#or grammar exercises

[gnomewithalaptop]

Fuck yeah just knocked out 20 of my 50 missing assignments for устная речь

[literaryvein-reblogs]

How to Improve your Writing

Rick Riordan's Writing Tips

Rick Riordan:

Taste is subjective, and opinions differ about what "good writing" looks like. Most of us have read a bestseller or two and wondered, "How did this thing get published?" Nevertheless, I would argue that most work does not get published unless it demonstrates a certain level of technical competence. The grammar is correct. The prose is readable. I would further argue that most manuscripts are rejected because the writing is not technically competent. The manuscript never stands a chance because the writer simply doesn't know the craft of writing well enough. If you write well, you have already set yourself apart from 99% of what agents and editors see every day. Below are some notes on what I call "sentence level competence" — the ability to craft prose at the most basic level. These tips reflect the most common problems I've observed in unpublished manuscripts.

Sentence-Level Competence

Sentence focus — the subjects of all clauses should be appropriate to the content of the sentence.

Favor the concrete over the abstract, the antecedent over the pronoun.

Example: It was a sunny day. (the subject "it" is boring and vague.)

Better: The sky was brilliant blue. (Here the subject is sky, which is what the sentence was supposed to be about.)

If you are writing a sentence about a guy named Fred, the subject in the sentence should be (surprise!) Fred.

Exercise

Go through a page of prose and underline your own subjects.

How many are abstract?

How many of your sentences are truly focused?

Modifiers

Be sure the modifier refers to the right thing.

The modifier should refer to the closest noun.

Confusing modifiers will trip up the reader, consciously or subconsciously.

By the same token, pronouns should have clear antecedents.

Always place the modifier as close to the subject as possible.

Example: Can you help other writers who are writing books like me? (I got this question recently. I understand what the person is saying, but 'like me' follows the word 'books' so he is implying, without meaning to, that there are people producing books that look like him.)

Better: Can you help other writers like me who are writing books?

Exercise

Color-code a page of your manuscript, making each phrase and clause a different color.

Match up dependent clauses and phrases with their modifiers.

Avoid getting your modifier too far away from the thing being modified.

Deft Description

Choose your details carefully.

A description should be vivid, but surgically precise.

The detail must be given for a reason, and have a logical connection to the plot or advancement of character.

Avoid long "grocery lists" of details.

For a paragraph-length description, offer a uniting theme — an extended metaphor — to give the details cohesion.

Example: He was six feet tall, three hundred pounds, with brown hair, small brown eyes, a big nose and big fists. He wore jeans and a muscle shirt. He looked angry. (this is way too much description for the reader to keep track of, and it is offered as a random list)

Better: He looked like a rhino, ready to charge. (then you can pick a few details that reinforce the image of a rhino)

Exercise

Go through a chapter and delete all adjectives and adverbs.

Read through, then add some back in sparingly.

You may find you can do with less than before.

Parallelism

Clauses or phrases that are part of a list should be similar in structure.

Unparallel constructions are awkward and difficult to read, even if the reader can't put her finger on the exact problem.

Example: He likes dogs, hiking in the woods and reads books a lot. (Dogs is a single noun, hiking in the woods is a participial phrase, reads books a lot is a simple predicate. These are all totally different things. Make them the same, and the sentence will flow much better.)

Better: He likes walking his dog, hiking in the woods, and reading lots of books.

Exercise

Try constructing your descriptions in parallel units — absolutes, infinitives, adjectives.

Source ⚜ Writing Notes & References

[littleplantfreak]

Say my name - Sakura Haruka

Normally I'm bad with titles but without further ado! A ficlet(?) about Sakura struggling to call his lovely partner by their first name! It's SFW (but still under the cut) btw

I tried to keep it they/them for neutrality but if you find a stray 'she' somewhere that's my bad

(˵ •̀ ᴗ - ˵ ) ✧

“I really don’t know what to do with him Suo! Every time he tries to say it he just freezes and sputters until he calls me ‘you’ or he changes it to another word last minute. Last week he tried so hard he nearly turned purple and gave himself a headache!” whining, you practically drape yourself over the table in defeat.

“Wow…our captain really is shy when it comes to that stuff, huh?” Suo’s holding back but you can tell he wants to laugh. Once Sakura shows up he’ll throw a teasing remark or two in but you’ll still be at square one.

“Maybe a nickname? Or what if you don’t look at him when he says it? What if he spells it out-“

“I don’t think we need to go that far,” interjecting gently before Nirei could start going through an insane list of things that may or may not actually work for the present problem, Suo leans forward, looking at you from across the table. “There’s something we can try that might work if you're up for it."

——

It’s not a bad plan actually, if more simple than you thought it’d be. You’re waiting behind the support wall in the middle of Cafe Pothos, obscured from anyone just walking in. Nirei and Suo are at the same table near the front that you were at before, and Kotoha is cleaning dishes at the sink, though she knows what’s going on and has a ear turned towards the main stage of this event making sure she doesn’t miss a thing.

From where you’re peeking before Haruka opens the door, you can see Nirei’s tense shoulders, both trying and failing to appear casual not that your boyfriend will pay it any mind. Sometimes you're afraid he'll end up like Hiragi and his nervous stomach issues. Suo is the picture of tranquility as he eyes Nirei’s notebook before greeting Haruka. You hear your boyfriend stop, possibly looking around for where you said you’d be waiting for him earlier.

“Where’s-”

“A-ah…”

“Bathroom~,” Suo singsongs smoothing over his partner’s stuttering. “By the way, Nirei’s been wondering about their first name! It seems the notebook page he has on them is incomplete without it…” he’s drawing attention, not to the boy himself, but the pen and notebook he’s gripping on to waiting on Sakura to take the bait. Nirei had opted for silence as he clicks his pen and as if to write it down.

"It’s-" a short pause before he actual says the full weight of your name, matter of factly too, without fumbling it at all and you’re suddenly too giddy to contain yourself.

“S-Sorry I wasn’t listening. Could you say it again?” Nirei squeaks out.

There’s annoyance in his voice as Sakura says it again, and before he can get anything else out, you’ve decided this is your cue.

“Yes, Haruka?” You blink looking at him, poorly portraying innocence but you can tell blood is rushing to your face and you cannot rub your smile off if you tried.

“Oh my~ Sakura you’re so bold calling your partner by their first name!” Red eyes glittering wickedly as he taunts “How romantic!” He gasps with a hand over his mouth. Looking flustered but proud is Nirei, nodding vigorously, and Kotoha giving Sakura a pat on the back in congratulations. You’re proud of him yourself, despite having to coax your name out of him with the help of his vice captains.

He's wide-eyed going between you and Suo, gears clicking in to place that he'd been set up as he settles for firing at the brunette "Wha- you- I'm GONNA KNOCK YA-,"

"Oookay we're heading out now!" Before he starts a fight, you link an arm through his and begin leading him towards the door. He’s puffed up like an angry cat but his body completely yields when it’s you who’s maneuvering him away the cafe after saying a quick goodbye to everyone.

It's quiet, the path you take through town on the way to your house and he doesn't look at you when he mumbles a quiet apology. You aren't quite sure what he’s apologizing for but you stop walking and wait for him to start speaking again.

“Sorry fer takin’ so long to say it.” He’s still not looking at you but your heart breaks a little at how small he sounds. You touch his cheek enough for him to turn and look at you, uncertainty clear in his bi-colored eyes.

“Honey I never meant to rush you. If you’re still working on it that’s okay! I never wanna make you feel uncomfortable,” brows knit together in worry now that you’re holding his face in both hands, searching signs that you took it too far.

“I think I’ll be able to say it now - especially if it makes ya look as happy as ya did at the cafe. Not all the time, but when we're alone I think I can." He’s almost fully settled into your hands now, melting into warmth he’d been craving since he woke up this morning. He always wondered how such soft hands could touch something as rough as him and still continue to make the effort to hold him. You wait for him to finish soaking up his much needed affection for a few more minutes and then you're both walking again, slowed by the urge to stay close for as long as possible.

----

"...and she popped out from behind the pillar and said "Yes, Haruka?"" Kotoha mimics your voice as she's giving Umemiya the rundown of what he missed.

"He's growing up so fast!" He wails theatrically wiping a tear from his eye.

"He's changed a lot since he came here, and even more since they started dating. I think he's getting soft with how fast they were able to drag him away without a fight."

"So he went from alley cat to house cat huh. Nothing wrong with that." he grins digging into his omurice. Kotoha smiles and hums in agreement. Nothing wrong with that in the slightest.

[eusuntgratie]

thank you for the tags @firstprincehornyramblings & @thighzp <3

sharing something a little different today. i've wanted to translate one of my shorter fics into spanish forEVER but always get stuck and give up. but i'm feeling inspired by @jocarthage's arabic and english drabble so i decided to give it a shot.

who knows how long it will take me to finish but here's a bit of baby, it's alright, my nora's pov of caulfield fic, en español

Ella sueña. No hay nada por ella aquí, entonces ella duerme, y piensa en las cosas buenas una y otra vez para que no las olvide. Oasis, antes de Jones. Los árboles, las flores, el cielo. Tripp, cuando no se duele demasiado pensar en su cara. Louise, segura y feliz, sonriendo y bailando con Roy. Walt, su cara dulce y sus abrazos cariñosos. A veces ella se pregunta dónde está Walt ahora. Ella piensa en él feliz y saludable con una familia que le ama. Sonriendo en el campo de las girasoles. Bailando cerca de la mesa. 

no pressure tagging @lostcol @bigassbowlingballhead @basil-bird @stratocumulusperlucidus @taste-thewaste

@onward--upward @rewritetheending @jbarneswilson @onthewaytosomewhere @firenati0n

@catdadacd @insecuregodcomplex @faketrex @jocarthage @beautifulcheat

@cha-melodius @sheepywritesfics <3

[bngrc]

Can someone explain to me, are alternatively link me to a grammar resource that explains the difference in usage between:

什么都不/没

什么也不/没

一点都不/没

一点也不/没

I've seen all of these pop up as various ways of expressing "not at all." I'm mostly confused about when to use 也 vs 都.

ETA:

Okay, based on the responses I've received, I think there's some major confusion regarding what kind of explanation I'm asking for in this post.

I am NOT asking about the general differences between 也 vs 都.

I am also NOT asking about the general differences between 不 vs 没.

I am asking about the 4 phrases I listed. The SPECIFIC 4 phrases that I listed:

什么都不/没 i.e. 我什么都不知道 - I don't know anything at all

什么也不/没 i.e. 我什么也没干 - I didn't do anything at all

一点都不/没 i.e. 这对他一点都不好 - This is not good for him at all.

一点也不/没 i.e. 我一点也没生气 - I am not angry at all.

I am ONLY asking how to differentiate between these 4 phrases, and these 4 phrases alone. All of them seem to mean basically the same thing, so I'm asking how I pick between them when trying to express the concept of "not at all."

That's it.

[dany36]

IT’S HERE!!!! 😍😍😍😍

[kerizaret]

Ougghh I hate learning vocab 😔😔😔

[mylanguageclasses]

Understanding 〜てばかりいる in the Japanese Language

Japanese is a language rich with nuance and subtle grammatical expressions. One such structure is 〜てばかりいる, a phrase used to indicate that someone is repeatedly or exclusively engaging in a specific action. In this post, we will explore the formation, meaning, nuances, and advanced usage of this structure. Additionally, we include example sentences, interactive exercises, and practice questions to…

[floof-writes]

WARNING: this post includes some negativity about something you might love: D20’s The Seven, specifically choices made by Sephie about Sam Nightingale’s actions and backstory

TL;DR- (Disclaimer, I'm only to episode 5) The way Sephie chose to play Sam makes her seem aloof, toxic, disingenuous, and attention-seeking compared to the rich found-family themes of past Fantasy High seasons and to her fellow characters in this season. Less importantly but still frustrating, she doesn't follow the 'one leveled spell a round' rule. If she had all these flaws and was also funny, I might forgive her. But, alas.

Watching The Seven right now for FHJY and while I have countless good things to say about it, forgive me for instead ranting about the fan beloved Sam Nightingale. While I understand that many people love it, Sam/Sephie’s stage mom backstory gets on my fucking nerves. Especially the viral video thing in episode 5. Sephie blows up a bit (a bit in a comedy show! They're always doing bits!) into something big and then chooses to duck out instead of committing and resolving. I LIVE for emotional moments in D20, I seriously do, but whatever Sephie has been doing just doesn’t work for me. It feels cheap. D20 emotional moments have a ton of build-up through comedy/resistance, and I hate to say it, but Sam is not a funny character. I’m not saying she’s not realistic- she’s traumatized and is going through a lot, but Sephie is playing her in the wrong genre. D20 is a comedy.

Here's the thing: Ally also gets criticism for playing Kristen in a really explicit and overt way, trampling over other roleplay with her trauma, and that is true (sorry Kristen, ily!), but at least what Ally did is funny. Sam isn't. Sephie almost nailed it when Rebecca revealed she was getting divorced- her reaction was both real and comedic, but later when she called Penelope it felt forced/spotlighty/too soon, especially considering she didn't even have a mirror charge left. And that attention-seeky vibe isn’t helped by the fact that Sephie chose to play an ex-child actor: a real-life tragedy that almost always comes off as cheap when fictionalized.

But the parallels between Ally’s Kristen and Sephie’s Sam don’t end there! One of the biggest reasons people were annoyed by Kristen was Ally’s (and to an extent, Brennan/fellow player's), absolute ignorance of the rules about concentration spells, which made her really overpowered in season one. My argument against this as a newbie dnd player was always ‘rule of cool, it was fun to watch and fun to play so it doesn’t matter!', but as a more experienced player I finally understand that frustration even though I tried not to feel it. The same thing happened with Sam in ep 4- she casts two leveled spells in a single turn with Quicken Spell (Lightning Bolt and Fly, and again later with Enthrall and Suggestion), which makes her seem crazily overpowered despite the fact that she’s a 3/6 multi-class among a 9th level druid and a 9th level cleric. Now, don’t get me wrong, I love a good multi-class, but she shouldn’t be outstripping them so handily (Yielle also fucking slayed this fight though).

[A proposed alternate turn for her second mistake: Quicken spell to Enthrall and then use her winged boots and second action to attack the harpy and catch Penny (a ranged cantrip (LIGHTNING LURE) or a weapon attack if the DM allowed that to cause her to drop Penny, opposed strength with Danielle’s Bear Totem advantage if not). It would have been just as cool and displayed better teamwork, plus it was an opportunity to roleplay bonding and show gratitude for the Feather Fall that saved her fucking life.]

In fact, for me, there’s only three rather subjective reasons why I adore Kristen so much and find Sam super annoying: 1. As we've been over before, Kristen is funny. Sam is not. 2. I personally really relate to Kristen’s Overpowering Trauma (tm) and as an amateur actress, find bitter child actress plots absolutely inconceivable (Disclaimer:Jeanette McCurdy’s ‘I’m Glad My Mom Died’ made me fucking lose it). And 3. Kristen's story is about finding love (of herself through romantic but most importantly platonic relationships), supporting others, and understanding the world. Caring so much she self-destructs. Even her famous rule-breaking was usually caused by a conflict with Bless, a spell she cast every time to protect her friends. But Sam has thus far rarely displayed unselfishness, despite knowing the Maidens for nearly twice as long as Kristen knew the Bad Kids by the end of Season One. Kristen was self-centered in that Ally often drew the focus of roleplay towards their character's own issues and sub-plot, (or by being the purest form of the new player paradox and asking to do something crazy.) Sam is self-centered in that same way, and also in that she is literally selfish. Antiope says 'I have an opportunity' and instead of saying 'I get it, the pressure of having a parent who doesn't understand you changes everything, but even then a part of you still wants what they want for you' she says 'so you won't be there for me? How could you?'. Penny saves her life before being snatched into the air like a mouse to a hawk, and Sam is the only one who can fly but she plays the harp instead of helping her in return.

ALL the maidens lost months to more than a year of their lives. All the maidens are grappling with generational expectations, trauma, and pressure just like Sam. The big what-if at the end of highschool. I was only going to point out Antiope and Penny, but this actually seems to be a major theme of the season, since Ostentatia and Zelda also have overt themes of this.

Look, if you’re gonna play angsty, there’s a trick to it. There's this highschool level acting advice I've heard so many times: The worst choice you can make on stage is to be bored, because what is the audience to do except be bored as well? Similarly, if you choose to play disconnected, then how is an audience supposed to connect? In a group of people who have vocalized endless support for you, ‘I’m fine, I'm fine' (as shown in episode 5's viral video scene) is just dishonest, and it's honestly a betrayal of Sephie’s fellow actors who are working to improvise a history of openness and support with Sephie’s character, just so Sam can seem aloof and angsty. Break down in their arms, Sephie! Get flustered and run away! Either ‘I Kiss Her And Skateboard Away/I Burn Two Luck Points To Stop Riz From Finding Out’ OR ‘I Need Everyone To Dogpile On Me Right Now/I Kiss Everyone On The Mouth’ levels of teen angst are needed for this to be actually funny. Sam could've had something unique and iconic up there with Kristen and Fig's struggles with being known, but she isn’t cringefail enough. She's not relatable, and she claims to be bitter but really she's just mean. And again, I never said she isn’t realistic- real life people do the ‘I’m fine’ thing. Real life teenagers make a big deal out of something to tease out sympathy/curiosity over a Hidden Trauma and then duck out of an explanation for the attention of it all. But it isn’t funny and it feels OOC for a maiden who had a year and a half to become fucking codependent (/pos) with these other six girls.

Rant over, something positive to end the post: TaleSpire is so fucking cool! Physical battlemaps are awesome but you couldn't do a 700ft+ chase battle on the dome's tabletop. They really took advantage of using a virtual tool this season and did something they couldn't do otherwise. (Plus the fact that TaleSpire is treated like video game software and has a one time purchase fee instead of a subscription based model is fucking awesome!)

[nerice]

*adds a third book to my daily japanese rotation* because i am normal

[mainfaggot]

it's been a long fucking week. (it is Wednesday evening)

[imtryingtolearngerman]

Japanese exercise

Fill the blank

Vocabulary cheat:

有名 = famous

女優 = actress

Answer in the comments

[what-the-stories-have-foretold]

Every day I wake up and think about streaming

[true-blue-sonic]

I want to create a Japanese langblr but I have NO IDEA how to tackle it rip

[superfluouskeys]

my undergrad had this specific language learning system that involved, in addition to regular classes, going to "drills" at some horrible hour of the morning where usually an upper level student would randomly call on ppl to drill the language. in theory i can see the benefit of this but at the time i was just way too much of a fuck up to benefit from it lol, like it was a miracle if i made it to class AND the drills you feel me.

anyway i think today was the first time i've EVER felt the benefit of half-asleep language practice LOL i did my little green owl exercise while waiting for my coffee and actually felt my brain going oh wait yeah hold on i know this hold on hoooooooolllllllld on ok im here

[fingertipsmp3]

Friendship ended with google sheets, now filofax is my best friend