#or a good ol' time

[canisalbus]

✦ I've been saving all my summers for you ✦

[1alchemistart]

dont got much to offer for The Holiday but have these sillies!

happy valentines day :D

[linipik]

More fem KL sketches I think they should pull each other pigtails

[akiacia]

cuddling is serious business

[feathercreates]

"Old friend... I miss you so much. I'm so sorry."

[casart]

..•Perception Distorted•..

[bildads-shoes]

believe me i feel u with 'i want long haired crowley' but what about long haired aziraphale? aziraphale in a bun? aziraphale with a lil half-up-half-down look? aziraphale

[chaoticshark98]

Steel balls

[spiritshaydra]

Out of context images from Shitty Robot Medical Drama tm

This is literally the energy for like 90% of the fic. It’s great. It’s really not.

[venacoeurva]

Ego and the mimicry of a saint (and more than a little sacrilege)

-Please do not reupload, edit, or use without proper credit or linking back, ask first.-

[rendevok]

A collection of kissable Phoenixes. Like to agree, rb to steal a kiss, reply to confess your undying love, yes you, Miles

Most of these are redraws of screencaps people sent me on twt but of course i took creative liberties on some 😚💋💕💕

[zeravmeta]

don quixote fgo is just so good, he is such a hopeful character and i absolutely think he's the standout from traum

what really strikes me about him is that traum is a story dedicated to broken ideals and unfulfilled dreams: the major players of each faction are all characters with failed ambitions and who wage war against panhuman history to achieve those dreams. kriemhild wants revenge on siegfried even after killing hagen, komstantinos wants to remake his old empire, johanna abhors that she is a living fictional character and wants to become a real person, all the nameless servants from each faction are dedicated to rebel not only because of zhang jue's influence but because they all, in some form, had unfinished business, dreams they never fulfilled. this even extends to moriarty himself, a younger version who's fixated on defeating holmes because his older version could not, and he follows through on it because he did not really understand the value of his own nemesis, a fact that ultimately left him defeated no matter how much he tried to control fate. All of these characters refused to face the reality of their failures, and honestly don quixote was the most guilty of this

he was originally a servant summoned in the atlantean lostbelt, and genuinely did try to rally heroes, but as he saw these legendary figures he adored be struck down he lost hope. it wasn't just that he was afraid, it was that the heroes around himself had given up even before him, a craven old man.

the thing is though that the reason don quixote and sancho ran is antithetical to the reasons that the other servants ran: they did it specifically to survive. sancho was able to convince don quixote to leave because she reminded him that it wasn't wrong or evil to want to live, and this was only possible because don quixote, despite being a servant, still thinks of himself as being human. even though he consciously understands himself as being a servant, his way of thinking and reasoning is undeniably that of a normal human

A big part of his too is that traum is also a singularity in which the names of heroic spirits have lost their meaning: the sheer volume of servants means that there is no singular standout hero, sure, but when kriemhild killed the lancer who was about to declare his name she called him merely a foot soldier because said name was worthless, in traum there is only the endless war of people slaughtering each other, and ironically a unifying peace in that.

names are the linchpins of heroic spirits: servants aren't the ghosts of dead people, they're the manifestations of what those legends meant to humanity, all codified by the names they carry. servants have to name themselves and have names for their noble phantasms which directly identify them because they are literal living legends. Yet in traum, those names and legends and meanings become all but worthless in the face of endless war as armies of these protectors of humanity are reduced to mere foot soldiers. there is a similar parallel to this when vlad goes to the righteous realm, and as he sees the army gathered he finds it entirely lacking because it's fully composed of singular standout heroes who are all used to essentially being the main character and thus cant function as a unit. Traum is a world where being a hero has no meaning.

but i think that's also why don quixote declares himself against konstantinos and challenged him: in this moment, he reclaimed the value of being a knight who fights for his ideals, that of a true hero

konstantinos throughout traum is presented as equally a legendary figure as charlemagne is, and yet his reason for fighting is incredibly simple: he's in love with johanna and wants to make her real to panhuman history, and to this end he'll continue the war in traum as needed for that end. kriemhild has an equal but opposite reason rooted in the same thing: love. she wants revenge against siegfried for having gone through with hagens plan, for not letting her in to his pain, he was too much of a hero for everyone that it led him to sacrificing himself even if it would hurt her. konstantinos wanted to be the perfect knight, and kriemhild wanted to get revenge against her own knight for being too perfect.

The thing is, despite their insistence on traum being the cruel reality of a war, both of them were holding onto rather idealized, almost romanticized versions of what a knight should be.

konstantinos knows and declares don quixote as being likely the most famous knight to have ever lived, but he dismisses him as a threat when actually fighting him. When he's about to finish him, he tells don quixote that he has to face reality as he's about to die. However, the story of don quixote was always that of an old man whom lost himself to his fantasies of chivalry and knightly idealism, and despite the troubles he caused still continued to fight for what he believed was honorable. Even if he had returned to reality in the end, there was still meaning to the outright silly journey of an old man knight long past the age of chivalry, of the old man who, despite his fear, still chose to rally an army and fight for the world he felt he had failed.

what traum needed was someone who did good not as a hero but as a human. almost every knightly character in fate carries grand ideals as to why they are knights, but the only requirement to BE a knight and a hero is the simple desire to do good for others, and don quixote is fittingly the most famous knight in the world because he's utterly obsessed with the great chivalric legends of old, yet still strived to do good in the way normal people do.

it's why charlie finds him so inspiring, as well

for all the non-extella link players, charlemagne as we see him in fgo is actually the fictionalized version of him from the tales of the paladins of charlemagne and not the actual karl der Große. He's even more fictionalized than johanna and don quixote himself, because while johanna might have been an erroneous account and don quixote a story book character, charlemagne is a full on sensationalized re-imagining of an already real person. but even if he may be a fictionalized person, what he represents is what matters the most, the same with any heroic spirit, which is why charlemagne considers johanna just as real and why the actual karl der Große saw fit to send him to traum

at the center of traum we ultimately find wakamori, who despite seeming cruel and mysterious throughout the entire plot, has shown multiple times that he's essentially trying to fill in bigger shoes than he can: He's obsessed with defeating sherlock and presenting himself as the ultimate evil, but he's still green at the end of the day, and I think this is in part what leads him to somewhat even respect don quixote

when he tries to taunt don quixote, he does so with the assumption that much like himself, don quixote is attempting to play the part he represents most: don quixote is surely trying to be the greatest most idealized version of a knight, the same way wakamori is trying to be the perfected version of himself, the true evil mastermind whom can finally defeat sherlock. But don quixote flat out tells him that conflict and even life itself has always had no inherent meaning nor any inherent roles to play, so much in the same way that he has no special value to his life tied to being a knight, wakamori's own value is not tied specifically to that of being sherlock holmes' greatest evil rival. There's a surprising empathy in this exchange I feel, because don quixote understands wakamori immediately where it took sherlock the entire story: there's nothing wrong with being a little delusional, but you have to treat them with respect.

wakamori ultimately fails because he believed that defeating sherlock would finally give value to james moriarty as the ultimate villain, unaware that sherlock holmes is the defining equal to james moriarty. there is no purpose to a story with an evil mastermind that doesn't have an equally great hero trying to stop him, and wakamori failing to understand that his own value as such is not diminished by not having ever defeated holmes is what ruins him: He didn't respect the story he was so enthralled by. shinjuku showcased a similar dynamic, but the difference between shinjuku and traum is that the older moriarty very much understood what it would take to succeed, and that would be to become the protagonist of the story, rather than the ultimate final boss.

the stories of knights and heroes and monsters and spurned loves and great detectives and evil masterminds are all in part defined by the meanings that people derive from them, from the ordinary good that they can inspire first and foremost. And even though don quixote may have been a craven old man who eventually gave up chivalry, he still tried to live a good life and do good the way any ordinary person would.

And that's such a genuinely hopeful and kind sentiment to tie to the concept of knightly ideals: you don't have to be grand to be a hero, and you don't even have to be a hero to inspire others.

[juhbebbie]

Little blue catholic priests you've done so much for me

[ink--theory]

forbidden love type of beat

[helmip]

✨🌠chasing stars 🌠✨

[eyes-of-nine]

they're so childhood friends to lovers bodyguard au coded to me 😌✨ (they have killed so so many people)