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derinwrites · 2 months

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The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

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aemondsbabe · 4 months

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Give Me an O!

summary: billy walks in on you in a bit of a compromising situation, and you finally go after what you want

pairing: billy hargrove x cheerleader!reader

warnings: mature/explicit, 18+ (minors dni!), no use of y/n, afab reader, reader is very flexible, minor injury it's fine, piv sex, unprotected sex oopsy daisy, public sex technically, hand over mouth, fingering, breast/nipple play if you blink, dirty talk, reader's hair is long enough that she can have a ponytail but no other physical descriptors are used, billy is a himbo, steve harrington cameo

word count: 5k

a/n: finally getting around to a request from @sweetshifter! thank you for the idea bby & i hope ya enjoy! also, my first time writing for stranger things! yay! images in the header are for aesthetic purposes only!

likes, comments, & reblogs are very appreciated but never required!

gif creds to @unwanted-animal

🖤 my masterlist

🌟add yourself to my taglist to be notified when i post new fics!

“You sure you don’t want me to stay with you?” Your best friend asks as she slings her gym bag over her shoulder, “I don’t mind staying a couple minutes.”

“Nah,” you shrug, still panting a little from practice as you lean to the side with a little sigh, stretching down toward your leg, “You go on, I’ll catch you tomorrow.”

“Alright, cool,” she chirps, glossy lips flicking up into that sincere, beaming smile that had become her signature, “Bye!” She calls over her shoulder as she turns, white tennis shoes thumping against the shiny wooden floor as your name echoes around the gym.

“Bye, Chrissy!” You reply with a smile, glancing up as the heavy metal doors at the side of the room click closed, leaving you alone for the time being.

With a tired huff, you check your watch, one that matched Chrissy’s exactly – gold with a baby pink face. You’d gotten them at the mall last summer, a joint birthday present.

4:34pm.

A sigh leaves your lips as you lunge forward, hands planted firmly on your hips as you try to ignore the slight burn in your thigh. So, that’s… like, forty-five minutes until basketball practice starts, you think, eyes pointed up at the white metal ceiling as you do mental math, trying to figure out exactly how long you’ll have to work on your stretches.

Deciding to give yourself a few more minutes before calling it a day, you breathe out steadily through your pursed lips as you switch sides and lunge forward again, savoring the light burn in your calf. After a fifteen second count, you move onto your hands and knees, needing to stretch out your back.

You hum softly under your breath, one hand planted firmly against the blue tumbling mat beneath you as the other reaches back and grabs onto one of your ankles, your limbs forming a graceful arch above you. A small grunt leaves you as you pull your leg up as high as you can, before dropping it down and reaching back with your other hand to do the other side. Mid-pose, you swear you hear one of the gym doors click open, the one out to the hallway with the locker rooms and various storage closets judging by the direction, but you’re so focused on holding your pose, you honestly can’t be sure.

Huffing, you decide to just ignore it – Probably just the janitor or something, you think, keeping your eyes focused, once again, on the white metal ceiling as you roll over onto your back.

Breathing steadily, you let your eyes slip closed as you press both legs together before slowly lifting them up, using your hands and elbows to support your back as you lift onto your shoulders. Wincing slightly at the twinge of pain from your left one, you work through it, trying to keep your breath steady. As your green and gold cheer skirt pools at your waist, you silently pray that if it is a janitor, that it’s at least not the creepy one.

Slowly but surely, you work both legs up and over your head until the tips of your white sneakers press into the mat, your arms planted firmly onto the floor for support.

One Mississippi, two Mississippi, three Mississippi, you count silently, breathing a little shakily as you focus on balancing… and on ignoring your shoulder.

Suddenly, a loud wolf-whistle cuts through the silence of the gym, punctuated by a few slow claps and the heavy footsteps of someone walking across the wooden gym floor.

“Aah!” You squeak as you topple to the side, concentration thoroughly broken. Huffing, you prop yourself up on one elbow as your head snaps up, eyes already narrowed into an irritated glare. Upon seeing who it is, you can’t help but sneer.

“Can I help you, Hargrove?” You sigh, exasperated, rolling your eyes as you angle both legs out in a side split, determined to get through your stretches even with the added annoyance of Billy’s presence.

“Just admiring the view, princess,” he drawls, blue eyes trailing up the length of each of your spread legs in a way that makes your cheeks flush, “You’re real good at that, aren’t you?” He questions, plump lips quirked up into that signature, flirtatious smirk.

“Good at what?” You ask, brows furrowing as you bend over to the left, easily grasping the toe of your tennis shoe as the muscles in your legs stretch into a taut, familiar ache.

He chuckles at that, hands on his hips as he studies you, the spicy, woodsy smell of his cologne filling the space around you. He cocks his head to the side, pearly white teeth flashing every few seconds as he chews a piece of gum.

“Stretching,” he all but purrs, golden curls blowing slightly from the large fans that hum loudly on the ceiling. His tongue darts out to wet his lips as he ogles at you, watching carefully as you bend to the right, “I bet it’d be really easy to just fold you up like a pretzel, huh, sweets?”

With a sigh, you finally let yourself relax for a moment and tilt your head up to look at the boy as you lean back on your hands, your ponytail swishing across your shoulder blades as you do.

“In your dreams, Billy,” you murmur, trying to keep the expression on your face plaid, wholly uninterested, which is easier said than done.

You don’t like Billy, and you’re very quick to correct anyone who says you do, even if it is just friendly teasing. But, well, there’s something about him that just draws people into his orbit – charisma combined with a certain mystique. You knew from talking to the girls in the locker room that he was a lady’s man, and a player, but from how they all talked about him, there appeared to be something more there, some hidden layer that no one had been able to crack yet. He’s different from the other boys in Hawkins, no small town charm to hide behind.

Plus, come on, he’s gorgeous. You might not be Billy’s biggest fan but you have eyes.

“Damn right, in my dreams,” he murmurs, pulling you from your thoughts as he draws out every syllable of your name in a low, husky tone, familiar smirk playing at his lips like always.

Cocking your head, you narrow your eyes as you peer up at him, “Aren’t you going out with Amber now?”

“Wouldn’t exactly call it going out…,” he answers as he bends down on one knee to retie the laces of his shoe, shooting you a little wink as he does so.

“Does Amber know that?”

He pauses at that, a little huff of laughter bubbling up from his chest as he fixes you with a grin that is much too self-satisfied for your liking. “Now, princess,” he starts slowly, blue eyes narrowing at you playfully as he rests a forearm across his knee, “Why do you care so much about what I’m doing with Amber?”

“She’s my friend, Billy,” you say, sitting up a little more, the chill from the AC units making the hairs at the nape of your neck stand on end.

“So, it’s definitely not because you’re, I dunno, jealous or anything?”

“No!” You cringe inwardly as you say it, too quick and too defensive and just what the blue eyed boy had been hoping for, judging by the smug grin plastered on his face.

This is how it’s been between the two of you for months now, ever since his stupid Camaro had rumbled into the school’s parking lot way back in August. Since then, it’s been a whirlwind of teasing jokes, sitting through History class after History class as you feel those blue eyes practically boring a hole in the back of your head, and somehow mustering up the willpower to dodge his advances.

In the nearly three months since his arrival, Billy had managed to charm his way through at least a handful of girls, maybe more depending on which rumors you listen to, but you are determined not to fall for it, not to be just another notch on his bedpost.

Which would be a lot easier if he’d leave you the hell alone.

Flustered, you pull your knees up, tucking your chin over top of them as your arms wrap around your calves, silently rolling your eyes as Billy drops to the blue tumbling mat, rolling onto his back with a satisfied sigh, making it clear to you that he was here to stay.

“Why’re you here so early, anyway?” You question, glancing at your watch once more, “Basketball practice isn’t for, like, another half hour.”

“Had to drop my stupid step-sister off at some trash arcade,” he grunts, annoyed, “Didn’t wanna waste the gas to go all the way home, plus…,” he pauses, tilting his head to the side to slyly grin at you once more, “I figured I might get here early enough to catch the end of cheer practice.”

“Creep,” you scoff, much more playfully than you’d intended to.

The two of you fall into a, surprisingly, comfortable beat of silence. You let your eyes trail over Billy as his own droop shut, one arm propped behind his head as he lazes on the gym mat, jaw clenching every so often as he works the gum in his mouth. You start at his feet, taking in the faded black canvas material of his Converse before you let your eyes roam up his long, tanned, muscular legs. Finally, you reach the familiar dark green shade of his school-branded shorts and your eyes wander up the expanse of his stomach and chest, covered by the grey t-shirt he wears, the familiar eyes of Hawkins High’s tiger mascot staring blankly into your own.

You nearly gasp as your eyes trail up to his face again, only to find his steely eyes already looking at you, a knowing smirk etched into his face as you feel the apples of your cheeks flush.

“It’s rude to stare, princess,” Billy drawls, catching you red handed.

“And it’s not rude to perv on me stretching?”

“Never said it wasn’t,” he shrugs with a little chuckle, sitting up and resting one forearm on a bent knee. You merely roll your eyes as he studies you for a second, the blush on your cheeks deepening enough that you can feel the slight tingle of blood rushing under the surface.

“Whatever,” you sigh, shaking your head as you stretch your legs out in front of you again. You stretch forward again, letting out a breath as you grab at your ankles and try to ignore the way Billy sits up, propping his forearm up on a bent knee.

“Could you, like, put your legs behind your head and all that?”

“Probably,” you say with a little eye roll.

“Will you?”

“Not for you!”

The two of you carry on like that for a moment longer — you working through various stretches and familiar yoga poses as Billy seems overly curious about each one, questioning if you can twist into all kinds of poses.

“Can you do a handstand and do the splits?” He questions, grinning when you groan in frustration, eyes trailing up your long legs to the bottom of your short cheer skirt.

With a huff, you stand with one hand on your hip, the other pinching at the bridge of your nose as Billy’s incessant questions throw you off the silent count in your head again.

“Did you want something or are you just trying fuck me over?”

“Mmm, close, princess,” the blond teases, earning another glare from you. Playfully, he holds his hands up in surrender, “You’re single, aren’t you?” He asks, smirking triumphantly at the way you balk.

“I’m not talking about this with you, Hargrove.”

His smirk widens when you don’t deny it, blue eyes darkening as they travel over the length of your body once more. “Look, all I’m saying is that the guys talk in the locker room and… well, I can’t help but notice that your pretty name just doesn’t come up.”

“Maybe I have better things to do than put out for you assholes,” you smirk, quickly stretching out your problem shoulder before kneeling back on the tumbling mat, meaning to finish up with a couple quick pushups.

Undeterred, Billy merely matches your smirk with one of his own, watching as you kneel next to him. “Just come with me to Harrington’s Halloween party next weekend, sweetness,” he offers, his voice a low rumble, “Come on, a couple hours, some drinks. Hell, I’ll even dress up with you, whatever you want.”

“Hmm,” you hum, taking a second to tighten your ponytail as you shoot him a playful little smile, “Whatever I want, huh?”

“Name it,” he says lowly, watching appreciatively as you get on all fours.

“Okay, how about…,” you stall, drawing out your words as you extend your legs behind you, grunting softly as your shoulder zings with pain once more, “Willie and Indiana Jo– Ah!” You cut yourself off, exclaiming in pain as you land with a small thud on the mat, wincing.

“Whoa, hey,” Billy says softly, scrambling onto his knees, brows furrowed as he gingerly helps you roll over onto your back, “You okay?”

You nod, glancing away with a little embarrassed huff as you rub at your shoulder. “Yeah, it’s nothing. I just probably sprained it earlier during practice or something.”

“Lemme take a look at it,” he says, offering a hand to help you up.

Not expecting such chivalrous behavior from Hargrove of all people, you only nod dumbly and let him pull you up off the mat, chest heaving.

“Here,” he murmurs, gently nudging at your arm until you turn your back to him. You can hear the tumbling mat crinkle as he steps closer to you, the warmth from his chest practically radiating through his t-shirt as the spicy musk of his cologne seems to envelope you once again.

“You better not be using this as an excuse to feel me up,” you warn, albeit playfully, pulling your ponytail over the opposite shoulder.

“In your dreams,” he teases, goosebumps peppering your skin from the low way he says your name and from the gentle brush of his fingers over the back of your arm as they trail their way up to your shoulder.

He’s silent for a moment, carefully pressing warm, slightly rough fingers against your skin, watching until you wince just slightly when he pokes at your shoulder blade. “That’s where it hurts?”

“Mhm,” you nod, lips parting ever so slightly as he kneads around the area. You can practically feel him smirking when you sigh a moment later, his fingers working perfectly over the sore muscle as his other hand anchors itself at your hip, “You’re… actually, like, really good at this,” you murmur with a little laugh, needing to find some way to break the silence.

“My mom is – was, she was a masseuse, back when we lived in Cali,” Billy explains, leaning in closer, his lips all but brushing against your ear as he speaks softly, like he’s telling you some deep, dark secret, “I might’ve looked at one or two of her books.”

“Really?” You ask, brows furrowing as you turn your head to look at him over your shoulder.

“Sue me, I was thirteen and they had nudes in ‘em,” he chuckles, biting into his bottom lip when your breathy laugh morphs into a moan when he presses just right against your shoulder. The fingers of his other hand tighten on your hip as he pulls you back against him, his lips just barely grazing over the crook of your neck, “But I still picked up a thing or two.”

“Clearly,” you breathe, brows tugging together as you tilt your head to the side, an open invitation. The blond doesn’t need any more convincing and you let your eyes flutter shut as his lips descend upon your neck, pressing hot kisses against the sensitive skin.

The rise and fall of your chest grows shallow as the two of you seem to lose yourselves; you gasp as the hand on your hip trails down over your thigh, until Billy can drag the tips of his fingers beneath the white and gold hem of your pleated skirt just as the hand on your shoulder begins slowly moving around your ribs, to your front. Despite the AC units humming away, you can’t help but feel flush as he presses himself against you, already half-hard against the small of your back.

With a gasp, you jerk away from him at the sound of a door opening and closing in the hallway, muffled voices and laughter filtering in through the closed doors of the gym.

“Dammit,” Billy mumbles behind you as he quickly glances at the clock hanging above one of the exits, sighing disappointedly when he sees the time – fifteen minutes until practice.

Deciding to finally give in to the wants you’ve been harboring for months, you grab one of his hands and playfully bite your lip, nodding to one of the sets of gym doors, “Follow me.”

Smirking, he follows behind you as you quickly make your way to the doors, both of you pausing for a second to make sure the coast is clear before you bolt down the hallway. A second later, you’re pushing Billy through a door into a random classroom.

“This is the old Health room,” you explain, gasping as he turns and presses you against the old door, the metal of it cool against your back as you quickly scan over the empty room, dim other than the early evening light spilling in through the thin slats of the blinds, “No one ever comes in here.”

“Uh huh, fascinating,” he nods, turning his head to spit his gum into a small trash can by the door, before eagerly pressing his lips to yours. He smirks into the kiss as you mewl, his lips parting to quickly swallow the sweet sounds you make.

Always one to give as good as you get, your lips move against his just as fervently, both of your hands trailing up underneath his t-shirt as you rub over his stomach, muscles taut under your touch. His tongue slips into your mouth in the same second he presses against you, his thin gym shorts doing nothing to conceal the hardness of his length as it presses against your lower stomach.

You arch into his touch as his hands cup your breasts through your uniform, a low growl rumbling through his chest as you rake your nails over his chest and down his stomach. Boldly, you reach down and palm at his cock, savoring the surprised grunt he lets out before you quickly nudge your hand down the front of his shorts and into his boxers.

“Shit,” he breathes, one hand still kneading at your breast as the other skates back up your thigh, his forehead resting against yours. Biting your lip, you watch through hooded eyes as you experimentally stroke over his cock, marveling at how hard he already is, like velvet over steel.

Just as you feel him twitch in your grasp, the blond pulls away from you with a teasing grin and presses one last kiss against your lips before tapping the back of your thighs, urging you to jump.

“Fuck, there you go,” Billy rasps, fingers digging into the curve of your ass as you clamber up into his arms, your shoulder only barely smarting as you wrap your arms around his neck. “I gotcha,” his muscular biceps flex as he quickly walks a few feet from the door and deposits on you on top of the, thankfully barren, teacher’s desk pushed haphazardly into the corner.

“Billy,” you sigh, the sound being practically pushed from your lungs as he presses himself back between your thighs, cheer skirt rumbled around your waist as he all but folds you in half – your hands cling to his shirt desperately, one leg wrapped securely around his hip as the other ends up slung nearly over his shoulder.

“Yeah, princess?” He taunts with a wolfish grin, smirking at the way the muscles of your thigh twitch as his fingers move toward your pussy, hardly hidden beneath your boyshorts. You all but levitate off the desk as two of his fingers swipe over your slit, the apples of your cheeks flushing when he chuckles triumphantly, the thin cotton doing nothing to hide how wet you are. “Finally gonna give me what I want?”

You can feel your ponytail bobbing wildly at the crown of your head when you nod, a whiny moan blooming from your lips when he moves his fingers in tight circles against your clit, the flimsy material of your underwear quickly dampening against his touch.

“Yeah, yeah, Billy,” your hands tremble as you pull at his t-shirt, desperate for what you’ve been wanting for so long, “C’mon, please!”

“Easy, tiger,” he laughs, tongue running over his bottom lip as he easily tugs his shirt over his head, your own hands scrambling to push down your boyshorts. Taking mercy on you yet again, he helps you, eagerly tugging the white cotton down your legs. He damn near tears them in two as he pushes your underwear over one sneaker, letting them dangle from your ankle.

“Holy shit,” he breathes, crowding against you again as you lean back on the desk, propped up on your elbows. You stare up at him, lips parted, as he all but folds you in half, warm hands pressing against the backs of your thighs, “Fucking leaking and I’ve barely touched you.”

“Oh!” You hiss, trying your hardest to keep your voice down, head thudding back against the desk as Billy quickly tugs his shorts down, just enough to get his cock out, and teasingly runs it through your folds, “Billy, oh my God, just do it!” You all but beg, teeth biting into your bottom lip at the wet sounds of him moving against you, deafeningly loud in the otherwise quiet room.

Were you anywhere else, Billy would have absolutely no qualms about teasing you to within an inch of your life – payback for playing cat and mouse with him for almost three months straight. Lucky for you, he’s just as nervous at the thought of getting caught with his pants down as you are, shuddering to think what Neil would do if he got expelled over this.

With a barely contained growl, he pushes into you, his cock sliding easily to the hilt with how wet you are. Your back arches off the desk as he slides home, stretching you beautifully as he fills you completely.

“Oh – oh my God,” you breathe as he stills, giving you a few seconds to adjust. Your hands scramble over the smooth top of the desk before you grab onto his wrists as his hands hook behind your knees.

“Fuck, you’re so tight,” he groans – the way he grumbles your name makes your walls clench around his length, punching another grunt from his chest as he starts shallowly thrusting against you, grinding his hips against yours.

The two of you dissolve into a flurry of breathy mewls and sighs, each of you desperately trying to keep quiet as the muffled sounds of skin against skin and the dull creaking of the desk fill the room. Your eyelids flutter as you watch Billy above you, golden curls bouncing with each of his thrusts as a light sheen of sweat covers his tanned chest.

Grunting lowly, he presses harder against the backs of your thighs, practically pressing your kneecaps against the desk below you, blue eyes sparkling as you easily follow his movements. With the small change in angles, the head of his cock thrusts perfectly against that sensitive spot within you, and he grins triumphantly as you tremble beneath him.

“That the spot, princess?” He questions, smirking when you nod your head with a little broken squeak, “Fuck, I can’t wait to get you in a bed – bet you can bend in all kinds of pretty ways, huh?”

“Y-Yeah, yeah, Billy,” you agree, willing to agree to just about anything as long as he keeps moving. You can hardly contain the moans spilling from your lips as he works you higher and higher, the adrenaline from the possibility of getting caught as well as the rush of finally having him making you rush toward your end faster than you normally would.

Breathing heavily as your pussy clenches at his cock, he lets go of one of your thighs and shoves your shirt up, unceremoniously taking your bra with it. You bite at the back of one hand as he teases at your breasts, using one hand to pinch and pull at one nipple before moving to the other as he stares down at you with half-lidded eyes, brows furrowed in concentration.

“O-Oh, my – fuck, I’m –” You moan brokenly, squirming beneath him as you feel yourself nearing the edge, teeth biting desperately into your bottom lip as you claw at his forearm and waist.

Cockily licking over his lips, Billy leans forward as he grinds against you, his hips putting pressure on your clit as he covers your mouth with one hand, propping himself up against the desk with an elbow as his other still grasps at the back of your knee.

You squeeze him tightly as the tail end of his happy trail rubs deliciously over you, giving you just enough stimulation to throw you over the edge.

“Yeah, princess,” he encourages, grunting with nearly every thrust into you as he feels you clenching around him, pushing him further and further toward his own edge as he clenches his jaw, determined to hang on as long as possible.

After only a few more thrusts, he quickly pulls out with a small groan. “Fuck, fuck,” he pants, chest heaving as he strokes his cock, painting your lower belly with stripes of his release.

Both of you still for a moment, breathing heavily as you each come down. Half expecting Billy to simply get dressed again and leave, you’re surprised when he softly kisses you, more relaxed this time, as his warm breath fans over your cheek. Dazedly, you kiss him back, your lips moving together unhurriedly as you card your fingers through the sweat-damp curls at the nape of his neck.

After a moment, you part and your lips quirk up into a shy smile as he moves back half a step, giving you enough room to sit up.

“Oh, uh,” you breathe, looking down when you feel his cum cooling against your skin. Glancing around the room, you pout a little when you don’t see any tissues or paper towels, “There’s paper towels in the locker room?” You offer, looking over at Billy, watching as he quickly tugs his shorts back into place.

“I got it,” he says with a small smirk and before you have time to question what he means, he quickly tugs your underwear off your ankle and uses them to wipe at your skin, grinning meanly when you look up at him with wide eyes.

“Jackass!” You exclaim, laughing softly despite yourself, “That’s the only pair I have with me!”

“Nothing wrong with going commando, sweetness,” he says with a wink, chuckling when you wrinkle your nose at the thought while you pull your bra and shirt back into place, “Come back to my place and I’ll was ‘em for you, my parents don’t get back until late, anyway.”

“You just want a round two,” you laugh, hopping off the desk and straightening out your skirt the best you can before running your hands over your hair, trying to smooth out your ponytail.

“Told you I was gonna fold you up all pretty,” Billy smirks, crowding against you yet again once he tugs his shirt back on and lightly grasping at your jaw, “Something tells me you won’t have a problem with that either.”

“That’s presumptuous, don’t you think?”

“Sure, yeah, I dunno what that means, princess,” he says, grinning when you laugh, your hands pressed against his chest as he quickly tucks your boyshorts into the waistband of his shorts, “Just come back to my place, hm?”

“What about basketball practice? Jason hates when people ditch.”

“You really think I give a shit about what Carver wants?” Billy laughs, taking one of your hands in his as he makes his way toward the door.

“Okay, okay, fine,” you finally agree, rolling your eyes playfully as you let him pull you out into the hall.

“And come with me to the Halloween party?”

“You have quite a list of demands, Hargrove.”

“Hey,” he says with a little shrug, glancing at you as you walk side by side toward the locker rooms, “That’s what you get for teasing me.”

You merely giggle as the two of you round a corner, nearly freezing and nervously glancing over at Billy when you come across Steve, chest heaving as he leans over a water fountain.

Standing straight, he wipes at his lips with the back of his hand, narrowing his eyes at Billy, watching as he quickly scoops up his duffle bag from where he’d tossed it down earlier in the hallway. “Dude, why’re you leaving? You’re almost, like, half an hour late for practice.”

“Yeah, well, tell Carver something came up,” the blond boy huffs dismissively before taking your hand once more. You shoot a bashful smile at Steve, blushing as you and Billy walk toward the doors out to the parking lot.

Behind you, Steve takes a minute to connect the dots, brows furrowing as he plants his hands on his hips. After a second, his eyes widen and he shakes his head.

“Come on, at school?” He calls down the hallway, shaking his head as you and Billy laugh, “Fucking animals, man.”

gen tags: @helloworldiamnotarobot @drakonflames @marysucks-blog @watercolorskyy @valeskafics @iamaegontargaryenwife0 @aemshaircare @1997babyyyy @lovellies @little-moonbeam-666 @blackswxnn @wickedfrsgrl @echos-muses @imawhorecrux @avidreader73 @marvelescape @rae-11 @ms-morningstarr @chaotic-fangirl-blog @grsveeth0m @twglitching @hb8301 @delulumhaggy @burntliquorlips @fan-goddess @cl-0-vr @kittendoll05 @beautbuck @eponaartemisa @trshngyn @brettlovessuckingcocks @alerisc @moonriseoverkyoto @wolfdressedinlace @do-double-g @kennafild @cruelworldlana @mheraxes @eternallyvenus @chaotic-fangirl-blog @simp-hub-bro @badxbabyyy @venchi-cremino

(tags are based on your answers to my google form; if you were mistakenly tagged, please contact me & update your answers on the form! thank you!)

#my writing #billy hargrove #billy hargrove x reader #billy hargrove fanfiction #billy hargrove fanfic #billy hargrove fic #billy hargrove smut #stranger things #stranger things fanfiction #stranger things fanfic #stranger things fic #stranger things smut #dacre montgomery #fanfiction #fanfic #fic #smut

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m4tthewmurd0ck · 6 months

Text

Tom Blyth x Actress!Reader

TBOSAS Vogue Interviews — Rachel + Tom

(next part will be you and Josh’s interview)

no descriptors other than reader being shorter than tom but i use she / her. click [HERE] for the table of contents for all things tom x actress!reader

for the interviews, rachel and tom are still paired up since they’re the leads, and you’re with josh. sorry hunter hshxhsdi. also in this tbosas has been out for a month so the cast is allowed to talk specific scenes and give “spoilers”

The first bit of the video shows short clips of some answers, but no context as to what the questions are.

“Oh that’s an easy one, my girlfriend,” Tom can’t help but smile.

Rachel playfully slaps him with the card. “I was going to say her!”

“Pepper jack,” Rachel shrugs.

“Maybe… maybe a sharp cheddar?” Tom laughs.

Tom sighs, “that was quite a hard scene to film. After each take I’d ask if she was alright at least a couple of times.”

“Honestly the games as a whole, because I missed a lot of the stunt training.”

THE INTERVIEW —

“Hi Vogue, I’m Rachel Zegler.”

“And I’m Tom Blyth. Today we’re here to ask each other some questions, rapid fire.”

Rachel shuffles the interview cards around. “Okay first question, what would you say was the most difficult scene to film and why? Ooh I have my answer already.”

“You go first, I’m still thinking,” Tom laughs.

“Well for me, the most difficult scenes physically were honestly… the games as a whole. I missed a lot of the stunt training so to have one of my first scenes be me running like crazy screaming for Jessup, it was pretty intense.”

Tom blushes a little. “Sort of piggy backing off of Rachel’s answer, the hardest physically I’d definitely say my scene with Josh when we’re running out of the arena. The first few takes were stopped fairly quickly because either he or I would trip. But the most difficult emotionally, the scene in the cabin with Coriolanus and Nova May.”

“Aww,” Rachel puts her hand over her heart. “That’s was so cool to watch you both but yeah I can for sure see why it would be difficult. Did you guys rehearse it a lot?”

Tom shakes his head. “Not at all actually. We ran through the lines a few times but as far as acting out the whole scene, not until we were on set and they wanted a run through. And thankfully after the third take they were satisfied. That was quite a hard scene to film. After each take I’d ask if she was alright at least a couple of times.”

Off camera, someone asks “how long have you guys been together?”

“Pretty much since we met,” Tom tries, and fails to hide his smile. “So she and Josh were actually cast on the same day in June of 2022. At that point Rachel and I had already been cast, and the 4 of us, it just so happened that we were all in London for one thing or another and we all went out to dinner that night. Knew I fancied her right away, and I wanna say it wasn’t even a couple of weeks later that I asked her to be my girlfriend. Sorry I know I went off topic. To answer your actual question, almost a year and a half.”

Tom and Rachel chat for a couple of minutes as cameras are moved around to capture different angles.

“Next question, something a lot more lighthearted. If you were a cheese, what—”

“Pepper jack,” Rachel shrugs, not elaborating.

Tom bursts out laughing. “You had that answer ready awfully quick.”

“What can I say, I’m a cheese girly.”

“I guess that’s my go. Pepper jack is a good answer by the way. I’ll go cheddar. Maybe… maybe a sharp cheddar?”

Rachel taps her chin as if considering what Tom just said. “Yeah, I could see sharp cheddar. Okay guys sorry they’re motioning behind cameras that we have to speed it up. This is rapid fire and we’ve only answered two questions, sorry!”

“Sorry guys! Okay okay next question. Who is your favorite person to run lines with? Oh that’s an easy one, my girlfriend.”

“I was gonna say her!” Rachel faces the camera. “You guys, she’s seriously the best person for that. She memorizes lines sooo fast. By the end she won’t need a script to help you and she’ll be able to still correct you if you mess up!”

“What — oh wait I’ve already asked that question,” Tom flips through the cards, “okay here we go. If you could play any other character in the film, who would you play?”

Rachel claps and points at Tom. “We were just talking about this! I’d either want to play your character because I think it would be so fun to kind of switch to the villain. Or Nova May because hello she’s a badass.”

“Do you know what, and I swear I’m not making this up, my answers are the same as yours. either Nova May because I feel like she’s the opposite of Coriolanus in a way. Or Lucy Gray because I love that even after the games, she’s stayed true to who she is and she doesn’t let Coriolanus corrupt her.”

Rachel and Tom chat again as cameras and lights are moved around. They each do 2 questions.

“Okay we’ve each got one more question. Ooh this one’s fun! You’re stuck on a deserted island for a month and can have five things with you, what do you bring? And it says people don’t count,” Rachel thinks for a moment, “you go first because I need to give this some real thought.”

“No people, okay let’s see… my phone, one of those solar power generators so I could plug things in, phone charger, a book, and mini fridge. I’m sure I could cook some things up and be able to save them for later.”

Rachel nods in approval. “I am going to copy your first three things because I think I’d go crazy not being able to at least write out my thoughts in my notes app or something, or record what’s happening on my camera. But for my last two things, a guitar now that I can play, and… oh crap this is harder than I thought. And… a surfboard! If you’re stuck on an island that’s the perfect time to pick up a new hobby.”

“I think we’re finally getting the hang of this, of course right at the end. Oh I have the last question that’s right. Let’s see… what three characters from other shows or films do you think would do well in the Hunger Games?”

“I love that question!” Rachel nearly falls out of her chair. “Definitely someone from Game of Thrones — ooh or House of the Dragon! You know what, Juliette would do really good. A bow and arrow can take you really far in the games and that’s her go-to weapon.”

Tom smiles and blushes once again at the mention of his girlfriend, or at least the character she plays.

Rachel thinks about her last two answers. “Joel Miller from The Last of Us, and Spencer Reid from Criminal Minds.”

“Why Spencer?”

“He’s a literal genius. I bet he’d be able to rig a bunch of traps that no one would suspect and he’d be able to eliminate most of the other tributes without any physical contact.”

“Ahh I didn’t think of that. Hmm also from House of the Dragon, Aemond Targaryen. He’s quite ruthless isn’t he, he’d have no problem getting rid of the other tributes. And also Clint Barton, like you said because a bow and arrow is a really good weapon to have. Also… Uhtred Ragnarsson from The Last Kingdom.”

Someone behind the camera says it’s time to wrap it up.

Tom smiles at the camera, “thank you so much for having us.”

“We hope you enjoyed watching, bye!”

TOM BLYTH x ACTRESS!READER TAGLIST —

@callsignwidow | @spencerstits | @coconut-dreamz | @daenerysqueenofhearts

#tom blyth x f!reader #tom blyth x fem!reader #tom blyth x actress!reader #tom blyth x you #tom blyth fanfiction #tom blyth fluff #tom blyth x reader #coriolanus snow fluff #coriolanus snow angst #tom blyth fic #coriolanus snow x you #coriolanus snow x fem!reader #coriolanus snow x female reader #coriolanus snow x f!reader #coriolanus snow x reader #social media au #tom blyth au #tbosas #the ballad of songbirds and snakes

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dailyadventureprompts · 10 months

Text

Monsters Reimagined: Bandits

As a game of heroic fantasy that centers so primarily on combat, D&D is more often than not a game about righteous violence, which is why I spend so much time thinking about the targets of that violence. Every piece of media made by humans is a thing created from conscious or unconscious design, it’s saying something whether or not its creators intended it to do so.

Tolkien made his characters peaceloving and pastoral, and coded his embodiment of evil as powerhungry, warlike, and industrial. When d&d directly cribbed from Tolkien's work it purposely changed those enemies to be primitive tribespeople who were resentful of the riches the “civilized” races possessed. Was this intentional? None can say, but as a text d&d says something decidedly different than Tolkien.

That's why today I want to talk about bandits, the historical concept of being an “outlaw”, and how media uses crime to “un-person” certain classes of people in order to give heroes a target to beat up.

Tldr: despite presenting bandits as a generic threat, most d&d scenarios never go into detail about what causes bandits to exist, merely presuming the existence of outlaws up to no good that the heroes should feel no qualms about slaughtering. If your story is going to stand up to the scrutiny of your players however, you need to be aware of WHY these individuals have been driven to banditry, rather than defaulting to “they broke the law so they deserve what’s coming to them.”

I got to thinking about writing this post when playing a modded version of fallout 4, an npc offhndedly mentioned to me that raiders (the postapoc bandit rebrand) were too lazy to do any farming and it was good that I’d offed them by the dozens so that they wouldn’t make trouble for those that did.

That gave me pause, fallout takes place in an irradiated wasteland where folks struggle to survive but this mod was specifically about rebuilding infrastructure like farms and ensuring people had enough to get by. Lack of resources to go around was a specific justification for why raiders existed in the first place, but as the setting became more arable the mod-author had to create an excuse why the bandit’s didn’t give up their violent ways and start a nice little coop, settling on them being inherently lazy , dumb, and psychopathic.

This is exactly how d&d has historically painted most of its “monstrous humanoid” enemies. Because the game is ostensibly about combat the authors need to give you reasons why a peaceful solution is impossible, why the orcs, goblins, gnolls (and yes, bandits), can’t just integrate with the local town or find a nice stretch of wilderness to build their own settlement on and manage in accordance with their needs. They go so far in this justification that they end up (accidently or not) recreating a lot of IRL arguments for persecution and genocide.

Bandits are interesting because much like cultists, it’s a descriptor that’s used to unperson groups of characters who would traditionally be inside the “not ontologically evil” bubble that’s applied to d&d’s protagonists. Break the law or worship the wrong god says d&d and you’re just as worth killing as the mindless minions of darkness, your only purpose to serve as a target of the protagonist’s righteous violence.

The way we get around this self-justification pitfall and get back to our cool fantasy action game is to relentlessly question authority, not only inside the game but the authors too. We have to interrogate anyone who'd show us evil and direct our outrage a certain way because if we don't we end up with crusades, pogroms, and Qanon.

With that ethical pill out of the way, I thought I’d dive into a listing of different historical groups that we might call “Bandits” at one time or another and what worldbuilding conceits their existence necessitates.

Brigands: By and large the most common sort of “bandit” you’re going to see are former soldiers left over from wars, often with a social gap between them and the people they’re raiding that prevents reintegration ( IE: They’re from a foreign land and can’t speak the local tongue, their side lost and now they’re considered outlaws, they’re mercenaries who have been stiffed on their contract). Justifying why brigands are out brigading is as easy as asking yourself “What were the most recent conflicts in this region and who was fighting them?”. There’s also something to say about how a life of trauma and violence can be hard to leave even after the battle is over, which is why you historically tend to see lots of gangs and paramilitary groups pop up in the wake of conflict.

Raiders: fundamentally the thing that has caused cultures to raid eachother since the dawn of time is sacristy. When the threat of starvation looms it’s far easier to justify potentially throwing your life away if it means securing enough food to last you and those close to you through the next year/season/day. Raider cultures develop in biomes that don’t support steady agriculture, or in times where famine, war, climate change, or disease make the harvests unreliable. They tend to target neighboring cultures that DO have reliable harvests which is why you frequently see raiders emerging from “the barbaric frontier” to raid “civilization” that just so happens to occupy the space of a reliably fertile river valley. When thinking about including raiders in your story, consider what environmental forces have caused this most recent and previous raids, as well as consider how frequent raiding has shaped the targeted society. Frequent attacks by raiders is how we get walled palaces and warrior classes after all, so this shit is important.

Slavers: Just like raiding, most cultures have engaged in slavery at one point or another, which is a matter I get into here. While raiders taking captives is not uncommon, actively attacking people for slaves is something that starts occurring once you have a built up slave market, necessitating the existence of at least one or more hierarchical societies that need more disposable workers than then their lower class is capable of providing. The roman legion and its constant campaigns was the apparatus by which the imperium fed its insatiable need for cheap slave labor. Subsistence raiders generally don’t take slaves en masse unless they know somewhere to sell them, because if you’re having trouble feeding your own people you’re not going to capture more ( this is what d&d gets wrong about monstrous humanoids most of the time).

Tax Farmers: special mention to this underused classic, where gangs of toughs would bid to see who could collect money for government officials, and then proceed to ransack the realm looking to squeeze as much money out of the people as possible. This tends to happen in areas where the state apparatus is stretched too thin or is too lighthanded to have established enduring means of funding. Tax farmers are a great one-two punch for campaigns where you want your party to be set up against a corrupt authority: our heroes defeat the marauding bandits and then oh-no, turns out they were not only sanctioned by the government but backed by an influential political figure who you’ve just punched in the coinpurse. If tax farming exists it means the government is strong enough to need a yearly budget but not so established (at least in the local region) that it’s developed a reliably peaceful method of maintaining it.

Robber Baron: Though the term is now synonymous with ruthless industrialists, it originated from the practice of shortmidned petty gentry (barons and knights and counts and the like) going out to extort and even rob THEIR OWN LANDS out of a desire for personal enrichment/boredom. Schemes can range from using their troops to shake down those who pass through their domain to outright murdering their own peasants for sport because you haven’t gotten to fight in a war for a while. Just as any greed or violence minded noble can be a robber baron so it doesn’t take that much of a storytelling leap but I encourage you to channel all your landlord hate into this one.

Rebels: More than just simple outlaws, rebels have a particular cause they’re a part of (just or otherwise) that puts them at odds with the reigning authority. They could violently support a disfavoured political faction, be acting out against a law they think is unjust, or hoping to break away from the authority entirely. Though attacks against those figures of authority are to be expected, it’s all too common for rebels to go onto praying on common folk for the sake of the cause. To make a group of rebels worth having in your campaign pinpoint an issue that two groups of people with their own distinct interests could disagree on, and then ratchet up the tension. Rebels have to be able to beleive in a cause, so they have to have an argument that supports them.

Remnants: Like a hybrid of brigands, rebels, and taxfarmers, Remnants represent a previously legitimate system of authority that has since been replaced but not yet fully disappeared. This can happen either because the local authority has been replaced by something new (feudal nobles left out after a monarchy toppling revolution) or because it has faded entirely ( Colonial forces of an empire left to their own devices after the empire collapses). Remnants often sat at the top of social structures that had endured for generations and so still hold onto the ghost of power ( and the violence it can command) and the traditions that support it. Think about big changes that have happened in your world of late, are the remnants looking to overturn it? Win new privilege for themselves? Go overlooked by their new overlords?

Art

#monsters reimagined #bandits #dnd #dungeons and dragons #d&d #ttprg #pathfinder #heavy topics #monsters reimagined

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dduane · 10 days

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Is there an alphabet or lexicon of the human version of The Speech? And if so, where can I find it?

No, there's not.

(And as I've been asked about this before, I'm just going to paste the answer in here—since though the original post is buried in the depths of Tumblr somewhere, I do have my saved draft.)

Per these, which came in very close to each other:

@melbetweenstars

This is something I’ve always wondered but never realized I could actually ask about until I read through that long meta response. (go me.) How much of the Speech do you have fleshed out? Do you create it as you go on more of a need-to-know basis, or do you have vocabulary and grammar structures ready to go? Basically I’d be really interested to hear any Speech-related meta if you have the chance because fictional languages are hella cool!

and:

@sansa–clegane

I just read your post on dark wizards and field terminologies, and am totally loving the Speech translations you provided! Now I’m wondering, though, how much of the language you actually have mapped out or established? I’m very curious as to what, for example, the standard “I - you - he/she/it/etc. - we - you plural - they” conjugation endings would be– or if there even are any in a language as complex as the Speech. I’M JUST REALLY INTERESTED IN FANTASY LINGUISTICS AAAHH

Linguistics is a big deal for me too, as people who read my stuff will have guessed. And needless to say, the Speech is on my mind a lot (along with other “magical languages” and their history/histories).

So let’s take a moment to first to make it clear what the Speech is not. It’s not what’s sometimes referred to as an Adamic language (whether you take the meaning that God used it to talk to Adam, or that Adam invented it to name things.) It’s also nothing whatsoever to do with Enochian. It’s not an occultic language, or anything invented by human beings.

The basic concept is that the Speech is the language, or the very large body of descriptors, used to create the universe (and very likely others, but let’s leave that to one side for the moment). Such words are also assumed, having been used in the building of the universe, to be able to control the bits they’ve built. Every word, therefore, when used ought ideally to sound as if it contains some tremendous power.

Writing something like that every time the Speech is used, even for a much better writer than I am, would be very, very hard.

(We need a cut here. Under the cut: Ursula Le Guin, C. S. Lewis, J.R.R. Tolkien, J. K. Rowling, and others. ...Also a fair number of beetles. And a bear.)

It’s worth mentioning as a matter of information that I met the concept of secret / divine magical languages in Le Guin’s Earthsea long before I ran into it in C. S. Lewis. (I came pretty late to Lewis’s non-Narnian work.) Yet here Lewis, as more than occasionally before, is my master, having been over this ground right back in the mid-1940s.

There’s a point in the final novel of the so-called “Planetary Trilogy”, that big fat (now endlessly problematic but still fun-in-the-right-moods) book That Hideous Strength, where Elwin Ransom—philologist, unwilling visitor to Mars and Venus, unnerved conscript into the wars in Heaven, and Lewis’s take on both the Pendragon and the wounded Fisher King—is instructing his friend and co-linguistics scholar Dimble on how to behave in a meeting with the newly awakened, and potentially quite dangerous, Merlin Ambrosius. (The POV in this passage is that of a lady named Jane who's just recently fallen into company with the group supporting Ransom.)

“You understand, Dimble? Your revolver in your hand, a prayer on your lips, your mind fixed on Maleldil [just think “Christ” for the moment: surprise surprise, that’s the parellel Lewis is using here]. Then, if he stands, conjure him.” “What shall I say in the Great Tongue?” “Say that you come in the name of God and all angels and in the power of the planets from one who sits today in the seat of the Pendragon, and command him to come with you. Say it now.” And Dimble, who had been sitting with his face drawn, and rather white, between the white faces of the two women, and his eyes on the table, raised his head, and great syllables of words that sounded like castles came out of his mouth. Jane felt her heart leap and quiver at them. Everything else in the room, seemed to have become intensely quiet: even the bird, and the bear***, and the cat, were still, staring at the speaker. The voice did not sound like Dimble’s own: it was as if the words spoke themselves through him from some strong place at a distance—or as if they were not words at all but present operations of God, the planets, and the Pendragon. For this was the language spoken before the Fall and beyond the Moon, and the meanings were not given to the syllables by chance, or skill, or long tradition, but truly inherent in them as the shape of the great Sun is inherent in the little waterdrop. This was Language herself, as she first sprang at Maleldil’s bidding out of the molten quicksilver of the star called Mercury on Earth, but Viritrilbia in Deep Heaven.

Now if that’s not like being hit over the head with a hammer, I don’t know what is.* That moment has been before the eyes-of-my-mind for a long time as I’ve worked with the Speech.

Note, however, that Lewis does a very wise thing here. He doesn’t actually spell out any of the words out for you. Because in the reader’s mind, there’s always the six-year-old saying, “Go on, say the word: see how it sounds, see what happens…!” And when you recite the magic spell, it doesn’t work. The words come out sounding, well, like any others. And maybe not your interior six-year-old, but your interior twelve- or fifteen-year-old—the ego-state that’s about keeping you from getting hurt or looking stupid in front of other people who aren’t privy to or supportive of your dreams—says, “See, it was just another word, just a bunch of nonsense. You got fooled. Dummy!” No wise writer, I think, willingly sets their readership up for such easy and constant disappointment. It's tough enough to weave, and hold in place, the spell that is prose. Handing the audience a potential spellbreaker, over and over again, is folly.

And by rights the Speech ought to be like Lewis’s example above. If in reality you were to hear the words used to restructure matter or undo gravity, they ought to shake the air in your chest like a Saturn V launch, they should raise the hair on the back of your neck to hear them used; they should freak you out. But a long string of invented syllables isn’t going to do that. I’m stuck with using English to produce even the echo of such a result.

Which means I have to go Lewis’s route… mostly. Here and there I’ll add in a Speech-sourced word or phrase when it supports the narrative or makes it easier for characters to talk about what’s going on—as, when working with wizardry, you do sometimes have to call in precisionist-level language for words that have no casual English cognates: just as you would if you were working in particle physics or organic chemistry at the molecular level. But that’s all I’m going to do… because if you do too much linguistic work in this regard, you constantly run the risk of your readers being distracted from the real business at hand, which is the interactions between/among the characters.

The tech inherent to a work of fantastic fiction is always an issue in this regard. Ideally L. Sprague de Camp’s very useful definition of science fiction, tweaked here for fantasy, ought to be a guideline: “A fantasy story is a human story with a human problem and a human solution that could never have happened without its fantastic content.” Yet inside the definition, there’s still a lot of ways to go wrong. Too much merely human stuff, and a work of fantasy turns into a soap with some casual magical gimmickry—all too often these days labeled as “magic realism”, when it’s not publisher code for “We’d call this fantasy if we had the nerve and we didn’t think it was going to tag us as ‘genre’ and keep us off the best-seller lists”. Too little human-problem-and-human-solution, and it turns into a modern version of what James Blish (God rest him), when writing as the gently merciless science fiction critic William Atheling Jr., used to call “The 'Greater New York and New Jersey Municipal Zeppelin Gas Works’ school of speculative fiction”, where you tour your readership through the Wonderfulness Of Your Tech (magical or otherwise) until they expire of boredom while waiting for someone to fucking do something.

You have to find a centerline between the extremes—indeed pretty much a tightrope—and walk it with some care. I’d guess that J. K. Rowling ran into the need for this balancing act; while never having read the Potter books, I nonetheless get a sense that you get the occasional Wingardium leviosa without also being burdened with long strings of magical Latin. (Though I confess that the answer to the question “Where does the magic come from? And what’s it for?” as it applies to her universe could be of some interest. I have no idea whether this ever gets explicitly handled.**)

Anyway, it’d be way too easy for the YW books to become long discourses on the Speech and its use. This aspect of the “tech”, I think, gets more than enough time onstage. Having once established that words are a tool, indeed the tool for a wizard, the ur-Tool, making every spell they build a resonance between what they do and the initial/ongoing work of Creation—my business is to stay focused on the challenge of driving plot forward by interactions between human beings (and all kinds of others) who have conflicting agendas.

…So much for the tl;dr. I do have some very basic grammatical structures tucked away, but they’re not in any fit state for other people to look at. The Speech, I think, is really best treated as an ongoing mystery that unfolds a little at a time, as required, and leaves everybody wanting more.

HTH!

*It also leads into one of numerous affectionate nods in this book toward Tolkien, as philologist, fellow novelist, and Lewis’s good friend. It's no accident that when Ransom meets up with Merlin himself, a little later in the narrative, the question of this language—the proper name of the Great Tongue is “Old Solar"—comes up again. When discussing what language they’ll speak with each other during their upcoming negotiations [they apparently start out in a rather beat-up and denatured medieval Latin], Ransom says to Merlin about the language he’d prefer to be working in, "It has been long since it was heard. Not even in Numinor was it heard in the streets.”

The Stranger gave no start … but he spoke with a new interest. “Your masters let you play with dangerous toys,” he said. “Tell me, slave, what is Numinor?” “The true West,” said Ransom. “Well,” said the other.

Yeah, “well.” Better scholars than I have dealt with the relationship between these two, as scholars and writers and friends, so enough of that for the moment. But it’s very sweet to see Lewis do something in his books that I’ve done with mine.

**It’s always possible, of course, that in the HP universe this issue is a surd: like asking “where physics comes from”. (Well, not a surd precisely, if your spiritual life tends a certain way. Mine tends toward “Whoever or whatever made the universe, that’s who made physics. And they must really like it, because they made a metric shit ton of it!” (This answer also works for beetles, though that's a slightly different issue.) :)

But if there’s a most-fundamental difference between my wizardly universe and Rowling’s, it might be best revealed in the third question that came up for me directly after “What if there was a user’s manual for human beings/the world/the universe?” and “If there was, where would it have come from?”: specifically, “And why?”

***There's a bear in the Pendragon's kitchen. Thoth only knows what initially brought that on for Lewis, but it's a character insertion that pays off later, so (shrug) wtf.

#Young Wizards meta #Young Wizards #Ursula Le Guin #C. S. Lewis #J. R. R. Tolkien #the Speech #wizardry #errantry

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barefoothighlander · 1 year

Note

ok but like gangbang with 141 x gn! or fem! reader...

alright i tried my best, this is literally porn with very minimal plot so. not proofread

warnings: mdni (18+), literally exactly what you expect, oral (fem+male rec), smut, dub con, unprotected pinv, anal fingering, overstimulation, creampie, so much touching, dirty talk, multiple orgasms, it’s a 5sum all bets are off, this is pure smut so read with caution, use of afab descriptors

You don’t know exactly how it started but Price had called the team into his office, you had just come back from a failed mission, you, Soap and Ghost were all meant to clear the building and retrieve your target while Price and Gaz provided aid from the heli, except your target got away. Luckily everyone made it out with barely a scratch, but it set the op back weeks now as you had no clue where your target had escaped to.

You anticipated getting a ear full from Price back on base, it had been your fault that the mission went sideways, you let off a shot too early, causing the enemy to track your position and reign fire while your group tried to push in, it hadn’t been your first mistake, but it would be your last.

You’re sitting in the office, nervously picking at the skin around your nails as the team files in, one by one. Price is sitting 5 feet from you, a lit cigar hanging from his lips as he waits for the men to settle in. You were already scared to be yelled at by your Captain but having him do it in front of the team made it astronomically worse, these were men you respected, you hoped they respected you.

“Simon lock the door”

Your heartbeat thrummed in your ears, was he going to kick you off the team?

“You’re a valuable asset to this team, but this mistake, you understand I have to punish you in some way”

“Yes Captain”

“Good” He stands from his chair nodding at Soap who moves forward and placed his arms on your shoulders, you stand up from your seat confused.

“You can say no at anytime” Soap says as he leans in and kisses you. He pulls back and you’re in awe, utterly baffled by the situation, you glance around the room, you’re cornered by the four men, and your heartbeat rises.

“Sargent, it’s your call” Price says to Soap and he nods, his hands moving down your form to i bottom your pants, your brain is a flurry of a thousand thoughts as he pulls them down, leaving you bare aside from your panties. His hands roam over your thighs before moving to cup at your sex, the feeling causes arousal to pool in your lower stomach.

Soap looks up at you from his spot on his knees before his fingers push your panties aside and he attaches his lips to your clit. You brave yourself back against the desk with your hand, his tongue working intricate circles over your bud, the sensation diluting your senses.

Soap wraps his arms behind your knees, pulling your body up slightly to rest you on the desk, allowing you to fall back, your back pressing against the wood as your fingers thread through his hair. You hear Price utter something to the men and you become painfully aware of your state, naked and vulnerable in front of your team, blush covers your cheeks as you make eye contact with Ghost who was braved against a wall.

Price circles your form, moving to stand at your head as his hand cups your jaw, you’re a mess of moans as Soaps fingers tease at your entrance.

“Just relax” Price says, reaching down to unbutton his pants and pulling out his hard length. You swallow thickly, his thick cock staring you down, his tip is leaking and all your thoughts converge on wanting to taste him. You stick your tongue out and he smirks, running the top along the muscle before pushing in, you open your jaw and allow him deeper, moaning around him.

Gaz and Ghost appear at your sides, Ghost scans your form before bringing his hands to grab at your shirt, tearing it from your body causing you to flinch from the cool breeze, he watches your breasts move as you writhe under Soaps tongue, his gloved hands moving to pinch at your hard nipples, eliciting a sigh from your chest.

Price is braced above you, one hand on your neck as he thrusts into your mouth, the room filling with the wet sounds from your mouth mixed with the gags he was forcing out of you, you’re struggling to breath, Soaps fingers pushing deeper into you, curling to hit your sweet spot as he sucks your clit into his mouth, Price pulls back from your throat allowing you a deep breath before your orgasm hits you suddenly, the men watch as to ur back arches, fingers gripping at the table as you ride out your high.

“Shit if I knew that’s what you sounded like I woulda done this sooner” Johnny says

You’re breathless, splayed out in the table like some sort of animal as the men’s eyes roam your form, they’re whispering to eachother as Gaz positions himself at the entrance, Price teases his cock at your mouth.

“Just gotta open you up a little” Price says, his cock pushing past your lips, you flatten your tongue against his shaft allowing him to thrust into your mouth. You swallow around him as Gaz inserts himself, the sudden intrusion making your eyes squeeze shut, you’re reaching for anything you can grab before you feel Ghost grab your hand, guiding it to his own cock. You moan at the feeling, your hand barely able to wrap around it nerves suddenly wracking your body as you think about taking him. He holds your hand to him, stroking it up and down his length as Soap watches you, your body glistens with a thin layer of sweat as Gaz continues fucking into you, securing a quick pace that has your legs wrapping around his waist. Price slows his thrusts, cooing in your ear before he buries himself deep in your throat, you choke around him as you feel your mouth fill with his hot seed, swallowing him before he removes himself.

“That’s a good girl”

You take a deep breath, the thrusts from Gaz making your hands clench on Ghost, a small grunt falling from his lips.

Soaps hands roam your body, his thumb settling on your clit as your hips twitch, you’re unraveling, your body putty in their hands. Your skin is rubbing against the hard desk, your neck digging into the corner before Prices hands move to hold your head,

“Doing so well Sargent”

He coos in your ear, his praise allowing you to relax, Ghost moves your hand to stroke his length, Gaz picks up his pace, the force making your body move slightly up and down, your breasts jumping with every thrust. Gaz is cursing as his pace becomes rabid, chasing his high, he bottoms out inside you and your pussy fills with his spend, the sensation making you curl your toes and you whimper as he pulls out.

Strong hands snake under your form, pulling your body up to turn you and place your chest flat against the table, your body spreading out as Soaps hands spread your thighs, his tongue licking a stripe from your clit to your ass causing you to flinch. His thumb teases at your virgin hole and your head falls forward, forehead coming into contact with the wood.

“Don’t worry lass, I won’t fuck your ass just yet”

He teases the head of his cock between your folds, causing you to clench around nothing before he pushes in, your slick coating him as the remnants of Gaz’s orgasm spill from your core. His cock is dragging against the ridges inside you, cashing moans to spill from your lips, quickly caught by Ghosts fingers as he pushes them into your mouth, you twirl your tongue around the digits sucking on them and he removes them with a pop, his spit soaked hand moving to stroke his cock in front of your face.

He watches your eyes widen as you finally catch a glimpse of him, smirking to himself, his massive member wracking your nerves. He cups your jaw, turning your head so your cheek is flush with the desk, his tip prodding at your lips. You part them letting him settle his cock between and he holds himself there, your tongue flicking over his leaking head.

You struggle to keep him in your mouth as your jaw opens, more gasps and moans slipping out as Soap pounds into you, your hips digging into the desk sure to leave bruises, his fingers got at your clit, correcting your slick before placing them over your asshole, teasing around the rim before pushing in past his first knuckle, the new sensation has you melting as he moves his fingers in tandem with his cock.

Soap is gripping your waist as he fucks deep into you, his top hitting your cervix with every thrust, burying himself to the hilt, his arms reach down and pull you up against him, your head falling to his shoulders as his arms snake around your waist.

Price sits on the desk in front of you, his eyes glued to your face as he watches you come apart, his hands moving down to circle your clit causing you to clench around Soap.

“That’s it baby, you wanna cum on his cock”

You nod

“Yeah? You wanna cum for all of us”

You look around, eyes glancing over the men before you sheepishly nod at Price,

“Then do it, cum for us”

You clench down on Soaps cock as he buried himself deep into you, filling you as you ride out your second high. He pulls from you and you fall forward, hands braced against Priced shoulders as he runs circles over your bare skin, the mixture of seed dribbling down your thighs.

Price barely gives you time to breath before inserting himself the intrusion making you sob into his neck, he holds you against him as he fucks up into you, a hand grabbing at your thigh to brave your leg on the desk allowing him deeper.

Your clinging to him, face buried in his shoulder as he drills you, your weight being held up by him as you lose your balance. His arm is around your waist, tugging your form down on him in time with his thrusts, he’s hitting impossibly deep inside you.

Gaz kneels behind your form, his hands moving to spread your ass to give the men a better view of where you and price meet as your juices coat his cock.

Wet sounds fill the room as Price continues fucking you until you can’t see straight, his punic hair grinding against your clit everytime he brings your body down, your hard nipples grazing against his rough shirt.

You turn your head and find Simons eyes, they’re glued to you, his face stoic under his mask as he strokes himself, the sight alone brings you back to the edge. You cum with a cry as Price keeps his pace, pounding into you, refusing to let you down.

His arms grip at your form, his knuckles almost white as he keeps you still, grunting as his orgasm overtakes him, he thrusts in a few more times fucking his spend deeper into you. You’re practically filled to the brim, begging for a break as he moves out from under you.

Ghost moves in front of you, the tip of his cock red, almost angry as he sits in Priced chair, legs parted. You whimper at the sight, slowly making your way to him, his hands find your hips as you settle on top of him, straddling his cock. You glide your folds over his length, shuddering when it hits your clit. His hands find your thighs, urging you up as he lines himself up with your core, you move down on him slowly, his size stretching you as you brave against his chest.

You were so weak and he was massive, you practically fainted against him, he fucked up into you slowly, allowing you to adjust to him in your fatigued state, once you adjusted he stood up, your legs still around him as he laid your back against the table, holding you there. Soap found your side, his cock situated beside your mouth, you lazily pry your lips allowing him in and he drags his length across your tongue.

Ghost holds your thighs to your chest, keeping you still as he fucks into you, the sensation of him making your brain cloud as your moans turn into pathetic meals and whimpers. He’s moulding you to him with every thrust as Soap pushes deeper into your throat.

“So fuckin pretty like this lass”

You look up at him with glassy eyes, your hair a mess sticking to your forehead as your skin glistens in a sheen of sweat. Soap braves himself over you, holding his cock deep in your throat before cumming, it pools in the back of your mouth, the salty taste mixing with the remnants of Price as you swallow every drop. He pulls from you with a heavy breath and you turn your attention to Ghost, your body is wrecked, your muscles weak as he forced you to take every inch of him, your head falls back as you let him use your body.

His pace is hard and rough, his cock filling every bit of your abused hole as he leans over you, hand gripping your jaw forcing you to look at him. You let out a whimper and he feels his abdomen tighten, his seed filling you to the brim as he comes down from his own high. He pulls from you, his fingers pushing the cum back into your weeping cunt as you clench around him.

You’re breathless, at their mercy as they tuck themselves back into their pants, your naked form splayed over the desk.

Soap finds himself back at your side with a glass of water, his arm braces against your frame holding you upright as Price kneels below you, helping you into your underwear so you don’t feel as vulnerable. Your breaths are heavy as you come to, your mind beginning to clear as your heartbeat settles.

“We clear now on why we don’t shoot early” Price asks

You nod meekly,

“Good, cause next time we won’t be as nice”

You swallow a thick gulp as the men leave the room, it reeks of sweat and sex as you dress yourself slowly, your knees wobbly as you brave against the wall, silently praying that no one heard what had just happened.

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veilantares · 3 months

Text

Dark at the End of the Tunnel

Sink into an Anglers grasp in a dream, like the undersea the Night cradles screams

Been inspired by anglerfish recently, so I'm going to try to do at few of these dark background ones back to back and see if I stumble into something new. I noticed I tend to draw characters / mechs / robots in these oneshot illustrations extremely lanky, but I wonder if I made a comic, whether I'd keep these exaggerated proportions - I'm often indecisive about how much mech vs character is in these biomechs, so I usually just don't think about it and draw what feels interesting in the moment.

This gives me a chance to lay down a meandering anecdote - many years ago as a dumb teenager, I'd stay awake every Friday evening / saturday morning till 4 am, hoping to catch my favourite developer, Digital Extremes' weekly devstream. I vividly remember during closed beta in 2012 people would introduce the game as being about futuristic space pirates zipping through corridors - the games fidelity back then was really quite different, one of the early warframes, Ember, even had her whole model redone at one point. Around 2013-2014 ish when I was most excited for these streams, I noticed the games tagline was "ninja's play free", nothing at all to do with pirates - but it was catchy, and you'd see all over in the advertising because of the parkour moves you could pull off in the game were genuinely sick.

Incidentally, both the Defiance MMO (rip) and Destiny 1 (rip) were what warframe tended to be compared to at the time, both released a little after warframes closed beta, neither of which were piratey or ninja-ey , I think probably 80% of the reason for that was that they all had both guns and abilites ... I guess they were also all live services, I don't know if they were called that back then.

Compared to Defiance and Destiny, I was puzzled at what it was about warframes identity that made the aesthetic feel "itself" - and I got my answer on one of those devstreams - the art lead at the time brought out what they called a "faction pitch bible" a one pager showing all the factions they had in the game at the time, each of them with a few lines of flavour text.

What struck me from that faction pitch was that the Tenno / warframes "cyber knight" description was nothing at all to do with pirates or ninjas, it was a third, wholly other thing, and yet by virtue of being first, it might as well have been the "true" description.

But there was another original, even more original than the "true", Warframes predecessor game, Dark Sector, was a spy thriller with biomechanical aesthetics, or perhaps a powered suit superhero series. Would this original, more original than even the initial, not be what it truly was?

I think what my takeaway was from all of these, is that first an foremost, the aesthetic is "itself" rather than any arbitrary descriptors - I enjoy this about my own pieces, that they mostly still feel like they were made by me even if I can't quite categorise them or explain myself. Perhaps I'm happy if the takeaway is "cool mech", "weird robot" or "wacky character" because maybe it's all of those things and even more!

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cinnamostar · 5 months

Text

five dates to fall in love

part one. part two. part three (here). part four. part five. part six coming soon.

pairing : hyunjin x gn!reader

summary : after a two year long unspoken hatred, hyunjin and you are forced to be costars in a romantic series, but when it comes to filming any of the romance scenes, you both utterly fail and are unable to get through your lines. the director threatens to take your roles away if you two aren't able to get past this within the next week, which spawns the genius idea from both your managers: can you learn to (fake) fall in love in seven dates and save your careers?

wc : 2.7k

cw :actor!au, enemies to lovers ?!, slowburn (?!), not proofread, descriptors of insecurity and stuff, internal struggle but nothing serious

a/n : finally... its here... sorry for this taking long, i was traveling for holidays and then classes started but its here! lmk what you guys think :3 this chapter is a lot chiller imo... just trying to set a Vibe of emotional conflict... ALSO im not trying to paint hyunjin as the bad guy.,.,, but i think its also important to show that people will form opinions no matter what and will inevitably pick a side. so yus...

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Tears cascaded down your warm cheeks as you tossed yourself in your bed, the frustration and anger you were holding back finally catching up to you as quiet sobs escaped your lips. You hated how horrible the feeling of pure anger, as it always felt you were on the verge of bursting at the seams from how violent and erratic the emotion was as it overran your body. You had no idea what to do with it, always allowing it to linger til it overwhelmed you to the point of tears and surrendered to its burning grip. Your phone began to vibrate, which your hand mindlessly reached over for and picked up without second thought, as you knew it would be no other than Chan calling you at such a moment.

“Y/N… Are you okay?” concern dripped from Chan’s voice, while all you could muster out was a muffled grumble as you stuffed your tear-stained face into your pillows. “Right,” he responds, acknowledging your groan, “Well, I heard what happened through Changbin, so I called to check in on you.”

You take a deep breath in to soothe your hoarse throat from your onslaught of tears, praying your voice wouldn’t be too shaky as you spoke, “Well, I’m upset.”

“I don’t blame you one bit, I’d be just as upset as you are,” he reassured you gently, “Do you want to talk about it? Or do you need some more time to figure your feelings out?”

“I don’t know,” you mumble, turning your face away from the pillows so your voice was clearer, “I don’t know how to feel. It’s just a lot. It’s such a stupid reason for him to have just been so shitty to me for so long. He literally could’ve just asked me or talked to me about it instead of assuming.”

“Right, I agree. Even Changbin didn’t know about that being the reason,” added Chan, “I’m sure he lectured him on it because that is a crazy conclusion to jump to.”

“And I’m even more upset that was the conclusion he landed on! Why did he just assume I’d do something so terrible? Why did he not consider that I was trying to help him secure the role?”

“Sounds like he has an insecurity issue, if I had to guess, but who knows. You have every right to be upset, but there is another pressing matter we do need to address.”

You sigh, rolling onto your back as you use your free hand to rub your temples, “Yeah, I know. As upset as I am right now, I do still want to keep doing this project, but…”

“But…?”

“I don’t really… know if I can do that because I don’t wanna see his stupid face or go out on any other practice dates,” you huffed angrily, feeling a bit relieved to verbalize some of your feelings.

“Well, I won’t force you to go on another date if you still need time to cool off, but maybe it will help you get used to seeing his stupid face after this. Plus, Changbin did tell me that you have permission to yell at Hyunjin if you wanna get that out the way.”

You let out a small chuckle, unsurprised to hear that Changbin said such a thing, “I’m not going to yell at him, but I appreciate the offer. I don’t know, I’m still really worked up from the whole thing.”

“Give yourself time, you can let me know in the morning how you’re feeling and we can go from there, okay?” Chan asks, the gentle tone of his voice bringing you a sense of comfort.

“Okay, I’ll do that. Thanks Chan.”

“Of course, take care, Y/N.”

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The next morning rolled by rather quickly and while it would’ve been a lovely day to stay in bed, your stubbornness caused you to find yourself walking to your third date of the week. You were still terribly upset at Hyunjin and forgiveness was not in the cards at this point, yet you had other pressing matters that did not allow you to wallow up in hatred and resentment for him. You had to set your feelings aside for a moment in order to make some sort of progress on this current acting project, as you were way too excited for how the final product would turn out and truly believed in the success of the film.

Although, you didn’t have high hopes for today, as you expected it to be a similar outcome to your previous dates. Today’s day was Chan’s idea, which was attending a local farmer’s market in your area that provided all sorts of family-owned shops to look through, including a variety of food to choose from. It was a bit last minute, but Chan knew your love for these small events, so he hoped this would bring you some joy, but also give you the opportunity to wander off from Hyunjin if needed, while also giving you both the chance to talk about something.

You were approaching the entrance to the park it was being hosted at, checking the time on your phone relieved to know you were on time. Honestly, while Hyunjin would probably be late once again, you didn’t mind the chance to enjoy bits of the market alone, especially on such a sunny day during these winter months. However, you were completely stunned to find Hyunjin waiting by the entrance as well, nonetheless waiting five minutes earlier than the time Chan had told you. He stood there awkwardly, both hands in the pockets of his coat as he bounced on the balls of his feet nervously, his eyes widening when his gaze finally lands on you.

You approach him with caution and a raised eyebrow, not completely believing the sight before you, “I didn’t expect you to be here so early,” you state curtly, trying your best to remain civil and cordial despite yesterday’s events.

“Well,” he stammered, his fingers jittering in his pockets, “I think I owe you an apology, and I thought showing up on time for once was one way to show that I am being genuine.”

“An apology?” you question, your ears not believing his words.

He sighs nervously, brushing a hand through his hair, “I have… realized I was entirely wrong about the situation, and I am truly sorry for that and for treating you so horribly the past two years we’ve known each other.” You wear an unconvinced expression, unsure what could’ve caused him to have a change of heart overnight, especially since he was just in deep denial the day before. He continues his statement after picking up on your apprehension, “I ended up reaching out to director Han about the situation and he… he told me how much you vouched for me when he spoke to you.”

You nod your head as you take in his words, “I see, well, I’m glad you’ve come to that realization and I accept your apology,” a hopeful look appears on his face, “But, I do need time before I can forgive you because the way you’ve treated me has really hurt me. And the fact that you thought I’d ever do that to you hurt me a lot too.”

His expression falters, but he offers an understanding smile, “I completely understand, I honestly do not even deserve your kindness right now, so thank you for being kind about this.”

You return his smile with a tightlipped one, still not entirely believing the sudden change in him, but you couldn’t lie, it did feel a bit nice to see him so timid and meek, and hearing an apology come from him did help loosen the knot of rage that laid dormant in your stomach. “Well,” you clear your throat awkwardly, trying to find a way to continue the day, “Do you want to head in?”

“Sure, lead the way,” he responds, his hands returning to his coat pockets as he anxiously trailed behind you. Eye bags hung on his face, indicating the restless night he had suffered due to the guilt he had been digesting since his phone call with the director. Hyunjin felt horrible after the revelation he had, feeling nothing but the heavy, deep seated weight of anxiety and guilt resting atop his chest. Even the sight of you made the feeling worse, facing the reality of how his actions have affected you all this time was a whole new hurdle he had to learn to conquer. The least he could do was try to be as kind as he could be from here on out, and brace himself for whatever angry slurry of curses you had for him, but how could Hyunjin forget?

The volatile version of you he had become used to these past two years was not who you truly were, but something he provoked out of you through his incessant insults and stale attitude. In reality, you were an extremely kind and patient person outside of the context of your relationship with him, and your reaction to his apology was evidence of that. He couldn’t help it, he felt like such an idiot for thinking you, of all people, would have ever sabotaged an important role for him, and he only further deluded himself in that belief by pushing you to the point of petty toxicity.

The best he could do was remain quiet as he followed your course through the various stalls, the shame only intensifying when he would witness your eyes widen with joy whenever you found an item that interested you, and how you even took the time to converse with each stall owner about their products. The genuinity in your nature was something he couldn’t believe he had denied for so long, disillusioned himself so far to have forgotten it. All for what? Because he couldn’t accept his own failures, or face the daunting insecurities about his talents that he held so closely to his heart? Perhaps it was your self-assuredness that caused a hint of jealousy to brew into this mess he had concocted today, your very confidence that struck a chord of envy within him. He didn’t quite understand what led him to act in such a manner, he could only guess why he was the way he was, but all he knew was that he owed you a lifetime of favors.

At the moment, he stood uncomfortably by your side as he watched you peruse through a few crocheted trinkets a stall had, afraid to disrupt the bits of peace you could’ve had with him tagging along. In all honesty, to an outsider, he probably looks like a child who got dragged along with his parents on a day out. You sigh as you place the trinket down, turning your head to catch his eyes darting around nervously, “Hyunjin,” you speak. He startles upon hearing his name, not expecting you to ever pay him any mind today. “I get this is awkward, but you can loosen up a bit. I don’t bite,” you chide with a hint of playfulness in an attempt to lighten the mood.

He lets out a strained exhale, acknowledging your words, “You’re right, I just don’t want to make you feel weird or uncomfortable,” he confesses.

“Well, I think staying quiet doesn’t help that cause much, does it?” you ask rhetorically before adding on, “It’s okay. Have you seen anything you like from any of the stalls? I really like what this one has,” you muse, a gentle smile taking your features as you hold up a small crocheted keychain of a jellyfish with a wobbly smile on it, “He’s kinda silly looking, I think I might take him home with me.”

Hyunjin lets out an airy chuckle, his shoulders relaxing a tad, “He definitely is funny looking,” he replies, “Ah, I don’t know. There’s so much here, this is my first time going to something like this.”

“Oh, this is your first time? You’ve never been to the farmer’s market ever?”

“Nope, never been, but this is nice. It’s a lot better than I imagined.”

“You’ve been missing out, I love going to these. I try to go every now and then whenever I’m free,” you took out your wallet, handing the vendor cash to pay for the keychain, “There’s always fun knick knacks here, and everyone is so sweet. You sure there’s nothing you wanna stop by before grabbing some food?”

His eyes scan the stalls surrounding you both, but you notice them lingering at a small jewelry stall that sold handcrafted rings, ones that definitely fit his aesthetic. “Come on,” you motion him to follow you to the stand, “Maybe you’ll see something you’ll like.” He follows behind you, still in a timorous manner, but you could see the way his eyes brighten once he realizes where you were dragging him off to. Although you were far from friends, it didn’t mean you weren’t aware of how particular he could be when it came to fashion, and you wanted him to at least get something out of today after suffering intense awkwardness.

It was now your turn to watch Hyunjin look through the assortment of jewelry the owner had laid out and of course, he was gravitating towards the silver rings, each with their own intricate designs that demonstrated the amount of artistry and talent the owner held. He looks overwhelmed with the amount of choices before him, indecisive as he holds two different rings in his hands, modeling each to figure out which one he liked best. “Why not just get both of them?” you ask.

“Both?” he ponders on the suggestion, “I guess I could do that.”

“Or,” you start, picking up a ring that you thought would suit his taste, “get this one instead,” you hand him the ring, a knowing smile on your face.

His mouth fell in surprise at it, slipping it on his finger as his eyes marvelled, “Wow, this one is so nice,” he mumbles while now placing the two previous rings away, “How did you know I’d like this one?”

You shrug nonchalantly, turning away from him, “You know, we were friends once,?” you remind him, “Just get it, find me by the food stands once you pay for it.”

He stays in his place as he watches you walk away, once more left speechless by your kindness as he begins to wonder how you were able to treat him as such. The guilt that made its home in his stomach began to rumble, the bitter taste of it overpowering his sense as he comes to terms with just how wrong he was all this time, and how awful he had been to someone as gentle as you.

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

The day had come to an end, and surprisingly the latter half went better than either of you could have expected. In a way, it was like time hadn’t passed as you both chatted effortlessly over food from whatever food truck caught each of your attentions. You both caught up on what you missed in each other’s lives during your heated rivalry, and somehow, every part of the conversation felt natural, nothing felt out of place and it was almost as if the past two years didn’t exist.

It was incredibly unsettling for you, and you started to feel a bit conflicted on where your anger lied with the boy as the time you spent softened your heart. Although, you knew you couldn’t allow him back into your life that easily, as his behavior deserves some sort of consequences, so you decided you couldn’t allow yourself to surrender that easily. Not all because you found yourself missing the friendship you once had with him, that wasn’t a good enough reason to overlook his actions. You cursed yourself silently as you arrived home, yet there was a small voice in the back of your mind that tried to convince you that perhaps it was best to let this happen in the name of the acting project you were both on.

No, no, you remind yourself, he definitely doesn’t deserve your forgiveness or trust that easily.

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

taglist: @kopikokrunch @icouldntcareless22 @kidrauhlschik @hhwangsmoon @lestayzone @vixensss @cupidcures taglist cut off at 20 people :)

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venus-haze · 10 months

Text

Under My Skin (Black Noir x Reader)

Summary: Just when you think you don’t have a chance with Black Noir, an investor gala gives you a new opportunity to get under his skin.

Note: Gender neutral reader and no descriptors are used. This is based on an anonymous request and also the song I’ve Got You Under My Skin. I’m so glad I’ve finally gotten a chance to write for Black Noir! Pre-season 1 where you’re in The Seven. Do not interact if you’re under 18 or post thinspo/ED content.

Word count: 1.5k

Warnings: None. Do not interact if you’re under 18.

The piece of paper on the table in front of you was mocking you. Black Noir had already won three out of the four tic-tac-toe matches you were silently engaged in during The Seven’s daily briefing, and with the way things were going, he was poised to win a fifth. With a huff, you drew a hopeless circle and silently slid it back to Noir.

“Nightowl,” Homelander said.

You looked up, bringing your attention to him.

“Great work on the team-up with Noir the other night.”

Noir slid the paper back to you, his tic-tac-toe win marked with a clean line, but he’d also drawn a smiley face.

You smiled. “Anytime.”

Homelander continued on, and you only half paid attention, your focus increasingly on the man sitting beside you. Even before you joined The Seven, you admired Noir for his stealth and prowess, something you aspired to. Upon your first team-up, it was clear your powers, most effective at night, complimented his incredibly well. Plus, he seemed to like you from the start, which put you in Homelander’s good graces most of the time.

Absentmindedly, you drew a little heart on the paper, feeling your face heat up when you saw Noir’s head turned toward you. He didn’t acknowledge the drawing, instead beginning a new game of tic-tac-toe. Embarrassment flooded your chest, blood rushing in your ears. You hoped he didn’t think you were being weird.

“Last thing…” Homelander said, reading off the agenda. “Oh yeah, investor gala this weekend.”

“Great, another ass-kissing convention,” Maeve mumbled.

“Can we make sure shrimp cocktail isn’t served this time?” The Deep asked. “I just feel like—“

Homelander’s jaw clenched. “Jesus Christ, do I look like a caterer, Deep? Am I carrying around a silver platter–”

After a few more moments of bickering, Homelander ended the meeting, not without everyone still grumbling under their breath about the gala. No one particularly liked schmoozing over rich assholes, but they made your lucrative paychecks possible, so it was a necessary evil.

You and Noir hadn’t finished the last round of your game, but when he left, he took the paper with him.

You sighed. You knew you had it bad for him, but it was tough to gauge his feelings for you when his face was constantly covered by his mask. Even when you blatantly flirted, he seemed unaffected by your advances toward him. Of course you’d fall for this mystery of a man, the epitome of cool, calm, and collected. Your endeavor was starting to feel hopeless.

“So, when are you gonna make a move on Noir?” Homelander asked, walking out of the meeting room with you. “And don’t give me that ‘we just work together’ bullshit. The tension’s so thick I could laser through it.”

“You can laser through anything.”

He rolled his eyes, a slight smile on his face. “Look, there’s only so long I can take the two of you making heart-eyes at each other. I mean, get a room.”

“He makes heart-eyes at me?” you asked softly.

“Yes, so do something about it already.”

“Maybe at the gala. Everyone’s there to see you, anyway.”

“That’s true. No one would really notice if you and Noir weren’t there,” he said, before giving you a slightly painful pat on the shoulder. “Well, except me if you’re loud enough.”

You gave him a pointed look. “Thanks, Homelander.”

You never took his comments like that to heart. You knew you weren’t one of the more interesting members of The Seven, especially compared to the likes of Homelander and Maeve. It was a blessing in disguise, as you ended up stuck doing far less schmoozing than they did. Homelander could hide his disdain for whoever Vought wanted him to entertain for the evening, but on more than one occasion, you’d been on the receiving end of his rant about “pandering to the mud people.”

Noir always showed up to these events, despite not interacting with anyone unless it was to get food. Once in a while, you’d watch as someone tried to start a conversation with him, only to be ignored before awkwardly making an excuse to leave. At least he’d give you the time of day, silently letting you people watch with him, acknowledging your observations about the various guests with a nod, or on rare occasions, his shoulders shaking ever so slightly when you’d said something funny. You always felt especially accomplished then.

The night of the gala was only nerve-wracking because you were finally going to be forward with Noir and see where that got you, rather than your tentative approach in the past.

When you arrived on the floor where the investor gala was being held, you went through all of the necessary introductions as quickly as you could. Across the room, Black Noir was playing the piano, as he tended to do during crowded events. You’d asked him before where he learned to play, and he wrote simply on a cocktail napkin ‘My grandma.’ As much as he trusted you, there were still parts of himself that were guarded, carefully revealing pieces of his past to you, though you could never fully put the whole picture together. In all the years you were a member of The Seven, you weren’t sure you ever would.

His past didn’t matter to you. You were fond of the man he was, even if he didn’t reveal his whole self to you. Still, you wished you knew more. He didn’t seem to have any family, at least that he was in contact with. Then again, most of your teammates had complicated relationships with your families, yourself included. That one talent of his, however, showed that at one point there was someone he was close to, that he had a life outside of being a member of The Seven. You hoped the two of you could have that together.

Finally able to slip away from the people whose names you couldn’t be bothered to remember, you made your way over to Noir. He looked up from the piano, tilting his head a bit in acknowledgement of you.

“This party’s so boring.” You made a point to lean against the piano, letting the spandex of your suit highlight your body. “I mean, I can think of much better things you and me could be doing with our time.”

You weren’t sure if he was nodding along with your sentiment or the music. Ever so frustratingly difficult to read. Taking his response in stride, you sat down next to him on the piano bench. He didn’t stop playing, but he didn’t move away from you either.

“Will you show me how to play?” you asked.

He paused, the soft music stopping momentarily. With a nod, he shifted closer to you, placing his gloved hands over yours. You let him guide you, though your gaze was on him rather than the keys.

“You’re great with your hands, Noir,” you said. “I mean, playing piano, fighting criminals, I’m sure there’s more you can do, if you ever wanna show me sometime.”

No reaction. Maybe it was useless. Maybe Homelander was just messing with you. Maybe—

He rubbed the top of your hand with his thumb, and you couldn’t help the smile that spread across your lips. It was something, finally some indication that he returned your affection.

“You wanna get out of here?” you asked softly. “I only came for you, anyway.”

He took your hand in his, the music from the piano ceasing abruptly again. He brought his pointer finger to his mouth, and you giggled despite his silent instruction to be quiet.

Glancing around, you noticed everyone else was preoccupied, mainly with competing for Homelander’s attention, as usual. The perfect opportunity for the two of you to slip away from the party with ease. Stealth was his speciality after all.

You let him lead you away from the gala and to an empty balcony on another floor of the tower. The city seemed to sparkle especially bright that night. Feeling bold, you rested your head on his shoulder, your hand still intertwined with his.

“I wish we could be like this more often,” you whispered. “You’re the only person I like spending so much time with. I think of you, and I—it’s okay if you don’t feel the same way. I just wanted you to know.”

After a few minutes of silence, Noir moved away from you, reaching for something in his pocket. A folded piece of paper, the same one the two of you had been playing tic-tac-toe on just a few days earlier. He handed it to you, and you scanned the page before landing on the heart you’d drawn, finding he’d drawn another one around it.

“This is so high school,” you laughed, nevertheless taking his covered face in your hands and kissing him. “So, what do we do now, loverboy?”

He wrapped his arms around you, and you could’ve sworn you heard him sigh contentedly.

#black noir x reader #black noir #the boys x reader #the boys #the boys tv #the boys amazon

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