#or basically most scenes in Big Bang theory of course

[antheshewro]

Levi Ackerman headcanon — (My) analysis on his intimacy

Each time I wander around Tumblr and I read about how AOT fans picture Levi in a sexual context, I see a lot of fanfictions of him being a dom and a master of sex—very dominant, rough, knows every single position in bed. Given that I respect people's personal headcanons when it comes to characters since those aren't absolutely hurtful to anyone, I felt like sharing my own headcanons on his sexuality.

If we read the manga and analyze Levi's background, there's nothing that tells us that he's a virgin or not. Unless Isayama would say he is (I don't think he specified it, correct me if I'm wrong), there's a big question mark on that matter. What I do believe is that Levi knows about sex. He is, to me, like Sheldon Cooper from The Big bang theory: he knows the basics. The media shows him as a bookworm, which leads me to think that some of his knowledge on that subject came from books that he read during his life. I do picture him as one that he began to read to fight against the picture he had about himself, as an Underground resident; later in life, he began to read because he enjoyed it and it relaxed him.

That being said, just like Sheldon Cooper approached the topic of sex, flirting and dating, Levi knows how men and women would flirt and the purpose behind it for example. He mostly sees it from his comrades and the people in the Underground, but even though he recognizes a certain flirty comment or attitude, it's just that. It's like he would talk about it like he's reading from a manual. That doesn't mean he lacks affection, he's one that always showed that he cares in his own way.

Here it comes the topic of sex. I previously stated that we don't know if Levi is a virgin or not unless Isayama makes it canon. In my honest opinion, he is. During all his life and since he was a kid living and growing up in the Underground, he mostly focused on surviving, filling his stomach and not getting physically abused (just like in the Bad Boy chapter). An important detail, however, is that his mother Kuchel was a prostitute. Now, houses in the Underground were surely cramped and small; think about when Kenny found little Levi, that house was surely small. Or even the scene in Bad Boy where he makes tea; that house most likely had a bedroom, kitchen and living room altogether. If it had other rooms, those were as small as ever. A kitchen that if two people fit inside would get stuck, or a bathroom that was a stall.

When Kuchel had her clients inside her house, I firmly believe she tried to protect her son by letting him hide somewhere. Little Levi learned to recognize the moments where his mother had to work, hiding in a spot where the men she "welcomed" there wouldn't see him or else, they'd leave and that meant no money. No lunch nor dinner. Or worse, some sick men would try to have his way with him (remember in Bad Boy when those men talked about him having the same "skills" as his mother and wanted to sell him? Also, he didn't seem to be unaware about what they were talking about. That means Levi knew about what his mom's job was).

Kuchel would teach little Levi to hide, cover his ears and wait until she was done. But sometimes, as we know, men are brutal with prostitutes. She got some violent ones, and as much as she tried to keep quiet, Levi would hear her. And when he would see how those men were doing to poor Kuchel, he got traumatized. He heard their lewd words, their slurs and curses, and that got Levi permanently traumatized. From that moment on, he would see sex as violence, pain, something hurtful. No matter if he would educate himself on the matter, the wounds would always be fresh. He got so sick of that scenery, that it was like something switched in him. With him joining the Scouts and everything he went through while being a soldier, he – of course – focused on his job and the people he unfortunately lost up until the final battle.

In terms of approach to his own sexual desires, I see him being conflicted. He's a man, a human being; he got aroused at least once, to me. But that would be it. He knows what his body is trying to tell him, but indulging in self pleasure would be just because he feels too overwhelmed by it. As if he feels itchy and needs to scratch.

He surely had women flirting and throwing themselves at him. Just like he said to Zeke, he had a few successes with ladies. But that didn't mean he slept with them; again, he could recognize he was popular and some shamelessly drooled after him. He knows what dates are (he said, somewhere in the manga, "hot titan date" which if we want to be obnoxiously meticulous, that means he knows what a date is. Oh well).

This is just a little rant and random headcanon I wanted to share after quite a long time of pondering if it was a good idea or not. Once more: that's just my personal headcanon on Levi. Feel free to agree, disagree or share your own if you want 🩵

[buradeeznuts]

FIGHT FOR YOUR LIFE X3 5/?

And with that as one of the upper dogs at Disney said “ say there are 2 studios one being a popular studio and the other being a so and so studio, so the so so studio peaks over at the popular studio and says oh that’s why are movies are failing we need there kind of camera, and visual effects. Of course that’s not the case but that’s how Disney sees it with 2D animation and 3D” that whole interview is very interesting btw

Moving on so every studio moved on to 2D animation except for Disney the kept… FIGHT FOR THERE LIFE, but to no avail in the minds of the masses 2D animation might as well be some useless caveman art where living in the future, and so the final 2D animated movie and the Disney movie with the best song came out the princess and the frog critically it was a masterpiece but the thing is it was released 5 days before… a-Avatar. And as the ceo of Disney said, “because of the buzz surround the move avatar most saw princess and the frog as just a move for… uh little girls so that’s the reason we called trangled. Well trangled we want to differentiate from the source material to give it a chance” and another thing he said “if there was people who wanted to see 2D movies again then they would off went to see this movie anyways at the point where it was it was profitable enough to keep afloat so. Why bother.” And with that Winnie the Pooh came out.  A period at the end of the page for 2d animated.

And other thing most weren’t even going to see the 3d movies for them being good or anything it was mostly the special effects, don’t believe me we’ll just look at the time what kind of movies where coming out between 1996 to 2001 look at some of the movies 2 tornados movies and 2 volcano movies 3 astroid movies and finally 4 BLOODY FLOOD MOVIES ALL IN THE SAME YEAR. And there wasn’t even any good characters to help the movie be anything more it was just Big Bang theory level geek as the main character, why? It was easy why “waste time” making good characters or write a better plot? The star of the show is the CGI baby. So every movie was a disaster movie all of a sudden and any other movies suffered because no one cared, best example is superhero movies they where just Batman and robin and spawn. Those movies are anything but good enough said(although the spawn comic is one of the best comics I have ever read) so anything other then a disaster movie was scene as lame boring or bad. And the reason why most of these are forgotten to the stains of time is because they weren’t about heroes they were about survivors there not inspiring anyone to do anything greater because just having the words JUST DON’T DIE in impact font would have the same effect, unlike say the Truman show the whole movie is about some one being trapped then taking matters into his own hands and breaking out of the cage he was thrown into to entertain everyone, and compare that to Twister where the whole movie is just some guy and his family trying to survive a bad scenario, and that basically sums up most of the movies during that time. But Godzilla 98 was pretty good but not a good Godzilla movie. But finally back on topic to 2D animated movies

In away it’s like the western a genre which was at its time master works of art.

Giving us some of the most iconic scenes In movie history and movie history as a whole

but because of Oversaturation it died riding off into the sunset only coming back to be the but of the joke. How ever unlike 2D animated movies there still o ne we stern m o st wa n T TO seeeeeeeeeeee :)

BUT GOD BE DAMNED I’M THE ONLY PERSON WHO KNOWS BIGGER EFFECTS THIS HAS OVER MEDIA AND CULTURE BLAST SOME COOL MUSIC IF YOU CAN NO RUSH OE ANYTHING!!!!

FIGHT FOR YOUR LIFE X3 5/?

5/

[shego1142]

You know what I’m tired of in media right now? Like, as an autistic person?

That whole “tell me about the thing you like” bit where the (usually autistic coded) person starts to infodump

And the text gets like incomprehensible, too big, too close together, going by too fast or even outright turns into “blah blah blah” over and over again

Or they begin to talk about what they like and they start talking a lot, getting excited, and then the audio just

Drones out, to show that the person they’re talking to isn’t listening, isn’t interested

Or the “wow I wish I hadn’t asked” interruption thing

There’s a lot of examples of this in most media forms…

And it is a clever writing trick, one I’ve probably used before too,

where you don’t know about the thing you’re character is interested in

so you just make it “annoying” for them to actually talk about it 

so you don’t have to research anything, instead you just have people be too annoyed to listen. Too annoyed to care.

But I’d love to see a character actually get to talk about their special interests.

I’d love to come away from a comic or a show or a fic and actually have learned new information from a passionate source.

I’d love to see characters have actual interest in the niche thing the autistic coded character has to say, and to respond with “wow that’s so cool, thank you for telling us about that!”

Or to ask deep meaningful questions about the topic.

I’d love to see what an impact it makes on the characters, the autistic coded (or even canon autistic bc one can dream) person finally feeling listened to, validated, and the other characters, getting closer to their friend, understanding them better…

And what’s more, I’d love to have something to show to someone and say

“This! This is how you react to infodumping! This is how to be a good friend to an autistic person!”

I still have trouble infodumping to people… years and years after I was told that I was “too annoying” “too much” years after I was told “I just drone you out” “you talk too much” “I wish I could put you on mute”

I have a wonderful and accepting friend group of mostly autistic people now, and I have trouble infodumping even to them at times…

I’ll speed up, abbreviate, not include the parts I want to include. Make it shorter, less, make it something more “suitable”

Thankfully my friends are great and will be like “tell me more 👀” and I’ll remember I’m safe with them

That they’re never going to tell me I’ve talked about something too much, they’re never going to call me annoying.

But seeing that in media would be refreshing.

[borkthemork]

The Wu Whereabouts Theory

Now that people are getting hyped for the month countdown toward Amphibia Season Three’s release, I am going to be talking about a theory my friend and I talked about over the past few months, and it’s time to buckle up because we’re going to be tackling this theory from a production, character design, and semantics perspective.

And why these specific factors? Because the theory revolves around these three characters.

And why I believe all of them are related in some way.

Now, you might ask yourself: Bork, how in the hell are these characters related? The old woman character doesn’t seem to have any semblance of features relating to Marcy. What about the dad, are you going to explain the dad? Are you pulling my leg?

And to that, we’re going to have to start small. I’ll first explain why the character on the right seems to be an important character to the story, how all these characters can be connected through deliberate design/semblance, and then I am going to hit it out of the park with the probability from a logical perspective with what the intro and past Marcy interactions seem to give us on why everyone is where they’re currently at.

Especially where Marcy’s father is currently located.

This theory is very, and I mean, very long, so hang on to your seats as we dive into my thoughts about where Season Three might lead us.

And credit goes to @CynDavilaChase on Twitter because she made me realize the probability of this theory in the first place.

And with that, let us begin!

Section One - Who’s This Woman?

With animated introductions, I think one of the big things I noticed with Amphibia Season Three’s intro is that it’s heavily serialized. Compared to Amphibia’s introduction with Seasons One and Two, there are a lot of animated scenes found in the sequence where the story is already being told in a narrative.

You get shots of Anne being introduced to her house, you get new important characters introduced in a lot, there appears to be insight into future events such as Anne getting a moped while being chased by government agents or the massive monkey robot chasing her through the alleyways.

A lot of the intro is prioritized over its serialized format, and that means the characters seen and animated in the foreground have to be important characters or else the studio is basically wasting time focusing on a background character that will never be seen again.

Of course, you get some sliding shots like with the construction workers or the beach scene with the beach-goers but that’s only for a second and they’re not truly the forefront.

But during the shots between 0:29 and 0:49, the sequences we see include a lot of what appears to be important scenes with important characters that will play some role in the story itself.

There are no parts in the sequence where background characters are put in the foreground. Each bit of the animation needs to count, it needs to tell a story of what’s to come and what the audience can anticipate to see.

Now that begs the question:

Why is a supposed random background character in the foreground?

We got some reason as to why the engineer lady looks important since she was in a shot full of important or supporting characters, but why her??

Sure, one could argue this shot could just be indicative of Andrias’s invasion, but there are numerous other ways to show that there’s an invasion without putting too much animation effort on one background character, especially from a composition perspective.

Pardon the messiness, I had to do this quick, but look at how all three ladies are lined up.

The far left grandma, when following from her head to the the front lady’s creates a line that not only creates a sense of direction for our eyes to follow but follows the more significant and foreground character of all three. Look at how the dragonflies occupy most of the top of the frame while the two older women stay in the marketplace’s form, and how this leaves the younger woman to be abruptly placed in the open — creating a visual that this character in particular is more important than the rest in the shot.

Check the way the characters move their eyes when the scene happens too: the background characters quickly look to the right, then the woman out in the open then directs her eyesight to the skyline, where all the dragonflies are flitting by.

Now, I’m not a storyboard artist or composer, I could be wrong on how the crew created this scene all together, but regardless it is still so odd to put emphasis on a background character in the front and then just leave it at that.

She has to be important in some way, and this is where I want to talk about character design.

Section Two - All Related or Am I Just Racist?

When it comes to character design we need to talk about how the character designers make sure to give Anne some form of semblance to her parents, and in this case, she looks a lot like her mother.

They got the bushy hair, the same skin tone, eyebrows, etc. And with her dad you could even see that Anne got her fluffy bangs from him specifically. Only one shared genetic trait, however.

This is deliberate, we know that for sure, and that is why I need to make this very clear as we transition to the similarities found in Marcy and the theorized characters, and why I believe they’re related in design. Mainly because the concept of race and appearance could be quite a debacle and I wanted to make sure that all of you know I am not assuming things out of naivety, and if I am, feel free to get my ass.

Other than that, let’s look at them again.

And here I shall compile the appearance stuff that each character seems to have.

With these three characters they seem to connect to one another with one genetic trait, but if one looks closely, there comes the question of the older lady (who I will just call Marcy’s mom at this point) and why she’s vastly different to Marcy when it comes to skin tone, hair color, and hell — if we look between Marcy and the engineer — why these two characters have vastly different hairstyles compared to the woman.

Even though I could give speculation and some doubt to the engineer and Marcy’s mom being related, and on first glance I couldn’t do the same with Marcy and her mom either, but then I did some digging and realized something. I can connect Marcy and her potential mom in one way — hair design.

Marcy and her mom both share the same poofy hair, it’s just that one is more short and the other is allowed to grow out in a nice little nest.

Don’t believe me?

They got the same floofy bangs with that specific hair line.

And when Marcy was little, Marcy appeared to need a hair tie because her hair was growing out, and it looked like this.

If we consider that what Marcy’s hair tie is holding up might be her bangs — bangs that might cover her eyesight from how floofy it is — then if you removed the hair tie then she and the woman would have a very similar looking design hair-wise.

Even with these hair similarities, however, there is still inquiry as to why Marcy is vastly different compared to her mother when it comes to skin and hair color, and here is where I go into some speculation to piece all of it together:

Marcy actually carries the appearance of her dad more than her mom.

Her dad has olive skin and black, straight hair, while her mother harbors tan skin and floofy, brown hair.

It’s this one piece of speculation that basically slides everything into place, but regardless it’s still speculation and one that I cannot confirm or even argue much about due to the nature of genetics and the limited info we have. But with this piece set in place, we could start to create the argument that maybe, just maybe, these characters are related.

But if they are, why do we only see Marcy’s mom and her supposed sister and not her dad?

Why do we get no indication of Marcy having a sister until Season Three?

How do we put all of this together?

Section Three - Distance and Finance

I rewatched True Colors numerous times when it came to understanding and interpreting what I could with the limited Marcy-centric flashback we had. I even went through episodes such as Maddie and Marcy, New Wartwood, and a lot of other episodes just to fit everything into place. And I think I have a good indication as to why this family is the way that it is.

First off, we’re going to be talking about Marcy’s dad and his new job out of state.

California is a very expensive state. And as someone who lives in California, the housing crisis and the ability to even stay in a house/dorm without sweating over the idea of being bankrupt is a very real thing.

So it is a curious thing that one of the reasons that the Wus had to leave came out to moving out-of-state due to a new job offer, one that infers a lot more money and probably a more stable living environment.

You could even hear the dad saying “Marcy, you have to understand!” when Marcy runs out, meaning that there’s probably a good reason as to why the parents believe that the move is essential, and I am banking on the idea of money for a number of reasons.

One, living in Los Angeles is expensive as hell.

Two, the coping mechanisms Marcy has makes sense if finance is the main comeuppance.

Three, the background art.

And four, why this girl has straight A’s and a PSAT book.

We already covered number one, but let’s take a look at what I mean about coping mechanisms.

Marcy Wu’s many flaws come from what looks to be the fear of being alone, and the fear of being seen as unvaluable and worthless; that if Marcy doesn’t prove herself lovable and essential to the people around her then she gets anxious and will do anything in her powers to make the people around her like her or stay with her.

She will omit information, move along objectives through passive and indirect persuasion, allow people to assert their will over her because they said so and, most importantly, does all of this because she fears the consequences when she gets outed or rocks the boat. Because rocking the boat means people will get mad at her, and she appears to try to avoid that situation of vulnerability like the plague until it all culminated into True Colors.

She is terrified of getting hurt. She is terrified, specifically, of consequences — punishment through stress, frustration, the people she loves looking at her differently because of the mistakes she’s made, etc.

Why do I say this? It’s because if we look into Marcy Wu with her pre-Amphibia self, a lot of these fears could be placed into that middle school scenario very well. Marcy Wu plays videogames and loves fiction because it is a form of escapism or happiness away from stress; she has this intense curiosity to basically anything of interest and uses that to thrive with getting straight A’s and an overall very solid record, but there’s still a probability that high expectations or making the people around her love her comes through said status of being the smart one (after all, she prides on her intellect, and sees it as essential to basically surviving the day to day).

Look at Marcy’s flashback in True Colors. She’s a middle schooler but is studying for the PSAT, which is mainly held in High School, and I’m no expert but I don’t think you read that stuff for fun or at least study it that early.

And I find it interesting that that’s the first shot we get of Marcy before we dive into her parents’ argument — education, studying, the expectation of high scores.

And then when you remember that Marcy is the least athletic of the girls, the thrift shop’s street she retreats to away from her parents is not that faraway from her neighborhood.

And this street, is messy as all hell. And with the revised background art for this area, nothing about the place changes but instead gets emphasized through more shots of how rundown it all looks!

The fact there’s a bail bonds building behind Mar-mar also doesn’t reassure me in the slightest.

So here’s where we are: Studying, getting good grades, a serious financial situation, lives near a rundown section of the city, high expectations, and the evaluation of one’s worth through intellect and academia.

What we are witnessing is a nuanced family situation. If we go by the assumption that the three girls’ lives are not only vastly different in personality but upbringing, then on an income scale, Anne would be middle income, Sasha would be high income, and Marcy is low income.

Her family’s struggling to be stable in a city that they can’t afford to live in, there’s a very high emphasis on good grades and education in the household, and the situation is so bad that her dad would take the proposal of a higher-paying job out of state than finding a similar job out in the city.

However, in this household’s struggle to have a better life, the parents had to focus on their children getting better living than them, and this means Marcy had to live in an environment where the biggest source of reward and praise is through intellect, academics, the approval of the parents.

And I could probably assume that this focus on finance also lead to very rough patches where Marcy was unable to be encouraged over stuff she loves like C&C or videogames, since the level of attention is low compared to the amount of happiness and pride her parents get when she gets an A+.

Especially when we consider that in the dialogue we hear from Mr. and Mrs. Wu, her dad is more assertive while her mom appears to care but doesn’t seem to go against her husband’s tone, so a lot of the probable issues might’ve come from Marcy wanting her dad’s approval and her mother never standing up for her when he became frustrated.

That would make a lot of context with Andrias even worse in retrospect, because that means the moment a male adult figure decided to care about her and give attention to what she loved, then Marcy fell for it hook, line, and sinker.

And could you blame her?

Now, let’s finally get a glimpse on one other character I’ve been neglecting in this essay.

This gal! Because if Marcy and her are somehow related, then we need to question why she was never mentioned or why she wasn’t involved in the conversation between Marcy and her parents.

I’ve done a massive theory post about this already, but the biggest probability comes in the design itself, since if Marcy’s sister went through trade school to be a mechanic/engineer then there’s a high probability she’s in her mid-Twenties. And if we consider that Marcy is 13, then Marcy would’ve been born when her sister was 12 or 13, and ultimately leave the household when she turned 18.

This means Marcy would’ve gone on with less contact from her sister for 6 years, and that’s a lot for a developing child.

It’s not improbable for Marcy to have lost contact with her big sister, or at least had lesser time to meet up with her due to work, college, or her own adult life now that she’s out of the house.

After all, in Maddie and Marcy, I find it very interesting that out of the advice Marcy could’ve given to Maddie about siblings, Marcy tells her that even though Maddie is the older sibling and is allowed to have her own life she suggests that maybe she should make some time for her sisters occasionally. Almost as if this was a ditto moment for her, that she understands but also had a good example of a sister who made time whenever she had the chance.

On more speculation terms, it would be cute to think that the reason Marcy has so much fire and spirit toward her fiction and love for games is because of her sister. After all, Marcy harbors the same interest toward engineering and robotics, it wouldn’t be a stretch in the imagination that perhaps her sister encouraged her to keep on going with what she felt passionate for regardless of their parents’ lack of response, to basically be unapologetic of what she loves, and this mantra kept her going for a lot of her life even when her sis went for trade school.

But let’s go on a side note here. I find it quite interesting that the character design of Marcy’s sis is also very telling, because not only does it tell a supposed story about who she was in the aftermath of graduation, but we could find a way to also put the theme of income and finance into her story as well.

Let’s be real these two are partners in all the way — from mechanics to engineers to straight up girlfriends, these two basically have their own business going on and I find it interesting that none of them just go with robotics or mechanics as a full-time thing, it’s mainly two jobs rolled up into one.

Why is that? There is some speculation that maybe they’re specialists and work in a very science-related area, but it seems highly likely that their main jobs are being car mechanics by day and robotic expert nerds by night. After all, the city can be hecked with money so I wouldn’t be surprised if they did two jobs at once to keep the lights on. I could also see them doing freelancing to repair or experiment with engineering projects since they take more money than actually makes in most cases.

Overall, money plays a big part with the family, and culminates to what I like to call a Massive Shitfest TM when they get alerted over the girls’ disappearances.

Section Four - Massive Shitfest Boogaloo and Where They Are Now~

In the aftermath of their teleport to Amphibia, I wouldn’t be surprised if the Wus had a big argument over Marcy and what should be done in the aftermath. Really, the family still needs to take that job because of finance, people are blaming each other over who pushed her to the brink, and then you have Marcy’s sister — who was probably out of the loop but probably knows how it was in the household — getting added into the mess of what just happened and adding her grief into the mix.

It is a blunder, terrifying and could break apart a family if I’m being honest. but what comes through is this:

People have now become stubborn in the Wu household, and no one is going to back down.

And what I mean is that Mrs. Wu, devastated by what happened ever since the argument in True Colors, will stay in Los Angeles out of grief and a supposed hope that Marcy would return. While Mr. Wu, determined to keep the finance going and keeping everyone stable and safe, abides by Mrs. Wu and decides to go out of state regardless, bringing back a flow of money to keep the Wu household stable through the aftermath.

It would make sense as to why Marcy’s mom is present in the intro but not any suspecting candidates for the dad.

Or how we see that there’s two older ladies with her in the intro. They might actually be close relatives who moved into the household out of the obligation to comfort Mrs. Wu but to also keep her company throughout this dark time in her life.

After all, when one loses a child, a lot of prior relations start to unravel as the status quo changes, and we are definitely going to see Anne confront the Wus and Waybrights when it comes to upbringing and home life.

But really, it is all up in the air. With Season Three around the corner, I am excited to see what the story has in store for us when it comes to the deep-diving into Marcy’s home life. She might’ve had a nuanced family life. She might’ve had abusive parents, perhaps no sister at all but a lot of relatives who grieved for her.

But with this theory out to the public, thank you all for reading along with this massive beast of a post, and I hope we get to see Marcy out of the aloe vera sauce very soon!

[memes-saved-me]

TW: Injury, homophobic slur

It was in fact Hopper who noticed first. The kids being too swept up in their own lives and school drama to see it. The subtle touches, the leaving early, the looks and gazes from across the room but most importantly the swapping of clothes. Just an odd shirt here or there, a jumper definitely owned by one of them on the other.

Little things no one else noticed or cared enough to connect. However, Jim had very basic training and the past few years had taught him how to collect clues, what to look for and more importantly come to conclusions.

A conclusion that confused him for longer than he would admit. Monsters and little girls in the woods was one thing, two teenage boys together was something he had never personally seen first hand. He had read the stories from the big cities of boys dying alone in hospitals after being abandoned by their parents, an act he didn't understand at all.

The thought of leaving your own child like that was something he could never do, no matter who they loved. You should feel lucky to have had so long with them, some parents lack such luck.

He had heard rumours from time to time, hushed whispers received with a gasp or a scowl. But never did he think the resident bad boy and the son of rich family up town to be what he had heard about from time to time.

Of course, he never said anything. His conclusions being just that, a theory with no actual proof. That was until one night the station received a call from a concerned neighbour on Old Cherry Road. Shouting and banging coming from next door.

He took it, knowing exactly who lived there and what went on but not having the chance to catch it in motion.

As he pulled up outside his concern rose significantly when he saw the familiar BMW parked on the curb. When he got near the front door he could hear the yelling, so loud he knocked to no answer.

"You think you can just walk away after coming into my house and-," Hopper kicked open the front door to find a scene he had feared as the worst.

Neil Hargrove had Steve Harrington by his hair only a few inches from the coffee table's edge, bloody to the point of unrecognisable. His hands limp on the top in an attempt to push back against the force of being smashed into the wood. Billy Hargrove was close by, crawling towards them on his front.

Everything froze as he took it in, as Neil Hargrove's perfect family man image crumbles. His grip loosened on Steve's hair, allowing for him to slide down to the rug and lie flat on his back as he coughed up blood. Billy still moving to get to him, tears streaming down his cheeks as he reached out to grab his shoulder and pull him up right.

"This boy came in here and attacked me," Neil lied. "I had to defend myself."

"That's bullshit," Jim spat at him and moved to grab his arm. "You're a piece of shit father who doesn't deserve the right to even be called one."

As Hopper pushed him up against the wall he looked back at the two of them to see Steve lying in Billy's lap, cheek pressed tightly to his temple as he held him close. Steve practically unconscious as Billy tried to keep him awake.

"Look at them! They're just some fags who need dealt with," he tried to get out of Jim's grip but it wasn't happening.

"You better shut the fuck up," he pulled him off the wall and turned him around to hand cuff him. He pulled out his walkie. "I'm gonna need an ambulance at 5280 Old Cherry and a back up vehicle."

"I haven't done anything," Neil squirmed but Hopper didn't budge. "You'll be fired for this."

"Oh, trust me I won't."

Billy was whispering in Steve's ear, something too quiet for Jim to hear but he didn't want to. It was for Steve, not him. Still he held Neil there until the back up arrived and handed him over to them before going over to speak to them before the ambulance arrived.

"Hey, you got any family near by or a place to stay," he asked Billy.

"He's all I got," he replied with a wince, hands still wrapped around Steve with no sign of letting go.

"You wanna stay with me? At least for tonight because the hospital waiting room ain't the place for those bruises."

"What?" Billy's eyes widened. "I'm not leaving him."

"Alright but they're just gonna send you home and keep him in so its the waiting room or a bed," Hopper told him and watched as he looked down at Steve's blood covered face and hair before turning back to him.

"You don't care that we're..."

"Look, kid I don't care about any of that shit. There's bigger issues in this town than two teenage boys being gay," he rolled his eyes slightly. "Do you want a bed for the night?"

"Yes," he said. "Please."

Hopper watched as Steve was lifted into the back of the ambulance, Billy hesitating beside him the entire time. His hand clearly wanting to reach out and hold Steve's but too scared to do so in front of so many people. Still he climbed inside and sat down as the paramedic focused on Steve.

He followed them to the hospital and waited around until Steve was cleaned up and the nurse informed him he would be fine but needed some stitches and a hell of a lot of pain relief. Max ran in at one point wanting to know what was going on. Her mother having gone to the police station instead.

Later on as the early hours of the morning began to pass by Billy appeared and followed Hopper out of the hospital and into his truck. Face cleaned and taped up in various places with an ice pack under his arm against his ribs as they drove in silence. El preparing his bed for Billy as they made the drive to his cabin.

That was when he knew for a fact this was not the last time he would have to deal with the the two teenage boys he now could for sure call a couple. A couple who would face hell and had already, but he would be damned if he didn't make sure they made it out alive. Together and not alone because it was a privilege to be a parent, even to someone else's child.

[iprefertheterminsane]

Okay. I don’t think anyone has said it yet, so I guess it’s up to me.

look, I remember when I first heard of the Good Omens fandom, and naturally, Aziraphale’s name, I was struck frozen like, “Wait, I know that name. Israfil, that's a first. Which is what reluctantly pulled me in

(I’m a Muslim)

See, growing up, we have this nursery rhyme for the 10 most important angels that you have to know, and Israfil’s name was right up there (if you want to know, the other nine are Jibril, Mikail, Mungkar, Nakir, Raqib, Atid,Ridhwan, Malik andIzrail)Christians to mention some of them in movies, I mean, you guys have versions of them too, right? So I’ve naturally heard the mentions of Jibril (Gabriel), Mikail (Michael) and Izrail (Azrael), but I was kind of stuck at the mention of Israfil of all angels, so throughout all 6 episodes  I kept trying to remember what his main purpose was, in the nursery rhyme (you know that thing that you can’t think of something purely due to the reason because you’re looking for it?). As the story progressed I began to recall that he was a pretty big deal for starting Doomsday, but it wasn’t until this scene happened;

that it occurred to me what Israfil’s purpose was, in Islamic terms-

He blows the Sangkakala

Right, you guys don’t know what the Sangkakala is, of course. 

The Sangkakala is basically this musical instrument that Israfil was tasked with to blow to start Doomsday, nothing can begin without it. In fact, the blowing of the Sangkakala basically does half of the job.

is basically what it looks like, and what could possibly be the approximation of its size. There are, even, entire theories circulating to whether or not the blowing of the Sangkakala was also behind the Scientific theory of the Big Bang. The closest I’ve ever heard of another mythology or religion that has someone that more or less has someone tasked with this is Heimdall, in the Norse mythology (thank Magnus Chase for that one). Basically, In Islamic terms, At the Beginning, and the End of All Things, the Big Star of the show is, and always has been, Aziraphale. 

That, my friends, is how big of a deal he is.

Which, by the way, makes this scene all the more hilarious and scandalous, to me at the same time;

because to me, what it looked like is basically that these angels, irritated by Aziraphale’s behavior and fraternizing with a demon and whatnot, had decided to, against God’s rule, just give the job to someone else. And if that wasn’t crossing a line, I don’t know what is. I genuinely thought this, which makes his look of scandalized offense, after the sound of the trumpets, make much more sense. Doomsday, the End of All Things, had been tasked to Israfil (Aziraphale) since before the Beginning of Time. He was one of the earliest angels to have been created, due to this fact. Which meant, that God said, in the Beginning, Doomsday won’t start until Israfil says so. It wasn’t until Israfil says so, that things can proceed accordingly. I really think that this is why God made it so that he, Crowley and Adam

had managed to avert Doomsday so successfully. And why Death, when the Them had managed to beat the other three Horsemen, went peacefully. He knew his place. Aziraphale/Israfil said ‘no, Not Today,’ so Izrail/Azrael/Death just went ‘Fine. Hit me up when it is.’ He remembered his place. The other Angels did not. Aziraphale/Israfil just did his job-God would probably contact him personally should the End Times were ever to come about-so he wasn’t punished. What is there to punish? I wager God probably thought that the resulting Chaos and Humiliation on Both Sides were enough of a punishment to just let things be, after that.

Which, you know, ends my take on why God let Aziraphale and Crowley get away with living the rest of their lives on Earth like the hedonistic, naive Ethereal and Occult creatures they are. 

End Scene

[moxfirefly]

So @teenage-mutant-ninja-freak wanted some Halloween headcanon’s for the lads, so let’s hop to it for one of my faves on here!

_________________

• our resident violent teddy bear is pretty neutral when it comes to old hallows eve, he does in fact enjoy the candy

• speaking of candy, will eat pretty much anything even try out that obscure shit nobody likes

• he does also LOVE when you feed him said candies

• will show up at your window and say “trick or treat” with the most cocky grin

• say Treat and he’s gonna give you the MOST SENSOUS SMOOCH

• say Trick, he’s gonna steal a kiss

• send him pics of you modeling potential costumes

• the skimpier the better

• will lowkey Windows Shutdown if you dress up as a boxer. The shorts, the sports bra, the gloves, the whole shebang. rapahael.exe has crashed.

• prefers cheesy horror movies think: Army of Darkness, Tucker and Dale vs Evil, Nightmare on Elm Street: Freddy’s Dead etc

• if he could give out candy he’d def be the guy who high fives the kids and gasses them up and addresses them by their characters

• “oh heck Batman! You better get back to Gotham!”

• oh he’s also the guy who would give out extra candy to the kids

• pumpkin carving king

• Mikey loves scaring the shit out of him

• he claims he was ‘merely startled’

• won’t dress up, will be moody while having a pair of cat ears on his head that you insist upon because Dammit Raph we are all taking this picture and you are participating somehow

• Halloween Lover™️

• honestly our resident nunchuck bean loves all things spooky

• loves watching the NYC Halloween parade

• loves watching shows, movies, videos anything regarding to it

• will dress up

• will eat ALL THE CHOCOLATE PLS HIDE IT FROM HIM

• has defenatly said that famous “they are coming to get you Barbara” line, it’s drives Raph up the wall

• decorates the lair starting September honestly

• resident scare champion, seriously he has snuck up on Leonardo

• Halloween baking goods, join him this boy will feed you well

• will o.d on sugar cookies

• dress up as his fave superhero or game character, expect heart eyes all day and lots of handsy caresses, this boy will gas you up so much (he already does on the regular)

• cheesy horror films but he’s surprisingly high key into the Based on True Events ones. Think: The Conjuring, Blair Witch Project, Exorcism of Emily Rose, etc

• boy gets extra frisky on Halloween night

• will want to try and get into a party with you

• but if case not be he will throw a rager in the lair with the bros, you and the close friends

• y’all banging while a horror movie plays in the background

• “man if we were in that lake, that pissed of goalie would so kill us”

• “Mikey focus”

• “shit my bad, babe”

• Our blue boy enjoys Halloween surprisingly enough

• has to be forced into the party tho

• will end up having fun

• but will micro manage because Virgo™️

• actually won’t complain if asked to dress up

• sour candy lover

• old school horror movie lover: White Zombie, House on Haunted Hill, Dr Jekyll/Mr. Hyde, Creature of the black lagoon

• absolutely loves when you hide against his arm, he will purposefully find the goriest movies just so you could watch it basically buried on his chest

• humors Mikey because Big Brother Duties™️ so he helps decorate no matter how absurd it gets

• speaking of brotherly love 🥺 they love Hocus Pocus and watch it together every year cause Danny and Max reminds them of their relationship

• this precious brainiac loves Halloween perhaps rivaling Mikey

• he loves ghost stories, loves reading up on crimes and crazy events that happened around the time

• spooky podcast play all month long

• spooky playlist plays as well

• from old school Monster Mash style to more modern takes like Black No. 1

• will eat everything Mikey bakes, boys got a sweet tooth

• bring him seasonal coffee and he’s forever in your debt

• send him your Halloween costume idea, this lad will even help you MAKE it like legit even better than store bought

• Sci-Fi/Horror/Suspense/Psychological lover: It Follows, Predator, Alien Resurrection, Heredetary, Event Horizon, Splice, Martyrs, Suspiria, etc

• knows little know facts about certain scenes and effects

• “Did you know how many gallons of fake blood that took to make? Speaking off did you know you can make fake blood out of-“ Cue you screaming bloody murder at a graphic kill

• Resident DJ at the party (I have this headcanon that Donnie likes to make beats, remixes on his spare time when he needs to take a break from a project) Mikey says his transitions are so satisfyingly smooth

• Happily dresses up, begrudgingly helps his brothers with their costumes. They get so diva about it to a point where he’ll just mutter about not being on fucking Project Runway stop horsing around while wearing it of course it’ll tear!

• referees the games

• disqualifies Raphael almost every time

• once put on Halloween special effects noises

• splinter thought they were being attacked

• scared shitless of horror stuff? Let this adorable boyfriend of yours explain why “it’s illogical that a burned demon man in a striped sweater will invade your dreams and kill you my love....Now the monthman though-“

• “DONATELLO WE TALKED ABOUT THIS”

• “No conspiracy theories after midnight yes my apologies”

• once left a fake bug on Raph’s bed, spent the entire afternoon in a headlock

• Donnie and Raph actually spend time playing horror games though. Raph likes to play commentator. “Told ya that door was suspicious genius, but by all means get killed again” Cue Donnie rolling his eyes for the tenth time

• Loves seeing you all dressed up, especially if you dress up as a character he loves like Ripley from Alien.

[just-the-mage]

Review-Love Death + Robots (Pt 1. Episodes 1-4)

So here we are again.  You, dear readers, and I, a mostly defunct tumblr page.  I was thinking...I’ve written a few reviews on here before, and I’ve rather enjoyed myself to be honest.  So until RP starts up again for me, I’m going to grab some popcorn and start reviewing some of the media I’ve been indulging in during this exceptionally fun pandemic we’ve all been saddled with (and are becoming increasingly more and more used to as time goes on).  Here we go! 

Spoilers incoming! I don’t like to discuss a show without going through it entirely-no stone unturned.  You have been warned! 

Love Death + Robots is a compilation series-each episode is self-contained content, based on what I have experienced thus far.  The content varies wildly from cute and sweet to surreal, to horrific.  For right now I’m going to stick with the first four episodes since they are fresh in my mind.  

Episode 1: Three Robots

Three robots shows a short adventure shared by, you guessed it-Three robots exploring the crumbling remains of human society.  It comes across as three tourists making their way through an area that they are completely unfamiliar with, attempting to define and understand elements of the environment as humans once did.  Their analysis and attempts to understand not only human culture, but also basic human biology, were entertaining to say the least.  Each robot has flair, character, and a their own take on humans and humanity.  Over the course of the episode, the fall of mankind is referenced a few times, being initially explained as a mass extinction due to environmental disasters (global warming is probably a factor-one of the buildings has an entire ship sticking out of it).  However, the twist ending throws that whole theory into question once the cat that has been accompanying the robots for the last leg of their journey reveals itself as capable of speech.  And, interestingly enough...being in possession of opposable thumbs.  It was certainly unexpected, and a bit odd-the cat (and its many, many brethren) manage to finish out the episode by convincing the robots that if the robots do not pet them, the cats may explode.  I will say that the ending, though it was rather silly and fitting with the tone, felt like an out of place twist intended mostly to give a bit of closure to a story that had no real need to have an ending.  It felt a little out-of-left field, at least to me.

This first episode, I think, is one that I could recommend to a much more general audience than almost all of the other content of the show.  It’s whimsical and cute, despite inhabiting such a grim setting (and grim it is-post apocalyptic is not taken lightly here.  There are plenty of corpses, some skeletal and some not quite so much.  At least one of them appears to have died by suicide).  I found it to be a nice addition and a good introduction to ease people into the tone of the show.  Definitely give this one a watch, even if the ending sort of comes from nowhere. 

Episode 2: Beyond the Aquila Rift

This episode was definitely a change of pace from the first.  It begins as a high science fiction story starring a hunky, middle aged man and his two crewmates, making some sort of cargo run (?) through a wormhole of some kind, but promptly finding themselves in a completely different place from what they expected.  Hunky space captain wakes up first, finding that he is greeted by an old friend (read: lover) of his, who explains that there was a navigation error that led them off course-way off course.  They’re in a completely different area than they expected.  The ship’s navigator wakes as well, swearing that there couldn’t have been an error in her calculations, but seems ill and is placed back in her future tech cryopod to rest.  Space captain man then bangs it out with his ex-lover (Greta) in a scene that was almost definitely written by a man, and she reveals to him that she lied, and that him and his crew are actually hundreds of light-years further off course than they had thought they were, basically dashing any hopes that he could have of returning to his old life.  The two then wake the navigator again, who immediately starts ranting that ‘Greta’ isn’t who she says she is.  At this point, enough clues have been given that the captain catches up with the audience (it was all a simulation the whole time), and he confronts Greta, demanding that she reveal herself as she truly is.  She does, after some prodding-and the captain finds himself in an infested husk of a ship, aged and haggard, obviously dying of starvation.  Greta reveals herself as a lovely spider-beast, and the captain wakes up from his pod again-back in his comfortable illusion once more.  

I love the premise of this one.  Crazy aliens and shit like this is a huge draw for me-sci-fi horror is probably my favorite subgenre of horror when it’s done well.  I would count this episode as doing it pretty well.  They don’t go into much techno-babble, which I think is a pitfall for some sci-fi stories.  The writers are well aware that we aren’t spending too long in this world, so we don’t need to know much about the rules under which it operates outside of ‘computer mistake your ship fly here.’  The twist ending didn’t end up being too much of a twist-in my opinion there were too many clues given throughout the episode to make it that much of a surprise that things weren’t as they seemed.  The odds of this man meeting his ex-lover in the infinitesimal reaches of space just by chance were a bit too impossible to make it believable-and the navigator was far too convinced that her work couldn’t be incorrect.  In the end, it was an expected twist, but still pretty jarring.  Execution is pretty good overall though-and the sex scene is pretty decent as well, even if its strictly a dude-fantasy thing.  Also, call me a sucker for cool looking beasties, but I adore the design on spider-Greta.  That’s a lady right there for you.  

Episode 3: Ice Age

The only live action episode I’ve seen so far-this one gives an *entirely* different tone than the majority of the other episodes in the series.  Topher Grace and Mary Elizabeth Winstead happen upon a lost civilization that exists entirely within their refrigerator.  They watch in awe as it develops incredibly quickly-hundreds of years passing within the civilization in roughly an hour or so of real time.  What starts in the morning as a town in the viking ages eventually develops into a modern society, almost destroys itself with nukes, and then rebuilds from the ashes into a fully futuristic society that quickly ascends beyond physical form, appearing to disperse itself into the cosmos, no longer bound by such petty rules as the laws of physics.  A disappointed Topher asks if they’ll return-to which he receives a sad ‘no’ from his partner.  It seems all is lost, and the couple go to bed for the night-only to find that the cycle has restarted overnight, and they probably won’t be able to keep any frozen chicken in the freezer for quite some time.

This one is probably one of my favorites of the series so far.  It’s fairly well acted, but the real beauty of the episode is getting to watch the mini-civilization develop itself in a glorious time lapse-the work that must’ve gone into it must have been monumental, to be honest.  The final product certainly felt that way, in any case.  What I also found fascinating was a specific scene in which the protagonists were abandoned in place of some of the tiny denizens of the lost civilization-which made me realize exactly how slow the ‘normal sized people’s’ actions must have looked to the diminutive people of this rapidly developing society.  Reminiscent of the earth’s motion in relation to our own perception-and reinforcing the concept that to an individual, perception is everything. 

Episode 4:  Sonnie’s Edge 

This episode opens with three people transporting mysterious cargo into a heavily guarded complex, quickly encountering and interacting with a ‘bigwig’ of sorts with a beautiful woman on his arm.  Through context clues the audience is easily able to discover that the three (pictured above) are here for a fight-and that their cargo is their fighter, a living creature of obviously immense proportion.  The bigwig asks the team to throw the fight, and they refuse, even after he offers a large amount of money.  (It’s worth mentioning that during this scene, ‘Sonnie’, the leader and controller of the beast fighter, shares an EXTREMELY homosexual gaze with the bigwig’s beautiful lady friend.  Don’t think I didn’t notice the setup, because I definitely noticed the payoff, even though it was rudely interrupted).  Sonnie and her teammates enter the ring, setting up as it appears that she will be piloting her fighter in some way.  Her opponent is also introduced, though he is hardly important in the story-imagine a cake of beef with a big sticker on him that says ‘mysogyny’ in bold print.  What follows is one of the most brutal fight scenes I’ve seen in animation (this is just my personal opinion though).  These creatures fucking tear each other to shreds, with Sonnie’s beast only just barely emerging as the victor, tearing the opposing fighter’s head clean from its body.  The bigwig is obviously angry, as is Sonnie’s opponent, and Sonnie and her team retires to a hotel room of sorts, with the exception of Sonnie-who slips away into the room that houses her fighter, promptly encountering the beauty from earlier! (Payoff time)..and it gets gay.  Fast.  I love me some wlw content, and there’s some nice tension here, right up until the beauty stabs Sonnie through the head.  Rude.  The bigwig reveals himself, which was a bit of a surprise-the part of me that hadn’t seen much of this show yet was hoping for a fluffy little happy ending.  It wasn’t to be though..after the beauty crushes Sonnie’s skull, the two promptly realize that ‘Sonnie’ wasn’t Sonnie at all-just some biotech.  The *real* Sonnie...was the fighter, the whole time.  Who promptly makes short work of both the beauty and the bigwig, (implied), in what I can only describe as the most satisfying moment in the series that I’ve seen thus far.  

This was easily my favorite episode of the show, and has continued to be, and I assume will continue to be my favorite through the rest of the series.  It’s not just because of the lesbian rep (my people!), or the misogynists getting fucking destroyed, but the strength of the reveal, the choreography of the fight scene, and the *power* of the protagonist.  I love her.  I love her sooo much.  We are seamlessly introduced into the world, shown a woman who has been beaten, scarred, faced sexual abuse, and she remade herself into a being of pure power.  She fought back, and *look how she fights back*.  I cannot describe just how much of a cheer-worthy moment it was to watch the smug smile be summarily wiped from the face of the bigwig.  I *love* seeing a villain who has full confidence in their victory suddenly realize that they don’t have the upper hand anymore...and that they are, in fact, absolutely screwed.  This was one of those wonderful, wonderful moments, and I can think of nobody more deserving than this villain of being torn to shreds.  This was an A+ episode for sure-100% recommend this one for anyone who can handle a bit of gore.  

Thank you so much for reading!  This is only part 1...more to come!        

[ralexsol]

On the Subject of Underverse S2

You read that correctly: this is a post about one of the greatest shows ever created, the Undertale animated series Underverse, written/animated by @jakei95​. I have a lot of theories that I’ve been pulling together ever since I watched both Underverse and Xtale (the Underverse prequel series). Maybe one or two have no basis in anything, but for some reason they popped into my head and I’ll stick by them until they’re proven incorrect. I will discuss the possibility of a Geno/Ink fight, Fresh!Ink, XI (you’ll definitely want to read their section!), and the fates of many different characters. This is quite the long post, so buckle up for a long ride.

Let’s begin!

GENO/INK FIGHT:

I’m putting this theory first because it is the least important. At some point in time, I somehow got it into my head that there is supposedly going to be a fight between Geno and Ink. I have no idea where I heard about this, and when I searched for any specific videos or posts about the subject, I found nothing. But I personally think a fight scene between Geno and Ink would be pretty cool, so I’m adding this in here.

FRESK!INK’S EXISTANCE:

This is a more relevant theory. Ever since Jakei announced that Fresh!Ink would be a part of Underverse, I have wondered how he would be incorporated. I don’t know if she means for him to be in the future “Beach Episode” or something more serious. (Of course, I know almost nothing about this supposed “Beach Episode”, which is apparently when Epic!Sans will be showing up, so I really wouldn’t know.) But there is an important thing to remember: Ink and Fresh made a deal in the first season.

Ever since I saw this Underverse - Xtra Scene 2, I have wondered what this “prize” could possibly be. What was Ink’s side of the deal? What did he promise Fresh? Hmm... maybe a new body to take over?

Ink’s body doesn’t have a SOUL- that’s basic “Undertale AU Knowledge 101″. What does this have to do in regards to Fresh? To my best knowledge, the actual parasitic creature True!Fresh feeds off the souls of other creatures to survive. In fact, his soul-feeding would kill his victims if he stayed long enough in one body, but he likes to play it safe and leave his victims alive in case he needs to use their body again. But he wouldn’t need to do this with Ink. Because of Ink’s SOULless nature, Fresh could theoretically feed off his body forever. Some might object that since Ink doesn’t have a SOUL, Fresh wouldn’t be able to feed off him. But then how does Fresh!Ink exist?

So, what was their deal? Fresh watches over the Xtale AU while Ink is gone, and after Cross and X!Chara are taken care of, Ink comes back and lets Fresh take over his body for a little while. There may be something else I’m missing, but the pieces seem to make sense.

XI’S PURPOSE:

For those of you who don’t know who XI is, I suggest you watch this video about Jakei’s Overwrite merch. This is when the character of XI was introduced to us, back on good ol’ April 1st, 2019. Haha, yes, the joke character of XI- funny April Fool’s Day video, a good laugh for everyone. Jakei has made a few comics about XI since then, but overall, XI hasn’t been involved in Xtale or Underverse so far. That has never sat right with me, and I’ve always thought there would be something more to him. I was proven absolutely correct when Xtale - The Movie came out. But before we discuss the little extra scene tagged onto the end of that video, I would like to point out some very interesting facts about XI.

On October 6th, 2019, Jakei posted a traditional speedart. Obviously, the art is gorgeous like always and every time I watch it I wonder if I will ever get to the level of skill she is at. But besides that, there is a very important aspect about this video. In the speedart, Jakei drew two pictures: one of X!Chara and X!Frisk fighting, and one of XI. In XI’s picture, they are depicted in full armor with a magical purple sword & shield.

Hmmm... I wonder who this could possible resemble?

Every time XI is shown, whether it be in comics or artwork, their bangs hang over their eyes. Their armor looks exactly like Kris’s from Deltarune. Heck, they both use a sword and a shield! What does this mean? XI is X!Kris. There is no way to deny this. This is why they are X!Chara’s and X!Frisk’s little sibling. I would also like to point out XI’s silver oval locket. I find it interesting how he has a different piece of jewelry from everyone else- all other important characters in Xtale have a matching golden heart locket. Does XI also have people he has given copies of this necklace to? Perhaps X!Susie and X!Ralsei, if they exist? But XI being X!Kris is only the beginning of this theory. Remember how I mentioned Xtale - The Movie earlier? Take a look at this picture.

This is a five-second frame pegged at the very end of the video, after an entry written in wingdings by Mister XGaster himself. The message is as follows:

Entry Number Eleven: As clear as a reflection in a mirror, I have found the most perfect projection of forbidden visions. Get ready. Your time is coming.

Okay, just whoa. Not only is the entry #11, but the person standing there is XI. Oh, and let’s take a closer look at what they’re holding in their hand.

I knew that silver locket was going to be important. There is no way that XI is not going to play a major part in either Underverse S2 or hmm... maybe a spin-off about the Xtale versions of Deltarune characters? To my knowledge, Jakei has not said anything about her plans after she finishes Underverse. She has her Metadora project, and I am aware that her husband @nyxtheshield​ is planning out his own Undertale series- someone will need to animate that, and I’m sure she would be able and willing to do the job. She has stated that there will be no seasons of Underverse after S2, and the finale will be 1.0. But that doesn’t mean she won’t make a new series. If she does, will it be about all the Deltarune characters? Will the other Xtale characters show up at certain points in it? Will XGaster play a large part in it? There is no way to know, as the idea of a new show is simply drawn from that there may not be enough time in S2 to fully expand what XI is.

In any case, XGaster states in the entry that “your time is coming”. This could either reference a new show or XI’s appearance in Underverse. I find it extremely interesting how XGaster words his message. “The most perfect projection of forbidden visions.” What does that mean exactly? XGaster has seen something in one of his many visions, obviously. The most perfect image of prohibited sights. XI is a person that stands for something that should not be allowed to exist. That makes sense- XGaster, a man, somehow got pregnant and birthed them, as shown in the Overwrite merch video. The “forbidden visions” might imply that he has seen something quite “cursed”, as us modern Internet-users would say. But then he tells this projection to get ready, because their time is coming. XGaster is telling XI to prepare themself. This just proves that XI and XGaster are tied together very closely, and that if XI does get their own series with X!Ralsei and X!Susie, XGaster will be involved.

Whew! That’s a lot of information to take in all at once. This was the big “theory” I wanted to discuss, so now we will move on to the different fates I believe may befall some of our beloved characters.

INK, FOR GOOD OR FOR WORSE?:

Ah, Ink. One of the true protagonists of Underverse. Remember: a protagonist is not necessarily a hero, just one of the leading characters. It has been seen that his story arc is the most important throughout the entire story. He is the one that inspired XGaster. He is the one that made XGaster’s plan succeed. And he very well might be the one to make it fail.

Wait, you’re asking me. I thought he was on XGaster’s side? What do you mean he will make it fail?

I didn’t want to address whether Ink was going to stick with XGaster or flip until a certain song was posted by Nyx two days ago on December 5th, “Soulless Heart”. If you haven’t listened to it yet, go ahead and click that link because the song is beautiful and absolutely necessary to continue on with this theory! The song is the Underverse 0.5 Ending Theme, and guess who it’s about? You guessed it, our good old buddy chum pal Ink. I’ve been listening to it on repeat since it came out, and it really is incredible. (Nyx, if you’re somehow reading this, I would like to personally congratulate you, because not only is the music amazing but mwah! Your voice is a joy, and I would not have any other singer do the vocals.) But the most important thing about the song is the lyrics. Here’s the first verse.

How long have I been longing

to be free and not broken

in this ocean of hollowness?

I don’t want to be forgotten.

Instantly, the lyrics hit you hard. This is about Ink, though, so you can’t expect anything less. Essentially, the song is about the emptiness that Ink feels without a SOUL. This goes along with one of his main aspects in Underverse. The only reason why he worked with XGaster to make sure XGaster’s game worked was so he could feel more emotions. As a chaotic neutral character, Ink literally only cares about himself and his personal goals. But what is interesting about this song is that he addresses the pain he has caused.

Sacrificial lambs

laid upon my path

now are broken worlds

killed by senseless wrath.

Ink knows that he has hurt people. I mean, in the present timeline when 0.5 is to be set, Ink’s actions just caused Error to literally “pull the plug” and destroy all the AUs. (Although, how many AUs were actually destroyed is impossible to determine, because there are still multiple Sanses that will be incorporated into S2 that were residing in their AUs at the time of their supposed destruction.) Ink knows that this is his fault. And now that XGaster has won, Ink will be receiving all those emotions he wanted! In the S2 teaser, which was released on the original Underverse 0.5 release date (the episode was unfortunately delayed due to issues with Nyx’s distributor, RouteNote), shows something very important.

Look at those vials in his hand. Those aren’t just colored vials. Well, they are, but their colors are especially important. Look at their specific colors: orange, yellow, and amber. Previously, Ink’s vials have been seen as very straightforward: roy g biv, that sort of thing.

You have one or maybe two variations, although in this picture there seems to be about four different aqua vials. But there certainly isn’t an amber vial. This goes to show that XGaster followed through on his promise, and Ink has a lot more variations in his color-coded emotion vials. The obvious conclusion from this is that he can feel a lot more things than he thought was possible- including guilt. With his newfound feelings, he could realize that what he did wasn’t just wrong, it was horrible. He might start to blame himself for getting all the AUs destroyed, which in turn might result in a betrayal of XGaster. With his emotions, he would become a real good person. But ultimately, without XGaster’s Overwrite abilities, Ink’s new emotions will fade and he will return to be the same old Ink as before. He will no longer understand why he sacrificed his emotions, and the cycle will start anew. Ink will never be truly happy, because being happy will always mean the suffering of others.

Or, Ink will stick with XGaster. It would be the same fate, after all; if the heroes defeat XGaster, Ink will still lose those emotions. This, though, might leave him feeling bitter and even more willing to do anything to get what he wants, which could potentially lead to him becoming a real villain. Perhaps XGaster isn’t the final boss of Underverse. Maybe the one to start everything will be the one to finish everything.

XGASTER AND UT!GASTER:

This wouldn’t be a real theory post without discussing our favorite fanfiction writer, would it? And yes, XGaster is literally a fanfiction writer. He has symptoms of OCD concerning the world-building of his universe and he just loves to add as much angst as humanly (or monsterly) possible. It just so happens that he lives in his own created universe, so his creations have the pleasurable chance at getting revenge.

Now, there are obviously two ways that Underverse can go: XGaster succeeds, or XGaster fails. This doesn’t necessarily mean that this will be the ending of S2. As I mentioned above, perhaps XGaster will be defeated at the end of 0.9 and 1.0 will be about everyone trying to stop Ink from taking the Overwrite SOUL for his own, I don’t know. In any case, I don’t really have anything to discuss about XGaster specifically, but I am pretty sure I know what his last scene will be if he happens to lose.

It is shown in the Underverse S2 Prologue - Owners that XGaster and UT!Gaster spent a lot of time together in the Void between the events of Xtale and Underverse. Not only do they hold an entire conversation together in Owners, but in Underverse 0.1 when Sans is hit in the head with a ball, he has a vision of the two of them standing together.

In XGaster’s and UT!Gaster’s conversation in Owners, UT!Gaster tells XGaster that he will fail in his quest for perfection. XGaster brushes him off because he’s an egotistical prick, yadda yadda. But this conversation is important because I believe it will parallel the ending of XGaster’s quest. In the end, UT!Gaster will approach his old Void-buddy and tell him to just give up on his pointless venture. XGaster will turn to dust after saying something like, “I will never give up”, and then we have Ink going on a rampage. That’s pretty much all I have to say on them, but I thought it would be worth adding.

DREAM AND NIGHTMARE:

Lastly, we have the brothers. As with XGaster and UT!Gaster, I don’t have much to add with them. But I do believe they will both play a major role in S2. They will be the overseers of the battle to come. Out of all the characters in the Undertale fandom, they are the most omnipotent. They are the protectors of the Tree of Feelings, which is one of three trees to give the Multiverse life. In Underverse 0.4, when X!Chara accused Nightmare of “watching us all this time as if we were part of a show”, Nightmare responded by saying:

Of course, Nightmare mostly means himself, Error, and Ink. Dream is much more active in helping people be happy, but that doesn’t mean he isn’t on the same god-tier level as his brother. Dream could sit back and watch the world tick, but he chooses not to because that goes against his morals.

In other words, Dream and Nightmare will probably affect the outcome of Underverse more than any other characters. They’re both pissed about what Error did: all those people that Dream cared about were murdered, and Nightmare can no longer generate negative feelings from innocents. They both have invested interest in this Multiverse war now, and their powers will certainly come to the forefront.

I believe that at the end of the story, the Multiverse will essentially go back to the exact way it was before Xtale was invented. XGaster will be dead, the Xtale characters will be put back in their AU, the other AUs will be restored, and at the end of it all, Dream and Nightmare will be once again pitted against one another. We may even see an alliance between them during Underverse S2 to stop XGaster, but afterwards, they will reestablish their rivalry. Unless the Omega Timeline comes into play, which it very well might, I don’t see the two brothers reconciling.

CONCLUSION:

Thank you everyone who took the agonizingly long time to read this! I hope this shed some light on certain characters (especially XI) and encourages to make some of your own theories. Stay safe and good night!

[shadowsong26fic]

Coming Attractions!

First Monday of the month, which means Coming Attractions Post!

(Especially since I skipped last month, whoops…)

Before we get into it, as I always do in these things, plug for my Discord server--it’s pretty quiet, but basically a slightly more interactive version of this tumblr. Sometimes I talk a little more about origfic or other stuff than I do here, too.

Also, this is not my only hobby! As some of you may know, one of my others is lacework, and I now have a sideblog for that. I have pictures of my completed projects up there, and will probably have more stuff as I start…well…making more stuff.

Anyway. On to the actual writing stuff aka why most of you are here (also a few requests for feedback/Opinions behind the cut).

So, I didn’t get much done over the month until, like…the last few days. In part because work got super bonkers for reasons I’m still Cranky at but that is a vent for my personal blog, lol.

Precipice:

I have threeish scenes left, which I’m probably going to do as one more chapter (unless they end up Super Long, then I might split it into two). That’ll close out Arc Seven, and the first big chunk of this fic. As I’ve said before, I’ll split off into a sequel fic (working title Protectors) at that point, along with doing a sort of…interquel, working title Preludes, that mostly deals with integrating Rebels content. Also probably Maul.

Right now, I’m tentatively planning six installments to Preludes? Mostly because six feels like a nice number to work with, lol. These will be one-shots that aren’t super interconnected, all taking place during the six-year timeskip. These are the ones I’m thinking about doing as of right now (subject to change, and I welcome suggestions!):

one involving Kallus on Coruscant, shortly before he gets reassigned to Lothal;

one involving Hera and whoever her contact is in this AU (since Ahsoka’s doing something different from the Fulcrum stuff);

one where Kanan and Ezra connect with Obi-Wan et al. (probably through Hondo);

one with Luke, probably similar to that one episode where Leia turns up in Rebels canon;

I really do need to figure out what the heck is going on with Maul, don’t I.

…something else????

The only ones I’m 100% sure about including are the one with Kallus and the one where the various Jedi link up because those are necessary and/or plot-relevant, though I’m still working out specifics (especially on the Jedi one). I may also include something with Thrawn, since I’m doing something different with him than canon did. Like I said, I welcome thoughts/suggestions/etc.

Protectors will then pick up six years after the end of Arc Seven, with Arc Eight. And, as a treat, the working titles for Arcs Eight and Nine are Escalation and Watershed. In theory, I’m planning to post Preludes alongside arcs eight and nine, but we’ll see.

…anyway, uh, what I forgot to mention earlier is that my plan is to wrap up arc seven/the first fic in this series this month. Hopefully I will actually pull that off XD. And then we move on to the other stuff.

Other SW Fic Projects:

Big Bang is coming up again! I think signups will be next month? I’m considering three different plotlines as of right now, though that’s assuming I don’t come up with something new and exciting and/or another ObiAniDala plotline, which is what I seem to do every year…which one I end up doing probably depends at least partly on how S2 of the Mandalorian goes, since two of the three ideas heavily feature Bo-Katan. Of course, one of those lacks a plot and the other is pretty episodic/involves a lot of blank space I still need to fill in…

Anyway, we’ll see how that goes after the show airs and I get more event information, especially since it’s going to be structured differently/teaming up writers and betas much earlier in the process, which will be nice and possibly help chronically-undecided me actually pick something so I’m not scrambling to finish at the last minute but given that it’s me I probably will be anyway XD

As for other SW projects…I still owe a few meme fills from, like, April…but otherwise, extant projects are mostly back-burnered for now.

AtLA Projects:

Aka, the reason why SW projects other than Precipice and SWBB (and any one-shots/prompt fills that occur to me) are back-burnered, lol.

I am working on an AU outline, set to come out this month. There’s a couple of fulltext fics I’m playing with. I haven’t gotten any actual text written down yet, but I know where I’m going with them, at least to start.

The AU outline will be a canon-divergent thing set during the Ba Sing Se arc, and will be hopefully out Soon.

Fulltext fic #1 is…basically, the premise is, Lu Ten had a lover during the Siege, the soundtrack to this fic involves a lot of West Side Story, he left her with someone to remember him by, and then there’s some mindbending and complicated politics after his death. I think I talked a little more about this in a previous post? Anyway, one of the things I’m considering is whether to just tell this story linearly, or to start several years later, and go into the whole star-crossed lovers backstory as she regains her memories of what actually happened. The advantage to the first option is that it’s easier to work with shifting POV, which I prefer; and also involves more canon characters more quickly. The advantage to the second is that I think it would work really well for this particular storyline? Assuming I could get people invested in her and/or Ba Sing Se Politics/Worldbuilding that fast …y’know, when I think about it like that, maybe linear is the best option, lol…

Fulltext fic #2 is an Avatar Zuko AU, where he figures it out at age thirteen, and at that point decides he has roughly three and a half years until the comet, aka three and a half years to figure out how to make all this work (not to mention at least starting to learn air, water, and earth), and hopefully by then he’ll know what he should be doing with it? Whether it’s to resurface and Prove His Worth by defending the Fire Nation during the leadup to the comet, or something else (though Something Else doesn’t quite occur to him until he starts doing the other stuff). This will heavily feature at least one of my old OCs, and probably a few others (and likely one or two new ones), especially during the first two years. I’ve got things more or less worked out up until Aang resurfaces and Zuko’s plans have to shift/he has to cut his earthbending year short (much to Toph’s annoyance). Because once Aang is awake, everyone thinks he’s the Avatar (he’s not; there’s another explanation for how he iceberg’d for a century), and that fact just escalates All Of The Things.

((I’ve mentioned before that I am Pathologically Incapable of not creating a bunch of OCs and AtLA is a particularly strong example of that, so...yeah, that’ll be a Thing in pretty much anything I write in this fandom))

…anyway, this should be fun, once I actually get actual text down XD

Original Fic:

I did write one thing last month! Which was nice. Hopefully, I’ll get a bit done this month, too. For those of you who don’t know, most of my original stuff is posted on rainbowfic, which is a great community and if you guys do original stuff you post online, you should come join.

I’ve also started poking at a couple of new concepts, because that is how my brain do. Including one Arthuriana story despite the fact that I’m not super into Arthuriana but then my brain was like “what if Mordred was a girl?” and welp. Here I am.

NaNo:

I’m proooooooobably going to do a similar setup to what I had the past couple years--set myself a wordcount goal, but not bind myself to any single project. Depending on how things go this month, either with Precipice!verse or SWBB or my AtLA stuff, or if that Mordred thing catches on, I might try to prioritize one or more things (like, have my goal be 20k on X project, and 30k on other stuff), but I’ll decide that closer to the date.

…I think that’s everything! What are you guys up to lately? Does anyone have NaNo plans? Any thoughts on stuff I mentioned on my docket, so to speak? What’s on your mind?

[the-voltage-diaries]

Hey twinnie🌝❤ What shows do you think the KoP guys would watch?

Wassup, Moon Twin?

Ooh, that took me a while to think of, for sure. But, here you go:

1. Taki Kozaki

Of course, Taki would definitely watch shows centered around renovations and complete make-overs of properties, but I’ll be honest, I’m not very knowledgable about those. Also, my guess is that these are some shows he would watch apart from his usual renovation-based shows.

- Blue Bloods

For some reason, I definitely see Taki as the kind of guy who would watch a lot of crime-based series. It seems like something he would be up for. Blue Bloods is a drama about a family in which almost every person is into some field related to crime, like a lawyer, a detective, a police officer, a police commissioner, et cetera. My deduction is that Taki would enjoy this one, because not only does it have a lot of serious plots, logical deductions, and thrilling cases, but it also has it’s fair share of family moments and sweet scenes. I think he would enjoy the blend of the two, for sure.

- Elementary

As I said, I see Taki as the kind of guy who would watch a lot of crime-based series. This one’s a kind of a crime-based thriller. Elementary is its own form of a spinoff of Sherlock Holmes and Watson. It does have a lot of dry humor and a couple of sweet moments of platonic relationships, but overall it’s largely analytical than humorous. Dry comedy and sarcasm is something I feel Taki would enjoy, and this one would give him just that, combined with really good plots, some amazing deductive reasoning, and a great thrill.

- River Monsters

Taki loves animals, for sure. I mean, he has a pet crocodile, so to speak. I wouldn’t put it past him to sit down and enjoy some animal/wildlife documentaries on channels like National Geographic, Discovery, Animal Planet, BBC, et cetera. Although, he would prefer the reptile-based, or crocodile-based, documentaries more since he has always loved reptiles since he was a kid. River monsters would not only look at crocodiles or reptiles, but also at a variety of other animals who are predators at their core, and I feel like Taki would watch some of that stuff.

2. Yosuke Sagara

- Shark Tank

Yosuke is literally an investor. Like, literally. I don’t see a reason why he wouldn’t watch this one. In this show, basically, aspiring entrepreneurs from around the world pitch their business models to a panel of investors and persuade them to invest money in their idea, which I think is something Yosuke would be interested to watch. He’d get new ideas for what kind of projects he’d like to invest his money into, and he’d be able to keep up with the trends; mainly what kind of products would really work well in the market. It’s kind of a win-win for him.

- The Purge

He would, okay? He just would. This one is like, right up his alley. Yosuke seems like the type of guy who might have a little bit of a sadistic streak and would like watching horror/sort-of-gory shows. The Purge is a mix of horror and psychological thriller, and Yosuke’s personality makes me believe he would like those genres, specifically psychological thriller. I can definitely see him smirking to himself as he starts watching another episode of this one, thinking of all the destruction that the people would cause when the sirens go off. I think he would maybe even watch it for the thrill of it if you know what I mean. The adrenaline he gets out of this would definitely be his thing.

- Succession

Again, all for the thrill of it. And, the satire, too. Yosuke has a wicked sense of humor, and I would like to believe that he would enjoy this one. The show is said to by cynical, dark, greedy, but is also a little funny and whimsical at the same time. I honestly think Yosuke would enjoy such a show where practically all characters seem “evil” and rotten to the core, and where the plot is also a slow burn. There seems to be a metaphorical battle occurring in the show, one without any weapons or blood or gore; basically, purely strategized mind games. Succession is also a largely psychological thriller, or “psychologically abusive,” as some might say. Honestly, it does seem like a show that’d be right up Yosuke’s list of “Must Watches”.

3. Kiyohito Shirakami

I do believe Kiyohito wouldn’t watch shows about modeling, in particular. I’m pretty sure Kiyohito would watch shows about health and fitness, and even fashion, but not modeling. As with Taki, I’m not very knowledgable about health and fitness and fashion-based shows, so this list is basically about what I think he would watch apart from them.

- Dexter

The main protagonist of the series is described as someone who is unemotional. Hmm, that reminds me of someone: Kiyohito. I think Kiyohito would have his thrill of watching Dexter, considering this show is called creepy, yet fascinating. Dexter is again a psychological thriller, and something makes me believe that all of the Pandora guys, particularly Yosuke and Kiyohito, would be into psychological thrillers. So, yeah. Dexter would be one series that Kiyohito would start watching just for the heck of it, but then would be gripped in by the drama, the plot and the plot twists. It seems like his kind of show. Welp.

- The Big Bang Theory

This might come out as surprising, but I do believe Kiyohito would watch The Big Bang Theory. Kiyohito is honestly one of the best KoP guys when it comes to being sarcastic and having a dry sense of humor, and that is basically what this show is; dry humor. Kiyohito would watch this to maybe pass the time and have some fun while doing it, but he would definitely crack at least a smile at the most random punchlines of the show. It seems kinda out of character for him, but if you look at Kiyohito’s sense of humor and his personality, I do believe he would have a good time watching this.

- The Exorcist

I wonder why I think Kiyohito would actually be chill with horror stuff? Maybe because he is anyway so indifferent to a lot of things, haha. Kiyohito would be pretty okay with watching horror stuff, and most of his time would be spent on criticizing the actors’ makeup, I believe. I think Kiyohito would start watching this show with nothing really in mind and would end up having a neutral attitude towards it. Though yes, he may or may not use this show to scare Yosuke off when the latter gets too annoying. It’s a win-win.

4. Shun Randoh

Now, Shun being a director himself makes me think he would be pretty choosy about his shows. He would watch shows which have good direction and cinematography, mainly. Although he would watch a few comedies here or there, mostly it would be well-directed shows. Only the best for the brilliant director.

- Game of Thrones

Game of Thrones is known for its cinematography and writing, it’s plots and plot twists, and this is a show that Shun would definitely go for. Apart from the great storyline, I also think of Shun as a guy who would watch fantasy/action-based shows. Shun is also a highly seductive person, and he isn’t afraid to hide his sensuality, which is why I think he would also appreciate the rather erotic scenes of the show too. This show, for him, would be entertainment and professionalism combined in one, in a sense. While he would enjoy the scenes, particularly the erotic or sexual ones, he would also be looking at the show’s script and direction with a keen eye.

- Chernobyl

Again, a show known for its cinematography and storyline. I don’t think Shun would mind watching something on the darker side of the spectrum, and considering how well this show has been taken by the audience and people in general, he would be keen on trying it. The dramatization of the horrors and the domino effect of the incident unfolding one by one would have him on the edge of his seat, waiting for more. He wouldn’t mind watching something which is a historical-drama in my opinion and would actually, genuinely appreciate the level of detail put into this show.

- The Witcher

The Witcher is another show known for its writing and direction. Shun, in my opinion, wouldn’t mind watching some gore and blood and would take a liking to this show. He would particularly appreciate the combat scenes, the sword fights, and the slight touch of magical effects. Apart from that, he would definitely like the writing of the show, considering it is one of the show’s strongest factors. He would appreciate the beauty of this show, and even though he would like Game of Thrones a little better, he still wouldn’t miss out on this one.

Phew. That was a long one. Of course, these shows are just my opinion on what they would watch. But, I hope I met your expectations, nonetheless. Thanks for the ask!

[glowyjellyfish]

I just started rewatching Battlestar Galactica. Well, when i say just started, I mean i started two nights ago and I just finished season 1, so.

Firstly, at the beginning everyone is a tiny innocent baby and a sweet summer child (yes, even after their civilization gets destroyed. Sweet summer children all.), except Starbuck who is more of a tiny magnificent chaotic asshole.

Secondly, Baltar is one of my favorites and I think he’s among the best characters I have ever seen. His character development is phenomenal; I’d say he’s a stunning example of a redemption arc, but I’m not sure it totally counts when he was never really a villain at all. Arrogant, self-serving, and dickish, yes, but never deliberately evil. I love watching him break down and get built back up again, it’s a highly entertaining and often poignant roller coaster. And of course, he’s also just a delight to watch. I wish something like this had come up on the show, but I am convinced that people in the fleet--especially on Galactica and Colonial One--are well aware that he talks to himself and frequently disassociates, and chalk it up to trauma from being on Caprica during the attack. Sometimes I like to think that he 100% has that trauma and some degree of PTSD and Head Six took advantage of that state to set herself up in his head, but I’m not sure whether to make that headcanon or if it’s just a nice theory.

Thirdly, Gaeta is my favorite and I love him to pieces. The first time I watched when it first aired waaaay back in the day, I was rooting so hard for him to be a cylon, and I’m still slightly bummed that he wasn’t. I can’t complain about what he got as a consolation prize, going out with a bang and loads of juicy character development, with the added bonus that Anders also got some great character development. (Um, I should probably explain real quick that I read somewhere back in the day that when the writers were choosing the Final Five, it was kind of a toss-up between Anders and Gaeta, and they chose Anders. I felt validated that he was at least at the top of the list, and since I also loved cylon!Anders it proved to be a pretty good second choice for me. Believe me though, I wrote so many fanfics about how Gaeta might still be a cylon somehow, most of them super bad.) His whole development arc is less of a roller coaster and more of a long slow painful train wreck, and it’s gonna hurt so much but ugh I love it. Right now, at the end of season one, he is still such a sweet summer child, like my god he still has a crush on Baltar and hasn’t been disillusioned yet! And turns out I still firmly ship it. Gaeta’s got such a crush, poor boy, and it was so sweet and destroyed my little shipper heart at the end of Six Degrees of Separation when after a whole episode of everyone turning on Baltar and telling him they never trusted him and him freaking out, Gaeta came along and exonerated Baltar and told him he always believed in him. Awwww New Caprica’s gonna kill me, I swear. 

Chief and Tigh are also up there in terms of my favorites, and there’s always gonna be something wonderful about a rewatch and all those scenes where they’re talking about people being Cylons and suspecting people of being Cylons and hey guess what you two. Guess what.

On this rewatch, I really enjoyed seeing Lee acting as the compromise between the military and politics. I vaguely recall that that’s a major part of his character going forward, basically everything that isn’t Starbuck, father issues, or Love Quadrangle Of Doom, and am curious how I’m gonna see it now. Originally, I found him good for a hero character and reasonably interesting, and I seem to recall liking such plots as him quitting the military way more than other viewers, but he’s never been one of my favorites.

...I also feel obliged to point out that in these trying times it is very hard not to 100% agree with Tom Zarek. If he was a little less murdery, man. Of course, I should also point out that unlike some other viewers--no, I don’t remember specifics, I probably read opinions on a forum 15 years ago--I felt like the season 4 mutiny was bringing up some extremely valid points that needed to be addressed (even if Zarek was mostly using them as an excuse to coast to power and Gaeta was airing his grievances in the worst possible way when what he probably actually really needed was a lot of intense therapy) so perhaps this is nothing new. 

I’m also excited and scared for the President Baltar plot coming later, but in these times I am fairly certain my feelings will be “you guys are big babies. Oh boo hoo, your legally elected president is genuinely intelligent and charismatic and just happens to be rather self-centered and self-serving and shitty at governing, oh noooo he had to be held at gunpoint to sign death warrants for dissenters… grow up.” I… can’t take most “super evil villain becomes president oh no” stories seriously anymore, literally all the ones I am aware of were better than reality.

I don’t feel like it needs to be said, but Starbuck, Roslin, and Adama? All perfect and amazing, of course. They’re not my favorites, but that’s mainly because they are popular main characters, and I tend to prefer unpopular sideline characters and characters that need defending or merit lengthy essays. Everyone loves those guys for good reason, they don’t need me supporting them.

Also I forgot how precious Dee and Billy were, and how their relationship added interesting layers and angles to loads of plotlines. Makes me bummed about Billy (though I know it wasn’t the show’s fault), and then bummed that Dee got entangled in the Love Quadrangle of Doom, and then… kinda fridged to be honest. I wonder what would have happened with the Final Five if Billy was still around, would it have been Billy there instead of Tory? Or to keep the gender ratio and a touch of diversity, would they have gone with Dee? Would that have made them more or less likely to choose Gaeta over Anders, then? My gut says less, but who knows? It sure would have been rad if Dee got that much character development unrelated to romance, though.

It’s also weird how much I still keep trying to add things to the show’s arc and mythology to make it make more sense to me, personally. Like, logically I know that the whole thing is that god as spoken of by the cylons is 100% real, the head characters are literally communicating with people on his behalf, the opera house is the CIC and all the prophecies and stuff are leading to humans and cylons living together and interbreeding on Earth to make us. But I’m constantly trying to add things like “maybe the lords of kobol were twelve or thirteen original cylons on kobol 2000 years ago, and maybe they’re the head characters, like they ascended their physical bodies or something, and maybe the physical characters who look like the head characters are like the reincarnations of them or of the original humans they were modelled on, and the whole story is very similar and playing out again which is why certain characters have visions and stuff, but there have never been human/cylon hybrids before and that’s what god wants in order to end the cycle and/or because god is love god wants them to love each other and stop killing each other please? Maybe?” Shrug, I know some fans hate how spiritual it went, and I’m not one of them. I just prefer the slightly more humanist angle of reincarnation over literally just “god did it”. 

However, I am really enjoying just taking Head Six 100% at her word and watching her manipulate the fucking shit out of Baltar to get him reliant on her and in the position she needs him to be in. It’s kind of amazing. And also, fascinating to consider Leoben in Flesh and Bone in the context of knowing what happens to Starbuck. He absolutely knows that she’s going to lead them all to Earth and die in the process. I don’t think he knows any details at all, but it’s really interesting to watch assuming that he knows her fate. And I am not sure the show ever really explained why Leoben knows this stuff. Does he have visions? His own head person? Does he just sit and listen real hard to the Hybrids and interpret their sayings? ...I guess I do find it weird that the show chose to go so hard on making him creepy as fuck to her on New Caprica, and then apparently didn’t know a lot else they wanted to do with him, but we’ll see how I feel as it goes along.

Anyway, I think I’ve exhausted my most coherent array of thoughts. 

[a-shakespearean-in-paris]

Jaime Lannister was Personally Victimized

and so was I. An essay. Subtitled how we were wronged, how he was wronged, how Brienne was wronged, how Braime was wronged, and how years of development was wronged. 

Let’s begin.

Now couple of things: I don’t read the books (plan to now.) so I’m just mostly going off the show and specifically this season, because this season had 2 Jaimes. This is probably not academically sound, or too terribly coherent, but I frankly just want to get my thoughts out there, because I was plump bamboozled with “The Bells.” Not just because it ruined so many seasons of juicy, believable, utterly transformative character development for my personal favorite GOT character, (and many others as well.) but considering the episodes that came before this one, it made zero sense. Because let me tell you, in 8 x 02, this lowkey Braime shipper was turned into major Braime shipper in the span of one hour, and I was literally made to believe they were endgame. Maybe not ride into the sunset with a bunch of kids on Tarth endgame, but made explicitly clear without a shadow of a doubt that Brienne was Jaime’s soulmate, true love...or whatever you want to call it.

All of this... all for this to culminate in him going back to Cersei. All for all those seasons of change for him to revert to season one, episode one, the things I do for love Jaime. From a storytelling perspective, there is no satisfaction. and it makes NO sense. Now of course D&D are all about “subversion,” but what was done to Jaime was not a witty or clever subversion of a redemption arc, but a complete and utter cancellation of all those years of hard work that they put in and that Nik put in, in order to get us to like Jaime. Jeremy Jahns in his review on YouTube said it best: Jaime Lannister was stabbed in the back. Furthermore, what they did to Jaime, (and let’s face it, he’s not the only one in this catastrophe that was personally victimized.) basically posits the really terrible message that “you can’t change your nature or where you came from or be different from your parents. (Which is what happened in Dany’s case. To be clear though, I think the signs were there for her, but it was poorly executed.) 

Either way, such a great message. What happened to Jaime also made no sense from a character perspective. Sure, Mr. I don’t care about innocents. ha. ha. ha. I also totally stabbed a guy in the back when I was 17 because he was going to kill innocents, thus giving me my name and eternal shame. Ha ha ha, look how consistent I am.

You’re not the Jaime Lannister that came to Winterfell. Jaime Lannister died in Brienne’s arms one night and a robot was sent in his place to go to Cersei.

Now this post won’t be talking about the major character inconsistencies (sure you don’t care about innocents Jaime SURE.) or go more into the terrible messages one can get out of this season (and Game of Thrones in general) or go into more detail about how subversion and spoiler culture is ruining good storytelling, but I will say that it reads to me that because such a common theory before Season 8 was that Jaime was going to kill Cersei, D&D thought to themselves hmmm better not do that because that’s what people expect, and in wanting to shock and surprise they invalidated his growth and development by making him die with her. Oh look, D&D. So clever. Yet in stroking your ego you gave the people that once trusted you a taste of ashes. Like...people figuring out where things are going to go is actually GOOD storytelling. 

More so though, this will focus on how the episodes before this one were framed and how the tone was set up. Because watching episode 2, 3, and most of 4...they made me believe Braime was endgame. They really did. Then they turn it around and make me expect it was always Cersei? 

Utter garbage. Jaime was wronged. So was Brienne. that’s another post though. (so is Missandei, and Dany... and heck we can actually talk about who WASN’T wronged this season.) But with the Kingslayer, let’s get started and discuss how everything, literally everything, was set up in favor of Jaime’s redemption and endgame with Brienne, all for it to get, quite literally, squished.

(sorry if that was a bad joke considering)

Now into the meat and potatoes. First of all, let’s talk about Jaime’s look this season. Is he even blonde anymore?

Both he and Tyrion, who symbolically abandoned the Lannister crest seasons ago, sure aren’t sporting that golden blonde look anymore. I mean Tyrion kind of is, but compared to Cersei:

it’s nowhere near it for both these boys. (heck, I would even argue Jaime starts to lose his signature Lannister look when he meets Brienne.) However, if Season 7 Jaime chooses to hide his golden hand, the Jaime that walked into Winterfell with darkish hair, beard, and cute bangs is really, really removed from his Lannister golden lion look. Furthermore, he even said in 8 x 02 his golden lion days are done. Now why. Tell me WHY we do these things in the costuming department all to send him right back to the lioness? WHY

Now I said I wasn’t going to talk about the terrible themes and messages D&D are positing with this season, but I do have to say that considering episode 4, with Jon talking to his sibling-cousins, and Sansa, Arya and Bran’s discussion about not trusting people, and then Jaime going back to Cersei...the writers are really out here saying that family is all that matters. Literally all. And sure, I love my family, I have a great family. But sometimes, like with Jaime and Cersei, families are toxic. Sometimes the bonds you make with others that aren’t your family are more meaningful than the ones you have with blood. Sam and Jon are like brothers even though they’re not related, and Jaime’s bond with Brienne was far, far more meaningful than with Cersei. It was Brienne, not Cersei that elevated him into wanting to be a better man.

But lol, guess not. it’s like what that one guy from Aladdin yells at Aladdin, “YOU WERE BORN A STREET RAT, YOU WILL DIE A STREET RAT” except with Jaime it’s “YOU WERE BORN A LANNISTER YOU WILL DIE A LANNISTER” except Jaime didn’t get an Aladdin moment where he proves the snooty prince wrong--he just regressed and left his Jasmine all alone crying.

Another thing: ignoring the awful character growth invalidation, if Jaime was going to go back to Cersei just to be with her (and not kill her/convince her to stop as a lot of us, including me, thought in 8 x 04), there just wasn’t enough buildup for him to make this change in episode 4 come “The Bells.” He was happy with Brienne, smiling with Tyrion, (above gif) then he gets news from Sansa and he’s like nah I better bounce? I could buy Jaime thinking he has to save Cersei at least for the sake of the baby, an innocent life. I can even buy Jaime with a guilt complex, thinking he doesn’t deserve his happiness with Bri and it’s in his place to be by her side because of family and the things Tywin used to tell him...IDK there’s a lot we could speculate. But I cannot buy that the same man who walked out on Cersei in season 7 and then STAY AT WINTERFELL FOR A MONTH WITH BRIENNE would just be like...in the span of literally five show minutes with no real good explanation go nah it’s always Cersei when he showed it WASN’T. Now call me crazy, but this could have, could have been done in a believable way if we had seen the spiral. but we needed more with Jaime and Brienne, more hints with maybe his struggling to be happy but being guilty and him realizing he did have a child on the way, wanting to do better for that baby than they did to the others. Just a kind of ambiguous glance at Brienne after a session of sex (after their first time, which he was very enthusiastic about BTW) isn’t enough to convey such a drastic one eighty, nor is him looking pensive after another night with Brienne. (and you know they totally had oathsex that night. Bri was naked it looked like and she came out in robe.) 

Now had this happened, I would have still hated it for the terrible message about “always go back to your toxic family,” but it would have played out much more like a Shakespearean tragedy than a random and giant middle finger to Jaime’s arc and Brienne’s character for the sake of a subversion. And heck, I could have forgiven this too if “The Bells” played out differently, and Jaime, realizing Cersei is too far gone, does what we always thought he would do.

*sigh* 

Now let’s talk about him and Brienne and how it was filmed/framed. Now either I’m just naive or a big sap (truth to those statements), but it seemed to me that Braime was purposely filmed as though they were the OTP of this final stretch of Game of Thrones. episode 2-half of 4? this disaster human was all BRIENNE BRIENNE BRIENNE. All for it to go CERSEI CERSEI CERSEI. 

Episode 2 Jaime and episode 5 are not the same person, at all.  FROM THE VERY BEGINNING in episode 2, this man looked at Brienne of Tarth like she was the sun,the stars, his everything, casting glances at her during the whole “trial scene.” Talking to Tyrion, he plump ignored him to stare longingly at Brienne from the ramparts. He knighted her with such beautiful ceremony, and the way they looked at each other after? 

A knighting? A marriage? both? 

these people all think they’re going to die, but instead of lamenting Cersei, “all that’s mattered” at least according to “the bells,” (LOL) Jaime Lannister wants to give Brienne of Tarth this beautiful act of love. and symbolically marry her And then he looks at her and he’s THAT devoted and such a smitten kitten.  

Episode 3. He never left her side during the whole battle. He saved her, then she saved him. Then this shot:

and the other shot of them, fighting side by side? this is literally a fic trope. 

Ok so then the oathsex happens but before it happens, there’s a shot of oathkeeper in Brienne’s room, AKA the symbol of their bond and their love. Then they do it, and I know some people have mixed feelings about it, but I personally liked how it happened, even loved how it happened. It was awkward. Jaime said “I don’t want things growing on me” (though he’s made it pretty clear someone has grown on him, great line.) He liked it when she took charge. He reminded her it was a first time for him too. And then they have a kiss that really, in my opinion, culminates the years of bickering and sexual tension. It was my personal favorite GOT sexy scene, because it felt so real. He sleeps with her and they live like lovers for a month. They ARE lovers for a month or so.

and then he leaves and that look he gave her? 

that was the look of a man who thought he had to give up on his beloved. Not a man who didn’t love this woman anymore. He’s defeated and broken but he is not not in love.

basically, all the clues (and just THIS SEASON) led to Brienne being his true love. Not Cersei. In Jaime choosing Cersei over the woman who he looked at like he saw the sun not only has made the writers make some really unfortunate implications about toxic relationships, but they’ve also said that people can’t change. They’ve completely disrespected Brienne in the process, making her seem like she was just a blip on his radar... when she wasn’t. She was so much more. 

Now maybe all along, Jaime’s arc was not a redemption arc, but choosing who you want to be. Well, if that’s the case, it’s also a bad message. Apparently to D&D you can never change, you’re always doomed to head right back to square one, right back to “the things you do for love” and your toxic roots. If that’s the case then all Brienne was this season was a dangling carrot, a oh look what Jaime could have had if he wasn’t so addicted to Cersei.... sad sad SUBVERSION too bad he’s an ADDICT though! 

there’s no empathy. No respect. 

I have a bad feeling Bri’s pregnant too. And if that’s the case...if all this woman was supposed to do this season was carry the baby of a man who broke her heart just so the wheel wouldn’t truly break? They’re going to make Brienne just a vessel for a baby, making that Jaime’s “redemption?”

so in conclusion: I was not only infuriated because D&D invalidated so much growth in favor of witty subversion that’s not witty and actually tastes like ashes and proports a toxic message, but what was done tonally made no sense, because Braime was filmed like they were “right.” They also wrote a Jaime that’s more akin to Season One Episode One Jaime, and not the one that came to Winterfell because he made a promise.  

I have almost no hope he is alive, D&D said so... but hey stranger things have happened. Nik is being quiet and hasn’t said goodbye to his character like everyone else has whose died already, but maybe he’s just salty/had time to process what happened/just busy right now/ waiting until the last episode to make a final statement. I mean this guy is kind of a troll, but he’s a classy dude and did an amazing job. But if it’s true, if Jaime’s end was to die under a rock, to go deeper and kinda soften this, I do think the Jaime that “died,” wasn’t a Jaime that romantically wanted Cersei, but a Jaime who loved her, finally, like an actual brother and not...the stuff before. There was no kiss, just an embrace. Someone trying to make an ending not so scary. 

either way, I never expected or even wanted Jaime to survive Game of thrones until it freaking looked like that he was for a hot minute and get that good sweet ending with the one woman who he truly loved. But if he died,I wanted something better than what he got. I wanted Jaime to die as someone who did do something for love, but for a love that wasn’t a destructive one, or a regressive one. Not the same love as season one episode one, but a transformative love. Someone who did the right thing. For someone who made such an impact on so many people, he deserved better. 

And I hear rhetoric from some, mostly not on tumblr, that I should  have expected a fan favorite character like Jaime to get a shitty end, because GOT is about subversion. But GOT, above all, has to succeed as a satisfying story for the thing as a whole, and for the characters. It has to make sense. This makes NO sense. And Jaime, such an important character in the mythos, shouldn’t go out like that. Neither should Cersei TBH. She deserved more than standing by a window. 

George. Give Jaime better. Please. Not necessarily a ride into the sunset ending with the one who transformed him, but one where he knows he’s a better person and has been transformed. One where he knows he’s changed for the better.

*peace*

[sailor-cresselia]

Zero One 04: Watch out for incoming lore!

(And for incoming Riders and rocket fists.)

So, I’ve been having a lot of trouble freeing up the brain power to actually, y’know, even get myself to watch this week. It’s not that I haven’t wanted to, it’s just that I’m completely drained. So, this might not go as in-depth as I have in the past.

On a lore episode.

Ah well.

––

We’re starting this episode off with a bang – almost literally. The trip Aruto and Izu are on is to observe Anna, a tourguide HumaGear. At first, he’s still having fun, because, y’know, it’s a bus tour.

And then Anna announces that they’re coming up to the site of a significant event.

Aruto’s excitement drops off.

He was there, after all.

In Daybreak Town.

(One of the young boys who is also on the trip grows just as serious, looking down in the same way Aruto is.)

––

It turns out that Daybreak Town was a collaboration between the Japanese government, Hiden Intelligence, and a number of other corporations to design a city run by HumaGears. It was also where they launched the satellite from, the one that controls them.

We get treated to a diagram of several of the company logos spreading across the city, implying that they each were in charge of a district, before a ‘blueprint’ of the satellite.

I don’t like the phrasing said blueprint uses for some of the data readouts. There’s “Core Unit”, which is fine. The two “M-Wheels” are probably short for Motion, and what keep it stable. The section labeled “Life Line” is a little concerning. And I really, really, wish that Toei had chosen literally anything else for the bottom one, which reads “Slave Analyzer.”

Like, I know this is a Japanese show, and the kids probably aren’t going to be able to read it, but their parents? MAYBE! And since we’re dealing with ‘robots’ who are slowly gaining sentience… yeah. I’m not comfortable with this at all.

ANYWAY. Let’s leave the sub-text issues, and into the real-text issues, shall we?

And it sure is an issue!

Like I mentioned before I got off track, the city was an attempt to design an urban center run by HumaGears, as well as all sorts of research projects, including the satellite.

But 12 years ago, there was an accident in the Research and Development sector. It’s shown as a wide view of the city, showing just how large the explosion was – and it was big. And bright blue. You know. The same type of blue flame that we see in Aruto’s flashbacks.

But the damage didn’t stay in R&D for long, and it spread to the power infrastructure. In the end, the entire city was wiped out.

Even 12 years later, nobody is allowed in.

––

Back in the present, we see Anna and the school tour (and Aruto and Izu) at a viewing platform, with a view of the lake that the city has become.

At one very smug looking students prompting, Anna explains that the theory is that the incident was likely caused by faulty maintenance.

Aruto looks away, remembering how Isamu had said that the truth was covered up, that HumaGears had gone on a murderous rampage.

Nobody sees a certain hooded not-Gremlin approach the bus driver, tapping on the window with a Zetsumeriser and Zetsumerise Key.

Two kids start mocking one of their classmates, the one who had gotten as serious as Aruto earlier, saying that it was his dad’s fault, because he was the one in charge of the factory. One of them says that his dad blew the whole thing up.

The bus explodes behind them.

The bus driver, the soon-to-be-overwritten Bāsu, pulls out his key and ‘transforms.’ I know that his name is basically ‘bus’, but Rider Wiki also romanizes it as ‘Burs’, which I can only assume is because of his incredibly massive sideburns. Like, dang, those are big.

But we don’t have Bāsu for much longer, because he becomes the Onycho Magia, based off of the Onychonycteris, the most primitive form of bat. Interestingly, it may have been diurnal. The fossil record is inconclusive so far, but it may not have had the adaptations to echolocate, or the enlarged eyes that nocturnal bats have.

Something I’ve noticed is that most of the species that have been used as Magia so far have something in common aside from all being extinct: They’re mostly comparatively recent discoveries, and there are very few fossils that have been found of them. Just something I thought might be worth noting for the future.

Also, Onycho has huge claws on his ‘normal’ hands and also on each finger of his wings – remember, bat wings are technically webbed hands. Those ridges are fingers. Onychonycteris had claws on each finger, unlike modern bats, who only have two or three.

As Aruto yells for the kids to get out of there, Jin sits on top of a retaining wall, kicking his legs idly, and asks Onycho – who can’t hear him, anyway – to kill some humans for him.

Whenever he says that to his Magia… that’s the only time he’s really serious. That’s the only time he drops the smile.

Interesting.

––

After the OP, which I love, we cut to Onycho pursuing the tour group through a wooded area, Aruto herding the kids along. One of them, the one who was being mocked earlier, trips. As Onycho catches up, Aruto prepares to transform – but doesn’t get to do more than pull out his belt before shots are fired  from another direction. He hurriedly hides it behind his back as Isamu and Yua show up on scene – somehow – and transform.

Of note, Isamu still has to force his Key open, and he’s still punching the bullet. Yua has no such issue, and just lets her armor form, before they go on the offensive.

She’s still quick and efficient, while he’s more of a wildcard whose primary mood is ‘gun.’

Onycho quickly gets out of range when he goes to hang upside down on a high branch, and then flies away. (There’s an ‘analyzing’ sound effect as Izu watches him fly off.)

The two agents detransform as they go up to Aruto, the boy, and the two functioning HumaGear. Isamu points out that ‘Oh, look, Hiden’s president is here. Again.’ But the boy, who’s been sitting on the ground, curls in on himself, saying something about wondering why this is happening to him.

Both Isamu and Aruto look at him in concern.

––

Back in Aruto’s office, we have Aruto, Izu, Anna, Isamu, and the boy. Said boy’s name is Sakurai Gou, and his father was one of the victims 12 years ago.

I can’t help but wonder just how many people died that day.

Especially when Gou says that people have always told him that it’s his fathers fault it happened. That’s an awful lot of weight on a teen’s shoulders. And, Isamu, I know you mean well, but I don’t think that’s quite the way to go about reassuring a kid that it’s not his dad’s fault. Usually, people don’t react well to someone saying that it was HumaGears, who were designed to kill.

Although, Gou seems to take Isamu’s claim that it was HumaGear who leveled the factory in stride.

Isamu, of course, doesn’t take Izu’s statement that ‘there are no records to back up his claim’ very well., yelling that it’s because it was covered up.

Anna points out that the consensus is that it was caused by faulty maintenance.

Aruto looks down as he wonders if the concensus is the same things as the truth.

Anna watches him, just like she’d watched Isamu during his claim that Daybreak happened because of the HumaGear.

––

Outside, Isamu and Gou are leaving, and Gou says that he wants to know the truth.

Isamu asks if he really feels that way, and when Gou nods… he says that he does, too.

“Hey, kid, want to go break into a secured area?”

––

Ohhhh, man, I like Serious Aruto.

He’s flat out interrogating Jun, asking what happened at their factory 12 years ago.

But all that Jun will say is that he can’t recall.

Anna and Izu both call him out on this – not activating their look-up functions, by the way. Anna asks why there’s no record of the HumaGear uprising. Which implies that she knows there was one, somehow. Izu says that a cover-up seems intentional.

Aruto knows he’s hiding something, the way that Jun is so nervous makes that pretty clear. And he’s not a comedic nervous, like we’d expect from his characterization in the first three episodes. No, he’s scared… and maybe ashamed. Especially given how, as he takes his leave, he says that ‘sometimes, the way business works means that you have to keep the truth in the shadows.’

So, there’s definitely at least one layer of cover-up here. Probably more than one, in fact. This is written by the same guy as Ex-Aid, after all.

––

Later on, Anna and Aruto – without Izu, it would seem – are basically confirming to each other that they want to find out the truth.

Anna is looking into this because, as a bus guide, it’s her duty to know the historical facts of her tour. It’s her duty to make sure the truth is known.

Aruto says that he guesses they’re going back to Daybreak Town then. After all, he’s the president. He can’t ignore an employee in need.

He’s not saying that he wants to know, too. Not out loud, anyway.

––

The next day, at the entrance to Daybreak Town, Gou and Isamu are… actually breaking into a secured area. I mean, it was a foregone conclusion, but I didn’t think they’d be this blatant about it. Isamu’s even got a huge bag with him, probably with some sort of camera equipment or something. They’re not alone, though, when Yua steps in front of the gate, asking what they think they’re doing.

What they think they’re doing is that they’re going to find the truth.

She sighs. She’s not going to be able to stop them, is she? So, Yua pulls out a grey Progrise Key, and offers it to Isamu. She does say that it’s ‘high performance’, and he probably won’t be able to use it. He asks why she’s giving it to him, then, which is a valid question.

Yua just warns him to not forget what his job is.

Isamu takes the Punching Kong key, tucks it into his suit jacket, and takes off his tie, smirking. “Actually, I’m off duty today.”

––

As Isamu and Gou are about to set out on an inflatable motorboat – which appears to somehow be what he had in that giant bag – Gou isn’t sure if they’ll really find anything by going out there, to which Isamu says that they’ll just have to try.

And then a bunch of Trilobite mooks come up – some of them still saying ‘intruder detected.’

See? This is what he means by a cover-up!

Isamu’s shooting some of them down, but one gets close to Gou-

And is tackled into the water by Aruto.

Isamu accuses him of being there to make sure they don’t see anything they aren’t supposed to, but Aruto shoots that down. (Heh.) He wants to know what happened, too.

Completely ignoring Izu’s protests about ‘protecting his secret identity,’ he pulls out his belt and stands next to Isamu.

“Do you want to die, get out of- wait what’s that belt?!”

Aruto, with his serious face on, promises, as Hiden’s president, that he’ll find the truth, and transforms.

Both Isamu and the Trilobites dodge the heck out of the way of that robot grasshopper – and yet he still can’t believe his eyes when he’s standing next to Zero One.

Aruto tells Anna to go with the two of them – it’s a tour guides job to make sure her guests get to their destination, after all. He takes over fighting the Trilobites, as they head out.

––

Ohhhh. I’ve just realized that comment I made earlier about the rarity of the species used for the Magia. I’m making a separate post right now, but I’m copy-pasting it in.  

The skeletal design of all the Magia isn’t just to make it easier to repurpose the suits - it’s because they’re all using extinct creatures as their base. They’re all fossils, themselves.

The main Magia, the corrupted ones with powers, are all powered by creatures that have relatively few examples in the fossil record.

The mooks, however, are Trilobites. This doesn’t just allow the anonymity factor with the shell acting as a mask.

Trilobites are incredibly common, and as such, make the perfect option for a swarm of faceless cannon fodder.

––

In the flooded ruins, Isamu, Gou, and Anna make their way to what used to be the control room of the factory, where Gou’s father worked.

It’s also where the explosion started.

Why… is Anna the one searching for things to help them find the truth? She explicitly says that she will look. That’s odd.

And why would the control room be where an explosion started? Why not, say, the factory floor, or a lab, or a test area?

Why the control center?

––

On the shore, Zero One handily dispatches the Trilobites with a Shark-powered Slash finisher. Much like his Impact finishers, it involves the sword summoning a giant hecking row of sharks teeth.

I love this seasons fights.

And here comes Onycho, swooping in with energy spheres to blast our hero back. Aruto tries to jump after him, to bring him down to the ground, but he can’t jump high enough on command to catch up to someone who’s continuing upward, and misses.

As he picks himself up, Izu throws him a Brand New Toy Progrize Key, which fortunately he catches. Y’know, unlike the unfortunate incident with the Attache Calibur in episode one.

WING

When the robo-bird is beamed down, it attacks Onycho for a while, before Aruto finally uses the key. And there are bright pink feathers fluttering around whenever it hits, too, which is really cool!

Fly to the sky! Flying Falcon!

Spread your wings and prepare for a force.

…We’re never going to see this form again.

Not with how Zero One immediately rises into the air, and doesn’t even try to land as he and Onycho start an aerial fight over the lake, swooping around the buildings, firing attacks, Aruto streaming pink and yellow energy effects with every movement.

This thing requires far too much CGI for us to see it more than… I’d say about one more time in-show, and maybe in one of the movies. Maybe.

This is GataKiriBa all over again.

Also, as he’s flying around, Izu waves, wishing him a safe trip.

Izu, I love you.

––

In the office, Gou’s given up. He can’t find anything… it must have been his fathers fault after all. Why bother looking any further?

…son of a- Toei named this kid Gou on purpose, didn’t they? I was initially thinking, ‘oh, hey, they’re reusing names, that’s nothing new.’ And then I just remembered that ‘Oh, right, the main Gou’s father actually was to blame for the robot uprising in Drive!’

Anyway, significant name reuse aside, the kid’s surrendered, but Isamu encourages him to keep looking.

And then the Trilobites show up. Even as he’s fighting them, Isamu keeps giving small!Gou a pep talk. It can’t have been his fathers fault, it was the HumaGear! So if you don’t believe in him, who will?

Isamu, I get it, but, uh, maybe don’t take this much of this particular trait from Mach? The one where you say that a human can’t have be to blame, it’s the out of control robots? I’m just saying. I doubt this kids father in particular was to blame, but I’m pretty sure at least one human was very heavily involved in what happened here.

Looking at you, Grandpa Hiden. You are very much not above suspicion.

Isamu’s statement, as he is getting very beaten up, that “if you stop now, it’s all over, so raise your head and keep going’ seems to be as much to himself as it is to Gou.

And he’s getting very beaten up, so he pulls out the Punching Kong key.

I’m pretty sure that not only did Yua not unlock it, he’s also opening them wrong. I know that’s just a joke theory at this point, but it really looks like he’s actively blocking the part that swings out when he’s holding the keys, so I think he’s making it worse on himself.

Whoops.

It’s still not fair that his transformation is this cool. This time, instead of punching the bullet dead on, he backhand punches it. Because why not.

Punching Kong!

Enough power to annihilate a mountain.

…Huh. The keys that Vulcan and Valkyrie use don’t have the pre-announcements that Zero One’s keys do. Like, he has the whole ‘fly to the sky’ for Flying Falcon, and the ones for Rising Hopper and Biting Shark, but there’s no such announcement for the three AIMS keys. Interesting.

As Vulcan starts wailing on the Trilobites, Gou takes his advice to keep going forward to heart, and starts looking again. Good thing he looked right in front of him, because he finds an SD card with the Hiden Intelligence logo on it.

According to Anna, it’s the memory chip for an older model of HumaGear. She inserts it into one of her earpieces to start reading the data.

…Maybe you shouldn’t be doing that in the middle of a battle area? I’m just saying. Maybe, you know, wait until you guys are out of there?

Yeah, see? Aruto and Onycho crash in through a wall, and the Magia fires off a set of cables, overtaking Anna. Nobody is okay with this, least of all Anna.

Who is fighting back. She lasts longer than any of the other Trilobite transformations we’ve seen. The overhaul completes, and ‘she’ goes after Gou, grabbing him by the neck… and as Vulcan aims his ShotRiser in her direction, she stops, and her ear pieces start flashing between the hacked red and their native blue.

…wow…

“Now p-playing… f-footage from-”

She activates her ear pieces to play the security footage. And it is still Anna in there. She’s fading fast, but she’s still there. She is so intent on seeing this through… I hate to say this, but Anna would have made an excellent Magia, wouldn’t she?

––

The footage is absolutely heartbreaking.

Gou’s father, Sakurai Satoshi, is in his office, lit by red emergency lights. He’s recording a last message.

“All HumaGear in the factory have gone berserk! The factory is likely going to explode. All the employees should have evacuated, so…”

The monitors are overtaken with static, and the regular displays are hijacked to play a message. A shadowed figure with rectangular yellow eyes stands in front of a purple background, with the logo of metsubojinrai.net in black.

He’s declaring their war against humanity, their intent to destroy the town and annihilate all humans.

But Satoshi says he won’t let that happen. He refuses.

He pushes one of those big red buttons, the ones that should never need to be pressed, closing all gates. He’s sealing all the HumaGear inside… as well as himself. As the head of this factory, he will take responsibility for making sure they are destroyed.

As the emergency alert continues to sound, calling for evacuation, he takes off his microphone headpeice, and all but falls into a chair.

“Gou…”

The scene is covered in flames, before the footage cuts out.

––

As Anna’s hand falls from where she was projecting, she manages to say – without any of the usual broken stutter – that the database is being updated with regards to Daybreak Town. She slumps down, inactive.

Aruto is quiet as he says that Gou’s father was a hero.

Isamu is quiet, trembling with rage, as he says that this wouldn’t have happened if HumaGear didn’t exist. He prepares his finisher.

Why does he get such AWESOME FINISHERS?!

The default Punching Kong finisher? The ‘Punching Blast’?

It’s rocket fists. He literally shoots his gun – and by that, I mean the fists of his armor turn into rockets, going after Onycho, pushing him through three levels of ceiling and out into the sky, where they go right through him.

As the fire from the explosion channels down the GIANT HOLE IN THE CEILING, the fists return and reattach to his armor.

Yo.

Isamu seems… I don’t know if determined is quite the right word? But he’s almost calm as he tells Aruto that AIMS will be confiscating the HumaGear (Anna) and analyzing it’s (her) memory to uncover the truth behind Daybreak-

A spike lands in her back as he says this, and she glows purple, before… well, I hate to phrase it like this, but she basically pops. I wish that wasn’t the sound effect they used, but it’s a dissolving sound effect combined with a balloon bursting. She’s turned into motes of purple light, and is gone.

Aruto and Isamu – still transformed, mind you – run over to where she was, confused.

…The spike didn’t glow, but we didn’t see it after the light passed.

––

A figure in purple, with a yellow belt and rectangular eyes on his helmet walks away, and removes his progrise key from his belt, detransforming into Horobi.

Jin bounces behind him, calling him cold for doing that.

Horobi doesn’t change his neutral expression much as he says that it would cause too much trouble if anyone found out about the Arc. Or, maybe it’s supposed to be Ark? It’s hard to say. But he smirks at the end, before he and Jin walk away.

Well, Horobi walks. Jin is skipping.

––

The next day, we see that the news is reporting on how Hiden Intelligence released new information on Daybreak, showing that the incident wasn’t what was on the record, and that they had obtained footage of those final moments.

Gou’s classmates apologize to him, for being so mean, but he seems okay with it. (He probably wouldn’t have been so determined to find out what happened if they hadn’t been.) As the news report, given via those giant heli-drones, ends, they head off to school.

Aruto watches them from a pedestrian bridge, and Isamu walks up to him and Izu.

“So, you really meant it when you said you wouldn’t cover anything up.”

“And you wouldn’t have known what happened if you had destroyed Anna right away.” Aruto smiles gently, before the comedian sound effects start kicking in. Oh no.

The Awful Pun Of The Day as Aruto flips up his hood is something involving being a ‘hood guy’, or telling Izamu not to ‘sweater it.’

Apparently, the original pun is a combination of the phrase for being indebted to someone, but part of the phrase also contains the term ‘to wear’, as in clothes, so he’s saying this while putting on his hood.

Aruto, please.

Isamu trembles while he’s still facing Aruto, and walks away as Izu starts explaining the joke. Aruto’s desperate attempts to get Izu to stop doing that mean that he doesn’t hear as Isamu almost lets a laugh escape, even while desperately trying to regain his composure.

Isamu’s willpower fails during the closing screen, and we hear him laughing as the Flying Falcon and Punching Kong Progrize Keys show up on screen.

––

Oh, nooooo, the next episode looks like it’s about relegating entire tasks to HumaGear, and also about passion for one’s work.

You know, getting heated.

And Izu’s line in the trailer actively asks if humans have trouble regulating their temperature if they get too passionate.

In the episode where Zero One’s fire form debuts.

Oh boy.

––

So, that’s episode four! I guess I still wound up going pretty in-depth, huh?

Man, the aesthetic of this show. It’s really cool, and I love the music, too.

Zero One really isn’t shying away from the ethics of what’s going on here, is it? And it’s not dodging the terrifying backstory, or putting it off until later.

I hope they can keep this momentum going!

[memes-saved-me]

It was in fact Hopper who noticed first. The kids being too swept up in their own lives and school drama to see it. The subtle touches, the leaving early, the looks and gazes from across the room but most importantly the swapping of clothes. Just an odd shirt here or there, a jumper definitely owned by one of them on the other.

Little things no one else noticed or cared enough to connect. However, Jim had very basic training and the past few years had taught him how to collect clues, what to look for and more importantly come to conclusions.

A conclusion that confused him for longer than he would admit. Monsters and little girls in the woods was one thing, two teenage boys together was something he had never personally seen first hand. He had read the stories from the big cities of boys dying alone in hospitals after being abandoned by their parents, an act he didn't understand at all.

The thought of leaving your own child like that was something he could never do, no matter who they loved. You should feel lucky to have had so long with them, some parents lack such luck.

He had heard rumours from time to time, hushed whispers received with a gasp or a scowl. But never did he think the resident bad boy and the son of rich family up town to be what he had heard about from time to time.

Of course, he never said anything. His conclusions being just that, a theory with no actual proof. That was until one night the station received a call from a concerned neighbour on Old Cherry Road. Shouting and banging coming from next door.

He took it, knowing exactly who lived there and what went on but not having the chance to catch it in motion.

As he pulled up outside his concern rose significantly when he saw the familiar BMW parked on the curb. When he got near the front door he could hear the yelling, so loud he knocked to no answer.

"You think you can just walk away after coming into my house and-," Hopper kicked open the front door to find a scene he had feared as the worst.

Neil Hargrove had Steve Harrington by his hair only a few inches from the coffee table's edge, bloody to the point of unrecognisable. His hands limp on the top in an attempt to push back against the force of being smashed into the wood. Billy Hargrove was close by, crawling towards them on his front.

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[real-life-pine-tree]

Show Reviews: The Good Doctor

Normally I’m not a big fan of hospital drama shows, but this one is an exception. It’s basically about a surgeon named Dr. Shawn Murphy, who has autism. And as someone who’s actually autistic, I can honestly say that the way it’s portrayed is very realistic. Unlike The Big Bang Theory, it’s not treated like a joke and it showcases the struggles of having autism while dealing with a normal society. And for me, we need that kind of representation.

In the very first episode, they outright stated the different levels of autism, which is very important. I was lumped in with lower-functioning kids during my entire school life, so having a show say high-functioning people aren’t like low-functioning people. And I agree. My mind works in a different way compared to most people, so I’m smart in my own way. And because I think differently compared to most people, I’m more than happy to present a new perspective to others.

Of course, this show isn’t entirely happy. A lot of the panic attack moments that appear in later episodes have often left me with a sad pit in my gut. And in the Season 3 premiere, there was a whole speech showcasing the struggles of autistic people dating. That speech left me in tears. I completely relate to those struggles. And a moment that sticks out to me was in all the way in Season 1, where Shawn felt the need to find something even though it was nighttime, and then having a compelling urge to do something right now instead of later. Those two moments always tend to happen to me, so I fully related to that scene.

Overall, I love watching this show. While it’s mostly a drama and I prefer happier shows, I will continue to support the series with all my heart. It’s practically an incredible, well-written show and I highly recommend watching it.