationship forever. Batman wants it to end, he doesn't want to keep fighting Joker until it kills one of them, he wants Joker to stop. But Joker doesn't want to stop, he doesn't want Batman to die or stop chasing him because the relationship he has with Batman is all he has left. He has no real friends, no goals outside of plans to mess with Batman more, he has nothing outside of his role as Batman's arch enemy, and he knows it.

And yet, despite all that, when Batman genuinely reaches out to him, appeals to the fact that their lives were both heavily affected by past tragedies and offers Joker help to try and move past that, to be better, even after all the atrocities he's committed, despite all that... Joker actually seems to consider his offer. We can see this by his hesitation, and the fact that he doesn't just laugh it off right away or make fun of Batman as he would any other time.

This time, Joker seems to consider the offer, and turns dead serious in a moment that is probably the most normal display of genuine human emotion we get from him, and he tells Batman that he's sorry. Joker genuinely apologizes for not being able to take Batman up on his offer, looking like he's about to cry as he declares that it's far too late for him to take any offer Batman could give him.

The question is, why? Why is this time so different, why does Joker seem to actually consider Batman's offer and reject it in such a human manner? Well, I truly believe the answer is clearly seen in the joke that the conversation with Batman reminds him of. I will go through it line by line and give my interpretation.

"See, there were these two guys locked in a lunatic asylum" I think this obviously is referring to Batman and Joker. They are the characters of this joke/story, the conversation between them reminded Joker of this joke (or he just came up with it on the spot to suit their situation, but regardless) and they are also the only two characters in the panel where that line is said. In this case, the 'asylum' in question would be their rivalry, their roles as Batman and Joker and everything that comes along with that. Makes sense, none of the things either of them do in those roles are things that normal, sane people do, and both of them were traumatized in their lives by horrible events and spiraled into becoming the Batman and Joker because of it.

"And one night, one night they decide they don't like living in an asylum anymore, they decide they're going to escape." This is a clear metaphor for ending their roles as Batman and Joker, perhaps just for that particular rivalry or all together. Escaping the asylum means returning to the normal, happy lives they had before their trauma. Batman has already stated he wants to end his fighting with Joker, however the fact that both men in the story wish to leave the asylum together implies that Joker also secretly wants that too, which is very interesting as we go on.

"So like, they get up onto the roof, and there, just across this narrow gap, they see the rooftops of the town, stretching away in the moonlight, stretching to freedom." Given that Joker is looking at the moon shining over Gotham as he says this, I think it's clear that the 'freedom' here is living a normal human life the same way all the civilians of Gotham try to every day. It's about having a chance to be better, to do better and make something of your life everyday beyond the endless cycle that he and Batman are trapped in with each other. As long as that cycle exists, they can never truly be free, even though the Joker can break out of Arkham whenever he wants and do practically whatever he wants until Batman stops him. Their rivalry prevents either of them from ever being free.

"Now the first guy, he jumps right across with no problem. But his friend, his friend daredn't make the leap. Y'see, y'see he's afraid of falling." This is where we see Joker differentiate himself and Batman in the story, and how their situations in life currently exist. Batman is the first guy who is able to escape the asylum and return to the city fairly easily, whenever he desires. This is because that, unlike Joker, Batman has his life as Bruce Wayne to live and fall back onto. He has many friends and a large family both adopted and biological who rely on him and give him something good and happy to live for. He can leave the asylum because he sees the light on the other side, he has hope and knowledge that things will turn out alright if he does. But Joker does not. Joker doesn't have another life to live, no family and no friends to fall back on and lift him up. All his life consists of is the asylum and Batman, the other man right along with him. He knows nothing else, and so it seems impossible for him to ever jump across to the other side and join Batman in freedom.

However, it goes beyond that. Joker isn't scared to leave the asylum because it's all he knows, in fact he's just as eager to leave it with Batman. What he is afraid of though, is FALLING as he jumps across. What does falling mean in this case? Well since escaping the asylum would mean ditching the roles of Batman and Joker and returning to a normal life, falling would be failing to do just that, failing so hard that it sends him plummeting right back down, either to death or to being left alone and away from the safety of the asylum and more importantly the companionship of Batman. if he falls but Batman doesn't, he'll be left lost and alone, pointless and forgotten, and that's what Joker fears by leaving the asylum.

"So then the first guy has an idea. He says 'Hey! I have my flashlight with me! I'll shine it across the gap between the buildings. You can walk across the beam and join me!" This part of the metaphor I believe is meant to represent Batman's offer of help to the Joker, the therapy/rehabilitation that's intended to help him get better. In this case though, the help is being represented by something that has little actual effect. You can't walk across a beam of light to cross over to another building, in the joke it's only meant to stop the second guy's fear of falling. It isn't actually a real bridge to freedom, just an illusion of one that Joker thinks Batman is giving him.

However, than we get to the punchline.

"B-but the second guy shakes his head. He suh-says, he says, 'wh-what do you think I am? Crazy? You'd turn it off when I was halfway across!"

And here we get the real reason why Joker can't take Batman's offer, why he can't join him in freedom outside of the asylum. It isn't because he doesn't think the help Batman is offering him would work. The beam of light not being a real bridge to walk across isn't the problem in his eyes. The problem, is that believes that if he tried to walk across it, Batman would shut it off and let him fall. Because what Joker is truly scared of, isn't that the help Batman's offering him wouldn't work, he's scared that the help might actually have a chance at working, that he may have a way to get out of the asylum for good, but that Batman will give up on him before he reaches the other side.

He's afraid that the only person in the world who genuinely cares about him and wants to help him, will end up giving up on him and forgetting him if he tries to get better. We can see that in the way Joker delivers the punchline, turned around to stare directly into Batman's face with a disturbed, crushing smile of realization on his face while the symbol of freedom that is Gotham, bathed in the light of the moon sits directly behind him, just out of reach. He's accusing/telling Batman of why he's afraid, that he could never trust him enough to actually try and rehabilitate him, and he's laughing because he knows there's no way out of this.

And Batman, once the joke finally hits him, realizes the exact same thing. He knows then that Joker will never actually be able to be helped, there is nothing he can do for him because Joker will never trust him enough to let himself be helped. There is no way out of this for them now that Batman's final appeal to peace has been turned down by a man to broken to realize it was his way to a better life, a free life.

And so, knowing now how their story will end, Batman does the one thing that Joker always wanted from him, and breaks his role as Batman for just a moment. He shares in a final laugh with Joker as he puts his hands on his shoulders, up by Joker's neck, and the two laugh and laugh together until the scene cuts away and their laughter cuts off equally as quick.

Now, did Batman kill Joker here? The single question everyone tends to ask when they read this scene. Now, canonically we know that, no, Batman does not kill him, Joker returns again and again after this, but in this case I do fully believe that the creator of this comic, Alan Moore (the same man who wrote Watchmen), did likely intend for that to be the ending. The fact that the scene opens with Batman acknowledging that their relationship will end in death, and that the only way out of that is for Joker to accept his proposal I think seals the intent of the ending pretty well. Joker Can't accept his proposal, because the trust between them that would be necessary for that is something that could never truly be built up as they exist in their roles as Batman and Joker. They both know this, and so Batman ends their relationship and breaks his one rule by freeing Joker the only way left it is possible to free him, in death.

So, as much as I personally think that having Batman kill at all is a fundamental no no that you just can't do with his character because it goes against everything he stands for, I think this as an intended ending by Alan Moore to the relationship of Batman and Joker works very well. It is one of many endings in across many comics. Is it my favourite? No, though I would put it in my top three. however, I do think that this is the meaning that Moore was trying to convey in this scene, and I truly believe he does a beautiful job at conveying it!

[bizlybebo]

spoiler warning for pd finale/ep40 beep beep beep it’s a long post but bear with me and hear me out

okay so a lot of people (me included) absolutely believe that it was xavier in ep40 who killed atlas right. and it got me thinking more about A: his motivations and B: does this mean that he’s out to get william/pd now? does it mean that he knows? and i feel like this is actually really in plain sight now that i’m thinking about it a little harder.

why atlas of all people? atlas was a victim of a chaos demon and thus caused a significant amount of damage, but he did not mean to and it wasn’t truly him who did it. if this was xavier, why would xavier go for him?

well xavier’s already known for “flashier” methods of getting his message across, and has little disregard for anyone who violates his beliefs. despite a lot of his morals being in the right place (ex: price gouging sick people for their medicine is Bad actually) he takes them to an extreme where he doesn’t care about people getting caught in the crossfire if he’s convinced that they were bad people too, or at least a means to an end for the bad people that they work under (belltech employees who may have been unaware/not taking part of said price gouging or any of the other nefarious shit david was getting into).

it’s implied pretty heavily that xavier has little to no care for heroes, but jade actively disliked them given “what they did to our parents” when talking about her and her sister in ep15 of s2. so when jade is gone and xavier wakes up in the base again, there’s two ways things could’ve gone: either he remembered or he didn’t. and if he remembered, it’s obvious why that’s a problem, but: if he didn’t remember, it still makes a lot of sense why he’d do what he did, and it’s actually super fucking smart on bizly’s behalf if it really was xavier who killed atlas.

it’s likely that xavier still knows that he was planning to break into belltech with the others, or at least maintained earlier memories of that debacle since it’s unclear how long they were kept down there for. so think about it: you break into the building of a multi-billion dollar corporation that has already done shitty things to you and others before and has gotten away with it too (iirc belltech’s charges were cleared, according to will’s mom). then, suddenly, it’s however many days later and you’re waking up in your base with a mangled leg, a sore body, and a lingering terror that you can’t place.

and your best friend is missing.

maybe you have a terrible, sinking gut feeling that something happened to her. maybe you’re furious that the prime defenders never answered your distress calls. maybe you blame them, because if they had just come to save you, she wouldn’t be missing.

belltech is your enemy, but david bell is an untouchable man. you don’t know where he is and there’s no way you’re going to find him and exact revenge in your current state, especially because of the safety protocols that are probably rapidly increasing by the day with that corporation.

but william wisp is david bell’s brother, and you can reach william, and william is part of the prime defenders. they’re part of the hero system, the same hero system that has hurt and betrayed you and others. it’s probably a final straw of yours to not only lose your best friend, but to feel abandoned by the people who call themselves heroes.

but you can’t just go directly for william. you need to send him a message, and hope that it may also reach belltech— so who do you go for? who is the person that not only represents rockfall city, where belltech hq is, but also your ex-allyship with pd? somebody who seems larger than life but who you can kill in merely seconds just to prove that this entire system is all bullshit?

atlas’ possession was the first case where pd and xavier/alan/cantrip actually teamed up, and it kickstarted their allyship that took place for the most part during eps 3-18. pd seemed to know more about the chaos demons than anybody else did, and they managed to take down atlas and free him, but only with the help of xavier and the others (granted will and vyncent actually went down and dakota going feral was the thing that saved them but YKNOW).

killing atlas and marking him with the “X” would be a really smart move on xavier’s behalf, because it’s just innocuous enough for it to be written off as a particularly fucked up way of killing a guy, but people who know him closely as either allies or enemies would clock it instantly.

xavier doesn’t know too much about chaos demons, and he also doesn’t understand what took place there entirely, but if atlas was a great hero and yet fell so easily to the whims of chaos demons, who’s to say that the entire hero system can’t fall to something— somebody else? if atlas is a weak spot for WATCH and he tries to return to heroism, then if xavier snuffs that out not only does he send an important message to pd that severs all ties, but he also emphasizes that nobody is untouchable, not forever. he may not remember what went down at belltech entirely but he knows something happened to jade and he’s going to get back at david bell specifically for it. if he can reach atlas, then he can reach pd. if he can reach pd, he can reach william, and if he can reach william, he can reach his family. and so he can reach david.

also, sowing more public distrust in the hero system would be beneficial in xavier’s eyes, since he probably has a very strong revenge complex built up against WATCH and prime’s general system now. he’s got a very specific yet compelling and somewhat understandable motivation that could lead to him becoming s serious main antagonist in season 3, and so if it was xavier who killed atlas? then bizly has a great understanding of character nuance/motivation, cause and effect, and the worldbuilding of prime and it’s insanely fucking impressive that he managed to tie so much of xavier’s character arc together without even saying his name, bringing certain aspects of his story to a close while opening up new doors that could establish him as yet another ominous presence to loom over the characters in season 3. or maybe i’m reading way too far into that fucking white boy’s ttrpg campaign again

[sexhaver]

me n bailey marathoned the first season of this show over the last few days. some thoughts:

Alan Cumming, specifically his accent and wardrobe, are by far the highlights of this show. i sincerely hope someone has made an edit compiling all of his outfits without any of the actual gameplay, because he is consistently serving cunt

like just look at this

that being said i did keep seeing him as Fegan Floop from Spy Kids

oh right there's an actual game/competition component to this

im just gonna get this out of the way: the entire premise of the show is fundamentally flawed. they keep trying to make it sound like the three Traitors in the group are "backstabbing" and "working against" the Faithful (non-Traitors), but, like, everyone on the show (Traitor or Faithful) is competing for the exact same prize pool. it's not like The Mole (or any other social deduction game), where the secret evil team actually has different goals diametrically opposed to those of the good team and has to complete them without having anyone notice. here, the evil team just... votes on someone to "murder" every night. that's it.

to emphasize this point: the literal only thing that can ever give you away as a Traitor is being bad at lying/concealing guilt. there are ZERO gameplay differences between the goals of a Traitor and the goals of a Faithful, which means the arguments over who to vote for banishing are based entirely on "gut feelings"

nobody on the show has ever played a social deduction game before. late into the season, there's a day where all 3 Traitors are alive and it's down to 6 people total (so 3v3). anyone who has played Mafia/Werewolf/ToS/etc knows what this means: barring bullshit last-minute rules from the producers, it is quite literally impossible for the Traitors to lose, because none of them can be voted up. it takes 4 out of 6 votes to exile someone, and there are only 3 Faithful left. if no Traitor votes for another Traitor, then it is, again, literally impossible for a Traitor to be exiled. furthermore, if they all coordinate their votes on one Faithful, all they have to do is convince one of the remaining two Faithfuls to vote with them, and they instantly win $180k (split three ways). and hey, wouldn't you know it, one of the Faithfuls (Kate) was already really suspicious, and another one of the Faithfuls (Quentin) said out loud multiple times that he was voting for her!

so what do you think the Traitors did?

god this part pissed me off so much im having to pause for breathe while typing this. okay. so.

two of the Traitors voted for the third Traitor, who got voted off.

after being voted off, youre supposed to walk up to the Circle of Truth and reveal if you were a Traitor or not. the guy who got eliminated (Christian) was entirely too nice and gracious about it. me n bailey discussed this and came to the conclusion that we would either a) out the other Traitors on the stand and explain, using game theory and math, exactly how fucking stupid they are, completely ruining the game for them, or b) pretend to cry a little while walking up to the Circle of Truth but as soon as you walk behind the first other Traitor's chair you flip it over backwards and elbow drop their nose into their face while screaming "YOU STOLE $60K FROM ME YOU SON OF A BITCH"

also the guy who got eliminated (Christian) was very clearly autistic and Every Single Reason the other traitors gave for not liking him was like straight out of the DSM V diagnostic criteria ("he talks too loud and laughs weird", "he's got way too much energy all the time", "his emotional responses don't make sense")

apparently there's a season 2 but i cannot bring myself to watch it after seeing Christian thrown to the lions (ayyy Sunday school reference)

also at one point a Faithful has to leave because of COVID (this was filmed in 2020) so the producers don't let the Traitors murder anyone that night for balance reasons, but to compensate, they tell them they can like. write down three names that will be publicly revealed to everyone the next morning, and then one of those people dies the next night. so obviously this is mostly a nerf for the Traitors because they miss a night of killing someone, but the intention was clearly to give the Traitors an opportunity to sow confusion by putting one or two of their OWN names onto the list to make them seem like Faithfuls. and they even had an extra objective during that day's game where one of the three people could earn a "shield" to protect them that night, so if a Traitor was on the list, they could basically "steal" the shield from the other 2 (since they obviously weren't getting killed no matter what). but i think the Traitors heard "write down three names" and "kill" and had all the blood rush to their respective dicks because they just wrote three Faithfuls lmao. deeply unserious show

[sadquickchristmassnowman]

hey so i’m new to the community fandom and i really love trobed. i was wondering what was your trobed centric episode masterlist like? or if it’s possible, is there a way to send me the post? sorry i’m new to tumblr so i’m still learning how this app works. if you see this, thanks :)

hi, welcome! I've found that community tumblr is probably my favorite fandom space I've ever been involved in, and I hope you've had a good experience so far. I totally get the New App Learning Curve thing, I'm historically very shit at learning how to use new apps, even though I'm "young" (20), but I eventually got it and you will too, Trust 👍👍👍

anyway, Yes one of the first things I did on here after joining was make a trobed-centric episode masterlist for someone who was asking lmfao. since it was one of the First things I did there's some formatting and other things I'd do differently now, and I've actually been looking for an excuse to go ahead and get that done, so. here we go.

the trobed-centric episode masterlist (revamped)

1x05: advanced criminal law

plot B

abed takes the "friends mess with each other" rule too far; he creates a whole fake language and spends a lot of money on trying to convince troy that he is an alien

"from now on, abed, friends don't mess with each other"

(this is the first time they do their signature handshake)

1/5 gayness, pretty platonic

1x10: environmental science

plot B

it's the "somewhere out there" episode what more do I need to say

3/5 gayness, something's happening fs

1x11: the politics of human sexuality

plot C

abed keeps beating troy in athletic competitions, making troy feel threatened. he eventually admits that abed is the better athlete and they make up

2/5 gayness, pretty platonic but it has its moments

1x22: the art of discourse

plot C

troy and abed work to complete abed's list of quintessential freshman year of college experiences list

2/5 gayness, they repeatedly put completing the list above looking cool in front of women

1x25: pascal's triangle revisited

plot C

troy is moving out of his dad's house and wants to move in with abed, but abed says no because he's afraid being that close and spending that much time together will result in constant annoyance, and will destroy their friendship

troy realizes that "too much of a good thing can be bad" and instead agrees to move in with pierce

1/5 gayness

2x02: accounting for lawyers

part of plot A

jeff gets sucked back into his old life as he reconnects with alan, a coworker from his old law firm. troy, abed, and annie try to gather proof that jeff's friend is the one who got him fired in the first place

more trobedison centric, and is actually the first episode where the three of them are established as a Trio™

"all I heard was suck" "YOU CHLOROFORMED THE JANITOR" "I usually have one foot out of reality and even I'm freaking out right now"

1/5 gayness, pretty platonic. they're the sillies ever I love trobedison

2x06: epidemiology

part of plot A

it's the zombie episode, come ON

trobed have coordinating costumes but troy bails during the party because he doesn't want to look lame and nerdy in front of women, which hurts abed's feelings

abed sacrifices himself to save troy once they are the last two standing during the "rabies pathogen" breakout

"I love you" "I know" (oh my GODDD sedate me)

5/5 gayness. you get it.

2x09: conspiracy theories and interior design

plot B

the original blanket fort 💯💯💯

2/5 gayness, just guys bein silly (and in love???)

2x15: early 21st century romanticism

plot B

troy and abed fall for the same girl and decide to take her to the valentine's dance together, after which she can decide which one of them she wants to date

she picks troy, but troy gets upset that she didn't pick abed (because why wouldn't she pick abed, he's so cool) and breaks it off almost immediately

I"happy valentine's day" "it is now"

5/5 gayness jesus christ this one is INSANE

2x18: custody law and eastern european diplomacy

plot B

britta likes troy and abed's new friend, lukka, who she finds out is a literal war criminal. she keeps this information from troy and abed because she doesn't want to ruin their friendship with him, but they find out eventually

2/5 gayness they're attached at the hip in this one

2x19: critical film studies

random moments

this episode is more focused on jeff and abed, but there's a lot of classic Troy Gets Jealous™ moments so I decided to include it. plus the end tag is them randomly having dinner together at the fancy restaurant (a date 😔)

basically troy is afraid that jeff is a cooler friend to abed than him

3/5 gayness even though they barely interact, troy is so silly

2x20: competitive wine tasting

part of plot B

I almost didn't include this one, and it's not even on my original list, but whatever

troy pretends to be traumatized, originally to seem less shallow in his acting class, but he keeps it going in order to attract britta. he tells abed about it and abed Does Not Like That At All

"troy. nothing good can come of this"

I wouldn't call abed being jealous a Rare Occurrence but he generally conceals it way better than troy does

2/5 gayness, could be interpreted as abed just worried about relationships forming under false pretense, but to Me he's jealous

2x22: applied anthropology and culinary arts

plot C

pierce buys the rights to troy and abed's handshake (a la Indecent Proposal) which "corrupts" it

"pierce tainted our special handshake with his blood money and now we can't get the magic baaaack :((((("

eventually they do indeed get the magic back

3/5 gayness idk there's something about the way they interact in this one that is inexplicably gay to me lmao

3x01: biology 101

plot C plus random moments

"speaking of figuring things out, me and abed have an announcement" "..." "troy and I are living together :D"

cougartown gets moved to midseason, then cougarton abbey ends after 6 episodes, abed's routine keeps getting thrown off, and troy is just extremely supportive and protective throughout

4/5 gayness troy loves him a lot!!!!!!

3x03: remedial chaos theory

random moments

(I know this ep is listed as 3x04 on streaming services but in canon it takes place here and on the dvds it's listed as 3x03. there's a joke about it in the episode too if you didn't know. anyway)

"troy and abed's new apartment!!!" "bienvenido a la casa chez trobed!" "wanna stay up all night talking in our bunk beds?"

all their pictures on the wall and their matching suits lol

the end tag "evil troy and evil abed" & troy's soft "what's wrong :("

3/5 gayness they're lowkey married your honor

3x05: horror fiction in seven spooky steps

random moments

troy's whole story he tells where they Literally become attached at the hip

"my partner"

troy dancing while abed's humming daybreak

2/5 gayness

3x06: advanced gay

plot B

troy deciding whether he wants to do plumbing or air conditioning and deciding all he really wants to do is watch tv with abed

gay symbolism? gay symbolism? gay symbolism?

4/5 gayness mostly for the conversation at the hawthorne wipes gathering. I could write an essay on just that

3x07: studies in modern movement

plot A

annie moves in with troy and abed. very trobedison centric

"kiss me woodsman troy!"

3/5 gayness once again casually in love they're soulmates your honor

3x09: foosball and nocturnal vigilantism

plot B

annie breaks abed's $200 special edition dark knight dvd set on accident, trobedison shenanigans ensue yippee!!!

"awww is that the grappling hook I got you for christmas???"

3/5 gayness for the same reasons as before

3x10: regional holiday music

part of plot A

literally putting this on here just because of the christmas infiltration rap (and baby boomer santa)

3/5 gayness it's glee club what can you do

3x11: contemporary impressionists

plot A

(once again, I know this episode is listed as 3x12 on streaming services, but in canon it's supposed to chronologically be here, and is listed as 3x11 on the dvds)

the study group helps abed pay off his debts to a celebrity impersonator website by playing characters at a bar mitzvah (after troy scolds them for trying to ground abed in reality)

they have an argument at the end ugh

3/5 gayness troy loves abed a lot and abed doesn't realize that he's doing something wrong

3x12: urban matrimony and the sandwich arts

plot C

(see the above disclaimer about episode order)

troy and abed decide to be normal for shirley's wedding rehearsal

troy and abed being normal 🤝

4/5 gayness they blow off a girl to be weird again

3x13: digital exploration of interior design

plot C

blanket fort: redux (oh god)

vice dean laybourne escalates what started as a minor disagreement in order to drive a wedge between troy and abed. it works

5/5 gayness, if a sitcom doesn't have the two codependent fanonical gays go through an unnecessarily dramatic "break up" then I don’t want it

3x14: pillows and blankets

plot A

🎶troy and abed are in conflict🎶 *cries*

pillow fort vs. blanket fort

they eventually make up but not before they hurt each others' feelings a Lot

5/5 gayness the dramatics jesus christ

3x16: virtual systems analysis

random moments

so this episode is more focused on abed and annie, and troy and abed actually don't Technically interact with each other very much at all, but. you know

abed kinda freaks out when troy and britta go on a date because it "messes with the fabric of the group" (🤨 I know what you are)

troy calls annie to "check on abed" boy you are on a date with a woman

4/5 gayness just from subtext you get it

3x17: basic lupine urology

random moments

troy and abed play detective as they try to figure out who sabotaged the group's biology project

"we can't both do the zinger"

4/5 gayness no explanation

3x19: curriculum unavailable

random moments

the study group is expelled from greendale and abed gets arrested for spying on campus, so he's supposed to have a psychological evaluation

troy is just very protective of him in this episode, plus the flashback clip where he and Annie are comforting him as he's freaking out about daylight savings

"our adventures are VERY manly"

4/5 gayness

3x21: the first chang dynasty

random moments

oof baboof with you two! (all the plumber shenanigans are hilarious)

mostly putting this one on here for the goodbye scene at the end of the episode, though. god

"he said, 'I know you hate when people do this in movies.' sorry I got emotional"

3x22: introduction to finality

plot B

abed "goes crazy" without troy (who's off at a/c repair school)

when troy comes back he prioritizes abed over britta (who he supposedly has romantic feelings for)

"I miss abed so much" "you're afraid you'll go crazy without troy"

4/5 gayness one could say they're a little codependent

4x03: conventions of space and time

plot A

troy gets jealous of (read: goes "psycho girlfriend on") abed's new inspector spacetime superfan friend toby

britta, even as troy's literal girlfriend, calls abed troy's boyfriend and supports troy through the whole thing

"for the first time in my long history of being locked inside things, I knew someone would come" let me just put my head through my wall really quick

5/5 gayness even though troy has a whole gf. that's how gay this episode is

4x11: basic human anatomy

plot A

troy and abed pretend to switch bodies, like in freaky friday, in order to help troy process his feelings about his relationship with britta

5/5 gayness holy SHIT y'all. I could write thousands of words on this episode. it is so hard to justify troy's actions in this one without reading him as a closeted gay person not lying

5x03: basic intergluteal numismatics

random moments

including this one because of how abed comforts troy and pushes him around in a wheelchair for the entire episode

3/5 gayness it's the casual married-ness again smh

5x04: cooperative polygraphy

random moments

this is another one I didn't include on my original list but I decided fuck it

the bit uncovering the actual origin of their patented handshake is so funny "I can't even look at you right now" "then you should know I'm crying"

also just the. look on abed's face when troy agrees to go on the trip at the end. "cool. cool cool cool." "that's a lie" UGHHHHH

4/5 gayness again. so typical

5x05: geothermal escapism

plot A

do I need to say a word

ouch ouch ouch OUCH

5/5 gayness especially the deleted dialogue from the last scene (I've posted it before but lmk if you don't know what I'm talking about. disclaimer it makes me want to launch myself off the empire state building)

alright. there it is folks. I was going to make another subsection of other random iconic trobed moments and cite the episodes they're from but basically every single episode has at least one, so that list would be Way too long to qualify as a supplement to this one lmao. however! if you have a Trobed Moment™ stuck in your head (or any Moment for that matter) and you can't remember which episode it's from feel free to ask me, I'm confident that my internal community database will be able to Remind You. anyway. hope this was helpful. bye

[king-crawler]

The Disney villain book i ordered 3 weeks ago finally came and the sleeve was oily and chafed but at least I get the fabled single paragraph of King Candy insight

this is truly a game changer

And ralf

[TEXT DESCRIPTION BELOW]

Page 166: Disney Villains: Delightfully Evil.

KING CANDY - WRECK-IT RALPH.

RELEASE DATE: November 2, 2012.

DIRECTOR: Rich Moore.

VOICE TALENT: Alan Tudyk.

ANIMATOR: Zach Parrish.

"Everyone should have known with a pass code like UP, UP, DOWN, DOWN, LEFT, RIGHT, LEFT, RIGHT, B, A, START that this sugary-sweet king was not on the up-and-up. Who in the gaming world doesn't know that cheat code?! King Candy is the ruler of Sugar Rush, a video game made of everything sweet to eat, or as a wise Wreck- It Ralph sees it, a "candy-coated heart of darkness.' " But Sugar Rush was not always such a dark place; it was once a happy kingdom where Princess Vanellope von Schweetz ruled until an evil racer from a game called Turbo Time messed with her code and took her game for his own. The biggest shock? King Candy and that villainous racer known as Turbo are one and the same. Alan Tudyk, the voice of King Candy, said he had imagined King Candy to be a much bigger character, size-wise, and found it really funny that he was actually such a small man."

“Portrait of King Candy. Artist: Clay Loftis. Medium: Digital."

“Final Frames of Turbo from Wreck-It Ralph (2012)”

"Concept art of Turbo. Artist: Jim Kim. Medium: digital."

Page 184: Disney Villains: Delightfully Evil.

WRECK-IT RALPH - Wreck-It Ralph.

RELEASE DATE: November 2, 2012.

DIRECTOR: Rich Moore.

VOICE TALENT: John C. Reilly

ANIMATOR: Nik Ranieri

“Wreck-It Ralph is a "bad guy" who has been forced to spend every day for the last thirty years trying to destroy the apartment building that took his home away and to thwart Fix-It Felix from fixing everything Ralph wrecks. After "wrecking" the thirtieth anniversary celebration of his game, Ralph decides to go on a quest to earn a medal and prove to everyone, including himself, that he can be a good guy and do good things. In an interview with the Los Angeles Times, director Rich Moore said that the idea for Wreck-It Ralph came when he was asked by Walt Disney Animation Studios to revamp an idea they had been working on for a while: a movie that takes place in a video game. "Video game characters do the same job every day," said Moore. "I don't know how you could tell a story about that, and then it kind of hits me. ... What if the main character did not like his job? If you had a character who is actually wondering: Is this all there is to life?" "

Concept Art of Vanellope and Ralph. Artist: Bill Schwab. Medium: digital.

Page 185: Disney Villains: Delightfully Evil.

Story sketches of Ralph. Artist: Jim Kim. Medium: Graphite

Final character pose of Ralph.

Final frame of ralph with the Bad-Anon support group from Wreck-It Ralph, 2012.

“Bad-Anon-One Game at a Time

"I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me."

-The Bad Guy Affirmation

Evervone needs a little help from their friends, even if their friends are a group of "bad guys." Bad-Anon is a place where the who's who of gaming bad guys can meet and talk about their feelings and what it is like to always be the one everyone loves to beat. Here are some of the familiar faces from the video games of the 1980s and 1990s.”

Bowser--King Koopa from Super Mario Bros.

Clyde--Ghost from Pac-Man.

Dr. Robotnik- -as himself from Sonic the Hedgehog.

Kano--as himself from Mortal Kombat.

M. Bison--as himself from Street Fighter.

Neff-as himself from Altered Beast.

Zangief-Red Cyclone from the Street Fighter series.

[TEXT DESCRIPTION END]

[hballegro]

alan alda storytime

the full story from one of the screenshots of my previous post.

story begins with my archaeology professor showing a slide of alan alda in the early 2000s holding some mammoth bones and asks the class if anyone recognizes him. i had watched some MASH with my mother when i was little and had also seen the movie The Object of My Affection, so i raised my hand and said it was alan alda. he lit up and said yes, it was, and told the rest of the class he used to be on this old show, and that when we got more into the bioanthro side of things, remind him to 'tell his alan alda story'.

about 2 months later, we are in bioanthro, and i remind him. he gets excited and says he included slides to talk about it.

[rest under cut]

he tells us how he had just moved to a new city, and he had taken a university job in order to get insurance for his new family [which he didnt get but thats neither here or there]. he gets news that his job is going to be working with Scientific American Frontiers, hosted by the one and only Alan Alda. my prof was thrilled, he loves MASH, and while he specifically wouldnt be involved in the process [being a presenter, working with alan, etc] he was allowed to be around incase they needed help.

i dont know the specific episode, or if it can be found anywhere, but the topic was early man and tools, and how there were mammoth bones that specifically had cuts that could only be made with tools, not by teeth from an animal. they had finished filming for the day and just needed B-roll of some lions at the local zoo chewing some bones [part of the experiment], and alan got a call. he asked if he could head out now, because he needed to get back to his hotel now, and the call had been important. the producers said sure, go ahead, and alan asked if someone could give him a ride.

my professor, having the chance to actually spend time with someone he idolized, and being a stupid late 20s-something, volunteered immediately. stupid why? well, i said he'd just moved there. he didnt know where the hell anything was, and he didnt have GPS available to him, he was just really excited. so they get in the car and start driving.

as i said in my previous post, alan alda had about 20 minutes with this random guy, and found out pretty quickly that he was an archaeologist, and the amazing topic of conversation that he picked was the [then new] theory that we developed agriculture specifically to make booze, and that the rest of the stuff was more or less a biproduct. which is pretty on-brand honestly.

after a while, alan catches on to the fact that this guy clearly has no idea where the hell hes going, and that they've been driving in circles around the city for a while now. he [reportedly very politely] said that actually, this here was his stop, and thanked him for the ride. he then most likely called a taxi that actually knew where it was going, and got to his hotel.

turns out the call was about The Aviator! the call was important because he learned it was confirmed he in it and they needed him to get over there.

its not a glamourous story, but its the only story i got. my prof reported he was a funny guy, and despite slightly kidnapping the poor man for a while, he was the picture of kindness and personability. and clearly he likes telling the story and it left an impression, because he took time out of our already-short lecture to tell a class of 20-somethings that had no idea who Alan Alda was about it.

sorry this is so verbose i dont know how to be short lmao

[closetdbisexual]

in honor of autism awareness month i will now list some characters i think are autistic

barry berkman

fox mulder

dana scully

gregory house

james wilson

allison cameron

lawrence kutner

diane nguyen

bojack horseman (also he has bpd. ok.)

annie edison

abed nadir

troy barnes

adrian monk

dale cooper

will graham

patrick bateman

stanley the stanley parable

chell portal

GLaDOS

OJ haywood

nicholas angel (his special interestt is. being a cop)

john kramer saw (his special interest is killing people)

cameron ferris buellers day off

veronica sawyer

artemis fowl

charlie kelly

mark s severance (not mark scout)

irving b severance (irving bailiff also) (is that really his name .?)

orel puppington

running out of characters. uhhh

that one fox from fantastic mr fox

alan resnick alantutorial

bill hader real life

nathan fielder real life

i dont know any other characters who exist ever sorry

[hallohartje]

thoughts on episodes 9 and 10

it's very refreshing to watch The Boyfriend because the men that were chosen to be on the show are, for the most part, very good at communicating and being respectful and caring of their other house mates. watching episode 9 and seeing how the boys navigated the fight between dai and shun was really reassuring.

yes, ikuo maybe overstepped his bounds in trying to stage an intervention but it's a mistake made by a young person who has to make mistakes in order to learn from them. watching the rest of the boys try to speak to each other and understand feelings is really great. alan's words to dai is especially caring and he also made sure to reassure ikuo that things like this happen / it's going to be okay

while i wish the whole show lasted longer i'm very happy with the episodes we got. not everyone on the show is going to get together and not everyone is going to be able to decide how things are meant to progress for months. i felt kazuto's decision to slowly explore a relationship with alan after the show ended is very understandable and if he decides to make that public down the line i'll be happy to see it. and if he doesn't, i'll respect that because it's not really something they owe viewers of the show.

small, unrelated thoughts:

i really hope next time we'll get more unfiltered conversations between cast members, especially friend groups. it's so clear that ryota and shun are good friends in the limited b-roll we get, as are taeheon and gensei.

it's very interesting to see how some of the boys dropped their gyaru/party boy sides as the days passed. i think dai, alan (and ikuo) all needed to slowly become more comfortable with silence and giving space to let connections form

the mix of older and younger men benefited the show. i think taeheon, gensei and alan all were able to speak with some wisdom regarding communication, especially in advising shun and ryota (who admitted in the final episode he struggles to articulate his thoughts and feelings)

while usak was not able to stay for the full season i feel he came across as genuine and showed his real self in the episodes he appeared in. of course, it's very interesting that the boys all treated usak with a certain level of deference -- while all of them are attractive they also know that usak is really desirable (despite the chicken milkshakes)

when taeheon cried at the final episode saying that the boys helped give him the courage to be himself i was right there with him. it's so hard to disappoint family and asian parents especially. i hope he realizes he is incredibly brave for being himself and sharing his story. while gay rights are gaining acceptance in asia there's still a long way to go, and his story will really speak to many of us here who hope for a better life but don't know if the cost of being out is worth it.

[respectthepetty]

Pit Babe Colors Ep. 5

Because I have asks in my inbox about the color coding in Pit Babe even though I don't want to watch it, I'm challenging myself with this show and seeing how good my color skills really are. I'm doing my normal thing of watching it double-speed on mute, but now, I'm going to take off the captions.

How could I forget we were in "Disco Inferno" at the end of the last episode?! Babe looks just as confused as I am that Charles ran his ass out on that track. Where are the professionals? Medics, where u b?

Nice to see everyone wearing blue just in time to prove they did not sabotage the car.

Get your grubby paws off of Barbie, you color faker!

Because I hate Charles, everything he does just comes off very creepy. Like he is trying to have Babe all to himself, like a creepy collector of precious superpower kids, but he only wants Babe.

It's Whiny Winifred in the red Chicago Bulls jacket being annoying per usual.

I don't care what is being said. Whiny Winifred did not sabotage that car. He isn't smart enough for that. But I'm very curious what Kim's superpower is because he is constantly seen as the bigger presence in their arguments. He may be small, but he is mighty.

TRUST NONE OF THEM, ALAN! As usual, Charles conveniently arrives to save the day even though Dean saw Jeffrey messing with the car. This is mine and Dean's villain origin story. (Sonic, get your colors together, kid!)

Alan, don't save him! He don't want to be saved! He can see the future, but couldn't see himself getting caught? Go back to superpower school, Jeffrey! YOU SUCK!

I should be on Jeffrey's side because he is driving a blue vehicle, but he had to put "Home" into the GPS, and I can't trust a boy who doesn't know how to get back to the apartment he shares with Charlie . . . SINCE HE ISN'T GOING THERE! I guess you really are going back to superpower school since you are probably headed to Big Red's house, you LIAR!

Couldn't be bothered to wear blue for two episodes, and now you got nothing but blue, huh, Waymond? Odd choice, sir.

Charles is everywhere at all times. I think Waymond can control emotions, which is why he touches Babe, but I think Charles is mind controlling Babe. He is always in Babe's bubble! Back tf up, bruh.

And we're back to black because you are devoid of emotions since you are controlling everyone else's. I see you and Charles for the superpower manipulators you are.

Kimberly, in a garage full of blues, I only trust your red ass. Kimlock Holmes is gonna solve this case because that's what Kims do!

Are you conflicted now, Jeffrey? In the red and the blue because you know you fucked up and hurt Alan with your lies?

Pete is wearing blue. I trust this pretty man with my life.

I have believed that superpowers come from the hands for two episodes now. Waymond is always touching Babe then Babe looks happier. Charles is always touching Babe, then Babe concedes. So Peter not immediately taking Waymond's hand gives me faith that Peter KNOWS what is up because I think he has superpowers too!

Kenta, you do not have superpowers which is why he treats you like this. Kimberly is gonna love the fuck out of you though. All you have to do is murder your boss.

Did Big Red do this to you? MURDER YOUR SHITTY BOSS! You don't need a superpower for that. I'm rooting for you, hon.

My man has the blue blazer and the blue drink. He is proving his loyalty, and I couldn't love him more. This is how you prove you're trustworthy. You ease into the color. Unlike the Treacherous Trio: Charles, Jeffrey, and Waymond.

Barbie, I need you to pay attention. That hand on your arm is controlling you. Your powers are gone because Charles is fucking with your brain so he can take your racing spot. Don't let that lying bastard touch you!

WHY ARE YOU LETTING HIM TOUCH YOU?! I know he is controlling your mind, but you gotta stop letting him touch you. Go two days without his touch and see how much clearer you'll start thing. You took him to you and Way's spot. I'm insulted for Way because this was sacred, yet Charles gets everything he wants . . . *mind control*

Alan, you wear a lot of green, and I love you for that. You are not in this red vs. blue bullshit. You are in a league of your own. I don't think you have superpowers, but if you did, it would be stealing hearts because I'm ready to lay my life down on the line for you, sir. You're perfect.

Sonic REFUSES to get his shit together. WEAR BLUE ALREADY, DAMN! But also, Decanus is not pleased with whatever is happening. Villain Era loading.

This scene would be adorable if Charles wasn't a lying pos.

Decanus, I know you are going to be with Whiny Winifred, so I'm gonna just call this game, and say you lose.

Wait, A SECRET THIRD OPTION?! Kim Possible, is that you player?!

Decanus, you are getting pushed by Alan next week, so I know you done fucked up. Sonic, still be doing wild color things next week too.

Alan, do not suck up to that child. He may be wearing blue in that moment, but his heart is red and not in the good way.

I still ONLY trust Alan, but he is falling for that lying kid, so he might slip in rankings next week, but Kimlock Holmes and Pete the Magic Dragon did no wrong this week, so my trust remains intact for them. I cannot wait until Kenta gets an ounce of love from Kimberly and it turns his entire life around (KILL YOUR SHITTY BOSS!).

Barbie is being mentally and emotionally controlled by Charles and Waymond, so here's hoping this show gets kinky, ties people's hands up, and sees just how powerful they are without the gift of touch.

Couldn't emotionally manipulate Peter, now could you, Waymond?

What is your superpower?