I'm not a writer but i had this thought so- bear with me, yeah?
For months Eddie hears all about how cool and badass Steve Harrington is, yeah, but you know what he also hears about? How Steve and Robin are made for each other and how cool and pretty Robin is and how stupid it is that they're not a couple for some dumb reason, like Steve not wanting to be with a band geek and still clinging to high school hierarchy. And in all of the things Dustin says about Steeeve Harrington, that last part is the only thing that fits into the Munson Doctrine, so obviously everything else Henderson is saying is what's skewed in his little shrimp world view.
Steve Harrington thinks he's better than a band geek and that's why we won't look twice at a girl that would be perfect for him (according to Dustin Henderson, so... still questionably trustworthy information). Eddie probably assumes Dustin is talking up how close Steve and Robin actually are, just how he's exaggerating how close Dustin himself is to Harrington (like that would impress Eddie and the rest of Hellfire??? He really doesn't know how to get through to the little sheep that his worship of Hawkins' most notorious square is a detriment to his character and not something Eddie would find impressive. If it was real. Which it obviously isn't. Anyway-)
Turns out? Steve Harrington? Actually a cool dude. Not cool as in popular but cool as in "holy shit did he just bite that thing's head off???? Oh and he's not even gonna brag about that, it's just nbd, yeah sure, cool cool cool be fucking cool Eddie, oh god he's talking to me why is he talking to me" and just, chill to hang out with. After the whole shit show went down. Who would have fucking thought, huh? (except for Dustin Henderson, yeah yeah yeah, shut up)
So now Eddie has to reevaluate some other assumptions he made. Maybe Dustin was right and Steve actually is cool and badass, and he and Buckley actually are as close as he had said (and they really fucking are! He has seen them give Keith eerily matching bitchy looks for trying to schedule them on opposing shifts and basically bully the guy into changing the schedule around so they can spend as much time as possible in each other's presence. It's enough to make a guy question his own friendships when sometimes a few hours of band practice are enough to make him want to never see any of those chucklefucks again. Of course, that feeling abates but seriously, how are those two never sick of each other??)
So if they're as close as advertised but not a couple (and after meeting everyone Steve cares about and they're basically all nerds so the "Harrington thinks he's too good for a band geek" thing can't actually hold true-) what is the hold-up? Why aren't they a couple? And somehow, somehow Eddie comes to the conclusion that Steve is in love with Robin. Steve is a serial romantic (emphasis on romantic) and while his love life isn't the talk of the town post-earthquakes as it would have been before, people do still talk about the fact that he hasn't taken out a girl since it happened.
Which brings us to a day in summer, maybe fall, after Eddie has seen Steve look wistfully at a young couple with a baby, that he shows up at Robin's door step.
"Eddie? Hey what's up?"
"Good, good, how are you? Uhh can I... can I come in?" There's a nervous energy around him that is immediately infectious and she leads him to the living room where he immediately starts walking back and forth in front of the couch. She watches him for a moment, hands fluttering through different motions trying to find one that might calm him down before giving up on that. Instead Robin swerves around him, clambering onto the couch and wrapping her arms around her right leg, putting her head on her knee. She follows Eddie's path with her eyes and decides to wait before quickly realizing that she can't, actually.
"As riveting as it is watching you walk a groove into my parents' rug, do you maybe want to say something? I mean I can definitely talk enough for the both if us if that's what you want it's just that I have the slight suspicion you've got something you need to get off your chest" Eddie stopped walking halfway through her monologue and starts nodding.
"Yeah. Yeah yeah yes you're right it's just- I haven't a hundred percent made up my mind about saying something", Eddie has one arm wrapped around himself and uses the other to alternately play with his hair and gesticulate at her, "because on the one hand it's a little bit driving me crazy, maybe, but on the other hand this is none of my fucking business" And Robin who was worried at first just because Eddie is nervous, then for a second because she was scared he was going to confess to a very ill-advised crush on her, is stumped. What the fuck is this about and why did it bring him to her of all people?
"Just say it you weirdo", is what decides to comes out of her mouth but it doesn't even matter because half of her sentence is layered with his "Are you aware Steve is in love with you?"
[here we're facing the issue of me not actually being a writer and pretty much running out of steam but we also haven't reached the part that sparked this whole thing yet, which is wild - let's just pretend I wrote a very funny dialogue between those two in which Eddie confronts Robin for stringing poor Steve along ]
There's a moment when they're both silent and there's a moment when they're both talking and then there are steps coming down the stairs. They make a smirk grow on Robin's face that is starting to worry Eddie when not a parental figure but Steve Harrington steps through the doorway. He's wearing sweatpants and a shirt that might be Robin's and there's a headband pushing his hair away from his face.
"Don't yell at me for coming downstairs, you took forever and the first layer... is... dry....", he stops in his tracks the moment he looks up from his bare toes and sees Eddie. Then he very quickly rips off the headband and slings it somewhere to his right into the unknown of the hallway.
"Hi Eddie. What's... up" Eddie is going to sink into the floor and never come up for air again.
In the meantime Robin stood up on the couch to sit cross-legged on the back of it for a better vantage point and is steepling her fingers in front of her face. Eddie is getting the distinct impression he's missing some crucial information here.
"Stevie, babe, platonic love of my life-", Steve nods for her to go on, "you know how we decided I get a veto on your romantic life because we realized droves of suboptimal dates actually make you miserable so we're going for quality over quanity for the first time in your small-town Casanova life?" Steve has that cute little crease between his eyebrows while he's looking back and forth between Eddie and Robin, trying to figure out what's going on but he rolls his eyes at the end of her sentence, back in familiar territory. "Yes, Robin-"
She interrupts: "And you know how I also reserved the right to give a shovel slash molotov cocktail talk to anyone we deemed worthy of being a potential future partner?" Steve's face somehow shows an emotion that can only be encapsulated by "?!" as he glances to Eddie before shifting back to Robin with just the "?" remaining.
"First I have to say I'm personally very pro, I loved this experience; Eddie here really made a fool of himself, very worried for your delicate sensibilities and how I'm breaking your sweet little heart." "...what...?"
"So: what's the verdict on a potential future partner giving me the shovel talk?"
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Do yourself a favor and take a seat for this one fam 👍
I fell upon a point
The axis of the spectrum
To bathe in abstract joy
Or die without direction
Determined steps we take
But please, for goodness sake
We’re not gonna make it out alive
I sit for wasted days and toil in desperation
To weep beneath a sky of fractured indication
Let faith lead you down
But please, for goodness sake
We’re not alive; we’re just getting older
I would help you, but I can’t
Seems that time got the upper hand
To live yet never understand
Is there a purpose?
But you look like heaven crashed on your shoulders
And you look like heaven crashed on your shoulders
And you look like heaven crashed on your shoulders
And you look like heaven crashed on your shoulders
But you look like heaven crashed on your shoulders
(Do we)
And you look like heaven crashed on your shoulders
(Deserve this)
And you look like heaven crashed on your shoulders
(Do we)
And you look like heaven crashed on your shoulders
(Deserve this)
Live by the subordinate belief
That we are more than this we live
By the subordinate belief
That we are more than this we live
Okay so you guys are just gonna have to trust me on this one. This came from an(other) anon source since the link on Way Back Machine is dead. This was published to Ves's YouTube channel on July 15, 2012. The description said something along the lines of this (basing it off memory, it's very loose):
I wrote this song about the idea that humans have evolved beyond our means. We suffer implications due to our sentience and awareness of our world, which leads us to questions we cannot answer. Animals are programmed to fear death but they probably aren't aware of its inevitability, where humans most certainly are, but are totally powerless to stop it.
Update on this song as of December 2023:
Two different Anons provided me with more background info. The first screenshot is the original description that Ves had (he also worded things in a much better and more Vessel way than I did lol). The second screenshot is copy+paste text from the lyrics portion below the description. I updated the lyrics to reflect the text.
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For the Halsin "don't deserve to see the sun again" theme, if the player fails to break the Shadow Curse before starting act 3, when they say goodbye to Halsin in the Shadow-Cursed Lands, he says, "I will miss you, my friend. Perhaps our paths will cross again some day, if the sun ever shines on this place once more." So... more of Halsin viewing the sun as a reward of sorts, or at least the absence of light as the ultimate punishment
It's about...the cyclical balance of the Sun being the most powerful of lifebringers, as well as the most dangerous of killers. It's about wishing for nothing more than to see the light after eons of darkness, but it blinds and burns you as it's primary reward; and your body sings for it - it has sung for it since the dawn of all times. No matter the hardship to bask in its presence, it is still, in the end, a symbol of hope. And isn't it - for those brief moments of happiness it brings the spirit - worth the hardship for a chance to have it look upon you again?
Purple prose aside, as the Sun is a life bringer, and there were entire druidian rituals and worship surrounding the Sun, I'm not surprised many of Halsin's tidings of bad fortune in his mind is an absence of being able to reap its benefits - whether that be figuratively or literally is up to interpretation (I think it's a bit of both).
It's also worth noting how one of his main wishes is that *everyone* can see the Sun, at all levels and walks of life, and that it is something that should never be limited to one's "worth" in society. It is a right, not a privilege.
Which does make Orin's mocking: "I do not deserve to see the sun again." twist the knife a little deeper in the gut.
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okay maybe this one's a bit of strech and i'm just trying to find something that isn't there or maybe i'm pointing out the obvious but it's still so interesting to think about
each one of the guy's numbers include some sort of alteration to their costume (noel's lingere, mischa's wedding attire, ricky's idon'tknowwhattocallit), the closest we get to that with any of the girls is constance letting her hair down
ocean didn't need to since she was clearly already very sure of herself, jane doe had no idea who she was, a blank slate, and by the time her number came around constance was all for accepting who she was. but the guys? in their lives they all hid behind some sort of cover-up for the way they actually saw themselves/wanted to be because there was always something stopping them (noel's mother + the fact he was the only queer kid in uranium, mischa's home life + his mother's supposed death, and ricky being patronized and babied because of his disability) from being their real, authentic selves.
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