#online investor community

[rocknroll2024]

Sign up for Robinhood with my link and we'll both pick our own gift stock 🎁 https://join.robinhood.com/toddb-bb8c79a2

[techmarkethunter]

Unveiling the Myths in the Stock Market: Separating Fact from Fiction

Title: Unveiling the Myths in the Stock Market: Separating Fact from Fiction Introduction: The stock market is a complex and dynamic ecosystem that has fascinated and confounded investors for generations. As individuals navigate this financial realm, they often encounter a myriad of myths that can influence their decisions and perceptions. In this blog post, we aim to debunk some common myths…

[photomatt]

Why “Go Nuts, Show Nuts” Doesn’t Work in 2022

For those who don’t know or remember, Tumblr used to have a policy around porn that was literally “Go nuts, show nuts. Whatever.” That was memorable and hilarious, and for many people, Tumblr both hosted and helped with the discovery of a unique type of adult content.

In 2018, when Tumblr was owned by Verizon, they swung in the other direction and instituted an adult content ban that took out not only porn but also a ton of art and artists – including a ban on what must have been fun for a lawyer to write, female presenting nipples. This policy is currently still in place, though the Tumblr and Automattic teams are working to make it more open and common-sense, and the community labels launch is a first step toward that.

That said, no modern internet service in 2022 can have the rules that Tumblr did in 2007. I am personally extremely libertarian in terms of what consenting adults should be able to share, and I agree with “go nuts, show nuts” in principle, but the casually porn-friendly era of the early internet is currently impossible. Here’s why:

Credit card companies are anti-porn. You’ve probably heard how Pornhub can’t accept credit cards anymore. Or seen the new rules from Mastercard. Whatever crypto-utopia might come in the coming decades, today if you are blocked from banks, credit card processing, and financial services, you’re blocked from the modern economy. The vast majority of Automattic’s revenue comes from people buying our services and auto-renewing on credit cards, including the ads-free browsing upgrade that Tumblr recently launched. If we lost the ability to process credit cards, it wouldn’t just threaten Tumblr, but also the 2,000+ people in 97 countries that work at Automattic across all our products.

App stores, particularly Apple’s, are anti-porn. Tumblr started in 2007, the same year the iPhone was released. Originally, the iPhone didn’t have an App Store, and the speed of connectivity and quality of the screen meant that people didn’t use their smartphone very much and mostly interacted with Tumblr on the web, using desktop and laptop computers (really). Today 40% of our signups and 85% of our page views come from people on mobile apps, not on the web. Apple has its own rules for what’s allowed in their App Store, and the interpretation of those rules can vary depending on who is reviewing your app on any given day. Previous decisions on what’s allowed can be reversed any time you submit an app update, which we do several times a month. If Apple permanently banned Tumblr from the App Store, we’d probably have to shut the service down. If you want apps to allow more adult content, please lobby Apple. No one in the App Store has any effective power, even multi-hundred-billion companies like Facebook/Meta can be devastated when Apple changes its policies. Aside: Why do Twitter and Reddit get away with tons of super hardcore content? Ask Apple, because I don’t know. My guess is that Twitter and Reddit are too big for Apple to block so they decided to make an example out of Tumblr, which has “only” 102 million monthly visitors. Maybe Twitter gets blocked by Apple sometimes too but can’t talk about it because they’re a public company and it would scare investors.

There are lots of new rules around verifying consent and age in adult content. The rise of smartphones also means that everyone has a camera that can capture pictures and video at any time. Non-consensual sharing has grown exponentially and has been a huge problem on dedicated porn sites like Pornhub – and governments have rightly been expanding laws and regulations to make sure everyone being shown in online adult content is of legal age and has consented to the material being shared. Tumblr has no way to go back and identify the featured persons or the legality of every piece of adult content that was shared on the platform and taken down in 2018, nor does it have the resources or expertise to do that for new uploads.

Porn requires different service providers up and down the stack. In addition to a company primarily serving adult content not having access to normal financial services and being blocked by app stores, they also need specialized service providers – for example, for their bandwidth and network connections. Most traditional investors won’t fund primarily adult businesses, and may not even be allowed to by their LP agreements. (When Starbucks started selling alcohol at select stores, some investors were forced to sell their stock.)

If you wanted to start an adult social network in 2022, you’d need to be web-only on iOS and side load on Android, take payment in crypto, have a way to convert crypto to fiat for business operations without being blocked, do a ton of work in age and identity verification and compliance so you don’t go to jail, protect all of that identity information so you don’t dox your users, and make a ton of money. I estimate you’d need at least $7 million a year for every 1 million daily active users to support server storage and bandwidth (the GIFs and videos shared on Tumblr use a ton of both) in addition to hosting, moderation, compliance, and developer costs. 

I do hope that a dedicated service or company is started that will replace what people used to get from porn on Tumblr. It may already exist and I don’t know about it. They’ll have an uphill battle under current regimes, and if you think that’s a bad thing please try to change the regimes. Don’t attack companies following legal and business realities as they exist.

[cosmicpuzzle]

What is your Career like?👩🏻‍💻💼💰💸

The 10th ruler in your chart can indicate your career but it is not the only factor. However, the house placement of 10th lord/ruler can indicate at times the type of career you desire and also can indicate your job literally.

1st House : You will do well in careers which gives you a certain amount of independence. You can be an entrepreneur or a boss or a team leader. Authority and power are essential for you.

2nd House : You will do well in careers which pays you well. You can be good with numbers, finances and any responsible/routine job. Careers that depend on your appearance like modelling are good. Your job would need a good self esteem and self worth.

3rd House: You will do well in careers that involve mobility, communication, writing such as YouTube. Freedom of expression, and movement is important to you. You should be able to experiment as you wish. Change of careers as times change

4th House: You will do well in careers that gives you emotional satisfaction such as nursing, psychology. making an impact on people’s lives is important to you. Working from home can be good.

5th House: You will do well in careers that allow your self expression such as art, acting . Careers connected to children and transfer of knowledge are good. A career in which you are a genius and unique such as music, painting, investor.

6th House : You will do well in careers that allow you to maintain order such as backend work. Routine and a stable job is important to you. You may also do well in health , healing and animal careers.

7th House : You will do well in careers that allow you to exchange things whether product or service. You will do will in public careers like politics. Business is good as well as client based careers. You will do well in careers that allow you to work with another person.

8th House : You will do well in careers that allow you to research things like a biomedical or chemical engineer. Careers in digging like oil petroleum or digging another’s finances as auditing, insurance are good. Investigation and finding secrets. Psychology, medicine , surgery are good choices.

9th House : You will do well in careers that allow you to reach a wider audience around the globe such as publishing books, writing, online teaching, academia. A sense of meaning and purpose is important in your job.

10th House: You will do well in careers that allow you to be skilled and efficient in what you do. A generally good position for executive and managerial jobs or Government routine jobs

11th House: You will do well in careers that allow you to build your network such as social media manager, politics, businesses, digital marketing etc.

12th House : You will do well in careers that heal people and raise their consciousness. Careers in spirituality, metaphysics, non-profit work would be good for you. You need freedom and a flexible schedule.

For Readings DM

[lizardsfromspace]

Do you ever get kind of interested in a subject where nothing weird has happened yet but you know something weird is going to happen?

Anyway, Lake Geneva, Wisconsin. It was originally a upscale resort community, and also still is: it's where rich people from Chicago kept their lake houses, and maybe still do. Its heyday was in the early to mid 20th century, where its status as a vacation destination was so set that Hugh Hefner even put the first ever "Playboy Resort" there. I haven't been there myself, so I may be wrong, but it doesn't give me, like, Pigeon Forge or Niagara Falls energy. The list of attractions online seems to be spas and parks and a few theaters.

But Lake Geneva is more famous now for its most famous son, Gary Gygax. Over the course frigid Wisconsin winters, he and several wargaming friends who didn't become famous developed tactical wargaming into the game Dungeons & Dragons in the early 1970s. He also began hosting a small gaming meetup in Lake Geneva, later called Gen Con, which outgrew the town by the late 1970s.

As I understand it, Lake Geneva didn't really embrace its status as the Birthplace of Dungeons and Dragons. When Gygax died, there were fan-funded tributes here and there, and fans created a new convention in his honor called Gary Con where they played games from his time at TSR, but D&D was still a niche hobby and not the thing you define a rich people resort town around.

Then, whoops, shows like Critical Role turned D&D into one of the most popular entertainment properties in the world! Now there's D&D-themed events popping up all over the place. Some of this is normal, like efforts to fund a more prominent memorial for Gary Gygax, and a Dragon Days Fantasy Festival. But some are going further. Because there are now at least two proposals to create immersive, D&D-themed LARP experiences in Lake Geneva, Wisconsin, population 8,227

One is a large themed restaurant/bar/wedding venue (?) called the Griffin and Gargoyle, which is supposedly opening in 2024, though all the art is concept art and they're still looking for investors.

The other one is Giantlands, the proposed theme park where the tickets will be NFTs, based on a game no one's heard of developed by the son of Gary Gygax by a company that legally can't call itself TSR anymore, but tried anyway before rebranding as Wonderfilled, and who also tried to make old Gygax games even more racist? I can't even begin to explain this. I think they got dunked on years ago but they were still hyping up its Lake Geneva theme park that's definitely going to exist this week (this is from August 11th)

What's incredible to me here is that they're boasting that their LARP theme park will be from the makers of Evermore Park. Nothing says quality in immersive fantasy roleplaying parks like someone whose main claim to fame is making that other one that failed. Wonder how many real tombstones and haunted dolls they'll buy this time. And this one appears to have fighting arena

I seriously doubt these are the only two pitches. Everyone with too much money and a love for theme parks feels the little voice in their head saying they can do the Star Wars Hotel right. I think what gets me here is, nobody would put anything like this in Lake Geneva otherwise. It's small, it's located in Wisconsin so it'd have to be seasonal, and it's less than two hours away from Wisconsin Dells - an entire town of kitschy roadside attractions - and even closer to Chicago, which is Chicago. Its tourism niche is beaches and homes around a scenic lake. The only reason to place anything there would be to honor Gary Gygax, and uh, I don't think the younger people who got into D&D with 5E really care about him, or even necessarily know who he is. Gary Con and most Gygax-themed events are for old-school gamers, not the Critical Role crowd. And they especially don't care about whatever Giantlands is. Giantlands as a game is so old-school there isn't even a PDF of the book, it's physical only. They want to build a full theme park around a game you can't even buy on DrivethruRPG. Anyway I hope all this open bc it would be funny

[pillowfort-social]

JUNE 2024 FUNDING GOAL UPDATE: $3500 / $5000 We have 5 days remaining of June and we're only $1500 short of meeting our funding goal. If we do not meet June's goal we will only have enough funding available to keep us online & to compensate our Staff until November 2024. ⭐️WHY HELP PILLOWFORT?⭐️ We're a woman-owned independent social media platform without any corporate investors. We are entirely free to join via automatic rolling waitlist or through invitation. We've been entirely user funded since the start. We are a LGBTQIA+, BIPOC, 18+ and Kink-Friendly community for fans & creators. No AI, No NFTS, no Crypto. Pillowfort is built for you.

⭐️HOW TO HELP SUPPORT US⭐️

Subscribe to Our Al la Carte Subscription Pillowfort Premium

Donate to Pillowfort

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⭐️OTHER WAYS TO SUPPORT US⭐️

Talk about Pillowfort to your friends, family, mutuals, and followers wherever you're at.

Write a post about us. Also please let us know so we can read it! We love reading what our users say about us.

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[bunabi]

hi any advice for a person who's trying to become a professional artist? everywhere I look in any art adjacent industry people are losing their jobs left and right,being underpaid or are freelancing while working a side job,I swear the only ppl doing well are the ai art bitches…I feel like I'm aboard a sinking ship 🥲🫠

I applied to multiple postings yesterday and honestly I don't know anymore 🫠

The illustrator + 2D generalist + concept artist hiring pools are pretty full right now with all the layoffs

Without connections or an insane online following idk how students and entry-level folks are supposed to make it anymore

Recommendations through positive word-of-mouth from my previous clients has been keeping me afloat so far + commissions + patreon, and I'm blessed with a super supportive parent; if I didn't have those things — and if I was able or willing to do a 9-to-5 office job— I would not be in a position to handle this

And honestly AI is a huge issue, don't get me wrong, but it plays a small part of why these creative industries are collapsing.

It's the unforgiving hours, the low pay, the burnout, the layoffs disrupting entire chains of communication, sudden project cancellations due to trend-chasing and investor expectations and internal politics, the looming uncertainty of the future. The unsustainable profit-first infrastructure is just finally buckling I fear.

Possible workaround: pop off as a fan artist and build a following large enough to subsist on subscriptions. Make a new draw-with-me tiktok every other day and/or stream for five to eight hours a day three times a week. I am in no way joking about this. It's a lot of work to get there but at least it yields consistent results. 🧍🏾‍♀️

[sexymemecoin]

The Phenomenon of Meme Coins: Humor Meets Cryptocurrency

The world of cryptocurrency is known for its rapid innovations and diverse applications, but one of the most fascinating and unexpected trends to emerge in recent years is the rise of meme coins. These digital currencies, inspired by internet memes and popular culture, combine the worlds of humor and finance in a way that captivates a broad audience. Meme coins are not just a novelty; they represent a significant shift in how digital assets can be perceived and utilized. This article explores the origins, characteristics, and future potential of meme coins, with a brief mention of one of the notable projects in this space, Sexy Meme Coin.

The Origins of Meme Coins

Meme coins first gained mainstream attention with the creation of Dogecoin in 2013. Dogecoin was initially conceived as a joke by software engineers Billy Markus and Jackson Palmer, who wanted to create a fun alternative to Bitcoin. Featuring the Shiba Inu dog from the popular "Doge" meme as its mascot, Dogecoin quickly garnered a dedicated following. Its community-driven approach and lighthearted nature set it apart from other cryptocurrencies, paving the way for a new category of digital assets.

Despite its humorous beginnings, Dogecoin has demonstrated remarkable staying power. It has been used for various charitable causes, tipping content creators online, and even sponsoring NASCAR teams. The coin's success has inspired a plethora of other meme coins, each seeking to capture the magic formula of humor, community, and financial potential.

Key Characteristics of Meme Coins

Community-Centric: Meme coins thrive on the strength of their communities. Unlike traditional cryptocurrencies, which often focus on technological advancements, meme coins rely heavily on community engagement and social media presence. This grassroots approach helps to build a loyal and enthusiastic user base.

Cultural Relevance: Meme coins are deeply rooted in internet culture and trends. They often reflect the latest memes, jokes, and viral content, making them highly relatable and engaging for users who are active on social media platforms.

Accessibility: The playful and humorous nature of meme coins makes them more approachable for the average person compared to more complex cryptocurrencies. This accessibility helps to attract a wider audience, including those who may not have previously considered investing in digital assets.

High Volatility: The value of meme coins can be extremely volatile, driven by social media trends, celebrity endorsements, and viral moments. While this volatility can lead to significant gains, it also poses substantial risks for investors.

The Appeal of Meme Coins

Meme coins offer a unique blend of entertainment and investment potential. They provide a way for people to engage with cryptocurrency in a fun and light-hearted manner, while still offering the possibility of financial returns. This dual appeal has helped to drive the popularity of meme coins, especially among younger generations who are well-versed in internet culture.

The community-driven nature of meme coins also fosters a sense of belonging and participation. Users feel like they are part of a larger movement, contributing to the success of the coin through their engagement and support. This collective effort can lead to a strong sense of camaraderie and loyalty among users.

Notable Meme Coins

While Dogecoin remains the most well-known meme coin, several other projects have emerged, each with its unique twist on the concept. One such project is Sexy Meme Coin, which combines the world of memes with innovative tokenomics and community engagement. You can learn more about Sexy Meme Coin at Sexy Meme Coin.

The Future of Meme Coins

The future of meme coins is both exciting and uncertain. On the one hand, their ability to capture the zeitgeist of internet culture gives them a unique position within the cryptocurrency landscape. As long as memes continue to be a significant part of online culture, meme coins are likely to maintain their relevance and appeal.

On the other hand, the high volatility and speculative nature of meme coins mean that they can be risky investments. Regulatory scrutiny and market fluctuations could impact their long-term viability. However, the community-driven approach of meme coins provides a strong foundation that can help them weather challenges and adapt to changing circumstances.

Conclusion

Meme coins represent a fascinating intersection of humor, culture, and finance. They have brought a new dimension to the world of cryptocurrency, making it more accessible and engaging for a broad audience. While they come with their own set of risks and uncertainties, the community-centric nature of meme coins offers a compelling case for their continued growth and evolution.

As the cryptocurrency landscape continues to evolve, meme coins like Sexy Meme Coin and others will play a crucial role in shaping the future of digital assets. By combining the power of memes with innovative financial technology, these coins have the potential to create lasting impact and redefine how we think about cryptocurrency.

For those interested in exploring the world of meme coins, Sexy Meme Coin offers a unique and entertaining platform. Visit Sexy Meme Coin to learn more and become part of this exciting movement.

[itsawritblr]

Jenny Watson: "We can do it, so let's do it." Jenny outlines her plan for a female-only, lesbian space.

For my lesbian, bisexual women, and radfem Followers. Via Graham Linehan's Substack.

For many decades, London was considered the global capital for lesbian nightlife. But you’d never know it if you visited the UK today. It’s not for a lack of British lesbian culture: I’m a lesbian, I’m involved in our country’s lesbian social scene, and I can assure you, it’s alive and well. What we lack at the moment are our own dedicated spaces. I think the UK needs once more to have lesbian-run, female-only community spaces. 

I’ve got an idea about how to make one such space a reality. And I believe I'm in a position to make it happen.

Over the past seven years, I've had the privilege of organising a range of lesbian social events in London. Throughout this time, I've made many connections in our community, gained an increasing understanding of our needs, and created social spaces that I hope go some way to meeting them. 

And in those seven years working to coordinate part of the the UK’s lesbian social scene, I’ve come to see how badly we need a dedicated, strictly female-only event space — now more than ever. 

Men have been encroaching on the lesbian community, and the problem is only getting worse. There’s been a sense of inevitability, that this is just something we have to learn to live with.

But I’ve had it.

In June, I skipped London’s official Pride festivities and instead visited an alternative, independent event at the Hampstead Ponds. It was a female-only picnic. Hundreds of women of all ages were gathered, from their teens to their eighties. And the sublime joy that I felt that day led me to a eureka moment:

We need this. We deserve this. This is our right. As lesbians and bisexual women, we have a right to social spaces that are entirely our own.

So, earlier this year, I decided to implement a women-only policy at my events. Although this sparked controversy, we ultimately received recognition from the UK’s largest pub operator that it is legitimate to hold women-only lesbian events - a real victory!

And then it suddenly dawned on me: we need more and not only do we need this, I can do this. I feel I have a good sense of the UK market for lesbian social events. So I crunched some numbers and developed a business proposal. I gauged interest and studied feasibility. And I’m excited to tell you: I believe this can work.

My plan involves establishing a private members’ club and securing a prime physical space in London. By day, this space will operate as a versatile hybrid workspace, becoming a venue hosting various social events in the evenings and weekends. Alongside these, we'll provide online events, and collaborate with service providers for health and wellness advice, fitness guidance, group trips, and more. Revenue will come from the events, partnerships, as well as from membership dues.

To the lesbian and bisexual women reading this: you’re welcome to get in touch with me if you’d like to learn more. There's an opportunity to invest if you’re interested, too. I’ve got a pitch deck I would be happy to show you and a fully fleshed-out, 50-page business plan. And I’m happy to report that there are already investors who have given the thumbs up. 

Following my announcement and inspired by the community's heartwarming response, I decided to introduce an early-bird membership programme. This includes a personalised QR-coded membership card for exclusive updates and access to a members’ discussion space. Joining early also signifies your part in accelerating our community's launch. 

Which brings me to another issue, and it’s a big part of the reason I’m writing this now: online critics. There’s a small but vocal group of people online who’ve been saying some pretty nasty and completely unfounded things about me. This group of people have taken to personal insults, and accusations that I’m a fraudster and a grifter.

I’m not entirely surprised to encounter pushback, but at the same time, the level of vitriol has been eye-opening.

But I try to put it in a bigger context: Lesbians have faced so much abuse, and for so long we’ve had to settle for having social spaces conditionally, on terms set by men. There’s a climate of distrust and fear looming over the lesbian community as a result. So much so that today the idea of even having one single space fully dedicated to lesbian and bisexual women seems so radical, some people’s initial reaction is that there’s got to be a catch.

I completely understand that a good dose of scrutiny, of tempering optimism with some degree of caution, is reasonable. It’s healthy. And it’s entirely welcome.

But personal insults and unfounded accusations are not. I know that emotions are running high, and we as a community are feeling beleaguered right now. But that’s no excuse to target my Irishness in personal attacks, for example. Or to target my business supporters with lies about me.

I'm not here to push or persuade anyone who doesn't feel the spark for this project. However, for those who do, our project investors' safety and security are crucial — capital funds are securely placed in escrow and I've teamed up with a business consultant who's right here supporting us until opening day. We’ve put together a solid business plan.

If anything, the tenor of some of the criticism I’ve faced only hardens my resolve: it just highlights how badly women need a space to unite us, to heal us in this difficult time.

It’s been upsetting to endure the smear campaign that a small online group has thrown at me… but my mind keeps going back to that Edenic afternoon at the Hampstead Ponds, where hundreds of women were gathered in serenity and harmony.

This will heal us. This will unite us. And it will make us all stronger. Lesbian strength comes through unity.

There are various ways you can help, but the most crucial one is spreading the word - our message is the most important part of this project. 

Other than that, as I mentioned earlier, if you are a lesbian/bi woman, there is the option to join as an early-bird member (however, this is not compulsory; you can wait until our opening). Additionally, there's the opportunity for investment or donation. I've prepared a comprehensive 50-page business plan and pitch deck available for those who are interested.

For a deeper understanding of the project, feel free to visit our website or you can email me at contact@lcommunity.co.uk 

Any form of support you can offer is immensely appreciated as we work towards making this a reality.  

We can do this. So let’s do it!

[cosmicpuzzle]

🌟What is your Ideal Career?🌟

The 10th ruler in your chart can indicate your career but it is not the only factor. However the house placement of 10th lord/ruler can indicate at times the type of career you desire and also can indicate your job literally.

1st House : You will do well in careers which gives you a certain amount of independence. You can be an entrepreneur or a boss or a team leader. Authority and power are essential for you.

2nd House : You will do well in careers which pays you well. You can be good with numbers, finances and any responsible/routine job. Careers that depend on your appearance like modelling are good. Your job would need a good self esteem and self worth.

3rd House: You will do well in careers that involve mobility, communication, writing such as YouTube. Freedom of expression, and movement is important to you. You should be able to experiment as you wish. Change of careers as times change

4th House: You will do well in careers that gives you emotional satisfaction such as nursing, psychology. making an impact on people's lives is important to you. Working from home can be good.

5th House: You will do well in careers that allow your self expression such as art, acting . Careers connected to children and transfer of knowledge are good. A career in which you are a genius and unique such as music, painting, investor.

6th House : You will do well in careers that allow you to maintain order such as backend work. Routine and a stable job is important to you. You may also do well in health , healing and animal careers.

7th House : You will do well in careers that allow you to exchange things whether product or service. You will do will in public careers like politics. Business is good as well as client based careers. You will do well in careers that allow you to work with another person.

8th House : You will do well in careers that allow you to research things like a biomedical or chemical engineer. Careers in digging like oil petroleum or digging another's finances as auditing, insurance are good. Investigation and finding secrets. Psychology, medicine , surgery are good choices.

9th House : You will do well in careers that allow you to reach a wider audience around the globe such as publishing books, writing, online teaching, academia. A sense of meaning and purpose is important in your job.

10th House: You will do well in careers that allow you to be skilled and efficient in what you do. A generally good position for executive and managerial jobs or Government routine jobs

11th House : You will do well in careers that allow you to build your network such as social media manager, politics, businesses, digital marketing etc.

12th House : You will do well in careers that heal people and raise their consciousness. Careers in spirituality, metaphysics, non profit work would be good for you. You need freedom and a flexible schedule.

[myfandomrealitea]

I wish I had a place to post my fucked up arts without being cancelled 😭

Honestly I think the drawn arts have suffered perhaps the most out of modern censorship. Especially the communities, too, because when sites ban things to please advertisers, investors and the handful of people squawking about protecting the children, it creates this mentality of; 'if its been banned its bad, so whoever makes it or enjoys it is bad too.'

There will literally always be at least one person who comes after you for what you create. Lord knows I enough enough angry anons in my inbox on a daily basis and all I do is rant about antis and occasionally knock my braincells together with enough force to say something vaguely helpful.

My best advice for avoiding being 'cancelled' is to heavily, heavily curate your online space and the people you aim to include within it. This could be by:

Following specifically other blogs who post similar content or express interest in similar content to what you produce or your interests.

Pre-emptively blocking blogs who express disgust or hatred for the content you produce or like, blogs who express moral stances conflicting to yours, ect. This is expressly helpful on sites like Twitter where options to limit engagement are limited.

Tagging properly, and including trigger and warnings tags whom others are likely to have blocked. This prevents people from seeing something they don't want to, and also gives you coverage if they try to accuse you of 'spreading it around.'

In cases of art that may have more extreme content, try using spoiler flags or any filtration option that requires viewers to actively consent to viewing it. Relevant to above, nobody can cry wolf about 'being exposed' because they would've had to physically reveal the work to themselves.

DeviantArt unfortunately recently changed its policies to a frankly ridiculously constrictive degree, so while I previously would've recommended that as a place to host your artwork and find a safer community, I can no longer. Hopefully someone is successful in pushing for the site to reform to its previous rules soon.

ArtStation is an option. The site is not eligible to anyone under 18 and sexual, gore, fetish, and 'mature' content is allowed provided the usual stipulation that you aren't using it in order to cause, infer or threaten harm against someone. A lot of the site is geared toward marketing artwork, though, so you might be hard pressed to find more of a community aspect to it.

Rule 34.com is... Objectively one of the best places you can host your artwork if you create content that is based on sexual themes. The protective rights aren't the greatest, but anyone who uses Rule 34 has no leg to stand on regarding morality and censorship.

Reddit has a lot of subreddits for sharing art, and a bonus is you can find subreddits specifically geared toward artwork based on things like gore, violence, sexual content, ect. Filtering options and monitoring are basically non-existent, however. Also, Reddit sometimes spontaneously decides a specific post is against its TOS and yeets it.

There's also the option of building a Discord server based around sharing artwork of certain themes, which is objectively the format that allows you the most control over who views it, but it also means your art has a limited presence. (Can't be reblogged, ect.)

If you do check out any of the websites, always be thorough in reading the Terms of Service and the Community Guidelines.

[magicwithclass]

Reserved List

There are over 500 Magic the Gathering cards on the reserved list. This list is a promise to never reprint these cards in paper which means, that for these cards, the copies that exist are the only copies that will ever exist. The reserved list only comprises of sets from before the year 2000 so most reserve list cards are 25 years old minimum. You would think that the cards on the reserve list would all be astronomically high but very few are over a dollar. Many feel that the reserved list will eventually be rescinded but the failure of the 30th anniversary edition cards makes this seem unlikely especially in the modern era. It seems like a lot of money is in newer Magic cards especially with the advent of serialized Magic cards. Now may be the time to move in to bulk Magic the Gathering reserved list cards. Every year the number of reserve list cards in circulation dwindle. Cards get lost or destroyed or they enter vaults never to see circulation ever again due to investors and speculators. At the moment, old school Magic seems to be at an all time low so this might be time to move in to reserve list cards. I recently purchased a couple hundred reserved list cards in various conditions and over the next couple of weeks I will post them online and explain the logic behind my purchase. Am I simply wasting money buying bulk that will never rise above a buck? Am I a fool for diversifying my purchases instead of focusing on one specific reserved list card and attempting to buy it out? Only time will tell. However, I really do have a love and a passion for the cards and it makes me feel a part of the community to have a piece of magic history in my hands. It is an interesting feeling to own something where there are only a certain number of copies on earth. Isn't this the appeal of serial numbered cards? Are serialized cards just a modern day reserved list for a new era? After all, most of the cards on the reserved list are cheap for a reason. They are simply unplayable in the modern magic the gathering era in almost all formats. Most serialized cards are chosen because they see play and are highly sought after cards. Any cards seeing a lot of play on the reserved list are already astronomically expensive so what is the point? Well, no one can see the future and some cards that were completely unplayable just need the right card printed to become all stars. The only question is which cards will reach that echelon. Yes, I have some opinions on which cards are more likely to see possible play in the future but you never know. That is why I want to diversify my assets. Should a reserve list card below one dollar spike card I will likely have many copies of it in my collection. Should all cards on the reserve list eventually spike as people realize that once all copies are gone they are gone and the cards aren't getting any younger then I will have simply made a profit. Even now, I do think there are cards on the reserve list that are criminally undervalued. I also believe that one day a card will spike on the reserve list that no one will predict. I am going to show the reserve list cards I bought this month although I have been buying reserved list cards for years.

[mostlysignssomeportents]

A link-clump demands a linkdump

Cometh the weekend, cometh the linkdump. My daily-ish newsletter includes a section called "Hey look at this," with three short links per day, but sometimes those links get backed up and I need to clean house. Here's the eight previous installments:

https://pluralistic.net/tag/linkdump/

The country code top level domain (ccTLD) for the Caribbean island nation of Anguilla is .ai, and that's turned into millions of dollars worth of royalties as "entrepreneurs" scramble to sprinkle some buzzword-compliant AI stuff on their businesses in the most superficial way possible:

https://arstechnica.com/information-technology/2023/08/ai-fever-turns-anguillas-ai-domain-into-a-digital-gold-mine/

All told, .ai domain royalties will account for about ten percent of the country's GDP.

It's actually kind of nice to see Anguilla finding some internet money at long last. Back in the 1990s, when I was a freelance web developer, I got hired to work on the investor website for a publicly traded internet casino based in Anguilla that was a scammy disaster in every conceivable way. The company had been conceived of by people who inherited a modestly successful chain of print-shops and decided to diversify by buying a dormant penny mining stock and relaunching it as an online casino.

But of course, online casinos were illegal nearly everywhere. Not in Anguilla – or at least, that's what the founders told us – which is why they located their servers there, despite the lack of broadband or, indeed, reliable electricity at their data-center. At a certain point, the whole thing started to whiff of a stock swindle, a pump-and-dump where they'd sell off shares in that ex-mining stock to people who knew even less about the internet than they did and skedaddle. I got out, and lost track of them, and a search for their names and business today turns up nothing so I assume that it flamed out before it could ruin any retail investors' lives.

Anguilla is a British Overseas Territory, one of those former British colonies that was drained and then given "independence" by paternalistic imperial administrators half a world away. The country's main industries are tourism and "finance" – which is to say, it's a pearl in the globe-spanning necklace of tax- and corporate-crime-havens the UK established around the world so its most vicious criminals – the hereditary aristocracy – can continue to use Britain's roads and exploit its educated workforce without paying any taxes.

This is the "finance curse," and there are tiny, struggling nations all around the world that live under it. Nick Shaxson dubbed them "Treasure Islands" in his outstanding book of the same name:

https://us.macmillan.com/books/9780230341722/treasureislands

I can't imagine that the AI bubble will last forever – anything that can't go on forever eventually stops – and when it does, those .ai domain royalties will dry up. But until then, I salute Anguilla, which has at last found the internet riches that I played a small part in bringing to it in the previous century.

The AI bubble is indeed overdue for a popping, but while the market remains gripped by irrational exuberance, there's lots of weird stuff happening around the edges. Take Inject My PDF, which embeds repeating blocks of invisible text into your resume:

https://kai-greshake.de/posts/inject-my-pdf/

The text is tuned to make resume-sorting Large Language Models identify you as the ideal candidate for the job. It'll even trick the summarizer function into spitting out text that does not appear in any human-readable form on your CV.

Embedding weird stuff into resumes is a hacker tradition. I first encountered it at the Chaos Communications Congress in 2012, when Ang Cui used it as an example in his stellar "Print Me If You Dare" talk:

https://www.youtube.com/watch?v=njVv7J2azY8

Cui figured out that one way to update the software of a printer was to embed an invisible Postscript instruction in a document that basically said, "everything after this is a firmware update." Then he came up with 100 lines of perl that he hid in documents with names like cv.pdf that would flash the printer when they ran, causing it to probe your LAN for vulnerable PCs and take them over, opening a reverse-shell to his command-and-control server in the cloud. Compromised printers would then refuse to apply future updates from their owners, but would pretend to install them and even update their version numbers to give verisimilitude to the ruse. The only way to exorcise these haunted printers was to send 'em to the landfill. Good times!

Printers are still a dumpster fire, and it's not solely about the intrinsic difficulty of computer security. After all, printer manufacturers have devoted enormous resources to hardening their products against their owners, making it progressively harder to use third-party ink. They're super perverse about it, too – they send "security updates" to your printer that update the printer's security against you – run these updates and your printer downgrades itself by refusing to use the ink you chose for it:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

It's a reminder that what a monopolist thinks of as "security" isn't what you think of as security. Oftentimes, their security is antithetical to your security. That was the case with Web Environment Integrity, a plan by Google to make your phone rat you out to advertisers' servers, revealing any adblocking modifications you might have installed so that ad-serving companies could refuse to talk to you:

https://pluralistic.net/2023/08/02/self-incrimination/#wei-bai-bai

WEI is now dead, thanks to a lot of hueing and crying by people like us:

https://www.theregister.com/2023/11/02/google_abandons_web_environment_integrity/

But the dream of securing Google against its own users lives on. Youtube has embarked on an aggressive campaign of refusing to show videos to people running ad-blockers, triggering an arms-race of ad-blocker-blockers and ad-blocker-blocker-blockers:

https://www.scientificamerican.com/article/where-will-the-ad-versus-ad-blocker-arms-race-end/

The folks behind Ublock Origin are racing to keep up with Google's engineers' countermeasures, and there's a single-serving website called "Is uBlock Origin updated to the last Anti-Adblocker YouTube script?" that will give you a realtime, one-word status update:

https://drhyperion451.github.io/does-uBO-bypass-yt/

One in four web users has an ad-blocker, a stat that Doc Searls pithily summarizes as "the biggest boycott in world history":

https://doc.searls.com/2015/09/28/beyond-ad-blocking-the-biggest-boycott-in-human-history/

Zero app users have ad-blockers. That's not because ad-blocking an app is harder than ad-blocking the web – it's because reverse-engineering an app triggers liability under IP laws like Section 1201 of the Digital Millenium Copyright Act, which can put you away for 5 years for a first offense. That's what I mean when I say that "IP is anything that lets a company control its customers, critics or competitors:

https://locusmag.com/2020/09/cory-doctorow-ip/

I predicted that apps would open up all kinds of opportunities for abusive, monopolistic conduct back in 2010, and I'm experiencing a mix of sadness and smugness (I assume there's a German word for this emotion) at being so thoroughly vindicated by history:

https://memex.craphound.com/2010/04/01/why-i-wont-buy-an-ipad-and-think-you-shouldnt-either/

The more control a company can exert over its customers, the worse it will be tempted to treat them. These systems of control shift the balance of power within companies, making it harder for internal factions that defend product quality and customer interests to win against the enshittifiers:

https://pluralistic.net/2023/07/28/microincentives-and-enshittification/

The result has been a Great Enshittening, with platforms of all description shifting value from their customers and users to their shareholders, making everything palpably worse. The only bright side is that this has created the political will to do something about it, sparking a wave of bold, muscular antitrust action all over the world.

The Google antitrust case is certainly the most important corporate lawsuit of the century (so far), but Judge Amit Mehta's deference to Google's demands for secrecy has kept the case out of the headlines. I mean, Sam Bankman-Fried is a psychopathic thief, but even so, his trial does not deserve its vastly greater prominence, though, if you haven't heard yet, he's been convicted and will face decades in prison after he exhausts his appeals:

https://newsletter.mollywhite.net/p/sam-bankman-fried-guilty-on-all-charges

The secrecy around Google's trial has relaxed somewhat, and the trickle of revelations emerging from the cracks in the courthouse are fascinating. For the first time, we're able to get a concrete sense of which queries are the most lucrative for Google:

https://www.theverge.com/2023/11/1/23941766/google-antitrust-trial-search-queries-ad-money

The list comes from 2018, but it's still wild. As David Pierce writes in The Verge, the top twenty includes three iPhone-related terms, five insurance queries, and the rest are overshadowed by searches for customer service info for monopolistic services like Xfinity, Uber and Hulu.

All-in-all, we're living through a hell of a moment for piercing the corporate veil. Maybe it's the problem of maintaining secrecy within large companies, or maybe the the rampant mistreatment of even senior executives has led to more leaks and whistleblowing. Either way, we all owe a debt of gratitude to the anonymous leaker who revealed the unbelievable pettiness of former HBO president of programming Casey Bloys, who ordered his underlings to create an army of sock-puppet Twitter accounts to harass TV and movie critics who panned HBO's shows:

https://www.rollingstone.com/tv-movies/tv-movie-features/hbo-casey-bloys-secret-twitter-trolls-tv-critics-leaked-texts-lawsuit-the-idol-1234867722/

These trolling attempts were pathetic, even by the standards of thick-fingered corporate execs. Like, accusing critics who panned the shitty-ass Perry Mason reboot of disrespecting veterans because the fictional Mason's back-story had him storming the beach on D-Day.

The pushback against corporate bullying is everywhere, and of course, the vanguard is the labor movement. Did you hear that the UAW won their strike against the auto-makers, scoring raises for all workers based on the increases in the companies' CEO pay? The UAW isn't done, either! Their incredible new leader, Shawn Fain, has called for a general strike in 2028:

https://www.404media.co/uaw-calls-on-workers-to-line-up-massive-general-strike-for-2028-to-defeat-billionaire-class/

The massive victory for unionized auto-workers has thrown a spotlight on the terrible working conditions and pay for workers at Tesla, a criminal company that has no compunctions about violating labor law to prevent its workers from exercising their legal rights. Over in Sweden, union workers are teaching Tesla a lesson. After the company tried its illegal union-busting playbook on Tesla service centers, the unionized dock-workers issued an ultimatum: respect your workers or face a blockade at Sweden's ports that would block any Tesla from being unloaded into the EU's fifth largest Tesla market:

https://www.wired.com/story/tesla-sweden-strike/

Of course, the real solution to Teslas – and every other kind of car – is to redesign our cities for public transit, walking and cycling, making cars the exception for deliveries, accessibility and other necessities. Transitioning to EVs will make a big dent in the climate emergency, but it won't make our streets any safer – and they keep getting deadlier.

Last summer, my dear old pal Ted Kulczycky got in touch with me to tell me that Talking Heads were going to be all present in public for the first time since the band's breakup, as part of the debut of the newly remastered print of Stop Making Sense, the greatest concert movie of all time. Even better, the show would be in Toronto, my hometown, where Ted and I went to high-school together, at TIFF.

Ted is the only person I know who is more obsessed with Talking Heads than I am, and he started working on tickets for the show while I starting pricing plane tickets. And then, the unthinkable happened: Ted's wife, Serah, got in touch to say that Ted had been run over by a car while getting off of a streetcar, that he was severely injured, and would require multiple surgeries.

But this was Ted, so of course he was still planning to see the show. And he did, getting a day-pass from the hospital and showing up looking like someone from a Kids In The Hall sketch who'd been made up to look like someone who'd been run over by a car:

https://www.flickr.com/photos/doctorow/53182440282/

In his Globe and Mail article about Ted's experience, Brad Wheeler describes how the whole hospital rallied around Ted to make it possible for him to get to the movie:

https://www.theglobeandmail.com/arts/music/article-how-a-talking-heads-superfan-found-healing-with-the-concert-film-stop/

He also mentions that Ted is working on a book and podcast about Stop Making Sense. I visited Ted in the hospital the day after the gig and we talked about the book and it sounds amazing. Also? The movie was incredible. See it in Imax.

That heartwarming tale of healing through big suits is a pretty good place to wrap up this linkdump, but I want to call your attention to just one more thing before I go: Robin Sloan's Snarkmarket piece about blogging and "stock and flow":

https://snarkmarket.com/2010/4890/

Sloan makes the excellent case that for writers, having a "flow" of short, quick posts builds the audience for a "stock" of longer, more synthetic pieces like books. This has certainly been my experience, but I think it's only part of the story – there are good, non-mercenary reasons for writers to do a lot of "flow." As I wrote in my 2021 essay, "The Memex Method," turning your commonplace book into a database – AKA "blogging" – makes you write better notes to yourself because you know others will see them:

https://pluralistic.net/2021/05/09/the-memex-method/

This, in turn, creates a supersaturated, subconscious solution of fragments that are just waiting to nucleate and crystallize into full-blown novels and nonfiction books and other "stock." That's how I came out of lockdown with nine new books. The next one is The Lost Cause, a hopepunk science fiction novel about the climate whose early fans include Naomi Klein, Rebecca Solnit, Bill McKibben and Kim Stanley Robinson. It's out on November 14:

https://us.macmillan.com/books/9781250865939/the-lost-cause

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/11/05/variegated/#nein

[kp777]

By Jessica Corbett

Common Dreams

Aug. 1, 2024

"Today's ruling is a setback, but a temporary one," said one campaigner. "The nation's communications regulator must be able to oversee the nation’s communications infrastructure."

Net neutrality advocates on Thursday sharply condemned a U.S. appellate court decision blocking implementation of the Biden administration's broadband policy while a legal challenge launched by the telecommunications industry moves forward.

Federal Communications Commission Chair Jessica Rosenworcel joined with Commissioners Anna Gomez and Geoffrey Starks in April to reclassify broadband as a public service under Title II of the Communications Act—undoing damage done during the Trump administration.

Internet service providers (ISPs) are fighting to stop the FCC's order. After temporarily delaying the rules last month, the U.S. Court of Appeals for the 6th Circuit just granted a stay. Oral arguments aren't expected until October or November.

"The 6th Circuit's stay will leave Americans without critical net neutrality protections and leave the Federal Communications Commission without its rightful authority over broadband," warned U.S. Sens. Ed Markey (D-Mass.) and Ron Wyden (D-Ore.) in a joint statement Thursday.

"We need net neutrality to protect the free and open internet and ensure that internet gatekeepers cannot control what we see, who we talk with, and how we communicate online."

"That is unacceptable," added the senators, who have led the fight for reviving net neutrality rules in Congress. "We need net neutrality to protect the free and open internet and ensure that internet gatekeepers cannot control what we see, who we talk with, and how we communicate online."

Advocacy groups were similarly critical. John Bergmayer, legal director at Public Knowledge, said that "it is unfortunate that the court granted the ISPs' request for a stay of the FCC's net neutrality rules. These rules would bar broadband providers from throttling connection speeds, blocking websites, and discriminating in favor of preferred internet traffic."

"Millions of Americans have expressed support for these rules by submitting comments with the FCC urging the agency to enact these protections," he noted. "Consumers need net neutrality rules as well as the other consumer benefits provided by the FCC's recognition that broadband is a 'telecommunications' service, including online privacy, public safety and national security, and affordable, competitive broadband service."

"Despite this court's action, we remain confident that the FCC's rules—and classification of broadband as a telecommunication service under Title II of the Communications Act—will ultimately be upheld, just as they were before—or that Congress will step in to reinstate these popular and necessary protections," Bergmayer added.

Free Press vice president of policy and general counsel Matt Wood also characterized the stay as unfortunate but stressed that "we believe that the litigation to follow will dispel these unfounded phone-and cable-company arguments about Title II's supposed harms and about the commission's authority to classify broadband providers properly under the statute."

"Industry lobbyists and other net neutrality opponents have argued, loudly but cynically, that the Trump-era repeal somehow spurred broadband deployment and speed increases, claiming that the rules' presence impairs those upgrades. This is nonsense, as Free Press has shown time and time again by examining the companies' own financial statements and investor briefings," he highlighted. "Today's order unfortunately accepts the false premise that the FCC's rules prevent broadband providers from rolling out new products. ISPs make such claims only in court; they never make them to their investors." "Today's ruling is a setback, but a temporary one. The nation's communications regulator must be able to oversee the nation’s communications infrastructure," Wood continued. "While we hit a procedural hurdle today, Free Press is determined to see the FCC's decision go into effect. The 6th Circuit will still need to evaluate the ISPs' and FCC's arguments in full when it reviews the case on the merits. We're confident that we will ultimately prevail in this case, even in the wake of this disappointing outcome and even in light of recent Supreme Court decisions aimed at weakening federal agencies' oversight."

Rosenworcel was also determined to defend the FCC's decision, declaring Thursday that "the American public wants an internet that is fast, open, and fair. Today's decision by the 6th Circuit is a setback but we will not give up the fight for net neutrality."

[genericpuff]

on the closure of MochaJump, and why we're our own worst enemies in this industry.

"MochaJump? What was that?" is probably your first question, and I'm gonna simply respond with, "Exactly."

MochaJump was a small startup platform made by /u/nunojay2 and a second site engineer (whose name I am not informed of) on reddit. It wasn't anything extraordinary, just a startup site that aimed to offer a more viable alternative to Webtoons and Tapas, with a focus on offering equal visibility to creators, focused recommendation algorithms, loosened restrictions on NSFW content, and bigger cuts for creators on their generated revenue.

Of course, such promises are a tall order, but the creator did their best to host regular discussions with creators in art and webtoon communities to get feedback on what creators really wanted out of their platforms, and they researched what they would need to make in order to keep the site afloat (it came out pretty low at $2 per user per month). Hopes were high and the site launched with a small but eager userbase.

It stayed small. The site shut down in November 2022, just 6 months after launching in May 2022.

Now, I'm not gonna sit here on some soapbox and blame anyone for the site closing down. I unfortunately didn't get much chance to use the site myself so there's surely more I could have done on my own part to help it gain traction. But this is a regular occurrence for start-ups like this, especially in an industry that's as notoriously unprofitable as webcomics. We've seen titans such as SmackJeeves and Inkblazers fall, and MochaJump was merely an infant by comparison.

But it makes me think of how we view and treat these startups as a whole. How we as readers and creators alike have become so trained to exclusively use corporate platforms like Webtoons and Tapas on the promise of "bigger gains". Unlike these bigger companies, platforms like MochaJump depend on building a strong userbase as quickly as possible, and need to find ways to generate revenue to keep things running, otherwise it's only a matter of time before they close down. They don't have a massive conglomerate like Naver or Kakao to pad their pockets through their failures. They don't have the money or reach to inject themselves into society through bus terminal ads and convention sponsorships. They don't have the investors to sink money into their platform until it becomes profitable in return.

So we don't use them. Readers don't use them because we don't see the point in using a platform that has no content... and thus creators don't use them because we don't see the point in publishing our content on a platform with no userbase. Creators seek a place that's "tight knit" and "easy to get seen", but will only post to places that come pre-loaded with massive audiences; because it's not enough anymore to have a couple hundred followers, we're in 2023 now, in the year of consumer bloat, where we expect to now pull in thousands if not millions to be considered a "success". And readers seek a place that offers high-quality high-amount content at the tip of their fingertips, but don't want to pay for the access to these works, and in the case of apps like WT, have given up in trying to support these creators through the platforms themselves because they know that those artists they want to support will likely never see a dime.

The fact of this problem is simple, yet many people seem to ignore it - we cannot expect to have a platform that is tight knit, profitable, and sustainable. These places do not exist, not so long as we continue to raise the bar on what makes a "successful" subscriber count, not so long as we continue to patronize platforms that exploit their artists and writers, and not so long as we keep chasing the dragon of "what these websites used to be". These platforms never used to 'be' anything, they merely existed in one point of time that is now long gone, when owning a smartphone was a luxury and not a need, when online video content wasn't being tethered together by ads, and when the Internet wasn't owned and entirely managed by the same three corporations, the likes of which we haven't seen since cable TV.

Platforms like Tapas and Webtoons are - besides unsustainable - unable to exist and profit in the way they do without undercutting someone along the way. Whether it's underpaying their creators, undercutting their communities, or underexposing the works that have been buried, someone will get the shit hand in the deal and that someone is usually ALWAYS someone who will rarely ever stand to gain anything in the long run from using these platforms despite their issues. The 1% got theirs, and the 10% are barely getting by, while the remaining 89% are pushing onwards, because they have faith in the systemic online enshittification that demands conformity to a single formula for "success".

We are our own worst enemies in this industry. Webcomics are one of the few online mediums that still truly belong to the people - anyone can make them, anyone can find joy in them, but we're letting platforms like Webtoons and Tapas and all the other massive corporate apps rob us of that joy and accessibility in the pursuit of "success" and profiting. Webtoons was never the sole way to profit off this medium and yet I still see people every day who underestimate the existence of legitimate publishing houses and self-publishing, who think that publishing on Webtoons and landing an Originals deal is the only way to find success in this industry. This is meant to be the era of creators, of self-starting and self-actualization, and yet we're still handing all of that control over to corporations that only seek to exploit our art, bodies, and labor, while convincing ourselves that this will somehow all be worth it. We stick with Webtoons, despite the numerous controversies it's been involved in and the lack of support it's given even its own hired creators. We stick with Tapas, despite the undercutting of its most core components such as its community and the outlier genres it used to be known for hosting. We find new ways to justify using platforms that are steadily going downhill - Patreon, Twitter/X, Youtube, Instagram, Facebook - because we've been convinced that these are the routes to success, so if we acknowledge their failures, then "success" can no longer exist.

Because we need to pay rent. Because we need to eat. Because we need to survive. Because it's a lot more complicated than just "stepping away". Because the startups just don't have any of the surface level potential for us to immediately identify and get on board with, so we don't give them a chance.

I realize this post got very existential and depressing. I've been creating comics for well over a decade now, largely unnoticed, and I've fallen victim to these same limiting mindsets that we have to stick to one way, one "formula" for success - a formula that changes with the wind and only works for those who get in on the ground floor. It's been slowly killing me from the very beginning, robbing me of my joy to create, of my reason to even do this in the first place - to tell and share stories with others, to express myself creatively, to live my life surrounded by art and stories and creations made by and for others. It's made me tired and miserable, and I can tell it's done the same to those who have shared that boat with me.

But there's one silver lining I can always be sure of, and it's one I was reminded of after realizing I was still in the MochaJump Discord, with one announcement post that I hadn't yet read.

Webcomics are one of the few online mediums that still truly belong to the people. Corporations are trying their hardest to take that power away. Let's not continue to let them.

If you want to help sustain, patronize, and contribute to the growth of sites that are still being operated by small teams (or even one man armies), please, consider checking out the following websites, some of which serve as platforms or publishers, others which operate as link directories for independent sites run by creators.

ComicFury GlobalComix TopWebcomics The Webcomic List The Webcomic Library Hiveworks SpiderForest SmackJeeves Archive Inkblot.art And whoever wants to use the GitHub source code used for MochaJump (RIP)

Let's do our part to decentralize webcomics again. We may not be able to leave the platforms that weakly sustain us, but we can still support those that strengthen and support us.

[pillowfort-social]

We've had a couple folks check in with us to see how we're doing with how crazy this week has been on the internet. And we're touched, really. Thank you for thinking of us!

All things considered, we're doing as okay as we can be. Our Developer Team is working on a our next site update and squashing bugs. From a social media standpoint we're encouraging people to follow us over on Bluesky.

As we stated in our previous funding update your support has helped us remain online until August. In case you are curious, here are our current statistics:

March Funding Update - 55%

We've had a couple questions regarding what funding means after 2023 End of Year Fundraiser and yes, each month we are able to hit at least 100% of our funding goal extends our site's life by a month. The End of Year Fundraiser gave us enough funding to remain online until at least July 2024 if we did not meet any funding goals. Your support has already extended our life until August 2024 which is incredible given how dire things were at the end of last year.

For example, if we are able to at least meet 100% of our $5,000 goal in March we would have enough funding until September.

We hope this answers any lingering questions on that.

For those of you new here: Hi! We're not a large corporation nor are we backed by any investors. We're a small team of part-time contractors passionate about everything fandom and what Pillowfort is all about. Our funding is still entirely user-funded thanks to the support of donations and subscribing to Pillowfort Premium (which gives pretty neat benefits such higher image uploads, multiple avatars, and premium avatar frames).

Active Users: 174,424

Communities: 10,062

Total Pillowfort Premium Subscriptions: 630

Anyways, thanks for reading. We hope you're staying safe and healthy. And in case no one has told you today: the world is better because you're in it.