#operation: back in time

[laterisers]

What if there were multiple herberts and they all kissed

[uncertainchiroptera]

In honor of his birthday, one of my favorite aspects of Alex is that he's an incompetent murderer precisely because he doesn't want to kill anyone.

[egophiliac]

so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!

god I hope this reads properly

[gyrmirr]

can i tell you that i'm empty?

[polychromaic]

🌸 when the Hindriarch banished Eskhind and her kin from Bey Lah, Neelahind would follow her heart into voluntary exile. To abandon a surefooted life, as well as a coveted spot among the Fellowship, is nearly unheard of among both hindren and Wardens, but Neelahind was glowing when she took her leave. I hear the pair are quite happy together, practicing arconautics in the ruins to the west—at least, that's what the kendren bring news of when they come back to trade.

back at it again w more caves of qud deer gals 😏✨ i'm kind of enamored with the ending to the Bey Lah quest where Esk and Neela both take off, so i wanted to see what they'd look like as a matched set of lesbian pariah-arconauts. geez, i can’t believe it’s been almost two years since i drew them last

image descriptions under break!

img desc: A drawing of a hindren deerfolk girl from "Caves of Qud". On the left a title card reads "Pariah Neelahind (she/her)". Some of the details are labeled. Her fur is a rich cedar red, with a lighter heartwood underbelly curling under her arms and on the inside of her legs down to her hooves; her curly hair is dark mahogany, tied back in a ponytail with a sky-blue bandana; her antlers are a pale heartswood, deepening to a rich velvet at the tines. She’s smiling, looking up and off to her right; she's poised upright, her arms spread to either side of her as she grips the haft of her war-scythe Yal, which is laying across her shoulders. She’s wearing shining steel platemail—a breastplate over a nanoweave surcoat patterned with pale lemon slices over pink (called "Pink Lemonade"); her armor is incomplete, but well taken care of. She’s wearing leather braces, a steel gauntlet on her left hand only, and a woven blue sash and bedroll across her back.

img desc: A drawing of a hindren deerfolk girl from "Caves of Qud". On the right a title card reads "Pariah Eskhind (she/it)". Some of the details are labeled. Her fur is ashen, with her pale undercoat spotting through on her forearms and flanks. Her messy hair is a greenish bleach-blonde, and one of her ears has a hole in it; her antlers are pale and their velvet is darker grey, and they're covered in little tied-on charms and brass tine hornaments. She has an eyepatch over her left eye, and a gap between her front teeth. She's grinning, slouching in a relaxed fashion, pulling back her hood with one hand and flashing a rock-on with the other; her front two legs are crossed, while the back two are spread like she's posing for a picture. She's wearing a well-worn chainmail hauberk, which extends down over her back; a ragged cowl, with buttoned slots along the hem of the hood for her antlers to fit through; a leather bracer on her left wrist, a steel pauldron on her right shoulder, a fingerless elastyne glove on her right hand, and two pairs of croccasins on her hooves. A pocketed saddle is slung over her back, along with a backpack and bedroll; on either side, the pockets are full of tools and bits. Tucked into her swordbelt is a sheathed folding carbide longsword and a gaslight kris; slung across her chest is a bolt-action rifle called "Peashooter" (it has a lesbian flag on its stock). Around her legs are several beaded bracelets and charms; one of them is the rightfully reclaimed Kindrish, complete with its carved deer charm.

[puppetmaster13u]

Prompt 170

Once again on my Ras & Danny being training rivals thanks to time travel bullshit. 

Look, Danny knows about the league of Assassins, but he almost dies of laughter when he realizes it’s the modern name of the league of Shadows. He’s an adult now, has been for a while, he’s allowed to find the situation he’s found himself in amusing. Hell, his sparring buddy who is somehow still alive is laughing too. 

And no one else knows what’s going on, okay? This random man walked into their secret base, completely ignored the many assassins trying to stop him, and called their illustrious leader a “Little Bitch Man” and they are now fighting?

The fighting is familiar, but why the fuck is Ras cackling and saying things like “Ayreh Feek” back. Practically saying “Fuck you,” while laughing and oh Pit, they’re Bantering this is terrifying, why has Ras not won yet, why has this man not died yet and- bodies aren’t supposed to bend like that what the fuck- 

Ras on the other hand, has One friend, who is immortal like him, actually remembers the shit he complains about, is also down for saving endangered animals, and actually knows how to spar! It’s not a proper spar unless someone loses at least a hand that has to be reattached! And honestly, people nowadays should know that the proper greeting to an old friend is to instantly try to kill the other. 

[the-last-butter]

HC they first met a year or two after Yelan got her vision; post fighting the in abyss but when Kaeya was still navigating his identity from Kaeya, Brother and Right hand of Diluc Ragnvindr to Kaeya Alberich, Cavalry Captain and Quarter master of the Knights of Favonius.

[sevastiel]

A Thousand Lifetimes

Drifter appreciation piece :3

[lovelylittlelobster]

A redraw of a work I did a few months ago! This version is much closer to my original vision, and also actually mentions the other work this is meant to pair up with, that being "Operation: Bar Hop"... although I haven't exactly finished writing it. Hopefully I get it done sooner rather than later!

(P.S. to those in my ask's requesting a Juniper animation I promise I haven't forgotten about you all! I just have a bit of a problem with restarting animations over and over again, but I swear it's coming down the pipeline!)

[operationbackintime]

The Forever Loyal, Jet Pack Guy - Brought in by false hopes and promises, one of the most loyal, dependable, and courageous penguins on the island, was ironically twisted into a brutal and heartless machine. Known now as "The Weapon of the Elite Bear Force", Jet Pack Guy eliminates any opposition by any means necessary. With a 98% success rate, it's no wonder that the island now lives in constant fear. After all, the faintest of whispers could be overheard by his sonar hearing, the slightest of violations caught by his telescopic heat vision, and the swiftest of ninjas can be apprehended by his enhanced reflexes. Truly, there is no escape. It is only a matter of who would be next, and whoever it is should hope they can outrun his unending pursuit.

How did Jet Pack Guy become this? What changed inside him? What did the EBF do?

[bloodysparklez]

(looks at watch) it's been..... almost a decade since the last time i read bleach....,.,...

[shadowduel]

We talked about making it I'm sorry that you never made it And it pains me just to hear you have to say it You knew the game and played it It kills to know that you have been defeated I see the wires pulling while you're breathing . . .

[9151967]

There's something about how they structured this callback that's just... getting to me, in that wanting to scream about it kind of way.

Spock says it to Kirk when he is trying to convince Kirk to assume command of the Enterprise, and in that moment he means that the needs of the crew and the scientists on Regula I outweigh Kirk's doubts about being too old to captain once more after staying within the admiralty. But it is Kirk who supplies the "or the one" line of this piece of Vulcan wisdom. This matches what they are trying to communicate to the other, that Kirk being the captain provides more good to more people versus Kirk's fears that he just wants to be a captain in order to prove that he is still young and not a relic of a bygone age.

Spock, of course, repeats these same words as he is locked in the warp core chamber, after choosing to sacrifice his life for that of the crew and ship. But it is Kirk who now supplies "the needs of the few" in this instance while Spock says "or the one." It functions the same way as the prior scene. They're using these same words to convince the other that their choices and actions are necessary, except the role of "the one" has changed and Kirk is now a part of "the few" who protest Spock's decision.

The other thing that stands out to me in these dialogues is how Spock invokes logic before stating these things, except when he stops McCoy:

This suggests Spock would've tried using the same reasoning he used with Kirk, but McCoy is not the same as Kirk. McCoy would've challenged Spock on it in a way that Kirk has learned not to, hence the distraction and Vulcan nerve pinch. Because Spock goes so far as to tease the doctor right back - "as you are so fond of observing, Doctor, I am not human" - this is hardly Spock admitting his decision is illogical. Spock still sees the logic of his decision, but McCoy would never have been sold on it.

[umbralvalkyr]

Possible reasons why Kalymos is still with us in 1999.

Left behind as a way to keep an eye on us by Entrati

Left behind as above but also as a way out potentially? (given we interact with her to initiate the golden/true ending - its not impossible, there is more to her than meets the eye for sure) or because we need her in a future quest maybe.

left by accident (could be possible, could also have been TMITW interference)

left on purpose to keep her presumably safe/safer (seems to be a running theme, given his Daughter and also Loid) - in which case Tau must be pretty damn dangerous.

shes not left at all and can move back and forth through spooky void magic, she just wants to hang out with us for a bit (and because mechanically, one of the game modes involves her)

it's also possible the KIM messages where its brought up (around rank 3/liked for hex members mostly I think? which is when you can do the true ending at the earliest if I recall providing everyone is at liked status) is mainly referencing BEFORE the true ending is done and Kalymos is gone after doing so, like in the backrooms - but it seems to be left a bit ambiguous/unclear.

EDIT: if true though its pretty damn worrying his last attachment has been left behind (whether purposefully or accidentally) given those are the very things we use to fight the indifference.

[someoneintheshadow456]

Okay we aren’t beating the WW3 allegations now are we?

[aurieeeeeenyx]

time travel mechanics in link click — intentional inconsistencies? closed loops and parallel timelines (theory)

Back in 2021 or so, I wanted to make a post about the time travel mechanics in Season 1, and how they seemed to be inconsistent in certain episodes. I never ended up making that post, and the idea slowly faded from my mind, but I want to make that post now (armed with all the new information we've received since then) before Bridon/Yingdu arc episode 4 comes out because of the episode preview when Lu Guang says this:

In Season 1, the time travel seems to operate on the principle of a closed loop. This is especially evident in the Doudou arc, when Cheng Xiaoshi sees himself in the past (while he's in Doudou's body) and realizes that he was always there; the "changes" he inflicted weren't really changes, because by the time he dives back from the future his actions in the past have already happened. This is also demonstrated when Xu Shanshan walks into the photo studio and interacts with Cheng Xiaoshi in S1E8, and we later find out that it was in fact Cheng Xiaoshi in Xu Shanshan's body interacting with himself. And again, with the ploy to use Xu Shanshan in order to lure Liu Min/Red Eyes to the photo studio. We also see this closed loop phenomenon happen in Season 2, for example when Cheng Xiaoshi possesses Lu Guang's body to go save himself in the past.

So I've always been a little bothered by the earthquake arc in Season 1. If the dives into the past have already happened, why does Chen Xiao come to the photo studio in the first place? If Cheng Xiaoshi (in Chen Xiao's body) won the basketball game and gave those kind words to Chen Xiao's loved ones, why does Chen Xiao remember otherwise?

I've wondered before what happens to the clients when Cheng Xiaoshi is possessing them—do they just not remember anything? Are they even aware of themselves being possessed? Why is no one concerned about missing memories for hours at a time or not being in control of their own body? Emma sort of skirts around this when she tells Cheng Xiaoshi, "So you were the one who sent that message" in S1E11, implying she's aware it wasn't her who sent it. For the sake of argument, though, I'm going to pass the general non-reaction of the clients to being possessed as a handwavey "the brain justifies it somehow later" thing and ignore it.**

That brings us again to the question: Why does Chen Xiao remember the past differently to the one Cheng Xiaoshi experienced/changed? Maybe the past isn't set in stone after all? Maybe, instead of just being a closed loop, the time travel in Link Click is operating on multiple systems?

In 2021, right after I watched Season 1, I was going to dismiss this as just an error. The writers slipped up and bungled their time travel mechanics a bit, and therefore the earthquake arc is different on accident. But we've learned since then that nothing is unintentional in this show, so why is that arc different from the others? (Also, I want to note, there is that moment in S1E4 where Lu Guang's face does that weird warping thing; coincidence? Maybe, but maybe not...)

My theory is: the time travel abilities that Cheng Xiaoshi and Lu Guang have operate differently.

DISCLAIMER: My knowledge of photography and film is extremely limited, so please correct me if I'm wrong.

There's always been a lot of film imagery in this show—obviously, since the whole premise is based in photography—but as early as the Season 1 OP, "Dive Back In Time," we can see the repeated use of rewinding film rolls as a metaphor for going back in time.

Note also: Lu Guang dropping the photo and it transitioning into a film roll, and Cheng Xiaoshi being tangled up in film rolls and being "inside" the film in the background/trapped in the frame. I'll get to this later.

The thing is, once you record something on film, you can't change it; you can only rewind and play it again. This tracks with the closed loop theory: no real changes can be made, because they have already happened. So how is it possible that "changes are still happening," as Lu Guang says in the YE4 preview? It's likely that Vein (and Liu Xiao and Xia Fei) are involved, but I don't believe that's the root of the issue. And, I don't think it's just the ever-nebulous "butterfly effect," because in YE1 Lu Guang says this:

I used to think that even a flap of a butterfly might cause a hurricane strong enough to ruin the world. I was wrong. The power of time is still far beyond our imagination. The future may not change due to a ripple of the past. Not at all...

(Yes, Lu Guang is a notoriously unreliable narrator, but I've decided to trust him on this one. Not to mention, butterfly effect shouldn't exist in a closed loop system.)

I've seen lots of excellent analyses illustrating the discrepancies this season, from the very first scene of YE1 (different furniture positioning, cracks in photo frame glass, bloodstains, presence of curtain, etc) to the changing positions of clothing, buildings, time of day, food, and so on in YE2 (go check out hyperfaexation's excellent YouTube video on their Shattered Memories theory for more details). The fandom is constantly theorizing about how many timelines there are. But while we've been asking ourselves how many timelines exist (five, ten, more?), we forgot to stop and ask: why do they exist?

The existence of multiple timelines doesn't fit into Season 1's time travel premise. In Season 1, it was always Cheng Xiaoshi that we were watching. Whereas Cheng Xiaoshi could be said to live "in" the film when he dives, perhaps Lu Guang is cutting the roll short at the point which he dives back to and splicing a new roll onto it. This could explain the scene from "Dive Back In Time" that I referenced earlier, with Lu Guang outside the film and Cheng Xiaoshi in it. It's not exactly that Lu Guang is diving back in time; it's more like he's diving out of time, into a parallel timeline and leaving this one behind. Maybe this season, we'll get to see more complicated time travel mechanics that result from the intersection of different powers. (And, while we're at it, maybe we can get an answer to why Cheng Xiaoshi has golden eyes for a few frames in YE1 when they're running away, because seriously what's up with that?)

**Another explanation for the non-reaction to the clients' possession could be the interaction of different timelines, but I'm not really sure how this would pan out so I'm not going to elaborate too much.

What does this have to do with the earthquake arc? Why would Lu Guang have a (slightly) different power than Cheng Xiaoshi, if he inherited it from Cheng Xiaoshi as we are led to believe? What happens to the discarded film, the abandoned timelines, when Lu Guang casts them away? Can Cheng Xiaoshi ever be saved? I don't have answers to any of these questions, and maybe I'm overthinking (ha) all of this and it really is just a writing inconsistency after all, but I want to believe Link Click's writers know what they're doing with this and all we can do is wait for the reveal.